Masha Makarova: My son's father is a forest dweller! The soloist of the group "Masha and the Bears" about fame, family and finding yourself.

16.04.2019
Compound

Story

1990s

The group "Masha and the Bears" was formed in 1997. The starting point of the group's history can be considered 1996, when Maria Makarova handed over a demo recording of her songs to Oleg Nesterov, the soloist of the Megapolis group, who was touring in the city of Krasnodar. In 1997, M. Makarova signed a contract with Oleg Nesterov, who became her producer. In the same year, Masha gathers musicians.

The producers of the new education are the firm Snegiri-Music. In 1997, M. Makarova moved to Moscow and started recording her first album. This year, the group "Masha and the Bears" are filming two video clips in India - "Lyubochka" and "B. T." ("Without you"). The director was Mikhail Khleborodov. All lyrics and music were written by the soloist of the group Masha Makarova. However, the text of "Lyubochka" is a slightly modified text of the poem of the same name by the Soviet children's poet Agnia Barto, and the music is a cover by Radiohead Creep. In 1998, a contract was signed to release an album with the Extraphone record label.

The album and the group become the "Discovery of 1998" at the Maxidrom festival, organized by the Maximum radio station at the Olimpiysky sports complex. In 1998, the group began to actively tour. The media recognize the achievements of the team: "Matador" - the best group of 1998, "OM" - the best debut of 1998, "Moskovsky Komsomolets" - the singer of 1998, radio "Maximum" - the best song of 1998 "Lyubochka", MTV-Russia - "Lyubochka" - 12th place in the final Chart and 3rd place in the final Russian hit parade, "CooL" magazine - 35 weeks in the hit parade, the album "Sunshine" - 28 weeks in the Top 10 "CooL". The song "Lyubochka" from the album "Solntseklyosh" lasted 16 weeks in the hit parade of "Moskovsky Komsomolets", having managed to reach the first place 4 times. After such a successful start, the group "Masha and the Bears" shoots a video clip for the song "Reykjavik" in Iceland in 1998. The second hit was successfully received by critics and the Masha and the Bears group takes part in large-scale festivals: Sochi Riviera - June 1998, MegaHouse - June 1998, City Holiday - September 1998, the city of Kyiv.

2000s

The group broke up in 2000, due to a conflict between Masha Makarova and the rest of the group, which occurred immediately before the group's performance at Maksidrom 2000, which never took place. The breakup of the group was announced live on Radio Maximum, which was broadcast live from the festival. Radio Maximum's host during the ongoing Maxidrome 2000, Mila O'Kada, was told that the group's performance was canceled due to the breakup of the group.

In th the musicians got together again and recorded the album "Without language", which was released in 2006. The group resumed an active concert life, performing in many clubs in Russia.

On December 21, 2012, the band released the first part of the album "The End of the Caterpillar - the Beginning of the Butterfly". The album comes in four releases of four tracks each. The first part was called "The End" in honor of the end of the world according to the Mayan calendar, on the day of which the release took place. At the end of 2013, the second part called "Caterpillars" was officially published. The tracklists for the rest of the album are a closely guarded secret. It is only known that by the time the final part is released, all parts of the puzzle will come together in a single picture. At the same time, the group's first new video clip for the song "Happy New Year!" was released, one of the main characters of which was Radio Maximum DJ Konstantin Mikhailov.

Compound

  • Masha Makarova - vocals, acoustic guitar, flute, songwriter.
  • Vyacheslav Motylev (Hottabych) - guitar.
  • Maxim Khomich - guitar
  • Georgy Avanesyan (Geo) - bass.
  • Vyacheslav Kozyrev (Green) - drums.

Discography

Studio albums

  • - Sunflare (Extraphone)
  • - Where? (extraphone)
  • - No tongue (Style Records)
  • - The End (EP)
  • - Caterpillars (EP)
  • 2016 - TBA

Video

  • 1997
  • 1997
  • 1998
  • 1998
  • 1999
  • 2000 (game)
  • 2000 (animation)
  • 2004 (Masha Makarova)
  • 2005 (Masha Makarova)
  • 2013

Write a review on the article "Masha and the Bears"

Notes

Literature

  • A. S. Alekseev. Who's Who in Russian Rock Music. - M. : AST: Astrel: Harvest, 2009. - S. 286, 257. - ISBN 978-5-17-048654-0 (AST). - ISBN 978-5-271-24160-4 (Astrel). - ISBN 978-985-16-7343-4 (Harvest).

Links

  • on last.fm
  • on the Zvezda.ru portal
  • on the British Wave portal
  • . Interview with Masha Makarova on Peremeny.Ru, 08.11.2006
This article was written using material from the Last.fm wiki, () licensed under Creative Commons and .

An excerpt characterizing Masha and the Bears

Just as it is difficult to explain why, where the ants rush from a scattered tussock, some away from the hummock, dragging motes, eggs and dead bodies, others back into the tussock - why they collide, catch up with each other, fight - just as difficult it would be to explain the reasons that forced the Russian people, after the French left, to crowd in that place that was formerly called Moscow. But just as, looking at the ants scattered around a devastated tussock, despite the complete annihilation of the hummock, one can see from the tenacity, energy, and innumerable scurrying insects that everything has been destroyed, except for something indestructible, immaterial, constituting the entire strength of the tussock, so too and Moscow, in the month of October, despite the fact that there were no authorities, no churches, no shrines, no riches, no houses, was the same Moscow as it was in August. Everything was destroyed, except for something immaterial, but powerful and indestructible.
The motives of people striving from all sides to Moscow after its cleansing from the enemy were the most diverse, personal, and at first mostly wild animals. Only one impulse was common to all - it was the desire to go there, to that place that was formerly called Moscow, in order to apply their activities there.
A week later, there were already fifteen thousand inhabitants in Moscow, after two there were twenty-five thousand, etc. Rising and rising, this number by the autumn of 1813 had reached a figure exceeding the population of the 12th year.
The first Russian people who entered Moscow were the Cossacks of the Winzingerode detachment, peasants from neighboring villages and residents who fled from Moscow and hid in its vicinity. The Russians who entered devastated Moscow, finding it plundered, began to rob too. They continued what the French were doing. Convoys of peasants came to Moscow in order to take away from the villages everything that had been thrown along the devastated Moscow houses and streets. The Cossacks took away what they could to their headquarters; the owners of the houses took away everything that they found in other houses and transferred it to themselves under the pretext that it was their property.
But after the first robbers came others, third ones, and robbery every day, as the number of robbers increased, became more and more difficult and took on more definite forms.
The French found Moscow, although empty, but with all the forms of an organically correct city, with its various branches of trade, crafts, luxury, government, and religion. These forms were lifeless, but they still existed. There were rows, shops, shops, storehouses, bazaars - most with goods; there were factories, craft establishments; there were palaces, rich houses filled with luxury items; there were hospitals, prisons, offices, churches, cathedrals. The longer the French remained, the more these forms of urban life were destroyed, and in the end everything merged into one indivisible, lifeless field of robbery.
The robbery of the French, the more it continued, the more it destroyed the wealth of Moscow and the strength of the robbers. The robbery of the Russians, from which the occupation of the capital by the Russians began, the longer it lasted, the more participants it had, the faster it restored the wealth of Moscow and the correct life of the city.
In addition to robbers, the most diverse people, attracted - some by curiosity, some by duty, some by calculation - homeowners, clergy, high and low officials, merchants, artisans, peasants - from different sides, like blood to the heart - rushed to Moscow.
A week later, the peasants, who came with empty carts in order to take away things, were stopped by the authorities and forced to take the dead bodies out of the city. Other peasants, having heard about the failure of their comrades, came to the city with bread, oats, hay, knocking down the price of each other to a price lower than the previous one. Artels of carpenters, hoping for expensive earnings, entered Moscow every day, and new ones were cut down from all sides, burnt houses were repaired. Merchants in booths opened trade. Taverns and inns were set up in burnt houses. The clergy resumed service in many unburned churches. Donors brought looted church items. Officials arranged their cloth tables and filing cabinets in small rooms. The higher authorities and the police ordered the distribution of the good left after the French. The owners of those houses in which a lot of things brought from other houses were left complained about the injustice of bringing all things to the Faceted Chamber; others insisted that the French from different houses brought things to one place, and therefore it is unfair to give the owner of the house those things that were found from him. They scolded the police; bribed her; they wrote ten times the estimates for burnt state things; required assistance. Count Rostopchin wrote his proclamations.

At the end of January, Pierre arrived in Moscow and settled in the surviving wing. He went to Count Rostopchin, to some of his acquaintances who had returned to Moscow, and was going to go to Petersburg on the third day. Everyone celebrated the victory; everything was seething with life in the devastated and reviving capital. Everyone was glad to Pierre; everyone wanted to see him, and everyone asked him about what he had seen. Pierre felt especially friendly towards all the people he met; but involuntarily now he kept himself on guard with all people, so as not to bind himself in any way. He answered all the questions that were put to him, whether important or the most insignificant, with the same vagueness; Did they ask him where he would live? will it be built? when he is going to Petersburg and will he undertake to bring a box? - he answered: yes, maybe, I think, etc.
He heard about the Rostovs that they were in Kostroma, and the thought of Natasha rarely came to him. If she came, it was only as a pleasant memory of the past. He felt himself not only free from the conditions of life, but also from this feeling, which, as it seemed to him, he had deliberately put on himself.
On the third day of his arrival in Moscow, he learned from the Drubetskys that Princess Marya was in Moscow. Death, suffering, the last days of Prince Andrei often occupied Pierre and now came to his mind with new vivacity. Having learned at dinner that Princess Marya was in Moscow and living in her unburned house on Vzdvizhenka, he went to her that same evening.
On his way to Princess Marya, Pierre kept thinking about Prince Andrei, about his friendship with him, about various meetings with him, and especially about the last one in Borodino.
“Did he really die in that evil mood in which he was then? Was not the explanation of life revealed to him before death? thought Pierre. He remembered Karataev, his death, and involuntarily began to compare these two people, so different and at the same time so similar in love, which he had for both, and because both lived and both died.
In the most serious mood, Pierre drove up to the house of the old prince. This house survived. Traces of destruction were visible in it, but the character of the house was the same. The old waiter who met Pierre with a stern face, as if wanting to make the guest feel that the absence of the prince did not violate the order of the house, said that the princess was deigned to go to her rooms and was received on Sundays.

Masha and the Bears, song "Lyubochka", video

The popular Russian singer Masha Makarova (full name Makarova Maria Vladimirovna) was born in the southern city of Krasnodar. Masha Makarova's date of birth is September 6, 1977 (09/06/1977). Masha Makarova is also the leader and soloist of the rock group Masha and the Bears.

Masha Makarova began her creative career in the city of Krasnodar, where she worked as the host of one of the music radio stations. She performed in local groups "Drynk" and "Makar Dubai". In those years, any resident of Krasnodar could see the performance of Masha Makarova on the streets of the city, where she constantly performed during various holidays.

Masha Makarova studied at KubSU as a journalist.

In 1996, Masha met the famous musician Oleg Nesterov from the Megapolis group. The singer gave him a recording of her songs and a year later she signed a contract with him. Nesterov acted as a producer for the aspiring singer. Masha moves to live and work in the capital and creates a new group "Masha and the Bears". The group lasted for three years and broke up in the year 2000. However, in 2004, the musicians reunited, and the team again took up creativity. Now Eric Chanturia has become the producer of Masha and the Bears, as they say, on the advice of herself.

In 2008, Masha Makarova tried herself in electronic music as part of the Ya Maha project, but she quickly realized that she did not want to work without her musicians.

In 2010, Masha Makarova participated in the work on the Megapolis group's album Supertango.
Masha Makarova's father's name is Vladimir Valerievich, mother's name is Vera Mikhailovna. She also has brothers Michael and Daniel, they are twins. Masha's first husband's name is Andrei Repeshko, he is an artist from Krasnodar. Masha has two twin daughters. Their names are Roza and Mira (born in 2005) and their son Damir, born in 2010.

Masha Makarova professes Orthodox Christianity.

Our days

Country Where Compound

Masha Makarova - vocals, music, poetry
Vyacheslav Motylev - guitar
Maxim Khomich - guitar
Denis Petukhov - bass
Vyacheslav Kozyrev - drums

Group site

Masha and the Bears- Russian rock band formed in 1997.

Story

1990s

The group "Masha and the Bears" was formed in 1997. The starting point of the history of the group can be considered 1996, when Maria Makarova handed over a demo recording of her songs to Oleg Nesterov, the soloist of the Megapolis group, who was touring in the city of Krasnodar. In 1997, M. Makarova signed a contract with Oleg Nesterov, who became her producer. In the same year, Masha gathers musicians.

The producers of the new education are the firm Snegiri-Music. In 1997, M. Makarova moved to Moscow and started recording her first album. This year, the group "Masha and the Bears" are filming two video clips in India - "Lyubochka" and "B. T." ("Without you"). The director was Mikhail Khleborodov. All lyrics and music were written by the soloist of the group Masha Makarova. The text of "Lyubochka" is a slightly modified text of the poem of the same name by the Soviet children's poet Agnia Barto. In 1998, a contract was signed to release an album with the Extraphone record label.

2000s


Wikimedia Foundation. 2010 .

See what "Masha and the Bears" is in other dictionaries:

    Genre Indie rock, folk rock, psychedelic rock Years 1997 2000 since 2004 ... Wikipedia

    The Masha and the Bears group originated in Moscow in 1996 under the leadership of Oleg Nesterov, the leader of the Megapolis group. The line-up included: Masha Makarova (vocals), Vyacheslav Motylev (guitar), Denis Petukhov (bass, ex-Naive). Maxim Khomich (guitar), Vyacheslav ... ... Russian rock. Small encyclopedia

    Masha and the Bear ... Wikipedia

    This term has other meanings, see Masha (meanings). Coordinates: 57°37′15.16″ s. sh. 39°53′15.28″ E  / 57.62088° N sh. 39.88758° E etc. ... Wikipedia

    Wikipedia has articles about other people with that surname, see Makarova. Masha Makarova Birth name Maria Vladimirovna Makarova Date of birth September 6, 1977 (1977 09 06) (35 years old) Place of birth ... Wikipedia

Masha and the Bears are a Russian rock band formed in 1997.

1990s

The group "Masha and the Bears" was formed in 1997. The starting point of the history of the group can be considered 1996, when Maria Makarova handed over a demo recording of her songs to the soloist of the Megapolis group Oleg Nesterov, who was touring in the city of Krasnodar. In 1997, M. Makarova signed a contract with Oleg Nesterov, who became her producer. In the same year, Masha gathers musicians.

The producers of the new education are the firm Snegiri-Music. In 1997, M. Makarova moved to Moscow and started recording her first album. This year, the group "Masha and the Bears" are filming two video clips in India - "Lyubochka" and "B. T." ("Without you"). The director was Mikhail Khleborodov. All lyrics and music were written by the soloist of the group Masha Makarova. However, the text of "Lyubochka" is a slightly modified text of the poem of the same name by the Soviet children's poetess Agnia Barto, and the music is very reminiscent of the Radiohead song. In 1998, a contract was signed to release an album with the Extraphone record label.

In 1999, while recording their second album, Masha Makarova and Oleg Nesterov (lead singer of the Megapolis group) recorded the song "Flowers". A video clip is being shot for the same song. MTV-Russia gives the hottest support to this song.

The album and the group become the "Discovery of 1998" at the "Maxidrom" festival, organized by the radio station "Maximum" in the sports complex "Olympic". In 1998, the group began to actively tour. The media recognize the achievements of the team: "Matador" - the best group of 1998, "OM" - the best debut of 1998, "Moskovsky Komsomolets" - the singer of 1998, radio "Maximum" - the best song of 1998 "Lyubochka", MTV-Russia - "Lyubochka" - 12th place in the final Chart and 3rd place in the final Russian hit parade, "CooL" magazine - 35 weeks in the hit parade, the album "Sunshine" - 28 weeks in the Top 10 "CooL". The song "Lyubochka" from the album "Solntseklyosh" lasted 16 weeks in the hit parade of "Moskovsky Komsomolets", having managed to reach the first place 4 times. to the song "Reykjavik" in Iceland. The second hit was successfully accepted by critics and the group "Masha and the Bears" takes part in large-scale festivals: "Sochi Riviera" - June 1998, "MegaHouse" - June 1998, "City Holiday" - September 1998, the city of Kyiv.

In 1999, the group "Masha and the Bears" recorded a second album called "Where?". The album was released on March 8, 2000 on Extraphone (Oleg Nesterov and Snegiri only promote Masha and the Bears). In this album, poetry and music were also written by M. Makarova. Two video clips were shot for "Earth" - one animated and the second - a game, which was filmed in February 2000 in the Crimea. For filming, the so-called “Row Forest and Row Rocks”, which the famous cinematographer so often liked to shoot in his fairy tale films, were chosen, and a tour was organized.

In 2000, the song of the group "Masha and the Bears" "Earth" sounded in the film Brother 2.

2000s

The group disbanded in 2000.

In 2004, the musicians got together again and recorded the album Without Language. At the moment, the group leads an active concert life, performs in many clubs in Moscow and Russia. Eric Chanturia became the new producer of the group.

Compound

Masha Makarova - vocals, music, poetry.

Vyacheslav Motylev (Khottabych) - guitar.

Maxim Khomich (Khomyachok) - guitar.

Denis Petukhov (Pete) - bass

Vyacheslav Kozyrev (Kozyr) - drums.

Producers: Oleg Nesterov, Mikhail Gabolaev, Vladimir Meskhi

The soloist of the Masha and the Bears group, Maria Makarova, told law enforcement agencies that she was attacked because of a domestic conflict. According to the singer, she stood up for a retired neighbor who is trying to take away an apartment. After the death of the wife of the Honored Art Worker of Russia Alexander Kulygin, unknown people came to him with documents according to which they are the owners of part of the premises.

The pensioner's neighbor Maria tried to talk to the young couple, however, according to the artist, they immediately began to beat her. Now Maria with a concussion is at home.

“Now I feel fine, they diagnosed a concussion, they said not to work for a while,” Maria Makarova told StarHit.

The singer's neighbor got into a difficult situation: after the death of his wife, the wife's daughter from her first marriage rewrote part of the apartment to herself, and then issued the received share to her friend. Now the new owners are trying to survive the pensioner. The new owner of the apartment believes that Maria simply got into other people's business, and got it for it.

// Photo: Frame from the program "Live" on "NTV"

The pensioner intends through the court to recognize the deal of the new owners as invalid. Meanwhile, a young couple visits regularly, trying to get into the apartment and threatening the composer. To protect Alexander Kulygin, the neighbors organized a watch. Maria received a concussion and severe bruising when she was on duty. She has already filed a police report. According to law enforcement agencies, an investigation is underway, a criminal case on the fact of beating the singer has not yet been opened.

“We filed a complaint with the police. We are now waiting for some kind of judicial action, because this lawlessness must be stopped, ”Maria told StarHit.

// Photo: Frame from the program "Live" on "NTV"

Now Maria has a huge bruise under her eye, and this Friday the Masha and the Bears group is scheduled for a concert in one of the Moscow clubs, but the artist is not going to cancel the event.



Similar articles