How to get blue color when mixing paints for painting, printing and computer graphics? Blue is part of the triad of primary colors, where the other two are red and yellow. Under natural conditions, it is impossible to obtain a color by mixing the other two. All features are determined by many conditions.

It is impossible to get a truly basic color in the process of painting pictures. It is false to assume that blue is obtained by mixing green and yellow, on the contrary, olive comes out. How to get blue? Achieving the goal is simple: just mix blue and white in equal proportions.

In the visual arts, a ready-made palette is often used, where the proportions and ratios of colors are painted. But with it you can get only shades of blue:

• Blue - produced by mixing aquamarine and white paint in a 2: 1 ratio.
• royal shade- obtained by mixing aquamarine and pink.
• Dark Blue - Produced by combining two parts of standard blue and one part of black.
• Gray-blue - produced by combining the base color and brown. It is brown that will create a darkening effect.

There are a lot of options for proportions and ratios, combinations of shades. In the standard set, an analogue of blue paint can be obtained by mixing the color aquamarine with pink.

On the video: how to mix oil paints.

Synthesis in typography

This method is used in modern printers. It is believed that in the printing house blue can be obtained by mixing green and one of the shades of purple - fuchsia. Naturally, a pure base will not work, but only an analogue close to the original.

In the field of typographic work, the lack of quality in color saturation is improved artificially, with the help of a play of shades and contrast. With the help of a standard color wheel, shades can also be recreated. How to make a high-quality analogue, a highly qualified specialist will be able to answer using the trial and error method. In any case, there must be a basic tone, which, when mixed, will become the basis for creating your own interpretations.

Not only the palette for creating color is taken into account, but also the features of the surface on which the tone will be applied. First you need to take a sample and test it.

Computer graphics and main palette

You can create a blue color in the so-called "artificial conditions" without any problems. Even though it is basic, it is possible to find a specific condition. The software provides the ability to synthesize any color using a properly written binary code.

Unlike printers and artists, to get this base, programmers don't have to deal with the problem of getting the base color. The main thing is to choose the appropriate software environment.

natural dyes

Natural dye is valued much more than synthetic options. Such paint can be used for dyeing textiles and food items. You can get the blue color from:

• grapes;
• blueberries;
• blackberries;
• eggplant peel;
• cauliflower leaves.

There are more exotic options for obtaining a base. They are too expensive, complicated in terms of cooking technology. The above are actively used in the creation of food dyes, watercolors and gouache. But the resulting paint is completely safe for health and life. There are also disadvantages in the use of natural dyes: it is quickly washed out, an unsaturated base leaves marks on the skin and surfaces.

Every person who has ever held a brush and paint in his hand knows that from two or three colors you can get a lot of shades. The rules for mixing and matching colors are determined by the science of color. Its basis is the color wheel known to many. There are only three primary colors: red, blue and yellow. Other shades are obtained by mixing and are called secondary.

What colors of paint should be mixed to get brown

Brown is considered complex, and all primary colors can be used to create it. There are several ways to get brown:

• Classic: green + red in proportions 50:50.
• The main trio: blue + yellow + red in the same amount.
• Mixing: blue + orange or gray + orange. You can vary the intensity of the hue by adding less or more gray.
• Optional: green + purple + orange. This shade is obtained with a pleasant red or red tint. You can also mix yellow + purple - the color will turn out with a yellowish tint.

What colors of paints must be mixed to get purple

The easiest way to get purple is to mix red and blue in equal proportions. True, the shade will turn out to be dirty, and it will need to be adjusted.

To make the tone colder, take 2 parts blue and 1 part red and vice versa.

To achieve lavender and lilac, the resulting dirty purple must be diluted with white. The more white, the lighter and softer the shade will be.

Dark purple can be obtained by gradually adding black or green to the original color.

What colors of paint must be mixed to get red

Red is considered the base color and is present in any artistic palette. However, you can get red by mixing purple (magenta) and yellow in a 1:1 ratio. You can also mix a carmine shade with yellow - you get a more intense red. You can make it lighter by adding more yellow and vice versa. Shades of red can be obtained by adding orange, pink, yellow, white to the base red.

What colors of paints should be mixed to get beige

Beige is a neutral and dependent color, it has many shades, which can be obtained by varying the amount of added white and yellow tint.

The easiest way to get beige is to mix brown and white.

To make the color more contrast, you can add a little yellow.

Nude beige can be obtained by mixing scarlet, blue, yellow and white. The ivory shade is created by mixing golden ocher and white paint.

Green can be achieved by mixing equal parts yellow and blue. Get a grassy green shade. If you add white color to it, the mixture will lighten. By mixing brown or black pigment, you can achieve an emerald, marsh, olive, dark green hue.

What colors of paint should be mixed to get gray

The classic tandem for getting gray is black + white. The more white, the lighter the finished shade will turn out.

• You can also mix red, green and white. The color will turn out with a slight yellow tint.
• A gray-blue shade can be created by mixing orange with blue and white.
• If you mix yellow with purple and white, you get a gray-beige shade.

What colors of paint should be mixed to get black

Black is the base monochrome color. It can be obtained by mixing magenta with yellow and cyan. Also, artists often mix green and red, but the resulting shade will not be jet black. Saturated black color gives a mixture of orange with blue and yellow with purple. To get the shade of the night sky, you can add a little blue to the finished color, and a drop of white to lighten it.

What colors of paint must be mixed to get blue

Blue is the main color in the palette and it is quite difficult to get it by mixing. It is believed that it can be obtained by adding a little yellow to green, but in practice it turns out more of a blue-green tint. You can mix purple with blue, the shade will be deep, but dark. You can lighten it up by adding a drop of white.

What colors of paints must be mixed to get yellow

Basic yellow cannot be obtained by mixing other shades. Something similar comes out if you add green to orange. Variations of yellow are obtained by adding other tones to the base. For example, lemon is a mixture of yellow, green and white. Sunny yellow is a mixture of basic yellow, white and red droplets.

What colors of paint should be mixed to get pink

The easiest option is to mix red and white. The more white, the lighter the shade will turn out. It is important to know that the tone depends on which red you choose:

• Scarlet + white will give a pure pink color.
• Brick red + white - peach pink.
• Blood red + purple gives a fuchsia shade.
• Orange-pink can be obtained by adding yellow paint to scarlet and white.

What colors of paints must be mixed to get orange

Orange can be obtained by mixing red and yellow.

• A less saturated shade will be obtained if a pink pigment is added to the yellow paint.
• Terracotta orange is the result of a base orange mixed with blue or purple.
• Dark shades are achieved by mixing red, yellow and black.
• If you add brown instead of black, you get red orange.

We vary the intensity of the tone by adding more white or black.

Color mixing table

Primary colors (blue, yellow, red) are almost impossible to obtain by mixing other shades. But with their help you can create the whole color palette!

Knowing the basic rules of color, it will be easier to figure out the decoration and get the right shade!

Everyone knows that by combining 3 primary colors (red, yellow and blue), you can achieve any other color. This theory was developed by Leonardo da Vinci in antiquity. The conclusion from the theory can be drawn such that it is impossible to obtain primary colors by mixing others. But what to do and, for example, how to get red? To resolve the issue, let's approach it from a practical point of view and consider how red is made in a printing house, how artists get it, and what needs to be done for this.

The red color in the printing house is made by mixing other primary colors. The CMYK color model is used here. All the difference in the colors of the model used is made by mixing the desired base colors:

• blue - cyan
• Magenta (violet) - magenta
• yellow
• black

As in other color models, you need to take at least 2 colors, and in our case, red on printed products is made by a combination of 2 process colors: purple (magenta) and yellow. This method is also used to make color engravings. If you get these paints, you can make not only red, but also achieve its shades by adjusting the ratio of yellow and purple (violet). The range of red colors will be from pale purple to rich orange-red.

Mixing yellow and purple makes red

Info: In addition to printing, the CMYK model underlies most printers. It is also used in professional painting of cars, decoration of interiors and facades of buildings, in fabric production.

natural red

In addition to artificially obtaining color, it can easily be made from natural materials. So bedstraw flowers allow you to color objects in bright red. To prepare such a paint, the flowers are dried and boiled with alum for half an hour. Safflower and St. John's wort flowers are also suitable for making red dye by boiling water until thick. Cherry paint, similar in color, is made from orange lichen. You need to finely chop the lichen and mix with baking soda (it is better to use a solution), wait 3-4 minutes and you can use it.

In nature, red color can be found quite often. Therefore, its various shades are sometimes named after their natural hosts: fruits, minerals and berries. Among them you can find such names as: raspberry, pomegranate, cherry, coral, blue, wine, burgundy. All such colors form the red range.

Red shades in painting are made on the basis of pigments of warm and cold shades. Ruby or purple quinacridone should be classified as cold, light cadmium, orange sienna (natural and burnt) as warm.

RGB and CMYK color models

Interaction with other colors

Many people wonder if it is possible to make red from other colors, for example, pink. Our answer is no! If you replace purple with pink and mix with yellow, then you will not see red, there will only be its likeness.

Burgundy from red is obtained by mixing with black. Depending on the types of paints, the ratio can be up to 2:1 (you need 2 parts red and 1 black). By changing the concentration, you can make different shades of burgundy.

Another question, what happens if you mix red and yellow? Answer: get orange.

The most popular question is: “what do we get when we mix red and blue paints?”. To clarify, let's look at the RGB (red, green, blue) color model, where you can clearly see that using blue in combination with red, we get purple.

Conclusion

The base colors for red are yellow and magenta (violet). To make the desired color when mixing, it is not necessary to take artificial paints, you can use natural ones. Red is the base color in the RGB model and must be mixed with green and blue to make other colors.

We offer you to watch an interesting video

Knowledge of color mixing options can be useful not only in the professional activities of artists. The individual design of living space often raises the question of how to achieve this or that interesting halftone before the designer. The proposed combination options and the color mixing table will help you get the desired effect.

Everyday life is filled with the widest range of all kinds of colors. To get the right one, you need to know the intricacies of combining.

Blue, red and yellow paint are three pillars on which a wide palette of halftones rests. It is impossible to form these colors as a result of mixing other colors. At the same time, their combination with each other gives an unusually many combinations.

Important! You can create a variety of shades by mixing only two colors by changing their proportions.

Depending on the volume of one part of the paint added to another, the resulting result approaches one or another original color. One of the most famous examples is the mixing of blue and yellow, resulting in green. The result obtained by adding new portions of yellow paint will gradually change, as close as possible from green to yellow. You can return to blue by adding more of the original element to the green mixture.

Mixing chromatic colors that are close to each other on the color wheel gives a paint that does not have a pure tone, but has an expressive chromatic tint. Combining colors on opposite sides of the chromatic circle will result in an achromatic tone. An example is the combination of orange or magenta with green. That is, a mixture of colors closely spaced in the color wheel gives a rich chromatic hue, the maximum removal of colors from each other when mixed leads to a grayish tone.

Separate paints, when interacting, give an undesirable chemical reaction, which may result in cracking of the decorative layer. In some cases, the resulting background may darken or gray. A good example is a mixture of white lead and red cinnabar. Attractive pink color darkens over time.

It is optimal when the impression of multicolor is achieved by mixing the minimum number of colors. At the same time, it is important to consider which paints, as a result of mixing with each other, give a stable result, and which ones cannot be combined. The knowledge gained allows us to exclude from the work the paints that fade or darken in the future.

The table of undesirable mixtures below will help reduce the risk of erroneous combinations:

Having tried the above examples in practice, future painters and designers will gain valuable professional experience.

Methods for obtaining red and its shades

Red is one of the top three primary colors and is always present even in the smallest sets. But for mass printing, magenta tone is used. The answer to the question of how to get red is quite simple: mix the proposed magenta with yellow in a 1: 1 ratio. There are other options to get red when mixing paints:

In the center is the main red. Next are the mixing options. The next circle is the result of combining the first two colors. In conclusion, color options are presented when red, black or white paint is added to the final result.

Blue and its shades

Blue belongs to the primary colors, so blue paint is required to form all its shades.

Attention! No combination of other colors gives a shade of blue, so the presence of this paint in the kit is mandatory.

Even with a set of 12 colors available, the question periodically arises of how to get blue. The classic tone is called "royal", and in a set of acrylic paints, ultramarine color is often the main one, which has a bright dark tint with a purple undertone. To achieve a lighter effect, mixing blue and white in a ratio of 3: 1 allows. An increase in white leads to a lighter tone up to sky blue. If you want to achieve a moderately saturated result, dark blue paint is mixed with turquoise.

What colors need to be mixed to get shades of blue, consider below:

• The effect of a dark blue-green tone is achieved by mixing blue and yellow paint in equal proportions. The addition of white paint will result in a lighter hue with a simultaneous decrease in brightness due to the combination of 3 elements.
• Prussian blue is created by mixing 1 part of the main blue and adding 1 part of the composition of bright green and light green. A rich and deep shade can be diluted with white, and its purity will not change.
• The combination of blue and red in a ratio of 2:1 gives blue with a hint of purple. Adding white allows you to lighten a dark and saturated tone.
• The brightness of royal blue is different, a similar effect is achieved by mixing the main blue with magenta pink in equal parts. The admixture of white traditionally brightens the result.
• The combination with orange gives a gray mass. Replacing orange with brown at a ratio of 1:2 to the base creates a dark color with a complex gray-blue tint.
• The formation of dark blue is done with the help of black admixture in the ratio of 3:1.
• Mixing the base color with white allows you to create a blue tone on your own.

A small table of combination options is presented below:

green color palette

Solving the problem of how to get green in case it is not in the set is quite simple: connect yellow and blue. A rich palette of green halftones is created by changing the proportions of the original components and adding additional elements that perform the function of darkening or lightening. This role is played by black and white paint. The effect of olive and khaki is achieved by mixing the two main elements (yellow and blue) and a slight admixture of brown.

Comment! The saturation of green depends entirely on the quality of the constituent elements: the intense tones of the source guarantee a bright result.

If green is obtained by mixing, then all subsequent midtones will be dimmer. Therefore, it is better to experiment with a gamut of green, having an initially ready-made primary color. There are many combination options:

• The combination of equal proportions of blue and yellow gives grassy green.
• Increasing yellow to 2 parts with the addition of 1 part blue results in a yellow-green effect.
• Experimenting on the contrary in the form of a blue-yellow ratio of 2: 1 will produce a blue-green tone.
• If you add ½ of black to the previous composition, you will achieve a dark green effect.
• Light green warm tone is formed from yellow, blue and white paint in a ratio of 1:1:2.
• For a similar light green shade, but a cold tone, you need to take yellow, blue and white bases in a ratio of 1:2:2.
• Dark olive color is formed by mixing in equal parts yellow, blue and brown paint.
• A gray-brown tone is obtained from similar elements in a ratio of 1: 2: 0.5.

The expressiveness of the green color is directly dependent on the original elements, respectively, the brightness of the midtones is repelled by the saturation of the green. A visual representation of the blending options is given by the graphic palette:

As in the case of the red circle, the main paint is located in the center, followed by mixing options, then the result of the experiments. The final circle is the shades of the previous level when adding the main, white or black paint.

Other combination options

There are many other tricks to create the desired effect by adding some kind of dye to the base color. The answer to the question of how to get ivory color is multifaceted and depends on the surface where the paint is planned to be applied. The easiest option is to mix a snow-white base base with a yellowish one. For example, yellowish ocher or a minimal amount of strontium is added to whitewash. To tint paper, a small amount of potassium permanganate is diluted in water. A light pink shade indicates a properly diluted solution. A cotton swab, brush or sponge is wetted in the resulting composition, after which the surface of the paper is processed.

Advice! For double-sided tinting, the sheet can be lowered for a couple of minutes into a container with a solution of potassium permanganate. After drying, it will acquire the desired effect of ivory.

There are also several ways to get black:

• by mixing the three basic colors of red, blue and yellow;
• when combining cyan, magenta and yellow;
• by combining green and red, but the result will not be 100% clear, but only close to the desired effect.

We will try to answer the most popular questions about mixing options:

• How to get a crimson color: the base is blue with the addition of red, white and brown.
• You can get turquoise, the second name of which is aquamarine, by mixing blue and green. Depending on the proportions, the tones of the new shade range from soft pastels to intense and bright.
• How to get yellow? It belongs to the main ones and it is impossible to obtain it by combining other paints. Something similar to yellow can be created with watercolors by combining green and orange or red. But it is impossible to achieve purity of tone in this way.
• How to get a brown tint? To do this, you need basic paints: red, yellow and blue. First, a small amount of yellow is added to the red (in an approximate ratio of 10: 1), then the volume is gradually increased until an orange tone is obtained. After that, they proceed to the introduction of the blue element, 5-10% of the total volume will be enough. Minor adjustments to the proportions will produce a wide variety of brown effects.
• The combination of black and white elements in various proportions gives a diverse range of gray tones.

As you can see, there are countless options to achieve the desired effect in the creative design process. A table with options for mixing colors and videos will supplement the information provided:

The color mixing table allows you to find out how to get the right one when mixing two or more colors and shades.

Such a table is used in various fields of art - fine art, modeling, and others. It can also be used in construction when mixing paints and plasters.

Color mixing table 1

Color mixing table 2

Mixing paints
black= brown + blue + red in equal proportions
black= brown + blue.
gray and black\u003d blue, green, red and yellow are mixed in equal proportions, and then one or the other is added to the eye. it turns out you need more blue and red
black= you can mix red, blue and brown
black= red, green and blue. You can also add brown.
bodily= red and yellow paint .... just a little. After kneading, if it turns yellow, then add a little red, if it turns pink, a little yellow paint. If the color is very saturated, add a piece of white mastic and knead again
dark cherry= red + brown + some blue (cyan)
strawberry\u003d 3 parts pink + 1 hour red
Turkish\u003d 6 hours sky blue + 1 hour yellow
silver gray= 1 hour black + 1 hour blue
dark red= 1 hour red + a little black
rust color\u003d 8 hours orange + 2 hours red + 1 hour brown
greenish\u003d 9 hours sky blue + a little yellow
dark green= green + some black
lavender\u003d 5 hours pink + 1 hour lilac
bodily= a little copper color
nautical=5h blue + 1 hour green
peach=2h. orange + 1h. dark yellow
dark pink=2h. red + 1 hour brown
Navy blue=1h. blue+1h Lilac
avocado= 4 hours yellow + 1 hour green + a little black
coral\u003d 3 hours pink + 2 hours yellow
gold\u003d 10 hours yellow + 3 hours orange + 1 hour red
plum = 1 hour purple + a little red
light green= 2 hours purple + 3 hours yellow

red + yellow = Orange
red + ocher + white = apricot
red + green = brown
red + blue = violet
red + blue + green = black
yellow + white + green = citric
yellow + cyan or blue = green
yellow + brown = ocher
yellow + green + white + red = tobacco
blue + green = sea ​​wave
orange + brown = terracotta
red + white = coffee with milk
brown + white + yellow = beige
light green=green+yellow, more yellow,+white= light green

lilac=blue+red+white, more red and white, +white= light lilac
lilac= red with blue, with red predominating
pistachio paint obtained by mixing yellow paint with a small amount of blue