What is a performance definition. Performance

PERFORMANCE(French spectacle, from Latin spectaculum - spectacle), a work of stage. art created by the theater, a team (actors, decorator, composer, etc.), headed in modern. theater director. In the dramatic theater, the process of preparing S. begins with the choice of a play, which is determined by the spiritual and aesthetic. the demands of the audience, the capabilities of this troupe, etc. Based on the concept of S., his genre, style, the director interprets the play as a whole and its main. roles, and also outlines the stage. the form of presentation (decoration, costumes, make-up, the meaning and functions of music, light, the nature of plasticity, stage speech, etc.). One of the most important points in the formulation of S. is the definition of his mise-en-scène. However, decoration and material (props, props) design of the mise-en-scene, the tempo and rhythm of the stage come to life only with the inspired performance of the actors (see. acting art). Therefore, the main task of the director is to work with the actors in the process rehearsals. S.'s mise-en-scenes are checked in the conditions of the completed design, in costumes and make-up, and are coordinated with the music (see. theatrical music) noises, etc., the light score is finally established. The final stage of work on S. is a dress rehearsal and I, which is held in public and makes it possible for the S. participants to understand to what extent their goals have been achieved. see also Theatre, Directing art, Theatrical and decorative art.

The leading role of music, singing, and choreography in the dramaturgy of the opera and ballet of S. determines the great, often basic, importance of the conductor, choreographer in the process of staging S.

Lit.: Gorchakov N.M., Director's work on the performance, M., 1956; Popov A., Artistic integrity of the performance, M., 1959. K. L. Rudnitsky.

Performance (French spectacle, from Latin spectaculum - spectacle)

a piece of stage art created by a theatrical group (actors, decorator, composer, etc.), headed in a modern theater by a stage director. In the drama theater, the process of preparing a performance begins with the choice of a play, which is determined by the spiritual and aesthetic needs of the audience, the capabilities of the given troupe, and so on. outlines the stage form of performance (scenery, costumes, make-up, the meaning and functions of music, light, the nature of plasticity, stage speech, etc.). One of the most important moments in S.'s production is the definition of his mise-en-scenes (See Mise-en-scene). However, the decorative and material (props, props) design of the mise-en-scene, the tempo and rhythm of the stage come to life only when the acting performance is inspired (see Acting). Therefore, the main task of the director is to work with the actors during the rehearsal (See Rehearsal). S.'s mise-en-scenes are checked in the conditions of the completed design, in costumes and make-up, and are coordinated with the music (see Theatrical music) , noises, etc., the light score is finally established. The final stage of work on the S. is a general rehearsal, which is held in public and makes it possible for the S. participants to understand to what extent their goals have been achieved. See also Theatre, Directing art, Theatrical and decorative art.

The leading role of music, singing, and choreography in the dramaturgy of opera and ballet performances determines the great, often fundamental, importance of the conductor or choreographer in the process of staging a performance.

Lit.: Gorchakov N.M., The director's work on the play, M., 1956; Popov A., Artistic integrity of the performance, M., 1959.

K. L. Rudnitsky.

Great Soviet Encyclopedia. - M.: Soviet Encyclopedia. 1969-1978 .

Synonyms:

See what "Performance" is in other dictionaries:

- (French spectacle, from Latin spectaculum "spectacle") a work of theatrical art; It can be staged both on the theatrical stage and on the radio (radio play) and on television (television play). Contents 1 Theatrical ... ... Wikipedia

Cm … Synonym dictionary

- (French spectacle, from Latin spectaculum). In general, a spectacle, mostly theatrical, a play presented, a performance. Dictionary of foreign words included in the Russian language. Chudinov A.N., 1910. PERFORMANCE a spectacle in general, in particular ... ... Dictionary of foreign words of the Russian language

PERFORMANCE, performance, husband. (from lat. spectaculum spectacle). Theatrical performance. Amateur performance (performed by amateurs). Children's performance (for children). The play ran for twenty performances. “Do you have a ticket for tomorrow’s performance?” ... ... Explanatory Dictionary of Ushakov

The spectacle in general (iron.) about the scandal. Wed Chatsky has ceased to control himself and does not even notice that he himself is putting together a performance at the ball. Goncharov. A million torments. Wed I not only heard, but almost witnessed this instructive performance... Michelson's Big Explanatory Phraseological Dictionary (original spelling)

performance- me, w. spectacle m., germ. Spectakul, Spektakel lat. spectaculum. 1. Theatrical performance. Initially on the performances of foreign theater companies, from ser. 60s of the 18th century about Russian spectacles. Rus. correspondences: disgrace, ... ... Historical Dictionary of Gallicisms of the Russian Language

performance- PERFORMANCE, spectacle, staging, performance, play, obsolete. action, obsolete. hypocrisy… Dictionary-thesaurus of synonyms of Russian speech

PERFORMANCE, me, husband. 1. Theatrical performance. Put with. Amateur s. (performed by amateurs). 2. trans. A funny, entertaining spectacle (colloquial). Played with. in the kitchen. Explanatory dictionary of Ozhegov. S.I. Ozhegov, N.Yu. Shvedova. 1949 1992 ... Explanatory dictionary of Ozhegov

Husband, French spectacle, esp. theatrical. The spectrum of the sun, light, a ray of the sun, decomposed by faceted glass into colored lights, into a rainbow. Dahl's Explanatory Dictionary. IN AND. Dal. 1863 1866 ... Dahl's Explanatory Dictionary

Performance- a public demonstration of a theatrical performance in a live performance ... Source: MODEL LAW ON THEATER AND THEATER ACTIVITY ... Official terminology

performance- see the performance perception play performances action goes performance action, the subject liked the performance the subject, emotions watch the performance perception put on the performance existence / creation make the performance existence ... Verbal compatibility of non-objective names

Books

• Performance. Choreographer. Dancer , E. Koroleva , The book traces the twenty-year creative path of the Moldavian ballet theater. The reader will get acquainted with the performances of ballets, meet with a variety of stage images created by ... Category: Dance. Ballet. Choreography Publisher: Literatura artistice,
• A Performance for a Lifetime , Eitan Finkelstein , Formally a new book by Eitan Finkelstein, the author of the novels Pharaoh's Shepherds and Labyrinth, is a collection of short stories, but in fact it is the life story of a Russian-American theater director.… Category:

A new column dedicated to the workflow in the creative industries. In the “Team” section, we talk about how many people are needed to create a particular product (film, TV show, website, and so on), what are their responsibilities and whether they can be replaced by someone.

In this material headings - the composition of the theater team. We find out, without which creative and technical specialists it is impossible to create your own theatrical production, and directors from the Luna Theater, RAMT and the Gogol Center share their experience.

Hover over image for more information

Producer

the main person in the creation of a theatrical production

Assistant director

the director has a difficult life, without an assistant he is nowhere

actors

from one to infinity, depending on the setting

“In the “Theatre of the Moon” there are productions of different scales, it all depends on the play. It all depends on the setting, on your desires and capabilities.

I opened my theater 20 years ago in a small basement where the Praktika Theater is now located. 7 actors took part in the first production of "Byzantium", and I did everything else myself: costumes, scenery, lighting, stage, etc. I even dragged plastic chairs into the hall from a neighboring cafe.

At the present time, of course, I have more opportunities and people helping me in this matter. For comparison, I am currently working on a new production about the life and work of Salvador Dali. The premiere is scheduled for November 28. And here, of course, completely different scales. The performance involved 18 actors, and this is only the first cast. The project is mine, but I would not have been able to stage it without the help of the theater staff. Only three artists work on the creation of scenery, including Nikas Safronov, several people create costumes in the tailoring shop, props work, 10 people are involved in the installation of the scene, two professionals create video installations, not to mention lighting and sound engineers. Plastic (we have a theater of young dancing and singing actors) there are two choreographers. That is a lot of people. I don't even bother to count. And what difference does it make how many people are involved? The main thing is the result so that the audience likes the performance.”

Set designers

creation, search for scenery, stage design

Costume Designers

in principle, you can do without them if the production tolerates everyday clothes, but you can’t last long without them

Props

a person who creates props for the theater: artificial decorations, weapons, furniture and whatever

“A work of art has an author, in the theater a director is called such, but we also know many cases when the authors of a performance are artists, architects, people from other areas of professionalism.

In the theater of the present tense, one element is enough - the audience. The team is limited to a minimum number. Due to the capitalist world order, one of the dominant elements is the producer, who provides funding and coordinates the entire team.

The next section of the theatrical hierarchy is the trinity director-artist-composer - they determine the rest of the participants: the actors and the services necessary for the performance (props, props, costumers, assistant director).

This is followed by technicians led by the technical director. In his subordination are assemblers and services of light, sound and video, each of them has an artist at the time of the creation of the performance (video artist, lighting designer, sound engineer). The final link in the pyramid is the artist.

The whole team revolves around one unit - the director, who is engaged not so much in creativity as in organizing all services. In English there is no word director, but there is the concept of director (from English direct - to lead, manage), in fact, this is the main task of the director - to direct the artists, the artist, the composer and even the producer.

Now we are working on the play "Hamlet", this is a play by the French director David Bobet ("Fairies" of the Moscow Art Theater named after Chekhov, "Metamorphosis" "Gogol Center"). We have already made the scenery, so the following are currently working on the creation of the performance: the director, translator, director, 2 assistant directors, props, costume designer, 3 stage mechanics, 2 lighting technicians, sound engineer, video engineer and 14 artists.

Illuminators

as it is not difficult to guess, they are engaged in lighting

sound engineer

selection and creation of sound effects for the production

Props

responsible for the theater props so that there are no situations like in "The Twelve Chairs"

“With modern ideas about the visual solution and the scale of projects, we must understand that a successful large-form project is a beautiful, large-scale and very dynamic production. Now we are not talking about performances of the classical academic repertoire. A major non-academic production is, in any case, primarily an entertaining dynamic spectacle, one might say, a show. In such spectacles, the visual side is of great importance: scenery, video projections, installations, a system of special effects (stunt, pyrotechnic, light), and a combination of theatrical genres: dramatic and circus art, dance, musical and drama theater.

This leads to the fact that the performance of a large stage, a bright large-scale production is about 40-50 people on stage and the same number of people behind the scenes. A striking example is the trilogy "Coast of Utopia" in RAMT.

Unfortunately, now in Russia the school of a synthetic actor is very poorly developed, who owns the drama and at the same time sings and moves very high quality. Therefore, for example, in theatrical musicals there is a dance group, there is a vocal group, there is a group of soloists and a group of actors of the second, third plans.

And if we talk about the technical side, then people who provide a bright picture are very important: special effects, video sequence or pyrotechnics. For example, pay attention: after the reconstruction of the Bolshoi Theater, its special pride is a separate video workshop.

It is very important to understand that the viewer should not say about a quality performance: “The scenery was bad, but the special effects were good.” The ideal situation is when the viewer, being in the strongest emotional delight, cannot distinguish which is better: actors, dances, music, movement, vocals, lighting or special effects.

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