EGE Russian language. C1

02.05.2019

USE in Russian. Task C1.

The problem of responsibility, national and human, was one of the central ones in literature in the middle of the 20th century. For example, A.T. Tvardovsky in the poem “By the Right of Memory” calls for a rethinking of the sad experience of totalitarianism. The same theme is revealed in A.A. Akhmatova's poem "Requiem". The verdict on the state system based on injustice and lies is passed by A.I. Solzhenitsyn in the story “One Day in the Life of Ivan Denisovich”

The problem of careful attitude to cultural heritage has always remained in the center of general attention. In the difficult post-revolutionary period, when the change of the political system was accompanied by the overthrow of the old values, Russian intellectuals did everything possible to save cultural relics. For example, Academician D.S. Likhachev prevented Nevsky Prospekt from being built up with typical high-rise buildings. The estates of Kuskovo and Abramtsevo were restored at the expense of Russian cinematographers. Caring for ancient monuments distinguishes Tula residents: the appearance of the historical center of the city, the church, the Kremlin is preserved.

The conquerors of antiquity burned books and destroyed monuments in order to deprive the people of historical memory.

“Disrespect for ancestors is the first sign of immorality” (A.S. Pushkin). A man who does not remember his kinship, who has lost his memory, Chingiz Aitmatov called mankurt ( "Stormy Station"). Mankurt is a man forcibly deprived of memory. This is a slave who has no past. He does not know who he is, where he comes from, does not know his name, does not remember childhood, father and mother - in a word, he does not realize himself as a human being. Such a subhuman is dangerous for society - the writer warns.

Quite recently, on the eve of the great Victory Day, young people were asked on the streets of our city if they knew about the beginning and end of the Great Patriotic War, about who we fought, who G. Zhukov was ... The answers were depressing: the younger generation does not know the dates of the start of the war, the names of the commanders, many have not heard about the Battle of Stalingrad, about the Kursk Bulge ...

The problem of forgetting the past is very serious. A person who does not respect history, who does not honor his ancestors, is the same mankurt. One would like to remind these young people the piercing cry from the legend of Ch. Aitmatov: “Remember, whose are you? What is your name?"

“A person needs not three arshins of land, not a farmstead, but the entire globe. All nature, where in the open space he could show all the properties of a free spirit, ”wrote A.P. Chekhov. Life without purpose is a meaningless existence. But the goals are different, such as, for example, in the story "Gooseberry". His hero - Nikolai Ivanovich Chimsha-Gimalaysky - dreams of acquiring his estate and planting gooseberries there. This goal consumes him entirely. As a result, he reaches it, but at the same time he almost loses his human appearance (“he has become fat, flabby ... - just look, he will grunt in a blanket”). A false goal, fixation on the material, narrow, limited disfigures a person. He needs constant movement, development, excitement, improvement for life ...

I. Bunin in the story "The Gentleman from San Francisco" showed the fate of a man who served false values. Wealth was his god, and that god he worshipped. But when the American millionaire died, it turned out that true happiness passed by the person: he died without knowing what life is.

The image of Oblomov (I.A. Goncharov) is the image of a man who wanted to achieve a lot in life. He wanted to change his life, he wanted to rebuild the life of the estate, he wanted to raise children ... But he did not have the strength to realize these desires, so his dreams remained dreams.

M. Gorky in the play "At the Bottom" showed the drama of "former people" who have lost the strength to fight for their own sake. They hope for something good, they understand that they need to live better, but they do nothing to change their fate. It is no coincidence that the action of the play begins in the rooming house and ends there.

N. Gogol, the exposer of human vices, is persistently looking for a living human soul. Depicting Plyushkin, who has become "a hole in the body of mankind", he passionately urges the reader, who enters adulthood, to take with him all the "human movements", not to lose them on the road of life.

Life is a movement along an endless road. Some travel along it “with official necessity”, asking questions: why did I live, for what purpose was I born? ("Hero of our time"). Others are frightened of this road, run to their wide sofa, because “life touches everywhere, gets it” (“Oblomov”). But there are also those who, making mistakes, doubting, suffering, rise to the heights of truth, finding their spiritual “I”. One of them - Pierre Bezukhov - the hero of the epic novel L.N. Tolstoy "War and Peace".

At the beginning of his journey, Pierre is far from the truth: he admires Napoleon, is involved in the company of the “golden youth”, participates in hooligan antics along with Dolokhov and Kuragin, too easily succumbs to rough flattery, the cause of which is his huge fortune. One stupidity is followed by another: marriage to Helen, a duel with Dolokhov ... And as a result - a complete loss of the meaning of life. “What's wrong? What well? What should you love and what should you hate? Why live and what am I? - these questions are countless times scrolled in my head until a sober understanding of life comes. On the way to it, and the experience of Freemasonry, and observation of ordinary soldiers in the Battle of Borodino, and a meeting in captivity with the folk philosopher Platon Karataev. Only love moves the world and a person lives - Pierre Bezukhov comes to this thought, finding his spiritual “I”.

In one of the books dedicated to the Great Patriotic War, a former blockade survivor recalls that during a terrible famine, he, a dying teenager, was saved by a neighbor who brought a can of stew sent by his son from the front. “I am already old, and you are young, you still have to live and live,” said this man. He soon died, and the boy he saved kept a grateful memory of him for the rest of his life.

The tragedy occurred in the Krasnodar Territory. A fire started in a nursing home where sick old people lived. Among the 62 who were burned alive was 53-year-old nurse Lidia Pachintseva, who was on duty that night. When a fire broke out, she took the old people by the arms, brought them to the windows and helped them escape. But she didn’t save herself - she didn’t have time.

M. Sholokhov has a wonderful story "The Fate of Man". It tells about the tragic fate of a soldier who lost all his relatives during the war. One day he met an orphan boy and decided to call himself his father. This act suggests that love and the desire to do good give a person the strength to live, the strength to resist fate.

“Satisfied with themselves people”, accustomed to comfort, people with small property interests - the same heroes Chekhov, “people in cases”. This is Dr. Startsev in "Ionyche", and Belikov's teacher "The Man in the Case". Let us remember how “chubby, red” Dmitry Ionych Startsev rides on a troika with bells, and his coachman Panteleimon, “also plump and red”, shouts: “Hold on!” “Hold on right” - this is, after all, detachment from human troubles and problems. On their prosperous path of life there should be no obstacles. And in Belikovsky's "no matter how it happens" we see only an indifferent attitude to the problems of other people. The spiritual impoverishment of these heroes is obvious. And they are not intellectuals at all, but simply - philistines, townsfolk who imagine themselves to be "masters of life."

Front-line service is an almost legendary expression; there is no doubt that there is no stronger and more devoted friendship between people. There are many literary examples of this. In Gogol's story "Taras Bulba" one of the characters exclaims: "There are no bonds brighter than comrades!" But most often this topic was revealed in the literature about the Great Patriotic War. In B. Vasiliev's story “The Dawns Here Are Quiet…”, both the anti-aircraft gunners and Captain Vaskov live according to the laws of mutual assistance, responsibility for each other. In K. Simonov's novel The Living and the Dead, Captain Sintsov carries a wounded comrade out of the battlefield.

The problem of scientific progress.

In M. Bulgakov's story, Doctor Preobrazhensky turns a dog into a man. Scientists are driven by a thirst for knowledge, the desire to change nature. But sometimes progress turns into terrible consequences: a two-legged creature with a "dog's heart" is not yet a person, because there is no soul in him, no love, honor, nobility.

The press reported that very soon there will be an elixir of immortality. Death will be finally defeated. But for many people, this news did not cause a surge of joy; on the contrary, anxiety intensified. What will this immortality mean for a person?

village life.

In Russian literature, the theme of the village and the theme of the motherland were often combined. Rural life has always been perceived as the most serene, natural. One of the first to express this idea was Pushkin, who called the village his office. ON THE. Nekrasov in a poem and poems drew the reader's attention not only to the poverty of peasant huts, but also to how friendly peasant families are, how hospitable Russian women are. A lot is said about the originality of the farmstead way of life in Sholokhov's epic novel "Quiet Flows the Don". In Rasputin's story "Farewell to Matyora", the ancient village is endowed with historical memory, the loss of which is tantamount to death for the inhabitants.

The theme of labor has been repeatedly developed in Russian classical and modern literature. As an example, it is enough to recall the novel by I.A. Goncharov “Oblomov”. The hero of this work, Andrei Stoltz, sees the meaning of life not as a result of labor, but in the process itself. We see a similar example in Solzhenitsyn's story "Matryonin's Dvor". His heroine does not perceive forced labor as a punishment, punishment - she treats work as an integral part of existence.

Chekhov's essay "My" she "lists all the terrible consequences of the influence of laziness on people.

The problem of the future of Russia.

The topic of the future of Russia was touched upon by many poets and writers. For example, Nikolai Vasilyevich Gogol in a lyrical digression of the poem "Dead Souls" compares Russia with "a lively, irrepressible troika". “Rus, where are you going?” he asks. But the author has no answer to the question. The poet Eduard Asadov in the poem “Russia did not begin with a sword” writes: “The dawn rises, bright and hot. And it will be so forever indestructible. Russia did not begin with a sword, and therefore it is invincible! He is sure that a great future awaits Russia, and nothing can stop it.

Scientists and psychologists have long argued that music can have a different effect on the nervous system, on the tone of a person. It is generally accepted that the works of Bach increase and develop the intellect. Beethoven's music awakens compassion, cleanses a person's thoughts and feelings of negativity. Schumann helps to understand the soul of a child.

Dmitri Shostakovich's Seventh Symphony has the subtitle "Leningradskaya". But the name "Legendary" suits her better. The fact is that when the Nazis besieged Leningrad, the inhabitants of the city had a huge impact on the 7th symphony of Dmitry Shostakovich, which, as eyewitnesses testify, gave people new strength to fight the enemy.

The problem of anticulture.

This problem is relevant even today. Now there is a dominance of “soap operas” on television, which significantly reduce the level of our culture. Literature is another example. Well the theme of "deculturation" is revealed in the novel "The Master and Margarita". MASSOLIT employees write bad works and at the same time dine in restaurants and have dachas. They are admired and their literature revered.

For a long time, a gang operated in Moscow, which was distinguished by particular cruelty. When the criminals were captured, they admitted that their behavior, their attitude to the world was greatly influenced by the American film Natural Born Killers, which they watched almost every day. They tried to copy the habits of the heroes of this picture in real life.

Many modern athletes watched TV when they were children and wanted to be like the athletes of their time. Through television broadcasts, they got acquainted with the sport and its heroes. Of course, there are also reverse cases, when a person became addicted to the TV, and he had to be treated in special clinics.

I believe that the use of foreign words in the native language is justified only if there is no equivalent. Many of our writers struggled with the clogging of the Russian language with borrowings. M. Gorky pointed out: “It makes it difficult for our reader to stick foreign words into a Russian phrase. It makes no sense to write concentration when we have our own good word - condensation.

Admiral A.S. Shishkov, who for some time held the post of Minister of Education, proposed replacing the word fountain with an awkward synonym he invented - a water cannon. Practicing in word creation, he invented replacements for borrowed words: he suggested speaking instead of an alley - prosad, billiards - a spherical ball, he replaced the cue with a spherical ball, and called the library a bookkeeper. To replace the word he did not like galoshes, he came up with another - wet shoes. Such concern for the purity of the language can cause nothing but laughter and irritation of contemporaries.

A particularly strong feeling is produced by the novel "The Scaffolding Block". Using the example of a wolf family, the author showed the death of wildlife from human economic activity. And how scary it becomes when you see that, when compared with a person, predators look more humane and "humane" than the "crown of creation." So for the sake of what good in the future does a person bring his children to the chopping block?

Vladimir Vladimirovich Nabokov. “A lake, a cloud, a tower…” The protagonist, Vasily Ivanovich, is a modest office worker who won a pleasure trip to nature.

The theme of war in literature.

In 1941-1942, the defense of Sevastopol will be repeated. But it will be another Great Patriotic War - 1941-1945. In this war against fascism, the Soviet people will accomplish an extraordinary feat, which we will always remember. M. Sholokhov, K. Simonov, B. Vasiliev and many other writers devoted their works to the events of the Great Patriotic War. This difficult time is also characterized by the fact that women fought on an equal footing with men in the ranks of the Red Army. And even the fact that they are representatives of the weaker sex did not stop them. They struggled with fear within themselves and performed such heroic deeds, which, it seemed, were completely unusual for women. It is about such women that we learn from the pages of B. Vasilyev's story “The Dawns Here Are Quiet...”. Five girls and their combat commander F. Baskov find themselves on the Sinyukhina Ridge with sixteen fascists who are heading for the railroad, absolutely sure that no one knows about the course of their operation. Our fighters found themselves in a difficult situation: it is impossible to retreat, but to stay, because the Germans serve them like seeds. But there is no way out! Behind the Motherland! And now these girls perform a fearless feat. At the cost of their lives, they stop the enemy and prevent him from carrying out his terrible plans. And how carefree was the life of these girls before the war?! They studied, worked, enjoyed life. And suddenly! Planes, tanks, cannons, shots, screams, groans... But they did not break down and gave the most precious thing they had - their lives - for victory. They gave their lives for their country.

The theme of war in Russian literature has been and remains relevant. Writers try to convey to readers the whole truth, whatever it may be.

From the pages of their works, we learn that war is not only the joy of victories and the bitterness of defeat, but war is a harsh everyday life filled with blood, pain, and violence. The memory of these days will live in our memory forever. Perhaps the day will come when the groans and cries of mothers, volleys and shots will subside on earth, when our earth will meet the day without war!

The turning point in the Great Patriotic War occurred during the Battle of Stalingrad, when “a Russian soldier was ready to tear a bone from a skeleton and go against a fascist with it” (A. Platonov). The unity of the people in the “time of grief”, their steadfastness, courage, daily heroism - this is the true reason for victory. In the novel Y. Bondareva "Hot snow" the most tragic moments of the war are reflected, when Manstein's brutalized tanks rush to the group surrounded in Stalingrad. Young gunners, yesterday's boys, are holding back the onslaught of the Nazis with superhuman efforts. The sky was blood-smoked, the snow melted from bullets, the ground burned under their feet, but the Russian soldier survived - he did not allow the tanks to break through. For this feat, General Bessonov, defying all conventions, without award papers, presents orders and medals to the remaining soldiers. “What can I do, what can I do…” he says bitterly, approaching another soldier. The general could, but the authorities? Why does the state remember the people only in tragic moments of history?

The bearer of folk morality in the war is, for example, Valega, the orderly of Lieutenant Kerzhentsev from the story. He is barely literate, confuses the multiplication table, will not really explain what socialism is, but for his homeland, for his comrades, for a rickety hut in Altai, for Stalin, whom he has never seen, he will fight to the last bullet. And the cartridges will run out - fists, teeth. Sitting in a trench, he will scold the foreman more than the Germans. And it will come to the point - he will show these Germans where the crayfish hibernate.

The expression "people's character" most of all corresponds to Valega. He went to war as a volunteer, quickly adapted to the hardships of war, because his peaceful peasant life was not honey either. In between fights, he does not sit idle for a minute. He knows how to cut, shave, mend boots, build a fire in the pouring rain, darn socks. Can catch fish, pick berries, mushrooms. And he does everything silently, quietly. A simple peasant boy who is only eighteen years old. Kerzhentsev is sure that such a soldier as Valega will never betray, will not leave the wounded on the battlefield and will beat the enemy mercilessly.

The heroic everyday life of war is an oxymoron metaphor that unites the incompatible. War ceases to seem like something out of the ordinary. Get used to death. Only sometimes it will amaze with its suddenness. There is such an episode in: a dead soldier lies on his back, arms outstretched, and a smoking cigarette butt stuck to his lip. A minute ago there was still life, thoughts, desires, now - death. And to see this to the hero of the novel is simply unbearable...

But even in war, soldiers do not live by “a single bullet”: in their short hours of rest, they sing, write letters, and even read. As for the heroes of In the Trenches of Stalingrad, Karnaukhov is read by Jack London, the division commander also loves Martin Eden, someone draws, someone writes poetry. The Volga is foaming from shells and bombs, and the people on the shore do not change their spiritual predilections. Perhaps that is why the Nazis did not succeed in crushing them, throwing them back across the Volga, and drying up their souls and minds.

The theme of the Motherland in literature.

Lermontov in the poem "Motherland" says that he loves his native land, but cannot explain why and why.

In a friendly message "To Chaadaev" the fiery appeal of the poet to the Motherland to dedicate "the souls of beautiful impulses" sounds.

The modern writer V. Rasputin stated: "To speak today about ecology means to speak not about changing life, but about saving it." Unfortunately, the state of our ecology is very catastrophic. This is manifested in the depletion of flora and fauna. Further, the author says that "there is a gradual addiction to danger," that is, a person does not notice how serious the current situation is. Let us recall the problem connected with the Aral Sea. The bottom of the Aral Sea was so bare that the coast from the seaports went for tens of kilometers. The climate has changed dramatically, the extinction of animals has occurred. All these troubles have greatly affected the lives of people living in the Aral Sea. Over the past two decades, the Aral Sea has lost half of its volume and more than a third of its area. The bare bottom of a huge area turned into a desert, which became known as Aralkum. In addition, the Aral contains millions of tons of poisonous salts. This problem cannot but excite people. In the eighties, expeditions were organized to solve the problems and causes of the death of the Aral Sea. Doctors, scientists, writers reflected and researched the materials of these expeditions.

V. Rasputin in the article "In the fate of nature - our fate" reflects on the relationship of man with the environment. “Today there is no need to guess, “whose groan is heard over the great Russian river.” Then the Volga itself groans, dug up and down, constricted by hydroelectric dams,” the author writes. Looking at the Volga, you especially understand the price of our civilization, that is, the benefits that man has created for himself. It seems that everything that was possible has been defeated, even the future of mankind.

The problem of the relationship between a person and the environment is also raised by the modern writer Ch. Aitmatov in his work "The Block". He showed how a man destroys the colorful world of nature with his own hands.

The novel begins with a description of the life of a wolf pack, which lives quietly until the appearance of man. He literally demolishes and destroys everything in his path, not thinking about the surrounding nature. The reason for such cruelty was only the difficulties with the meat delivery plan. People mocked the saigas: "Fear reached such proportions that the she-wolf Akbara, deaf from the shots, thought that the whole world was deaf, and the sun itself was also rushing about and looking for salvation..." In this tragedy, Akbara's children die, but this is her grief does not end. Further, the author writes that people started a fire in which five more Akbara wolf cubs die. For the sake of their goals, people could "gut the globe like a pumpkin", not suspecting that nature would also take revenge on them sooner or later. A lonely she-wolf reaches out to people, wants to transfer her maternal love to a human child. It turned out to be a tragedy, but this time for the people. A man in a fit of fear and hatred for the incomprehensible behavior of a she-wolf shoots at her, but hits his own son.

This example speaks of the barbaric attitude of people to nature, to everything that surrounds us. I wish there were more caring and kind people in our lives.

Academician D. Likhachev wrote: "Humanity spends billions not only not to suffocate, not to perish, but also to preserve the nature around us." Of course, everyone is well aware of the healing power of nature. I think that a person should become both its owner, and its protector, and its smart transformer. A slow-moving river, a birch grove, a restless bird world ... We will not harm them, but we will try to protect them.

In this century, man is actively invading the natural processes of the Earth's shells: extracting millions of tons of minerals, destroying thousands of hectares of forests, polluting the waters of seas and rivers, and emitting toxic substances into the atmosphere. Water pollution has become one of the most important environmental problems of the century. A sharp deterioration in the quality of water in rivers and lakes cannot and will not affect people's health, especially in areas with a dense population. The environmental consequences of accidents at nuclear power plants are sad. The echo of Chernobyl swept through the entire European part of Russia, and will affect people's health for a long time to come.

Thus, as a result of economic activity, a person causes great damage to nature, and at the same time to his health. How then can a person build his relationship with nature? Each person in his activity should carefully treat all life on Earth, not tear himself away from nature, not strive to rise above it, but remember that he is part of it.

The individual and the state.

Zamyatin “We” people are numbers. We only had 2 free hours.

The problem of the artist and power

The problem of the artist and power in Russian literature is perhaps one of the most painful. It is marked by a special tragedy in the history of literature of the twentieth century. A. Akhmatova, M. Tsvetaeva, O. Mandelstam, M. Bulgakov, B. Pasternak, M. Zoshchenko, A. Solzhenitsyn (the list can be continued) - each of them felt the “care” of the state, and each reflected it in his work. One Zhdanov decree of August 14, 1946 could have crossed out the writer's biography of A. Akhmatova and M. Zoshchenko. B. Pasternak created the novel "Doctor Zhivago" during the period of severe government pressure on the writer, during the struggle against cosmopolitanism. The persecution of the writer resumed with particular force after he was awarded the Nobel Prize for the novel. The Union of Writers expelled Pasternak from its ranks, presenting him as an internal emigrant, a person who discredits the worthy title of a Soviet writer. And this is for the fact that the poet told the people the truth about the tragic fate of the Russian intellectual, doctor, poet Yuri Zhivago.

Creativity is the only way of immortality of the creator. “For the authorities, for the livery, do not bend either conscience, or thoughts, or neck” - this testament became decisive in choosing the creative path of true artists.

The problem of emigration

The feeling of bitterness does not leave when people leave their homeland. Some are forcibly expelled, others leave on their own due to some circumstances, but not one of them forgets his Fatherland, the house where he was born, his native land. There are, for example, I.A. Bunin story "Mowers" written in 1921. This story, it would seem, is about an insignificant event: the Ryazan mowers who came to the Oryol region are walking in a birch forest, mow and sing. But it was in this insignificant moment that Bunin managed to discern the immeasurable and distant, connected with all of Russia. The small space of the narrative is filled with radiant light, wonderful sounds and viscous smells, and the result is not a story, but a bright lake, some kind of Svetloyar, in which all of Russia is reflected. Not without reason, during the reading of "Kostsov" by Bunin in Paris at a literary evening (there were two hundred people), according to the memoirs of the writer's wife, many cried. It was a cry for the lost Russia, a nostalgic feeling for the Motherland. Bunin lived in exile most of his life, but wrote only about Russia.

third wave emigrant S.Dovlatov, leaving the USSR, he took with him the only suitcase, “old, plywood, covered with cloth, tied with a clothesline,” - he went with him to the pioneer camp. There were no treasures in it: a double-breasted suit lay on top, a poplin shirt underneath, then, in turn, a winter hat, Finnish crepe socks, driver's gloves and an officer's belt. These things became the basis for short stories, memories of the homeland. They have no material value, they are signs of a priceless, absurd in their own way, but the only life. Eight things - eight stories, and each - a kind of report on the past Soviet life. A life that will remain forever with the emigrant Dovlatov.

The problem of the intelligentsia

According to academician D.S. Likhachev, "the basic principle of intelligence is intellectual freedom, freedom as a moral category." An intelligent person is not free only from his conscience. The title of an intellectual in Russian literature is deservedly worn by heroes and. Neither Zhivago nor Zybin compromised with their own conscience. They do not accept violence in any manifestation, be it the Civil War or Stalin's repressions. There is another type of Russian intellectual who betrays this high title. One of them is the hero of the story Y. Trifonova "Exchange" Dmitriev. His mother is seriously ill, his wife offers to exchange two rooms for a separate apartment, although the relationship between the daughter-in-law and mother-in-law was not in the best way. Dmitriev is initially indignant, criticizing his wife for lack of spirituality, philistinism, but then agrees with her, believing that she is right. There are more and more things in the apartment, food, expensive headsets: the density of everyday life is growing, things are replacing spiritual life. In this regard, another work comes to mind - "Suitcase" by S. Dovlatov. Most likely, the “suitcase” with rags taken by the journalist S. Dovlatov to America would have caused Dmitriev and his wife only a feeling of disgust. At the same time, for the hero Dovlatov, things have no material value, they are a reminder of past youth, friends, and creative searches.

The problem of fathers and children.

The problem of difficult relationships between parents and children is reflected in the literature. L.N. Tolstoy, I.S. Turgenev, and A.S. Pushkin wrote about this. I want to turn to A. Vampilov's play "The Elder Son", where the author shows the attitude of children towards their father. Both the son and the daughter frankly consider their father a loser, an eccentric, they are indifferent to his experiences and feelings. The father silently endures everything, finds excuses for all the ungrateful deeds of the children, asks them only one thing: not to leave him alone. The protagonist of the play sees how someone else's family is being destroyed before his eyes, and sincerely tries to help the kindest man-father. His intervention helps to survive a difficult period in the relationship of children to a loved one.

Quarrel problem. Human enmity.

In Pushkin's story "Dubrovsky", a casually thrown word led to enmity and many troubles for former neighbors. In Shakespeare's Romeo and Juliet, the family feud ended in the death of the main characters.

“The Word about Igor's Campaign” Svyatoslav utters the “golden word”, condemning Igor and Vsevolod, who violated feudal obedience, which led to a new attack of the Polovtsy on Russian lands.

In Vasiliev's novel "Don't Shoot White Swans", the modest blunderer Yegor Polushkin almost dies at the hands of poachers. The protection of nature has become for him a vocation and the meaning of life.

A lot of work is being done in Yasnaya Polyana with only one goal - to make this place one of the most beautiful and comfortable.

Parental love.

In Turgenev's prose poem "Sparrow" we see the heroic deed of a bird. Trying to protect the offspring, the sparrow rushed into battle against the dog.

Also in Turgenev's novel "Fathers and Sons", Bazarov's parents most of all want to be with their son.

In Chekhov's play The Cherry Orchard, Lyubov Andreevna lost her estate because all her life she was careless about money and work.

The fire in Perm occurred due to the rash actions of the organizers of the fireworks, the irresponsibility of the management, the negligence of fire safety inspectors. The result is the death of many people.

The essay “Ants” by A. Morua tells how a young woman bought an anthill. But she forgot to feed its inhabitants, although they needed only one drop of honey a month.

There are people who do not require anything special from their lives and spend it (life) uselessly and boringly. One of these people is Ilya Ilyich Oblomov.

In Pushkin's novel "Eugene Onegin" the protagonist has everything for life. Wealth, education, position in society and the opportunity to realize any of your dreams. But he is bored. Nothing touches him, nothing pleases him. He does not know how to appreciate simple things: friendship, sincerity, love. I think that's why he's unhappy.

Volkov’s essay “On Simple Things” raises a similar problem: a person needs not so much to be happy.

Riches of the Russian language.

If you do not use the wealth of the Russian language, you can become like Ellochka Schukina from the work “The Twelve Chairs” by I. Ilf and E. Petrov. She got by with thirty words.

In Fonvizin's comedy "Undergrowth" Mitrofanushka did not know Russian at all.

Unscrupulousness.

Chekhov's essay “Gone” tells about a woman who completely changes her principles in one minute.

She tells her husband that she will leave him if he commits even one mean act. Then the husband explained to his wife in detail why their family lives so richly. The heroine of the text “left ... to another room. For her, living beautifully and richly was more important than deceiving her husband, although she says quite the opposite.

There is also no clear position in Chekhov's story "Chameleon" by the police overseer Ochumelov. He wants to punish the owner of the dog that bit Khryukin's finger. After Ochumelov finds out that the possible owner of the dog is General Zhigalov, all his determination disappears.

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USE in Russian. Task C1.

The problem of historical memory (responsibility for the bitter and terrible consequences of the past)

The problem of preservation of ancient monuments and respect for them.

The conquerors of antiquity burned books and destroyed monuments in order to deprive the people of historical memory.

The problem of attitude to the past, loss of memory, roots.

“Disrespect for ancestors is the first sign of immorality” (A.S. Pushkin). A man who does not remember his kinship, who has lost his memory, Chingiz Aitmatov called mankurt ("Stormy Station"). Mankurt is a man forcibly deprived of memory. This is a slave who has no past. He does not know who he is, where he comes from, does not know his name, does not remember childhood, father and mother - in a word, he does not realize himself as a human being. Such a subhuman is dangerous for society - the writer warns.

The problem of a false goal in life.

“A person needs not three arshins of land, not a farmstead, but the entire globe. All nature, where in the open space he could show all the properties of a free spirit, ”wrote A.P. Chekhov . Life without purpose is a meaningless existence. But the goals are different, such as, for example, in the story"Gooseberry" . His hero - Nikolai Ivanovich Chimsha-Gimalaysky - dreams of acquiring his estate and planting gooseberries there. This goal consumes him entirely. As a result, he reaches it, but at the same time he almost loses his human appearance (“he has become fat, flabby ... - just look, he will grunt in a blanket”). A false goal, fixation on the material, narrow, limited disfigures a person. He needs constant movement, development, excitement, improvement for life ...

The meaning of human life. Search for a life path.

Self-sacrifice. Love for your neighbor. Compassion and mercy. Sensitivity.

The tragedy occurred in the Krasnodar Territory. A fire started in a nursing home where sick old people lived.Among the 62 who were burned alive was 53-year-old nurse Lidia Pachintseva, who was on duty that night. When a fire broke out, she took the old people by the arms, brought them to the windows and helped them escape. But she didn’t save herself - she didn’t have time.

The problem of indifference. Callous and callous attitude towards a person.

“Satisfied with themselves people”, accustomed to comfort, people with small property interests - the same heroes Chekhov , “people in cases”. This is Dr. Startsev in"Ionyche" , and Belikov's teacher"The Man in the Case". Let us remember how “chubby, red” Dmitry Ionych Startsev rides on a troika with bells, and his coachman Panteleimon, “also plump and red”, shouts: “Hold on!” “Hold on right” - this is, after all, detachment from human troubles and problems. On their prosperous path of life there should be no obstacles. And in Belikovsky's "no matter how it happens" we see only an indifferent attitude to the problems of other people. The spiritual impoverishment of these heroes is obvious. And they are not intellectuals at all, but simply - philistines, townsfolk who imagine themselves to be "masters of life."

The problem of friendship, comradely duty.

The problem of scientific progress.

The problem of the patriarchal rural way of life. The problem of charm, morally healthy beauty

village life.

Labor problem. The pleasure of meaningful activity.

The problem of the influence of laziness on a person.

Chekhov's essay "My" she "lists all the terrible consequences of the influence of laziness on people.

The problem of the future of Russia.

The problem of the influence of art on man.

The problem of anticulture.

The problem of modern television.

The problem of clogging the Russian language.

The problem of destruction of natural resources.

If they began to write about the misfortune threatening mankind in the press only in the last ten or fifteen years, then Ch. Aitmatov spoke about this problem back in the 70s in his story "After the Fairy Tale" ("The White Steamboat"). He showed the destructiveness, the hopelessness of the path, if a person destroys nature. It takes revenge by degeneration, lack of spirituality. The same theme is continued by the writer in his subsequent works: "And the day lasts longer than a century" ("Stormy Stop"), "Blach", "Cassandra's Brand".
A particularly strong feeling is produced by the novel "The Scaffolding Block". Using the example of a wolf family, the author showed the death of wildlife from human economic activity. And how scary it becomes when you see that, when compared with a person, predators look more humane and "humane" than the "crown of creation." So for the sake of what good in the future does a person bring his children to the chopping block?

Imposing your opinion on others.

Vladimir Vladimirovich Nabokov. “A lake, a cloud, a tower…” The protagonist, Vasily Ivanovich, is a modest office worker who won a pleasure trip to nature.

The theme of war in literature.

Very often, congratulating our friends or relatives, we wish them a peaceful sky over their heads. We do not want their families to be subjected to the hardships of the war. War! These five letters carry a sea of blood, tears, suffering, and most importantly, the death of people dear to our hearts. There have always been wars on our planet. The pain of loss has always filled the hearts of people. From everywhere where there is a war, you can hear the groans of mothers, the crying of children and deafening explosions that tear our souls and hearts. To our great happiness, we know about the war only from feature films and literary works.
A lot of trials of the war fell on the lot of our country. At the beginning of the 19th century, Russia was shaken by the Patriotic War of 1812. The patriotic spirit of the Russian people was shown by L. N. Tolstoy in his epic novel War and Peace. The guerrilla war, the Battle of Borodino - all this and much more appears before our eyes. We are witnessing the terrible everyday life of the war. Tolstoy tells that for many the war has become the most common thing. They (for example, Tushin) perform heroic deeds on the battlefields, but they themselves do not notice this. For them, war is a job that they must do in good faith. But war can become commonplace not only on the battlefield. An entire city can get used to the idea of war and go on living resigned to it. Such a city in 1855 was Sevastopol. L. N. Tolstoy narrates about the difficult months of the defense of Sevastopol in his “Sevastopol stories”. Here, the events taking place are described especially reliably, since Tolstoy is their eyewitness. And after what he saw and heard in a city full of blood and pain, he set himself a definite goal - to tell his reader only the truth - and nothing but the truth. The bombardment of the city did not stop. New and new fortifications were required. Sailors, soldiers worked in the snow, rain, half-starved, half-dressed, but they still worked. And here everyone is simply amazed by the courage of their spirit, willpower, great patriotism. Together with them, their wives, mothers, and children lived in this city. They got so used to the situation in the city that they no longer paid attention to either the shots or the explosions. Very often they brought meals to their husbands right in the bastions, and one shell could often destroy the whole family. Tolstoy shows us that the worst thing in the war takes place in the hospital: “You will see doctors there with their hands bloodied to the elbows ... busy near the bed, on which, with open eyes and speaking, as if in delirium, meaningless, sometimes simple and touching words lies wounded under the influence of chloroform.” War for Tolstoy is dirt, pain, violence, whatever goals it pursues: “... you will see the war not in the correct, beautiful and brilliant formation, with music and its real expression - in blood, in suffering, in death ... ”The heroic defense of Sevastopol in 1854-1855 once again shows everyone how much the Russian people love their Motherland and how boldly they defend it. Sparing no effort, using any means, he (the Russian people) does not allow the enemy to seize their native land.
In 1941-1942, the defense of Sevastopol will be repeated. But it will be another Great Patriotic War - 1941-1945. In this war against fascism, the Soviet people will accomplish an extraordinary feat, which we will always remember. M. Sholokhov, K. Simonov, B. Vasiliev and many other writers devoted their works to the events of the Great Patriotic War. This difficult time is also characterized by the fact that women fought on an equal footing with men in the ranks of the Red Army. And even the fact that they are representatives of the weaker sex did not stop them. They struggled with fear within themselves and performed such heroic deeds, which, it seemed, were completely unusual for women. It is about such women that we learn from the pages of B. Vasilyev's story “The Dawns Here Are Quiet...”. Five girls and their combat commander F. Baskov find themselves on the Sinyukhina Ridge with sixteen fascists who are heading for the railroad, absolutely sure that no one knows about the course of their operation. Our fighters found themselves in a difficult situation: it is impossible to retreat, but to stay, because the Germans serve them like seeds. But there is no way out! Behind the Motherland! And now these girls perform a fearless feat. At the cost of their lives, they stop the enemy and prevent him from carrying out his terrible plans. And how carefree was the life of these girls before the war?! They studied, worked, enjoyed life. And suddenly! Planes, tanks, cannons, shots, screams, groans... But they did not break down and gave the most precious thing they had - their lives - for victory. They gave their lives for their country.

But there is a civil war on earth, in which a person can give his life without knowing why. 1918 Russia. Brother kills brother, father kills son, son kills father. Everything is mixed up in the fire of malice, everything is depreciated: love, kinship, human life. M. Tsvetaeva writes: Brothers, here is the extreme rate! For the third year now, Abel has been fighting with Cain ...
People become weapons in the hands of the authorities. Breaking into two camps, friends become enemies, relatives become forever strangers. I. Babel, A. Fadeev and many others tell about this difficult time.
I. Babel served in the ranks of the First Cavalry Army of Budyonny. There he kept his diary, which later turned into the now famous work “Cavalry”. The stories of Cavalry tell about a man who found himself in the fire of the Civil War. The main character Lyutov tells us about individual episodes of the campaign of the First Cavalry Army of Budyonny, which was famous for its victories. But on the pages of stories we do not feel the victorious spirit. We see the cruelty of the Red Army, their cold-bloodedness and indifference. They can kill an old Jew without the slightest hesitation, but, what is more terrible, they can finish off their wounded comrade without a second's hesitation. But what is all this for? I. Babel did not give an answer to this question. He leaves his reader the right to speculate.
The theme of war in Russian literature has been and remains relevant. Writers try to convey to readers the whole truth, whatever it may be.

The turning point in the Great Patriotic War occurred during the Battle of Stalingrad, when “a Russian soldier was ready to tear a bone from a skeleton and go against a fascist with it” (A. Platonov). The unity of the people in the “time of grief”, their steadfastness, courage, daily heroism - this is the true reason for victory. In the novelY. Bondareva "Hot snow"the most tragic moments of the war are reflected, when Manstein's brutalized tanks rush to the group surrounded in Stalingrad. Young gunners, yesterday's boys, are holding back the onslaught of the Nazis with superhuman efforts. The sky was blood-smoked, the snow melted from bullets, the ground burned under their feet, but the Russian soldier survived - he did not allow the tanks to break through. For this feat, General Bessonov, defying all conventions, without award papers, presents orders and medals to the remaining soldiers. “What can I do, what can I do…” he says bitterly, approaching another soldier. The general could, but the authorities? Why does the state remember the people only in tragic moments of history?

The problem of the moral strength of a simple soldier

The bearer of folk morality in the war is, for example, Valega, the orderly of Lieutenant Kerzhentsev from the storyV. Nekrasov "In the trenches of Stalingrad". He is barely literate, confuses the multiplication table, will not really explain what socialism is, but for his homeland, for his comrades, for a rickety hut in Altai, for Stalin, whom he has never seen, he will fight to the last bullet. And the cartridges will run out - fists, teeth. Sitting in a trench, he will scold the foreman more than the Germans. And it will come to the point - he will show these Germans where the crayfish hibernate.

The problem of the heroic everyday life of war

The heroic everyday life of war is an oxymoron metaphor that unites the incompatible. War ceases to seem like something out of the ordinary. Get used to death. Only sometimes it will amaze with its suddenness. There is an episodeV. Nekrasov ("In the trenches of Stalingrad"): the dead soldier lies on his back, arms outstretched, and a smoking cigarette butt stuck to his lip. A minute ago there was still life, thoughts, desires, now - death. And to see this to the hero of the novel is simply unbearable...

The theme of the Motherland in literature.

Lermontov in the poem "Motherland" says that he loves his native land, but cannot explain why and why.

It is impossible not to start with such a great monument of ancient Russian literature as "The Tale of Igor's Campaign". To the Russian land as a whole, to the Russian people, all thoughts, all feelings of the author of the “Word ...” are turned. He speaks about the vast expanses of his Motherland, about its rivers, mountains, steppes, cities, villages. But the Russian land for the author of “Words...” is not only Russian nature and Russian cities. This is primarily the Russian people. Narrating about the campaign of Igor, the author does not forget about the Russian people. Igor undertook a campaign against the Polovtsy “for the Russian land”. His warriors are “Rusichi”, Russian sons. Crossing the border of Rus', they say goodbye to their homeland, to the Russian land, and the author exclaims: “O Russian land! You're over the hill."
In a friendly message "To Chaadaev" the fiery appeal of the poet to the Motherland to dedicate "the souls of beautiful impulses" sounds.

The theme of nature and man in Russian literature.

This example speaks of the barbaric attitude of people to nature, to everything that surrounds us. I wish there were more caring and kind people in our lives.

The individual and the state.

Zamyatin “We” people are numbers. We only had 2 free hours.

The problem of the artist and power

Creativity is the only way of immortality of the creator. “For power, for livery, do not bend either conscience, or thoughts, or neck” - this is a testamentA.S. Pushkin ("From Pindemonti")became decisive in choosing the creative path of true artists.

The problem of emigration

The feeling of bitterness does not leave when people leave their homeland. Some are forcibly expelled, others leave on their own due to some circumstances, but not one of them forgets his Fatherland, the house where he was born, his native land. There are, for example, I.A. Bunin's story "Mowers" written in 1921. This story, it would seem, is about an insignificant event: the Ryazan mowers who came to the Oryol region are walking in a birch forest, mow and sing. But it was in this insignificant moment that Bunin managed to discern the immeasurable and distant, connected with all of Russia. The small space of the narrative is filled with radiant light, wonderful sounds and viscous smells, and the result is not a story, but a bright lake, some kind of Svetloyar, in which all of Russia is reflected. Not without reason, during the reading of "Kostsov" by Bunin in Paris at a literary evening (there were two hundred people), according to the memoirs of the writer's wife, many cried. It was a cry for the lost Russia, a nostalgic feeling for the Motherland. Bunin lived in exile most of his life, but wrote only about Russia.

third wave emigrant S.Dovlatov , leaving the USSR, he took with him the only suitcase, “old, plywood, covered with cloth, tied with a clothesline,” - he went with him to the pioneer camp. There were no treasures in it: a double-breasted suit lay on top, a poplin shirt underneath, then, in turn, a winter hat, Finnish crepe socks, driver's gloves and an officer's belt. These things became the basis for short stories, memories of the homeland. They have no material value, they are signs of a priceless, absurd in their own way, but the only life. Eight things - eight stories, and each - a kind of report on the past Soviet life. A life that will remain forever with the emigrant Dovlatov.

The problem of the intelligentsia

According to academician D.S. Likhachev, "the basic principle of intelligence is intellectual freedom, freedom as a moral category." An intelligent person is not free only from his conscience. The title of an intellectual in Russian literature is deservedly carried by heroesBoris Pasternak (Doctor Zhivago) and Y. Dombrovsky ("Faculty of unnecessary things"). Neither Zhivago nor Zybin compromised with their own conscience. They do not accept violence in any manifestation, be it the Civil War or Stalin's repressions. There is another type of Russian intellectual who betrays this high title. One of them is the hero of the storyY. Trifonova "Exchange"Dmitriev. His mother is seriously ill, his wife offers to exchange two rooms for a separate apartment, although the relationship between the daughter-in-law and mother-in-law was not in the best way. Dmitriev is initially indignant, criticizing his wife for lack of spirituality, philistinism, but then agrees with her, believing that she is right. There are more and more things in the apartment, food, expensive headsets: the density of everyday life is growing, things are replacing spiritual life. In this regard, another work comes to mind -"Suitcase" by S. Dovlatov. Most likely, the “suitcase” with rags taken by the journalist S. Dovlatov to America would have caused Dmitriev and his wife only a feeling of disgust. At the same time, for the hero Dovlatov, things have no material value, they are a reminder of past youth, friends, and creative searches.

The problem of fathers and children.

Quarrel problem. Human enmity.

“The Word about Igor's Campaign” Svyatoslav utters the “golden word”, condemning Igor and Vsevolod, who violated feudal obedience, which led to a new attack of the Polovtsy on Russian lands.

Caring for the beauty of the native land.

A lot of work is being done in Yasnaya Polyana with only one goal - to make this place one of the most beautiful and comfortable.

Parental love.

In Turgenev's prose poem "Sparrow" we see the heroic deed of a bird. Trying to protect the offspring, the sparrow rushed into battle against the dog.

Also in Turgenev's novel "Fathers and Sons", Bazarov's parents most of all want to be with their son.

A responsibility. Rash acts.

In Chekhov's play The Cherry Orchard, Lyubov Andreevna lost her estate because all her life she was careless about money and work.

The essay “Ants” by A. Morua tells how a young woman bought an anthill. But she forgot to feed its inhabitants, although they needed only one drop of honey a month.

About simple things. The theme of happiness.

There are people who do not require anything special from their lives and spend it (life) uselessly and boringly. One of these people is Ilya Ilyich Oblomov.

Volkov’s essay “On Simple Things” raises a similar problem: a person needs not so much to be happy.

Riches of the Russian language.

If you do not use the wealth of the Russian language, you can become like Ellochka Schukina from the work “The Twelve Chairs” by I. Ilf and E. Petrov. She got by with thirty words.

In Fonvizin's comedy "Undergrowth" Mitrofanushka did not know Russian at all.

Unscrupulousness.

Chekhov's essay “Gone” tells about a woman who completely changes her principles in one minute.

The protagonist of a brilliant novel F.M. Dostoevsky, "Crime and Punishment" Rodion Raskolnikov asks himself whether it is allowed to commit a small evil for the sake of a great good, does a noble goal justify a criminal means? The author portrays him as a generous dreamer, a humanist, eager to make all mankind happy, who comes to the realization of his own impotence in the face of world evil and in despair decides to "break" the moral law - to kill out of love for humanity, to do evil for the sake of good. However, a normal person, who undoubtedly is the hero of the novel, is alien to bloodshed and murder. To understand this, Raskolnikov needed to go through all the circles of moral hell and go to hard labor. Only at the end of the novel do we see that the hero realizes the absurdity of his crazy idea and gains peace of mind.

In contrast to the doubting and rushing Raskolnikov, Dostoevsky draws in his novel the image of Svidrigailov, a man who does not think about the means to achieve his goals. Falling into the abyss of debauchery, losing faith, Svidrigailov commits suicide, thereby showing the dead end of Raskolnikov's theory.

Based on a true story, the novel "An American Tragedy" by the American writer T. Dreiser tells about the fate of an ambitious young manClyde Griffiths, who dreams of breaking out of the framework of his environment, rapidly and stubbornly walking up the steps of his career, up to the world of money and luxury. Having seduced an honest girl and being sure of his love for her, the hero soon realizes that this connection is the main obstacle on the way to high society. A classic love triangle is formed, the third "corner" of which is a girl from high society, who opens up all sorts of ways to material wealth for Clyde. Unable to resist such a temptation, the young man carefully considers the possibility of getting rid of his first love, which interferes not only with ambitious plans, but simply prevents him from living for his own pleasure. This is how a crime is committed - thought out, seriously prepared and cowardly. After the death of the girl, the police go on the trail of Clyde and accuse him of premeditated murder. The jury sentences him to capital punishment and Clyde spends the rest of his life in prison. As a result, he confesses, admits his guilt. He is executed in the electric chair.

A good, kind, talented person, Ilya Oblomov, did not manage to overcome himself, his laziness and licentiousness, did not reveal his best features. The absence of a high goal in life leads to moral death. Even love could not save Oblomov.

In his late novel The Razor's Edge, W.S. Maughamdraws the life path of a young American Larry, who spent half of his life with books, and the other half in travel, work, search and self-improvement. His image clearly stands out against the background of young people of his circle, who spend their lives and outstanding abilities in vain on the fulfillment of fleeting whims, on entertainment, on a carefree existence in luxury and idleness. Larry chose his own path and, ignoring the misunderstanding and censure of loved ones, searched for the meaning of life in hardships, wanderings and wanderings around the world. He completely surrendered himself to the spiritual principle in order to achieve enlightenment of the mind, purification of the spirit, and discover the meaning of the universe.

The protagonist of the novel of the same name by the American writer Jack London, Martin Eden, is a working guy, a sailor, a native of the lower classes, about 21 years old, meets Ruth Morse, a girl from a wealthy bourgeois family. Ruth begins to teach the semi-literate Martin the correct pronunciation of English words and awakens in him an interest in literature. Martin learns that magazines pay decent fees to the authors who are published in them, and firmly decides to make a career as a writer, earn money and become worthy of his new acquaintance, with whom he managed to fall in love. Martin is putting together a self-improvement program, working on his language and pronunciation, and reading a lot of books. Iron health and unbending will moves him to the goal. In the end, having gone a long and thorny path, after numerous failures and disappointments, he becomes a famous writer. (Then he becomes disillusioned with literature, his beloved, people in general and life, loses interest in everything and commits suicide. This is so, just in case. An argument in favor of the fact that the fulfillment of a dream does not always bring happiness)

A shark, if it stops moving its fins, will go to the bottom like a stone, a bird, if it stops flapping its wings, will fall to the ground. Similarly, a person, if aspirations, desires, goals fade away in him, will collapse to the bottom of life, he will be sucked into a thick quagmire of gray everyday life. A river that stops flowing turns into a fetid swamp. Similarly, a person who stops searching, thinking, torn, loses "the soul's wonderful impulses", gradually degrades, his life becomes an aimless, miserable stagnation.

The novel by the famous English writer W.S. Maugham “The Burden of Human Passions” touches on one of the most important and burning questions for every person - is there a meaning in life, and if so, what is it? The protagonist of the work, Philip Carey, painfully searches for the answer to this question: in books, in art, in love, in the judgments of friends. One of them, the cynic and materialist Cronshaw, advises him to look at the Persian carpets and refuses to explain further. Only years later, having lost almost all his illusions and hopes for the future, Philip understands what he meant and admits that “life has no meaning, and human existence is aimless. Knowing that nothing makes sense and nothing matters, a person can still find satisfaction by choosing the various threads that he weaves into the endless fabric of life. There is one pattern - the simplest and most beautiful: a person is born, matures, marries, produces children, works for a piece of bread and dies; but there are other, more intricate and amazing patterns, where there is no place for happiness or striving for success - perhaps some disturbing beauty is hidden in them.

Love to motherland

1) Warm love for the Motherland, We feel pride in her beauty in the works of the classics.
The theme of a heroic deed in the fight against the enemies of the Motherland is also heard in M. Yu. Lermontov’s poem “Borodino”, dedicated to one of the glorious pages of the historical past of our country.

2) The theme of the Motherland is raised in the works of S. Yesenin. Whatever Yesenin writes about: about experiences, about historical turning points, about the fate of Russia in the "severe terrible years", - every Yesenin's image and line is warmed by a feeling of boundless love for the motherland: But most of all. Love for the native land

3) Famous writer told the story of the Decembrist Sukhinov, who, after the defeat of the uprising, was able to hide from the police bloodhounds and, after painful wanderings, finally got to the border. Another minute - and he will gain freedom. But the fugitive looked at the field, the forest, the sky and realized that he could not live in a foreign land, far from his homeland. He surrendered to the police, he was shackled and sent to hard labor.

4) Outstanding Russian the singer Fyodor Chaliapin, who was forced to leave Russia, always carried some kind of box with him. Nobody knew what was in it. Only many years later, relatives learned that Chaliapin kept a handful of his native land in this box. It is not for nothing that they say: the native land is sweet in a handful. Obviously, the great singer, who passionately loved his homeland, needed to feel the closeness and warmth of his native land.

5) The Nazis, having occupied France was offered to General Denikin, who fought against the Red Army during the civil war, to cooperate with them in the fight against the Soviet Union. But the general responded with a sharp refusal, because the homeland was dearer to him than political differences.

6) African slaves exported to America yearned for their native land. In desperation, they killed themselves, hoping that the soul, dropping the body, could, like a bird, fly home.

7) The scariest punishment in ancient times was considered the expulsion of a person from a tribe, city or country. Outside your home - a foreign land: a foreign land, a foreign sky, a foreign language ... There you are all alone, there you are nobody, a creature without rights and without a name. That is why leaving the homeland meant for a person to lose everything.

8) Outstanding Russian hockey player V. Tretiak was offered to move to Canada. They promised to buy him a house and pay him a big salary. Tretyak pointed to heaven and earth and asked: “Will you buy this for me too?” The answer of the famous athlete confused everyone, and no one else returned to this proposal.

9) When in the middle In the 19th century, an English squadron besieged Istanbul, the capital of Turkey, and the entire population stood up to defend their city. The townspeople destroyed their own houses if they interfered with the Turkish guns to conduct aimed fire at enemy ships.

10) One day the wind decided to cut down the mighty oak that grew on the hill. But the oak only bent under the blows of the wind. Then the wind asked the majestic oak: "Why can't I defeat you?"

11) Oak answered that it is not the trunk that holds it. Its strength lies in the fact that it has grown into the earth, holding on to it with its roots. This ingenuous story expresses the idea that love for the motherland, a deep connection with national history, with the cultural experience of the ancestors makes the people invincible.

12) When over England the threat of a terrible and devastating war with Spain loomed, then the entire population, hitherto torn by hostility, rallied the axis around its queen. Merchants and nobles equipped the army with their own money, people of simple rank signed up for the militia. Even the pirates remembered their homeland and brought their ships to save it from the enemy. And the "invincible armada" of the Spaniards was defeated.

13) Turks in time their military campaigns captured captured boys and youths. Children were forcibly converted to Islam, turned into warriors, who were called Janissaries. The Turks hoped that deprived of spiritual roots, having forgotten their homeland, brought up in fear and humility, the new warriors would become a reliable stronghold of the state.

"What is motherly love"

Myski, Kemerovo region

As a literary example, one can take

read works according to the program of the course of literature and extra-curricular works,

texts of one block,

Other texts from the open task bank of the FIPI website, corresponding to the topic of the essay.

Citing an example from the text of the KIM examination variant (first argument), the student can write: In the text NN...

When using third-party text (second argument), the author and title of the work should be indicated.

If the student finds it difficult to determine the genre of the work, then you can write: In the work of NN "SS" ...

Using an expression In NN's "SS" book... it is possible for large works, since for works of small and medium forms (story, essay, story, etc.) a collection can be a book.

The beginning of the 3rd paragraph could be like this: As a second argument, I want to give an example from the book (story, story, etc.) NN "SS".

The term ʼʼ problemʼʼ (from other Greek problema - task, task) has a meaning in literary criticism similar to that in which it is used in various fields of science. Problem - ϶ᴛᴏ theoretical or practical issue requiring resolution, research.

In literary works, the following definitions are found: ʼʼ Issues(other
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Greek problema - something thrown forward, ᴛ.ᴇ. isolated from other aspects of life) - ϶ᴛᴏ ideological comprehension by the writer of those social characters that he depicted in the work. This comprehension consists essentially in the fact that the writer highlights and reinforces those properties of characters that he, based on his ideological worldview, considers the most significantʼʼ (Introduction to literary criticism. Edited by G.N. Pospelov - M., 1976, p. 77)

In other words, under issues work of art in literary criticism is usually understood as area of comprehension, understanding by the writer of the reflected reality. This is an area in which the author's concept of the world and man is manifested, where the thoughts and experiences of the writer are captured, where the topic is considered from a certain angle. At the level of problems, the reader is, as it were, offered a dialogue, this or that system of values is discussed, questions are raised, artistic ʼʼargumentsʼʼ are given for and against any life orientation.

Problematics can be called the central part of the artistic content, because, as a rule, it contains what readers turn to the work for - a unique author's view of the world.
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Naturally, the problematics require increased activity from the reader: if he takes the topic for granted, then about the problematics, he can and should have his own thoughts, agreement or disagreement, reflections and experiences, guided by the thoughts and experiences of the author, but not entirely identical. If we rely on the idea of M.M. Bakhtin about the specific cognition of artistic content as a dialogue between the author and the reader, then it must be admitted that this idea relates to the greatest extent to the problems of works.

In contrast to the subject, the problem is the subjective side of the artistic content, in this regard, the author's individuality, the original author's view of the world, or, as L.N. wrote, is maximally manifested in it. Tolstoy, ʼʼthe original moral attitude of the author to the subjectʼʼ (Tolstoy L.N. Preface to the writings of Guy de Maupassant / / Complete collection.
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op. In 90 vols. T.30 - M., 1951). The number of topics provided to the writer by objective reality is involuntarily limited; therefore, it is not uncommon for works by different authors to be written on the same or similar topic. But there are no two major writers whose works would completely coincide in their problems.

The originality of the problem is a kind of visiting card of the author. Thus, there was practically no poet who would bypass the theme of poetry in his work. But the problems associated with this topic are different. ʼʼPushkin considered poetry as ʼʼserving the musesʼʼ, the poet as a divinely inspired prophet, emphasized the greatness of the poet and his role in the cause of national culture. Lermontov emphasized the proud loneliness of the poet in the crowd, his misunderstanding and tragic fate. Nekrasov raised the question of the citizenship of poetic creativity and the social usefulness of the poet's activity in the ʼʼyear of griefʼʼ, sharply speaking out against the theories of ʼʼpure artʼʼ. For Blok, poetry was above all an interpreter and exponent of the mystical mysteries of being. Mayakovsky was the first to consider poetry as a kind of ʼʼproductionʼʼ, raising the question of ʼʼthe place of the poet in the working orderʼʼ. As you can see, with the unity of the theme, the problems of each of the poets turn out to be very individual and subjectiveʼʼ (Esin A.B. Principles and methods of analyzing a literary work - M., 1999, p. 45).

Τᴀᴋᴎᴍ ᴏϬᴩᴀᴈᴏᴍ, the problem is the most important ʼʼlinkʼʼ of the content of a literary work. The central problem of a work often turns out to be its organizing principle, penetrating all the elements of artistic integrity. In many cases, works of verbal art become multi-problematic, and these problems are by no means always resolved within the work. A.P. Chekhov rightly wrote: “You are confusing two different phenomena: the solution of a question and the correct formulation of the question. Only the second is obligatory for the artist. Not a single issue is resolved in ʼʼEugene Onegineʼʼ or ʼʼAnna Kareninaʼʼ, but they completely satisfy you, because all questions are posed in them correctlyʼʼ (Letter to A.S. Suvorin dated October 27, 1888).

Literary critics began to develop questions of artistic problems quite a long time ago (to some extent they were concerned by G.W.F. Hegel, V.G. Belinsky, N.G. Chernyshevsky and other aesthetics and literary critics of the 18th - 19th centuries). At the same time, this problem was subjected to systematic scientific development only in the 20th century. One of the first fruitful attempts to distinguish between types of artistic problems was an attempt by M.M. Bakhtin, who singled out the novel and non-novel concepts of reality. In Bakhtin's typology, they differed primarily in the way the author approaches the understanding and depiction of a person. G.N. Pospelov in the book ʼʼProblems of the Historical Development of Literatureʼʼ (M., 1972) identified four types of problems: ʼʼmythologicalʼʼ, ʼʼnational-historicalʼʼ, ʼʼdescriptiveʼʼ (otherwise - ʼʼethologicalʼʼ) and ʼʼromanʼʼ (in the terminology of the researcher - ʼʼʼʼ). This typology, however, is not free from significant shortcomings (inaccuracies in terminology, excessive sociologization, arbitrary and unlawful linking of types of problems with literary genres), but it may well serve as a starting point in the analysis of works.

In the work of the modern researcher A.B. Esin's classification of Pospelov was clarified and supplemented, thanks to which the following types of problems were identified: ʼʼmythologicalʼʼ, ʼʼnationalʼʼ, ʼʼsocioculturalʼʼ, ʼʼromanticʼʼ (where ʼʼadventurousʼʼ and ʼʼideologicalʼʼʼ, and ʼʼideologicalʼʼʼ), and philosophical ʼʼ.

Obviously, the selected types of problems cannot exhaust the entire variety of questions that the authors of the works pose to readers. This is well understood by the researchers themselves. It is no coincidence that in the classic textbook ʼʼIntroduction to Literary Studiesʼʼ ed. G.N. Pospelova (M., 1976, p. 81), a slightly different list is given, it is indicated that the problems ʼʼ can reflect different aspects of public life. It must be moral, philosophical, social, ideological and political, sociopolitical, etc. It depends on which sides of the characters and what contradictions the writer focuses on.

It should be noted that the problems of many specific works often appear in their typologically pure form (the fairy tales of Saltykov-Shchedrin are sociocultural, ʼʼPoltavaʼʼ by A.S. Pushkin are national, etc.). That is, it means that other types of problems do not play a significant role in the content of these works. But often there are also works that combine two, less often three or four problematic types. Thus, ideological-moral and socio-cultural issues are combined in A.S. Pushkin, in the dramas of A.N. Ostrovsky; the combination of national and ideological and moral issues is typical for the poem by A.S. Pushkin ʼʼThe Bronze Horsemanʼʼ. There are even works in which there is a combination of three or four types of problems (ʼʼWar and Peaceʼʼ L.N. Tolstoy, ʼʼMaster and Margaritaʼʼ M.A. Bulgakov, etc.)

The presence in the content of the work of different types of problems is one of the moments of the artistic originality of this work. At the same time, when analyzing, it should be borne in mind that different types of problems do not always exist in the work “on equal rights” ʼʼ. So, for example, in the story of N.V. Gogol's ʼʼTaras Bulbaʼʼ, along with the leading national type, there are also novelistic aspects of the problematic associated with Andriy's love for a Pole. To a certain extent, Οʜᴎ create a meaningful originality of the story and influence the patterns of style formation in it. But in the general artistic structure of the work, these aspects undoubtedly occupy a subordinate position. With the help of the novel conflict, the sharpness of the national conflict is emphasized, the drama of this side of the content is enhanced. A similar auxiliary role is played by the sociocultural background in the ideological and moral novels of F.M. Dostoevsky, novelistic aspects in the leading type of socio-cultural poem by N.V. Gogol's ʼʼDead Soulsʼʼ, etc. All this shows that the analysis of the problem composition of a work, the interaction of types of problems in the system of one artistic whole, must be quite subtle and dialectical.

The problem of literary work. - concept and types. Classification and features of the category "The problem of a literary work." 2017, 2018.