Mix blue and yellow. Mixing watercolors

Since childhood, everyone knows how to get certain shades by mixing multi-colored paints. But few people know how to get white color and whether it is possible in principle. This question may arise for novice artists and designers who are interested in the possibility of obtaining the desired colors.

The widest range of various colors and shades is presented on the market of paints and varnishes. It is not always possible to choose the color that is most suitable for a particular task. Combining different colors to get the desired tone or shade comes to the rescue.

There are 4 primary colors, the combination of which can lead to the creation of almost the entire palette:

• red;
• green;
• blue;
• white.

These are the primary colors of the optical spectrum that are included in the range of visible light radiation. Separately, it is worth noting the yellow color, which is also the base for most shades of color.

On the video: how to mix colors correctly.

When studying the light spectrum with a magnifying glass, on a computer or TV screen, you can see that the white pixel, as it were, consists of different shades. Due to this effect, many people began to think that when mixing basic colors, in any case, white is obtained. It does not matter what dye is used for such mixing.

Combining and mixing colors in the visible spectrum

A fairly well-known optical experiment consists in the rapid spinning of a circle, sectorally divided into 7 colors in order of arrangement in the rainbow. A spinning disc colored in this way is visually perceived as white. There is a transformation of a multi-colored circle into a plain white. This effect is applied when superimposing on a TV screen or monitor the main components of the spectrum: red, blue and green.

To obtain a white tone, a combination of multi-colored light is used. The result in the form of white is obtained due to additive mixing, that is, due to the "addition" of the shades used. Receiving new colors when mixing paints is carried out under the influence of the opposite principle, subtractive mixing, when the colors suppress each other.

Therefore, when printing on a digital or inkjet printer, it is impossible to obtain a truly white background. By default, it is considered that the carrier, for example, paper or cardboard, has the desired tone and the dye is simply not applied to the corresponding section of the sheet of paper. To print directly white, special toners with the appropriate dye are used.

Mixing coloring compositions

The combination of red, blue and green paints will give a shade closer to a contrasting black or dirty brown. Primary colors simply absorb each other. Even obtaining beige tones that are as close as possible to the desired one is possible only on the basis of mixing white paint with other shades.

This applies to any composition, whether it is oil paint, watercolor or acrylic. By mixing different shades, it is impossible to obtain white paint, and the existing reviews on the combination of primary colors are based on the imposition of light radiation, and not on coloring compounds. To understand how to make the right color scheme, what colors to mix in order to get one or another shade, you should carefully study the corresponding tables of the paint manufacturer. It depends on the specific composition of an individual manufacturer - which paints need to be mixed to get the desired tone.

You should not guess what colors you need to mix, so that as a result of the paints you get white. If you take and mix the main tones, the output will be a brown, incomprehensible shade of paint, which, most likely, will not be needed in the work.

Base colors for coloring compositions mean that the rest of the shades are based on them. Getting the main color itself is almost impossible, so white, red, blue, green and yellow paints should be contained in any working palette. It is more than realistic to get almost any shade by mixing only these colors.

Color mixing rules (1 video)

Thanks to modern technology, interior designers are becoming real wizards. In the blink of an eye, they will make any room stylish and original. Recently, more and more attention is paid to color design. The most popular are non-standard shades that can be obtained by mixing colors.

Process Basics

Manufacturers of paints and varnishes presented a fairly wide range on the market. But it is not always possible to choose what is ideal for the interior. Combining multiple shades will save time and money.

In many specialized stores, you can use the services of a specialist who will help you make the right color. But if you know the basic rules of how to mix dyes, you can do it at home with your own hands.

When mixing, you need to remember one important rule: you can not combine liquid products with a dry mixture. They have different indices, so the coloring composition may eventually curl up.

The most interesting part of the process is creating the desired shade. There are four primary colors:

• white;
• blue;
• red;
• green.

By mixing them, you can get any others. Here are illustrative examples:

1. Brown is obtained by combining red and green. For a lighter shade, you can add some white.
2. Orange is the result of mixing yellow and red.
3. If you need green, you need to combine yellow and blue paints.
4. To get purple, you need to mix blue and red.
5. Red and white will result in pink.

So you can mix ad infinitum.

Mixing acrylic materials

Designers love acrylic paints the most. They are very easy to work with, the finished coating has excellent water-repellent properties. Their use has several nuances:

1. The work surface must be perfectly flat and smooth. To do this, it needs to be sanded.
2. It is important that the paint does not dry out.
3. To get an opaque color use undiluted paint. Conversely, for transparency, you can add a little water.
4. To be able to slowly choose the right color, it is recommended to use. Thanks to him, the tool will not dry so quickly.
5. To distribute the paint, use the edge of the brush.
6. Mixing is best done with a clean instrument. In this case, the colors should be directed towards each other.
7. To make a light tone, you need to add a white dye to the solution, and to get a dark one - black. It is worth remembering that the palette of dark colors is much wider than light ones.

Here are some examples of mixing acrylic-based colorants:

1. Apricot color is obtained by mixing red, yellow, brown and white.
2. The recipe for making beige paint involves combining brown and white. If you need a bright beige, you can add a little yellow. For a light beige shade, you need more white.
3. Gold is the result of mixing yellow and red.
4. Ocher is yellow with brown. By the way, it is considered popular in the current season.
5. Khaki can be made by mixing green dye with brown.
6. Magenta requires three different colors: red, yellow, and blue.

Mixing oil paints

Oil-based paints are more fluid, which necessitates more thorough mixing of the compositions if mixing tones is performed. The specificity and properties of oil colors give the following advantages:

• the tone will be the most uniform, so the paint is perfect for decorating any surface;
• if desired, you can leave streaks in the paint, which will allow you to create unusual effects on a canvas or wall.

Oil stirring

Before work, it is important to evaluate whether it is possible to combine individual tones with each other, what will be the result. If you introduce a little glossy paint into a matte one, the result will be inexpressive. Adding a matte paint to a shiny one helps to make the latter a little more subdued.

It is possible by such methods:

1. Mechanical. In one dish, on the palette, different colors are combined by mechanical mixing. The saturation of the finished mass is adjusted by adding brighter or lighter shades.
2. Optic. This method is practiced only by professionals. Paints combine to obtain a new color when they are applied to the canvas, wall.
3. Color overlay. By layering strokes, a new tone is created.

Features of mixing paints

The mechanical method is the simplest, therefore it is recommended for beginners. When using color overlay, the result may differ from what was intended, which must be taken into account in advance. You can apply the glazing method - first apply a darker color, then lighten it with strokes of light paint. It is better to practice combining oil paints in their small portions, learn how to create original effects, and then start creating paintings or decorating the interior.

The working process

By mixing several different colors, you can get a large number of a wide variety of shades. What?

shades of gray

Quite often used in interior design. Help to create a shadow or unobtrusive color, as well as:

1. You can create regular gray by mixing black with white.
2. To create cold shades, you need to add a little green to gray, and for warm ones - ocher.
3. Grey-green is gray with white and green.
4. Gray-blue - gray, white and a little blue.
5. Dark gray is the result of mixing gray and black.

brown tones

To dye, you need to mix:

• green with red;
• red with blue and yellow;
• red with white, black and yellow.

How to create other original tones:

1. Mustard will turn out if you add red, green and black dyes to yellow paint.
2. Tobacco shade is red, green, yellow and white.
3. Golden brown is the result of combining yellow, red, green, white and blue. In this case, there should be more yellow pigment.

Red tones

1. The basis for the pink shade is considered to be white. Red is added to it. The brighter the desired shade, the more red should be added.
2. To get a rich chestnut, you need to mix red and black.
3. Bright red-orange color - red and a little yellow. The more of the latter, the paler the result will be.
4. You can give the dye a purple tint by mixing a few drops of bright blue and yellow colors and red pigment.
5. To create crimson, according to the recipe, you need to mix bright red + white + brown + blue. The more white, the pinker the shade.

Deep green is formed by combining yellow and blue tones. The saturation of the finished dye depends on the amount of each of them. To create shades, you need to add other colors to green:

1. For mint you need white.
2. To get an olive color, you need green and a few drops of yellow.
3. A shade of grass can be obtained by mixing green with blue. Yellow paint will help even out the color.
4. The color of the needles is the result of mixing green with black and yellow.
5. Gradually mixing green with white and yellow, you can make an emerald tone.

purple tones

Purple is made by mixing blue and red. You can also use blue and pink paints - the final color will be light, pastel. To darken the finished tone, artists use black paint, which is added in very small portions. Here are the nuances for creating shades of purple:

• for light purple, you can dilute the finished color with white in the right ratio;
• for magenta, you need to enter more red paint than blue.

Orange color

When creating a classic orange, they combine one part of yellow and red paint. But for many types of paint, you have to take more yellow, otherwise the color will turn out to be too dark. Here are the main shades of orange and how to get them:

• for light orange, take pink and yellow, you can also add a little white paint;
• coral requires dark orange, pink, white in equal proportions;
• peach needs colors such as orange, yellow, pink, white;
• for red, you need to take dark orange and a little brown.

Important Rule

Many people ask the question: is it possible to mix paints and varnishes from different manufacturers? It is desirable that the dyes to be mixed be made by the same company. It's even better if they are from the same batch. Mixing dyes from different companies is not recommended. Often they have different properties, such as density, brightness, etc. Because of this, the finished coating may curl.

If there is a desire to take a chance, you can combine a little bit of one and the other paint and apply the resulting solution to the surface. If it thickens or clumps, the experiment is not a success.

Computer help

You can mix several colors correctly using special computer programs. They help to see the final result and determine in percentage terms how much of one or another tone needs to be added. Such programs will help you figure out what shade can be obtained from the funds that are available. They consist of several elements:

1. A button that removes tones from a set.
2. Color names.
3. Lines of input or output to or from a calculation.
4. samples.
5. A button that introduces colors into the set.
6. Result windows.
7. New selection window and list.
8. The composition of the finished dye as a percentage.

Mixing several different colors is a fairly common technique among designers. Unusual shades will help to advantageously decorate the interior, make it original or even unique. You can mix dyes even at home. There are many recipes for creating a particular shade. For example, to get beige, you need to combine white and brown, and for pink, white and red.

It is recommended to always have a thinner on hand to prevent the paint from drying too quickly. Do not mix products from different manufacturers, because the result will be a poor-quality coating. To find out the final result of mixing, you can use a special computer program.

Blue is one of the primary colors. Along with red and yellow, it is included in the list of tones that cannot be produced at home. But artists know very well how to get blue in its various shades - for this you need to mix the classic color with other pigments, which gives amazing results.

traditional color wheel

Experts call blue, red, yellow the "three pillars" of color and painting. It is on them that the widest palette of semitones of the second and third orders rests, they are combined with each other, while the creation is excluded.

All the most important colors are included in the so-called color wheel. It is a conditional model divided into sectors. The latter are placed in an order close to the location in the visible light spectrum. Nearby shades are called chromatic, they can be mixed with each other to obtain a new chromatic (color) paint. If, when mixing colors, take opposite tones, an achromatic color (grayish) will come out. That is, the farther apart the colors, the more likely that their mixture will give an inexpressive, ugly tone.

Classic blue and its shades

It will not work to make a blue color at home, so to create its different shades, you need to purchase ready-made gouache, watercolor, acrylic paint or another type of dye (even plasticine). Then you can use other colors from the set, because when combined, you can get incredible tones and halftones of blue. Artists have special tables with the names of shades and the necessary proportions for paints, but in practice you still have to experiment.

In ordinary gouache sets, blue is represented by a shade of ultramarine. It is very bright, moderately dark, has slightly purple notes. There is an important rule to remember: white is added to lighten the tone, black is added to darken it, and various colors are added to change the reflection of the paint.

blue green

Making shades of blue with green highlights is easy. The effect of a dark green tone is given by the introduction of a small amount of ready-made green paint into the blue. If it doesn't exist, you can do something else. Since the combination of blue and yellow gives a green color, you can add a little yellowness to the blue. Next, the paint is lightened with white, resulting in a shade of the third order, less saturated.

Prussian blue

Azure color also contains green shades. Artists have a recipe for its preparation - you need to combine 1 part of blue and the same amount of light green or bright green (herbal) shade. If necessary, the tone is diluted with white.

blue purple

This color is considered very rich, powerful in energy, it is prepared by combining blue with red paint in equal proportions. But the finished purple must be made to “turn blue”, for which a blue color scheme is added drop by drop until the desired tone is obtained. Usually the final ratio does not exceed 2:1.

royal blue

The color royal is a dark, cold tone, close to classic. Traditional royal blue is part of the HTML color scheme used in computer graphics. It is also the main tone of ink, paint for cartridges. To make this color, a drop of black and even less green are introduced into ultramarine.

blue gray

This shade is reminiscent of an overcast sky, as well as the color of the water on a non-sunny day. In the base blue, you need to add a little brown, as a result you get a dark blue-gray tone. It is diluted with whitewash to the desired degree of clarification. There is another option for creating a gray-blue hue - combine blue with orange, as a result you get a grayish mass with a slightly blue glow.

Dark blue

Blue paint begins to darken from the addition of a small amount of black color. The ratio should be no more than 4:1. Creating such a shade is required if you need to “calm down” a color when it is initially too bright.

Blue

Blue is easy to make. To do this, blue of any tone is diluted with whitewash 3: 1 or more. Increasing the volume of white paint leads to even more lightening up to sky blue or pastel blue. To achieve the manufacture of the original tone, you can dilute turquoise with whitewash.

Other shades

Wedgwood tone is obtained by combining a portion of blue, as well as a drop of white and black paint. For dark turquoise, a yellow-green color scheme is added dropwise to blue. Cornflower blue is created by mixing purple, blue, a drop of brown and the same amount of black dye.

Blue in nature

In the real world, blue is perceived by the eye in the range of 440-485 nm. This is the digital value of the electromagnetic wavelength, which has a blue tone in the general spectrum of light. In nature, you can see up to 180 shades of blue - its tones are visible in the color of the seas and oceans, the sky, twilight, moonlight, many plants, insects.

To get the perfect color, you need to ensure that all the ingredients are similar in chemical composition. Otherwise, the mass may delaminate, leaving unmixed streaks in it. It is also important to use high-quality paints, because others begin to darken and gray over time. Oil dyes are very susceptible to changes - it is better to first try working on a small area and evaluate the effect after a couple of days. Artists note: the fewer colors were combined, the better the result will be, the less risk of burnout and flaking of the finished decor.

Taking the first steps in working with decor, most artists are faced with the lack of many shades in standard paint sets. And in everyday life, the need to get different tones arises quite often: from choosing a color for painting the walls in a house to choosing the perfect eyeshadow. However, do not be upset if there is no necessary element in the existing arsenal of paints. Remember, with only three basic colors available: yellow, blue and red, you can get any shade that exists in nature. So, to get orange, you just need to mix two basic colors: red and yellow, and also get acquainted with some of the nuances that artists use when mixing paints.

First, let's prepare everything you need. You need to bring:

1. surface for mixing (for example, a palette);
2. yellow and red paint;
3. brushes;
4. canvas or other work surface on which the resulting material is planned to be applied (watercolor paper, pastel paper, etc.).

In order for the final color to turn out perfect, before starting work, make sure that the surface is free of foreign particles (lint, dust particles, brush hairs, etc.). You also need to immediately decide which of the ways you plan to get the desired orange tone. If mixing is done on paper, the final hue is obtained by overlapping the tone after applying one layer of composition to another. If you mix colors on a palette or b cans, you get a separate new tone as a result.

Receipt process

To get orange by combining shades on paper, you first need to decide what you want to get in the end. Since if you apply yellow on top of red, the final tone will be darker than if you apply red on top. It is also important to ensure that the blending brush is free of foreign tints, as the presence of a paint brush of a different color on the hairs of a brush can give a completely unexpected result.
The same rule must be followed if you plan to get the necessary orange color in dry painting. Just layer red and yellow on top of each other and then rub. The resulting shade will entirely depend on what color layer was applied on top: if the last layer was yellow, then orange will be lighter, if red, a red-orange tone is formed.

When mixing paints on a palette, the situation is somewhat simpler. You need to apply a little of one paint base and another on it, and then mix it with a palette knife (a special small spatula). A regular brush will work too, but again make sure the brush is free of other paints.

Completely different mixing rules should be followed if you are working with oil paints. To make the final color orange, you need to apply yellow and red strokes very close to each other, then, moving a little distance away, you will see that you have achieved the desired effect.

Correct Proportions

The proportions of red and yellow paints depend solely on what shade you want to get as a result. So when mixing paints in the same proportions, you will get a classic orange color as a result. In order for the final orange to be more golden or yellow-orange, the yellow paint must predominate. While more red should be added to get a saturated fiery orange. You can also soften the resulting shade of orange by adding a little bit of white paint, then you get a lighter, pastel tone. But to darken the tonality, it is better not to use black, since it does not so much darken as it drowns out the color spectrum. To get a darker shade of orange, it is recommended to apply a little dark gray.

Conclusion

The principle of obtaining orange paints is quite simple, it is enough to know the RGB model and the principles of mixing to make the most stable composition. From the type of work, whether it is drawing or room decor, the method of obtaining orange flowers does not change.

How to get an orange color and its shades in 10 photos + a table of all possible derivatives. How to get coral, peach, terracotta and red colors? Influence of white, black and brown in color composition.
Orange color is obtained by mixing red and yellow, but you can get a shade of this color (soft and light enough) by adding pink to yellow paint. Subsequently, all the main saturated shades of orange are somehow associated with red, yellow, pink, white. More complex and darker tones are obtained with the participation of purple, brown and black.

How to get an orange color by mixing paints: red and yellow of the desired tone?

Everyone knows that the main orange gradient lies between red-orange and yellow-orange. Since the color is obtained or two colors, then, depending on the percentage of each color, there is a shift in one direction or another.
Of course, all the resulting shades from the primary colors (in our case, red and yellow) will be paler. However, orange is made up of 2 warm tones, the waves of which are not very different (the opposite would be blue and yellow to create green), and even in the second order it looks quite catchy.

Mixing acrylic paints for painting:

How to get yellow-orange and red-orange?

It is believed that to get a classic orange, you need to take 1 part of yellow and 1 part of red. However, in practice it turns out that you have to take more yellow than red. In the palette, you can always choose the right tone by adding yellow or red to the mixture.

How to get a light orange color?

This tone has a wide range of pastel shades. They are built using white, but there is an alternative: mix pink and yellow, the resulting shade is a soft orange tone related to the light range:

Another option would be to add yellow and white.
Usually in a palette of 12 colors there is already an orange tint, which is much brighter than the color obtained by mixing, so when building shades, we will use the existing one.
There is a bright red-orange tone in my palette of glossy acrylic paints. To get light orange tones from it, I need to mix red-orange, yellow and white:

How to get coral color?

Although this shade is closer to pink, its construction is completely tied to orange, and there are 2 scenarios for obtaining it:
1) Complicated: we take red-orange, pink and white in approximately equal parts (when you mix, adjust the shade by eye, the main thing is to mix the paint thoroughly).

2) Red-orange is close to scarlet, and scarlet is a shade of red. Red mixed with white gives pink, and coral can be called a light shade of pink with an orange undertone.

In this case, the coral will lean closer to orange, but still remain a luxurious tropical shade.

How to get peach color?

Another light and subtle shade of the base color. Peach belongs to the soft pastel scale., standing out from it with its sophistication, it has long been loved and entrenched in our imagination. Its construction consists of 4 colors:
1) Red+yellow+pink+white
2) Orange+yellow+pink+white
3) Coral + yellow + white

How to get terracotta color?

Let's move on to darker shades of orange. One of the interesting options is terracotta: a medium-dark, but rich, complex red-orange hue is obtained by mixing purple and red-orange:

To make the shade lighter, adding a drop of white will help.

How to get red color?

The red color has an orange undertone. If you take brown and mix it with red-orange, the resulting shades will be dark, but saturated. You can adjust the tone by adding yellow.

How to get a dark orange color?

You can adjust the brightness of orange shades using black: either to completely darken it, or simply dim the brightness. This is necessary to create contrast.
If you want to dim light shades: mix white with black to a gray mass and bring it into the working tone.

Table for obtaining orange shades when mixing colors:

Practice in color science is indispensable, but theory can give you an understanding of how this or that tone is built.

In the center - the main color from which the color is built. The first circle of colors is the shades with which the color is mixed in the proportion indicated below. The third circle is formed by tones that are the result of mixing the primary color and the first circle in a smaller proportion than the third. On the sides of the color at the end of the beam, the same color with the addition of black (darker) and white (lighter).

How to get other colors and their shades: theory and practice. Click on the icon.