How to draw a Snow Maiden with a pencil step by step. What is Meh? The end result will look like this

For a long time, it remained a problem for me to depict hair, wool, feathers and other small things with a simple pencil. I'm sure this riddle worries all beginners, and if so, it's worth writing a lesson on how to draw cat fur with a pencil. Wool is a by-product of the life of mammals that grows from the skin. Usually it does not reach large sizes, but it brings warmth and comfort to its owner. Human larvae do not have a woolen cover (with the exception of people of Caucasian nationality) and for this they actively take revenge on nature and animals, taking away a valuable fur coat from the latter.

And here are a couple of perverted ways to use the gifts of mother nature:

• Light industrial products and knitwear are made from the wool of defenseless creatures. Yes, you are now wearing such a product, monsters;
• Wool, goats, and other small creatures are especially heavily used;
• The only thing that pleases is the opportunity to collect loot from a living animal, otherwise the society for the protection of animals would go naked;
• And not happy - molting. Yes, some types of domestic animals forcibly give their owners piles of wool, sometimes even several times a year;

Especially often cats are engaged in the latter, so we will take it as an example:

How to draw wool with a pencil step by step

Step one. Let's start by sketching the cat's body. Let's make three circles, one for the torso, the second for the neck and the third smaller for the head. Add ears to the head.
Step two. Now let's take on the muzzle. It will look like a rabbit, but then we will make it a cat.
Step three. Now sketch out the fur, and draw the paws.
Step four. We draw wool with the help of hatching. Try to repeat as in the picture below.
Step five. Let's remove the auxiliary lines and correct the contours, here is the result:
I hope you liked it and you will know how to draw cat fur with a pencil. Write to me what else you want to portray. You can order a lesson on the page

We draw fur in Photoshop.

Make a brush consisting of several dots of different sizes. The size of the tocher depends on the size and resolution of your work. Also make sure that there are not too many points, otherwise the texture will be too visible due to repetition. Once the brush is done, set spacing to "1" in the brush menu. I use several brushes, here is an example of two of them.

Step 2 - Make the base color neutral, the base color a little darker and start painting with short strokes. Don't worry if it comes out a little sloppy.

Step 3 - With a lighter color, paint on top of more strokes. In fact, fur is made up of many different colors. You may look at your dog and think "brown", but look closer and you'll see many shades. Also remember that the fur is unlikely to be clearly straight, so make the lines curved.

Step 4 - In this step I painted more dark hair in the background and lighter hair in the foreground. I drew from my cat - he has a white "patch" of fur under his chin. I also made some gold strokes over the dark part to add highlights:

Step 5 - Great... now we have a good base, we can continue to work and emphasize some individual hairs. At this stage, I touch up the sloppy parts of the base to achieve realism. With the help of a small round brush paint some hairs. You can smear them a little with your finger. Usually the wool lies in layers, so draw a shadow in some places:

Step 6 - Finishing touches. We add the last hairs and color spots where necessary. I added some red shades and bright light. And the fur is ready!

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THE STUDY

Before you start, study the fur a little. There are many types of fur for different animals, so try to figure out what makes a certain type of fur special. Is it shiny and shiny? Or is he fat and ragged? Save yourself some photos or find an animal to study, just for practice. Don't forget to name your sketches so you always know whose fur it is, and make notes about the qualities and features of the fur.

I recommend having an album just for practice. Sometimes, as an artist, you can get too carried away with the creation of finished drawings and completely forget about the usual practice. Regular practice will help you improve your professional skills as an artist, and it will also allow you to relax and enjoy your work.

BASICS

Now I will give you some basic advice. A very general idea of ​​fur direction is shown here, using the example of a dog. Everything is very simple: usually the fur lies in the direction from the head to the back. Pay attention to how the lines are bent - this does not necessarily mean that the fur itself is curly; this is done in order to show that the fur is located in three dimensions. Using curved lines when processing fur will help give it a 3D look. Using straight lines can flatten the fur, so be careful with that.

In addition to the theme of direction, the length and thickness of the fur also varies from one part of the body to another.

Here is another model of a dog to give you a simplified view of fur length. Each animal is unique, so try to study different animals in order to understand their unique distribution of hair over the surface of the body. The correct transitions in the length and thickness of the fur will add realism to your drawing.

WHAT TO DO AND NOT TO DO!

Well, basically what you don't need!

Here are examples of the things you should avoid when creating natural fur...

Of course, the word "wrong" does not exist in the drawing, so if you prefer to style the fur in your drawing in this way, then go for it!

Be critical!

Look at your drawing through the eyes of a critic. What goes together? What is not? Knowing the strengths and weaknesses of another artist will help you discover your own strengths and weaknesses. Sometimes we just don't realize we're doing something until someone else does it.

LIGHT

In perspective, the light will determine how realistic your drawing will be. Make sure you have identified and drawn the light source(s) in your drawing before you start adding details.

Once you have decided on the light, you need to understand how the light will affect the fur. Shiny fur will have brighter highlights, backlit fur will show the outline of the fur, and a very bright light will hide all the details in the lighted area and bring out details in the shadows.

DRAWING TECHNIQUES

Now we will talk about some fur processing techniques. This tutorial is intended for Photoshop users, so the options and tools listed here may not be available in other programs. Regardless of which program you use, these techniques can be applied to the options and tools that your program has.

This lesson was also created using a tablet. Recreating these effects without it can be very difficult.

BRUSHES

Now we'll talk about some types of fur...

SHORT FUR

Here is an example of drawing short fur, which is ideal for all members of the canine family. Many animals have fur of a non-uniform color, each shred has differences in shade and color intensity.

1) Start by painting with the base color of the area where the fur will be. Try mixing several colors so you don't end up with too "flat" a shade.

2) Then use a brush with a diameter of 25 pixels to define the main direction of the fur in short, soft strokes.

3) Now you have to draw the differences in the color of the coat. Continuing to use the 25 px brush, select 1-2 colors for the fur - I chose one slightly darker than the main one, and the second one darker and less saturated (more grey). Here the fur is a little shorter on the left side and longer on the right side, so I added more dark strokes on the left side than on the right side, because the color usually changes with the length of the fur.

4) Now you can select a brush with a diameter of 5 pixels and a lightening shade, which should be slightly lighter than the main color. Now the hard work begins, as you will have to draw short little lines all over the surface, as if you were drawing each individual hair. It seems very tiring, but once your hand gets used to it, it will become a familiar movement for you. Just go over the entire surface, shorter strokes for short fur and longer strokes for long fur, respectively. Once you're done, your fur will already look good enough that you can stop at this point if you want, but if you want to add more depth you'll still have to work on the pattern.

5) Now you need to choose an even darker shade than the one you used before and a lighter one instead of the lighter one. Apply dark color in short strokes, apply it randomly - there is no specific formula for this stage, you just draw as you see fit. Use a lighter color to paint longer strokes and wiggle your pen a bit as you paint to make the tufts of fur more wavy.

6) The sixth stage is the final version. I just created a layer over the fur in the Overlay mode (Overlay) and using the Airbrush (Airbrush) added differences in color.
For the following examples, I will not describe step by step instructions as the process is the same.

SOME MORE STEP-BY-STEP INSTRUCTIONS FOR SHORT FUR

LONG FUR

We will now move on to the basics of Longfur. It's very simple - for Short Fur we used short brush strokes, so for Long Fur, we'll use long strokes. Remember that most animals have different lengths and textures of fur on different parts of the body; Long fur drawing techniques are great for drawing the mane, tail and tufts. Try to combine them with the techniques shown above.

1) As with short fur, start by mixing colors to create a base color.

2) Using the Eyedropper, select the colors for the base and use these colors to show the main direction of the fur (brush with a diameter of 25 pixels). Use curves to show that the fur is uneven. Here I also added some shadows at the bottom so that the picture looks more round - always define the shadows before you start working on the fur.

3) Now it will be difficult to explain. Select a color darker than the base color and using a 25 px brush start adding darker color to the areas where the fur is coming off in tatters. This will be the area between the individual tufts of wool. At the base, use the Eyedropper to select the main color of the fur and draw protruding shreds.

4) Now using a brush with a diameter of 5 pixels, select a color lighter than the main one and draw individual strands. Start with short strokes for short fur and then gradually increase them. Paint within the patches you've traced, and try not to overdo the highlights on areas that are in shadow, as they don't reflect light.

5) Now select a color darker than your darkest color and lighter than your lightest. With a dark color, very softly apply fine hatching in the areas of the pattern between the tufts of wool. Use a light color to paint messy strokes! These are small strands that reflect light, and in order to make them more realistic, try to swing the pen from side to side while drawing, so that they turn out to be a little wavy and tousled.

6) The sixth step shows the final result, with improved color, which is the result of creating a layer in Overlap mode (Overlay). If you want to draw fluffy edges, use Eraser (Eraser) with a small diameter and go around the edges.

SOME MORE STEP-BY-STEP INSTRUCTIONS FOR LONG FUR

How to draw fur

Pencil drawing of a wolf with Sidney Eileen.

Transfer fur graphite pencil.

The size of the drawing shown here is 5"x7" medium rough sketch paper. Drawn with Staedtler Mars Lumograph B, 3B, 5B and 6B pencils.

Basic lines sketch
Whether I use a reference or not, I always start with a sketch of the subject and the background (if any). I try to give a general outline of the form, the location of important details, such as eyes, nose, ears, legs, etc. and designation of the contours of the fur, its direction and texture. At this stage, I also try to imagine light-shadow transitions, although not very accurately. Many of these lines will change as the drawing continues.

Beginning of the first hatch layer
I always start with the subject's eyes and face, and if the drawing has more than one object on paper, then either the dominant or the most central object.
At this stage, it is very important for me to plan the direction of drawing so that later I don’t smear what has already been drawn with my hand. As it turns out, I can't hold my hand firmly unless it's in direct contact with the surface of the drawing, so I usually work in a circular pattern with the paper turning. On a small sheet like this one (5"x7") I worked from my head straight down and then to the right since I'm right handed.
First of all, I drew the eyes with all the details and the nose; both with a 5B pencil. Then I switched to a B pencil and applied a light basic shading to the muzzle. This hatching layer should be about as light as the lightest tones of the fur texture being painted. We look at the highlights and spots of fur, draw a shadow.
Make sure the pencil strokes are in the direction of the hair growth. These strokes tend to show through in the final image and also help define the overall texture of the coat. Stroke length is not important at this point, as long as that stroke layer remains uncovered in the final drawing.

Drawing the first layer
After the main hatching is applied, I continue to work with a 3B pencil. By pressing a little harder and using more precise fine strokes, I begin to create the texture of the fur. Try to keep the pencil as sharp as possible, and the length of the strokes would be approximately equivalent to what we see in the reference. At this stage, lay the hatching of the middle shadow. Darker areas will then be drawn on top of it.
At this stage, some of the shadow zones created in the first layer can still be modified. Here I decided that the ears looked a bit small, so I extended the shadowed areas and moved on to applying some details.

Second layer detail
After the hatching of the middle part is drawn, I switch to a 5B pencil. In larger areas, I will also use 4B, since I found that in small drawings, such detail is completely lost.
I carefully add a small amount of shadows to areas that look a little flat, but not necessarily dark. I did this at the top of the nose and around the eyes and muzzle. Each pencil hardness has a different tone, and even some slight addition can provide depth that can't be achieved with a single pencil.
As with the first detail layer, keep your pencil as sharp as possible, and limit the stroke length to what you see in the reference. Always apply strokes in the direction of fur growth.

Main shading of the next part
After shading the muzzle, I switched back to pencil B. Quite a lot of hair on the head, around the neck and on the front legs is a bright almost white color, so in these places, I use the same pencil as for the traced layer; the basis for hatching is the color of the paper. If, while adding strokes, I saw areas that did not need bright white, then I lightly rubbed the pencil strokes with my fingertips, thereby creating a very delicate, light creamy base.

Hatching Details
As before, I went over the main hatching 3B and 5B with pencils with detailing strokes. At this point, I switched from one to the other, moving around the entire area, adding more and more detail. Lined up the details, slowly making them darker and darker until they matched the reference.
In the area around the elbow, I made very short, contrasting dark strokes to give the impression that the fur is rather short and facing the viewer. A quick succession of compact, dark strokes is all it takes. In the case of cropped furs, I usually apply dark strokes immediately after the main hatching, and then complement with medium shades. The shading is so short that a lot of contrast is created here.
I paint over the paw pads with a 6B pencil to make them as dark as possible.

Next zones
Continuing to work in the same technique, I move on to detailing the torso. I also add basic shading to the hind legs and tail.

Last zone
Added medium shading of the hind legs and tail and dark touches of detailing on the rightmost part of the drawing.

This article was automatically added from the community

It is always difficult for beginner artists to draw texture and texture. Tree bark, sand, gravel and foliage are quite difficult to convey on paper. The same applies to wool. How to draw it, today we will analyze.

Fur on an animal

Inexperienced artists, starting to depict animals, often face the same problem. It can be expressed in the form of a question: how to draw wool? Let's analyze this question using the example of a drawing of a kitten:

1. Our pet, shown in the picture, sits at three quarters of his height. This is one of the most successful postures for both animals and people. The first step is to "build" the kitten, or just draw the outline of the animal.
2. Next, we detail the drawing, work out the muzzle and paws. And only after that we proceed to the image of wool.
3. First you need to decide in which areas where the animal's coat will be directed. On the breast, the hair is directed down, on the head up, and on the back it lies evenly, slightly bristling. To achieve realism in the drawing, we will draw a fur coat in strands.

Let's start with the chest:

• With a wave-like movement, we outline a piece of wool.
• To the right and to the left we darken our wave.
• In the same way, we repeat this operation until all the wool on the chest is drawn. It is worth remembering that the kitten's coat is uneven, somewhere it is a little fluffier, and somewhere smoother.

Let's move on to the paws:

• There is no need to draw thick fur. It will be enough to show the fur texture with separate strokes.
• Left and right, the fur on the back of the kitten is darker than the front. Therefore, we shade the space with a soft pencil, and then select individual strands with an eraser.
• We work out the muzzle in the same way as the paws, with small strokes, but we depict the crown and ears as fur. Draw the contour of the kitten with an eraser.

How to draw the fur of the surrounding animals? All of them can be depicted by analogy with a cute kitten, the detailed image process of which we analyzed above.

Draw animals with a child

Of course, the previous version of the image is acceptable for an adult. A 1st grade child can draw the fur of the animals of the world in a different way. More simple. Let's analyze the image process again in the picture of a kitten.

How to draw animal fur for a child? Here you do not need to draw the inner filling, it is much more important to show the effect of wool on the outer contour of the animal. How to do it:

1. Well, of course, this effect can be achieved by combining straight lines with zigzag ones. For example, the back and legs are less fluffy than the tail and breast. Therefore, we depict them with a simple straight line. But the tail is fluffy, so we draw it either with a zigzag line right away, or we draw hairs on top of the already drawn tail.
2. We do the same operation with the chest. The muzzle of the kitten will also not be smooth. The cheeks and crown of the animal are fluffy, and this must be shown.
3. With curved lines we give the kitten fluffiness. As accents, in some places you can also draw zigzag short lines, emphasizing the character of the animal's coat.

The fur of a dead animal

Sometimes you need to draw the skin of a dead animal or a stuffed animal. How to do it? Everything is simple. We will work by analogy with the previous paragraph. "Why not the first one?" you might ask. The fact is that the killed animals should look more comical in the picture, unrealistic, so that it is clear that this is already an inanimate creature.

Consider how to depict the head of a bear, from which a hat was made:

• To begin with, we outline the contours of the animal.
• We are working on the details.
• When the preparatory work is completed, you can proceed to the image of wool. The outer contour should be in the form of a zigzag, but the internal details will be depicted as separate dashes. Thus, we must outline the cheeks and eyes of the bear. But the fur above the eyes and on the ears should already be made in the form of a zigzag.

There is a principle here that needs to be remembered. All inner hair should be drawn in separate short lines, and the outer edges of the animal - in a zigzag line.

How to draw a fur coat

The artist depicts wool not only on animals, but also on clothes. For example, on a fur coat. Indeed, in the landscapes and portraits of Russian artists, the hair of animals on people's clothes is quite common. Therefore, we will analyze the points on how best to draw a fur coat.

1. It is not difficult to draw the fur of animals in the form of clothes. But the outline of outerwear must be depicted, guided by the rule from the previous paragraph. That is, it must be made in the form of a zigzag.
2. If the fur coat is divided into sectors, then we draw them in long even stripes. But we depict large pieces of fur as whole. The stripes on them will not be clear, but blurry, with separate dashes. Thus, the artist shows the play of light and shadow on the fur.
3. Where the fur coat breaks into folds, a zigzag should appear. This is especially evident on the sleeves or on the hem.
4. Remember that in addition to shadow and light, the fur coat has a halftone. We show it with uniform shading.

Wool clothing

Quite often, the artist is faced with the fact that he does not know how to draw knitted things. After all, such clothes are very different in texture from a cotton sweater or knitted turtleneck. We have already figured out how to draw the fur of animals, and now we will learn how to draw the texture of a knitted material.

Sweaters, socks, scarves and hats can be depicted according to the same principle. The edge of the product should be drawn in a zigzag. But this is not a dogma. The contour can also be indicated by a straight line. The main thing is to convey the structure of the material.

Let's take a sweater as an example. Usually knitted things have a characteristic ornament. We are used to the fact that knitted sweaters have a pattern, such as deer or snowflakes. This is the print that needs to be sent. It should also be drawn not evenly, but as if soft, blurry. This effect can be achieved by rubbing the lead with a cotton swab or eraser. And the very structure of the knitted material must be conveyed in small dashes. They can be both vertical and horizontal. The main thing is to draw them according to the shape of the product.

Artificial fur

Natural materials are different from those produced synthetically. The main difference between faux fur lies in the characteristic brilliance. This is what should be conveyed in the drawing. That is, depicting, for example, a fur coat, it is necessary to highlight not only those parts of the product that are in the light, but also those that are in the shade. The picture will be less saturated in tone.

Another technique that will help the artist to depict fake fur is drawing a short pile. The edge of the product should not be depicted with the usual zigzag, but with separate small strokes. Moreover, in an artificial product, the fur will always have one direction.

Draw wool in sepia

Today, more and more artists use all sorts of soft materials. Sepia is considered one of the most sought after of them. Even a child with it will be able to draw the fur of the animals of the world.

Sepia is sold in the form of pencils. It is a soft material that has a brown color. It lays down better on paper and is easier to shade. What is the difference between sepia drawing and regular slate pencil? The soft material first sets the whole tone of the picture, and only then small details are drawn, such as hairs on an animal's fur coat.

Depicting, for example, a dog, you first need to give its entire body a uniform brown color. And only then highlight the dark places. And only after the volume appears, you should draw wool. It should be drawn with a well-honed pencil. Strokes need to be applied in different directions to achieve greater realism.

Drawing with a soft pencil

Very often at school, children are given homework to portray an animal. Let's figure out how to draw a squirrel. It will be difficult for 1 child to draw the fur of an animal, but if parents help, the task will be much easier. We give an example of professional art work, in the image and likeness of which a child should draw:

• The squirrel is a fluffy animal. But her fur is not as soft as a cat's. First of all, you need to draw the outline of the animal, and then shade it with one gray tone. The stylus must be rubbed with cotton wool.
• Now let's find out how to draw the fur of an animal. Mentally, you need to divide the squirrel into parts: chest, paws, muzzle, back, stomach and tail. Each area will be hatched separately and at its own angle.
• On the belly, the hairs will have a straight direction, and go down. On paws too. But on the back you need to apply strokes in the form, that is, in the horizontal direction.
• Tail will be an exception. Here all the strokes will be directed upwards, but in order to achieve realism and volume, you should change direction, slightly deviating either to the right or to the left. The tip of the tail should be curled. The fur will point down.
• Since we draw with a soft pencil, we need to take advantage of all the benefits that this material gives. The hair along the edges of the tail should be darker, that is, here you need to press harder on the pencil. The same goes for the paws and the top of the head.

Drawing with a hard pencil

Let's figure out how to depict a squirrel, but in a different stylistic decision. How to draw animal hair with a hard pencil?

The fact is that here we will not clearly reveal the light and shadow, but will focus on the form. The strokes on the body will go in one direction. But the hairs will not be straight, but wavy. On the head, the strokes will also go in the same direction, but not down, but in the shape of the muzzle. The situation is more complicated with the tail. It will be depicted as a fan of strokes. We start drawing it from the body of the squirrel and gradually wrap the tail down. To add some volume, draw a few arcuate lines at the base of the tail.