You are walking down the street and suddenly you see two sculptures in front of you, frozen and as if lifeless. Someone puts a coin in a hat lying right here on the sidewalk, and the sculptures come to life. They perform a dance or make some kind of movement characteristic of the characters they represent, and then freeze again. The performance (performance) is not over while the sculptures are here, it continues, it just passed into a static form.
"Performance? What is it?" - you ask. This is one of the areas of contemporary art. It arose in the sixties of the last century, when stereotypes were broken in all areas of human life: art, politics, social and interpersonal relations. Many new trends in philosophy, cinema, fine arts, music appeared just then. As for contemporary art, at the same time there appeared currents similar to the direction of "performance art" in terms of the form of presentation - actionism, happening and others. What do they have in common, and how do they differ?
To begin with, let's figure it out, a performance is a short artistic or theatrical action that is taking place at a given moment in a given place and is performed by the artist himself or by a group of participants. It differs from the theater in that the participants in the performance do not play learned and rehearsed other people's roles. They act within the framework of the character or group of characters depicted by them, "live" it. They do not have written roles, but the plot, as a rule, is present. Another distinguishing feature of this trend of contemporary art is the central role of the person representing it. If someone has a question: "Performance - what is it?" - we can safely answer that this is primarily the performer himself, his body, gestures, additional attributes in the form of costumes, props and other expressive means. This is the main difference from the fine arts, where the object of representation is a canvas or sculpture. In addition, unlike classical art, the perception and understanding of performance does not require special intellectual preparation, it is designed for any passer-by who looked, was surprised and went further, without thinking about how to classify this action, who was its founder and what will be effects.
The closest associates of this kind of representation are actionism and happenings. We already know about the performance, that it is a theatrical action of the artist, which does not pursue any specific goals and does not require the direct participation of the public. This is its main difference from happening, which is possible only with the active participation of the public. Happening is only "started" by the artist, and what will come out in the end depends on the spectators-participants.
Actionism is a direction in contemporary art that focuses not on the fruit of creativity, but on creativity itself, on the process of creating a work of art. An artist paints in front of an audience, a musician steps on musical pedals, and music sounds from under his feet, and so on. Gradually, actionism underwent changes and merged with politics and outrageousness. Today we see a lot of outrages called "artistic actions". One of the most famous and resonant of them is the “trick” of the Pussy Riot group in the Cathedral of Christ the Savior. It was a protest action carried out through musical and visual means (multi-colored tights on the heads, the use of musical instruments, the recitation of certain political texts). Therefore, the girls believed that they were performing an action in the spirit of actionism, what came of it, we know.
The described directions (actionism, happening, performance) in art are perceived differently. Both supporters and opponents give weighty arguments in favor of their positions. Perhaps the only worthy judge in this dispute will be time, which will put everything in its place. Let's wait a little...
performance(English performance - performance, presentation, performance) - in simple words: a type of contemporary art, where the work is the actions of the artist himself or a group of artists. If in other forms of art the object is a painting, a sculpture, a moving object (kinetic art), then in performance the author himself is a work.
Performance is avant-garde and conceptual art. Occasionally, even dance, theater, ballet are called performance. In a sense, this is true, but the very term “performance” means something else - something that is related specifically to a highly specialized genre, or when a performance is created precisely as a performance and nothing else.
For the first time the word "performance" was used by the composer J. Cage in 1952, when he performed the work "4'33" (4 minutes 33 seconds of silence) on the stage. As a current trend in art, it appeared only in the 1960s. The most prominent representatives of this trend in those years were: Yves Klein, Vito Acconci, Hermann Nitsch, Chris Bourden, Yoko Ono, Joseph Beuys, Oleg Kulik, Oleg Mavromatti, Elena Kovylina and others.
Performance at its core is not only a flamboyant avant-garde style that tries to oppose classical art forms and do something revolutionary, but also a philosophy of a special kind. Through special conceptual actions, the author tries to convey the understanding of one or another side of life. He tries to convey his feelings not through a painting, sculpture or something else, but through live interaction with the viewer. Often such performances are very unusual and unexpected. An unprepared viewer may not understand what is happening at all. Here, both the opinion and response of an experienced viewer who understands a lot about performances, as well as a casual passer-by who met with a manifestation of such art by chance, are valued. For this reason, performances are held not only in special places, but also on the streets, in public places, etc.
Living paintings, which involve the active participation of not only the author-artist, but also the viewer, are an action to destroy stereotypes and look at the world from an unusual angle. The creative component here undergoes cardinal changes. If people are accustomed to seeing the usual creativity in its usual manifestation, then even abstractionism or cubism for a person who is not versed in art can become more understandable than the same performance. However, some of the types of performance have become familiar and understandable to us for a long time. Such stylistic decisions as Flashmob, the same planking, Harlem Shake and even the infamous Pussy Riot punk prayer are also forms of performance.
Video: John Cage: 4\'33\'\' for piano (1952). The world's first performance.
PERFORMANCE
PERFORMANCE
(performance - English: performance)
public creation of an artifact based on the principle of synthesis of art and non-art, which does not require special prof. skills and not claiming to be durable. Its core is gesture. Outrageous, provocative - organic. properties of P. Its aesthetic. specificity is the emphasis on the primacy and self-sufficiency of creativity. act as such (by analogy with “art for the sake of art”, the characteristic “act for the sake of art” was assigned to P.); artistic the most important task is to affirm the identity of the creator.
P. as one of the key phenomena of postmodern art arose in the 70s. To his artistic and aesthetic. predecessors belong to Russian. and ital. futurism (a special role was played by Marinet-ti put forward in the manifesto "Music Hall", 1913, the concept of "theater of surprise", profaning classical art with its ephemeral music hall), Dadaism, happening, body art, conceptual art, phonetic. the poetry of K. Schwitters, the theater of cruelty A. Artaud, as well as creative. experience of the movement "Fluxus" and Japanese. Gutai groups.
If in the USA P. is sufficiently professional and close to the performing arts (dance, music, singing, etc.), then in Europe and Canada he retained his radical character, looseness, and bright personal beginning. Evidence of this is the “conceptual shamanism” of I. Bays, the “living sculpture” of Gilbert and George.
P. - the art of the moment, balancing on the verge of being and non-being. And if the culture of postmodernism is a kind of “theater of memory”, then P. is included in its composition as a symbol of oblivion.
Lit.: Inga-Pin L. Performances. Happening, Actions, Events, Activities, Installations. Padoue, 1978; Battcock G., Nickas R. The Art of Performance. A Critical Anthology. N.Y., 1984; Labelle-Rojoux A. L "Acte pour 1" art. P., 1988; Groupes, mouvements, tendances de 1 "art contemporain depuis 1945. P., 1989.
N.B. Mankovskaya
Culturology. XX century. Encyclopedia. 1998 .
performance
(English performance - performance) Public creation of an artifact based on the principle of synthesis of art and non-art, which does not require special professional skills and does not claim to be durable. Its core is gesture. Shocking, provocativeness are the organic properties of P. Its aesthetic specificity is the emphasis on the primacy and self-sufficiency of the creative act as such (by analogy with “art for art’s sake”, the characteristic “act for the sake of art” was assigned to P.); the artistic super-task is the affirmation of the identity of the creator. P. as one of the key phenomena of postmodern art arose in the 70s. 20th century Its artistic and aesthetic predecessors include Russian and Italian futurism (a special role was played by the concept of the “theatre of surprise”, put forward by Marinetti in the Manifesto “Music Hall” of 1913, which profanes classical art with its ephemeral music hall), Dadaism, hzppening, body art , conceptual art, phonetic poetry by K. Schwitters, the theater of cruelty by A. Arto, as well as the creative experience of the Fluxus movement and the Japanese group Gutai. If in the USA P. is quite professional and close to the performing arts (dance, music, singing, etc.), then in Europe and Canada he retained his radical character, riskiness, and bright personal beginning. Evidence of this is the "conceptual shamanism" of J. Beuys, the "living sculpture" of Gilbert and George. P. - the art of the moment, balancing on the verge of being and non-being. And if the culture of postmodernism is a kind of "theater of memory", then P. is included in its composition as a symbol of oblivion.
Lit.: Inga-Pin L. Performances. Happening, Actions, Events, Activities, Installations. Padoue, 1978;
Battcock G., Nickas R. The Art of Performance. A Critical Anthology. N.Y., 1984;
Labelle-Rojoux A. L "Acte pour l" art. P., 1988;
Groupes, mouvements, tendances de l "art contemporain depuis 1945. 2 ed. P., 1990.
Lexicon of non-classics. Artistic and aesthetic culture of the XX century.. V.V. Bychkov. 2003 .
performance
performance- English: performance, presentation.
public creation of an Artifact on the basis of the synthesis of art and non-art, which does not require special prof. skills and not claiming to be durable. Its core is gesture. Outrageous, provocative - organic. properties of P. Its aesthetic. specificity is the emphasis on the primacy and self-sufficiency of creativity. the act as such (by analogy with “art for the sake of art”, the characteristic “act for the sake of art” was assigned to P.); artistic the most important task is to affirm the identity of the creator.
P. as one of the key phenomena of art Postmodernism arose in the 70s. To his artistic and aesthetic. predecessors belong to Russian. and ital. Futurism (a special role was played by Marinetti’s manifesto “Music Hall”, 1913, the concept of “theater of surprise”, which profanes classical art with its ephemeral music hall), Dadaism, Happening, Body art, conceptual art (see Conceptualism), phonetic the poetry of K. Schwitters, the theater of cruelty A. Artaud, as well as creative. experience of the movement "Fluxus" and Japanese. Gutai groups.
If in the USA P. is quite professional and close to the performing arts (dance, music, singing, etc.), then in Europe and Canada he retained his radical character, looseness, and bright personal beginning. Evidence of this is the “conceptual shamanism” of I. Bays, the “living sculpture” of Gilbert and George.
P. - the art of the moment, balancing on the verge of being and non-being. And if the culture of postmodernism is a kind of “theater of memory”, then P. is included in its composition as a symbol of oblivion.
Lit.: Inga-Pin L. Performances. Happening, Actions, Events, Activities, Installations. Padoue, 1978; Battcock G., Nickas R. The Art of Performance. A Critical Anthology. N.Y., 1984; Labelle-Rojoux A. L "Acte pour 1" art. P., 1988; Groupes, mouvements, tendances de 1 "art contemporain depuis 1945. P., 1989.
N.B. Mankovskaya.
Cultural studies of the twentieth century. Encyclopedia. M.1996
Large explanatory dictionary of cultural studies.. Kononenko B.I. . 2003 .
Synonyms:
See what "PERFORMANCE" is in other dictionaries:
- (English performance performance, performance), a trend in neo-avant-garde art of the 1970s and 80s: a system of actions of the performer or performers, designed for public demonstration (for example, the creation of a work of art ... ... Modern Encyclopedia
performance- a, m. fr. performance f., engl. Stormy success. Sl. late 19th century Scrabble 1995. Performance, or performance art, .. combines different visual arts as equals: theater, dance. music, video. poetry and cinema. The action takes place not in... Historical Dictionary of Gallicisms of the Russian Language
- (performance) (English performance letters. performance), a type of artistic creativity that combines the possibilities of art and theater. It was preceded by living pictures, but it finally took shape in the actions of representatives of Dadaism and in particular ... ... Big Encyclopedic Dictionary
- (performance) (English performance, lit. performance), a type of artistic creativity that combines the possibilities of fine art and theater. It was preceded by "live pictures" (see LIVE PICTURES), but it finally took shape in the actions of representatives ... ... encyclopedic Dictionary
- [English] performance performance, action] 1) theater. performance, performance; tricks; 2) lingv. use of language, language (speech) action. Opposite COMPETENCE. Dictionary of foreign words. Komlev N.G., 2006 ... Dictionary of foreign words of the Russian language
Exist., number of synonyms: 1 actionism (5) ASIS Synonym Dictionary. V.N. Trishin. 2013 ... Synonym dictionary
Performance is a form of contemporary art in which the work consists of the actions of an artist or a group in a specific place and at a specific time. To the performance ... ... Wikipedia
- (English performance - performance), a type of artistic creativity that combines the possibilities of fine arts and theater. The prototype of performances was the presentation of "living pictures". The artist and (or) the participants prepared by him represent ... ... Art Encyclopedia
performance- performance, and ... Russian spelling dictionary
performance- a type of visual art in which the work is any action of the artist, observed in real time ... Universal additional practical explanatory dictionary by I. Mostitsky
Books
- Currents in art. From Impressionism to the Present Day, Georgina Bertolina, This volume of the encyclopedia is a logical continuation of the book "Styles in Art" and covers the whole variety of processes that have taken place in the world of artistic creation, starting from ... Category:
performance is a form of contemporary art that is characterized by activity and ephemeralism rather than static and constancy. This art is designed to directly attract the audience both through the overall picture of what is happening, and through the actions of the creator.
What is PERFORMANCE - meaning, definition in simple words.
In simple terms, performance is non-standard performance ( action), which combines events that are rather strange, intriguing or shocking to the public. As an example of the most notorious performances, we can cite the punk prayer service of “Pussy Riot” or Pyotr Pavlensky, who nailed his genitals to the paving stones on Red Square with a nail. Thus, we can say that the performance, due to its shocking component, is designed to evoke and create.
essence of performance.
This type of art is designed to evoke very strong feelings from the audience. Performance is often resorted to when the author needs to disseminate and publicize some important idea or problem. Although, there are situations when performance acts as entertainment. For example, a person can in some unusual way play a musical instrument in the middle of the street. It can also be considered a performance.
performance and history.
The term itself was coined in the 1960s, but the roots of the movement date back to the turn of the last century. The idea of art goes back to the iconoclastic futurists and constructivists who worked in the years leading up to World War I. Inspired by the rapid pace of technological change, these artists often worked in alternative media. They used unconventional methods to elicit a reaction from the audience.
What does the word performance mean? Translated from English, it means "performance, staging." This is a very broad concept that can be applied to almost any public action. Most often, performances are organized not on a professional theater stage, but right on the street, among passers-by. Also, unlike performances that require lengthy rehearsals, performances involve unexpected actions of actors and improvisation.
In reality, quests can be held in any format: at home holidays, in a cafe with a targeted set of participants, as trainings for team building, as a game at a child's birthday party.
The difference from the quest
Many companies that organize quests also offer performances that combine the positive aspects of quests and theatrical performances, where the main characters are the participants themselves.
Most often, modern performances are found on a horror theme, and recently projects in the fantasy or post-apocalyptic style have begun to develop. Beginners are advised to pay attention to performances where contact with the actor is at the "light" level, so as not to spoil the first impression of such entertainment.
What is the difference between performance and quest?
- Firstly, the ending of the game remains a mystery for the participants until the last moment, unlike the quest, when the heroes know that in an hour they will find the long-awaited key.
- The main feature of the performance is the actors who lead the action of the game, interact with the participants through dialogue or touch.
- Participants do not have to rack their brains over a lot of logical tasks; actors set the main goal to evoke certain feelings and emotions in the characters with the help of atmosphere and special effects.
- The participants are not left feeling the reality of what is happening thanks to the unsurpassed improvisation of the actors.
