Introduction
1. The concept of ethnic music
2. Armenian musical instruments in modern
ethnic music. general characteristics
3.1. Legend of the duduk
3.2. History and device
3.3. Use of the duduk in contemporary ethnic music
5. Dhol (dool)
Conclusion
Bibliography
Introduction
Armenians are one of the most ancient peoples of the world, the documentary history of which is about three thousand years old. For such a long time, the Armenians have repeatedly experienced both tragic periods of their history and periods of unprecedented prosperity and creative work, endowing the world civilization with wonderful masterpieces of material and spiritual culture.
Armenian folk music is a delicate interweaving of original intonations, rhythms and timbres that accompanies the people and symbolizes the whole range of their experiences - from joyful to sad. A very musical people from the very beginning of their history invented and tried unique means of performing their music.
Traditional Armenian instruments have a thousand-year history. Over time, by improving instruments and creating new ones, the Armenian orchestra became even more enriched. Playing folk instruments has long and firmly taken its place in the academic environment.
Relevance of the topic. It is especially important to study folk, including Armenian, musical instruments, since folk instruments are increasingly used in the modern musical world, professional performers work not only in everyday life - at weddings, funerals and other events, but also in reputable ensembles and orchestras ,
Objective- to show the features of Armenian musical instruments in modern ethnic music.
Tasks:
give the concept of ethnic music;
talk about Armenian musical instruments
1. The concept of ethnic music
Ethnos (people) - a cultural and linguistic community of people that has historically developed in a certain territory, is aware of its identity, which is reflected in its self-name (ethnonym) and orientation towards ethnic endogamy.
Ethnic culture in the modern world is most of all preserved in rituals, the connection with ethnic tradition is expressed in national songs, music, dances, in ancient ritual actions that may have lost their original meaning, and especially in the preservation of musical instruments. Quite colorful ethnic specificity emerges in folk art. Paradoxically, modernity is characterized not only by its disappearance or the unification of individual elements, but also by the revival of a number of traditions.
Ethnic music (ethnics, ethno) is the closest analogue of the English term "World music" (music of the peoples of the world, music of the world). Modern "Western" music with a wide use of non-European traditions of scales, instruments, manners of performance, etc. borrowed from traditional folk music (various cultures of the world) and classical music. bagpipes, didgeridoo. Sampling of folk instruments and singing is widespread.
In the music industry, the phrase can be used as a synonym for folk music. The term gained currency in the 1980s as a category for classifying such phenomena in the music industry. This category includes not only folk, but also popular music with elements not characteristic of a number of Western countries (Celtic music), and music influenced by the ethnic music of developing countries (for example, Afro-Cuban music, reggae).
The term "ethnic music" adopted in Russian is a compromise: There are many musical works at the intersection of ethnic and classical music.
In Russia in recent years, the genre of ethnic and world music has become more and more popular.
2. Armenian musical instruments
in modern ethnic music.general characteristics
The main instrument of the percussion group is the dhol.
Another percussion - davul - is used as an accompaniment to wind instruments, performing the same function as dhol. Davul is a large double-sided drum with a sheep and goat skin membrane.
Among the wind instruments, the most famous are, in addition to duduk, zurn, shvi. Zurna sounds sharp, piercing, sonorous, much more expressive than the oboe (English horn), with which it is customary to compare the instrument. Zurna was first mentioned in the 9th century in the epic "David of Sasun". Shvi is an all-wood wind instrument belonging to the genus of the flute. It is characterized by a clear, almost transparent sound.Kanon is an Armenian stringed musical instrument. It belongs to the knee harp family and is considered one of the forerunners of the harpsichord and pianoforte. The sound is extracted with a plectrum. The canon was created in Western Armenia.
3. Duduk
Armenia can not only be seen. It is often heard - when the duduk sounds. The whole world listens to the velvet timbre and elusive intonations of the apricot tree. Duduk has a unique ability to be appropriate everywhere: at Philharmonic concerts, at funerals and weddings, in big Hollywood movies, Russian pop projects and international jazz jam sessions. The Armenian duduk is a great instrument. There is a very beautiful legend about duduk.3.1. Legend of the duduk
Once, flying over the mountains, the Young Wind saw a beautiful tree, which he had not seen anywhere before. He was fascinated. Fingering the petals of its delicate flowers, lightly touching the notches of the leaves, he extracted amazing melodies, the sounds of which carried far around. When this was reported to the Supreme Wind, he unleashed his wrath on the mountains, destroying almost all vegetation. Young Wind, spreading his tent over his tree, tried his best to save him. Moreover, he announced that he was ready for any sacrifice for this. And then the Lord of the Winds answered him: “Well, stay! But from now on, you will never be able to fly again!” Happy Breeze wanted to fold its wings, but the lord stopped him: “No, this is too easy. The wings will stay with you. At any moment you can take off. But once you do that, the tree will die." The Young Wind was not embarrassed, because the wings remained with him, and he - with the tree. Everything would be fine, but when autumn came, the tree was bare, and there were no flowers or leaves to play with. Young Wind experienced a terrible longing. His brothers rushed around, plucking the last leaves from the surrounding trees. Filling the mountains with a victorious howl, they seemed to invite him to their round dance. And one day, unable to stand it, he joined them. At the same instant, the tree died, only a branch became, in which a particle of the wind became entangled.
After some time, the boy who was collecting firewood found it and made a pipe, which, as soon as it was brought to his lips, seemed to play the sad melody of parting. Because the main thing in love is not the readiness to forever give up something, having lost the opportunity to get what you want, but the ability not to do something, having such an opportunity.
The name of the instrument is duduk. In ancient times, it was called "tsiranapokh" (an apricot pipe).
Antiquity awakens in the soul of every Armenian, an understanding of himself as part of a mysterious people with a tragic history with the voice of the duduk. Often duduk makes you see clearly in sounds and look at things with a renewed look. The duduk was given by God because no modern program and synthesizer can reproduce all the sounds of the duduk, convey many of the musical characteristics of the instrument.
The magical sounds of the duduk - they are diverse, like a voice, they tell us about it.
Dance and love songs, weddings or funeral ceremonies are indispensable without it, without the duduk. This is the spirit of the people and the sounds of the lost. Lost freedom and acquired happiness. The piercing duduk makes you not fold your hands, but think about the best, remembering the old, fight and win, build and multiply. Duduk, like no other instrument, is capable of expressing the soul of the Armenian people. Aram Khachaturian once said that the duduk is the only instrument that makes him cry.
Of course, the whole history of the creation of the duduk is due to the masters of the duduk, people who for centuries perfected the sound of this folk Armenian instrument, giving perfect sounds to the characteristic construction of the "apricot pipe". Pipes, in which the master put his crying and hope, joy and silence, he was able to talk to them so as not to show a tear. A small instrument, much inferior in size to an organ or a saxophone, which has come out of the depths of centuries, gives space and a heavy exciting tone to sounds. In the hands of the best duduk masters, he becomes part of the voice, talking, singing, speaking brightly, but quietly, like an elder giving parting words to the young, teaching life and instilling the Armenian consciousness again and again.
3.2. History and device
The duduk is one of the oldest wind musical instruments in the world. Some researchers believe that for the first time the duduk is mentioned in the written monuments of the state of Urartu. In line with this hypothesis, we can assume that its history has about three thousand years. Others attribute the appearance of the duduk to the reign of the Armenian king Tigran II the Great (95-55 BC). Armenian historian of the 5th century AD. e. Movses Khorenatsi in his writings speaks of the instrument "tsiranapokh" (Pipe made of apricot wood), which is one of the oldest written references to this instrument. Duduk was depicted in many medieval Armenian manuscripts. Perhaps due to the existence of rather extensive Armenian states (Great Armenia, Lesser Armenia, the Kingdom of Cilicia, etc.) and thanks to the Armenians who lived not only within the Armenian Highlands, but also in Persia, the Middle East, Asia Minor, in the Balkans, the Caucasus, the Crimea, etc., the duduk also spread to these territories. The duduk could also penetrate beyond its original distribution area thanks to the trade routes that existed at the time, some of which also passed through Armenia. Being borrowed in other countries and becoming an element of the culture of other peoples, it has undergone some changes over the centuries. As a rule, this concerned the melody, the number of sound holes and the materials from which the instrument is made.
Music is an integral part of the culture of the people. Armenia, as one of the most ancient countries and rich in history, has a rich cultural heritage, including folk music. Armenian folk music is the face of the people, and musical instruments are another weapon of the people to fight the merger.
Armenian music has become world famous thanks to the velvety sound of the duduk. In recent years, the duduk has been used as soundtracks for blockbusters. However, not everyone knows the history of the folk musical instrument. We dedicate this article to duduk and all Armenian folk musical instruments.
Duduk
There are several theories about how and when the duduk was invented. According to one theory, the duduk was invented in the 8th century BC. Another version claims that the duduk was invented in the 1st century BC. In other words, the duduk is such an ancient musical instrument that it is difficult to find the first mention of it.
Duduk can definitely be called a national treasure, which carefully carries and passes on from generation to generation the traditions of both instrument making and mastery of the instrument. Initially duduk and other musical instruments were made from animal bones. Later references to the duduk call the musical instrument “tsiranapokh”, an instrument that was made from an apricot tree. It is this wood that has the quality of resonance that is so important to this instrument.
Making duduk is a whole ritual that lasts more than half a year. A seemingly simple instrument is capable of playing the most complex melodies. Duduk music tells about the history and the tragedies that the Armenian people have experienced. Duduk is a national pride, a value that has become the calling card of the country and people. Duduk and duduk music have been declared UNESCO Intangible Heritage Masterpieces.
Zurna
Of course, the duduk itself is a unique instrument that makes the heart flutter, but Armenian folk music is quite complex. It contains both wind and stringed and percussion musical instruments.
In addition to the duduk, several wind instruments take part in Armenian folk music. The zurna is another famous instrument. The bright and piercing timbre of the zurna is suitable for more active and cheerful melodies. The music is quite loud, so the zurna will be replaced with the duduk indoors.
A musician who owns a zurna is called a zurnachi.
Parkapzouk (Bagpipes)
The parkapzouk is similar to its better-known counterpart, the Irish bagpipe. Unfortunately, the manufacture of the musical instrument was lost. The instrument has one or more tubes attached to a leather bag.
Shvi
Shvi is another wind instrument, which literally translates as a whistle. Shvi's timbre is thinner and higher, reminiscent of a flute. Initially, the shepherds played the musical instrument.
dhol
Dhol is like a heartbeat, it is a key instrument in national music.
Dhol is a kind of drum covered with thin leather on both sides. Dhol appeared as early as 3000 BC, when Armenia was a pagan country. Dhol provides a fast and active beat in music. Even if you perform a fast beat only on the dhol, you get quite an active kind of music. The sound is produced by striking a thin membrane with sticks or fingers. How thin the membrane is or how well it is stretched over the drum changes the sound.
Saz
Saz is one of the oldest stringed instruments in Armenian culture, which is mentioned in history. The outline and picture of the saz served as an emblem for many rulers. Saz is part of rhythmic Armenian national music.
Kamancha, Canon
Kamancha is a kind of violin, but they are uniquely different both in appearance and in holding a musical instrument. The kamancha is held vertically.
The canon or a kind of knee-length harp is put on its knees before being performed. In the hands of a woman, the canon sings.
Armenian folk music - the feelings of unknown but talented poets, dressed in sound; ethnic lyrics, enchanting with magical melodies. It completely immerses in itself, forcing to dissolve, to forget about everything in the world, to feel every note, sound. If you don’t know what Armenian musical instruments are used in folk compositions, if you have seen Armenian duduks, but haven’t heard the beautiful legends about them, if you are imbued with the harmony of the Armenian dhol drum, but want to know more, you will like the story. After all, it opens the veil enveloping a huge layer of culture of an amazing country.
The duduk is considered one of the most famous wind instruments created by the long-suffering Armenian people. Who at least once listened to the sound, imbued and fascinated. No wonder duduk music belongs to the world masterpieces of the intangible cultural heritage of UNESCO. The worthy status was officially confirmed in 2005, thereby appreciating the importance of the Armenian folk instrument, which captivates, makes you fall in love with yourself, touches the most hidden strings of the human soul.
That is why it is often called "magic duduk", emphasizing the depth and sacredness of music. But let's take a closer look.
The appearance of the Armenian musical instrument duduk will resemble a pipe from fairy tales, only more enlarged, or a classical flute. The product consists of several parts:
- the tube itself with a double tongue;
- game holes (from 7 to 10);
- tone control (not always)
It belongs to reed wind instruments and is widespread not only in Armenia, but also in other Caucasian countries, on the Balkan Peninsula. It is made of wooden material, most often - apricot. As it was previously believed, only this slender tree, which gives people sunny fruits, is a worthy raw material for making tools. People say so: “Duduk is the soul of an apricot tree”, calling it “tsiranapokh”, which translates into Russian as “the soul of an apricot tree”. Singing, tender, sensual.
How does duduk work and sound? Everything is simple and complicated at the same time. During the game, the performer moves his fingers, closing or, conversely, opening the holes. The sound passing through the tube vibrates, changes. This is how the very melodiousness is created, full of sadness, because of which they say “sad duduk”. Yes, it will not work to dance to such a melody, but it will be possible to feel it, tune in to the light and lyrical, understand the soul of the Armenian wind instrument.
Perhaps that is why he often performs the duduk "Gladiator" and "Titanic" - the very compositions from films that are recognized by millions of people. And although the instrument itself is not devoid of lyricism, the origin of its name is rather prosaic. There are two versions:
- Turkic. From the word düdük - in fact, being onomatopoeic.
- Russian. By similarity with the word "pipe", an instrument that has taken root in the homeland in a slightly modified pronunciation.
Tsiranapokh is a unique creation that the country is proud of. Jivan Gasparyan, an Armenian musician who puts his soul into performance, is recognized as one of the virtuosos of playing it. It is he who plays in such a way that tears well up in the eyes of all listeners.
The legend of duduk, love and choice
The legend of the duduk is sad and sublime, like everything connected with the instrument. Once a small breeze flew over the mountains and saw a wonderful tree. Its foliage was so beautiful that the Wind stopped, hid in it and began to play with leaves, which in response made gentle sounds. Time flew by imperceptibly.
The Lord of the Winds was angry and decided to destroy the tree that carried away his son. He blew and blew, trying to break the barrel. But Veterok defended his friend with all his might. And then Vladyka said: “Stay. And may your wings also remain with you, but as soon as you leave the tree, it will dry up. Young Wind was pleased with his father's decision: after all, he did not lose anything, but only gained.
Autumn has come. The leaves fell off, there was nothing to play with. The breeze became sad, and his brothers flew merrily in the sky, beckoning to him. When he joined, the tree died. But a particle of the Young Wind got entangled in one branch, and she remained alive. In the spring, a boy came, cut off a green twig, made a pipe. And so the first magical duduk appeared, in which magical windy notes are heard.
Armenian kemancha: along the strings of your soul
Armenian folk music is unique and multifaceted. One of the most famous stringed instruments that sound in it is the kemancha. It has many local varieties: keman, Pontic lira, gidzhak, but in fact these are minor modifications of one and the same instrument, which practically do not affect the sound in any way.
The invention is ancient, often found in archaeological excavations. This fact testifies to the high development of the country's culture at the dawn of civilization. Outwardly, the kemancha resembles a kind of narrow violin, along the strings of which the performer leads with a special bow. The sound is gentle, lyrical, mixing both guitar and violin, but distinguished by its own charm.
Historical information about kemanche
The kemancha is no less ancient than the duduk, beloved by the people. Her images are found on the walls of ancient Armenian monasteries, illustrate various manuscripts that have survived from the early Middle Ages. The people made four- or three-stringed musical instruments in which horse hair was used, and the tension was manually adjusted with fingers. Until now, this technique is traditionally used.
However, the kemancha and duduk are by no means the only folk musical instruments of Armenia. It's time to meet others.
Armenian dhol: folk drum
Caucasian music is distinguished by its originality, melodiousness. Even the drum is harmoniously woven into the lyrical melodies. It is called dholomi, which is a musical instrument that sets the rhythm of the piece. It looks like a regular cylinder, on which a membrane (sometimes two) is stretched. Surprisingly, before the Armenian drum dhol was used only in military campaigns, giving courage to the soldiers, setting them up for victory. In modern society, he is often heard as part of national ensembles, in the same choir with zurns.
And yet, Armenian folk music is not created only by the listed instruments. It sounds characteristic, bright, shimmers, hits right in the heart. Zurns, shvi, sazs and canons contribute a lot to this.
Zurny: enthusiasm and fun in the general choir
Zurnas are rightfully considered one of the most beautiful Armenian folk wind musical instruments. Outwardly, they are very similar to ordinary pipes, which were used by Russian shepherdesses to diversify their work. These are relatives of the duduk, which have another name - festive flutes, because the voice of the zurn is more sonorous, even shrill. They bring fun to the work, approaching the oboe.
Zurns are made of wood, one end is in the form of a bell. There are nine holes on the body, and one is necessarily located on the opposite side from all the others. Together with the zurns Armenian folk music receives enthusiasm, zalivistost characteristic of bird trills.
Other instruments created by the people
In addition to those listed, shvi, saz, canon are heard in the general ensemble of Armenian folk instruments. The first belongs to the wind, but outwardly similar to whistles. Classic stitches are made in the form of a fabulous creature, animal or bird, and have only 2 holes.
Saz - Armenian national With string instrument. Looks like a lute, sounds about the same. Saz is quite difficult to manufacture. To create it, several types of wood are used, which allows you to extract a deeper, clearer sound.
Kanon, or kanun, is a plucked string instrument. It features an unusual trapezoidal body, which makes it look like a harp or harp. During the performance, the musician puts the kanun on his knees and extracts sounds by plucking the strings with his fingers. The instrument is one of the most beloved among Armenians, but is practically not used in modern music (except for folk ensembles).
The melody of the duduk, the sound of the kemancha, the rhythms of the dhols, the trills of the zurn and shvi, the expressiveness of the eve and the saz create the original music of the people of Armenia. It is enough to hear it only once to be imbued with beauty and lyricism forever.
Introduction
1. The concept of ethnic music
2. Armenian musical instruments in modern
ethnic music. general characteristics
3.1. Legend of the duduk
3.2. History and device
3.3. Use of the duduk in contemporary ethnic music
5. Dhol (dool)
Conclusion
Bibliography
Introduction
Armenians are one of the most ancient peoples of the world, the documentary history of which is about three thousand years old. For such a long time, the Armenians have repeatedly experienced both tragic periods of their history and periods of unprecedented prosperity and creative work, endowing the world civilization with wonderful masterpieces of material and spiritual culture.
Armenian folk music is a delicate interweaving of original intonations, rhythms and timbres that accompanies the people and symbolizes the whole range of their experiences - from joyful to sad. A very musical people from the very beginning of their history invented and tried unique means of performing their music.
Traditional Armenian instruments have a thousand-year history. Over time, by improving instruments and creating new ones, the Armenian orchestra became even more enriched. Playing folk instruments has long and firmly taken its place in the academic environment.
Relevance of the topic. It is especially important to study folk, including Armenian, musical instruments, since folk instruments are increasingly used in the modern musical world, professional performers work not only in everyday life - at weddings, funerals and other events, but also in reputable ensembles and orchestras ,
Objective- to show the features of Armenian musical instruments in modern ethnic music.
Tasks:
give the concept of ethnic music;
talk about Armenian musical instruments
1. The concept of ethnic music
Ethnos (people) - a cultural and linguistic community of people that has historically developed in a certain territory, is aware of its identity, which is reflected in its self-name (ethnonym) and orientation towards ethnic endogamy.
Ethnic culture in the modern world is most of all preserved in rituals, the connection with ethnic tradition is expressed in national songs, music, dances, in ancient ritual actions that may have lost their original meaning, and especially in the preservation of musical instruments. Quite colorful ethnic specificity emerges in folk art. Paradoxically, modernity is characterized not only by its disappearance or the unification of individual elements, but also by the revival of a number of traditions.
Ethnic music (ethnics, ethno) is the closest analogue of the English term "World music" (music of the peoples of the world, music of the world). Modern "Western" music with a wide use of non-European traditions of scales, instruments, manners of performance, etc. borrowed from traditional folk music (various cultures of the world) and classical music. bagpipes, didgeridoo. Sampling of folk instruments and singing is widespread.
In the music industry, the phrase can be used as a synonym for folk music. The term gained currency in the 1980s as a category for classifying such phenomena in the music industry. This category includes not only folk, but also popular music with elements not characteristic of a number of Western countries (Celtic music), and music influenced by the ethnic music of developing countries (for example, Afro-Cuban music, reggae).
The term "ethnic music" adopted in Russian is a compromise: There are many musical works at the intersection of ethnic and classical music.
In Russia in recent years, the genre of ethnic and world music has become more and more popular.
2. Armenian musical instruments
in modern ethnic music. general characteristics
The main instrument of the percussion group is the dhol.
Another percussion - davul - is used as an accompaniment to wind instruments, performing the same function as dhol. Davul is a large double-sided drum with a sheep and goat skin membrane.
Among the wind instruments, the most famous are, in addition to duduk, zurn, shvi. Zurna sounds sharp, piercing, sonorous, much more expressive than the oboe (English horn), with which it is customary to compare the instrument. Zurna was first mentioned in the 9th century in the epic "David of Sasun". Shvi is an all-wood wind instrument belonging to the genus of the flute. It is characterized by a clear, almost transparent sound.
Kanon is an Armenian stringed musical instrument. It belongs to the knee harp family and is considered one of the forerunners of the harpsichord and pianoforte. The sound is extracted with a plectrum. The canon was created in Western Armenia.
3. Duduk
Armenia can not only be seen. It is often heard - when the duduk sounds. The whole world listens to the velvet timbre and elusive intonations of the apricot tree. Duduk has a unique ability to be appropriate everywhere: at Philharmonic concerts, at funerals and weddings, in big Hollywood movies, Russian pop projects and international jazz jam sessions. The Armenian duduk is a great instrument. There is a very beautiful legend about duduk.
3.1. Legend of the duduk
Once, flying over the mountains, the Young Wind saw a beautiful tree, which he had not seen anywhere before. He was fascinated. Fingering the petals of its delicate flowers, lightly touching the notches of the leaves, he extracted amazing melodies, the sounds of which carried far around. When this was reported to the Supreme Wind, he unleashed his wrath on the mountains, destroying almost all vegetation. Young Wind, spreading his tent over his tree, tried his best to save him. Moreover, he announced that he was ready for any sacrifice for this. And then the Lord of the Winds answered him: “Well, stay! But from now on, you will never be able to fly again!” Happy Breeze wanted to fold its wings, but the lord stopped him: “No, this is too easy. The wings will stay with you. At any moment you can take off. But once you do that, the tree will die." The Young Wind was not embarrassed, because the wings remained with him, and he - with the tree. Everything would be fine, but when autumn came, the tree was bare, and there were no flowers or leaves to play with. Young Wind experienced a terrible longing. His brothers rushed around, plucking the last leaves from the surrounding trees. Filling the mountains with a victorious howl, they seemed to invite him to their round dance. And one day, unable to stand it, he joined them. At the same instant, the tree died, only a branch became, in which a particle of the wind became entangled.
After some time, the boy who was collecting firewood found it and made a pipe, which, as soon as it was brought to his lips, seemed to play the sad melody of parting. Because the main thing in love is not the readiness to forever give up something, having lost the opportunity to get what you want, but the ability not to do something, having such an opportunity.
The name of the instrument is duduk. In ancient times, it was called "tsiranapokh" (an apricot pipe).
Antiquity awakens in the soul of every Armenian, an understanding of himself as part of a mysterious people with a tragic history with the voice of the duduk. Often duduk makes you see clearly in sounds and look at things with a renewed look. The duduk was given by God because no modern program and synthesizer can reproduce all the sounds of the duduk, convey many of the musical characteristics of the instrument.
The magical sounds of the duduk - they are diverse, like a voice, they tell us about it.
Dance and love songs, weddings or funeral ceremonies are indispensable without it, without the duduk. This is the spirit of the people and the sounds of the lost. Lost freedom and acquired happiness. The piercing duduk makes you not fold your hands, but think about the best, remembering the old, fight and win, build and multiply. Duduk, like no other instrument, is capable of expressing the soul of the Armenian people. Aram Khachaturian once said that the duduk is the only instrument that makes him cry.
Of course, the whole history of the creation of the duduk is due to the masters of the duduk, people who for centuries perfected the sound of this folk Armenian instrument, giving perfect sounds to the characteristic construction of the "apricot pipe". Pipes, in which the master put his crying and hope, joy and silence, he was able to talk to them so as not to show a tear. A small instrument, much inferior in size to an organ or a saxophone, which has come out of the depths of centuries, gives space and a heavy exciting tone to sounds. In the hands of the best duduk masters, he becomes part of the voice, talking, singing, speaking brightly, but quietly, like an elder giving parting words to the young, teaching life and instilling the Armenian consciousness again and again.
3.2. History and device
The duduk is one of the oldest wind musical instruments in the world. Some researchers believe that for the first time the duduk is mentioned in the written monuments of the state of Urartu. In line with this hypothesis, we can assume that its history has about three thousand years. Others attribute the appearance of the duduk to the reign of the Armenian king Tigran II the Great (95-55 BC). Armenian historian of the 5th century AD. e. Movses Khorenatsi in his writings speaks of the instrument "tsiranapokh" (Pipe made of apricot wood), which is one of the oldest written references to this instrument. Duduk was depicted in many medieval Armenian manuscripts. Perhaps due to the existence of rather extensive Armenian states (Great Armenia, Lesser Armenia, the Kingdom of Cilicia, etc.) and thanks to the Armenians who lived not only within the Armenian Highlands, but also in Persia, the Middle East, Asia Minor, in the Balkans, the Caucasus, the Crimea, etc., the duduk also spread to these territories. The duduk could also penetrate beyond its original distribution area thanks to the trade routes that existed at the time, some of which also passed through Armenia. Being borrowed in other countries and becoming an element of the culture of other peoples, it has undergone some changes over the centuries. As a rule, this concerned the melody, the number of sound holes and the materials from which the instrument is made. 
The earliest instruments like the duduk were made from animal bones and reeds. Currently, the duduk is made exclusively from wood. And the Armenian duduk is made from an apricot tree, the fruits of which were first brought to Europe from Armenia. The apricot tree has a unique ability to resonate. Variants of the duduk in other countries are made from other materials (plum wood, walnut wood, etc.), but, according to experts, such a duduk is characterized by a rather sharp, nasal sound, while the Armenian duduk has a soft sound, more like to the voice. The tongue is made from two pieces of reed, which grows in large quantities along the banks of the Araks River. Unlike other instruments with a double tongue, the reed of the duduk is wide enough, which gives the instrument its unique sad sound with a warm, soft, slightly muffled sound and velvety timbre, it is distinguished by lyricism, emotionality and expressiveness. When music is performed in pairs (leading duduk and dam duduk), there is often a feeling of peace, tranquility and a high spiritual beginning.
The duduk can play music in various keys. For example, a 40-centimeter duduk is considered the most suitable for singing love songs, while a shorter one often accompanies dances. The Armenian duduk has remained virtually unchanged throughout its centuries-old history - only the manner of playing has changed. Despite the fact that its range is one octave, playing the duduk requires considerable skill. The famous Armenian duduk player Jivan Gasparyan notes: “The Americans and the Japanese tried to reproduce the sound of the duduk on the synthesizer, but each time they failed. This means that the duduk was given to us by God.”
Duduk consists of a tube and a removable double tongue (cane). The length of the Armenian duduk pipe is 28, 33 or 40 cm. On the front side there are 7 (or 8) playing holes and one (or two), for the thumb - on the reverse side. The length of the double reed, known as “eheg” (arm. եղեգ), is usually 9-14 cm. The sound is produced as a result of the vibration of two reed plates and is regulated by changing the air pressure on the reed of the instrument, as well as closing and opening the playing holes. The reed is usually capped and has a tone control for fine tuning. Pressing the control in increases the tone, and decreasing it decreases the tone. At the beginning of the XX century. duduk received the definition of a diatonic one-octave instrument. However, despite this, chromatic notes are achieved by partially covering the playing holes.
The fingering of the most common model is shown in the following diagram:
If the duduk reed is not used for a long time, it dries out and its edges shrink. In this case, it is necessary to pour plain water into the cane, shake it, pour out the water and wait. After 10-15 minutes, the edges of the cane will separate from each other, and the cane can be used. When playing the duduk, you can adjust its tuning with the tone knob: when you press it, the tone rises; when weakened, it decreases.
3.3. Use of the duduk
in modern ethnic music
The duduk instrument and music are traditionally an integral part of the social life and cultural identity of the Armenian people. The sounds of the duduk are heard during the most important events in the life of any Armenian: at national celebrations, major celebrations, wedding ceremonies. But in recent years, the duduk has acquired a new status: it is moving into the category of a concert instrument, gaining a special place in academic culture. These trends did not escape the attention of UNESCO experts: in 2005, the music performed on the Armenian duduk was declared a masterpiece of the intangible cultural heritage of mankind. Undoubtedly, Jivan Gasparyan, whose playing is legendary, being the main popularizer of Armenian music, played a key role in this recognition.
Music on the Armenian duduk is most often performed in pairs: the leading duduk, which plays a melody, and the second duduk, called “dam”, which, playing a continuous tonic background of a certain height, provides a specific ostinato sound of the main steps of the mode. A musician playing the lady (damkash) achieves a similar sound using the technique of continuous breathing: inhaling through the nose, he keeps the air in his puffed cheeks, and the air flow from the mouth at the same time creates pressure on the tongue of the duduk.
Usually, Armenian duduk players (musicians who play the duduk) during their training also play two other wind instruments - zurna and shvi. When performing dance music, duduku is sometimes accompanied by a percussion musical instrument dool. The duduk is widely used in folk instrument orchestras and accompanies Armenian folk songs and dances.
Today duduk sounds in many films. The first picture with the participation of duduk was "The Last Temptation of Christ". Other notable films include The Raven, Xena the Warrior Princess, Gladiator, Ararat, Hulk, Alexander, The Passion of the Christ, Munich, Syriana, The Da Vinci Code .
Anyone who has never heard how the duduk sounds will not understand why most of the biggest directors are after him. This miniature instrument is able to reflect all the nuances of life and human nature..
The duduk instrument and music are traditionally an integral part of the social life and cultural identity of the Armenian people. Duduk sounds are heard during the most important events in the life of any Armenian: at national celebrations, major celebrations, wedding and funeral ceremonies. But in recent years, the duduk has acquired a new status: it is moving into the category of a concert instrument, gaining a special place in academic culture.
4. Zurna
Zurna is a woodwind musical instrument.
It is a wooden tube with a socket and several (usually 8-9) holes (one of which is on the opposite side). Zurna is closely related to the oboe (has the same double reed) and is considered one of its predecessors.
The range of the zurna is about one and a half octaves of the diatonic or chromatic scale, the timbre is bright and piercing.
A musician who plays the zurna is called a zurnachi. An instrumental ensemble of three musicians is widespread, in which one zurnachi plays a melody, the other echoes it with long drawn-out sounds on the main steps of the fret, and the third musician knocks out a complex, varied rhythmic basis on a percussion instrument - a dhole or share. The zurna is mostly played outdoors, but indoors it is usually replaced by the duduk.
Many varieties of zurna have found wide distribution among the peoples of the Middle East, the Caucasus and China.
Zurna is mainly carved from apricot, walnut or mulberry wood. The barrel of the tool, having a diameter of 20 mm at the upper end, expands downwards to 60-65 mm in diameter. The total length of the tool is 302-317 mm.
7 holes are drilled on the front side of the barrel, and one on the back. A bushing (“masha”) is inserted into the upper end of the trunk, having a length of 120 mm and is machined from wild willow, walnut or apricot. The purpose of the bushing is to adjust the setting of the insert. The mouthpiece, made in a special way from reeds that grew in a dry place, has a length of 7-10 mm. To extract sound from the instrument, the performer draws air into the mouth cavity and blows it out in the appropriate way through this mouthpiece.
The range of the zurna covers sounds from "B-flat" of a small octave to "C" of the third octave; with the skill of the performer, this range can be extended to several more sounds. These sounds among the performers are referred to as "sefir seslar".
The zurna is mainly used to perform folklore music samples during outdoor folk festivities. In history, there were such varieties of this instrument as “gara zurna”, “arabi zurna”, “dzhura zurna”, “adjami zurna”, “gaba zurna”, “shehabi zurna”. Zurna, as a rule, is part of ensembles of wind instruments. As a solo instrument, the zurna is used in ensembles or orchestras to perform some dance melodies, including "dzhangi" and other musical samples. Uzeyir Hajibeyov in his opera "Koroglu" introduced the zurna to the symphony orchestra.
4. Dhol (dool)
Dool, doul, dhol, Armenian percussion musical instrument, a kind of double-sided drum. One of the membranes is thicker than the other. The sound is extracted with two wooden sticks (thick and thin) or fingers and palms of the hands. Previously used in military campaigns, currently used in an ensemble with zurns, accompanies dances, processions.
This is a kind of double-sided drum. The body of the instrument is made of walnut wood with leather membranes. Dhol supposedly appeared in connection with the cult of worship of the ancient goddess Anahit (3000-2000 BC). In the orchestra (ensemble) dhol performs a rhythmic function. The instrument, maintaining the clarity and sharpness of the rhythm, emphasizes the special flavor of the sound of Armenian folk instruments.
Conclusion
From the above, it can be concluded that:
1. Modern mass culture does not exclude the possibility of turning to Armenian folk instruments. They are used - as a rule, but not always - for the performance of music that develops an ethnic component in a wide variety of forms. The existence and "payback" of performing groups of different directions, performing ethnic music in one form or another, speaks of its demand. The performers are both amateur and professional musicians.
2. In no art, in any of its types and genres, is the “originality” of its origin of primary importance. Including “it does not matter in which country, which people first appeared the initial design of this or that folk instrument to identify its nationality. The fundamental criterion is the traditional character of existence in a certain ethnic environment for the expression of national musical art
Bibliography
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Anyone who has never heard its sounds cannot imagine what it is. The Armenian duduk is an ancient instrument, but it cannot become obsolete as long as its singing continues to delight people. No wonder he is known far beyond the borders of Armenia and constantly finds more and more of his new fans. In 2005, the music of this wind instrument was recognized as a masterpiece of the UNESCO World Intangible Cultural Heritage.
Secrets of making Armenian duduk
Duduk is a wind musical instrument. Its device is quite simple - it is a tube and a double tongue that can be removed. It is interesting that the tongue is always made of two plates, for the creation of which only reed collected on the banks of the Araks is used.
The length of both the tube and the tongue is strictly defined. So, the tongue is 9-14 cm, the tube itself can be 40, 33, 28 cm. In addition, on its upper surface there are 7 (sometimes 8, depending on the order) holes for the passage of air and sound, and on the lower - 1 -2 holes that close with the thumb.
While playing the instrument, a person goes over the holes with his fingers, blocking them at the right moments. At the same time, the tongue is exposed to air, as a result of which the plates vibrate.
The tube usually has a special knob that allows you to adjust the desired tone of the instrument. Pressing this knob will increase the pitch. And, conversely, with a slight weakening of the regulator, the tone also begins to decrease.
Armenians have their own name for the instrument - tsiranapokh. This word is translated into Russian as "the soul of an apricot tree." Why apricot? Because the craftsmen who create it are sure that only from an apricot tree can a real magic tool be created.
The history of the origin of the instrument
When exactly and by whom the Armenian duduk was created, there is no exact information. It is only known that it appeared in incredibly ancient times and since then it has practically not changed its design. According to some historians, it has been known for at least 3,000 years, since a wind instrument very similar to it existed in Urartu.
These statements are quite justified, since the state of Urartu was once located on the Armenian Highlands - that is, the territory that is today occupied by Armenia, as well as partially by such countries as Iran, Turkey and. In any case, an instrument resembling the modern duduk is mentioned more than once in the Urartian written sources.
There are other opinions regarding the time of its origin. Some scientists claim that it was created in the 1st century BC, during the reign of Tigran II the Great. Some of the researchers rely on the records of historical chronicles of the 5th century, when the chronicler and historian Movses Khorenatsi lived. He mentions cyranapoh in his writings.
But there is indisputable evidence that in the Middle Ages this musical instrument was already widespread - this is evidenced by illustrations of old manuscripts. It is quite likely that, thanks to the developed trade relations with other states of that time, the duduk became widespread not only on Armenian territory. Apparently, it was used in the Crimea, and in the Middle Eastern countries, and even in the Balkans.
It cannot be argued that this wind instrument originally had a modern look and was made directly from apricot wood. So, its prototypes were created from reed or bone. But over time, people began to use wood. It was noticed that different trees, subject to the same duduk manufacturing technology, are capable of making different sounds. So apricot was chosen, because it is this wood that can resonate in a way that no other can.
In neighboring countries, walnut or plum were chosen to create instruments like tsiranapokh. However, its counterparts, created from the wood of these trees, did not emit a soft, charming sound, but a sharp and not too pleasant sound for the ear.
Armenians are very sensitive to both their national instrument and its history. There is a whole legend dedicated to duduk. It tells how the Young Wind fell in love with an amazing tree growing in the mountains. But the Old Whirlwind, having heard about this, decided to destroy not only the tree, but all the vegetation in the area.
After the Young Wind asked not to do this, the Whirlwind agreed, but on the condition that the Wind would never be able to move again, otherwise his beloved tree would die. The breeze held on for a long time, until the very autumn, until the last leaves fell from the tree. Then Young Wind forgot his promise for a moment and took off.
But as soon as he did this, the tree immediately withered and disappeared. Only a small branch remained of it - and that only because the Young Wind got tangled in it with the edge of his clothes. Some time later, some poor man picked it up and decided to make a pipe out of a branch. And the new instrument sang a magical song about love and fidelity. So the duduk was invented.
Scale tuning and sound features
Perhaps it was this legend that caused the emergence of one ancient custom, which today, unfortunately, is becoming a thing of the past. In the old days, this tool was not made to order. If a musician needed a duduk, he had to create it himself. It was believed that in this way he conveys part of his soul - thanks to this, the sound turned out so velvety and alive.
There were also real virtuosos who knew how to enchant any listener with their play. Each of them had their own duduk, which was with the musician throughout his life. Such a master did not pass on his instrument to his sons and students, but he always helped with advice on making their personal musical product. All this testifies to how important this simple instrument was in the life of any musician.
Today, the duduk player does not manufacture independently. The Armenian musical instrument duduk is created by the hands of specialists who know all the subtleties of the selection of material and technology. However, the legendary one, who is considered the most sought-after duduk player today, is known for making his first instrument with his own hands, deciding to emphasize that he chose the path of a musician of his own free will and follows Armenian traditions.
Probably, the custom to create duduk independently has some mental foundations. This wind instrument is capable of producing unusually expressive sounds. Experts emphasize that no analogue has such a timbre. Listening to the sound, a person opens his own soul.
In some magical way, he can stir up all the most sublime in the heart. How can one not recall the words of the composer Aram Khachaturian, who claimed that the only musical instrument in the world that can make him cry is the duduk.
Researchers in the field of music have classified it as a one-octave diatonic. Yes, there is only one octave here, but, nevertheless, chromatic notes can also be extracted from the instrument. For this, a certain skill must be present. It has long been noted that the Armenians can create those very magical melodies that made the instrument famous. According to the same Gasparyan, at one time the Japanese and Americans made attempts to reproduce the sounds of this instrument using a synthesizer. However, they didn't succeed.
The sound largely depends on the order and length of the product. For example, in Azerbaijan they play the duduk in the B system, and call it “balaban”, and in Armenia, most often, in the A system. The short instrument is mainly used for dancing melodies. But the longest - 40 cm long is ideal for performing love and lyrical compositions.
The sound of this amazing instrument is a little muffled, which makes it seem velvety. He sounds in the key of soprano and alto, while being very emotional. Most often, it is played in pairs, where the leading duduk and the ladies duduk perform. At the same time, the dam produces only the general background, and the leading duduk player plays the melody.
A feature of the dam duduk is the game with continuous breathing. This technique takes a long time to learn. In addition, it is impossible to play a solo on it - it only sounds amazing in pairs.
Significance in world culture and cinema
Tsiranapokh is an important part of traditional Armenian culture. In this instrument was played in honor of a variety of events. Duduk players accompanied funeral ceremonies and played at weddings. Their presence at common folk holidays was obligatory, where music was also required.
Today it can be heard on Hollywood movie soundtracks, in ensembles and national orchestras. Often the instrument is included in the accompaniment of musical compositions. It is impossible not to mention Jivan Gasparyan once again - this composer collaborated with many famous Russian and foreign musicians.
A real breakthrough in the popularization of the instrument was the soundtrack to the American film "Gladiator". Names after the film was released, the duduk had thousands of fans. People were interested in the unusual sonority and melodiousness of the national wind instrument.
The most famous duduk players include:
- Jivan Gasparyan;
- Hovhannes Kasyan;
- Mkrtich Malkhasyan;
- Ludwig Gharibyan;
- Vache Hovsepyan;
- Sergey Karapetyan;
- Gevorg Dabaghyan.
Many are interested in where you can get such a tool. Buying a real artisan Armenian duduk is not so easy, since this is a piece goods. The most famous masters are Armen and Arkady Kagramanyan - father and son. For 40 years they have made several hundred duduks. You can order wind instruments of the Kagramanyan family in the KavkazSuvenir.ru store.
