Take paint. Any kind of paint will do - even those used on furniture or walls - but it's best (and cleaner) to practice with a few small tubes of oil or acrylic paint. First, let's see what happens if we mix just two colors - red and blue.

• Note: Black can be obtained by mixing the available colors. Black pigment, of course, exists, but its use is too conspicuous. It is better to get dark colors by mixing transparent primary colors: shadows also have shades depending on the time of day and other factors.
• Read the "Other Tips" section below for guidance on choosing the best magenta and cyan.

1. Mix red and blue. Everyone knows that red and blue, when mixed, make purple, right? Indeed, but this is not that bright, lively purple. Instead, they form something like this:

   • Not very pleasing to the eye, is it? This is because red and blue absorb more and reflect less spectrum, giving a dark, dirty purple instead of a vibrant, vibrant one.

2. Now try this: mix magenta with a little cyan and you will see the difference. This time you will get something like this:

   

   • Magenta is a shade of purple, cyan is a blue-green hue, often referred to as bright blue or turquoise. Along with yellow, they are the primary colors in the CMYK model, which is based on a subtractive color scheme (obtaining color by subtracting individual components from white). This scheme is used in printing, including color printers.
   • You can see that using the real primary colors - magenta and cyan - results in a much brighter and more vibrant hue. If you want a richer purple, add more blue. Add black for dark purple.

3. Mix pigments to get primary and secondary colors. There are 3 main color pigments: cyan, magenta and yellow. There are also 3 secondary colors obtained by mixing two primary colors:

   • Cyan + yellow = green
   • Cyan + magenta = blue
   • Magenta + yellow = red
   • Cyan + magenta + yellow = black
   • In subtractive color mixing, the combination of all colors produces black.

4. "See the information below. See the "Mixing Colors" section for more detailed tips on how to achieve a wide variety of shades, including light, dark, and greyish. The Tips section provides an extensive list of colors and combinations that can be used to get those colors on the palette.

   Light Blending: Additive Colors

   1. Take a look at your monitor. Look at the white areas on this page and get as close as possible. Even better if you have a magnifying glass. Bringing your eyes closer to the screen, you will see not white, but red, green and blue dots. Unlike pigments, which work by absorbing color, light is additive, that is, it works by adding up light fluxes. Movie screens and displays, whether it's a 60-inch plasma TV or the 3.5-inch Retina display on your iPhone, use additive color mixing.

      Mix light to get primary and secondary colors. As in the case of subtractive colors, there are 3 primary and 3 secondary colors obtained by mixing primary colors. The result may surprise you:

      • Mixing red + blue = magenta
      • Mixing blue + green = cyan
      • Mixing green + red = yellow
      • In additive color mixing, the combination of all colors produces white.
      • Note that primary additive colors are secondary subtractive colors and vice versa. How can it be? Know that the effect of subtractive color is a combined process: it absorbs some colors, and we perceive what is left, that is, the reflected light. The reflected color is the color of the light output that remains when all other colors have been absorbed.

   Modern color theory

   1. Understand the subjective nature of color perception. A person's perception and identification of color depend on both objective and subjective factors. While scientists can define and measure light down to the nanometer, our eyes perceive a complex combination of not only hue, but also the saturation and brightness of a color. This circumstance is further complicated by the way we see the same color on different backgrounds.

      Hue, saturation and lightness are the three dimensions of color. We can say that any color has three dimensions: hue, saturation and lightness.

      • Tone characterizes the position of a color on the color wheel - red, orange, yellow, and so on, including all intermediate colors, such as red-orange or orange-yellow. Here are a few examples: pink refers to a magenta tone or red (or somewhere in between). Brown refers to an orange tone because brown is a dark orange.
      • Saturation- this is what gives a rich, vibrant color, like on a rainbow or color wheel. Pale, dark and muted colors (shades) are less saturated.
      • Lightness indicates how close a color is to white or black, regardless of the color. If you take a black and white photograph of flowers, you can tell which ones are lighter and which ones are darker.
        • For example, bright yellow is a relatively light color. You can lighten it even more by adding white and making it a pale yellow.
        • Bright blue is naturally dark and low on the light scale, while dark blue is even lower.

   Mixing paints

   1. Follow this guide to get any color you want. Magenta, yellow and cyan are the primary subtractive colors, which means that any other color can be obtained by mixing them, but they themselves cannot be obtained from other colors. Primary subtractive colors are used when mixing pigments such as inks, dyes and paints.

      

      Colors with low saturation (dim colors) come in three main types: light, dark and muted.

      Add white for light colors. Any color can be lightened by adding white to it. To get a very light color, it is better to add a little bit of the main color to white so as not to waste excess paint.

      Add black for dark colors. Any color can be darkened by adding black to it. Some artists prefer to add a complementary (complementary) color that is opposite the given color on the exact CMY/RGB color wheel. For example, green can be used to darken magenta and magenta can be used to darken green because they are opposite each other on the color wheel. Add black or complementary color a little at a time so as not to overdo it.

      Add white and black (or white and a complementary color) to get muted, grayish colors. By changing the relative amount of added black and white colors, you can get any desired level of lightness and saturation. For example: add white and black to yellow to get a light olive. The black will darken the yellow, making it olive green, and the white will lighten that olive green. Various olive green shades can be obtained by adjusting the amount of paint added.

      • To obtain a desaturated color, such as brown (dark orange), you can adjust the hue in the same way as for a bright orange - by adding a small amount of colors nearby on the color wheel: magenta, yellow, red or orange. They will make the brown more vibrant while changing its hue. But since brown is not a bright color, you can also use colors on the other sides of the triangle, such as green or blue, which will darken the brown while changing its hue.

   2. Get black. This can be done by mixing any two mutually complementary, as well as three or more equidistant colors from each other on the color wheel. Just don't add white or any color that contains white unless you want to get a shade of gray. If the resulting black leans too much towards a particular color, neutralize it by adding a little complementary color to that color.

      Don't try to get white. White cannot be obtained by mixing other colors. Like the three primary colors - magenta, yellow and cyan - you will have to buy them, unless, of course, you work with materials like watercolor, for which paper itself is used instead of white if necessary.

      Develop an action plan. Think about the tone, lightness, and saturation of the color you have and the color you want to achieve, and make adjustments accordingly.

      • For example, a shade of green can be brought closer to cyan or yellow - its neighbors on the color wheel. It can be lightened by adding white. Or darken it by adding black or its complementary color, namely purple, magenta or red, depending on the shade of green. You can tone it down by adding black and white, or make a desaturated green a little brighter by adding (bright) green.
      • One more example. You mixed red and white to make pink, but the pink came out too bright and warm (yellowish). To correct the warm tone, you will have to add a little magenta. To tone down a hot pink, add white, a complementary color (or black), or both. Decide if you want a darker pink (add only the complementary color), taupe pink (add white and complementary color), or just a lighter pink (add only white). If you're planning on adjusting the hue with magenta and muting the pink with green or cyan (complementary to magenta and red), you can try combining the two by using a color between magenta and cyan, such as blue.

   3. Mix paints and start creating a masterpiece! If all this seems impossible to you, you just need a little practice. Creating a color guide for your own use is a good way to practice using the principles of color theory. Even by printing it out from a computer, you will provide yourself with useful information while you still have no practice and you cannot work on an intuitive level.

   Color samples and how to get them

   • Choose the color you would like to receive and follow the instructions below. Each pattern provides a range of possibilities; you can adjust the amount of paint used to get exactly the color you want. For example, any light color can be lightened or darkened by adding more or less white. Complementary, or complementary, colors are colors located opposite each other on the RGB/CMY color wheel.
   • Red: Add some yellow or orange to the magenta.
     • Light red (salmon pink, coral): Add white to red. Use less white and more red to get coral.
     • Dark red: Add some black (or cyan) to red. Cyan is complementary to red.
     • Muted red: Add white and black (or cyan) to red.
   • Yellow: Yellow cannot be obtained by mixing other colors. You will have to buy it.
     • Light yellow: Add white to yellow.
     • Dark yellow (olive green): Add some black (or purple-blue) to the yellow. Violet-blue is complementary to yellow.
     • Muted yellow (light olive): Add white or black (or violet-blue) to yellow.
   • Green: Mix cyan and yellow.
     • Light green: Add white to green.
     • Dark green: Add some black (or magenta) to the green. Magenta is complementary to green.
     • Grey-green: Add white and black (or magenta) to green.
   • Cyan (turquoise blue): Cyan cannot be obtained by mixing other colors. You will have to buy it.
     • Light cyan: Add white to cyan.
     • Dark cyan: Add some black (or red) to cyan. Red is complementary to cyan.
     • Grey-blue: Add white and black (or red) to cyan.
   • Violet blue: Mix magenta with cyan or blue.
     • Light Violet Blue (Lavender): Add white to purple-blue.
     • Dark purple blue: Add some black (or yellow) to violet-blue. Yellow is complementary to purple.
     • Greyish Violet Blue: Add white and black (or yellow) to violet-blue.
   • Violet: Mix magenta with a little cyan, blue or violet blue.
     • Light purple: Add white to purple.
     • Dark violet: Add some black (or lime green) to purple. Lime green is complementary to purple.
     • Muted purple: Add white and black (or lime green) to purple.
   • Black: Black can be obtained by mixing any two complementary colors or three colors equidistant on the exact CMY/RGB color wheel, such as red, green, and blue. If you get a dark color instead of pure black, correct it by adding its complementary color.
   • White: White cannot be obtained by mixing other colors. You will have to buy it. To get a warm white (such as cream), add some yellow. To get a cool white, add a little cyan.
   • Grey: Gray is a mixture of black and white.
   • When mixing paints, add them little by little to control the color. You can always add more. This is especially true when working with black and blue, which tend to dominate other colors. Add a little at a time until you get the desired result.
   • To find out if a color is complementary, use your own eyes. It's an old trick: look closely at a color, then look away at a white surface. Due to the "color fatigue" of the eyes, you will see the opposite color.
   • Choosing primary colors when shopping can be tricky. Look for a magenta that is free of white and blue pigments (PW and PB). Violet and red pigments such as PV19 and PR122 work best. Good cyan PB15:3. PB15 and PG7 are also good. If you need art paints or glazes, you can try to match the colors with a printer. Print a sample from your computer to a printer to take with you to the store, or look for the primary colors on the sides of a cereal or cookie box.
   • You need one color triangle of colors that provide visual balance to the picture, and another color triangle to determine pairs of colors that cancel each other out, since complementary colors for these tasks are slightly different. So, ultramarine works well with lemon yellow and other beautiful yellows, but to darken these yellows, use purple. More information on this subject can be found online.
   • How many tubes of different paints do you really need to paint a picture? Jean-Louis Morell's book on watercolor painting shows how, using the cyan-yellow-magenta color triangle, to get almost any desired color from just four or five, but this can also be done using these three plus white (as white in watercolor painting protrudes paper)!
     • The best range of shades can be obtained by mixing colors that are close to the CMY primary colors, but to get a darker shade, one - or even better two - should be darker than these primary colors, for example, Persian blue or cobalt blue, crimson alizarin.
   • What you write? The colors you need depend entirely on what you're writing. For example, ultramarine, Neapolitan yellow, burnt sienna and white are useful for distant landscapes if bright greens and yellows are not needed.

   What will you need

   • Palette - disposable paper is well suited.
   • Palette knife (any size)
   • Watercolor paper or primed canvas (available from your local art supply store; ready-made primed canvas works well)
   • Containers with water or solvent for washing brushes
   • Synthetic brush of your choice (#8 round or #6 flat works well)
   • Spray bottle to keep water-based paints from drying out
   • Paper towels to remove dirt and clean brushes
   • Color circle
   • Paints
   • A bathrobe or an old shirt that you don't mind getting dirty
   • Gloves

Consider the already known color wheel

All colors are divided into:

The main ones (yellow, red, blue) - the inner part of the circle - from these colors we get the rest.

Secondary colors (purple, orange, green) - the middle part of the circle.

Tertiary (complex) colors - the outer circle and combinations of shades from different parts of the circle.

The components will be indicated on sectors within the required color.

When mixing colors opposite each other in equal proportions, we get a dirty dark gray color. Such pairs of colors are called complementary.

This effect is used when it is necessary to "mute" the hue by "dirtying" it.

For example, to make blue darker - drop a little orange into it, brown - "muffled" by light green. The main thing is to understand the principle of working with the color wheel, and finding a more complex and convenient version of it on the net and downloading it is not difficult.

Here are some recipes for mixing colors:

yellow + brown = ocher

red + yellow = Orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige

light green=(green+yellow, more yellow)+white= light green

lilac=(blue+red+white, more red and white) +white= light lilac
lilac= red with blue, with red predominating

black= brown + blue + red in equal proportions
black= brown + blue.
gray and black\u003d blue, green, red and yellow are mixed in equal proportions, and then one or the other is added to the eye. it turns out you need more blue and red
black= you can mix red, blue and brown
black= red, green and blue. You can also add brown.
bodily= red and yellow paint .... just a little. After kneading, if it turns yellow, then add a little red, if it turns pink, a little yellow paint. If the color is very saturated, add a piece of white mastic and knead again
dark cherry= red + brown + some blue (cyan)
strawberry\u003d 3 parts pink + 1 hour red
Turkish\u003d 6 hours sky blue + 1 hour yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 hour red + a little black
rust color\u003d 8 hours orange + 2 hours red + 1 hour brown
greenish\u003d 9 hours sky blue + a little yellow
dark green= green + some black
lavender\u003d 5 hours pink + 1 hour lilac
nautical=5h blue + 1 hour green
peach=2h. orange + 1h. dark yellow
dark pink=2h. red + 1 hour brown
dark blue=1h. blue+1h Lilac
avocado= 4 hours yellow + 1 hour green + a little black
coral\u003d 3 hours pink + 2 hours yellow
gold\u003d 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 hour purple + a little red
light green= 2 hours purple + 3 hours yellow

And this table contains classic flower recipes

We use

As you understood from the tables, the darker and dirtier the color, the more recipe options there are. Perhaps not everything will work out right away, a certain skill is needed, but it is developed very quickly and you yourself will have your favorite and unloved combinations and recipes. It seems to me that the most economical way to get acquainted with mixing colors without fear of spoiling something is to practice with ordinary watercolors.

As soon as you have confidence in what will turn out in the end, you can try enamel with acrylic. In any case, if you are not sure of the result - try first on watercolors or gouache.

I recommend starting small - using purchased shades, with simple additions, learn how to make gradients of camouflage shades for color modulation, for example, for panel highlighting.

As your skill grows, you will be able to buy a ready-made color and make a dye, as it is spent, to prepare the colors yourself.

Always prepare a color with a small margin - if necessary, it will be a difficult task to repeat it.

I do not argue that buying ready-made shades is often easier and faster, but I prepare the color myself when:

1. The color I need is not available in the store - there is no desire and time to wait for deliveries.

2. It often happens that I do not agree with one or another interpretation of the shade by the paint manufacturer.

3. Manufacturers do not produce the required color (as an example, Polish khaki, moreover, 4 shades of paint were used during the pre-war years of 1938-1939.)

4. It is assumed that the prototype, due to operating conditions, has greatly changed the color.

5. So that my collection of models does not look like one green-blue spot, I try to paint each next model with a slightly different shade. The difference will be visible only if you put two models in the same color side by side.

This knowledge is applicable and will be useful in everyday life - for example, you can’t wash colored items of additional colors at the same time - they will gradually acquire gray shades :))

Now, having studied the basics, it will be possible to return to modeling technologies and practice.

The color mixing table allows you to create a huge palette of bright shades from 3 basic colors. It is very exciting! The main thing is to choose the right colors according to the color mixing table.

Artist's Workshop: Magic Lessons

1. The combination of two neighboring colors of the spectrum gives shades with different intensities of these colors. For example, yellow and orange, when superimposed, give yellow-orange or orange-yellow, depending on which of these 2 colors prevails. If, in equal proportions, you mix 3 shades located next to each other on the color wheel, for example, yellow, red and orange, you will get the same orange, but more dirty.

2. When white is added to any color, its pastel shades of different intensities are obtained.

3. Mixing in equal proportions 2 primary colors, which are separated by 1 shade on the color wheel, we get exactly the intermediate color that separates them. For example, red + blue = purple.

4. An equal combination of 2 contrasting colors (located opposite each other on the color wheel) always gives a gray with a hint of one of these colors. For example, red + green, blue + orange, etc. Interestingly, if you mix complementary colors in a ratio of 2/1, you get absolute gray (without additional shades).

5. 3 primary colors next to each other, when superimposed in equal proportions, also form gray, for example, green + yellow + orange. Pay attention to a striking pattern: harmonious color combinations (which you can get using the color wheel) when mixing their constituents shades give a gray color - balancing, absorbing each other.

Create new colors according to the paint mixing table

As we already know, there are only 3 colors that cannot be obtained by mixing others. But from them you can create all the other shades. These magical colors are red, yellow and blue. By the way, mixing them with each other in equal proportions, you can get black. How to create all the other shades of the palette, see the table:

The color mixing table and the color wheel are used not only in painting, they are simply irreplaceable when tinting and mixing decorative plaster in construction, in perfumery and soap making, when dyeing fabrics, batik, etc.

The color spectrum: revealing the secrets of the rainbow

Isaac Newton, passing light through a prism, received a multi-colored beam, called the spectrum. For the convenience of color combinations, the continuous line of the spectrum with all its transitional tones was turned into a circle. As you know, three main shades are distinguished in the color spectrum (red, blue and yellow), when they are mixed in pairs with each other, three more secondary ones are obtained (green, orange and purple). It is these 6 shades that form the color wheel, and each of them has additional colors (blue and red-violet, yellow-green, purple, red and yellow-orange, blue and yellow-green). Newton, by the way, singled out 7 colors, adding blue to the spectrum, which, along with the six main ones, is considered the color of the rainbow. By mixing these shades, making them darker or lighter to varying degrees, you can get a full range of colors.

I would like to immediately make a reservation that the division of the spectrum is conditional and depends on the characteristics of our perception. A person can distinguish up to 1000 tones in the color spectrum. Interestingly, reptiles and birds do not distinguish blue shades, and some fish see everything around in red. It is believed that for cats, the colorful world around us looks dimmer, but they distinguish a huge variety of shades of gray.

Color Spectrum Table

The colors of the spectrum are called chromatic as opposed to achromatic (from Latin "without color"): white, black, gray. The order of the hues in the spectrum is always the same, starting with red and ending with purple.

Shades on the color wheel from green-blue to blue-violet are considered cold, from yellow-green to red-violet - warm. This division is rather arbitrary and depends on what associations these colors evoke in us: red-orange fire, yellow sun, blue ice, blue oceanic abyss. Did you notice that when separating the colors, we didn't mention green? And this is no coincidence. Pure green (which, by the way, is extremely rare) is considered neutral. A drop of yellow makes it warmer, blue - cools.

The color wheel is extremely important in the work of the designer. With its help, you can not only determine harmonious color combinations, create the right atmosphere in the room or an attractive image, but also influence perception by skillfully emphasizing the brightness, purity, beauty of color, enhance its intensity by adding complementary shades, balance cold tones with warm ones, etc. d. This magic is not difficult to learn even if you are not a designer, and you can apply it not only in interior design or clothing. With the help of the color wheel, anyone can create harmony in the apartment, correctly combine colors in clothes, manicure, makeup, etc. For example, orange-coral lipstick or peach shadows will emphasize blue eyes, and a green-turquoise scarf will refresh a scarlet dress.

How to get an orange color and its shades in 10 photos + a table of all possible derivatives. How to get coral, peach, terracotta and red colors? Influence of white, black and brown in color composition.
Orange color is obtained by mixing red and yellow, but you can get a shade of this color (soft and light enough) by adding pink to yellow paint. Subsequently, all the main saturated shades of orange are somehow associated with red, yellow, pink, white. More complex and darker tones are obtained with the participation of purple, brown and black.

How to get an orange color by mixing paints: red and yellow of the desired tone?

Everyone knows that the main orange gradient lies between red-orange and yellow-orange. Since the color is obtained or two colors, then, depending on the percentage of each color, there is a shift in one direction or another.
Of course, all the resulting shades from the primary colors (in our case, red and yellow) will be paler. However, orange is made up of 2 warm tones, the waves of which are not very different (the opposite would be blue and yellow to create green), and even in the second order it looks quite catchy.

Mixing acrylic paints for painting:

How to get yellow-orange and red-orange?

It is believed that to get a classic orange, you need to take 1 part of yellow and 1 part of red. However, in practice it turns out that you have to take more yellow than red. In the palette, you can always choose the right tone by adding yellow or red to the mixture.

How to get a light orange color?

This tone has a wide range of pastel shades. They are built using white, but there is an alternative: mix pink and yellow, the resulting shade is a soft orange tone related to the light range:

Another option would be to add yellow and white.
Usually in a palette of 12 colors there is already an orange tint, which is much brighter than the color obtained by mixing, so when building shades, we will use the existing one.
There is a bright red-orange tone in my palette of glossy acrylic paints. To get light orange tones from it, I need to mix red-orange, yellow and white:

How to get coral color?

Although this shade is closer to pink, its construction is completely tied to orange, and there are 2 scenarios for obtaining it:
1) Complicated: we take red-orange, pink and white in approximately equal parts (when you mix, adjust the shade by eye, the main thing is to mix the paint thoroughly).

2) Red-orange is close to scarlet, and scarlet is a shade of red. Red mixed with white gives pink, and coral can be called a light shade of pink with an orange undertone.

In this case, the coral will lean closer to orange, but still remain a luxurious tropical shade.

How to get peach color?

Another light and subtle shade of the base color. Peach belongs to the soft pastel scale., standing out from it with its sophistication, it has long been loved and entrenched in our imagination. Its construction consists of 4 colors:
1) Red+yellow+pink+white
2) Orange+yellow+pink+white
3) Coral + yellow + white

How to get terracotta color?

Let's move on to darker shades of orange. One of the interesting options is terracotta: a medium-dark, but rich, complex red-orange hue is obtained by mixing purple and red-orange:

To make the shade lighter, adding a drop of white will help.

How to get red color?

The red color has an orange undertone. If you take brown and mix it with red-orange, the resulting shades will be dark, but saturated. You can adjust the tone by adding yellow.

How to get a dark orange color?

You can adjust the brightness of orange shades using black: either to completely darken it, or simply dim the brightness. This is necessary to create contrast.
If you want to dim light shades: mix white with black to a gray mass and bring it into the working tone.

Table for obtaining orange shades when mixing colors:

Practice in color science is indispensable, but theory can give you an understanding of how this or that tone is built.

In the center - the main color from which the color is built. The first circle of colors is the shades with which the color is mixed in the proportion indicated below. The third circle is formed by tones that are the result of mixing the primary color and the first circle in a smaller proportion than the third. On the sides of the color at the end of the beam, the same color with the addition of black (darker) and white (lighter).

How to get other colors and their shades: theory and practice. Click on the icon.

Whatever you say, this color is magical, but it evokes dual feelings: on the one hand, it is a kind of sadness, and on the other, peace and tranquility. In this article, we will look at how to get blue when mixing paints. Find out what shades exist, what they are called. Consider what percentage is needed to solve our problem: how to get blue?

Blue colour. Psychological perception

It is this shade that has attracted mankind since ancient times. He has always received special attention. So in ancient Egypt, the process of sacrifice to the Gods was depicted in this color. In astrology, it corresponds to the planet Venus. In esotericism, it is used for meditation, concentration, and also for the process of self-knowledge. In the modern world, psychologists treat this tone ambiguously: on the one hand, it promotes concentration to achieve the goal, and on the other hand, it is able to separate a person from reality, introduces emotional coldness into the worldview.

Various color tests are used in psychology, and one of the most effective is the Luscher test, according to which the tone we describe symbolizes calmness and self-satisfaction. This test is able to determine the stress-resistant state of a person and communication skills. Each time the test impresses with its accuracy; like a true friend, it can give answers to questions that have been brewing inside for a long time.

shades of blue

Our described tone is noble and stylish. He hides in himself the peace of the cold sky and the raging passion of the sea. How to get blue? Mixing colors will give a large number of related tones and halftones, the percentage formula is varied. There are many shades of it. And how beautifully they are called! Based on the names alone, you can understand how much we love this shade, how it inspires and gives strength. So, as an example, we give the following names of shades of blue: cornflower blue, gray, Niagara color, cyan, ultramarine, celestial, sea wave, sky blue, azure, Persian blue, royal blue, indigo, Prussian blue, sapphire, blue-black. Here are the main shades of the tone we are describing. In addition to them, many semi-shades can be distinguished, that's how multifaceted this tone is.

Even any shade can have different characteristics: blue is frivolous and playful, because it’s not for nothing that they say “blue dream”, in other words unrealizable and unrealistic. But the shade of "indigo" is identified with highly developed mental abilities. Children who are mentally gifted are often referred to as "indigo". It is also worth considering the craving of a person in clothes and in choosing an interior in favor of the specified tone, and the first thing that can be said about him is that this person has an analytical mindset. But back to the main question: how to get the blue color?

Mixing colors

After all, it is a primary color, but we can get a large number of its shades using different tones. So how do you get blue when mixing colors? Consider getting "Royal Blue". To do this, it is necessary to use blue as the main tone, adding to it an insignificant part of black and a drop of green. As a result of such mixing, the desired shade should be obtained. How to get a blue color, but a brighter shade than the previous one? To do this, we use the same colors that we described above, but in this case we need to halve the amount of black. As a result of mixing, you should get a beautiful dark blue hue.

Now consider what colors to get the blue color of the sea, a shade of turquoise. To do this, it is also necessary to use the main shade of our tone, and the green tone, taken in a ratio of one to three, will be an additional one. You should get an unforgettable color of the sea, the color of the eyes of a beautiful girl, mysterious and deep, at the same time exciting and soothing. Now I would like to figure out what tones are needed to get the blue shade of "wedgwood". In this case, the peculiarity lies in the fact that not blue will be used as the main color, as it was before, but white. It is necessary to add half of our described tone to the white initial tone. Considering the amount of the main color, and as a highlight or as a cherry on the cake, add a drop of black. The result should be a soothing, calm shade of the same tone we adore.

Consider this option: how to get a blue color by mixing orange colors in a very small amount with our main tone, which in this recipe we will define as the original one. As a result of this operation, the shade should be heavy, one might even say formidable. The result obtained is identified with a dirty and harsh sky during a wild storm, when the sea roars like a wild beast, and the wind howls and tears the sails of ships.

Blue in nature

What colors are needed to get blue in nature, you ask? In our real world, at the level of physics, this tone is perceived by the human eye in the range of 440 - 485 nm. In other words, the spectral blue color is felt under the action of electromagnetic radiation with a wavelength, the numerical value of which is indicated above.

blue paint

How to get the blue color artificially, you ask? As you know, natural dyes of this shade are very rare, and therefore valuable. Fuchsin is considered one of the dyes of the aniline series. Its main drawback is that it is far from the beautiful blue tint that we would like to get, in this case, magenta gives a bluish-red tone. The result of waiting will make you disappointed.

Conclusion

In conclusion, summing up what has been said, I would like to note that the main question of our article is how to get the blue color. Mixing colors in different proportions will be the answer, but do not forget that today acrylic paint of the described shade can be attributed to dark blue with a purple tone. This type of shade is called "ultramarine". Moreover, the issue of mixing colors is relevant for young artists who, in addition to theoretical information, practice is important. The ability to form your own style, still based on theoretical knowledge, is one of the main tasks. I would like to believe that this material will be useful and interesting.