How to get dark pink. Color mixing features

13.04.2019
Two color mixing charts

The color mixing table allows you to find out how to get the right one when mixing two or more colors and shades.

Such a table is used in various fields of art - fine art, modeling, and others. It can also be used in construction when mixing paints and plasters.

Color mixing table 1

Required color Primary Color + Mixing Instructions
Pink White + add some red
Chestnut Red + add black or brown
royal red Red + add blue
Red Red + White for lightening, yellow for orange red
Orange Yellow + add red
Gold Yellow + a drop of red or brown
Yellow Yellow + white for lightening, red or brown for a darker shade
pale green Yellow + add blue/black for depth
grassy green Yellow + add blue and green
Olive Green + add yellow
light green Green + add White yellow
Turquoise green Green + add blue
bottle green Yellow + add blue
Coniferous Green + add yellow and black
Turquoise blue Blue + add some green
White-blue White + add blue
Wedgwood blue White + add blue and a drop of black
royal blue
Dark blue Blue + add black and a drop of green
Grey White + Add some black
Pearl Gray White + Add black, some blue
medium brown Yellow + Add red and blue, white for lighter, black for darker.
Red-brown Red & Yellow + Add blue and white for lightening
golden brown Yellow + Add red, blue, white. More yellow for contrast
Mustard Yellow + Add red, black and some green
Beige Take brown and gradually add white until a beige color is obtained. Add yellow for brightness.
Off-white White + Add brown or black
Rose gray White + Drop of red or black
Grey-blue White + Add light gray plus a drop of blue
Green gray White + Add light gray plus a drop of green
gray coal White + add black
lemon yellow Yellow + add white, some green
Light brown Yellow + add white, black, brown
Fern green color White + add green, black and white
forest green color Green + add black
emerald green Yellow + add green and white
light green Yellow + add white and green
Aquamarine White + add green and black
Avocado Yellow + add brown and black
royal purple Red + add blue and yellow
dark purple Red + add blue and black
tomato red Red + add yellow and brown
Mandarin, orange Yellow + add red and brown
Reddish chestnut Red + add brown and black
Orange White + add orange and brown
red burgundy color Red + add brown, black and yellow
Crimson Blue + add white, red and brown
Plum Red + add white, blue and black
Chestnut
honey color White, yellow and dark brown
Dark brown Yellow + red, black and white
copper gray Black + add white and red
eggshell color White + yellow, a little brown
The black Black Use black as coal

Color mixing table 2

Mixing paints
black= brown + blue + red in equal proportions
black= brown + blue.
gray and black\u003d blue, green, red and yellow are mixed in equal proportions, and then one or the other is added to the eye. it turns out you need more blue and red
black= you can mix red, blue and brown
black= red, green and blue. You can also add brown.
bodily= red and yellow paint .... just a little. After kneading, if it turns yellow, then add a little red, if it turns pink, a little yellow paint. If the color is very saturated, add a piece of white mastic and knead again
dark cherry= red + brown + some blue (cyan)
strawberry\u003d 3 parts pink + 1 hour red
Turkish\u003d 6 hours sky blue + 1 hour yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 hour red + a little black
rust color\u003d 8 hours orange + 2 hours red + 1 hour brown
greenish\u003d 9 hours sky blue + a little yellow
dark green= green + some black
lavender\u003d 5 hours pink + 1 hour lilac
bodily= a little copper color
nautical=5h blue + 1 hour green
peach=2h. orange + 1h. dark yellow
dark pink=2h. red + 1 hour brown
dark blue=1h. blue+1h Lilac
avocado= 4 hours yellow + 1 hour green + a little black
coral\u003d 3 hours pink + 2 hours yellow
gold\u003d 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 hour purple + a little red
light green= 2 hours purple + 3 hours yellow

red + yellow = Orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + brown = ocher
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige
light green=green+yellow, more yellow,+white= light green

lilac=blue+red+white, more red and white, +white= light lilac
lilac= red with blue, with red predominating
pistachio paint obtained by mixing yellow paint with a small amount of blue

Thanks to modern technology, interior designers are becoming real wizards. In the blink of an eye, they will make any room stylish and original. Recently, more and more attention is paid to color design. The most popular are non-standard shades that can be obtained by mixing colors.

Process Basics

Manufacturers of paints and varnishes presented a fairly wide range on the market. But it is not always possible to choose what is ideal for the interior. Combining multiple shades will save time and money.

In many specialized stores, you can use the services of a specialist who will help you make the right color. But if you know the basic rules of how to mix dyes, you can do it at home with your own hands.

When mixing, you need to remember one important rule: you can not combine liquid products with a dry mixture. They have different indices, so the coloring composition may eventually curl up.

The most interesting part of the process is creating the desired shade. There are four primary colors:

  • white;
  • blue;
  • red;
  • green.

By mixing them, you can get any others. Here are illustrative examples:

  1. Brown is obtained by combining red and green. For a lighter shade, you can add some white.
  2. Orange is the result of mixing yellow and red.
  3. If you need green, you need to combine yellow and blue paints.
  4. To get purple, you need to mix blue and red.
  5. Red and white will result in pink.

So you can mix ad infinitum.

Mixing acrylic materials

Designers love acrylic paints the most. They are very easy to work with, the finished coating has excellent water-repellent properties. Their use has several nuances:

  1. The work surface must be perfectly flat and smooth. To do this, it needs to be sanded.
  2. It is important that the paint does not dry out.
  3. To get an opaque color use undiluted paint. Conversely, for transparency, you can add a little water.
  4. To be able to slowly choose the right color, it is recommended to use. Thanks to him, the tool will not dry so quickly.
  5. To distribute the paint, use the edge of the brush.
  6. Mixing is best done with a clean instrument. In this case, the colors should be directed towards each other.
  7. To make a light tone, you need to add a white dye to the solution, and to get a dark one - black. It is worth remembering that the palette of dark colors is much wider than light ones.

Here are some examples of mixing acrylic-based colorants:

  1. Apricot color is obtained by mixing red, yellow, brown and white.
  2. The recipe for making beige paint involves combining brown and white. If you need a bright beige, you can add a little yellow. For a light beige shade, you need more white.
  3. Gold is the result of mixing yellow and red.
  4. Ocher is yellow with brown. By the way, it is considered popular in the current season.
  5. Khaki can be made by mixing green dye with brown.
  6. Magenta requires three different colors: red, yellow, and blue.

Mixing oil paints

Oil-based paints are more fluid, which necessitates more thorough mixing of the compositions if mixing tones is performed. The specificity and properties of oil colors give the following advantages:

  • the tone will be the most uniform, so the paint is perfect for decorating any surface;
  • if desired, you can leave streaks in the paint, which will allow you to create unusual effects on a canvas or wall.

Oil stirring

Before work, it is important to evaluate whether it is possible to combine individual tones with each other, what will be the result. If you introduce a little glossy paint into a matte one, the result will be inexpressive. Adding a matte paint to a shiny one helps to make the latter a little more subdued.

It is possible by such methods:

  1. Mechanical. In one dish, on the palette, different colors are combined by mechanical mixing. The saturation of the finished mass is adjusted by adding brighter or lighter shades.
  2. Optic. This method is practiced only by professionals. Paints combine to obtain a new color when they are applied to the canvas, wall.
  3. Color overlay. By layering strokes, a new tone is created.

Features of mixing paints

The mechanical method is the simplest, therefore it is recommended for beginners. When using color overlay, the result may differ from what was intended, which must be taken into account in advance. You can apply the glazing method - first apply a darker color, then lighten it with strokes of light paint. It is better to practice combining oil paints in their small portions, learn how to create original effects, and then start creating paintings or decorating the interior.

The working process

By mixing several different colors, you can get a large number of a wide variety of shades. What?

shades of gray

Quite often used in interior design. Help to create a shadow or unobtrusive color, as well as:

  1. You can create regular gray by mixing black with white.
  2. To create cold shades, you need to add a little green to gray, and for warm ones - ocher.
  3. Grey-green is gray with white and green.
  4. Gray-blue - gray, white and a little blue.
  5. Dark gray is the result of mixing gray and black.

brown tones

To dye, you need to mix:

  • green with red;
  • red with blue and yellow;
  • red with white, black and yellow.

How to create other original tones:

  1. Mustard will turn out if you add red, green and black dyes to yellow paint.
  2. Tobacco shade is red, green, yellow and white.
  3. Golden brown is the result of combining yellow, red, green, white and blue. In this case, there should be more yellow pigment.

Red tones

  1. The basis for the pink shade is considered to be white. Red is added to it. The brighter the desired shade, the more red should be added.
  2. To get a rich chestnut, you need to mix red and black.
  3. Bright red-orange color - red and a little yellow. The more of the latter, the paler the result will be.
  4. You can give the dye a purple tint by mixing a few drops of bright blue and yellow colors and red pigment.
  5. To create crimson, according to the recipe, you need to mix bright red + white + brown + blue. The more white, the pinker the shade.

Deep green is formed by combining yellow and blue tones. The saturation of the finished dye depends on the amount of each of them. To create shades, you need to add other colors to green:

  1. For mint you need white.
  2. To get an olive color, you need green and a few drops of yellow.
  3. A shade of grass can be obtained by mixing green with blue. Yellow paint will help even out the color.
  4. The color of the needles is the result of mixing green with black and yellow.
  5. Gradually mixing green with white and yellow, you can make an emerald tone.

purple tones

Purple is made by mixing blue and red. You can also use blue and pink paints - the final color will be light, pastel. To darken the finished tone, artists use black paint, which is added in very small portions. Here are the nuances for creating shades of purple:

  • for light purple, you can dilute the finished color with white in the right ratio;
  • for magenta, you need to enter more red paint than blue.

Orange color

When creating a classic orange, they combine one part of yellow and red paint. But for many types of paint, you have to take more yellow, otherwise the color will turn out to be too dark. Here are the main shades of orange and how to get them:

  • for light orange, take pink and yellow, you can also add a little white paint;
  • coral requires dark orange, pink, white in equal proportions;
  • peach needs colors such as orange, yellow, pink, white;
  • for red, you need to take dark orange and a little brown.

Important rule

Many people ask the question: is it possible to mix paints and varnishes from different manufacturers? It is desirable that the dyes to be mixed be made by the same company. It's even better if they are from the same batch. Mixing dyes from different companies is not recommended. Often they have different properties, such as density, brightness, etc. Because of this, the finished coating may curl.

If there is a desire to take a chance, you can combine a little bit of one and the other paint and apply the resulting solution to the surface. If it thickens or clumps, the experiment is not a success.

Computer help

You can mix several colors correctly using special computer programs. They help to see the final result and determine in percentage terms how much of one or another tone needs to be added. Such programs will help you figure out what shade can be obtained from the funds that are available. They consist of several elements:

  1. A button that removes tones from a set.
  2. Color names.
  3. Lines of input or output to or from a calculation.
  4. samples.
  5. A button that introduces colors into the set.
  6. Result windows.
  7. New selection window and list.
  8. The composition of the finished dye as a percentage.

Mixing several different colors is a fairly common technique among designers. Unusual shades will help to advantageously decorate the interior, make it original or even unique. You can mix dyes even at home. There are many recipes for creating a particular shade. For example, to get beige, you need to combine white and brown, and for pink, white and red.

It is recommended to always have a thinner on hand to prevent the paint from drying too quickly. Do not mix products from different manufacturers, because the result will be a poor-quality coating. To find out the final result of mixing, you can use a special computer program.

Taking the first steps in working with decor, most artists are faced with the lack of many shades in standard paint sets. And in everyday life, the need to get different tones arises quite often: from choosing a color for painting the walls in a house to choosing the perfect eyeshadow. However, do not be upset if there is no necessary element in the existing arsenal of paints. Remember, with only three basic colors available: yellow, blue and red, you can get any shade that exists in nature. So, to get orange, you just need to mix two basic colors: red and yellow, and also get acquainted with some of the nuances that artists use when mixing paints.

First, let's prepare everything you need. You need to bring:

  1. surface for mixing (for example, a palette);
  2. yellow and red paint;
  3. brushes;
  4. canvas or other work surface on which the resulting material is planned to be applied (watercolor paper, pastel paper, etc.).
The result of mixing yellow and red from paint

In order for the final color to turn out perfect, before starting work, make sure that the surface is free of foreign particles (lint, dust particles, brush hairs, etc.). You also need to immediately decide which of the ways you plan to get the desired orange tone. If mixing is done on paper, the final hue is obtained by overlapping the tone after applying one layer of composition to another. If you mix colors on a palette or b cans, you get a separate new tone as a result.

Receipt process

To get orange by combining shades on paper, you first need to decide what you want to get in the end. Since if you apply yellow on top of red, the final tone will be darker than if you apply red on top. It is also important to ensure that the blending brush is free of foreign tints, as the presence of a paint brush of a different color on the hairs of a brush can give a completely unexpected result.
The same rule must be followed if you plan to get the necessary orange color in dry painting. Just layer red and yellow on top of each other and then rub. The resulting shade will entirely depend on what color layer was applied on top: if the last layer was yellow, then orange will be lighter, if red, a red-orange tone is formed.

When mixing paints on a palette, the situation is somewhat simpler. You need to apply a little of one paint base and another on it, and then mix it with a palette knife (a special small spatula). A regular brush will work too, but again make sure the brush is free of other paints.

Completely different mixing rules should be followed if you are working with oil paints. To make the final color orange, you need to apply yellow and red strokes very close to each other, then, moving a little distance away, you will see that you have achieved the desired effect.

Correct Proportions

The proportions of red and yellow paints depend solely on what shade you want to get as a result. So when mixing paints in the same proportions, you will get a classic orange color as a result. In order for the final orange to be more golden or yellow-orange, the yellow paint must predominate. While more red should be added to get a saturated fiery orange. You can also soften the resulting shade of orange by adding a little bit of white paint, then you get a lighter, pastel tone. But to darken the tonality, it is better not to use black, since it does not so much darken as it drowns out the color spectrum. To get a darker shade of orange, it is recommended to apply a little dark gray.


Names of the orange spectrum

Conclusion

The principle of obtaining orange paints is quite simple, it is enough to know the RGB model and the principles of mixing to make the most stable composition. From the type of work, whether it is drawing or room decor, the method of obtaining orange flowers does not change.

Two color mixing charts

The color mixing table allows you to find out how to get the right one when mixing two or more colors and shades.

Such a table is used in various fields of art - fine art, modeling, and others. It can also be used in construction when mixing paints and plasters.

Color mixing table 1

Required color Primary Color + Mixing Instructions
Pink White + add some red
Chestnut Red + add black or brown
royal red Red + add blue
Red Red + White for lightening, yellow for orange red
Orange Yellow + add red
Gold Yellow + a drop of red or brown
Yellow Yellow + white for lightening, red or brown for a darker shade
pale green Yellow + add blue/black for depth
grassy green Yellow + add blue and green
Olive Green + add yellow
light green Green + add White yellow
Turquoise green Green + add blue
bottle green Yellow + add blue
Coniferous Green + add yellow and black
Turquoise blue Blue + add some green
White-blue White + add blue
Wedgwood blue White + add blue and a drop of black
royal blue
Dark blue Blue + add black and a drop of green
Grey White + Add some black
Pearl Gray White + Add black, some blue
medium brown Yellow + Add red and blue, white for lighter, black for darker.
Red-brown Red & Yellow + Add blue and white for lightening
golden brown Yellow + Add red, blue, white. More yellow for contrast
Mustard Yellow + Add red, black and some green
Beige Take brown and gradually add white until a beige color is obtained. Add yellow for brightness.
Off-white White + Add brown or black
Rose gray White + Drop of red or black
Grey-blue White + Add light gray plus a drop of blue
Green gray White + Add light gray plus a drop of green
gray coal White + add black
lemon yellow Yellow + add white, some green
Light brown Yellow + add white, black, brown
Fern green color White + add green, black and white
forest green color Green + add black
emerald green Yellow + add green and white
light green Yellow + add white and green
Aquamarine White + add green and black
Avocado Yellow + add brown and black
royal purple Red + add blue and yellow
dark purple Red + add blue and black
tomato red Red + add yellow and brown
Mandarin, orange Yellow + add red and brown
Reddish chestnut Red + add brown and black
Orange White + add orange and brown
red burgundy color Red + add brown, black and yellow
Crimson Blue + add white, red and brown
Plum Red + add white, blue and black
Chestnut
honey color White, yellow and dark brown
Dark brown Yellow + red, black and white
copper gray Black + add white and red
eggshell color White + yellow, a little brown
The black Black Use black as coal

Color mixing table 2

Mixing paints
black= brown + blue + red in equal proportions
black= brown + blue.
gray and black\u003d blue, green, red and yellow are mixed in equal proportions, and then one or the other is added to the eye. it turns out you need more blue and red
black= you can mix red, blue and brown
black= red, green and blue. You can also add brown.
bodily= red and yellow paint .... just a little. After kneading, if it turns yellow, then add a little red, if it turns pink, a little yellow paint. If the color is very saturated, add a piece of white mastic and knead again
dark cherry= red + brown + some blue (cyan)
strawberry\u003d 3 parts pink + 1 hour red
Turkish\u003d 6 hours sky blue + 1 hour yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 hour red + a little black
rust color\u003d 8 hours orange + 2 hours red + 1 hour brown
greenish\u003d 9 hours sky blue + a little yellow
dark green= green + some black
lavender\u003d 5 hours pink + 1 hour lilac
bodily= a little copper color
nautical=5h blue + 1 hour green
peach=2h. orange + 1h. dark yellow
dark pink=2h. red + 1 hour brown
dark blue=1h. blue+1h Lilac
avocado= 4 hours yellow + 1 hour green + a little black
coral\u003d 3 hours pink + 2 hours yellow
gold\u003d 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 hour purple + a little red
light green= 2 hours purple + 3 hours yellow

red + yellow = Orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + brown = ocher
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige
light green=green+yellow, more yellow,+white= light green

lilac=blue+red+white, more red and white, +white= light lilac
lilac= red with blue, with red predominating
pistachio paint obtained by mixing yellow paint with a small amount of blue

Decided to take up painting or painting furniture? But don't know how to get different shades? The paint mixing charts and tips will help you do just that.

Basic concepts

Before you start studying paint mixing tables, you should familiarize yourself with some definitions that will make it easy to understand a new material for yourself. The words used in the theory and practice of blending shades are explained below. These are not scientific encyclopedic definitions, but transcripts in a language understandable to an ordinary beginner, without the presence of complex terminology.

Achromatic colors are all intermediate shades between black and white, that is, gray. In these colors there is only a tonal component (dark - light), but there is no "color" as such. Those where it is are called chromatic.

Primary colors are red, blue, yellow. They cannot be obtained by mixing any other colors. Those that can are composite.

Saturation is a characteristic that distinguishes an achromatic hue from an identical lightness. Next, consider what a paint mixing table for drawing is.

Spectrum

Paint mixing tables are usually presented as a matrix of rectangles or squares, or in the form of shade combination schemes with numerical values ​​or percentages of each color component.

The underlying table is the spectrum. It can be depicted as a stripe or a circle. The second option is more convenient, visual and understandable. In fact, the spectrum is a schematic representation of a beam of light decomposed into color components, in other words, a rainbow.

This table contains both primary and secondary colors. The more sectors in this circle, the greater the number of intermediate shades. In the figure above, there are also gradations of lightness. Each ring corresponds to a certain tone.

The hue of each sector is obtained by mixing neighboring paints along the ring.

How to mix achromatic colors

There is such a painting technique as grisaille. It involves the creation of a picture using gradations of exclusively achromatic colors. Sometimes brown or another shade is added. Below is a table of mixing colors for paints when working with this method.

Please note that when working with gouache, oil, acrylic, a grayer shade is created by not only reducing the amount of black, but also by adding white. In watercolor, professionals do not use this paint, but dilute

How to mix with white and black

In order to get a darker or lighter shade of the pigment that you have in the kit, you need to mix it with achromatic colors. This is how gouache works, mixing acrylic paints. The table below is suitable for working with any material.

There are a different number of ready-made colors in the kits, so compare what you have with the desired shade. When adding white, you will get the so-called pastel colors.

Below is how the gradation of several complex colors is obtained from the lightest, almost white, to very dark.

Mixing watercolors

The table below can be used for both methods of painting: glazing or single layer. The difference is that in the first version, the final shade is obtained by visually connecting different tones superimposed one on top of the other. The second method involves the mechanical creation of the desired color by combining pigments on the palette.

How this is done is easy to understand from the example of the first line with purple tones from the figure above. Layered execution is done like this:

  1. Fill in all the squares with a light tone, which will be obtained by using a small amount of paint and a sufficient amount of water.
  2. After drying, apply the same color to the second and third elements.
  3. Repeat the steps as many times as needed. In this version, there are only three color transition cells, but there may be more.

When working in the technique of glazing painting, it is worth remembering that it is better to mix different colors in no more than five layers. The previous one must be well dried out.

In the event that you prepare the required color immediately on the palette, the sequence of work with the same purple gradation will be as follows:

  1. Set the color by taking a little paint on a wet brush. Apply to the first rectangle.
  2. Add pigment, fill in the second element.
  3. Dip the brush back into the paint and make a third cell.

When working in one layer, you must first mix all the colors on the palette. This means that in the first method, the final shade is obtained by optical mixing, and in the second - mechanical.

gouache and oil

The techniques for working with these materials are similar, since the pigments are always presented in the form of a creamy mass. If the gouache is dry, it is pre-diluted with water to the desired consistency. White is always present in any set. They are usually used up faster than others, so they are sold in individual jars or tubes.

Mixing (table below), like gouaches, is a simple task. The advantage of these techniques is that the next layer completely overlaps the previous one. If you made a mistake and after drying you didn’t like the resulting shade, make up a new one and apply it on top. The previous one will not show through if you work with thick colors without diluting them with liquid (water for gouache, solvent for oil).

Pictures in this painting technique can even be textured, when a thick mass is applied pasty, that is, in a thick layer. Often, a special tool is used for this - a palette knife, which is a metal spatula on the handle.

The proportions of paints to be mixed and the necessary colors to obtain the desired shade are shown in the previous table diagram. It is worth saying that it is enough to have only three primary colors in the set (red, yellow and blue), as well as black and white. From them, in different combinations, all other shades are obtained. The main thing is that the colors in the jar should be exactly the main spectral tones, that is, for example, not pink or raspberry, but red.

Acrylic work

Most often, these paints work on wood, cardboard, glass, stone, making decorative crafts. In this case, it happens the same way as when using gouache or oil. If the surface has been pre-primed and the paints are suitable for it, getting the desired shade is not difficult. Below are examples of mixing shades with acrylic.

For (batik) are also used but they are sold in jars of liquid consistency and are similar to printer ink. In this case, the colors are mixed according to the principle of watercolor on the palette with the addition of water, not white.

If you understand how to use paint mixing charts, you can easily create an unlimited number of shades when working with watercolors, oils, or acrylics.



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