Albrecht Durer. Hare, 1502.
Paper pasted on cardboard, watercolor, gouache, whitewash, 25.1 × 22.6 cm
Albertina Museum, Vienna
Among the masterpieces of world art, the watercolor "Hare" by Albrecht Dürer is notable for its modesty: small size, restrained colors, simple composition, insignificant plot. If you recall other "natural studies" of the same Dürer, this hare is far from being as entertaining as a deer crowned with antlers, an owl with huge eyes, a dead bird with iridescent plumage, an exotic giant rhinoceros, a fanged walrus. And yet, it is the "Hare" that to this day beats records of popularity not only among the works of Dürer, but also among works of European art in general. What has this watercolor captivated us for five centuries?
Albrecht Durer. Deer head. 1503
First of all, let's get acquainted with the "portrayed". This is the most common hare (Lepus europaeus), in Russian it is called a hare, in German - Feldhase (field hare) because of the animal's commitment to open spaces. The original name of Durer's watercolor "Feldhase" (or "Junger Hase" - "Hare"), but more often this work is called "Dürer's Hare" - "Dürer-Hase". Moreover, the word "Hare" should be written with a capital letter in all languages, and not just in German, as required by grammar.
Albrecht Durer. Walrus head. 1521
Brown hares still live in abundance in Germany, and even 500 years ago it was the most common thing to meet a hare. We have no reason not to trust the legend that Dürer, who loved to walk around Nuremberg, found a sick bunny (according to one version, he saved it from a flood), brought it home, went out and depicted it on a piece of paper. It can be added with confidence that the watercolor was created in the summer, as evidenced by the brown fur coat of the "model" - in winter, the hare's fur is much lighter. As evidence that Dürer worked with living nature, an expressive detail is given: a window cover is reflected in the eye of a hare, depicted taking into account the curvature of the surface of the pupil. Some art historians, however, are skeptical about the blissful legend about the rescued and tamed hare, which obediently posed for Dürer. Most likely, they believe, Dürer worked from memory, and borrowed the spectacular technique of reflecting the window cover in the pupil from Flemish painting. However, whether the hare was a living animal, a hunting trophy or a stuffed animal, he rightfully gained immortality in the world of art.
Albrecht Durer. Self-portrait. 1500
The drawing is masterfully done. “Unsurpassed will be the eye, the sniffing nose, the hanging right ear and the upright left ear, the variety of hairline, which is completely different on the ears than on the wet neck and back, not to mention the mustache hairs that look like threads. That highest degree of expressiveness has remained unattainable, when the work appeals not only to the eye of the viewer, but also to the same degree to the sense of touch, so that there is a desire to touch and run back and forth over the wool, "- this is how the German art historian Kuno Mittelshted describes watercolor. Bunny we really want to stroke it. Looking at it, we seem to feel the softness of velvety fur, the warmth of a small body, we feel the pulse beating. We see literally every hair on the hare's skin, but in Dürer's work there is not even a trace of tedious lifelikeness - this is really life itself!
Kaysersburg Castle in Nuremberg.
Maybe somewhere here Dürer picked up a hare?
Let not the whole secret of Durer's charm, but at least some of it is revealed in three words: watercolor, gouache, whitewash. Watercolor, known in the East since ancient times, was still new in Europe at the beginning of the 16th century. Dürer is one of the first European artists who worked in this complex technique, he is called the founder of modern watercolor. A transparent soft watercolor drawing conveys all the richness of the color of a hare coat, here you can count about a dozen shades: ocher-gray, brown, light brown, reddish, beige ... Thousands of hairs are worked out over the fluid watercolor with dense matte gouache, among which there are literally no two identical: they gradually change in thickness and length depending on how the fur lies on the body of the animal. Scientists have found that with the help of the most advanced computer programs it is impossible to model the skin of a hare better than Dürer did. And finally, thanks to the whitewash laid with jewelry fineness, the body of the animal seems voluminous, the fur is light and shiny.
View of Nuremberg from the walls of the Kaisersburg castle
Durer chooses the most winning composition in order to present his "model" in volume. The image is placed diagonally with a three-quarter turn, the artist's gaze is directed from above. Under the fluffy fur coat of a hare, there is a construction - a well-shaped and reasonably folded skeleton, as if we see through the animal.
Dürer's house in Nuremberg, where the artist lived from 1509.
Peering into nature with the delight of an artist and the equanimity of a scientist, Dürer seems to achieve the impossible: he combines the objectivity and accuracy of the "scientific manual" with emotionality, the utmost detail with the integrity of the image. The hare is alert, sensitive, and at the same time trusting. For all its modesty and small size, it is full of peculiar dignity. If you decipher the message that the artist put into this drawing, it would sound something like this: “Here I am, a hare, an inconspicuous creature of God, but I am also part of this huge, complex, beautiful world, and I have a drop of its harmony and wisdom. Look look at me with affection, man, admire me, be kind to me!
Dürer House Museum in Nuremberg
"Hare", in our opinion, is a work that is quite traditional in terms of genre and fits into the framework of animalistics, but for its time it was truly innovative: the artist depicted JUST a hare. The drawing is completely free from religious symbols. This is not a prolific hare - a symbol of voluptuousness, and not a white hare, denoting victory over sensuality, which is depicted at the feet of the Virgin Mary, not a symbol of caution, cowardice, escape from sins, and so on. This is just an animal in itself, seen by the artist without the "packaging" of symbols, as if for the first time.
Chocolate "Hare Durer"
However, the watercolor, not endowed with symbolic overtones, acquired it regardless of the will of the author. Dürer's hare has become associated over time with the Osterhase Easter Bunny. Easter cards and decorations with the image of a Dürer hare, hare figurines and embossed chocolate medals, repeating, with more or less accuracy, the prototype, are an invariable accessory of Easter days.
Dürer's hare, hand-cast from elite chocolate.
However, even outside the Easter symbolism, the image of "Durer's Hare", as they say, has gone to the people. Here, not only the perfection of the drawing played a role, but also its small size, the possibility of high-quality reproduction, and finally, the theme itself - a cute animal that people treat with sympathy. Over the five centuries of its existence, the hare has been copied and reproduced many times by artists. There were times when a picture of a Dürer hare in a frame created comfort in almost every German living room (and such a reproduction hangs above my desk, I often look at it when I compose something)).
. With the development of mass tourism, the hare migrated to covers, bags, mouse pads, turned into figurines of all colors, sizes, materials. The well-known German company "Steiff" at one time produced a soft toy "Dürer's Hare". 
Dürer Hare. Steif soft toy and souvenir bag
As an exorbitantly swollen symbol of popular culture, the famous hare attracted the attention of the modern sculptor Jürgen Hertz, thanks to whom in 1984 a shocking and, of course, impressive sculptural composition "Hare" appeared on the old square in front of the Dürer's house-museum in Nuremberg. On a low granite pedestal lies the torn carcass of a huge hare with a dead amber eye fixed on the sky. The fatty body of the hare is surrounded by fragments of a collapsed box, which has become cramped for her, smaller hares crawl out of the holes in the carcass, either swallowed by the hare and striving for freedom, or devouring it, and most likely both together. Gnawed bones lie in front of the toothy mouth (however, they can also be mistaken for plant stems). The most terrible detail - under the clawed paw, the toes of the person absorbed by the monster are clearly visible. Dürer is reminiscent of the second part of the composition - a tiny figurine of Dürer's hare, mounted on a separate pedestal, polished to a golden sheen. Protesting against the hype around the work, which is undergoing destructive metamorphoses, Hertz also warns us against a consumerist attitude towards nature: in response to violence, it turns innocent animals into dangerous disgusting mutants. The paradox is that the sculpture of Hertz, in turn, became a landmark of Nuremberg, replicated on postcards, while the popularity of Dürer's Hare did not decrease at all.
Juergen Hertz. Sculptural composition "Hare" in Nuremberg. 1984
In 2002, the Hare solemnly celebrated its 500th anniversary, and since the original drawing is in the Albertina Museum in Vienna, he returned to Nuremberg in a very unusual way. In the summer of 2003, the grandiose installation "7000 Dürer's Hares" was placed on the Market Square, invented by the sculptor Ottmar Hörl. 7000 green plastic hares, sitting in a strict order, filled the area, which, according to eyewitnesses, resembled either a lawn or garden beds. Unlike Hertz's gloomy sculpture, Hörl's idea of the incessant replication of the Nuremberg masterpiece is interpreted cheerfully and with humor.
It remains to say a few words about the original drawing, which is kept in Vienna as the greatest treasure. The drawing is shown to the audience, alas, infrequently, and recently they have not been taken out even to the most prestigious exhibitions. The condition of the paper and paint pasted on cardboard is such that the "Hare" must observe a strict temperature regime and not be exposed to even weak lighting.
Ottmar Hörl. Installation "7000 Dürer's Hares" in Nuremberg. 2003
The best copy of the Hare in the world is shown in the halls of the Albertina, and the original can be seen no more than once every 5-10 years. This spring, the "Hare" participated in the exhibition "The Founding of Albertina. From Dürer to Napoleon", but if you were not in Vienna at that time, you should not be upset and wait years until the next appearance of Dürer's Hare to fans.
$10 coin issued by the British Virgin Islands
in 2010 in the series "Masterpieces of Art"
.
Albertina art historians, in response to complaints, are advised to simply turn on the computer and find the image of Dürer's watercolor on the site http://www.google.com/culturalinstitute/project/art-project Thanks to the program "Google Art Project", - they say - you can view watercolors in excellent quality to your heart's content without compromising the work. You will see every hair, every claw of the hare and the reflection of the window frame in his meek eyes. Well, Durer would probably be pleased ...
Published in Partner magazine (Dortmund), No. 7(202), 2014
Vladimir Dergachev, photographs by Anton Dergachev
In 1509, Dürer bought this house, where he lived with his wife Agnes, apprentices and students until his death. In 1871, the painter's museum was opened here. 
In the house-museum, the artist's exposition is located on four floors.
Albrecht Durer "Nemesis, or Fortune" (1501-1503). Kunsthalle, Karlsruhe. A copy of the painting is exhibited in the house-museum. The engraving "Nemesis" is dedicated to the image of the goddess of justice in the form of a naked winged woman. She, standing on a ball, hovers high above the ground with the attributes of justice. Nemesis with wide hips is far from classical beauty. But in those days, a woman who had everything was considered beautiful - lush hips, breasts and even a stomach.
Numerous "hares" will meet you in Nuremberg, among which the most famous of bronze, resembling a bear, settled down on one of the central squares.
In 1502, Albrecht Dürer picked up a hare in the vicinity of Nuremberg, which became the model of the artist, who was ill at that time. And the marriage was childless. The portrait of a hare impresses with the accuracy of details, realistic transmission of his mood and inner tension.
It was from this picture that the “Dürer Hare” was created, installed on the square near the house-museum.
Portrait of a Venetian (1505)
If you're lucky, the museum will be guided by the artist's wife, Frau Agnes. She will appear before you in a house dress and a cap, with a bunch of keys or a purse of linen, and not only will she tell known facts about her husband's life, but will also share family secrets in secret. Agnes conducts tours only at certain times. If it is missing, you will have to be content with the services of an audio guide. In Germany, excursion service with the participation of costumed guides is not uncommon today.
One of the most famous works of Albrecht Dürer "Adam and Eve" (1507), Prado Museum 
Albrecht Durer. Hare, 1502.
Paper pasted on cardboard, watercolor, gouache, whitewash, 25.1 × 22.6 cm
Albertina Museum, Vienna
Among the masterpieces of world art, the watercolor "Hare" by Albrecht Dürer is notable for its modesty: small size, restrained colors, simple composition, insignificant plot. If you recall other "natural studies" of the same Dürer, this hare is far from being as entertaining as a deer crowned with antlers, an owl with huge eyes, a dead bird with iridescent plumage, an exotic giant rhinoceros, a fanged walrus. And yet, it is the "Hare" that to this day beats records of popularity not only among the works of Dürer, but also among works of European art in general. What has this watercolor captivated us for five centuries?
Albrecht Durer. Deer head. 1503
First of all, let's get acquainted with the "portrayed". This is the most common hare (Lepus europaeus), in Russian it is called a hare, in German - Feldhase (field hare) because of the animal's commitment to open spaces. The original name of Durer's watercolor "Feldhase" (or "Junger Hase" - "Hare"), but more often this work is called "Dürer's Hare" - "Dürer-Hase". Moreover, the word "Hare" should be written with a capital letter in all languages, and not just in German, as required by grammar.
Albrecht Durer. Walrus head. 1521
Brown hares still live in abundance in Germany, and even 500 years ago it was the most common thing to meet a hare. We have no reason not to trust the legend that Dürer, who loved to walk around Nuremberg, found a sick bunny (according to one version, he saved it from a flood), brought it home, went out and depicted it on a piece of paper. It can be added with confidence that the watercolor was created in the summer, as evidenced by the brown fur coat of the "model" - in winter, the hare's fur is much lighter. As evidence that Dürer worked with living nature, an expressive detail is given: a window cover is reflected in the eye of a hare, depicted taking into account the curvature of the surface of the pupil. Some art historians, however, are skeptical about the blissful legend about the rescued and tamed hare, which obediently posed for Dürer. Most likely, they believe, Dürer worked from memory, and borrowed the spectacular technique of reflecting the window cover in the pupil from Flemish painting. However, whether the hare was a living animal, a hunting trophy or a stuffed animal, he rightfully gained immortality in the world of art.
Albrecht Durer. Self-portrait. 1500
The drawing is masterfully done. “Unsurpassed will be the eye, the sniffing nose, the hanging right ear and the upright left ear, the variety of hairline, which is completely different on the ears than on the wet neck and back, not to mention the mustache hairs that look like threads. That highest degree of expressiveness has remained unattainable, when the work appeals not only to the eye of the viewer, but also to the same degree to the sense of touch, so that there is a desire to touch and draw back and forth over the wool, "- this is how the German art historian Kuno Mittelshted describes watercolor. Bunny we really want to stroke it. Looking at it, we seem to feel the softness of velvety fur, the warmth of a small body, we feel the pulse beating. We see literally every hair on the hare's skin, but in Dürer's work there is not even a trace of tedious lifelikeness - this is really life itself!
Kaisersburg Castle in Nuremberg
Maybe somewhere here Dürer picked up a hare?
Let not the whole secret of Durer's charm, but at least some of it is revealed in three words: watercolor, gouache, whitewash. Watercolor, known in the East since ancient times, was still new in Europe at the beginning of the 16th century. Dürer is one of the first European artists who worked in this complex technique, he is called the founder of modern watercolor. A transparent soft watercolor drawing conveys all the richness of the color of a hare coat, here you can count about a dozen shades: ocher-gray, brown, light brown, reddish, beige ... Thousands of hairs are worked out over the fluid watercolor with dense matte gouache, among which there are literally no two identical: they gradually change in thickness and length depending on how the fur lies on the body of the animal. Scientists have found that with the help of the most advanced computer programs it is impossible to model the skin of a hare better than Dürer did. And finally, thanks to the whitewash laid with jewelry subtlety, the body of the animal seems voluminous, the fur is light and shiny.
View of Nuremberg from the walls of the Kaisersburg castle
Durer chooses the most winning composition in order to present his "model" in volume. The image is placed diagonally with a three-quarter turn, the artist's gaze is directed from above. Under the fluffy fur coat of a hare, there is a construction - a well-shaped and reasonably folded skeleton, as if we see through the animal.
Dürer's house in Nuremberg, where the artist lived from 1509.
Peering into nature with the delight of an artist and the equanimity of a scientist, Dürer seems to achieve the impossible: he combines the objectivity and accuracy of the "scientific manual" with emotionality, the utmost detail with the integrity of the image. The hare is alert, sensitive, and at the same time trusting. For all its modesty and small size, it is full of peculiar dignity. If you decipher the message that the artist put into this drawing, it would sound something like this: “Here I am, a hare, an inconspicuous creature of God, but I am also part of this huge, complex, beautiful world, and I have a drop of its harmony and wisdom. Look look at me with affection, man, admire me, be kind to me!
Dürer House Museum in Nuremberg
"Hare", in our opinion, is a work that is quite traditional in terms of genre and fits into the framework of animalistics, but for its time it was truly innovative: the artist depicted JUST a hare. The drawing is completely free from religious symbols. This is not a prolific hare - a symbol of voluptuousness, and not a white hare, denoting victory over sensuality, which is depicted at the feet of the Virgin Mary, not a symbol of caution, cowardice, escape from sins, and so on. This is just an animal in itself, seen by the artist without the "packaging" of symbols, as if for the first time.
Chocolate "Hare Durer"
However, the watercolor, not endowed with symbolic overtones, acquired it regardless of the will of the author. Dürer's hare has become associated over time with the Osterhase Easter Bunny. Easter cards and decorations with the image of a Dürer hare, hare figurines and embossed chocolate medals, repeating, with more or less accuracy, the prototype, are an invariable accessory of Easter days.
Dürer's hare, hand-cast from elite chocolate.
However, even outside the Easter symbolism, the image of "Durer's Hare", as they say, has gone to the people. Here, not only the perfection of the drawing played a role, but also its small size, the possibility of high-quality reproduction, and finally, the theme itself - a cute animal that people treat with sympathy. Over the five centuries of its existence, the hare has been copied and reproduced many times by artists. There were times when a picture of a Dürer hare in a frame created comfort in almost every German living room (and such a reproduction hangs above my desk, I often look at it when I compose something)).
. With the development of mass tourism, the hare migrated to covers, bags, mouse pads, turned into figurines of all colors, sizes, materials. The well-known German company "Steiff" at one time produced a soft toy "Dürer's Hare".
Dürer Hare. Steif soft toy and souvenir bag
As an exorbitantly swollen symbol of popular culture, the famous hare attracted the attention of the modern sculptor Jürgen Hertz, thanks to whom in 1984 a shocking and, of course, impressive sculptural composition "Hare" appeared on the old square in front of the Dürer's house-museum in Nuremberg. On a low granite pedestal lies the torn carcass of a huge hare with a dead amber eye fixed on the sky. The fatty body of the hare is surrounded by fragments of a collapsed box, which has become cramped for her, smaller hares crawl out of the holes in the carcass, either swallowed by the hare and striving for freedom, or devouring it, and most likely both together. Gnawed bones lie in front of the toothy mouth (however, they can also be mistaken for plant stems). The most terrible detail - under the clawed paw, the toes of the person absorbed by the monster are clearly visible. Dürer is reminiscent of the second part of the composition - a tiny figurine of Dürer's hare, mounted on a separate pedestal, polished to a golden sheen. Protesting against the hype around the work, which is undergoing destructive metamorphoses, Hertz also warns us against a consumerist attitude towards nature: in response to violence, it turns innocent animals into dangerous disgusting mutants. The paradox is that the sculpture of Hertz, in turn, became a landmark of Nuremberg, replicated on postcards, while the popularity of Dürer's Hare did not decrease at all.
Juergen Hertz. Sculptural composition "Hare" in Nuremberg. 1984
In 2002, the Hare solemnly celebrated its 500th anniversary, and since the original drawing is in the Albertina Museum in Vienna, he returned to Nuremberg in a very unusual way. In the summer of 2003, the grandiose installation "7000 Dürer's Hares" was placed on the Market Square, invented by the sculptor Ottmar Hörl. 7000 green plastic hares, sitting in a strict order, filled the area, which, according to eyewitnesses, resembled either a lawn or garden beds. Unlike Hertz's gloomy sculpture, Hörl's idea of the incessant replication of the Nuremberg masterpiece is interpreted cheerfully and with humor.
It remains to say a few words about the original drawing, which is kept in Vienna as the greatest treasure. The drawing is shown to the audience, alas, infrequently, and recently they have not been taken out even to the most prestigious exhibitions. The condition of the paper and paint pasted on cardboard is such that the "Hare" must observe a strict temperature regime and not be exposed to even weak lighting.
Albertina art historians, in response to complaints, are advised to simply turn on the computer and find the image of Dürer's watercolor onproject/art-project] website
.Thanks to the "Google Art Project", they say, you can view watercolors in great quality to your heart's content without compromising the artwork. You will see every hair, every claw of the hare and the reflection of the window frame in his meek eyes. Well, Dürer would probably be pleased...
"HARE" Watercolor
During one of the walks, which the painter called "the best medicine for body and soul", Dürer picked up a tiny hare. The animal settled in the artist's house, and one day Dürer decided to paint it. But how to make a shy hare sit still? The painter arranged his restless model on a chair near the window, talked to the animal for a long time, hoping to calm him down with an affectionate tone.
However, far from immediately, Dürer managed to start painting the picture - the hare ran away at any suspicious rustle. The artist never managed to completely defeat the incredulity of the animal. But, probably, this is for the best, because the wary hare in the picture does not look painted, but alive. He lifted one ear, his tawny fur slightly ruffled, his dilated pupil reflecting the sash. It seems that the animal is about to take off, and the reason for the flight can be not only some kind of sharp sound, but also a sunbeam that accidentally touches its fur.
Gulshat Imamova
GCD on the development of speech "Compilation of a story based on the painting" Hare "
Subject: Drawing up a story from a picture« Hare»
Educational area: Speech development
Target: Shape Skill make up descriptive sentences about an animal.
Program content:
Educational:
To acquaint children with some features of the life of a hare;
Learn make up a story according to the proposed plan, without deviating from the topic, without repeating the plots of comrades;
To include in story description of the appearance of the hare.
Educational:
Continue to learn to match adjectives and verbs to a noun hare;
Achieve a clear and distinct pronunciation of words and phrases;
Develop attention, thinking, memory, ability to use expressive means (intonation, facial expressions, gestures).
Educational:
Raise interest in the world around;
Cultivate friendships between children.
preliminary work:
Conversation "What kind of hares are they?",
consideration related illustrations "Hares";
Reading poems about hares, solving riddles.
Methods and techniques:
Visual:
Painting« Hare»
Gaming:
simulation game « Hare» ;
verbal:
Questions for children;
Artistic word.
vocabulary work: rushing, rushing.
Material: picture on the screen« Hare»
The course of educational activities
Introduction
V .: Guys, look, today we have guests. Let's say hello to them. Children, what a good day today. Do you agree? Smile like a cat in the sun, and now like a cunning fox, and now as if you were given a little puppy, smile from the bottom of your heart. Girls and boys, in order to guess what we are going to talk about, you need to guess the riddle. Listen carefully.
What kind of forest animal
I stood up like a column under a pine tree
And stands among the grass -
Ears bigger than head?
V .: You guessed it right, this is a riddle about a hare. And in order to find out what hare let's play a game "Describe a Bunny". (ball game in a circle) To begin with, let's say what character and appearance the hare has. (Cowardly, cautious, fluffy, long-eared, soft, smooth, gray, fast, quick-footed) And now what does hare. (Running, jumping, jumping, rushing, rushing, nibbling a carrot, walking)
Main part
V .: Guys, look, I found an interesting picture. Who do you see there? What is he doing hare? What season is shown in this picture? How do you know it's winter? What's the weather like?
V .: You picked up interesting words and sentences about a hare. Guys, I have an idea, let's write a story about a hare. telling, be sure to use the words you named. At first tell, How hare he was going for a walk, what interesting things he saw in the forest, what he was like, what he did, and think about what happened to him next. (It was a cold winter day. Hare sat in a hole and decided to take a walk. Despite the cold weather, the fluffy was joyful. He jumped and ran across the field. Hare I walked very carefully, because there are a lot of predators in the forest! But suddenly a wolf ran out from around the corner, hare got scared and ran home! came running hare home and warned his brothers and sisters not to go outside because there is an evil wolf! And the wolf sat for a long time under the door of the hare. He waited for the bunny to come out, but did not wait and left).
B: You are very good. talking about a rabbit. Children whose story did you like it better?
Q: What name can you come up with? a picture of a hare? ("Eared panties", "Hare Bunny", "The Adventures of a Hare")
V .: You came up with very interesting names for picture. Well done.
simulation game « Hare»
V .: Guys, let's play bunny. I will be a bunny mom and you will be my bunnies. Agreed? (The game is played in a circle)
Look, there's a hole in the ground
This is a rabbit hole.
Immediately from the hole of the little animal
She showed her ear.
This the hare sits there
And wiggles his ears.
The raven will shout, the fox will bark -
Hare presses ears.
He is afraid of everyone in the forest,
Quickly hides in a hole.
Final part.
Q: Guys, what did we talk about?
D: Solve the riddle. Played with a ball game "Describe a Bunny" And « Hare» . Made up a story based on a picture.
Q: What did you like the most?
Related publications:
Integrated lesson on speech development in the middle group "Composing a story based on the painting" Cat with kittens " Tasks:1. Educational: To form the ability to carefully consider the picture. Improve the ability to compose a story from a picture.
Synopsis of an integrated lesson on the development of speech using TRIZ. Drawing up a story based on the painting "Wintering Birds" Topic: “Children compiling a creative story based on the painting “Wintering Birds” with elements of TRIZ” (GCD on communication - speech development in the preparatory.
Synopsis of GCD on the development of speech for children of the middle group "Compiling a story based on the painting" Children in the park feed the birds " Author: Chernobrovkina Elena Evgenievna Organization: MAOU SOSH p. Feeding them. F. P. Polynina Settlement: Saratov region, Balakovsky.
Synopsis of the OOD on speech development in the second junior group "Compiling a story based on the painting "Cat with Kittens"" Program content: Help children understand the content of the picture, characterize the characters; educate the ability to listen to the story.
Synopsis of a lesson on the development of speech “Compiling a story on the theme “Spring”. Purpose: to consolidate children's ideas about the characteristic signs of spring.
Synopsis of a lesson on the development of speech compiling a story based on the painting "To School" (preparatory group) Synopsis of a lesson on the development of speech compiling a story based on the painting "To School" (preparatory group). Tasks: - coherent speech: to teach how to compose.
