Purple color how to mix paints. How to get purple from paints: the secrets of color

In this article, we will look at what needs to be mixed to get brown in paints.

Such a noble and calm color as brown has always dominated the clothes of rich and noble representatives. By the way, its main characteristic is stability and stability. But often there is no such color or its necessary shade in the palette. Yes, and young or even experienced artists should be able to select the right colors in order to independently create the colors of the brown spectrum. And our recommendations will help in this aspect.

How to get brown when mixed: 3 ways

Before rushing to color and brushes, you need to remember what colors are. They are divided into two groups - basic and additional. Two more subgroups are also distinguished - composite and complex. All of them make up the construction of four groups of basic colors.

Remember - primary colors cannot be obtained by combining any palettes. By the way, it is they who become the basis for creating other colors. Moreover, having black and white on hand, you can extract absolutely any color.

IMPORTANT: Brown belongs to the group of complex colors.

We offer three basic ways to get brown.

Green (blue+yellow) with red

• Even schoolchildren know that brown comes out if you mix two colors together - green and red. This is the case if we talk about the primary and secondary color.
• But the task is still to make a green tint. Easy peasy! Take two primary colors - yellow and blue.
• You need to take an equal number of different shades. But take into account your wishes.
  • If you want to get a darker color in the end, then add a little more blue, but already in the finished green color.
  • If, on the contrary, you want to make a more transparent shade, then initially take a little more yellow.
• After obtaining the secondary color, we proceed to the manufacture of the tertiary. In the green color that you have turned out, you need to add a little red tone.
• It is important to introduce red paint, and not vice versa! After all, it is the main tone that regulates the degree of darkness and saturation of the brown tint. If you add too much red coloring, then you get more of a brick shade.
  • But also keep in mind that red makes brown so warm (in large quantities it can even create a rusty effect), but green, on the contrary, will even make it a little grayish and cold.

Orange (yellow + red) with blue

• The first step is to take the red color. And add yellow to it. By the way, it should be introduced gradually and in small amounts.
• On average, yellow should be only 10% of the volume of red. It is important to get a dark orange. But keep in mind that a lot of red color will create a reddish brown color.
• Blue paint will need even less - 5-7% of the total volume. You also need to add it gradually, in small portions and stirring the components well.
• Of course, adjust the hue and saturation of the brown with a blue tint.

Violet (red + blue) with yellow

• Red and blue color should be taken in equal amounts. Then you can get a noble, and even a royal shade of purple, which will have the desired saturation and warmth.
• Then, you need to introduce a little yellow. It will lighten the resulting purple, so keep an eye on the amount. If there is predominantly a yellow color, then the brown color will come out lighter and warmer. Violet tone acts in the opposite way.

IMPORTANT: Too much yellow paint will create an ocher tint.

How to make a light brown color from paints, gouache when mixing?

To get a light brown color, you need to give the predominance of yellow. But! We repeat that too much of it will make the color look like ocher. And, of course, it all depends on the desired lordship.

• To whiten the brown color, you need add white. Yes, it's that simple. The more you add, the lighter the final color will be.
• But do not overdo it, brown is a warm color, and white will neutralize this characteristic. Therefore, enter very carefully, gradually and in small portions (literally, 1% of the total mass of paints).
• Although adding the previous color will help correct the situation.

How to get a dark brown color when mixing paints, gouache?

In terms of previous blending options, more blue or green will make a darker brown. But they will also bring their own shade. There is another, simpler and faster way to get a dark brown color.

• Just add black paint. But you need to work with it extremely carefully, since a small dose of excess paint will simply turn it into black.
• Therefore, introduce paint in tiny portions and take note of one rule - experiment with a small amount of paint.

• By the way, in order not to miscalculate with the right color, mix a little black with white. But leave the predominance of the first shade. Just make it a little softer as it can quickly "eat" the brown.

How to get chocolate when mixing paints, gouache?

To create a chocolate color, you need to tinker a little. The most unencumbered scheme is to choose the right tones of orange and blue. But there is another possible option.

• Combine yellow and blue paint for a dark green color. In another bowl, combine red and a dash of yellow to create orange.
• Now combine the two received colors. And in the end you get the color of grass green or grass green.
• Now you need to create a blood red color. To do this, combine the same orange and red palette.

• In conclusion, it remains to combine the two complex colors obtained.
• And as a result, we get the color of real chocolate.
  • If you want milk chocolate, then add a drop of white paint
  • A mixture of white and yellow will give an additional golden hue to the color.
  • Dark chocolate is obtained again by adding black paint
  • But the yellow color with chocolate will help to get a beautiful and even brown color.

How to get coffee when mixing paints, gouache?

• Coffee color can be obtained by adding the same black gouache. Also, you need to mix according to technology - orange paint plus blue. In this case, you can achieve the desired tone.

• Alternatively, you can achieve the desired color with a combination of purple and orange paint. If necessary, add a drop of black.

Color mixing: table

For visual perception, we want to provide you with a table that will show all possible versions of the derivation of brown color and its range. To get a brown color, you need to mix the composite colors, adding the main shade to them. True, there are other options where the composition includes not just secondary colors, but even complex palettes.

In the interior of the premises, wall decoration of various types of plasters and painting them with paints is becoming fashionable. But not always in hardware stores you can pick up your favorite palette. Do not despair. Modern technologies allow you to get the desired result. Mixing colors of standard shades allows you to get the desired result. The next question arises, how to mix paints to get a beautiful tone? Let's try to get an answer.

There are quite a few tones. But the production of paints is based on the use of standard colors. Non-standard colors are now in vogue, which can be obtained by mixing dyes. How to mix colors correctly, the following recommendations from experts will suggest.

It has been known since childhood that the basis of all tones are three colors: red, blue, yellow.

For other options, you need to know the rules for mixing paints. The combination of basic dyes gives a wide range of different halftones.

The secret of creating a new color by mixing colors is the use of basic dyes in different proportions. For example, when you mix blue with yellow, you get green. If you continue to add yellow to the resulting substance, you can get tones that are increasingly approaching it. It all depends on the volumes that are connected.

On the video: how to get a new color.

The nuances of the connection of dyes

Mixing colors of chromatic shades, which are placed next to each other in the color wheel, give a fairly bright palette. If we mix dyes that are on opposite sides of the circle, we get achromatic tones, that is, with a predominance of gray.

To get the desired result, it is necessary to understand not only the color scheme, but also ensure that the solutions are suitable in terms of chemical composition. Otherwise, you may get unexpected results. If the color, when mixing paints, initially turns out to be bright, then over time it begins to darken and gray. For example, the combination of white lead and cinnabar red color gives an initially bright pink, but after a while it will lose its saturation. This also applies to oil paints. They are very susceptible to solvents.

The best option for achieving a high-quality saturated color scheme is to combine the minimum number of colors. Comparability of materials is required. A color mixing table will help in their selection.

Traditional palette mixing options

When you get a color scheme yourself, you need to know the rules for mixing paints. Consider the common options for obtaining the desired color.

Red

Red is a representative of the main color scheme. To obtain various red shades, you must follow the rules:

• The tone of carmine, which is as close as possible to fuchsia, is combined with yellow 2: 1. The result is red.
• Combining pink with yellow, we get orange.
• To get scarlet, you need to take red and yellow in a ratio of 2: 1.
• To achieve a red palette with a soft effect, red and pink paint are mixed. To achieve a lighter tone, it is better to add white paint.
• If we add a dark dye to the main red paint, we get burgundy.
• Dark red can be achieved by mixing red and purple in a ratio of 3:1.

Blue

There are primary colors, which include blue. To obtain the desired blue tint, you must use this primary color. Blue is obtained by adding white to the blue palette. As the volume increases, the white shade will become lighter. To obtain a moderate tone, turquoise is used instead of white.

To obtain blue colors and shades, you must follow the following scheme. Add to blue:

• yellow and get blue-green;
• red, in the end we get purple;
• orange will provide gray;
• black will make it possible to form dark blue.

Green

How to mix paints to get green and its shades. The basic rule is to mix yellow and blue dyes. A bright palette of green shades is achieved by combining primary colors in different volumes and adding additional dyes. Complementary colors are black and white.

How to get khaki color? To do this, two elements are connected: yellow and blue, with the addition of brown tinting. For the result obtained, the amount of substance is important. Olive color can be obtained by taking green yellow tones. Making a mustard shade is more difficult. Red, black and a little green are added to yellow.

Green is not a primary color. To obtain it, the colors of yellow and blue paints are mixed. But, to obtain a rich green tone, it is necessary to use green paint prepared at the factory. If the green paint was made independently, then the tones will not be bright.

Mixing dyes that have a white and green tint makes it possible to get light green, and if you add a little yellow, you can admire light green.

Other shades

Let's look at other tones. What shade is one of the most sought after? Very often gray tone is used in the interior. It will turn out if black is mixed with white. The more white, the lighter the result will be.

Gray is also very often in demand, which has a silvery metallic tint. When mixed, a silver color will turn out if you use different additives, for example, antimony.

So, in order to have the color that suits a particular interior, you need to mix dyes. What colors to mix in order to get everything right, the recommendations given above will tell you. The resulting paints will delight the owners for a long time.

How to get the right shade (1 video)

Getting purple by mixing several colors is far from always the case. As a rule, in school they teach how to mix red and blue to get purple. However, in many cases, a maroon dull tone comes out instead of the expected one. The article will discuss how to get purple when mixing paints - the main secrets and recommendations.

This color in the palette is not the base color. The main ones are yellow, red and blue, mixing which, you can get a wide variety of colors. There is also white and black, which cannot be obtained by mixing.

For people involved in painting, painting or applied arts, the color palette consists of three basic colors, as well as black and white.

To get a result close to purple, you need to prepare:

• paints;
• brushes;
• palette;
• water or thinner for oil paints.

Regardless of the type of paint, whether acrylic, oil or watercolor, mixing should take place on the palette, not on the drawing itself. In this way, you can achieve the desired tone or correct it if necessary.

To make purple using red and blue, you need to know a few secrets:

• If you add red in the majority, you get a crimson hue.
• If you mix more blue, the color will look like a rich purple.
• When mixing pure colors, it is possible to obtain a purple color of different tones.
• For the desired result, it is better to use cold red. If you take a warm shade, there is a high probability that it will turn brown.
• In the work, the use of a blue color scheme with a greenish tint is unacceptable.

getting purple

To get purple at the initial stage, you need to combine blue and red in equal proportions on the palette. The resulting color palette may not always meet the desired tone, so it needs to be finalized. This can be done using the following manipulations:

• To get a lighter purple paint, you can add a little white.
• When working with a mixture of lilac and white paints, you can get purple. The intensity is regulated by the amount of white.
• A mixture of pink and blue paints will help create a pale lilac palette.
• If you need a muted tone, black is mixed with cold red.
• When working with watercolors, saturation is not controlled with white, but with the amount of water.

It is worth remembering that after drying gouache becomes lighter by a couple of shades, so you need to achieve a darker color.

Additional option

Magenta is the main color and cannot be obtained by mixing paints. It mixes with available turquoise or bright blue. For this, any blue tone or cyan, without a greenish tint and not muted, will do. With the gradual addition of colors, the color palette will acquire the desired shade.

On video: how to get a bright purple hue.

When working with paints, it is useful to follow some rules:

1. Always use a clean container to scoop up liquid. Otherwise, you can spoil the pure tone, and in the future it may turn out to be an unpredictable color.
2. Mixing should take place gradually and carefully, since you can always mix the suit, but it will not work to remove it.
3. The resulting shade must be checked not only on the palette, but also on the surface on which it will be applied.

Confectioners in their work often paint mastic in the desired color. They do it using natural dyes.

Color correction

We have already talked about how to get purple colors when mixing paints. If the shade turned out not the one that was required to be done, it can always be corrected. To do this, you should use the following tips:

• The color palette can be lightened or, conversely, look brighter with the addition of white. From the resulting shade and the same amount of white, you can achieve a pastel color.
• To get a rich dark tone, you need to add a little black to it.
• If you do not know how to make lavender with a grayish tint, you can mix white and black, add the mixture to the main mass of blue and red.

For a successful outcome of the experiment, it is also worth remembering that the brushes need to be washed with each set, which will keep the pure shades and get the purple color.

Every person has ever thought about how this or that color is obtained from the artist. In fact, many shades are obtained with colorists.

Consider the process of obtaining purple: the primary colors are red, blue and yellow. It is when they are mixed that a wide variety of tones and shades are obtained.

Mention should be made of black and white. They don't come out of mixing, so it's worth considering that artists use these five base tones in their work.

For purple color just mix red and blue. Moreover, the shade of color will directly depend on the following factors:

1. Saturation of original colors
2. Their number and ratio.

When mixed, the main tone of purple is obtained.

Shades of dark purple

To get a dark purple tone, you can use two methods:

1. Add some black to the red.
2. Mix blue and red, and more than the first in ratio. You can adjust the black intensity of the desired shade.

Light purple is obtained by adding white to the base tone. A magenta tint can be made by changing the ratio in favor of red.

Gentle purple will turn out when mixing pink and blue paints. The scarlet shade of red and light blue give a beautiful burgundy shade of purple.

Mixing dark blue and red results in a rich eggplant tone.

Mixing Features

For different paints with different composition there are certain ways to mix them to get the tone we want.

How to make from watercolor?

When faced with this type of material, there is a problem with the saturation of the resulting color. To solve it, you will need the use of whitewash. In the event that they are not available, saturation can be adjusted by adding a certain amount of water.

From oil at home

Oil is more fluid than acrylic or watercolor. Therefore, the compositions must be mixed very carefully. You can call this a disadvantage, but it allows you to get uniform tones. With partial mixing, you can get multi-tone inserts.

There are three ways to mix oil paints: mechanical, color overlay and optical. In the first case, the process takes place in one container, and the saturation is regulated by adding basic tones. In the second case, strokes are applied to each other. In the third method, the paints are mixed directly on the treated surface, which allows you to get a more even tone.

How to get from acrylic?

They are universal and are used for many purposes - painting walls, drawing patterns on the ceiling, and so on. The composition adheres well to the treated surface. Buying all possible shades will be very expensive. For this reason, base colors are mixed.

To get the specific shade that you need, in the case of acrylic paints, you should use a special table that shows mixing options.

How much to add corrector?

The corrector is able to neutralize the unwanted shade from the resulting color. To facilitate the task, use the so-called Oswald's star. There are six colors - three basic and three additional.

If the ends of the star are connected with diagonal lines, then you get colors that neutralize each other. For example, purple is able to neutralize the basic colors: green, red and yellow.

To enhance the color, you need to add a corrector below the color wheel.

In various fields of use, these correctors are also called mixtons.

UV for tattoo

The paint used is a powder that is "charged" by light and releases this energy in the form of a glow. With this combination, a luminous tattoo is obtained, and the desired color is achieved by adding a dye.

UV pigment is safe for humans. The composition does not cause allergies, but the paint should be tested to avoid undesirable consequences for the body.

Important! Why should you use UV pigment carefully? Any paint can cause an allergic reaction, so you need to be careful when choosing a pigment manufacturer.

In conclusion, we note that coloring is a very interesting science that allows you to give full rein to the artist's imagination. Getting purple and its various shades clearly illustrates this. Moreover, these methods work not only when writing works of art, but also for decorating rooms, interiors and stained-glass windows.

Knowledge of color mixing options can be useful not only in the professional activities of artists. The individual design of living space often raises the question of how to achieve this or that interesting halftone before the designer. The proposed combination options and the color mixing table will help you get the desired effect.

Everyday life is filled with the widest range of all kinds of colors. To get the right one, you need to know the intricacies of combining.

Blue, red and yellow paint are three pillars on which a wide palette of halftones rests. It is impossible to form these colors as a result of mixing other colors. At the same time, their combination with each other gives an unusually many combinations.

Important! You can create a variety of shades by mixing only two colors by changing their proportions.

Depending on the volume of one part of the paint added to another, the resulting result approaches one or another original color. One of the most famous examples is the mixing of blue and yellow, resulting in green. The result obtained by adding new portions of yellow paint will gradually change, as close as possible from green to yellow. You can return to blue by adding more of the original element to the green mixture.

Mixing chromatic colors that are close to each other on the color wheel gives a paint that does not have a pure tone, but has an expressive chromatic hue. Combining colors on opposite sides of the chromatic circle will result in an achromatic tone. An example is the combination of orange or magenta with green. That is, a mixture of colors closely spaced in the color wheel gives a rich chromatic hue, the maximum removal of colors from each other when mixed leads to a grayish tone.

Separate paints, when interacting, give an undesirable chemical reaction, which may result in cracking of the decorative layer. In some cases, the resulting background may darken or gray. A good example is a mixture of white lead and red cinnabar. Attractive pink color darkens over time.

It is optimal when the impression of multicolor is achieved by mixing the minimum number of colors. At the same time, it is important to consider which paints, as a result of mixing with each other, give a stable result, and which ones cannot be combined. The knowledge gained allows us to exclude from the work the paints that fade or darken in the future.

The table of undesirable mixtures below will help reduce the risk of erroneous combinations:

Having tried the above examples in practice, future painters and designers will gain valuable professional experience.

Methods for obtaining red and its shades

Red is one of the top three primary colors and is always present even in the smallest sets. But for mass printing, magenta tone is used. The answer to the question of how to get red is quite simple: mix the proposed magenta with yellow in a 1: 1 ratio. There are other options to get red when mixing paints:

In the center is the main red. Next are the mixing options. The next circle is the result of combining the first two colors. In conclusion, color options are presented when red, black or white paint is added to the final result.

Blue and its shades

Blue belongs to the primary colors, so blue paint is required to form all its shades.

Attention! No combination of other colors gives a shade of blue, so the presence of this paint in the kit is mandatory.

Even with a set of 12 colors available, the question periodically arises of how to get blue. The classic tone is called "royal", and in a set of acrylic paints, ultramarine color is often the main one, which has a bright dark tint with a purple undertone. To achieve a lighter effect, mixing blue and white in a ratio of 3: 1 allows. An increase in white leads to a lighter tone up to sky blue. If you want to achieve a moderately saturated result, dark blue paint is mixed with turquoise.

What colors need to be mixed to get shades of blue, consider below:

• The effect of a dark blue-green tone is achieved by mixing blue and yellow paint in equal proportions. The addition of white paint will result in a lighter hue with a simultaneous decrease in brightness due to the combination of 3 elements.
• Prussian blue is created by mixing 1 part of the main blue and adding 1 part of the composition of bright green and light green. A rich and deep shade can be diluted with white, and its purity will not change.
• The combination of blue and red in a ratio of 2:1 gives blue with a hint of purple. Adding white allows you to lighten a dark and saturated tone.
• The brightness of royal blue is different, a similar effect is achieved by mixing the main blue with magenta pink in equal parts. The admixture of white traditionally brightens the result.
• The combination with orange gives a gray mass. Replacing orange with brown at a ratio of 1:2 to the base creates a dark color with a complex gray-blue tint.
• The formation of dark blue is done with the help of black admixture in the ratio of 3:1.
• Mixing the base color with white allows you to create a blue tone on your own.

A small table of combination options is presented below:

green color palette

Solving the problem of how to get green in case it is not in the set is quite simple: connect yellow and blue. A rich palette of green halftones is created by changing the proportions of the original components and adding additional elements that perform the function of darkening or lightening. This role is played by black and white paint. The effect of olive and khaki is achieved by mixing the two main elements (yellow and blue) and a slight admixture of brown.

Comment! The saturation of green depends entirely on the quality of the constituent elements: the intense tones of the source guarantee a bright result.

If green is obtained by mixing, then all subsequent midtones will be dimmer. Therefore, it is better to experiment with a gamut of green, having an initially ready-made primary color. There are many combination options:

• The combination of equal proportions of blue and yellow gives grassy green.
• Increasing yellow to 2 parts with the addition of 1 part blue results in a yellow-green effect.
• Experimenting on the contrary in the form of a blue-yellow ratio of 2: 1 will produce a blue-green tone.
• If you add ½ of black to the previous composition, you will achieve a dark green effect.
• Light green warm tone is formed from yellow, blue and white paint in a ratio of 1:1:2.
• For a similar light green shade, but a cold tone, you need to take yellow, blue and white bases in a ratio of 1:2:2.
• Dark olive color is formed by mixing in equal parts yellow, blue and brown paint.
• A gray-brown tone is obtained from similar elements in a ratio of 1: 2: 0.5.

The expressiveness of the green color is directly dependent on the original elements, respectively, the brightness of the midtones is repelled by the saturation of the green. A visual representation of the blending options is given by the graphic palette:

As in the case of the red circle, the main paint is located in the center, followed by mixing options, then the result of the experiments. The final circle is the shades of the previous level when adding the main, white or black paint.

Other combination options

There are many other tricks to create the desired effect by adding some kind of dye to the base color. The answer to the question of how to get ivory color is multifaceted and depends on the surface where the paint is planned to be applied. The easiest option is to mix a snow-white base base with a yellowish one. For example, yellowish ocher or a minimal amount of strontium is added to whitewash. To tint paper, a small amount of potassium permanganate is diluted in water. A light pink shade indicates a properly diluted solution. A cotton swab, brush or sponge is wetted in the resulting composition, after which the surface of the paper is processed.

Advice! For double-sided tinting, the sheet can be lowered for a couple of minutes into a container with a solution of potassium permanganate. After drying, it will acquire the desired effect of ivory.

There are also several ways to get black:

• by mixing the three basic colors of red, blue and yellow;
• when combining cyan, magenta and yellow;
• by combining green and red, but the result will not be 100% clear, but only close to the desired effect.

We will try to answer the most popular questions about mixing options:

• How to get a crimson color: the base is blue with the addition of red, white and brown.
• You can get turquoise, the second name of which is aquamarine, by mixing blue and green. Depending on the proportions, the tones of the new shade range from soft pastels to intense and bright.
• How to get yellow? It belongs to the main ones and it is impossible to obtain it by combining other paints. Something similar to yellow can be created with watercolors by combining green and orange or red. But it is impossible to achieve purity of tone in this way.
• How to get a brown tint? To do this, you need basic paints: red, yellow and blue. First, a small amount of yellow is added to the red (in an approximate ratio of 10: 1), then the volume is gradually increased until an orange tone is obtained. After that, they proceed to the introduction of the blue element, 5-10% of the total volume will be enough. Minor adjustments to the proportions will produce a wide variety of brown effects.
• The combination of black and white elements in various proportions gives a diverse range of gray tones.

As you can see, there are countless options to achieve the desired effect in the creative design process. A table with options for mixing colors and videos will supplement the information provided: