Biography. Mikhail Shcherbakov, biography, news, photos Biography of Mikhail Konstantinovich Shcherbakov: childhood and the beginning of creative activity

Performs at concerts solo (with acoustic guitar), or with the participation of Mikhail Starodubtsev (acoustic … Read all

Mikhail Konstantinovich Shcherbakov (born March 27, 1963) is a Russian poet, songwriter and performer.

Born in the city of Obninsk. She has been writing songs since 1978. Lives in Moscow since 1982. Graduated from the Faculty of Philology of Moscow University in 1988. Since that time, he has been a professional songwriter.

He performs at concerts solo (with acoustic guitar), or with the participation of Mikhail Starodubtsev (acoustic guitar, backing vocals), with whom he has been collaborating since the mid-80s. All recordings are also made with the participation of Starodubtsev, mainly with a synthesizer (since the mid-90s). Producer and sound engineer - Igor Gryzlov. Shcherbakov sometimes takes part in the recordings and concerts of Yuli Kim.

According to Dmitry Bykov, Shcherbakov is the largest Russian poet of our time.

Unofficial page:

Mikhail Konstantinovich Shcherbakov - Russian poet, author, performing his own works. Since 1979 he has been writing poems for which he has been writing songs published in various formats: audio cassettes, CDs, as well as books with lyrics. He continues to be creative to this day.

Biography of Mikhail Konstantinovich Shcherbakov: childhood and the beginning of creative activity

The poet and singer was born on March 27, 1963 in the city of Obninsk, Kaluga Region, 105 kilometers from Moscow. He studied at one of the schools in his hometown, from which he graduated in 1980. According to Mikhail himself, the poet became interested in creativity already in the eighth grade, then he began to create songs on serious topics. Shcherbakov made his first recordings in his last year of study at an educational institution. However, the poet almost does not remember what he wrote about in childhood. Mikhail's great successes in his work were influenced by his environment: they were serious people who were a source of inspiration and encouraged him to graduate from the university in order to get a good education. Thus, he graduated from the Faculty of Philology of Moscow University at the Department of Russian Language and Literature, having studied there for 6 years. Studying did him good, because at that time the poet was fond of books, read them in large quantities.

Career

After graduating from the university, Mikhail took up the matter seriously: he began to perform professionally on stage with his works. Sometimes he performed them alone, and sometimes together with his namesake, colleague, duet partner, playing various instruments, Mikhail Starodubtsev, with whom they even made recordings together.

Shcherbakov simply called his genre “song”, without unnecessary descriptions and specifics. In the works, only his intonation, idea, personality sounded, where the inner world of the author himself is expressed. At first glance, his work may seem complicated, but that is why it is so popular among people.

Performances and first compilations

Since the 1980s, Mikhail's works began to gain popularity, and for the first time he performed on stage in front of the audience and released one of the first collections. These are: "Cherry Jam" (1994), "Another Life" (1994), "Balagan 2" (1996, 2001), "City City" (1996), "It Must Happen" (1996) and more than 20 collections .

Feedback on Shcherbakov's activities

Julius Chersanovich Kim - Soviet and Russian poet, composer and screenwriter expressed his opinion about Mikhail Konstantinovich Shcherbakov. In his speech before Shcherbakov's concert, he admitted that he puts the poet on a par with such famous personalities in Russian poetry as Joseph Brodsky and David Samoilov. Julius Kirsanovich admires the fact that Mikhail devotes his whole life to writing poetry, not being distracted by extraneous matters and not doing anything else. According to Kim, the poet does not need teachers, he is rather a master himself. Julius even dedicated several poems to Mikhail Konstantinovich.

Bulat Okudzhava, a well-known talented poet, also spoke positively about Shcherbakov's work, emphasizing that Mikhail Konstantinovich revived the art song genre, slightly transforming it for the better.

There are also negative reviews about the poet's work, which are mainly aimed at the fact that Mikhail devoted himself to the genre (author's song), whose popularity has long weakened. Nevertheless, most of the figures believe that it was Shcherbakov who gave him a "second wind", writing such vital works that not everyone can understand if they don't think about it.

present tense

Mikhail devotes himself entirely to poetic activity. He "serves poetry." In the works of late creativity, Shcherbakov focuses on Russian classical literature. In the period from 2012 to 2018, the poet wrote more than 30 songs and released several CDs. He also continues to arrange public performances, delighting the audience with his thoughtful and original performance.

Currently, the poet is engaged in creativity and lives in the city of Moscow. Now on the Internet and social networks you can even find many photos of Mikhail Konstantinovich Shcherbakov, where you can see how he completely and completely devotes himself to the career of a poet and does it with love and pleasure.

The personal life of the poet

Since Shcherbakov refuses to give interviews to journalists, almost nothing is known about his personal life. One thing is clear: he plunged headlong into creativity, completely devoted himself to the cause, which is both a hobby and a job for him.

Interesting facts about Mikhail Konstantinovich Shcherbakov

1. Performing on stage, writing texts and performing them is the poet's main and only source of income. That is, he earns his creative activity, and he does it very well.
2. Mikhail does not like to give interviews, he believes that journalists and interviewers should not invade people's personal lives, so there is no information about Shcherbakov's views and ideals.
3. At the university where Shcherbakov studied, he worked for a short time as the artistic director of a musical group, but the poet is ashamed and does not want to talk about it.

Mikhail Konstantinovich Shcherbakov(b. March 27, 1963, Obninsk, Kaluga region, RSFSR, USSR) - Russian poet, author and performer of songs.

Biography

Born March 27, 1963 in Obninsk. He studied at the Obninsk school number 4, which he graduated in 1980. Science fiction writer Roman Zlotnikov graduated from the same school at the same time as Mikhail Shcherbakov.

She has been writing songs since 1978. Lives in Moscow since 1982. Graduated from the Faculty of Philology of Moscow University in 1988. Since that time, he has been a professional songwriter.

He performs at concerts solo (with an acoustic guitar), or with the participation of Mikhail Starodubtsev (acoustic guitar, piano, back vocals), with whom he has been collaborating since 1981. All recordings are also made with the participation of Starodubtsev, mainly with a synthesizer (since the mid-1990s ). Shcherbakov sometimes takes part in the recordings and concerts of Yuli Kim.

Discography

Numbered albums

Released in the first half of the 1990s only on cassettes, almost all of the material was subsequently re-recorded and released on CD:

• 1 - songs 1981-1985, recorded in 1985
• 2 - songs from 1983-1986, recordings from the early 1990s
• 3 - songs from 1987-1990, recordings from the early 1990s
• 4 - songs from 1989-1990, recordings from the early 1990s
• 5 - songs from 1991-1993, recordings from the mid-1990s
• 6 - songs from 1989-1994, recordings from the mid-1990s
• 7 - songs from 1993-1994, recordings from the mid-1990s
• 8 - songs from 1982, 1990 and 1994-1995, recordings from the mid-1990s

Albums of the mid-1990s

• Cherry jam (1994) - songs 1983-1988, recorded in 1990 (© Melodiya State Enterprise), acoustics
• Another Life (1994) - songs 1986-1994, recordings 1993-1994
• Balagan 2 (1996) - songs 1983-1993, recorded in 1996 (© "Exit Department"), acoustics
• City City (1996) - songs 1993-1995, recordings 1994-95
• It's Got to Happen (1996) - songs 1986-1994, recordings 1992-1995
• Spell (1996) - songs 1982 and 1989-1995, recordings 1992-1995
• I erected a monument (1996) - songs 1985-1991, recorded in 1996
• Whole Summer (1997) - songs 1995-1996, recorded 1996

Much of the material from these albums has subsequently been re-recorded or re-released on other albums.

Albums with new material (for synthesizer)

• False Step (1999) - songs 1997-1998, recorded 1998
• Dj (2000) - songs 1998-2000, recorded 1999-2000
• If (2003) - songs 1999-2002, recorded in 2002
• District Center (2006) - songs 2003-2005, recorded in 2005
• Other music and more
  • part 1 (2010) - songs 2006-2010, recording 2008-2010 with 5 bonus tracks (from the album "If")
  • part 2 (2013) - songs 2006-2013, recorded in 2013 with 4 bonus tracks (3 - from the album "If", 1 - new)
  • part 3 (2015) - songs from 2006-2015, recorded in 2015 with 7 bonus tracks (all the remaining not re-released from the album "If")

Archival records

• Chanson (1999) - songs 1981-1983, recordings 1983-1985, released by Igor Gryzlov (as noted on the cover of the disc - with the connivance of the author)
• The Tireless Ark 1 (2001) - songs 1983-1990, recordings 1987-1990, acoustic
• The Tireless Ark 2 (2001) - songs 1983-1990, recorded 1990, acoustic
• Balagan 2 (2001), reissue of the album Balagan 2 (1996) with a bonus track (6 songs, recorded in 1996)

New recordings of old songs

(under the synthesizer, except for the album "Favorites, part 2")

• Favorites, part 1 (1999) - songs 1982-1996, recorded 1999
• Favorites, part 2 (2000) - songs 1983-1999, recorded in 2000, acoustic
• Once (2002) - a new version of the City City album, with a changed order of songs and a bonus track (1 song), recordings in 1999 (from the album Favorites, Part 1) and 2001.
• On foot from the East (2004) - songs from 1982-1995, recordings from 1999 (from the album "Favorites, Part 1") and 2003
• Suppose (2004) - songs from 1982-1995, recordings from 1999 (from the album "Favorites, Part 1") and 2003
• The Whole Summer (2005) - a new version of the album, recordings of 1999 (from the album "Favorites, Part 1") and 2004-2005, with bonus tracks (3 instrumental compositions remade from songs of 1980-1984)

Collections

In 2003, Shcherbakov's collection was released in the series "Russian Bards" (MOROZ RECORDS), compiled from recordings from the albums "Favorites, Part 1", "Once", "False Step", "Dj".

Stages of the creative path

1. 1978-1981 - more than 100 songs were written, most of which the author considers "non-existent". As a rule, these songs are not included in his current repertoire.
2. 1982-1988 - about 100 songs were written, 80 of them were subsequently released on CD, the author continues to perform about 20 songs of this period at concerts, sometimes apologizing for the imperfection of the texts; about 10 poems of this period are known that did not become songs.
3. 1989-1995 - about 130 songs were written, 128 of them were released on CD; the books "Cherry Jam", "There was no poison" (both 1990), "Another Life" (1996) were released.
4. 1996-2005 - written and published (by the spring of 2006) 80 songs; new recordings of about 120 previously written songs have also been released.
5. 2006-2011 - 18 new songs were written and performed at concerts, 11 of them were included in the album. The book "Thirteen Discs" (2007) was published.
6. 2012-2016 - 25 new songs were written, performed at concerts with different frequency.

Mikhail was born in Obninsk. He studied at the fourth Obninsk school and graduated from it in 1980. Already in the eighth grade, according to Shcherbakov, he began to write serious songs. In the last class, he began to make the first records, as there was always a need to listen to himself from the outside. To his surprise, all records instantly dispersed.

In those years, the novice bard still did not know how to work on the word, moreover, he did not consider that it was necessary. He does not remember his early songs, he never performs, although at that time he wrote more than a hundred songs.

The company around him was quite serious. It was these people who inspired Michael to start studying academic wisdom. It was they who made it clear to the novice bard that none of them would take him seriously and would not communicate with him on an equal footing until he graduated from the University. Where exactly to do, Shcherbakov did not care. Moscow State University was considered the best among all. That's where Michael went. It was also important for him that this university was located not far from the Kyiv railway station. For him, as a visitor, this factor mattered. He was nineteen when he became a student at Moscow State University, enrolling in the Faculty of Philology. The graduation diploma was received by Shcherbakov in 1988. Bard recalls that he studied without distinction. Studying at the University had a positive effect on him, because at that time he read a lot.

The beginning of the career of singer Mikhail Shcherbakov

After graduating from Moscow State University, Mikhail Shcherbakov became a professional singer-songwriter. He started performing in concerts. Sometimes these were solo performances, sometimes together with Mikhail Starodubtsev. They made notes with the same Starodubtsev.

Throughout his life, this poet and performer earned exclusively by literary work. Although immediately after Moscow State University, he worked for a short time as the artistic director of one of the musical groups, which he does not want and is even ashamed to remember.

The genre in which Shcherbakov works, he himself calls simply “song”, without going into such concepts as “author's song” or “home-made song”.

The word bard is not very applicable to Shcherbakov, it is "narrow" for him. It would be more correct to call him a poet who serves the cause of poetry. He understands his occupation as a kind of mission, treats it with full responsibility, putting forward high quality requirements.

Shcherbakov started very early and immediately powerful. Already from his first songs it became clear that he was a talented author and performer. Since he did not start any of the bards. Michael asserted his personality, his theme and his own intonation. This theme and intonation turned out to be understandable and close to the eighties, since his songs express their inner world, one might say - the world, if not of a whole generation, then of a considerable part of it.

Mikhail Shcherbakov - Trumpeter

Mikhail Shcherbakov is an established bard whose poetry and music are inseparable. He found his audience, which continues to expand.

Shcherbakov never gives interviews, he believes that journalists invade his personal life. Because of this, little is known about some of his views on some things and events, about some details of life. Julius Kim speaks of Shcherbakov as an assertive and persuasive bard. Bulat Okudzhava said that this bard has prospects. And Alexander Dulov was surprised that with such complex verses, Shcherbakov had a huge number of admirers. His work continues to cause heated debate. Opinions about him are different, up to the opposite.

Shcherbakov has repeatedly said that he began to write under the influence of Kim. Some early verses clearly confirm this.

Mikhail Shcherbakov - Cherry jam

I must say that in the eighties all intellectual youth were familiar with his work. He himself never joined any communities, did not participate in competitions or festivals. Its theme is the meaning of life, love and death. The text of his songs cannot be retold shorter than the author wrote, and his melodies are practically unreproducible.

Mikhail Shcherbakov at present

Shcherbakov is constantly researching and studying the Russian language, as well as the features of its sound, all this is reflected in the sound of poetry. For example, he likes the way iambic sounds, when it is sung rather than spoken. It can be said about the work of the early Shcherbakov that he was guided by the Russian classics, by its imagery and themes. In later compositions, this connection with the Russian classics is more tangible, both Chekhov's sadness and Tolstoy's removal are heard in them. Despite the fact that Shcherbakov's language is sensitive to innovations, it is rich in exquisite archaic turns of the past and the century before last.

It can be said that Shcherbakov's style is focused on the plasticity of the imagination and the demonstration of the richness of the language. The songs of this bard may seem difficult to understand, but how could they be so popular if they were too complex.

Personal life of Mikhail Shcherbakov

Shcherbakov lives and writes in Moscow. Very little is known about his personal life, since the poet himself refuses to be interviewed.

Mikhail Konstantinovich devotes all his time and himself to writing poetry. He can be called a one hundred percent bard, since in life this is his only occupation.

Biography

Performs at concerts solo (with acoustic guitar), or with the participation of Mikhail Starodubtsev (acoustic guitar, piano, back vocals), with whom he has been collaborating since 1981. All recordings are also made with the participation of Starodubtsev, mainly with a synthesizer (since the mid-1990s ). Shcherbakov sometimes takes part in the recordings and concerts of Yuliy-Kim.

Discography

Numbered albums

Released in the first half of the 1990s only on cassettes, almost all of the material was subsequently re-recorded and released on CD:

• 1 - songs 1981-1985, recorded in 1985
• 2 - songs from 1983-1986, recordings from the early 1990s
• 3 - songs from 1987-1990, recordings from the early 1990s
• 4 - songs from 1989-1990, recordings from the early 1990s
• 5 - songs from 1991-1993, recordings from the mid-1990s
• 6 - songs from 1989-1994, recordings from the mid-1990s
• 7 - songs from 1993-1994, recordings from the mid-1990s
• 8 - songs from 1982, 1990 and 1994-1995, recordings from the mid-1990s

Albums of the mid-1990s

• Cherry jam (1994) - songs 1983-1988, recorded in 1990 (© State Enterprise Firm Melodiya), acoustics
• Another Life (1994) - songs 1986-1994, recordings 1993-1994
• Balagan 2 (1996) - songs 1983-1993, recorded in 1996 (© "Exit Department"), acoustics
• City City (1996) - songs 1993-1995, recordings 1994-95
• It's Got to Happen (1996) - songs 1986-1994, recordings 1992-1995
• Spell (1996) - songs 1982 and 1989-1995, recordings 1992-1995
• I erected a monument (1996) - songs 1985-1991, recorded in 1996
• Whole Summer (1997) - songs 1995-1996, recorded 1996

Much of the material from these albums has subsequently been re-recorded or re-released on other albums.

Albums with new material (for synthesizer)

• False Step (1999) - songs 1997-1998, recorded 1998
• Deja (2000) - songs 1998-2000, recorded 1999-2000
• If (2003) - songs 1999-2002, recorded in 2002
• District Center (2006) - songs 2003-2005, recorded in 2005
• Other music and more
  • part 1 (2010) - songs 2006-2010, recording 2008-2010 with 5 bonus tracks (from the album "If")
  • part 2 (2013) - songs 2006-2013, recorded in 2013 with 4 bonus tracks (3 - from the album "If", 1 - new)
  • part 3 (2015) - songs from 2006-2015, recorded in 2015 with 7 bonus tracks (all the remaining not re-released from the album "If")
• Khorovod (2017) - songs 2010-2017

Archival records

• Chanson (1999) - songs 1981-1983, recordings 1983-1985, released by Igor Gryzlov (as noted on the cover of the disc - with the connivance of the author)
• The Tireless Ark 1 (2001) - songs 1983-1990, recordings 1987-1990, acoustic
• The Tireless Ark 2 (2001) - songs 1983-1990, recorded 1990, acoustic
• Balagan 2 (2001), reissue of the album Balagan 2 (1996) with a bonus track (6 songs, recorded in 1996)

New recordings of old songs

(under the synthesizer, except for the album "Favorites, part 2")

• Favorites, part 1 (1999) - songs 1982-1996, recorded 1999
• Favorites, part 2 (2000) - songs 1983-1999, recorded in 2000, acoustic
• Once (2002) - a new version of the City City album, with a changed order of songs and a bonus track (1 song), recordings in 1999 (from the album Favorites, Part 1) and 2001.
• On foot from the East (2004) - songs from 1982-1995, recordings from 1999 (from the album "Favorites, Part 1") and 2003
• Suppose (2004) - songs from 1982-1995, recordings from 1999 (from the album "Favorites, Part 1") and 2003
• The Whole Summer (2005) - a new version of the album, recordings of 1999 (from the album "Favorites, Part 1") and 2004-2005, with bonus tracks (3 instrumental compositions remade from songs of 1980-1984)

Collections

In 2003, Shcherbakov's collection was released in the series "Russian Bards" (MOROZ RECORDS), compiled from recordings from the albums "Favorites, Part 1", "Once", "False Step", "Déjà".

Stages of the creative path

1. 1978-1981 - more than 100 songs were written, most of which the author considers "non-existent". As a rule, these songs are not included in his current repertoire.
2. 1982-1988 - about 100 songs were written, 80 of them were subsequently released on CD, the author continues to perform about 20 songs of this period at concerts, sometimes apologizing for the imperfection of the texts; about 10 poems of this period are known that did not become songs.
3. 1989-1995 - about 130 songs were written, 128 of them were released on CD; the books "Cherry Jam", "There was no poison" (both 1990), "Another Life" (1996) were released.
4. 1996-2005 - written and published (by the spring of 2006) 80 songs; new recordings of about 120 previously written songs have also been released.
5. 2006-2011 - 18 new songs were written and performed at concerts, 11 of them were included in the album. The book "Thirteen Discs" (2007) was published.
6. 2012-2017 - 27 new songs were written, performed at concerts with different frequency and released on CD.

Criticism

I am especially flattered by the mention next to Shcherbakov, whom I consider an absolute genius, the main phenomenon in modern Russian poetry, without any discounts on the genre. He may not be a song, but it was poetry that moved forward, inventing his crazy prosody, and the guitar only helped him. True, I do not think that we have direct similarities,<...>- but if there is, it is happiness.

Man was conceived with the expectation of difficult times, with the expectation of being the best bard in Russia... But then Russia turned into incomprehensible what, and the bards became incomprehensible what. And Shcherbakov chose this path - he goes into some very distant spheres, very bravely experiments with meter and rhythm. Yes, he has many failures, but nothing can be done - a person develops.

The fact is that the word "bard" to Mikhail Shcherbakov, oddly enough, is not as easily applicable as to many of the well-known names I have already listed. The word "bard" is a bit narrow for him. Of course, first of all, this is a poet. And his attitude to the matter is called very high and, it seems to me, a very precise word: “service”.<<...>> This is more than a poetic need to write poetry and songs. This is the concept of one's business as a kind of mission, with a very high responsibility and with a very high demand for the quality of this business. This is what, it seems to me, distinguishes Misha from this common brotherhood of bards.