Music of comedy. It gives you the opportunity to look at yourself from the outside in order to eventually laugh at your mistakes, because comedy is a school of life, and by playing our roles we can learn positive lessons that will gradually lead us from the theater to a hidden deep spiritual essence. Waist is an opportunity to know the price of comedy and a smile.

Today I saw...

Today I saw Thalia, the Muse of Comedy... Her face was lit up with a barely perceptible smile, and for a moment it seemed to me that she was laughing at me, at all of us, at our life and our worries, so alien to the delicate mental warehouse of the Muse.
Completely torn up by everyday troubles, I tried to drive away the vision. I wanted to erase that graceful laughing image, because I decided that now is not the time for fun and comedy, but for sorrows and dramas. But my desire soon vanished, since the Muse, among her other gifts, had the power of suggestion. Then I looked at her and realized that if we "do not dramatize" the events, our own existence will become like a comedy, because everything that happens will be seen by us "from the side" and, in the end, will cause in us an ironic smile of compassion for everything what we have to deal with every day.
I remembered my childhood, when it seemed to me that from morning to evening I should play the role of a good heroine and follow my words and deeds, because they are all seen in an exaggerated form from the stage on which I play. I believed that this whole performance would one day come to an end when the long-awaited curtain fell, and I, behind the heavy backstage, would also be able to close my eyes and fall asleep "for real", and not on stage. Yes, life is a great comedy. And we cannot even boast that we freely choose our roles and can change them. A cursory, unbiased look at History convinces us that most of its most important events took place with a good deal of inexorability. As if everything that happens on the historical stage is controlled by invisible threads, which, willingly or in spite of it, move the action towards the climax. At the time of my Muse, these threads were called "Fate", and the initiates struggled a lot to understand the mechanism of their action...
Yes, life is a comedy. And we all, like Thalia, have a grotesque mask that neither laughs nor cries, but depending on how we look at it, depicts either joy or sadness. We all hide behind this mask, and instead of expressing our state of mind, it carefully hides it so that no one - and not even ourselves - can know what is really happening to us inside. We all put on a great show, trying to atone for our good knowledge of roles and memorization of postures for our lack of inner self-confidence and maturity, which we have never been able to achieve.
But comedy, which is patronized by Thalia, does not cause laughter and does not allow you to forget. It is not a way to escape responsibility and not even a way to have fun. Comedy is the School of Life, and all of us, without exception, playing our roles, should learn positive lessons from here, which will gradually lead us from a play for materialistic masks to a hidden deep spiritual essence that sets scenes in the theaters of life.
We must "look at ourselves from the outside" as a spectacle, in order to finally laugh at our mistakes and regret our innumerable errors, so that then, little by little, ironic and squeamish grimaces of discontent begin to appear on our faces, which will be a sure sign that we recognized themselves in this performance. And then we will understand the price of comedy and smiles. Then we will learn that both on the stage and in the auditorium, first of all, you need to be good actors and good spectators, good people who are aware of their real situation and are ready to improve it, giving all the best to acting on the stage that we are endowed with. Thalia instructs us with a laugh... She has a mask in her hand... She managed to take it off and show us her true face in all its harmonious beauty. She has left the theater and invites us to do the same, following her down the steep paths of inner self-improvement with a sad smile on her face and tears of joy in her eyes.

In ancient Greek mythology, the daughters of the god Zeus and the Titanides Mnemosyne, the goddess of memory (according to another version - Harmony), the goddesses living on Parnassus are nine sisters born in Pieria and bearing the name "Olympic"; patroness of the sciences, poetry and arts. Mentioned in the Iliad and the Odyssey. Their names are: Calliope, Clio, Euterpe, Erato, Terpsichore, Thalia, Polyhymnia and Urania.

Hesiod names all nine muses, however, their spheres of influence were distributed only in the Roman era, when each of the muses became the patroness of a certain type of art or science: Calliope - epic poetry, Clio - history, Euterpe - music, Terpsichore - lyric poetry and dance, Erato - anthem, Melpomene - tragedy, Thalia - comedy, Polyhymnia - pantomime, Urania - astronomy. (However, the spheres of influence of the Muses have repeatedly varied.) Apollo was considered the patron of the Muses, as depicted in Raphael's painting "Parnassus".

Each muse had its own attribute - a symbolic object that speaks of which principle it is associated with. So, Calliope, the muse of epic poetry, was depicted with a waxed tablet and style - a writing stick. This muse evoked a sense of sacrifice in a person, encouraged him to overcome the fear of fate, inspired warriors to exploits. Clio is the muse of history, her attributes are a scroll of parchment or a tablet (a board with letters). Clio reminds of what a person can achieve, helps to find his destiny. Melpomene is the muse of tragedy, she has a tragic mask in her hands, and Thalia, the muse of comedy, has a comic one. Melpomene and Thalia personify the theater of life, life experience. Polyhymnia is the muse of sacred hymns, faith turned into music. Polyhymnia is modesty and prayer, an appeal to everything dear and sacred, its attribute is the lyre. Terpsichore, the muse of dance, reveals to people the harmony between the external and internal, soul and body. She was depicted either with a lyre or dancing. The muse of astronomy and the starry sky, Urania, holds the celestial sphere in her hands and personifies the principle of knowledge, the sacred craving for everything high and beautiful, for the sky and the stars. Euterpe's attribute is a flute, this is the muse of music, prompted by Nature herself, giving people purification. And, finally, Erato, the muse of love and love lyrics, has a lyre or plectrum in his hands. Erato is associated with the principle of Great Love, which gives wings.

According to Pausanias, the first who honored the Muses and made sacrifices to them on Helikon were not poets and singers, but the terrible giants of the Aload - Ot and Ephialtes. They introduced the cult of the Muses and gave them names, believing that there were only three Muses: Meleta ("experience"), Mnema ("memory") and Aoida ("song"). In the course of time, Pier (after whom the mountain was named) arrived from Macedonia, he established the number of the Muses (nine) and gave them names. The poet Mimnermus claimed that the older Muses are the daughters of Uranus and Gaia, while the younger ones are the daughters of Zeus.

The chthonic past of the Muses is also evidenced by the offspring that the Muses, being the daughters of the land of Gaia, gave birth to both Zeus and Apollo. From Zeus and Calliope, according to another version, from Thalia and Apollo, the Corybants were born. The children of the zoomorphic Zeus the kite and Thalia were Sicilian sticks. From the marriage of Melpomene and the river god Aheloy, sirens are born - mixanthropic monstrous creatures that attract travelers with their singing and devour them. Archaic muses were called "stormy", "violent" (from Greek thoyrides, same root as Latin furia), as Hesychius reports, that is, the Muses somehow approach the Erinyes.

The Muses were called nurses of Dionysus and companions of his wanderings, like maenads. Muses and maenads are sometimes placed in the same row (for example, King Lycurgus was punished by Dionysus for persecuting the muses and maenads). In the Helicon inscription, Terpsichore and Dionysus Bromius are compared, the gift of inspiration and ivy are inherent in it, the ability to charm and the flute is inherent in it. Orpheus, who established the mysteries of Dionysus, son of Calliope and Oeager (or Apollo). Singer Lin - the son of Calliope (or Urania) and Amfimar, the son of Poseidon, Stormy and ecstatic muses were led by Dionysus Musaget - "driver of the muses". Dionysus Melpomenes was revered in Acharnae, he, like Apollo, led round dances. The Muses are cruel and severely punish anyone who dares to compete with them. They blinded and deprived of the gift of singing and playing the cithara of Famirid.

The Olympic muses of classical mythology are the daughters of Zeus, they live on Helikon, singing all the generations of the gods - Gaia, Krona, Oceanus, Night, Helios, Zeus himself and his offspring, that is, they connect the past and the present. They knew the past, present and future, it was believed that they had the gift of prediction. They are the patroness of singers and musicians, they pass on their gift to them. They instruct and console people, treat them generally benevolently and affectionately, endow them with a persuasive word, give people of art power over the human soul; sing the laws and praise the good morals of the gods. The classical muses are inseparable from the order and harmony of the Olympic world. At the same time, they do not tolerate competition. So, they deprived of sight and took away the gift of music from the kifared Tamiris, who dared to challenge them to a contest.

Just like the rest of the gods, the Muses had their own temples, which were called museyons. From this word came the modern designation of buildings where collections of works of art or other monuments of past times are exhibited for viewing.

Music of comedy. It gives you the opportunity to look at yourself from the outside in order to eventually laugh at your mistakes, because comedy is a school of life, and by playing our roles we can learn positive lessons that will gradually lead us from the theater to a hidden deep spiritual essence. Waist is an opportunity to know the price of comedy and a smile.

Today I saw...

Today I saw Thalia, the Muse of Comedy... Her face was lit up with a barely perceptible smile, and for a moment it seemed to me that she was laughing at me, at all of us, at our life and our worries, so alien to the delicate mental warehouse of the Muse.
Completely torn up by everyday troubles, I tried to drive away the vision. I wanted to erase that graceful laughing image, because I decided that now is not the time for fun and comedy, but for sorrows and dramas. But my desire soon vanished, since the Muse, among her other gifts, had the power of suggestion. Then I looked at her and realized that if we "do not dramatize" the events, our own existence will become like a comedy, because everything that happens will be seen by us "from the side" and, in the end, will cause in us an ironic smile of compassion for everything what we have to deal with every day.
I remembered my childhood, when it seemed to me that from morning to evening I should play the role of a good heroine and follow my words and deeds, because they are all seen in an exaggerated form from the stage on which I play. I believed that this whole performance would one day come to an end when the long-awaited curtain fell, and I, behind the heavy backstage, would also be able to close my eyes and fall asleep "for real", and not on stage. Yes, life is a great comedy. And we cannot even boast that we freely choose our roles and can change them. A cursory, unbiased look at History convinces us that most of its most important events took place with a good deal of inexorability. As if everything that happens on the historical stage is controlled by invisible threads, which, willingly or in spite of it, move the action towards the climax. At the time of my Muse, these threads were called "Fate", and the initiates struggled a lot to understand the mechanism of their action...
Yes, life is a comedy. And we all, like Thalia, have a grotesque mask that neither laughs nor cries, but depending on how we look at it, depicts either joy or sadness. We all hide behind this mask, and instead of expressing our state of mind, it carefully hides it so that no one - and not even ourselves - can know what is really happening to us inside. We all put on a great show, trying to atone for our good knowledge of roles and memorization of postures for our lack of inner self-confidence and maturity, which we have never been able to achieve.
But comedy, which is patronized by Thalia, does not cause laughter and does not allow you to forget. It is not a way to escape responsibility and not even a way to have fun. Comedy is the School of Life, and all of us, without exception, playing our roles, should learn positive lessons from here, which will gradually lead us from a play for materialistic masks to a hidden deep spiritual essence that sets scenes in the theaters of life.
We must "look at ourselves from the outside" as a spectacle, in order to finally laugh at our mistakes and regret our innumerable errors, so that then, little by little, ironic and squeamish grimaces of discontent begin to appear on our faces, which will be a sure sign that we recognized themselves in this performance. And then we will understand the price of comedy and smiles. Then we will learn that both on the stage and in the auditorium, first of all, you need to be good actors and good spectators, good people who are aware of their real situation and are ready to improve it, giving all the best to acting on the stage that we are endowed with. Thalia instructs us with a laugh... She has a mask in her hand... She managed to take it off and show us her true face in all its harmonious beauty. She has left the theater and invites us to do the same, following her down the steep paths of inner self-improvement with a sad smile on her face and tears of joy in her eyes.

From time immemorial, the most beautiful and brightest moments in life have been associated with the advent of the muse, moments of insight and inspiration, the emergence of something new, meeting a dream. Why is it said that meeting a muse can completely change the life of a muse? Why even now we often hear: “if there is inspiration”, “if the muse comes”? Who are these mysterious and beautiful strangers, nine sisters, dressed in snow-white clothes? Is it just a beautiful myth that has gone into the distant past?

The Muses (translated from Greek as “thinking”) are the daughters of Zeus “mightier thundering”, to whom all the deities of Olympus obey, all the main principles in the Universe, and Mnemosynes, the goddess of memory, the patroness of poetry, arts and sciences, personify everything that allows a person to remember about the important and genuine, about the Eternal

Music of comedy. It gives you the opportunity to look at yourself from the outside in order to finally laugh at your mistakes, because comedy is a school of life, and by playing our roles we can learn positive lessons that will gradually lead us from the theater to a hidden deep spiritual essence. Waist is an opportunity to know the price of comedy and smiles.

Comedy, which is patronized by Thalia, does not cause laughter and does not allow you to forget. It is not a way to escape responsibility and not even a way to have fun. Comedy is the School of Life, and all of us, without exception, playing our roles, should learn positive lessons from here, which will gradually lead us from a play for materialistic masks to a hidden deep spiritual essence that sets scenes in the theaters of life.

We must "look at ourselves from the outside" as a spectacle, in order, in the end, to laugh at our mistakes and regret our innumerable errors, so that then, little by little, ironic and squeamish grimaces of discontent will appear on our faces, which will be a sure sign that that we recognized ourselves in this representation. And then we will understand the price of comedy and smiles.

Ward Talia

First letter "k"

Second letter "o"

Third letter "m"

The last beech is the letter "I"

Answer for the clue "Ward of Talia", 7 letters:
comedy

Alternative questions in crossword puzzles for the word comedy

The view that is "breaking"

Dramaturgic genre

Theatrical genre of jokes and fun

Dramatic work with a funny plot

The idea that "breaks"

Dramatic work with a cheerful, funny plot

The epic of Honore de Balzac "Human ..."

Henrik Ibsen's play "... love"

Word definitions for comedy in dictionaries

New explanatory and derivational dictionary of the Russian language, T. F. Efremova. The meaning of the word in the dictionary New explanatory and derivational dictionary of the Russian language, T. F. Efremova.
and. A dramatic work with a hilarious, funny, or satirical plot. Presentation on stage of such a dramatic work. and. unfold Funny, funny incident. trans. Pretense, hypocrisy in actions, behavior.

Examples of the use of the word comedy in the literature.

It is clear that in comedies the colors are always thickened, but Aristophanes more than once talks about how husbands put bolts and keep dogs in the house, and wives secretly drink alone.

However, anyone who would take the trouble to take a closer look at Robert Artois would involuntarily doubt: it’s not comedy Is it all, is it not the dexterity of a conjurer?

In the same changed social conditions, the folk Italian comedy atellana, which was popular in Rome already in the era of Plautus.

Pedro Calderón, an inventive, graceful, noble, lyrical, humorous and entertaining poet, wrote many comedies, auto and other things that have won the general goodwill of people who know.