Lesson structure № Lesson course Time 1 Organizational moment 3 min. 2 Presentation of the topic and purpose of the lesson 5 min. 3 20 min. 4 Actualization of students' basic knowledge Presentation of the material 5 Consolidation of new knowledge 120 min. 6 Issuing homework 5 min. 60 min.
Learning objectives: n n n Educational: the formation of new concepts and processes. Educational: developing attention, observation and perseverance, accuracy of execution. Developing: development of skills in the selection of harmonious color combinations.
Lesson plan: 1. Color wheel. Kinds. 2. Color harmonies. Their types and methods of construction. 3. Assignments for harmonies.
Definitions Color is a sensation that occurs in the organ of vision when exposed to light, i.e. light + vision = color. Light is electromagnetic wave motion. The wavelengths of visible color are in the range from 380 N. m. to 760 n. m.
Chromatic colors are all spectral and many natural colors. Semi-chromatic colors are earth colors, i.e. colors are mixed with achromatic colors.
Warm and cold colors Warm: Red, Red-Orange, Yellow-Orange, Yellow. Green. Cold: Blue (Blue-Green), Blue, Blue-Violet, Violet. Hottest: Red-Orange. Coldest: Cyan (Blue-Green). Neutrals (Green and Purple).
Color characteristics n 1) Color tone. This is the quality of a color that allows you to compare it with one of the spectral or purple colors (except chromotic) and give it a name. n 2) Lightness. This is the degree to which a given color differs from black. n 3) Saturation. This is the degree of difference between a given chromatic color and an achromatic light flux that is uniform in energy saturation. It is also measured by the number of difference thresholds from color to gray. Replaced by the concept of purity. Purity is the proportion of pure spectral color in the total mixture of a given color, or it is the proportion of pure pigment in an ink mixture. Hue + Saturation = Chroma Achromatic colors have no hue or saturation.
Groups of color circles n physical (based on the 7-step color wheel of Newton) n physiological (based on the color wheel of the 6-step circle of Goethe).
Mikhail Vasilyevich Matyushin (1861 - 1934) - Russian artist, musician, art theorist, one of the leaders of the Russian avant-garde of the first half of the 20th century. During the work of M. V. Matyushin at GINKhUK (State University of Artistic Culture), the Zorved group conducted research in the field of the effect of color on the observer, as a result of which the shaping properties of color were discovered - that is, the influence of color shade on the perception of form by the observer. With prolonged observation, cold shades give the shape "angularity", the color is starry, warm shades, on the contrary, create a feeling of roundness of the shape, the color is rounded.
In 1926, Matyushin attempted to create a "Primer by Color" - a manual on harmonic combinations of shades, based on the doctrine of three colors. In 1923 Matyushin's "school" presented their works at the "Exhibition of Petrograd Artists of All Trends" under the motto "Zorved" (vision and knowledge). In 1930 another exhibition of works by Matyushin and his "school" was held in Leningrad. These exhibitions demonstrated outstanding achievements in developing a more subtle and holistic vision of the world in people.
Shugaev's circle The quantitative composition of flowers is as follows: 1 - pure yellow (100%); 2 - yellow-orange (83% yellow and 17% red); 3 - yellow-orange (66% yellow and 34% red); 4 - orange (50% yellow and 50 red); 5 - orange-red (34% yellow and 66 red); 6 - orange-red (17% yellow and 83 red); 7 - pure red, etc.
Color mixing. 1 Subjunctive mixing (or additive). - spatial. This is a combination in one space of differently colored light rays (monitors, theater ramps). - optical mixing. This is the formation of a total color in the human organ of vision, while in space the terms of the colors are separated (pointilistic painting). - temporary. This is a special kind of mixing. It can be observed when mixing the colors of discs placed on a special device "turntable" Maxwell. - binocular. This is the effect of multi-colored glasses (one lens of one color, the second of another). - 2) Subtractive mixing (or subtractive).
Color wheel by Johannes Itten. As we can see, it is based on three colors - red, yellow, green. Next come the second order colors - purple, orange and green. The remaining colors are formed by mixing the primary ones.
2. Mixing the primary colors in pairs in equal proportions, we get the colors of the 2nd order - orange, green, purple. yellow + red = orange, yellow + blue = green, red + blue = purple. It is very important to carefully mix the colors, aiming for an equal amount of each pigment in the pair: 50% red + 50% yellow, 50% blue + 50% red.
3. The third step is to get the colors of the 3rd order. These are colors obtained by mixing the parent color of the 1st order with the neighboring derivative of the 2nd order. yellow + orange = yellow-orange, red = orange = red-orange, red + purple = red-purple, blue + purple = blue-purple, blue + green = blue-green, yellow + green = yellow-green. We paint over the empty sectors with the received colors and get the correct color wheel, in which each color takes its place, and the sequence of colors corresponds to the rainbow!
Classic color combinations: n n n Complementary colors Classic triad Analog triad Contrasting triad Rectangular scheme Square scheme
Complementary Colors Complementary colors are colors that are on opposite sides of the color wheel. Their combination looks very lively and energetic, especially with maximum color saturation. Never use complimentary colors for text compositions.
The classical triad n The classical triad is formed by three colors equidistant on the color wheel. Such a composition looks quite lively even when using pale and desaturated colors. To achieve harmony in the triad, take one color as the main one, and use the other two for accents.
Analog triad n An analog color scheme is formed by three neighboring colors in a twelve-part color wheel. Used in soft, comfortable and non-irritating compositions. The analog circuit is most often found in nature, so it looks harmonious and pleasant. When using this scheme, it is probably worth choosing one color as the main one, the second one is supporting, and the third one is used for accentuation. You should also take care of sufficient contrast in the analog composition.
Contrasting triad n Contrasting triad - a variant of a complementary combination of colors, but instead of the opposite color, the colors adjacent to it are used. This scheme looks almost as contrasting, but not so tense. If you are not sure that you can use complementary colors correctly, use a contrasting triad.
Rectangular scheme n The rectangular scheme consists of four colors, each two of which are complementary. This scheme gives, perhaps, the largest number of variations of the colors included in it. In order to balance the rectangular scheme, one color must be chosen as dominant, the rest as auxiliary.
The modern color wheel looks like this: Oswald's color wheel It's easy to see that on this wheel we can see three primary colors - they look very independent. These are red, blue and green. These colors form the basis of the modern RGB color model.
Definitions n n Harmony -. comes from the Greek word, which means consonance, harmony, the opposite of chaos and is a philosophical and aesthetic category, meaning a high level of ordered diversity; the optimal interrelationship of the various in the composition of the whole, which meets the aesthetic criteria of perfection and beauty.
Color harmony is a combination of individual colors or color sets that form an organic whole and evoke an aesthetic experience.
Color harmony in painting is a certain combination of colors, taking into account all their basic characteristics, such as - color tone; - lightness; - saturation; - forms; - the dimensions occupied by these colors on the plane, their mutual arrangement in space, which leads to color unity and has the most favorable aesthetic effect on a person.
Signs of color harmony: 1) Communication and smoothness. 2) The unity of opposites, or contrast. Types of contrast: n by brightness (dark-light, black-white, etc.) n by saturation (pure and mixed), n by hue (additional or contrasting combinations). 3) Measure. 4) Proportionality, or the ratio of parts (objects or phenomena) to each other and to the whole. 5) Balance. . 6) Clarity and ease of perception. 7) Beautiful, striving for beauty. 8) Sublime, that is, the perfect combination of colors. 9) Organization, order and rationality.
Types of harmonic combinations according to Shugaev 1) combinations of related colors; n 2) combinations of related-contrasting colors; n 3) combinations of contrasting colors; n 4) combinations of colors that are neutral in relation to kinship and contrast. n
Color groups n n monochromatic color combinations; harmonic combinations of related colors; harmonic combinations of related contrasting colors; harmonic combinations of contrasting and complementary colors.
Related-contrasting harmonies Combinations of related-contrasting colors represent the most extensive type of color harmonies. In the system of color circles, related contrasting colors are located in adjacent quarters. These are warm yellow-red and yellow-green colors, cool blue-green and blue-red colors, warm yellow-green and cold blue-green colors, warm yellow-red and cold blue-red colors. In total there are four groups of related-contrasting colors.
Schemes of related-contrasting colors (based on a square and a rectangle) (along a chord) (along a right triangle) (along an equilateral triangle) (along an isosceles triangle)
Combinations of related-contrasting colors are combinations of related colors and contrasting pairs. They are brighter and provide more opportunities for creativity n Color combinations that are located in the color wheel at the ends of vertical and horizontal chords have a special harmony. This is explained by the fact that there is a double bond between such pairs of related-contrasting colors: they consist of the same amount of the unifying primary color and the same amount of contrasting colors.
Harmonic combinations subdivide: n n n two pure related-contrasting colors, which are complemented by the colors of the shadow row of one of the combined colors; two pure related-contrasting colors, complemented by colors from both shadow rows; one is pure and the rest are from the shadow rows of related-contrasting colors. In this case, it is advisable to surround a pure color with the colors of the shadow row of a given color, and take the rest from the shadow row of a different color and place them at some distance. All related-contrasting colors are either darkened or whitened (harmony acquires a more restrained color, since the polar properties of colors are softened). We emphasize: only three, at least three colors allow us to fully judge the combinations and relationships of colors in the ornamental composition.
Color harmony can be formed by a combination of colors located at the vertices of an equilateral triangle inscribed in the color wheel. This triangle has one side parallel to the horizontal or vertical diameter; in the vertex opposite to the indicated side, there is a main color, contrasting and complementary to the main color that is part of a pair of related contrasting colors. In the color wheel we have four such equilateral triangles, in the system of five circles - 20. In each triad of colors, two related-contrasting colors are balanced by a double bond of unifying and contrasting primary colors. The third main color is better to darken or whiten.
Another type of harmonic combinations of three colors: two related-contrasting colors and a third color - the main one - combines the first two colors. Constructed using isosceles triangles. To give greater harmony to the combination of colors of this triad, you can reduce the amount of a pure main color by darkening or highlighting it.
Another type of harmonic triads is formed by colors located at the vertices of right-angled triangles, provided that two legs connect pairs of related contrasting colors (the legs are parallel to the horizontal and vertical diameters of the color wheel). In each of the triangles, the color that is located at the vertex opposite the hypotenuse is related-contrasting in relation to the other two colors, and the latter, in turn, are interconnected by contrast relationships. In total, four such triangles can be built in one color wheel, and 20 in a system of five circles.
The secrets of color have long excited people. Even in ancient times, it received its symbolic meaning. Color has become the basis for many scientific discoveries. He not only influenced physics or chemistry, but also became important for philosophy and art. Over time, knowledge about color became wider. Science began to appear that deal with the study of this phenomenon.
Concepts
The first thing to mention is the basics of color science. This is the science of color, which contains systematized information from various studies: physics, physiology, psychology. These areas study the phenomenon of shades, combining the results obtained with data from philosophy, aesthetics, history, and literature. Scientists have long explored color as a cultural phenomenon.
But coloristics is a more in-depth study of color, its theory and application by a person in various fields of activity.
Historical basis
It is no wonder that these sciences have long excited people. Of course, at that time there were no such concepts as "color science" and "coloristics". Nevertheless, color was given great importance in the culture and development of peoples.
History can provide us with a huge layer of knowledge about this. Therefore, it is customary for scientists to divide all this time into two stages: the period before the 17th century and the time from the 17th century to the present day.
Formation
Starting a journey through the history of color, you need to return to the Ancient East. At that time, there were 5 primary colors. They symbolized the four cardinal points and the center of the earth. China stood out for its special brightness, naturalness and multicolor. Later, everything changed, and monochrome and achromatic painting began to be observed in the culture of this country.
India and Egypt were even more developed in this regard. Two systems were observed here: ternary, which contained the main colors at that time (red, black and white); as well as Vedic, based on the Vedas. The last system was deepened into philosophy, therefore, it contains red, symbolizing the eastern rays of the Sun, white - the rays of the South, black - the rays of the West, very black - the rays of the North and invisible - the center.
In India, great importance was given to the design of palaces. Traveling the world, and now you can see that white, red and gold were often used. Over time, yellow and blue began to be added to these shades.
Religion in color
Western Europe in the Middle Ages looked at the foundations of color science from the side of religion. At that time, other shades began to appear, which had not previously been taken as the main ones. White began to symbolize Christ, God, angels, black - the underworld and the Antichrist. Yellow meant enlightenment and the work of the Holy Spirit, and red meant the Blood of Christ, fire and the sun. Blue symbolized the sky and the inhabitants of God, and green - food, vegetation and the earthly path of Christ.
At this time, the same thing happens with color in the Near and Middle East. This is where Islam comes into play. Basically, the meaning of the colors remains the same. The only green becomes the main one and symbolizes the Garden of Eden.
rebirth
Color science and coloring are being transformed again. Before the second stage comes the Renaissance. At this time, Leonardo da Vinci proclaims his color system. It consists of 6 options: white and black, red and blue, yellow and green. Thus, science is gradually approaching the modern concept of color.
Newtonian breakthrough
The 17th century is the beginning of a new stage in classification. Newton uses the white spectrum, where he detects all chromatic colors. In science, there is a completely different vision on this matter. Here invariably remains red, to which orange is added, there is also green and blue, but blue and purple are found along with them.
New theories
The 19th century in Europe brings us to naturalism and impressionism. The first style proclaims full correspondence and tones, and the second is based only on the transfer of images. At this time, painting appeared with the basics of color science.
Then there is the theory of Philip Otto Runge, who distributes the system according to the principle of the globe. On the equator of the "globe" are pure primary colors. The top pole is white, the bottom is black. The rest is occupied by mixtures and shades.
The Runge system is very calculated and has a place to be. Each square on the globe has its own "address" (longitude and latitude), so it can be determined by calculus. Others followed in the footsteps of this scientist, who tried to improve the system and create a more convenient option: Chevreul, Goltz, Bezold.
The truth is near
In the era of Art Nouveau, scientists were able to get closer to the truth and create a modern color model. This was facilitated by the peculiarities of the style of the time itself. Creators create their masterpieces, paying great attention to color. It is thanks to him that you can express your vision of art. The color begins to merge with the music. It gets a huge amount of shades, even in the case of a limited palette. People have learned to distinguish not only primary colors, but also tone, darkening, muting, etc.
Modern representation
The basics of color science led a person to the fact that he simplified the previous attempts of scientists. After Runge's globe, there was Ostwald's theory, in which he used a circle with 24 colors. Now this circle has remained, but has been halved.
Scientist Itten was able to develop an ideal system. His circle consists of 12 colors. At first glance, the system is quite complicated, although you can figure it out. There are still three primary colors: red, yellow and blue. There are secondary colors that can be obtained by mixing the three primary colors: orange, green and purple. This also includes third-order secondary colors, which can be obtained by mixing the primary color with second-order secondary colors.
The essence of the system
The main thing you need to know about the Itten circle is that this system was created not only to correctly classify all colors, but also to combine them harmoniously. The main three colors, yellow, blue and red, are arranged in a triangle. This figure is inscribed in a circle, on the basis of which the scientist received a hexagon. Now, isosceles triangles appear in front of us, which place the secondary colors of the second order in themselves.
To get the right shade, you need to maintain equal proportions. To get green, you need to combine yellow, blue. To get orange, you need to take red, yellow. To make purple, mix red and blue.
As mentioned earlier, it is not easy to comprehend the basics of color science. formed according to the following principle. Draw a circle around our hexagon. We divide it into 12 equal sectors. Now you need to fill in the cells with primary and secondary colors. The vertices of the triangles will point to them. Empty spaces must be filled with shades of the third order. They, as mentioned earlier, are obtained by mixing primary and secondary colors.
For example, yellow with orange will create yellow-orange. Blue with purple - blue-violet, etc.
Harmony
It is worth noting that the Itten circle not only helps to create colors, but also combines them advantageously. This is necessary not only for artists, but also for designers, fashion designers, make-up artists, illustrators, photographers, etc.
The combination of colors can be harmonious, characteristic and uncharacteristic. If you take opposite shades, they will look harmonious. If you choose colors that occupy sectors through one, you get characteristic combinations. And if you choose related colors that are located in a circle one after another, you will get uncharacteristic compounds. This theory refers to the sector of seven colors.
In Itten's circle, this principle also works, but in a slightly different way, since it should be taken into account that there are 12 shades here. Therefore, in order to get a two-color harmony, one should take the tones that are opposite each other. Three-color harmony is obtained if a rectangular harmony is inscribed in a circle using the same method, but inside we enter a rectangle. If you place a square in a circle, you get a four-color harmony. The hexagon is responsible for the six-color combination. In addition to these options, there is analog harmony, which is formed if we take the chromatic colors of yellow. For example, this way we can get yellow, yellow-orange, orange and red-orange.
Properties
It should be understood that there are incompatible colors. Although this concept is quite controversial. The thing is that if you take bright red and the same green, the symbiosis will look very defiant. Each of them tries to dominate the other, which results in dissonance. Although such an example does not mean at all that it is impossible to harmoniously combine red and green. To do this, you need to understand the properties of color.
Hue is a collection of hues that refer to the same thing. Saturation is the degree of fading. Lightness is the approximation of a hue to white and vice versa. Brightness is the degree to which a hue is close to black.
There are also chromatic and achromatic colors. The second includes white, black and shades of gray. To the first - all the rest. All these properties can affect the compatibility and harmony of shades. If you make the green less bright and a little faded, and make the red calmer, by increasing the lightness, then these two supposedly incompatible shades can harmoniously combine.
Children's look
The basics of color science for children should be built in a playful way, as, in principle, all education. Therefore, it is worth remembering the famous phrase about spectral colors: "Every Hunter Wants to Know Where the Pheasant Sits." For those adults who are unfamiliar with this children's life hack, it should be clarified that the first letter of each word in this sentence stands for the name of the tones in the spectrum. That is, we have red at the head, then orange, yellow, green, blue, blue and purple. These are the colors that enter the rainbow in the same sequence. Therefore, the first thing you do with your child is draw a rainbow.
When the baby is very small and, of course, does not know what the basics of color science are, it is better to buy coloring pages with examples for him. This is done so that the child does not paint the sky brown and the grass red. A little later, you will be convinced that the baby will be able to independently determine the colors, but first it is better to discuss the possible options with him.
Emotions
For a very long time, scientists were able to understand that any shade of the primary color can affect a person’s emotions. Goethe first spoke about this in 1810. Later, scientists found that the human psyche is connected with external reality, which means that it can also affect emotions.
The next step in this study was the discovery that each tone has a specific emotion attached to it. Moreover, this theory manifests itself almost from birth. It also became clear that there is a certain color code that refers to a number of emotions. For example, sadness, fear, fatigue, everything can be described in black or gray. But joy, interest, shame or love are usually associated with a red tint.
In addition to the psychological impact, color was studied under clinical supervision. It turned out that red excites, yellow invigorates, green reduces pressure, and blue calms. Also, it all depends on the property of the shade. If it is calm red, then it can symbolize joy and love, if it is dark and bright, then blood and aggression.
The basics of color science and coloring are very complex sciences. It is difficult to fully understand them, since everything here is quite relative and subjective. Color can affect one person in different ways, some people are not at all subject to shades. To some artist, the combination of purple and yellow may seem very harmonious, to another - disgusting and contradictory.
Sections: MHK and IZO
Lesson topic: Execute a color wheel.
Class type: Decorative drawing.
Goals and objectives of the lesson:
- Acquaintance with a new method of working with watercolor - glazing.
- Implementation of the acquired knowledge in practical application.
- Formation and development of skills and abilities to work with watercolors.
- Development of creative and cognitive activity, imagination and artistic taste of students.
Lesson equipment:
- color wheel table
- illustrations depicting a rainbow, sunset;
- watercolor, a tablet for demonstrating watercolor techniques;
- preparations for exercises.
Lesson structure:
- Organizing time.
- Communication of new educational material.
- Practical work.
- Analysis of the work performed.
- Summing up the lesson.
- Homework assignment.
During the classes
1. Organizational moment.
Chalkboard layout.
Job preparation.
Message by the teacher of the topic, tasks and objectives of the lesson.
2. Presentation of new educational material.
The presentation of the new topic takes place in the form of a conversation. Students, together with the teacher, repeat the previous topic, gradually moving to a new one, answering the questions:
What are the primary colors and why? (red, blue, yellow - cannot be obtained by mixing paints).
What colors are called compound colors and why? (orange, green, purple - can be obtained by mixing two or more colors).
How are composite colors obtained on paper? (show on the tablet).
Where in nature can you see all the colors together? (rainbow).
What is the order of the colors in the rainbow?
Children remember the saying: Everyone (red) Hunter (orange) Wants (yellow) Know (green) Where (blue) Sits (blue) Pheasant (purple).
In this series, primary colors alternate with secondary ones (the only exception is blue, which is not included in the color wheel). For convenience, this strip can be closed in a circle in which colors replace each other ad infinitum - just like in nature. For example, the same rainbow or sunset. Now let's try to make a color wheel ourselves.
3. Practical work.
Students are given blanks of a circle (R = 8 cm), which is divided into 6 equal parts. For convenience, number the parts from 1 to 6.
/picture 1/
The exercise will be performed by glazing (applying a transparent layer of paint over a dried paint layer). The teacher sequentially shows the stages of the exercise, the students repeat after the teacher.
The sequence of the exercise:
1. Fill half of the circle with yellow paint. (1, 2, 3 part)
/picture 2/
2. Allow the first layer of paint to dry and pour red over the dry layer (3, 4, 5 parts). In this case, the yellow color in 3 parts should turn into orange.
/picture 3/
3. After the next layer has dried, 5, 6, 1 parts are filled in blue. In this case, in 1 part it turns out green, and in 5 parts - purple.
/picture 4/
4. Students check the correctness of the work. A sharply honed match (prepared in advance) is inserted into the center of the circle. It turned out a colored top. The kids run it. The colors on the spinning top should merge into one white color. If the color is not white, but gray, then the colors are too saturated.
/picture 5/
4. Analysis of the work performed.
In the process of independent work of students, the teacher makes the necessary additional explanations. Errors are identified and corrected. The attention of students is focused on the need to do the work carefully, choosing the right colors.
5. Summing up the lesson.
- Demonstration and analysis of the most successful works.
- Summing up the lesson, grading.
6. Homework.
Repeat the exercise in another, previously familiar way - by pouring.
First, the primary colors are poured (1 part - red, 3 part - yellow, 5 part - blue).
Composite colors are obtained on a palette by mixing paints (yellow + red = orange, yellow + blue = green, red + blue = purple) and poured on top.
Check the correctness of the execution by rotating the top.
Literature:
- N.M. Sokolnikov "Fundamentals of Painting", 1996.
- I.G. Mosin "Drawing", 1996.
I. Newton's first color wheel. The color wheel is obtained by imagining a band of the spectrum as a flexible plate and bending it into a circle. To understand the basic principles of working with the color wheel, it is usually replaced with a simplified model. Itten color wheel
Compound Colors of the second order: green, violet, orange. Obtained by mixing in pairs of three primary colors: red, yellow and blue. For example, when you mix yellow and blue, you get green. There are only three compound colors: orange, green and purple.
Warm and cold tones Colors are divided into warm and cold. It is generally accepted that red, orange and yellow are warm, and green, blue, indigo and violet are cold. But often artists distinguish among the shades of each color both cold and warm. For example, cold blue is ultramarine, warm blue is cobalt. Red can also be both cold and warm.
Contrasting colors They mutually emphasize the brightness of each other, enhance it. Such pairs of colors were very often used in the clothes of buffoons; these combinations are as catchy and intrusive as possible. Colors located opposite each other in the color wheel, i.e. spaced 180 degrees are contrasting.
"The color wheel and color combinations in art" Artists use the color wheel to harmoniously combine colors in their work. Of course, this can also be done intuitively, feeling the color harmonies well. But if you skillfully combine in your paintings an intuitively selected color scheme and the right combinations of colors offered in the color wheel, you can achieve incredibly harmonious color combinations. Color wheel The color wheel is the main tool for combining colors. The first circular color scheme was developed by Isaac Newton in 1666. The color wheel is designed so that combinations of any colors chosen from it will look good together. Many variations on the basic design have been made over the years, but the most common version is the 12-color circle. Primary colors
The color wheel is built on a foundation of three colors, red, yellow and blue. They are called primary colors. It is these first three colors that will create the rest of the colors on the wheel when mixed. Below is an example of a simple color wheel using only primary colors.
secondary colors Secondary colors are colors that are created by mixing two primary colors. Mixing yellow and blue creates green, yellow and red creates orange, blue and red creates purple. Below is an example of a color wheel, with secondary colors added on the outer ring. Tertiary Colors Tertiary colors are created by mixing a primary and a secondary color, or two secondary colors together. Below is an example of a color wheel with tertiary colors on the outer ring. shades The color wheel is not limited to twelve colors, because behind each of these colors there is a string of different shades. They can be obtained by adding white, black or gray. In this case, the colors will change in the direction of saturation, brightness and lightness. The number of possible combinations is almost limitless. Complementary Colors Complementary or complementary colors are any two colors that are opposite each other on the color wheel. For example, blue and orange, red and green. These colors create high contrast, so they are used when you want something to stand out. Ideally, use one color as a background and another as an accent. You can alternately use shades here; a slight bluish tint, for example, contrasts with dark orange. triads A classic triad is a combination of three colors that are equally spaced apart on the color wheel. For example, red, yellow and blue. The triad scheme also has high contrast, but is more balanced than complementary colors. The principle here is that one color dominates and accentuates with the other two. Such a composition looks alive even when using pale and desaturated colors.analog triad
Analog triad: A combination of 2 to 5 (ideally 2 to 3) colors that are next to each other on the color wheel. An example is combinations of muted colors: yellow-orange, yellow, yellow-green, green, blue-green.
Contrasting triad (split - complementary colors)
Using split complementary colors gives a high degree of contrast, but not as saturated as the complementary color. Split complementary colors give more harmony than using a direct complementary color.
