Noise musical instruments with their own hands. Ratchet.
Author: Markova Ruslana Pavlovna. Musical director of MDOU d.s. "Fairy tale" of the village of Trostyanka, Balashovsky district, Saratov region.
Description: This master class will be useful for teachers and music directors. The ratchet will be relevant in music lessons.
Target: Making musical noise instruments with your own hands.
Tasks:
To acquaint the participants of the master class with the methods of making noise musical instruments;
Arouse children's interest in musical creativity.
To increase the level of professional competence of the majority of teachers, as well as parents, their motivation for systematic use in practice.
Rattles were used in the wedding ceremony when singing praise songs with dancing. The choral performance of a laudatory song is often accompanied by the playing of a whole ensemble, sometimes numbering more than 10 people. During a wedding, rattles are decorated with ribbons, flowers, and sometimes bells.
The use of rattles in the wedding ceremony suggests that in the past this instrument, in addition to being a musical instrument, also performed the mystical function of protecting young people from evil spirits. In a number of villages, not only the tradition of playing is still alive, but also the tradition of making rattles.
The simplicity of the design made the ratchets very popular in ancient times. However, at present, the rattle is successfully used as one of the main instruments in folk instrumental ensembles, along with the accordion, wooden spoons and harp.
In addition, the ratchet performs an important developmental function - it is much easier for young children to explore this world through the loud, ringing sounds of the ratchet. A ratchet can also be a great gift. It will be easy for anyone, even a beginner, to make sounds from the rattle, which can be great entertainment at your leisure.
Today we will make a ratchet with our own hands from unnecessary audio-video discs.
Material: seven discs, six large beads (the beads should not be smaller than the diameter of the disc hole so that they do not fall through), self-adhesive paper, scissors, a pencil, a round thin colored rubber band - 1 m.
1. In order for our ratchet to be fun and beautiful, we glue the extreme disks on the outside of the ratchet with self-adhesive paper, for this we lay the disk on paper, circle it with a pencil and cut it out.
We remove the bottom layer of paper from the cut out circles, glue it on the disk, and carefully cut a hole in the middle with a clerical knife blade.
2. We start assembling the ratchet. We alternately put disks and beads on the elastic band. The outer discs must be put on in this way. so that the glued side is on the outside.
We tie the edges of the elastic band, and cut off the ends.
3. Our ratchet is ready. On this ratchet, you can play by stretching the elastic band, like an accordion, you can play holding the elastic bands, moving the palm up and down.
Thank you for your attention.
Page 1
MOU "Secondary School No. 3"
Yayva village, Alexandrovsky district, Perm region
in music
"Musical instrument -
ratchet"
Completed: student 4 "a" class
Yudin Maxim
2010 academic year year
Target: creation of a musical instrument - rattles
Tasks:
Learn about the history of the musical instrument - the ratchet.
Choose an option for making a ratchet.
Make a musical instrument.
The history of a musical instrument is a ratchet.
The history of the emergence of Russian musical folk instruments goes back to the distant past. The frescoes of St. Sophia Cathedral in Kyiv, iconographic materials, miniatures of handwritten books, popular prints testify to the diversity of the musical instruments of our ancestors.
The ancient musical instruments discovered by archaeologists are true material evidence of their existence in Russia. In the recent past, the daily life of the Russian people was unthinkable without musical instruments. Almost all of our ancestors owned the secrets of making simple sound instruments and passed them down from generation to generation. Familiarity with the secrets of craftsmanship was instilled from childhood, in games, in work that was feasible for children's hands. Watching the work of the elders, teenagers received the first skills in creating the simplest musical instruments.
Time passed. The spiritual ties of generations were gradually broken, their continuity was interrupted. With the disappearance of the folk musical instruments that once existed everywhere in Russia, mass familiarization with the national musical culture was also lost.
Nowadays, unfortunately, there are not so many craftsmen left who have preserved the traditions of creating the simplest musical instruments. In addition, they create their masterpieces only for individual orders. The manufacture of tools on an industrial basis is associated with considerable financial costs, hence their high cost. Not everyone can afford to buy a musical instrument today.
That's why I decided to try to make one of the percussion musical instruments - a ratchet.
"
Here is a ratchet!" - they say about overly talkative people, but not everyone knows what exactly is hidden under this name. But the ratchet is a musical instrument known for a long time. Ratchets, as a self-sounding musical instrument, were widely used in wedding ceremonies during dance This is a primordially Russian musical instrument, which is a series of wooden plates strung on a leather strap.
Dry wooden plates are separated from each other by small strips at the base, due to this, a rather specific, but pleasant sound resembling crackling is formed. The ratchet is necessarily made of completely dry wood, preferably oak - this is what provides the musical properties of the instrument.
In order to extract the sound, you should properly hold on to the strap and shake the ratchet with different inclinations and strengths. When playing, the ratchet must be stretched like an accordion, and then squeezed with force. Thanks to this technique, even a very large number of sounds and rhythms can be extracted.
The ratchet can consist of 14 or more wooden planks. The simplicity of the design and provided them with such popularity in ancient times. However, at present, the rattle is successfully used as one of the main instruments in folk instrumental ensembles, along with the accordion, wooden spoons and harp. In addition, the ratchet performs an important developmental function - it is much easier for young children to explore this world through the loud, ringing sounds of the ratchet.
A ratchet can also be a great gift. It will be easy for anyone, even a beginner, to make sounds from the rattle, which can be great entertainment at your leisure.
Variety of ratchet.
Kursk rattles - consist of 14 plates 15x7 cm in size. The difference lies in the fact that the lower edge of each plate has rounded corners.
In some varieties of ratchets, the end plates are slightly longer than in conventional specimens. They have handles made from the plates themselves. Sometimes handles are glued to their outside.
Sometimes the plate and spacer are made from a whole plank, on which they form a single whole, as shown in the figure. Dimensions - length 180 mm, width 50 mm, protrusions on the plate 3 mm on each side, plate 6 mm, holes on the plate 3 mm.
And 
Sometimes several plates are attached to the handle of the ratchet. The handle itself is fixed on one of the outer plates, and the remaining plates, together with the gaskets, are tied to it with a cord or nylon fishing line.
Ratchet playing examples:
Reception "staccato" - the instrument is held at chest level. The thumbs of the right and left hands of the player are threaded from above into the loops of the plates. The remaining four fingers of both hands strike the extreme plates vigorously with more or less force. The blows are made alternately with the fingers of the right, then the left hand, or simultaneously.
Reception "fraction" - the tool is held by the plate on each side. To extract the sound, they sharply raise the right hand and lower the left, and vice versa, raise the left and lower the right.
Another variant - the tool is held with the ends of the plates above the head, making alternating movements with the right and left hand. By alternating fast movements of both hands on the ratchet, complex rhythmic patterns can be reproduced at a fast pace. The skill of performance depends on the creative imagination of the performer
Consideration of various options for ratchets.
Selection of material, in this case - a wooden lath.
Sawing the lath into equal parts (plates).
Processing each plate with sandpaper to give a smooth shape.
The use of a plastic core from a spool of thread to make interspace bridges between the plates.
Drilling holes in plates.
Plate coloring.
Connection of parts on a cord.
Materials: wooden rail, plastic core from the coil, cord.
Helpers: uncle and mother.
Pros and cons of my work:
Use of Internet resources:
http://spacenation.info/treschotka.html ratchet playing techniques
http://www.samoffar.ru/tre.shtml site "Walk the soul"
http://eomi.ws/percussion/rattle/ History of the ratchet
http://spacenation.info/ Website Russian Folk Musical Instruments
Ratchets are a percussion instrument that replaces handclaps. Whether this instrument was used in Ancient Russia as a musical instrument, there is no written evidence. During archaeological excavations in Novgorod in 1992, 2 tablets were found, which, according to V. I. Povetkin, were included in the set of ancient Novgorod rattles in the 12th century.
For the first time, rattles as a musical instrument were described by Kvitka. V. Dal in the explanatory dictionary explains the word "ratchet" as a projectile designed to crack, rumble, make noise.
Rattles were used in the wedding ceremony when singing praise songs with dancing. The choral performance of a laudatory song is often accompanied by the playing of a whole ensemble, sometimes numbering more than 10 people. During a wedding, rattles are decorated with ribbons, flowers, and sometimes bells.
The use of rattles in the wedding ceremony suggests that in the past this instrument, in addition to being a musical instrument, also performed the mystical function of protecting young people from evil spirits. In a number of villages, not only the tradition of playing is still alive, but also the tradition of making rattles.
Ratchets consist of a set of 18 - 20 thin planks 16 - 18 cm long, usually made of oak and interconnected by a dense rope threaded through the holes in the upper part of the planks. In order for the boards not to touch each other closely, small wooden plates about 2 cm wide were inserted between them at the top.
The ratchet is taken by the ends of the ropes in both hands. From a sharp or smooth movement, the plates hit each other, making a dry, clicking sound. The ratchet is usually held at the level of the head or chest, and sometimes higher; because this instrument attracts attention not only with its sound, but also with its appearance.
Flat ratchet
A flat ratchet is, as it were, a small piece of wooden plates that, when shaken, hit each other and make crackling sounds. This fun and effective tool can be made by hand. From dry wood (preferably oak), approximately 20 smooth, even plates measuring 200 x 60 mm are cut and planed
The same number of intermediate wooden spacers are made between them with a thickness of 5 mm. These spacers are needed to separate the plates. Without them, the plates would hang together too tightly and strike each other would be weak. The size and location of the gaskets are indicated in the figure by a dotted line. In the upper part of each plate at a small distance from the edges (about 10 mm) and simultaneously in the attached gasket, two holes with a diameter of about 7 mm are drilled.
A dense strong cord or insulated wire is passed through all these holes, and all the plates, alternating with spacers, hang on it. To ensure that the plates are always tightly shifted, 4 knots are tied on the cord when leaving them. The loose ends are tied into a ring. It should be narrow, capable of passing the hands of the player into the resulting half-rings.
When performed, the ratchet stretches like an accordion, but fan-shaped, because at the top the plates are tightly knotted. With a short push of the free part of both hands, the ratchet, as it were, is instantly compressed. The plates knock against each other, making a crack. By manipulating the hands, hitting them either simultaneously or separately, you can extract a wide variety of rhythms on this instrument.
The ratchet is usually held at the level of the head or chest, and sometimes higher; because this instrument attracts attention not only with its sound, but also with its appearance. Often it is decorated with colored ribbons, flowers, and so on.
Noise instruments - percussion - is not only a drum and a rattle. Having decided to buy percussion instruments and looking into our section, you will see for yourself. The richness of colors, shapes, sounds - these are folk noise instruments.
Their main difference from all other musical instruments is that they can be played without musical training. Of course, having absolute pitch and 8 years of music school behind you, you will play more correctly and cleaner even on a simple metallophone, and skill in using castanets or a triangle is necessary ... Nevertheless, noise instruments are the first children's musical instruments.
Even a one-year-old baby can make noise with a maracas, ring a tambourine or play an unknown melody on a xylophone, and how much he will get pleasure from it!...
Tambourines and tambourines
One of the most famous children's noise instruments is this. Here, however, you need to pay attention to who is who. Most often, when it comes to children's toys, a tambourine is a small round instrument with a membrane in the middle and bells in a circle. But this is not a tambourine at all, but quite even a tambourine! Moreover, tambourines can be both with a membrane in the middle and without it: the main thing is bells!
But the tambourine has no bells. But it has a strong membrane, which is supposed to be knocked on, as well as a small size - so that it is convenient to hold the tambourine in your hands.
Jingle sticks and bells
No, probably toys are more fun and a musical instrument is simpler than. The bells are attached to a bracelet that can be worn on the wrist or even on the ankle of the foot to jingle to your heart's content. There is even a whole set of 20 bracelets with bells in a jar from - so that it is enough for a large cheerful company of kids (and maybe adults)).
Another version of the bells offers - on a wooden base, so that it is comfortable to hold in your hand.
The jingle stick is more like a real musical instrument, but it is also simple, like everything ingenious. Here, the bells are simply fixed on a long plastic or wooden base - waving like this, extracting melodious sounds, is a pleasure!
Castanets and rattles
If bells and jingle sticks will be of interest to little lovers of ringing, then - for those who like to crack)) Meet: for sale in our online store there is a fan rattle - a Russian folk noise instrument manufactured by the company Cute children's rattle, painted in rainbow colors, also has . But Flight produces ratchets of a different kind - circular, made of wood and bamboo.
Castanets - a noise instrument originally from Spain - are very good for developing hand motor skills, because in order for the halves of the castanets to rhythmically hit each other, you need to practice. However, there is also a children's version of castanets, simpler, where both halves are fixed on the handle - such a children's noise instrument is offered, for example, by the company.
Maracas
The Cuban percussion instrument with the sonorous name "" is, in fact, a rattle for adults. Which, of course, children also play with great pleasure. You can buy from us both small children's maracas, which are just like rattles (or rattles just like maracas) - for example, manufactured by the company or, and game gift maracas in the shape of a cat or dog from Veston, as well as very serious ethnic instruments of the same : there are options with natural stones, nuts, feathers and, of course, with appropriate ornaments.
Shakers
A musical instrument, also distinguished by its amazing simplicity and also very reminiscent of a rattle. Shakers look funny in the form of vegetables or fruits - there are many of them. Shakers, like maracas, make a pleasant and quiet rustling sound due to the rolling of peas inside.
Metallophones and xylophones
Both the xylophone and the glockenspiel are instruments familiar to almost everyone. But not everyone knows what is the difference between them. And the difference is very simple - the glockenspiel has metal plates, while the xylophone has wooden ones. Accordingly, the sound differs: in the first it is sonorous and clear, in the second it is soft and muffled.
Among ours there are also children's play models, as well as instruments produced by companies specializing in the production of musical instruments. Among them are serious unpainted ones, like Flight, and childishly painted in all the colors of the rainbow, like Disney, and designed based on Disney cartoons, and even a “complex” chromatic version of a metallophone - with two rows of plates.
triangles
For all the seeming frivolity of its appearance, it is, nevertheless, one of the important instruments in the symphony orchestra. Imbued with the importance of this thought, you can think about how to get a musical triangle for your children. We have triangles of different sizes for sale - so that it is convenient for both kids and adults to extract melodious sounds from this instrument.
Various noise instruments
In the section you can find a lot of interesting things. Take at least wooden spoons and a pity, and an amazing guiro, and Valdai bells, and a rain stick ... And how do you like the idea of calling a family to the table with a metal gong? And after lunch, you can meditate to the enchanting sounds of bar chimes.
Noise tool kits
Good as a gift for a small child, and as an unusual souvenir for a person who has connected his life with music. And, of course, for children of preschool and school age, such a set can be the first step into the world of creativity. Depending on the age of the recipient, you can choose from a simple set of tambourine, maracas and a metallophone, as well as a very solid set of percussion of 17 items. The latter is enough to organize a small school orchestra.
RatchetRatchet- folk musical instrument, idiophone, replacing handclaps.
Design
Ratchets consist of a set of 18 - 20 thin boards (usually oak) 16 - 18 cm long. They are interconnected by a dense rope threaded through the holes in the upper part of the boards. To separate the boards, small wooden plates about 2 cm wide are inserted between them at the top.
There is another design of the ratchet - a rectangular box with a wooden gear placed inside, attached to a small handle. A cut is made in one of the walls of this box, in the hole of which a thin elastic wooden or metal plate is fixed.
Execution
The ratchet holds the rope with both hands, sharp or smooth movements allow you to make various sounds. At the same time, the hands are at the level of the chest, head, and sometimes rise to attract attention with their appearance.
Story
During archaeological excavations in Novgorod in 1992, two tablets were found, which, according to V. I. Povetkin, were included in the set of ancient Novgorod rattles in the 12th century.
Rattles were used in the wedding ceremony when singing praise songs with dancing. The choral performance of a laudatory song is often accompanied by the playing of an entire ensemble, sometimes numbering more than ten people. During a wedding, rattles are decorated with ribbons, flowers, and sometimes bells.
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An excerpt characterizing Ratchet
Pierre wanted to object, but could not say a word. He felt that the sound of his words, no matter what thought they conveyed, was less audible than the sound of an animated nobleman's words.Ilya Andreevich approved from behind the circle; some briskly turned their shoulders to the speaker at the end of a sentence and said:
- That's it, that's it! This is true!
Pierre wanted to say that he was not averse to donations either in money, or peasants, or himself, but that one would have to know the state of affairs in order to help him, but he could not speak. Many voices shouted and spoke together, so that Ilya Andreevich did not have time to nod to everyone; and the group grew larger, disintegrated, again converged and moved all, humming in conversation, into the large hall, to the large table. Pierre not only failed to speak, but he was rudely interrupted, pushed away, turned away from him, as from a common enemy. This did not happen because they were dissatisfied with the meaning of his speech - and it was forgotten after a large number of speeches that followed it - but to inspire the crowd, it was necessary to have a tangible object of love and a tangible object of hatred. Pierre became the last. Many speakers spoke after the animated nobleman, and all spoke in the same tone. Many spoke beautifully and originally.
The publisher of the Russian messenger Glinka, who was recognized (“writer, writer!” was heard in the crowd), said that hell should reflect hell, that he saw a child smiling at the flash of lightning and thunder, but that we will not be this child.
- Yes, yes, with thunder! - repeated approvingly in the back rows.
The crowd approached a large table, at which, in uniforms, in ribbons, gray-haired, bald, seventy-year-old nobles were sitting old men, whom Pierre had seen almost all of them, at home with jesters and in clubs outside of Boston. The crowd approached the table without ceasing to buzz. One after the other, and sometimes two together, pressed from behind to the high backs of chairs by the leaning crowd, spoke the orators. Those standing behind noticed what the speaker did not finish, and they hurried to say what they missed. Others, in this heat and tightness, fumbled in their heads to see if there was any thought, and hurried to speak it. The old nobles familiar to Pierre sat and looked back at one or the other, and the expression of most of them only said that they were very hot. Pierre, however, felt excited, and the general feeling of a desire to show that we didn’t care about anything, expressed more in sounds and facial expressions than in the sense of speeches, was also communicated to him. He did not renounce his thoughts, but he felt guilty about something and wanted to justify himself.
