» Jonathan Franzen, author of "Corrections" and "Freedom" - family sagas that have become events in world literature. On this occasion, book critic Lisa Birger compiled a brief educational program on the main prose writers of recent years - from Tartt and Franzen to Houellebecq and Eggers - who wrote the most important books of the 21st century and deserve to be called new classics.
Lisa Birger
Donna Tartt
One novel in ten years - such is the productivity of the American novelist Donna Tartt. So her three novels - "The Secret History" in 1992, "The Little Friend" in 2002 and "The Goldfinch" in 2013 - this is a whole bibliography, a dozen articles in newspapers and magazines will be added to it at most. And this is important: Tartt is not just one of the main authors since the novel "The Goldfinch" won the Pulitzer Prize and demolished all the top lines of all the world's bestseller lists. She is also a novelist, keeping an exceptional fidelity to the classical form.
Starting with his first novel, The Secret History, about a group of antique students overindulged in literary games, Tartt brings the hulking genre of the big novel into the light of modernity. But the present is reflected here not in details, but in ideas - for us, today's people, it is no longer so important to know the name of the killer or even to reward the innocent and punish the guilty. We just want to open our mouths and froze in surprise, to watch how the gears rotate.
What to read first
After the success of The Goldfinch, its heroic translator Anastasia Zavozova retranslated Donna Tartt's second novel, The Little Friend, into Russian. The new translation, freed from the mistakes of the past, finally pays tribute to this spellbinding novel, whose main character goes too far to investigate the murder of her little brother, is both a horror tale of the mysteries of the South and a harbinger of the future boom of the young adult genre.
Donna Tart"Little friend",
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Who is close in spirit
Donna Tartt is often ranked with another savior of the great American novel, Jonathan Franzen. For all their obvious difference, Franzen turns his texts into a persistent commentary on the state of modern society, and Tartt is quite indifferent to modernity - both of them feel like the successors of the classic great novel, feel the connection of the centuries and build it for the reader.
Zadie Smith
An English novelist, about whom there is much more noise in the English-speaking world than in the Russian-speaking one. At the beginning of the new millennium, it was she who was considered the main hope of English literature. Like so many modern British writers, Smith belongs to two cultures at once: her mother is from Jamaica, her father is English, and it was the search for identity that became the main theme of her first novel, White Teeth, about three generations of three British blended families. "White Teeth" is notable primarily for Smith's ability to abandon judgments, not to see the tragedy in the inevitable clash of irreconcilable cultures and at the same time the ability to sympathize with this other culture, not to despise it - although this confrontation itself becomes an inexhaustible source of her caustic wit.
In her second novel, On Beauty, the collision of two professors turned out to be just as irreconcilable: one is a liberal, the other is a conservative, and both are studying Rembrandt. Perhaps it is the conviction that there is something that unites us all, despite differences, whether it be favorite paintings or the ground we walk on, that distinguishes Zadie Smith's novels from hundreds of similar identity seekers.
What to read first
Unfortunately, Smith's latest novel, "Northwest" ("NW"), was never translated into Russian, and it is not known what will happen to the new book "Swing Time", which will be released in English in November. Meanwhile, "North-West" is, perhaps, the most successful and, perhaps, even the most understandable book for us about collisions and differences. In the center is the story of four friends who grew up together in the same neighborhood. But someone managed to achieve money and success, but someone did not. And the further, the more socio-cultural differences become an obstacle to their friendship.
Zadie Smith"NW"
Who is close in spirit
Who is close in spirit
Next to Stoppard one is drawn to put some great figure of the last century like Thomas Bernhard. After all, his dramaturgy is, of course, very much connected with the 20th century and the search for answers to difficult questions posed by his dramatic history. In fact, Stoppard's closest relative in literature - and no less dear to us - is Julian Barnes, in which, in the same way, through the connections of times, the life of the timeless spirit is built. Nevertheless, the confused patter of Stoppard's characters, his love of absurdism and attention to the events and heroes of the past are reflected in modern drama, which should be sought in the plays of Maxim Kurochkin, Mikhail Ugarov, Pavel Pryazhko.
Tom Wolfe
The legend of American journalism - his "Candy-colored orange-petal streamlined baby", published in 1965, is considered the beginning of the "new journalism" genre. In his first articles, Woolf solemnly proclaimed that the right to observe and diagnose society now belonged to journalists, not novelists. After 20 years, he himself wrote his first novel, The Bonfires of Ambition, and today, 85-year-old Wolfe is still cheerful and throws himself at American society with the same fury to tear it to shreds. However, in the 60s, he just didn’t do this, then he was still fascinated by eccentrics going against the system, from Ken Kesey with his drug experiments to the guy who invented a giant lizard costume for himself and his motorcycle. Now Wolfe himself has become this anti-systemic hero: a Southern gentleman in a white suit with a wand, despising everyone and everything, deliberately ignoring the Internet and voting for Bush. His main idea - everything around is so crazy and crooked that it is already impossible to choose a side and take this curvature seriously - should be close to many.
It's hard to miss The Bonfires of Ambition - a great novel about New York in the 80s and the clash of the black and white worlds, the most decent translation of Wolfe into Russian (the work of Inna Bershtein and Vladimir Boshnyak). But you can't call it simple reading. The reader who is not at all familiar with Tom Wolfe should read "Battle for Space", a story about the Soviet-American space race with its dramas and human casualties, and the latest novel "Voice of Blood" (2012) about the life of modern Miami. Wolfe's books once sold in the millions, but his latest novels have not been as successful. And yet, for the reader, not weighed down by memories of Wolfe of better times, this critique of everything should make a stunning impression.
Who is close in spirit
The New Journalism, unfortunately, gave birth to a mouse - on the field where Tom Wolfe, Truman Capote, Norman Mailer and many others once ran rampant, only Joan Didion and the New Yorker magazine, which still prefers emotional stories in present tense in the first person. But the comics became the real successors of the genre. Joe Sacco and his graphic reports (so far only Palestine has been translated into Russian) - the best of what literature has managed to replace free journalistic chatter.
Leonid Yuzefovich
In the minds of the mass reader, Leonid Yuzefovich remains the man who invented the genre of historical detective stories, which has so comforted us in recent decades - his books about the detective Putilin came out even earlier than Akunin's stories about Fandorin. It is noteworthy, however, not that Yuzefovich was the first, but that, as in his other novels, a real person becomes the hero of detectives, the first head of the detective police of St. written) were published as early as the beginning of the 20th century. Such accuracy and attentiveness to real characters is a hallmark of Yuzefovich's books. His historical fantasies do not tolerate lies, and they do not appreciate fiction. Here, starting from the first success of Yuzefovich, the novel "The Autocrat of the Desert" about Baron Ungern, published in 1993, there will always be a real hero in real circumstances, conjectured only where there are blind spots in the documents.
However, in Leonid Yuzefovich, what is important for us is not so much his loyalty to history as the idea of how this history grinds absolutely all of us: whites, reds, yesterday and the day before yesterday, tsars and impostors, everyone. The further in our time, the more clearly the historical course of Russia is felt as inevitable, and the more popular and significant is the figure of Yuzefovich, who has been talking about this for 30 years.
What to read first
First of all - the last novel "Winter Road" about the confrontation in Yakutia in the early 20s of the white general Anatoly Pepelyaev and the red anarchist Ivan Strod. The clash of armies does not mean a clash of characters: they are united by common courage, heroism, even humanism, and, ultimately, a common destiny. And now Yuzefovich was the first who was able to write the history of the Civil War without taking sides.
Leonid Yuzefovich"Winter road"
Who is close in spirit
The historical novel has found fertile ground in Russia today, and a lot of good things have grown on it over the past ten years - from Alexei Ivanov to Evgeny Chizhov. And even if Yuzefovich turned out to be a pinnacle that cannot be taken, he has wonderful followers: for example, Sukhbat Aflatuni(under this pseudonym the writer Yevgeny Abdullaev is hiding). His novel "The Adoration of the Magi" about several generations of the Triyarsky family is about the complex connections of the eras of Russian history, and about the strange mysticism that unites all these eras.
Michael Chabon
An American writer whose name we will never learn to pronounce correctly (Shibon? Chaybon?), so we will stick to the mistakes of the first translation. Growing up in a Jewish family, Chabon heard Yiddish from childhood and, along with what normal boys usually feed on (comics, superheroes, adventures, you might add), he was fed by the sadness and doom of Jewish culture. As a result, his novels are an explosive mixture of everything that we love. There is Yiddish charm and the historical heaviness of Jewish culture, but all this is combined with entertainment of the right kind: from noir detectives to escapist comics. This combination turned out to be quite revolutionary for American culture, clearly sawing the audience on smart and fools. In 2001, the author received the Pulitzer Prize for his most famous novel, The Adventures of Kavalier and Clay, in 2008, the Hugo Award for The Union of Jewish Policemen, and since then somehow calmed down, which is a shame: it seems that Chabon's main word in literature has not yet been said. His next book, Moonlight, will be released in English in November, but it's not so much a novel as an attempt to document the biography of an entire century through the story of the writer's grandfather told to his grandson on his deathbed.
Chabon's most deservedly famous text is "The Adventures of Kavalier and Clay" about two Jewish cousins who invented the superhero Escapist in the 40s of the last century. An escapist is a kind of Houdini on the contrary, saving not himself, but others. But miraculous salvation can only exist on paper.
Another well-known text by Chabon, The Union of Jewish Policemen, goes even further into the genre of alternative history - here the Jews speak Yiddish, live in Alaska and dream of returning to the Promised Land, which never became the State of Israel. Once upon a time, the Coens dreamed of making a film based on this novel, but for them there is probably too little irony in it - but just right for us.
Michael Chabon"The Adventures of Cavalier and Clay"
Who is close in spirit
Perhaps it is Chabon and his complex search for the right intonation for talking about escapism, roots, and one's own identity that are to be thanked for the emergence of two brilliant American novelists. This Jonathan Safran Foer with his novels "Full Illumination" and "Extremely Loud and Incredibly Close" - about a journey to Russia in the footsteps of a Jewish grandfather and about a nine-year-old boy who is looking for his father who died on September 11th. AND Juneau Diaz with the intoxicating text "The Short Fantastic Life of Oscar Wao" about a gentle fat man who dreams of becoming a new superhero, or at least a Dominican Tolkien. He will not be able to do this because of the family curse, the dictator Trujillo and the bloody history of the Dominican Republic. Both Foer and Diaz, by the way, unlike poor Chabon, are perfectly translated into Russian - but, like him, they explore the dreams of escapism and the search for identity of not the second, but, say, the third generation of emigrants.
Michel Houellebecq
If not the main one (the French would argue), then the most famous French writer. We kind of know everything about him: he hates Islam, is not afraid of sex scenes and constantly claims the end of Europe. In fact, Houellebecq's ability to construct dystopias is polished from novel to novel. It would be dishonest for the author to see in his books only a momentary criticism of Islam or politics or even Europe - society, according to Houellebecq, is doomed for a long time, and the causes of the crisis are much worse than any external threat: it is the loss of personality and the transformation of a person from a thinking reed into a set of desires and functions.
What to read first
If we assume that the reader of these lines never discovered Houellebecq, then it’s worth starting not even with the famous dystopias like “Platform” or “Submission”, but with the novel “Map and Territory”, which received the Goncourt Prize in 2010, an ideal commentary on modern life, from its consumerism to its art.
Michel Houellebecq"Map and Territory"
Who is close in spirit
In the genre of dystopia, Houellebecq has wonderful associates among, as they say, living classics - an Englishman Martin Amis(also repeatedly opposed Islam, which requires a total loss of personality from a person) and a Canadian writer Margaret Atwood, interfering with genres for the persuasiveness of its dystopias.
A wonderful rhyme to Houellebecq can be found in the novels Dave Eggers who spearheaded a new wave of American prose. Eggers began with huge size and ambition with a coming-of-age novel and new prose manifesto, A Heartbreaking Work of Stunning Genius, founded several literary schools and magazines, and more recently delighted readers with biting dystopias such as The Sphere, a novel about an internet corporation that took over peace to such an extent that its employees themselves were horrified by what they had done.
Jonathan Coe
A British writer who brilliantly continues the traditions of English satire, no one knows how to smash modernity to shreds with pinpoint blows. His first major success was What a Swindle (1994), about the dirty secrets of an English family from the time of Margaret Thatcher. With an even greater sense of poignant recognition, we read the duology "The Cancer Club" and "The Circle Is Closed" about three decades of British history, from the 70s to the 90s, and how modern society became what it has become.
The Russian translation of Number 11, the sequel to What a Swindle, which takes place in our time, will be released early next year, but we still have a lot to read: Coe has a lot of novels, almost all of them have been translated into Russian. They are united by a strong plot, impeccable style and everything that is commonly called writing skills, which in the reader's language means: you take the first page and do not let go until the last.
What to read first
. If Coe is compared to Lawrence Stern, then Coe next to him will be Jonathan Swift, even with his midgets. Among the most famous books of Self are “How the Dead Live” about an old woman who died and ended up in parallel London, and the novel “The Book of Dave”, never published in Russian, in which the diary of a London taxi driver becomes a Bible for the tribes that inhabited the Earth later 500 years after the ecological catastrophe.Antonia Byatt
The philological grand dame, who received the Order of the British Empire for her novels, it seemed that Antonia Byatt always existed. In fact, Possessing was only published in 1990, and today it is being studied in universities. Byatt's main skill is the ability to talk to everyone about everything. All plots, all themes, all eras are connected, a novel can be simultaneously romantic, love, detective, chivalrous and philological, and according to Byatt one can really study the state of minds in general - her novels somehow reflected every topic that interested humanity in the last couple of hundred centuries.
In 2009, Antonia Byatt's "Children's Book" lost the Booker Prize to "Wolf Hall" by Hilary Mantel, but this is a case in which history will remember the winners. In some ways, The Children's Book is a response to the boom in children's literature in the 19th and 20th centuries. Byatt noticed that all the children for whom these books were written either ended badly or lived an unhappy life, like Christopher Milne, who until the end of his days could not hear about Winnie the Pooh. She came up with a story about children living on a Victorian estate and surrounded by fairy tales that a writer-mother comes up with for them, and then bam - and the First World War begins. But if her books were described so simply, then Byatt would not be herself - there are a thousand characters, a hundred microplots, and fairy tale motifs are intertwined with the main ideas of the century.
Sarah Waters. Waters began with erotic Victorian novels with a lesbian twist, but ended up with historical love books in general - no, not romance novels, but an attempt to unravel the mystery of human relationships. Her best book to date, The Night Watch, showed people who found themselves under the London bombings of World War II and immediately lost. Otherwise, Byett's favorite theme of the connection between man and time is explored by Keith Atkinson- the author of excellent detective stories, whose novels "Life after life" and "Gods among men" try to embrace the entire British twentieth century at once.Cover: Beowulf Sheehan/Roulette
Connoisseurs of literature express themselves ambiguously about the work of modern Russian writers: some seem to them uninteresting, others - rude or immoral. One way or another, they raise the actual problems of the new century in their own books, so young people love and read them with pleasure.
Directions, genres and contemporary writers
Russian writers of the current century prefer to develop new literary forms, completely unlike Western ones. In the last few decades, their work has been represented by four directions: postmodernism, modernism, realism and post-realism. The prefix "post" speaks for itself - the reader should expect something new that followed to replace the old foundations. The table shows various trends in the literature of this century, as well as books by the most prominent representatives.
Genres, works and contemporary writers of the 21st century in Russia |
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Postmodernism | Sots Art: V. Pelevin - "Omon-Ra", M. Kononov - "Naked Pioneer"; Primitivism: O. Grigoriev - "Vitamin Growth"; Conceptualism: V. Nekrasov; Post-postmodernism: O. Shishkin - "Anna Karenina 2"; E. Vodolazkin - "Laurel". |
Modernism | Neo-futurism: V. Sosnora - "Flute and Proseisms", A. Voznesensky - "Russia is Risen"; Neo-primitivism: G. Sapgir - "New Lianozovo", V. Nikolaev - "The ABC of the Absurd"; Absurdism: L. Petrushevskaya - "Again 25", S. Shulyak - "Consequence". |
Realism | A modern political novel: A. Zvyagintsev - "Natural Selection", A. Volos - "Kamikaze"; Satirical prose: M. Zhvanetsky - "Test by money", E. Grishkovets; Erotic prose: N. Klemantovich - "Road to Rome", E. Limonov - "Death in Venice"; Socio-psychological drama and comedy: L. Razumovskaya - "Passion at a Dacha near Moscow", L. Ulitskaya - "Russian Jam"; Metaphysical realism: E. Schwartz - "The last time inscription", A. Kim - "Onliria"; Metaphysical idealism: Y. Mamleev - "Eternal Russia", K. Kedrov - "Inside out". |
Postrealism | Women's prose: L. Ulitskaya, T. Salomatina, D. Rubina; New military prose: V. Makanin - "Asan", Z. Prilepin, R. Senchin; Youth prose: S. Minaev, I. Ivanov - "The geographer drank away the globe"; Non-fiction prose: S. Shargunov. |
New ideas of Sergey Minaev
"Duhless. The Tale of a Fake Man" is a book with an unusual concept that contemporary writers of the 21st century in Russia have not previously touched upon in their work. This is the debut novel by Sergei Minaev about the moral flaws of a society in which depravity and chaos reign. The author uses swearing and obscene language to convey the character of the protagonist, which does not bother readers at all. The top manager of a large canning company turns out to be a victim of swindlers: he is offered to invest a large amount in the construction of a casino, but is soon deceived and left with nothing.
"The Chicks. A Tale of Fake Love" tells how difficult it is to maintain a human face in an immoral society. Andrei Mirkin is 27 years old, but he is not going to get married and instead starts an affair with two girls at the same time. Later, he learns that one is expecting a child from him, and the other turns out to be HIV-positive. Quiet life is alien to Mirkin, and he constantly seeks adventures in nightclubs and bars, which does not lead to good.
Popular and critics do not favor Minaev in their circles: being semi-literate, he achieved success in the shortest possible time and made Russians admire his works. The author admits that his fans are mainly viewers of the reality show "Dom-2".
Chekhov's traditions in the work of Ulitskaya
The heroes of the play "Russian Jam" live in an old dacha near Moscow, which is about to come to an end: the sewerage system is out of order, the boards on the floor have long since rotted, electricity has not been supplied. Their life is a real "nail", but the owners are proud of their inheritance and are not going to move to a more favorable place. They have a constant income from the sale of jam, which gets either mice or other muck. Modern writers of Russian literature often borrow ideas from their predecessors. So, Ulitskaya follows Chekhov's tricks in the play: the dialogue of the characters does not work out because of their desire to shout down each other, and against this background, the crack of a rotten floor or sounds from the sewer are heard. At the end of the drama, they are forced to leave the dacha, as the land is bought for the construction of Disneyland.
Features of the stories of Viktor Pelevin
Russian writers of the 21st century often turn to the traditions of their predecessors and use the technique of intertext. Names and details are deliberately introduced into the narrative, which echo the works of the classics. Intertextuality can be traced in Victor Pelevin's story "Nika". The reader feels the influence of Bunin and Nabokov from the very beginning, when the author uses the phrase "easy breathing" in the narrative. The narrator quotes and mentions Nabokov, who masterfully described the beauty of a girl's body in the novel Lolita. Pelevin borrows the manners of his predecessors, but opens up a new "trick of deceit". Only at the end you can guess that the flexible and graceful Nika is actually a cat. Pelevin brilliantly manages to deceive the reader in the story "Sigmund in a Cafe", where the main character turns out to be a parrot. The author drives us into a trap, but from this we get more pleasure.
Realism by Yuri Buida
Many modern writers of the 21st century in Russia were born decades after the end of the war, so their work is focused mainly on Yuri Buida was born in 1954 and grew up in the Kaliningrad region - a territory that previously belonged to Germany, which was reflected in the title of the cycle of his stories.
"The Prussian Bride" - naturalistic sketches about the difficult post-war period. The young reader sees a reality that he had never heard of before. The story "Rita Schmidt Anyone" tells the story of an orphaned girl who is brought up in terrible conditions. The poor thing is told, "You are the daughter of the Antichrist. You must suffer. You must redeem." A terrible sentence has been passed for the fact that German blood flows in Rita's veins, but she endures bullying and continues to remain strong.
Novels about Erast Fandorin
Boris Akunin writes books differently than other modern writers of the 21st century in Russia. The author is interested in the culture of the past two centuries, so the action of the novels about Erast Fandorin takes place from the middle of the 19th century to the beginning of the 20th. The protagonist is a noble aristocrat who investigates the most high-profile crimes. For valor and courage, he is awarded six orders, but he does not stay long in public office: after a conflict with the Moscow authorities, Fandorin prefers to work alone with his faithful valet, the Japanese Masa. Few contemporary foreign writers write in the detective genre; Russian writers, in particular Dontsova and Akunin, win the hearts of readers with crime stories, so their works will be relevant for a long time to come.
After the collapse of the USSR, its successor Russia went through several very difficult years, which led to negative consequences, including the depreciation of writing and a sharp change in the taste of many readers. Low-grade detective stories, tearful-sentimental novels, etc. have become in demand.
Until relatively recently, science fiction was very popular. Now, some readers prefer the fantasy genre, where the plot of the works is based on fabulous, mythological motifs. In Russia, the most famous writers working in this genre are S.V. Lukyanenko (most of all his fans are attracted by a series of novels about the so-called "watches" - "Night Watch", "Day Watch", "Twilight Watch", etc.), V.V. Kamsha (cycles of novels "Chronicles of Artia", "Reflections of Eterna") and other works). Mention should also be made of N.D. Perumov (pseudonym - Nick Perumov), the author of the epic "The Ring of Darkness" and many other works. Although after the economic crisis of 1998, Nick Perumov moved with his family to the United States.
The most famous Russian detective writers
The cycle of novels about the amateur detective Erast Fandorin, created by the writer G.Sh. Chkhartishvili (creative pseudonym - Boris Akunin). For the first time, Fandorin appears in the novel Azazel as a very young man, a petty official who, thanks to the will of fate and his brilliant abilities, attacks the trail of a powerful conspiratorial organization. Subsequently, the hero steadily rises in rank and takes part in the investigation of more and more complex cases that threaten the very existence of the Russian Empire.
The so-called genre has a huge readership, which fall into the most ridiculous, tragicomic circumstances and unravel crimes (often unwittingly). In this genre, the undisputed leader is the writer A.A. Dontsova (pseudonym - Daria Dontsova), who created several hundred works. Although critics almost unanimously believe that quantity has gone to the detriment of quality, and that most of these books cannot be called literature, Dontsova's work has many admirers. There are many other popular ones in this genre, for example, Tatyana Ustinova.
Publications in the Literature section
Top 5 contemporary writers you need to know
Every year about 100 thousand new books are published in Russia, dozens of previously unknown authors appear. How to choose what to read? "Kultura.RF" tells about contemporary authors who in recent years have become laureates of the largest Russian literary awards, whose books top bookstore sales ratings for months. Critics favor them, famous writers speak flatteringly about them, but the main thing is that their books have become important events in the cultural life of the country.
Evgeny Vodolazkin
Novels "Laurus", "Aviator", a collection of novels and short stories "A completely different time"
Evgeny Vodolazkin. Photo: godliteratury.ru
Evgeny Vodolazkin. "Laurel". LLC "AST Publishing House". 2012
Evgeny Vodolazkin. "Aviator". LLC "AST Publishing House". 2016
A professor of ancient Russian literature, a researcher at the Pushkin House in St. Petersburg, a student of Dmitry Likhachev, a real St. Petersburg intellectual - this is how Evgeny Vodolazkin was represented at lectures, conferences, and meetings a few years ago. Now he is not only one of the most promising authors of modern Russian literature, but also one of the most famous - in a rare store you will not see his books, Vodolazkin's name is among the leaders in library requests.
In 2012, he literally burst into literature with the novel Laurel. The very next year, the novel received two of the most significant domestic awards - Big Book and Yasnaya Polyana, and within two years became popular abroad. Today Lavr has been translated into 23 languages. The latest news was the news about the purchase of rights to a full-length film adaptation of the novel. Everything that the discerning critic and the reader were waiting for came together in the book - a good story about a medieval healer, a rich language, its own special style, mixed with the interweaving of several (historical) plots.
This is not the author's first novel, before that he released The Abduction of Europe (2005), Solovyov and Larionov (2009). In addition, Evgeny Vodolazkin is the compiler of several books about Likhachev: "Dmitry Likhachev and his era" (2002), as well as a collection of memoirs about life on the Solovetsky Islands in different historical periods "Part of land surrounded by sky" (2010) In the footsteps of "Laurus "In 2013, a collection of early novels and short stories" A completely different time "is published.
After the first success, "everyone began to wait for the second" Lavr "- as the author himself said more than once. But an experienced philologist and connoisseur of literature, Yevgeny Vodolazkin, knew that “it is impossible to write a second Lavr,” so the events of the 1917 revolution and its consequences formed the basis of the second novel. The literary premiere in the spring of 2016 was released under the name "Aviator", and the drawing for the cover of the book was made by the artist Mikhail Shemyakin. Even before the release of the book, an excerpt of text throughout the country was being written as part of the Total Dictation educational project. From the day of its release until the end of 2016, the book was in the top sales of the largest stores, received favorable reviews in the press and, as a result, the Big Book Award. Today the author is working on a new novel, which will be dedicated to the era of the second half of the last century.
Guzel Yakhina
The novel "Zuleikha opens her eyes", short stories
Guzel Yakhina. Photo: readly.ru
Guzel Yakhina. Zuleikha opens her eyes. LLC "AST Publishing House". 2015
Guzel Yakhina. Photo: godliteratury.ru
Another bright, unexpected literary debut. First, a young writer from Kazan, Guzel Yakhina, wrote the script "Zuleikha opens her eyes" - the story of the dispossession of Kazakh Tatars in the 1930s. Not finding opportunities to implement it in the cinema, she created a novel of the same name - but it was not published in any way, even the metropolitan "thick" magazines did not take it. For the first time the text was published in the Novosibirsk magazine Siberian Lights. Meanwhile, the manuscript was in the hands of Lyudmila Ulitskaya, she liked the book, and she recommended the novel to her publisher.
“The novel has the main quality of real literature - it hits right in the heart. The story about the fate of the main character, a Tatar peasant woman from the time of dispossession, breathes with such authenticity, authenticity and charm, which are not so common in recent decades in a huge stream of modern prose.- Lyudmila Ulitskaya will later write in the preface to the book.
The literary fate of the novel is somewhat similar to the fate of Vodolazkin's Lavra. In 2015, Zuleikha Opens Her Eyes also receives the Big Book and Yasnaya Polyana awards, is translated into two dozen languages, receives a huge amount of grateful feedback from readers and remains in the top sellers for a long time. After the literary success, the Rossiya-1 TV channel volunteered to film the book in the form of an 8-episode film. Guzel Yakhina dreams that Chulpan Khamatova, also born in Kazan, plays the main role in the series.
Valery Zalotukha
Novel “Candle”, collection “My Father, Miner”
Valery Zalotukha. Photo: kino-teatr.ru
Valery Zalotukha. "Candle". Volume 1. Publishing house "Time". 2014
Valery Zalotukha. "Candle". Volume 2. Publishing house "Time". 2014
Until 2015, the name of Valery Zalotukha was more known in the world of cinema - he was the screenwriter of Khotinenko's films "Makarov", "Muslim", "Roy", "72 meters", and later filmed documentaries. What about in literature? In 2000, the story The Last Communist, published in Novy Mir, was included in the final list of the Russian Booker. After that, Zalotukha's name disappears from the literary horizon for 14 years, twelve of which are spent on the creation of a two-volume, almost 1,700 page, novel Candle. The book turned out to be a rare phenomenon in modern literature against the backdrop of "fast" prose, when works are written quickly and in printed form are placed in a coat pocket. The theme is "dashing 90s", but without references to history, which is also rare for the prose of recent years.
The novel was first noticed not by readers, but by colleagues in the pen. It was they who immediately saw in Valery Zalotukha's multi-stand tome an attempt to create a great Russian novel. That classic novel that the reader remembers from the books of Rasputin, Solzhenitsyn, Astafiev ...
“I fear that all of Zalotukha’s previous screenplays and literary accomplishments will fade before The Candle and he will be remembered as the author of these two massive volumes...- says Dmitry Bykov about the book. - "Candle" is a novel about a good Russian man, which is practically non-existent now. This is another Russian travail. But the charm of this hero is such that everything that happens to him causes our deepest sympathy..
The task that the author sets himself - to write a full-fledged book about the era of the 1990s - aroused keen interest among critics and the public. The result was the award of the Big Book Prize to the novel. Unfortunately, the author himself could not receive the award - a few weeks before the presentation of "Candle" Valery Zalotukha died.
In 2016, the Vremya publishing house posthumously published the book My Father, a Miner, which included all the author’s prose written before Candle. The collection includes the stories "The Last Communist", "The Great Campaign for the Liberation of India", "Makarov", as well as short stories. These works have not been published in print for many years. The collection seemed to return them to the general reader, presenting the author as a talented narrator and master of the short story. A collection of scripts by Valery Zalotukha is being prepared for publication.
Alisa Ganieva
The story "Salam to you, Dalgat"; novels "Festive Mountain", "Bride and Groom"
Alisa Ganieva. Photo: wikimedia.org
Alisa Ganieva. Salam to you, Dalgat! LLC "AST Publishing House". 2010
Alisa Ganieva. Holiday Mountain. LLC "AST Publishing House". 2012
In 2010, Alisa Ganieva made her bright debut with the story Salam to you, Dalgat! The book received the Debut Youth Award in the Large Prose nomination and received favorable reviews from critics and readers. By nationality - Avar, a graduate of the Literary Institute. Gorky, Alisa Ganieva discovered in modern Russian literature (which is important - youth) the theme of the culture of the Caucasus, or rather, native Dagestan. The author talks about the peculiarities of traditions and temperament, and most importantly, about the Europeanization of Dagestan, tries to figure out how the Caucasian republics are merging into the new, 21st century, what difficulties they face, what innovations they adapt to, and what they reject. Sergey Belyakov. "Gumilyov's son of Gumilyov". LLC "AST Publishing House". 2013
Sergei Belyakov. "Shadow of Mazepa". LLC "AST Publishing House". 2016
The name of a historian by education, literary editor Sergei Belyakov was first heard loudly in 2013. Then, for his research in the non-fiction genre "Gumilyov, son of Gumilyov", he was awarded the Big Book Prize. "Gumilyov, the son of Gumilyov" is a fascinating biography of the famous orientalist historian, the son of two great poets of the Silver Age - Anna Akhmatova and Nikolai Gumilyov, - symbolically intertwined with the history of the twentieth century. The second book of Sergei Belyakov was the work at the junction of literature and history "Shadow of Mazepa".
This is not the first time that non-fiction writers have taken the lead. So, back in 2005, Dmitry Bykov received the Big Book Award for the biography of Boris Pasternak, and the 2016 winner Leonid Yuzefovich wrote a book about the Civil War in the same genre. Last year's presentation of the Nobel Prize in Literature to Svetlana Aleksievich, who works in the genre of documentary prose, only strengthened the position of this genre in the literary ranks.
Modern Russian literature is the books of the turn of the 20th and 21st centuries. The culture and art of our days is usually called the era of postmodernity. The number of Russian postmodern authors included many talented writers. We have prepared a selection of eight significant names of modern Russian and, in many respects, world literature.
- Victor Pelevin - this is an author mysterious to the media and the public, who wrote the cult novels Generation P, Chapaev and the Void, Omon Ra, and others. He has received many literary awards, including Big Book, National Bestseller and Small Booker. The pen of the classic of modern prose draws surreal pictures of the artistic world, where post-perestroika space is combined with mythological space, forming a new chaotic super-reality.
- Zakhar Prilepin - the author of modern military prose and a representative of neo-realism, contributing to the establishment of a new type of hero in Russian literature. Prilepin's hero comes from the writer's autobiography. He is a brutal kid, a marginal with many contradictions, one of which is most often the search for God. The author is a laureate of such literary awards as the Prize of the Government of Russia in the field of culture, "Big Book", "Super-Natsbest", as well as a member of the Public Council under the Ministry of Culture Russian Federation.
- Ludmila Ulitskaya - representative of women's modern domestic prose. The first woman whose novel was nominated for the Russian Booker award. Ulitskaya's books, which focus on family, children's and Christian issues, have been translated into many languages of the world.
- Tatyana Tolstaya - the writer, whose name was included in the list of "100 most influential women in Russia", won the hearts of readers with a special narrative style, replete with the author's comparisons and metaphors. Tolstaya actively uses the mytho-poetic tradition. The protagonist of her works - the "little man", sick, fool - always faces a rough reality and reveals his own "I", exposing the existing contradictions in himself and in the world. Tolstoy's calling card is the novel "Kys", written in the original dystopian genre of our generation.
- Aleksey Ivanov - the author of a number of books about the Ural land, such as "The Heart of Parma", "Cherdyn the Princess of the Mountains", "The Geographer Drank His Globe Away", turning his work into a socio-cultural phenomenon. The promotion of Ivanov's works influenced the formation of a unique brand of the Perm Territory and the development of tourism in it: an ethno-cultural festival "The Heart of Parma" appeared, a documentary film "The Ridge of Russia" was shot with Leonid Parfyonov, as well as a well-known feature film based on Ivanov's book " The geographer drank away the globe.
- Ludmila Petrushevskaya. The work of this writer is considered as a complex phenomenon in Russian literature. Being a successor to the traditions of A.P. Chekhov, Petrushevskaya writes in the genre of a short story, accessible to every reader. However, her author's style is characterized by the fusion of many genre and thematic components, which is also characteristic of postmodernist writers.
- Vladimir Sorokin - one of the brightest representatives of the current of Sots Art in Russian literature. Sorokin's works are scandalously naturalistic, physiological, ridiculing and parodying the Soviet and post-Soviet system and its leaders. The language of Sorokin's text is of interest to both researchers and readers. Incredibly complex constructions filled with references, allusions, metaphors, combined with naturalism, require the reader's efforts to get through the external ugly and disgusting narrative to the meaning laid down by the author.
- Mikhail Shishkin. The characteristic features of Shishkin's work are the fragmentation and polyphony of the chronotope. His works are built on the principle of a patchwork quilt, where all parts are sewn together with a single thread. The author makes the interaction of his characters possible, despite the temporal and spatial boundaries. The specificity of the writer's prose is attractive because he himself never manages to indicate the place of action, because "it happens always and everywhere."
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