Isaac Levitan is a Russian landscape painter, amazing in his skill. Each of his paintings is unique and memorable. In his works, the audience never ceases to amaze the combination of simplicity and depth. Every Russian person will be able to find in them something of his own, close to his heart. Such is the painting "The Wooded Shore", written by the artist in 1892.
The author painted with oil paints on a large canvas evening twilight near the Peksha River in the Vladimir Region, where he lived for some time after being expelled from Moscow. He often walked around the neighborhood, admired nature, and at the same time chose the places he liked for his future work. Soon, Levitan's favorite place for an evening rest was the river bank near a gently sloping valley. The artist, who had seen many beautiful places, was struck by the diversity of the landscape, the transition from a coniferous forest to a deserted river bank.
For Levitan, this transition was reminiscent of his own life: an attempt to escape, striving forward, rapid growth, and then a sharp fall down and again a quiet steady movement forward.
Evening is the artist's favorite time of day. He was fascinated by the repeating every day, but at the same time unique, transition from day to night, when the sky darkened, and everything around calmed down, gradually getting ready for sleep. Levitan saw this as a kind of mystery. So for his picture, the artist chose exactly the moment of twilight. The already darkened sky is slightly illuminated by the red light of the setting sun. Its reflections tinted the thick trunks gold.
In the foreground we see a small river, which, making a slow wide turn, tends into the distance. Its banks are different, completely different from each other: one is gentle, the other is steep. Even the color of the sand on them is very different: on top it is yellow, on the bottom it is almost white. The right bank is slightly overgrown with grass, and, perhaps, part of the vegetation has already been trampled down by people swimming and fishing here or grazing livestock. The steep coast is covered with dense vegetation. There is also grass, small shrubs, and trees.
The water in the river is like a mirror. It reflects the coast, pine trees and the sky at sunset. The water is calm, it is not disturbed by the wind. The whole picture literally breathes peace and tranquility.
Pines and larches grow on the high bank. They stand close to each other, as if protecting the river from something, afraid to miss someone. They keep silence and purity. Only one birch at the very edge of the forest arched forward, as if wanting to escape from other trees, to escape from the captivity of pines. Large stumps of felled trees are visible along the steep bank.
Their roots crawled out of the ground and became like paws of mysterious fairy tale characters. Several stumps are in a circle. From a distance it seems that these are old men, bent from the weight of years, gathered and quietly talking about something. Apparently, the water often washes away the sandy shore, it once reached the forest. So I had to cut down some trees so that it would be convenient to swim along the river.
The expressiveness of the picture gives a unique combination of juicy green and bright yellow hues. They also give brightness in the perception of the picture of summer twilight depicted in the picture.
I want to look at this picture for a long time and slowly, peering into every corner, sharpening my eyes on every stroke made by the artist. There is something mystical in it and at the same time painfully dear and understandable.
Levitan's painting "The Wooded Shore", like other masterpieces of this author, touches with its boundless simplicity. It seems that there is nothing supernatural in this canvas, but it is able to climb into the very soul.
The picture shows a deep and wide river, which, meandering between high sandy banks, runs away into the distance, beyond the edge of the horizon. The water in it is dark, with a slight greenish tinge. The banks of the river are sandy and quite high. They are drawn with yellow colors so clearly that it creates the feeling of a crumbling shore.
On one side of the river there is a cozy sandy beach, which runs in a wide strip and in some places cuts deep into the river. The second bank of the river, steep and precipitous, is covered with trees that look like a dense green tent. In the foreground, snags are visible, which were left after someone cut down centuries-old trees. In the background you can see old pines and slender birches that have surrounded the river with a wall - and have been protecting it for centuries.
The river, lost among centuries-old trees, always looks touching and beautiful. I want to return to such places again and again - and Levitan gave us this amazing opportunity, for which many people are grateful to him.
What could be more beautiful than Russian nature. Lush age-old pines, playful blond birches, impenetrable fields, joyful and sunny glades, colorful wild flowers. All these species attracted creative people to describe them. The talented artist Levitan Isaac Ilyich, thanks to his paintings with the beauty of nature, was called the master of the Russian landscape. The canvas of the author “The Wooded Shore” makes a great impression on the audience.
We see an extraordinary landscape on the banks of the Peksha River. A dense forest of tall pines stretches along the river. The coast is a little overestimated, which makes the transition to the river very steep and even dangerous. The second bank is gentle and is on the same level with the river. Such relief can be compared with life. In the first half we are very active and impetuous like tall pines. But having already passed half the way of life, there is a sharp transition to a smooth life. The person seems to be going with the flow.
The water is very quiet, you can't even see the ripples, just a solid smooth surface. In it, as in a mirror, you can see the entire high coast. A sandy cliff overgrown with young bushes, dark pines, and a calm twilight sky.
Each viewer has their own thoughts when looking at this picture. There is something magical and mystical about it. I would like to examine and explore every corner of this landscape, sit on a steep bank and just enjoy the cleanliness and freshness of the air.
Composition based on the painting "Wood Coast" Levitan
Isaac Ilyich Levitan - the most famous Russian artist - realist. Most of his works were written while traveling around Russia.
On one of these trips, Levitan stopped in the Vladimir region. Going out for a walk in the vastness of this area, he was interested in the Peksha River, coming closer, he saw an unusually beautiful coast, which was overgrown with forest. So in the 19th century the painting "Wood Coast" was created.
When you look at this picture, you feel a double feeling. A feeling of lightness from nature, but at the same time a feeling of anxiety. The artist depicted everything to the smallest detail. If you peer into the picture for a long time, it seems that the forest is alive and a quiet rustle of foliage is heard.
At the top of the picture is the evening sky. It is dark blue, and a red blur can be seen above the tops of the trees. This is the sunset. The day is coming to an end.
These trees grow on a high bank. Bright green grass grows on the ground. And there are old dry stumps. Someone cut down the fir a long time ago.
We see a high cliff. This is no longer black soil, but most likely a clay layer of earth with sand. Perhaps earlier there was a sand quarry in this place or people mined clay. It is this moment that attracts a lot of attention. The color that the artist used to convey the cliff stands out significantly from the general background of the picture.
At the end of the picture, young trees grow on a cliff. With their young, but already strong roots, they keep the cliff from landslides during rain. They also do not allow the river to wash away this shore.
A little lower, the artist depicted a river that stretches through the whole picture. Water - like a mirror, reflects a beautiful forest. The artist depicted her in blue, and the reflection of the trees in green.
Isaac Ilyich Levitan loved to depict nature, but at the same time he asked people not to cripple her. As can be seen from the picture in this place, nature has already suffered from human hands. Therefore, the artist tried to capture on canvas all the beauty of Russian nature.
Among the great landscape painters, the works of I. I. Levitan are recognizable all over the world. On the one hand, they reflect the reality that exists in their native land in the form of inimitable landscapes. On the other hand, images of the phenomena of the surrounding world carry a certain philosophical meaning.
One of the artist's works is called "Wood Coast". It represents the onset of dusk. The colors thicken, most of the canvas is occupied by dark shades, which does not contradict the laws of nature, but, on the contrary, introduces the state of nature in the forest that occurs before the night comes.
Not too wide river divides the picture into two unequal parts. Due to the dark blue color of the water, it gives the impression that this place is very deep. That is why the feeling of hidden mystery does not leave. The winding river goes to the right, not revealing the further course of its course until the end. At the moment, nature is so calm that the water seems to freeze in one place.
To the left, a huge cliff opens up, looking at which the thought of danger arises. The sands presented by the author of the picture seem so loose, and the dry roots on the shore are lifeless, that everyone who sees this work involuntarily thinks about the transience of life and eternity, that everything is in the hands of God. On the same side, a dense pine forest is depicted, which, with the onset of darkness, hastened to plunge into a formidable green color. Only occasionally in some places are strong brown trunks of coniferous trees visible. Some trees are destined to cling to the slope of the cliff with their roots, as if staying afloat. This dense forest is clearly reflected in the dark waters of the river.
The opposite shore presents a calmer environment, although a small part of it is visible. The artist defined this sandy place as a beach place, where there is peace, there is no cliff and danger.
Not a cloud remained in the sky. The air spaces are gloomy, but they express only the evening peace, which is familiar to this time of day and calm weather.
Thus, in the painting by I. I. Levitan “The Wooded Shore” there is a mood of its own, associated with a premonition of mysterious circumstances. Such thoughts are inspired by the tones chosen by the artist, the choice of the time of day and the place where the landscape is depicted. This natural corner is another reminder that there are countless mysterious landscapes in your native land, where you can get rid of unnecessary thoughts, make the right decisions thanks to complete harmony and peace.
Essay No. 2
The water surface in the picture makes you think about the "eternal", gives warmth and tranquility. Evening is coming, even the forest is frozen in anticipation. The river is quiet and calm. However, it is divided into two “opposing” camps, one of which is a steep coast, and the other is a well-groomed beach. However, these two opposites do not spoil and do not negate each other, but on the contrary, they create a very charming combination, from which it is simply impossible to take your eyes off.
The viewer seems to be given a choice where to leave his heart forever? In the bosom of wild nature, near a mysterious forest or where the rest is full of relaxation and comfort? The answer here is simple: everyone chooses what they like.
The color scheme is quite harmonious and pleasant. And Levitan's talent and his attention to detail make nature multifaceted. The shades are warm - even the mysterious dark water and the crumbling shore do not frighten, on which, by the way, there are also the roots of cut down trees.
It seems that a little more - and humanity will encroach on this virgin piece of nature in order to turn it into the same beach as the one shown on the right. It seems that the work has already begun, because soon the beautiful forest will come to an end.
Who knows, perhaps the artist will “protest” against this. After all, no matter how profitable and convenient the blessings of civilization seem to us, it is sad enough to realize that every year the primordial nature and harmony of nature are violated more and more. And soon the factories will completely replace a huge amount of forests, fields, steppes, etc.
Of course, Levitan did not catch all this. But who knows? Perhaps the painter had a premonition of the outcome of events - as we all know, the great ones are able to get ahead of their time.
One way or another, the canvas is very picturesque and pleasant. It involuntarily seems that the viewer himself is present on the abrupt shore and feels the fragile, crumbling earth under his foot.
The picture has incredible realism, creates an incredible atmosphere. The colors and shades are pleasant, bewitching. The author was really a master of his craft, able to create real masterpieces, inimitable and unique - those that will be remembered for all time.
Isaac Ilyich Levitan, an outstanding master of the Russian landscape, managed to create many beautiful paintings in his short life. And almost all of them are devoted to Russian nature. There are few people who have not seen the paintings "March" and "Golden Autumn". Since the age of 18, the artist's canvases have been participating in exhibitions and are readily sold out. His works are kept in the largest museums and art galleries in our country and abroad. Levitan is rightly called the singer of Russian nature, who turned simple motives into vivid images of Russia. According to the artist I. Grabar, “He is the greatest poet ... and the greatest sorcerer of mood, he is endowed with the most musical soul and the most acute sense of Russian motifs in the landscape ... He was able ... to create his own style, which appeared at the same time and the style of the Russian landscape, rightly called "Levitan's". The poetic mood that arises when viewing paintings is the merit of the artist, who managed to convey on his canvases the lyrical charm of the landscape, the melancholy thoughtfulness of nature, his love for the corners of the Russian land unnoticed by anyone before. The happiness of communication, closeness with nature became the happiness of his entire short but rich creative life.
The painting “The Wooded Shore” was painted in 1892 on the Peksha River in the Vladimir Region, where the artist was forced to live for some time, being expelled from Moscow. Walking around the neighborhood, he enjoyed the views of the local nature, chose the landscapes he liked for his works. In the panorama that opened up, his attentive gaze revealed the diversity of the landscape, the transition from a coniferous forest on a high bank to a river and a gentle valley. Such a descending relief can symbolize life itself: rapid growth, aspiration upwards (growing trees) at the beginning of life, then sliding down to aging and a smooth, measured movement in the second half of the life path. Or the desire for new ideas, for accomplishments, finding yourself, finding your niche and smoothly flowing along the waves of life.
Levitan preferred the evening time of the day for work, the painting is called “The Wooded Shore. Twilight". The tone and colors of the picture emphasize the twilight time of a summer day. The darkening sky is faintly illuminated by the scarlet edge of the setting sun, the reflection of which tinted the trunks of pine trees protruding from the forest in a golden color. On the horizon line, behind the forest, the setting sun is indicated by a bright spot in the blue sky.
In the foreground of the picture is the bow of a small river, turning, rushes into the distance. The banks of the river are different: one is gentle, the other is steep, steep. This usually happens, during spring floods and river floods, due to uneven terrain, rising water washes away one bank. Both banks of the river - both steep and gentle - are sandy. The color of the sand on them is very different: on the cliff it is bright yellow, at the bottom it is almost white. The gently sloping shore is slightly overgrown with grass, but it looks convenient for swimming and fishing or for watering livestock. There are no traces of people's stay: no traces of a fire, no slingshot left for a fishing rod. This means that there is no village nearby from which people could come or drive cattle to a watering place. The steep coast is unevenly covered with vegetation: grass, shrubs and growing trees. You can go down to the water along it only by sliding down the sand, like from a hill in winter. The water in the river, like a mirror, clearly reflects part of the coast, the tops of pine trees, the sunset sky. The calm, smooth surface of the water becomes by the end of the day. The wind that drives the wave subsides, the sounds fall silent, with the last rays of the setting sun, the light leaves, the haze falls to the ground, the colors become thicker, the light colors are muted. The whole picture breathes the tranquility of silence.
On the high bank, pines and larches stand in a dense wall, like a soldier's formation. The pine forest is old and dense, pines and larches stand like a palisade, as if towering above the river, looking down on the flowing water. Only a lone birch on the very edge of the forest bent its trunk, as if it wants to run away from the pines, to escape from their captivity. Along the edge of the forest, along the steep bank, there are several rows of stumps of cut down trees with roots crawling out of the ground. Some roots hang like spider legs over the cliff. The water gradually washed away the sandy shore, reached the forest, and the outermost trees had to be cut down so that one could move along the river. Dried roots keep the shore from complete destruction. In the foreground, several stumps have formed a circle and seem to be having their old conversation. Green grass has already grown between the stumps, which means that the trees were cut down a long time ago. Under the pines, as you know, the grass does not grow, especially in such a dense forest. The combination of colors of juicy greenery and yellow sand give brightness and expressiveness to the picture. Looking at the landscape, it seems as if the trees are standing in a dense wall, like soldiers guarding the peace of a flowing river, its banks.
Each viewer looking at the picture has his own associations, fantasies are born, an impression is formed, but admiration for the skill of the artist I. Levitan, who captured the monumentality, depth and beauty of Russian nature, remains unchanged.
The painting is stored in the Tver Regional Art Gallery.
wooded coast
Isaac Ilyich Levitan - the most famous Russian artist - realist. Most of his works were written while traveling around Russia.
On one of these trips, Levitan stopped in the Vladimir region. Going out for a walk in the vastness of this area, he was interested in the Peksha River, coming closer, he saw an unusually beautiful coast, which was overgrown with forest. So in the 19th century the painting "Wood Coast" was created.
When you look at this picture, you feel a double feeling. A feeling of lightness from nature, but at the same time a feeling of anxiety. The artist depicted everything to the smallest detail. If you peer into the picture for a long time, it seems that the forest is alive and a quiet rustle of foliage is heard.
At the top of the picture is the evening sky. It is dark blue, and a red blur can be seen above the tops of the trees. This is the sunset. The day is coming to an end.
These trees grow on a high bank. Bright green grass grows on the ground. And there are old dry stumps. Someone cut down the fir a long time ago.
We see a high cliff. This is no longer black soil, but most likely a clay layer of earth with sand. Perhaps earlier there was a sand quarry in this place or people mined clay. It is this moment that attracts a lot of attention. The color that the artist used to convey the cliff stands out significantly from the general background of the picture.
At the end of the picture, young trees grow on a cliff. With their young, but already strong roots, they keep the cliff from landslides during rain. They also do not allow the river to wash away this shore.
A little lower, the artist depicted a river that stretches through the whole picture. Water - like a mirror, reflects a beautiful forest. The artist depicted her in blue, and the reflection of the trees in green.
Isaac Ilyich Levitan loved to depict nature, but at the same time he asked people not to cripple her. As can be seen from the picture in this place, nature has already suffered from human hands. Therefore, the artist tried to capture on canvas all the beauty of Russian nature.
Essay 2
Levitan. Who among us has not heard this name at least once in our lives? An outstanding Russian realist painter chose especially memorable landscapes for writing his canvases. "Wood Coast" is one of them.
The painting was painted by the master at the end of the 19th century on the Peksha River in the Vladimir Region. Are there many of these throughout Russia? Many, but each of them is unique.
The plot is both simple and complex at the same time. The artist depicts a twilight state in nature. Everything froze in anticipation of the night - life in the forest has died down, not a single tree is swaying in the wind, the river seems to have slowed down its run - its water is smooth and transparent, like a mirror reflecting a leaning forest, a steep bank, sky blue. But is it so idyllic?
Looking at the picture, you do not feel peace in spite of the outward calmness of everything around. Usually, at the sight of water or picturesque nature, a person tries to dissolve in this harmony, water makes you think about something philosophical endlessly. Here, one wants to hastily leave ... Sadness and unbearable longing overcomes the viewer. This state is achieved through the use of excessively saturated, deep colors - a gradually thickening blue sky, a dark emerald forest, impenetrable, dense and by no means alluring. And the river echoes them - its unpredictable calm makes you cautious - suddenly something unpredictable strives to happen? The oppressive state is caused not only by the saturated colors.
Here and there along the coast dry gray stumps stick out, in the place of which young trees once flaunted, the left bank of the river, similar to an artificial sand quarry, is all the work of a person who has found use for every particle that once lived and breathed. The intervention of technology and the human hand in nature has made its own adjustments - there is no former joy and life in it. Even the riverbed, its shape, as if dodging unwanted interference, it "begs" for the preservation of the natural state of everything around.
The unbearable longing of the master for the bygone beauty and youth of nature is felt. Hence his great desire to capture, to preserve, before it is too late, what remained untouched...
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