Stefan Zweig. Born November 28, 1881 in Vienna - died February 23, 1942 in Brazil. Austrian critic, writer, author of numerous short stories and fictionalized biographies.
Father, Moritz Zweig (1845-1926), owned a textile factory.
Mother, Ida Brettauer (1854-1938), came from a family of Jewish bankers.
Little is known about the childhood and adolescence of the future writer: he himself spoke rather sparingly about this, emphasizing that at the beginning of his life everything was exactly the same as that of other European intellectuals at the turn of the century. After graduating from high school in 1900, Zweig entered the University of Vienna, where he studied philosophy and in 1904 received his doctorate.
Already during his studies, at his own expense, he published the first collection of his poems ("Silver Strings" (Silberne Saiten), 1901). The poems were written under the influence of Hofmannsthal, as well as Rilke, to whom Zweig ventured to send his collection. Rilke sent back his book. Thus began a friendship that lasted until Rilke's death in 1926.
After graduating from the University of Vienna, Zweig went to London and Paris (1905), then traveled to Italy and Spain (1906), visited India, Indochina, the USA, Cuba, Panama (1912).
The last years of the First World War he lived in Switzerland (1917-1918), and after the war he settled near Salzburg.
Zweig married Friderike Maria von Winternitz in 1920. In 1938 they divorced. In 1939, Zweig married his new secretary, Charlotte Altmann (Lotte Altmann).
In 1934, after Hitler came to power in Germany, Zweig left Austria and went to London.
In 1940, Zweig and his wife moved to New York, and on August 22, 1940 - to Petropolis, a suburb of Rio de Janeiro. Experiencing severe disappointment and depression, on February 23, 1942, Zweig and his wife took a lethal dose of barbiturates and were found dead in their house, holding hands.
Zweig created and elaborated his own model of the novella, different from the works of generally recognized masters of the short genre. The events of most of his stories take place during travel, sometimes exciting, sometimes tiring, and sometimes truly dangerous. Everything that happens to the heroes lies in wait for them along the way, during short stops or short breaks from the road. Dramas play out in a matter of hours, but these are always the main moments of life, when personality is tested, the ability to self-sacrifice is tested. The core of each Zweig story is a monologue that the hero utters in a state of passion.
Zweig's short stories are a kind of summaries of novels. But when he tried to turn a single event into a spatial narrative, his novels turned into long, wordy short stories. Therefore, Zweig's novels from modern life generally did not work out. He understood this and rarely addressed the genre of the novel. These are Impatience of the Heart (Ungeduld des Herzens, 1938) and Rausch der Verwandlung, an unfinished novel published for the first time in German forty years after the death of the author in 1982 (in Russian. translated by Christina Hoflener ", 1985).
Zweig often wrote at the intersection of document and art, creating fascinating biographies of Magellan, Mary Stuart, Joseph Fouche, (1940).
In historical novels, it is customary to invent a historical fact by the power of creative fantasy. Where there were not enough documents, the artist's imagination began to work there. Zweig, on the contrary, has always masterfully worked with documents, discovering psychological background in any letter or memoir of an eyewitness.
Novels by Stefan Zweig:
"Conscience vs. Violence: Castellio vs. Calvin" (1936)
"Amok" (Der Amokläufer, 1922)
Letter from a Stranger (Brief einer Unbekannten, 1922)
"Invisible Collection" (1926)
"Confusion of feelings" (Verwirrung der Gefühle, 1927)
"Twenty-Four Hours in the Life of a Woman" (1927)
"Star Clock of Humanity" (in the first Russian translation - Fatal Moments) (a cycle of short stories, 1927)
"Mendel the second-hand book dealer" (1929)
"Chess novel" (1942)
"Burning Mystery" (Brennendes Geheimnis, 1911)
"At dusk"
"Woman and Nature"
"Sunset of One Heart"
"Fantastic Night"
"Street in the Moonlight"
"Summer Novella"
"The Last Holiday"
"Fear"
"Leporella"
"The Irrevocable Moment"
"Stolen Manuscripts"
The Governess (Die Gouvernante, 1911)
"Compulsion"
"The Incident on Lake Geneva"
Byron's Secret
"An unexpected introduction to a new profession"
"Arturo Toscanini"
"Christina" (Rausch der Verwandlung, 1982)
"Clarissa" (not finished)
Years of life: from 11/28/1881 to 02/22/1942
Austrian writer, critic, biographer. Known primarily as a master of short stories and fictionalized biographies.
Stefan Zweig was born in Vienna in the family of Moritz Zweig - a wealthy owner of a textile manufactory, the writer's mother came from a family of bankers. Little is known about Zweig's childhood and adolescence; he himself did not like to talk about this topic, emphasizing that his childhood was ordinary for a Jewish boy. In 1900, Zweig graduated from high school and entered the University of Vienna at the Faculty of Philosophy. Already during his studies, at his own expense, he published the first collection of his poems, Silver Strings (Silberne Saiten, 1901). Zweig ventured to send the book to Rilke, who in return sent him a book of his poems, and so a friendship began between them, which continued until Rilke's death in 1926. Zweig graduated from the University of Vienna in 1905 and received his doctorate with The Philosophy of Hippolyte Taine.
After graduating from the university, Zweig went to London and Paris (1905), then traveled to Italy and Spain (1906), visited India, Indochina, the USA, Cuba, Panama (1912). The last years of World War I lived in Switzerland (1917-1918). During the war years, Zweig served in the archives of the Ministry of Defense and very quickly became imbued with the anti-war sentiments of his friend Romain Rolland, whom he called in his essay "the conscience of Europe." The short stories "Amok" (1922), "Confusion of Feelings" (1927), "Humanity's Star Clock" (1927) first brought Zweig European and then worldwide fame. In addition to short stories, Zweig's biographical works are also becoming popular, especially The Triumph and Tragedy of Erasmus of Rotterdam (1934) and Mary Stuart (1935).
With the coming of the Nazis to power, Zweig, as a Jew by nationality, became impossible to stay in Austria and in 1935 he emigrated to London. Then the writer wanders between Latin America and the USA, finally settling in the small Brazilian city of Petropolis. Stefan Zweig was very keenly worried about the very fact of the outbreak of World War II and the successes of the Nazis. Experiences were aggravated by the fact that Zweig was cut off from friends and practically deprived of communication. In deep depression and despair over the expected collapse of Europe and the victory of Hitler, Stefan Zweig committed suicide in 1942 by taking a lethal dose of sleeping pills. His second wife also passed away with him.
Erich Maria Remarque wrote about Zweig's suicide in the novel Shadows in Paradise: “If that evening in Brazil, when Stefan Zweig and his wife committed suicide, they could pour out their souls to someone at least by phone, misfortunes, perhaps it wouldn't have happened. But Zweig found himself in a foreign land among strangers.
Bibliography
Artistic prose
Die Liebe der Erika Ewald (1904)
(1913)
(1922)
(1922)
Angst (1925)
(1925)
The Invisible Collection (1926)
Der Fluchtling (1927)
(1927)
(1927)
(1939) novel
Chess Novella (1942)
(1982) unfinished, published posthumously
Biographical writings
Emile Verhaeren (1910)
(1920)
Romain Rolland. Der Mann und das Werk (1921)
(1925)
Sternstunden der Menschheit (1927)
(1928)
(1929)
(Spirit Healing) (1932)
(1932)
Stefan Zweig - Austrian writer, famous mainly as the author of short stories and fictional biographies; literary critic. He was born in Vienna on November 28, 1881 in the family of a Jewish manufacturer, the owner of a textile manufactory. Zweig did not expand on childhood and adolescence, talking about the typicality of this period of life for representatives of his environment.
Having been educated at the gymnasium, in 1900 Stefan became a student at the University of Vienna, where he studied German and Roman studies at the Faculty of Philology. While still a student, his debut poetry collection Silver Strings was published. The novice writer sent his book to Rilke, under the influence of whose creative manner it was written, and the result of this act was their friendship, interrupted only by the death of the second. In the same years, literary-critical activity also began: Berlin and Viennese magazines published articles by the young Zweig. After graduating from university and receiving his doctorate in 1904, Zweig published a collection of short stories, The Love of Erica Ewald, as well as poetic translations.
1905-1906 open in the life of Zweig a period of active travel. Starting from Paris and London, he subsequently traveled to Spain, Italy, then his travels went beyond the continent, he visited North and South America, India, Indochina. During the First World War, Zweig was an employee of the archives of the Ministry of Defense, had access to documents and, not without the influence of his good friend R. Rolland, turned into a pacifist, wrote anti-war articles, plays, and short stories. He called Rolland himself "the conscience of Europe." In the same years, he created a number of essays, the main characters of which were M. Proust, T. Mann, M. Gorky and others. During 1917-1918. Zweig lived in Switzerland, and in the post-war years, Salzburg became his place of residence.
In the 20-30s. Zweig continues to write actively. During 1920-1928. biographies of famous people are published under the title "Builders of the World" (Balzac, Fyodor Dostoevsky, Nietzsche, Stendhal, etc.). In parallel, S. Zweig was engaged in short stories, and the works of this particular genre turned him into a popular writer not only in his country and on the continent, but throughout the world. His short stories were built according to his own model, which distinguished Zweig's creative style from other works of this genre. Biographical writings also enjoyed considerable success. This was especially true for the Triumph and Tragedy of Erasmus of Rotterdam written in 1934 and Mary Stuart published in 1935. In the genre of the novel, the writer tried his hand only twice, because he understood that short stories were his vocation, and attempts to write a large-scale canvas turned out to be a failure. From his pen came out only "Impatience of the Heart" and the remaining unfinished "Freak of Transfiguration", which was published four decades after the death of the author.
The last period of Zweig's life is associated with a constant change of residence. As a Jew, he could not stay in Austria after the Nazis came to power. In 1935, the writer moved to London, but he did not feel completely safe in the capital of Great Britain, so he left the continent and in 1940 ended up in Latin America. In 1941, he temporarily moved to the United States, but then returned to Brazil, where he settled in the small city of Petropolis.
Literary activity continues, Zweig publishes literary criticism, essays, collection of speeches, memoirs, works of art, but his state of mind is very far from calm. In his imagination, he painted a picture of the victory of the Nazi troops and the death of Europe, and this drove the writer into despair, he plunged into a severe depression. Being in another part of the world, he did not have the opportunity to communicate with friends, he experienced an acute feeling of loneliness, although he lived in Petropolis with his wife. On February 23, 1942, Zweig and his wife took a huge dose of sleeping pills and voluntarily passed away.
The genre of the short story is steadily associated with the name of Stefan Zweig in the minds of the mass reader. It was in him that the writer found his true vocation, it was they that Zweig succeeded in particular, despite the fact that the author worked in other genres ...
Biography of Stefan Zweig
The future writer was born on November 28, 1881 in Vienna, in a wealthy family, he could equally consider himself a German, an Austrian, and a Jew. Nationality did not have any noticeable influence on his work. The first serious ideological shock was connected with the events. However, Zweig did not get to the front, he was seconded to one of the offices of the military department.
Before the war, he traveled extensively around the world, having also managed to graduate from the University of Vienna with a doctorate. Zweig's life was not replete with a large number of external events - he remained primarily a writer, revolving in the circles of literary bohemia. In 1928 he visited the Soviet Union.
However, his position in literature was special, Zweig did not belong to any group, remaining a kind of "lone wolf". The last years of his life are continuous attempts to hide from Nazi persecution, and maybe run away from himself. First England, then Latin America, USA, finally Brazil.
In the midst, in 1942, Zweig and his wife commit suicide, the reasons for which can only be guessed ...
The work of Stefan Zweig
Fate favored the young writer from the very beginning: the famous R.M. Rilke noticed and approved his poems, the famous composer Richard Strauss wrote romances for several of Zweig’s poems, our Maxim Gorky spoke positively about his work, Zweig was actively published and translated. Zweig really found himself in the genre of short stories, having developed, in fact, a new model of this short genre.
Zweig's short story tells about some kind of journey, during which a dramatic adventure, an extraordinary event, takes place with the hero. As a rule, the central part of each short story is the character's monologue, often pronounced by him for an imaginary interlocutor or for the reader, in a state of passion. The classic examples of Zweig's short stories are "Amok", "Letter from a Stranger", "Fear". Passion in the interpretation of the writer is able to work miracles, but it is also the source of crimes.
Zweig's novels failed, as did Anton Chekhov, who also remained the author of a short story. Only one example of this genre - "Impatience of the Heart" - Zweig was able to bring to its logical end. Much more interesting and productive was his appeal to the genre of artistic biography.
Zweig wrote biographies of such historical figures as Mary Stuart, Erasmus of Rotterdam, Magellan and others. Zweig was not a pioneer of this genre, but he was able to adequately continue the tradition, the foundations of which were laid by Andre Maurois and Romain Rolland. Like Yuri Tynyanov, he boldly turned to fiction in cases where there were not enough historical documents, reliable evidence of contemporaries.
Zweig was extremely attentive to the experience of his colleagues, and singled out Tolstoy. He was interested in the philosophy of F. Nietzsche and the theory of psychoanalysis by Z. Freud. Many of Zweig's works, dedicated to the classics and contemporaries, formed the basis of the World Builders cycle. In the last years of his life, Zweig worked on a book of memoirs, Yesterday's World, published posthumously. It is impossible not to feel an elegiac flavor in it: for the former, pre-war life has already become the property of history, and the future was not clear, inspired serious fears for the fate of the entire human civilization.
- At the turn of the 20-30s. of the last century, a 12-volume collection of Zweig's works was published in the Soviet Union. Few foreign authors received such an honor during their lifetime.
German Stefan Zweig - Stefan Zweig
Austrian writer, playwright and journalist
short biography
Austrian writer, famous mainly as the author of novels and fictional biographies; literary critic. He was born in Vienna on November 28, 1881 in the family of a Jewish manufacturer, the owner of a textile manufactory. Zweig did not expand on childhood and adolescence, talking about the typicality of this period of life for representatives of his environment.
Having been educated at the gymnasium, in 1900 Stefan became a student at the University of Vienna, where he studied German and Roman studies at the Faculty of Philology. While still a student, his debut poetry collection Silver Strings was published. The novice writer sent his book to Rilke, under the influence of whose creative manner it was written, and the result of this act was their friendship, interrupted only by the death of the second. In the same years, literary-critical activity also began: Berlin and Viennese magazines published articles by the young Zweig. After graduating from university and receiving his doctorate in 1904, Zweig published a collection of short stories, The Love of Erica Ewald, as well as poetic translations.
1905-1906 open in the life of Zweig a period of active travel. Starting from Paris and London, he subsequently traveled to Spain, Italy, then his travels went beyond the continent, he visited North and South America, India, Indochina. During the First World War, Zweig was an employee of the archives of the Ministry of Defense, had access to documents and, not without the influence of his good friend R. Rolland, turned into a pacifist, wrote anti-war articles, plays, and short stories. He called Rolland himself "the conscience of Europe." In the same years, he created a number of essays, the main characters of which were M. Proust, T. Mann, M. Gorky and others. During 1917-1918. Zweig lived in Switzerland, and in the post-war years, Salzburg became his place of residence.
In the 20-30s. Zweig continues to write actively. During 1920-1928. biographies of famous people are published under the title "Builders of the World" (Balzac, Fyodor Dostoevsky, Nietzsche, Stendhal, etc.). In parallel, S. Zweig was engaged in short stories, and the works of this particular genre turned him into a popular writer not only in his country and on the continent, but throughout the world. His short stories were built according to his own model, which distinguished Zweig's creative style from other works of this genre. Biographical writings also enjoyed considerable success. This was especially true for the Triumph and Tragedy of Erasmus of Rotterdam written in 1934 and Mary Stuart published in 1935. In the genre of the novel, the writer tried his hand only twice, because he understood that short stories were his vocation, and attempts to write a large-scale canvas turned out to be a failure. From his pen came out only "Impatience of the Heart" and the remaining unfinished "Freak of Transfiguration", which was published four decades after the death of the author.
The last period of Zweig's life is associated with a constant change of residence. As a Jew, he could not stay in Austria after the Nazis came to power. In 1935, the writer moved to London, but he did not feel completely safe in the capital of Great Britain, so he left the continent and in 1940 ended up in Latin America. In 1941, he temporarily moved to the United States, but then returned to Brazil, where he settled in the small city of Petropolis.
Literary activity continues, Zweig publishes literary criticism, essays, collection of speeches, memoirs, works of art, but his state of mind is very far from calm. In his imagination, he painted a picture of the victory of the Nazi troops and the death of Europe, and this drove the writer into despair, he plunged into a severe depression. Being in another part of the world, he did not have the opportunity to communicate with friends, he experienced an acute feeling of loneliness, although he lived in Petropolis with his wife. On February 22, 1942, Zweig and his wife took a huge dose of sleeping pills and voluntarily passed away.
Biography from Wikipedia
(German Stefan Zweig - Stefan Zweig; November 28, 1881 - February 22, 1942) was an Austrian writer, playwright and journalist. Author of numerous novels, plays and fictionalized biographies.
He was friends with such famous people as Emile Verhaarn, Romain Rolland, Frans Maserel, Auguste Rodin, Thomas Mann, Sigmund Freud, James Joyce, Hermann Hesse, Herbert Wells, Paul Valery, Maxim Gorky, Richard Strauss, Bertolt Brecht.
Stefan was born in Vienna to a wealthy Jewish family. Father, Moritz Zweig (1845-1926), owned a textile factory. Mother, Ida Brettauer (1854-1938), came from a family of Jewish bankers. Little is known about the childhood and adolescence of the future writer: he himself spoke rather sparingly about this, emphasizing that at the beginning of his life everything was exactly the same as that of other European intellectuals at the turn of the century. After graduating from high school in 1900, Zweig entered the University of Vienna, where he studied philosophy and in 1904 received his doctorate.
Already during his studies, at his own expense, he published the first collection of his poems ("Silver Strings" (Silberne Saiten), 1901). The poems were written under the influence of Hofmannsthal, as well as Rilke, to whom Zweig ventured to send his collection. Rilke sent back his book. Thus began a friendship that lasted until Rilke's death in 1926.
After graduating from the University of Vienna, Zweig went to London and Paris (1905), then traveled to Italy and Spain (1906), visited India, Indochina, the USA, Cuba, Panama (1912). The last years of the First World War he lived in Switzerland (1917-1918), and after the war he settled near Salzburg.
Zweig married Friderike Maria von Winternitz in 1920. In 1938 they divorced. In 1939, Zweig married his new secretary, Charlotte Altmann (Lotte Altmann).
In 1934, after Hitler came to power in Germany, Zweig left Austria and went to London. In 1940, Zweig and his wife moved to New York, and on August 22, 1940 - to Petropolis, a suburb of Rio de Janeiro. Experiencing severe disappointment and depression, on February 22, 1942, Zweig and his wife took a lethal dose of barbiturates and were found dead in their house, holding hands.
Zweig's house in Brazil was later turned into a museum and is now known as Casa Stefan Zweig. In 1981, an Austrian postage stamp was issued for the 100th anniversary of the writer.
Novels by Stefan Zweig. Novels and biographies
Zweig's short stories - "Amok" (Der Amokläufer, 1922), "Confusion of feelings" (Verwirrung der Gefühle, 1927), "Mendel the Second-hand Bookist" (1929), "Chess Novella" (Schachnovelle, finished in 1941), as well as a cycle historical short stories "Star Clock of Humanity" (Sternstunden der Menschheit, 1927) - made the author's name popular all over the world. The novels amaze with drama, captivate with unusual plots and make you think about the vicissitudes of human destinies. Zweig never ceases to convince of how defenseless the human heart is, to what feats, and sometimes crimes, passion pushes a person.
Zweig created and developed in detail his own model of the short story, different from the works of the generally recognized masters of the short genre. The events of most of his stories take place during travel, sometimes exciting, sometimes tiring, and sometimes truly dangerous. Everything that happens to the heroes lies in wait for them along the way, during short stops or short breaks from the road. Dramas play out in a matter of hours, but these are always the main moments of life, when personality is tested, the ability to self-sacrifice is tested. The core of each Zweig story is a monologue that the hero utters in a state of passion.
Zweig's short stories are a kind of summaries of novels. But when he tried to turn a single event into a spatial narrative, his novels turned into long, wordy short stories. Therefore, Zweig's novels from modern life generally did not work out. He understood this and rarely addressed the genre of the novel. These are Impatience of the Heart (Ungeduld des Herzens, 1938) and Rausch der Verwandlung, an unfinished novel published for the first time in German forty years after the death of the author in 1982 (in Russian. translated by Christina Hoflener ", 1985).
Zweig often wrote at the intersection of document and art, creating fascinating biographies of Magellan, Mary Stuart, Erasmus of Rotterdam, Joseph Fouche, Balzac (1940).
In historical novels, it is customary to invent a historical fact by the power of creative fantasy. Where there were not enough documents, the artist's imagination began to work there. Zweig, on the contrary, has always masterfully worked with documents, discovering psychological background in any letter or memoir of an eyewitness.
"Mary Stuart" (1935), "The Triumph and Tragedy of Erasmus of Rotterdam" (1934)
The dramatic personality and fate of Mary Stuart, Queen of Scots and France, will always excite the imagination of posterity. The author designated the genre of the book "Maria Stuart" (Maria Stuart, 1935) as a novelized biography. The Scottish and English queens never saw each other. This is what Elizabeth wanted. But between them for a quarter of a century there was an intense correspondence, outwardly correct, but full of hidden jabs and biting insults. The letters form the basis of the book. Zweig also used the testimonies of friends and foes of both queens to make an impartial verdict on both.
Having completed the biography of the beheaded queen, Zweig indulges in final reflections: “Morality and politics have their own different paths. Events are evaluated differently, depending on whether we judge them from the point of view of humanity or from the point of view of political advantages. For a writer in the early 30s. the conflict of morality and politics is no longer speculative, but quite tangible in nature, concerning him personally.
The hero of the book "The Triumph and Tragedy of Erasmus of Rotterdam" (Triumph und Tragik des Erasmus von Rotterdam, 1934) is especially close to Zweig. He was impressed that Erasmus considered himself a citizen of the world. Erasmus refused the most prestigious positions in the church and secular fields. A stranger to vain passions and vanity, he used all his efforts to achieve independence. With his books, he conquered the era, for he was able to say a clarifying word on all the painful problems of his time.
Erasmus condemned fanatics and scholastics, bribe takers and ignoramuses. But those who kindled discord between people were especially hated by him. However, due to the monstrous religious strife, Germany, and after it the whole of Europe, were stained with blood.
According to Zweig's concept, the tragedy of Erasmus is that he failed to prevent these massacres. Zweig believed for a long time that the First World War was a tragic misunderstanding, that it would remain the last war in the world. He believed that, together with Romain Rolland and Henri Barbusse, together with the German anti-fascist writers, he would be able to prevent a new world massacre. But in those days when he was working on a book about Erasmus, the Nazis ransacked his house. This was the first alarm.
Last years. "Yesterday's World"
Zweig was very upset by the impending European catastrophe. That is why his final memoir, Yesterday's World, is so elegiac: the former world has disappeared, and in the present world he felt like a stranger everywhere. His last years are years of wanderings. He flees from Salzburg, choosing London as a temporary residence (1935). But even in England he did not feel protected. He went to Latin America (1940), then moved to the USA (1941), but soon decided to settle in the small Brazilian city of Petropolis.
On February 22, 1942, Zweig committed suicide along with his wife by taking a large dose of sleeping pills.
Erich Maria Remarque wrote about this tragic episode in the novel “Shadows in Paradise”: “If that evening in Brazil, when Stefan Zweig and his wife committed suicide, they could pour out their souls to someone at least by phone, misfortunes might not have happened. But Zweig found himself in a foreign land among strangers.
Stefan Zweig and the USSR
Zweig fell in love with Russian literature back in his gymnasium years, and then carefully read Russian classics while studying at the Vienna and Berlin universities. When in the late 20's. Zweig's collected works began to appear in the Soviet Union, he, by his own admission, was happy. The preface to this twelve-volume edition of Zweig's works was written by Maxim Gorky: "Stefan Zweig is a rare and happy combination of the talent of a deep thinker with the talent of a first-class artist." He especially highly appreciated Zweig's novelistic skill, his amazing ability to frankly and at the same time tactfully tell about the most intimate experiences of a person.
Zweig came to the Soviet Union in 1928 to celebrate the centenary of the birth of Leo Tolstoy. He met with Konstantin Fedin, Vladimir Lidin and others. For many years Zweig was the most popular and published Austrian writer in the USSR. Later, his attitude towards the Soviet Union became critical. On September 28, 1936, Zweig wrote to Romain Rolland: “... in your Russia, Zinoviev, Kamenev, veterans of the Revolution, Lenin’s first comrades-in-arms were shot like mad dogs ... Always the same technique as Hitler’s, like Robespierre’s: ideological differences are called a“ conspiracy ””. This led to a chill between Zweig and Rolland.
Heritage
In 2006, the private charitable organization "Casa Stefan Zweig" was created, with the ultimate goal of creating the Stefan Zweig Museum in Petropolis - in the house where he and his wife lived for the last months and passed away.
In the work on the article, materials of the book “Foreign Writers. Biobibliographic Dictionary" (Moscow, "Prosveshchenie" ("Educational Literature"), 1997)
Selected bibliography
Poetry collections
- "Silver Strings" (1901)
- "Early Wreaths" (1906)
Drama, tragedy
- "House by the Sea" (tragedy, 1912)
- "Jeremiah" ( Jeremias, 1918, dramatic chronicle)
Cycles
- "First experiences: 4 short stories from the country of childhood (At dusk, Governess, Burning secret, Summer novel) ( Erstes Erlebnis.Vier Geschichten aus Kinderland, 1911)
- "Three Masters: Dickens, Balzac, Dostoyevsky" ( Drei Meister: Dickens, Balzac, Dostoyevsky, 1919)
- "Struggle against madness: Hölderlin, Kleist, Nietzsche" ( Der Kampf mit dem Dämon: Hölderlin, Kleist, Nietzsche, 1925)
- "Three singers of their lives: Casanova, Stendhal, Tolstoy" ( Drei Dichter ihres Lebens, 1928)
- "Psyche and Healing: Mesmer, Becker-Eddy, Freud" (1931)
Novels
- "Conscience against violence: Castellio against Calvin" ( Castellio gegen Calvin oder. Ein Gewissen gegen die Gewalt, 1936)
- "Amok" (Der Amokläufer, 1922)
- "Letter from a stranger" Brief einer Unbekannten, 1922)
- "Invisible Collection" (1926)
- "Confusion of feelings" ( Verwirrung der Gefühle, 1927)
- "Twenty-Four Hours in the Life of a Woman" (1927)
- "Star Clock of Humanity" (in the first Russian translation - Fatal Moments) (a cycle of short stories, 1927)
- "Mendel the second-hand book dealer" (1929)
- "Chess novel" (1942)
- "Burning Mystery" (Brennendes Geheimnis, 1911)
- "At dusk"
- "Woman and Nature"
- "Sunset of One Heart"
- "Fantastic Night"
- "Street in the Moonlight"
- "Summer Novella"
- "The Last Holiday"
- "Fear"
- "Leporella"
- "The Irrevocable Moment"
- "Stolen Manuscripts"
- The Governess (Die Gouvernante, 1911)
- "Compulsion"
- "The Incident on Lake Geneva"
- Byron's Mystery
- "An unexpected introduction to a new profession"
- "Arturo Toscanini"
- "Christina" (Rausch der Verwandlung, 1982)
- "Clarissa" (not finished)
legends
- "The Legend of the Twin Sisters"
- "Legend of Lyons"
- "The Legend of the Third Dove"
- "Eyes of the Eternal Brother" (1922)
Novels
- "Impatience of the Heart" ( Ungeduld des Herzens, 1938)
- "The frenzy of transformation" ( Rausch der Verwandlung, 1982, in Russian. per. (1985) - "Christina Hoflener")
Fictionalized biographies, biographies
- "France Matherel" ( Frans Masereel, 1923; with Arthur Holicher)
- "Marie Antoinette: a portrait of an ordinary character" ( Marie Antoinette, 1932)
- "The Triumph and Tragedy of Erasmus of Rotterdam" (1934)
- "Mary Stuart" ( Maria Stuart, 1935)
- "Conscience vs. Violence: Castellio vs. Calvin" (1936)
- "The Feat of Magellan" ("Magellan. Man and His Action") (1938)
- "Balzac" ( Balzac, 1946, published posthumously)
- "Amerigo. A Tale of a Historical Mistake"
- Joseph Fouche. Portrait of a politician"
Autobiography
- "Yesterday's World: Memoirs of a European" ( Die Welt von Gestern, 1943, published posthumously)
Articles, essays
- "Fire"
- "Dickens"
- "Speech for the sixtieth birthday of Romain Rolland"
- "Speech for the sixtieth birthday of Maxim Gorky"
- "The Meaning and Beauty of Manuscripts (Speech at a Book Fair in London)"
- "The book is like a gateway to the world"
- "Nietzsche"
Screen adaptations
- 24 Hours in the Life of a Woman (1931, Germany) - adaptation of the short story of the same name, directed by Robert Land.
- Burning Secret (1933, Germany) - film adaptation of the short story of the same name, directed by Robert Siodmak.
- Amok (1934, France) - adaptation of the short story of the same name, directed by Fyodor Otsep.
- Beware of Pity (1946) - adaptation of the novel Impatience of the Heart, directed by Maurice Elway.
- Letter from a Stranger (1948) - based on the short story of the same name, directed by Max Ophuls.
- Fear (1954) - based on the short story of the same name, directed by Roberto Rossellini.
- Chess novella (1960) - based on the short story of the same name, by the German director Gerd Oswald.
- A Dangerous Pity (1979) - a two-part film by French film director Edouard Molinaro, an adaptation of the novel Impatience of the Heart.
- Confusion of Feelings (1979) - a film by the Belgian director Etienne Perrier based on the short story of the same name by Zweig.
- Burning Secret (1988) - a film directed by Andrew Birkin, which won prizes at the Brussels and Venice Film Festivals.
- Hops of Transformation (film, 1989) - a two-part film based on the unfinished work "Christina Hoflener", directed by Edouard Molinaro,.
- The Last Holiday is a film based on the short story of the same name.
- Clarissa (1998) - TV movie, adaptation of the short story of the same name, directed by Jacques Deray.
- A Letter from a Stranger (2001) is the last film by French film director Jacques Deray, an adaptation of the short story of the same name.
- 24 Hours in the Life of a Woman (2002) - a film by French director Laurent Bunic, an adaptation of the short story of the same name.
- Love for Love (2013) - a film directed by Sergei Ashkenazy based on the novel "Impatience of the Heart"
- The Promise (2013) - melodrama directed by Patrice Leconte, film adaptation of the short story Journey into the Past.
- Based on the works, the film "The Grand Budapest Hotel" was shot. In the final credits of the film, it is indicated that its plot is inspired by the author's works (the filmmakers mention such works as "Impatience of the Heart", "Yesterday's World. Notes of a European", "Twenty-four hours from the life of a woman").
