Tatyana Larina's passionate monologue about feelings for a young rake is part of the compulsory school curriculum. Memorizing lines about first love and impulses of the soul, it is easy to catch the courage and openness, which is so uncharacteristic for young ladies of the century before last. This is what distinguishes Tatyana from most literary images - naturalness and fidelity to ideals.
History of creation
The poetic novel, which he considered a feat, was first published in 1833. But readers have been following the life and love affairs of the young reveler since 1825. Initially, "Eugene Onegin" was published in literary almanacs one chapter at a time - a sort of serial of the 19th century.
In addition to the main character, Tatyana Larina, a rejected lover, attracted attention to herself. The writer did not hide the fact that the female character of the novel was written from a real woman, but the name of the prototype is not mentioned anywhere.
Researchers put forward several theories about the alleged muse of Alexander Sergeevich. First of all, Anna Petrovna Kern is mentioned. But the writer had a carnal interest in the woman, which differs from the author's attitude towards the dear Tatyana Larina. Pushkin considered the girl from the novel to be a beautiful and gentle creature, but not an object of passionate desires.
The heroine of the novel has common features with Elizaveta Vorontsova. Historians believe that the portrait of Onegin was painted from an admirer of Countess Raevsky. Therefore, the role of a literary lover went to Elizabeth. Another weighty argument is that Vorontsova's mother, like Larina's mother, married an unloved man and suffered from such injustice for a long time.
Twice the wife of the Decembrist Natalya Fonvizina claimed that she was the prototype of Tatyana. Pushkin was friends with Natalya's husband and often talked with the woman, but there is no other evidence to support this theory. The poet's school friend believed that the writer had invested in Tatyana a particle of his own hidden traits and feelings.
Unfriendly reviews and criticism of the novel did not affect the image of the main character. On the contrary, most literary critics and researchers note the integrity of the character. calls Larina "the apotheosis of a Russian woman", speaks of Tatiana as "a brilliant nature, unaware of her genius."
Of course, in "Eugene Onegin" Pushkin's female ideal is shown. Before us is an image that does not leave indifferent, admires the inner beauty and illuminates the bright feelings of a young innocent young lady.
Biography
Tatyana Dmitrievna was born into a military family, a nobleman who, after the service, moved to the countryside. The girl's father died a few years before the events described. Tatyana remained in the care of her mother and the old nanny.
The exact height and weight of the girl is not mentioned in the novel, but the author hints that Tatyana was not attractive:
“So, she was called Tatyana.
Nor the beauty of his sister,
Nor the freshness of her ruddy
She would not attract eyes.
Pushkin does not mention the age of the heroine, but, according to literary critics, Tanya recently turned 17 years old. This is confirmed by the poet's letter to a close friend, in which Alexander Sergeevich shares his thoughts about the girl's spiritual impulse:
“... if, however, the meaning is not entirely accurate, then all the more truth in the letter; a letter from a woman, a 17-year-old woman, who is also in love!”
Tatyana spends her free time talking with the nanny and reading books. Due to her age, the girl takes to heart everything that the authors of romance novels write about. The heroine lives expecting a pure and strong feeling.
Tatyana is far from the girlish games of her younger sister, she does not like the chatter and noise of frivolous girlfriends. The general characteristic of the main character is a balanced, dreamy, extraordinary girl. Relatives and acquaintances have the impression that Tanya is a cold and overly reasonable young lady:
“She is in her own family
Seemed like a stranger girl.
She couldn't caress
To my father, not to my mother."
Everything changes when Eugene Onegin arrives at the neighboring estate. The new resident of the village is not at all like Tatyana's former few acquaintances. The girl loses her head and after the first meeting she writes a letter to Onegin, where she confesses her feelings.
But instead of a stormy showdown, for which the girl's favorite novels are so famous, Larina listens to Onegin's sermon. Say, such behavior will lead the young lady in the wrong direction. In addition, Eugene is not at all created for family life. Tatyana is confused and confused.
The next meeting between the heroine in love and the selfish rich man takes place in winter. Although Tatyana knows that Onegin does not return her feelings, the girl cannot cope with the excitement of the meeting. Own name day for Tanya turns into torture. Eugene, who noticed Tatyana's languor, devotes time exclusively to the younger Larina.
This behavior has consequences. The younger sister's fiancé was shot dead in a duel, she quickly married another, Onegin left the village, and Tatyana was again left alone with her dreams. The girl's mother is worried - it's time for her daughter to marry, but dear Tanya refuses all applicants for her hand and heart.
Two and a half years have passed since the last meeting of Tatyana and Evgeny. Larina's life has changed markedly. The girl is no longer sure if she really loved the young rake so much. Perhaps it was an illusion?
At the insistence of her mother, Tatyana married General N, left the village where she had lived all her life, and settled with her husband in St. Petersburg. An unplanned date at the ball awakens forgotten feelings in old acquaintances.
And if Onegin is seized with love for a once unnecessary girl, then Tatyana remains cold. The charming general's wife does not show affection for Yevgeny and ignores the man's attempts to get closer.
Only for a brief moment does the heroine, who withstands the onslaught of the enamored Onegin, remove the mask of indifference. Tatyana still loves Eugene, but she will never betray her husband and discredit her own honor:
“I love you (why lie?),
But I am given to another;
I will be faithful to him forever.
Screen adaptations
The love drama from the novel "Eugene Onegin" is a popular plot for musical works and film adaptations. The premiere of the first film of the same name took place on March 1, 1911. The black and white silent film touches on the main points of the story. The role of Tatyana was played by actress Lyubov Varyagina.
In 1958, the film-opera told the Soviet audience about the feelings of Onegin and Larina. She embodied the image of the girl, and performed the vocal part behind the scenes.
A British-American version of the novel appeared in 1999. The director of the picture was Martha Fiennes, she played the main role. The actress was awarded the "Golden Aries" for the image of Tatyana.
- Pushkin chose an original name for the heroine, which at that time was considered simple and tasteless. In the drafts, Larina is referred to as Natasha. By the way, the meaning of the name Tatyana is the organizer, founder.
- According to scientists, the year of birth of Larina is 1803 according to the old style.
- The girl speaks and writes poorly in Russian. Tatyana prefers to express her thoughts in French.
Quotes
And happiness was so possible, so close!..
But my fate is already sealed.
I am writing to you - what more?
What else can I say?
Can't sleep, nanny: it's so stuffy in here!
Open the window and sit next to me.
He is not here. They don't know me...
I'll look at the house, at this garden.
Where the whole novel is simply permeated with the theme of love. This topic is close to everyone, so the work is read with ease and pleasure. Pushkin's work introduces such heroes as Eugene Onegin and Tatyana Larina. It is their love story that is shown to readers and we are happy to follow these complex relationships. But today let's not talk about the love of heroes, but give a brief description of this wonderful girl, the main character, whom the author called Tatyana.
Tatyana Larina is a sweet, kind girl from the provinces, who, although she grew up in a rather spacious estate, did not become arrogant and did not have a feeling of complacency. Tatyana is very attached to the nanny, the very woman who told different stories and fairy tales.
To give a complete description of Tatyana, let's turn to those quotes that are used in the novel. They will reveal to us the image of a girl who was in love with Onegin.
Tatyana Larina characterization of the hero with quotes
So, Tanya is a little wild, more often sad and silent than cheerful. She tries to be away from the society of people, is closed and prefers to remain alone. Tatyana likes to be in nature in the forest, where she likes to talk with trees, as with friends. If we continue to talk about Larina and characterize her image, then it is worth saying that Tatyana is a girl with a truly Russian nature. She has a Russian soul, she loves the Russian winter, although at the same time, like many members of the nobility, Tatyana does not know Russian well, but speaks French well. She believes in divination and legends, she is disturbed by signs.
As a child, the girl does not play, like other children, with dolls and games, but she is well-read, educated and smart. At the same time, she really likes to read romance novels, where the characters comprehend fiery love. That's just such a hero from her novel Tatyana saw in Onegin. The girl falls in love with Eugene and even decides to write a letter. But here we do not see frivolity in the act, on the contrary, we see the simplicity of her soul and the courage of the girl.
As we have said, this is a nice girl. The author does not give her the image of a beauty in which her sister Olga is shown to us. Nevertheless, Tatyana, with her sincerity, kindness of soul, her qualities, is much more interesting than her sister. But Eugene immediately failed to appreciate Tatyana, injuring her with his refusal.
Time passes. Now we see Tatyana not as a timid girl, but as a married woman who no longer believes in fairy tales, knows how to behave in society, she holds herself majestically and inaccessibly. Here
The image of Tatyana in "Eugene Onegin". The attitude of the author to the heroine
Tatyana Larina can be called with full confidence Pushkin's favorite heroine in the novel. The author did not express a single ironic or sarcastic thought in her address, it is clear that Pushkin created her image with great love, tenderness, sympathy and understanding.
Tatyana's character is an ideal combination of national and European cultures. She was brought up as an ordinary young lady of that time, read the same books, admired the same heroes:
She liked novels early on;
They replaced everything for her;
She fell in love with deceptions
And Richardson and Rousseau.
Tatyana reads French novels, but she is more interested in nurse's tales; she falls asleep with a book under her pillow, but she has a dream filled with images from Russian folklore. When studying the development of the character of the heroine, it is very important to understand that she grew up among the provincial nobility, and the life of such people is simple, natural and close to the national soil. Pushkin depicts this life with more tenderness and sympathy than the life of the capital's nobles; he believes that St. Petersburg is an idle and artificial city, while the province keeps traditions and is close to the people. The character of Tatyana, the “Russian soul”, could only be formed in the atmosphere of a hinterland remote from the capital, surrounded by the most picturesque Russian landscapes:
Tatyana (Russian soul,
I don't know why.)
With her cold beauty, she loved the Russian winter,
In the sun it's blue on a frosty day,
And the sleigh, and the late dawn Shine of pink snows,
And the darkness of Epiphany evenings.
In the old days they triumphed in their house these evenings<…>.
Pushkin portrays Tatyana precisely as a type of Russian woman: she is an amazingly whole person, although she herself could not understand and explain this. Tatyana is brave, Pushkin writes with great respect about her decision to write to Onegin about her feelings, and after the hero denies her love, the author unconditionally sympathizes with her. More and more often, Pushkin calls Tatyana simply Tanya, she remains Tanya for him even in the eighth chapter, when the reader sees her in the form of a brilliant society lady at the ball. Her simplicity remains in her even after she became the owner of the salon:
She was slow
Not cold, not talkative
Without an arrogant look for everyone,
No claim to success
Without these little antics
No imitations.
And you would rightly agree
That Nina could not outshine her neighbor with her marble beauty,
Even though it was stunning.
But Onegin does not see the former Tatyana in that brilliant lady whom he met at a social event in St. Petersburg. Here, once again, the difference in views between the author and the hero is emphasized. The author sees that the light did not kill the integrity of Tatyana in Tatyana, she remained just as sweet and unspoiled, and for Onegin she is already a completely different woman. The hero writes three letters to Tatyana with repentance and confessions of the most tender feelings, but she rejects his love with true Russian sacrifice: she cannot build her happiness on the misfortune of another person. Pushkin was very close to this idea of fidelity as the quintessence of sacrifice and love:
All were equal.
I got married. You must,
I ask you to leave me;
I know: in your heart there is Both pride and direct honor.
I love you (why lie?),
But I am given to another;
I will be faithful to him forever.
Periodically, the points of view of the author and Tatyana merge in the novel. For example, in the seventh chapter, the reader sees Moscow both through the eyes of Tatyana and the eyes of the author: a mixture of styles, estates, diversity and diversity, but at the same time, ancient history - this whole Moscow kaleidoscope appears to the reader exactly as Pushkin himself saw it:
Flickering past the booth, women,
Boys, benches, lanterns,
Palaces, gardens, monasteries,
Bukharians, sleighs, vegetable gardens,
Merchants, shacks, men,
Boulevards, towers, Cossacks,
Pharmacies, fashion stores,
Balconies, lions on the gates And flocks of jackdaws on crosses.
The Moscow high society is described ironically, in many ways reminiscent of Griboedov's vision of the secular society of the ancient capital, but if Griboyedov's views coincided with Chatsky's, then Pushkin's point of view is shared not by Onegin (he is fond of the capital's beau monde), but by Tatyana:
Tatyana wants to listen attentively In conversations, in a general conversation;
But everyone in the drawing room is occupied by such incoherent, vulgar nonsense;
Everything in them is so pale, indifferent;
They slander even boringly.
Giving a description of the novel, V. G. Belinsky noted that “the soul of the poet was embodied in „“. The image is all the more significant in the novel because it expresses the lofty ideals of Pushkin himself. Starting from chapter III, Tatyana, along with Onegin, becomes the main character in the events.
The author tells about her childhood, about the nature surrounding her, about her upbringing. Her life in the countryside, in Moscow and St. Petersburg, a letter to Onegin, a "wonderful dream", dreams and deeds - all attract the attention of the author. Tatyana grew up and was brought up in the village. The atmosphere of Russian customs and folk traditions was a fertile ground on which the love of a noble girl for the people grew and strengthened.
She is very close to her nanny, who reminds us a lot of Pushkin's nanny, Arina Rodionovna. “Russian soul”, according to the poet, Tatyana loves “the darkness of Epiphany evenings”, believes in “traditions of the common folk antiquity, and dreams, and card fortune-telling, and predictions of the moon.” Tatyana thinks about the "settlers", helps the poor. All this attracts the author himself in Tatyana. The dreamy and impressionable girl is fascinated by the novels of Richardson and Rousseau. Reading books awakens Tatyana's thoughts, books open up an unfamiliar and rich world for her, develop her imagination. She differed from the local young ladies in the depth of her thoughts and feelings, and therefore was alien to them. “I am alone here, no one understands me,” she writes to Onegin. But, despite her passion for foreign literature, Tatyana, unlike Onegin and Lensky, was always connected with everything Russian, native. There is no affectation, sly coquetry, sentimental sensuality of the heroines of books in it. She is full of sincerity and purity in her feelings. She is attracted by the eccentricity of Eugene. All the heroes of the novels they read “clothed themselves in a single image, Merged into one Eugene.” She shows courage, breaking the traditional rules for girls, and is the first to declare her love in a letter to Onegin:
My whole life has been a pledge
Faithful goodbye to you.
Onegin rejected the love of a "village girl". But Tatyana continues to love him. She visits Onegin's house, reads books, notes in them, trying to understand him.
Three years later they met. She rotates in high society, the wife of an honored man. But Tatyana remains the same girl, dear to the author's heart. Contempt for the vulgarity of the world, for the luxury of the surrounding life, for the pettiness of interests are heard in her words:
Now I'm happy to give
All this rags of masquerade
All this brilliance, and noise, and fumes
For a shelf of books, for a wild garden,
For our poor home.
It is her judgments about mental squalor, the limited interests of the noble society that completely coincide with the author's assessments. Pushkin looks at noble Moscow through the eyes of Tatyana, shares her opinion about the "emptiness" of the world, "where no change is visible" and "everything is on the old model."
In the scene of the last meeting with Onegin, her high spiritual qualities are revealed: moral impeccability, truthfulness, fidelity to duty, determination. Yes, she still loves Onegin, but her whole nature, brought up on the traditions of folk morality, does not allow her to build her happiness on the grief of another person. In her struggle of feelings and duty, duty wins:
But I'm given to someone else
I will be faithful to him forever.
The fate of Tatyana is no less tragic than the fate of Onegin. But her tragedy is different. Life has broken, distorted Onegin's character, turned him into "smart uselessness", according to Herzen's definition. Tatyana's character has not changed, although life has brought her nothing but suffering.
In lyrical digressions, Pushkin admits that Tatyana is his ideal of a Russian woman, that in her he expressed his attitude to secular and rural life. In it, according to the poet, the best qualities of the Russian character are harmoniously combined.
The image of Tatyana, created by Pushkin in "Eugene Onegin", is no less important than the image of Onegin. Pushkin tried to show the type of a seemingly ordinary Russian girl, a provincial young lady, but at the same time surprisingly attractive and poetic.
Tatyana is not at all a beauty, as Pushkin directly says:
Nor the beauty of his sister,
Nor the freshness of her ruddy
She would not attract eyes.
This is also emphasized in the last chapter, where we see Tatyana already a St. Petersburg noble lady, "an indifferent princess, an impregnable goddess of the luxurious royal Neva", "a legislator of the halls." However, Pushkin does not forget to remind: "No one could call her beautiful."
But at the same time, she, sitting at the table next to the "brilliant Nina Voronskaya", the famous Petersburg beauty, was in no way inferior to her. Obviously, this charm was not in her external beauty, but in her spiritual nobility, intelligence, simplicity, richness of spiritual content. Pushkin deliberately called his heroine the common name Tatyana and thus introduced him into literature.
Tatyana grows up in a family as a wild, lonely, unkind girl who does not like to play with her friends, for the most part immersed in herself, in her experiences. Inquisitive, she tries to understand her surroundings and her own soul, and, not finding answers to her questions from her elders - mother, father, nanny, she looks for them in books, for which she had a passion since childhood and which she used to believe unquestioningly. She used to learn about life, about love from the novels she read. In them, she was looking for a reflection of her own experiences.
The surrounding life, the environment of rural landowners, their wives and children did little to satisfy her demanding soul, her inquisitive mind. In books, she saw another life, more significant and eventful, other people, more interesting; she believed that such a life and such people were not invented by the author, but actually existed, and she was sure that she, too, might one day meet such people and live such a life.
It is not surprising that when she saw Onegin for the first time, so strikingly unlike all the young people she knew, Tatyana mistook him for the hero of the novel and fell in love with him.
She loves passionately and decides to write her naively touching declaration of love to Onegin. Strict, sharp refusal of Onegin opens her eyes to the true state of things, but the further, the less she understands Onegin and his actions. And her favorite novels no longer help her.
By chance, Tatyana enters Onegin's office and sees his books, which she greedily pounces on. This literature is nothing like her sentimental novels. Reading these works, Tatyana discovered a different world in them, they helped to understand Onegin's soul, but she makes a hasty conclusion about the similarity of Onegin with the inquisitive, cold, disappointed in everything heroes of the books she read. She believes that he is simply copying fashionable characters. This is not so, of course, but Tatyana is firmly convinced of the correctness of her conclusion, and this makes her situation hopeless: she cannot stop loving Onegin, but at the same time she knows that this man is not worthy of her love. This is one of the reasons for her refusal to Onegin.
But, seeing him, exhausted by illness, Tatyana realizes the fallacy of her hasty conclusions, begins to believe in the sincerity of Onegin's feelings. Tatyana still loves Onegin and believes in the possibility of happiness with him, but resolutely refuses him. Tatyana deliberately, of her own free will, married a man whom she does not love, and gave him her word to be a faithful wife. Let her now understand that it was a mistake on her part, that she acted recklessly and she herself should suffer for this mistake, but a sense of duty takes precedence in her over all her feelings.
My attitude towards Tatyana can be expressed in the words of Pushkin: “I beg your pardon: I love my dear Tatyana so much!”. Her integrity, the ability to subordinate all her actions to a sense of responsibility, her inability to deceive, to deal with her conscience make her image so attractive. Perhaps she does not always correctly understand her moral duty, perhaps in this case, deciding her fate and the fate of Onegin, she made a mistake - but she herself saw this as her duty and, therefore, could only behave in this way.
