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Evgeny Martynov - biography, information, personal life. Famous Soviet singer Evgeny Martynov and the mystery of his death Evgeny Martynov and his women

Evgeny Martynov - biography, information, personal life. Famous Soviet singer Evgeny Martynov and the mystery of his death Evgeny Martynov and his women

20.06.2019

Millions have heard his songs, but few people know who owns their authorship. Yevgeny Martynov has a soft velvety voice, which is commonly called a baritone tenor, but he is known more as a composer than a performer. His melodies sounded from the stage more than once and are still heard, but Evgeny Grigorievich Martynov himself has not been found among the living for 28 years, since on September 3, 1990 he died under very mysterious circumstances.

Biography and cause of death

Yevgeny Martynov came into this world on May 22, 1948. It happened in the city of Kamyshin, Volgograd region. Zhenya was born in the post-war period, both of his parents went through hard times, and not somewhere in the rear, but right on the front line.

Dad, Grigory Martynov, held the honorary title of commander of a rifle platoon, but the war made him disabled, so he had to forget about further service. He had a good ear for music and could play several instruments.

The mother of the future celebrity was a military nurse, so she also made an invaluable contribution to the overall victory over world fascism. In addition, Yevgeny Martynov has a younger brother, Yuri (1957), who, like him, is distinguished by several talents at once. He became famous as a successful composer, producer, and arranger, and even received the title of Honored Artist of the Russian Federation.

Several versions can be found about the causes of death in the biography of Yevgeny Martynov, since, according to his brother, there were many factors pointing to a deliberate murder, and not to an accident.

early years

The future composer Yevgeny Martynov, at the age of five, moved with his whole family to the city of Bakhmut (until 2016 Artemovsk), located in the Donetsk region. It was the small homeland of his father, so we can say that they returned to their native land. Grigory Martynov invested a lot of patience and work in his son, developing in him a talent for music given by God. While still a schoolboy, Eugene began to create his own works, because he was gifted not only with a beautiful voice, but also with a delicate ear.

In Artemovsk, the future composer received his primary musical education in the clarinet class. The young man dreamed of being an artist, therefore, having all the necessary talents, in 1967 he entered the Pyotr Ilyich Tchaikovsky Conservatory, located in the city of Kyiv. But for some reason, the young man transferred to the Musical and Pedagogical Institute of Donetsk, which now bears the high rank of the S.S. Prokofiev Conservatory. He graduated from it ahead of schedule, in 1971.

Carier start

Singer Yevgeny Martynov after graduation began to work in Moscow, and initially only as a composer. There, in 1972, he met the once popular Maya Kristelitskaya, who for the first time on the big stage performed the song "Birch", written by him to Yesenin's poem. And it was she who introduced Evgeny Martynov to the audience as a young and outstanding creator of music.

That year was also significant in that Yevgeny Martynov's song "My Love" was aired for the first time on the central TV channel, which was wonderfully performed by Gyulli Chokheli. And since 1973, he has already worked in the State Concert Association "Rosconcert" as a soloist-vocalist. And also the young man got a job in the editorial office of such well-known newspapers as Pravda and Young Guard as a consultant editor.

After the airing of Evgeny Martynov's song, he finally woke up famous! And this is not surprising, because his melodies radiate light, love and warmth, hidden in the soul of their creator. Then the composer began to receive orders from the most famous pop singers, such as Lyudmila Zykina (“Do not stop loving me”, “Tell me, mom”).

Realization of Martynov as a singer

The creations of Evgeny Grigorievich were performed by such stars of the 70-80s as Anna German, Sofia Rotaru, Eduard Khil, Iosif Kobzon, Mikhail Chuev and others. But still, Martynov's dream was to independently perform his own songs, especially since God endowed him with a beautiful velvety and sonorous voice.

His soft tenor could span up to several octaves and had a unique timbre, thanks to which Evgeny was called a soloist in the opera house. But the thorny path of a pop singer attracted him much more, especially since he had all the data for this. Martynov's appearance was quite artistic, and the charisma and inspired manner of performance did their job, causing a storm of positive emotions in the listener. Even such dramatic compositions as "Swan Fidelity", he ends very optimistically and sublimely. However, the biography of Yevgeny Martynov and the cause of the death of the artist are far from being as bright and understandable as his songs, because there are quite a few dark spots there.

Honorary titles of the composer

Throughout his life, Yevgeny Martynov has repeatedly received state awards and valuable prizes, here is a list of them:

Laureate of the USSR competition among performers of Soviet songs in the city of Minsk in 1973.
Laureate of the World Youth Festival in 1973, held in the city of Berlin.
He received membership in the Union of Composers of the USSR in 1984.
He won the International Competition "Bratislava Lira" in 1975, becoming the first winner from the country of the Soviets.
He took second place and won a silver medal in the International Competition "Golden Orpheus" in 1976 in Bulgaria.
He received the Lenin Komsomol Prize in 1987 for the work done on the aesthetic education of the young population and children's works.

In addition to all of the above, Yevgeny Martynov was one of the most famous and revered authors and performers in the Soviet Union. But, alas, after the 80s, his popularity waned sharply due to the appearance of such pop stars as "Na-Na" and "Tender May".

Martynov turned out to be out of the “format”, as young people liked to dance more than to listen thoughtfully. Invitations to television and concerts ceased to arrive, and this could not but affect the psychological state of the singer and composer. By nature, Evgeny Grigorievich was a very sensitive person and took everything to heart. That is why the long-term lack of demand led to the fact that the artist drank corny. And on August 27, 1990, Evgeny Martynov performed for the last time in the qualifying round of the festival "Song of the Year" with a composition on the verses of Ilya Reznik "Maryina Grove".

Cause of death of Evgeny Martynov

The singer's biography tragically ended on September 3, 1990. According to the official version, the reason for this was acute heart failure, but some facts indicate that this is not entirely true. The singer was driving home in an elevator, but suddenly he felt unwell. It is said that he could still have been saved if timely medical assistance had been provided to him, but, alas, this did not happen. The funeral of Yevgeny Martynov took place on the fourth day from the date of death at the Moscow Novo-Kuntsevo cemetery at site No. 2.

The younger brother of the composer, Yuri Grigorievich, believes that the artist was “helped” to go to the other world, because he was just suing the people who deceived him. And this seems to be true, because it was a rather "tidy" sum.

The essence of the matter was such that Yevgeny Martynov was organized a tour of the Ryazan region, but for some reason they forgot to pay the fee. The contract with the company was officially concluded (on paper), only it was issued to completely strangers. Recidivist fraudsters thus secured themselves, because it was not easy to prove their involvement in this situation.

And so the composer "very fortunately" died right on the eve of the next meeting, scheduled for September 4th. The case was closed, and people whispered for a long time that the death was set up by those same criminals. According to one version, he was poisoned, and according to another, he was severely beaten, hitting his vital organs.

Opinion of Yuri Grigorievich Martynov

The composer's brother told about the events that the old woman who found Zhenya at the entrance, as well as other tenants, said that he entered there in the company of two men. The companions later said that Martynov bought them vodka and they “figured out for three”, but it is not known what brand they drank and whether it was from the same bottle. No one thought to ask the drinking companions about this.

According to those men, Yevgeny became ill as soon as they entered the entrance, and he had already lost consciousness in the elevator. But why did they leave him without first aid? And why one of them entered the elevator with the singer, and the other remained at the exit from the entrance, is still a mystery. After that, the policemen arrived and began to bring Yevgeny Martynov to his senses by means of slaps and ammonia. A doctor from a nearby children's hospital appeared and gave the musician some kind of injection, and then the composer died.

Facts pointing to premeditated murder

Pathologists from the Sklifosovsky Research Institute concluded that a considerable amount of ammonia was found in Yevgeny Martynov's mouth. But they don't drink it! To bring a person to life, a drop of ammonia on a piece of cotton is enough, and the singer's clothes really exuded a pungent smell of ammonia! However, the conclusion on the cause of death indicated heart failure.

The brother of the deceased concluded that Yevgeny Martynov died precisely from poisoning:

“The reason for Zhenya’s poor health was the fact that he was deliberately poisoned. Maybe the vodka came across “singed”, or something was added to his glass so that he passed out and he could be cleaned. Before the arrival of the police, the brother was still breathing and it was necessary just to call an ambulance, and not to carry out inept resuscitation. Was it really possible to pour ammonia into a living person instead of just giving it a sniff?! Didn't they know that ammonia causes severe swelling of the mucous membrane, blocking the airways ?!

Family

The following can be said about Yevgeny Martynov's personal life: he had a wife and a son. The wife was 11 years younger than the composer, because he married quite late. At the time of meeting she was only 17 years old. The artist was by nature a very shy person, and, despite the crowds of enthusiastic fans, he never took anyone to hotel rooms after performances. Apparently, modesty influenced the fact that Yevgeny Martynov created a family only at the age of 30, having waited for his only one.

Spouse details

Wife Evelina Konstantinovna Starchenko was born in Kyiv in 1959 and after marriage took her husband's surname. The wedding celebration took place in the Moscow restaurant "Prague" and was distinguished by splendor. People who were part of the circle of close acquaintances of the singer whispered that Evelina had jumped out of marriage out of selfish motives, but Eugene was very happy with her. God blessed their marriage with a son who was born on July 23, 1984. The name was given to him in honor of the great Russian poet Sergei Yesenin, whose work Martynov infinitely loved. The son looks very much like his father, but he was only 6 years old when his father died.

Despite the fact that Evelina herself says that the death of her husband was the strongest blow of fate for her, Yuri Martynov does not particularly believe in this. And he explains it this way: “Shortly after the death of Zhenya, Ella asked me to connect my connections in order to give her an abortion. I wondered whose child it was. However, he brought her to the right people. A month later, she began dating another man, with whom she currently lives in Spain.

After her second marriage, Evelina moved to the Spanish resort town of Alicante with her son Sergei and now lives in a villa by the sea.

Top Albums

Since in the Soviet edition most of the vinyls with the singer’s recordings were simply called “Evgeny Martynov Sings,” for convenience, the recordings were released on CD under other names. The re-release was made after the death of the artist, and the first album was released in 1991. Here is Evgeny Martynov's compiled discography:

"I'll give you the whole world" - 1991 ("Melody");
"Swan fidelity" - 1991 ("Melody");
"Maryina Grove" - 1991 ("Melody");
"Song of my love" - 1994 ("ROM Ltd.");
"Apple trees in bloom" ("Evgeny Martynov sings his songs") - 1995 ("Melody");
"Swan fidelity - Songs of Evgeny Martynov" - 1997 ("Melody");
"I'm flying to you - Pop stars sing songs by Evgeny Martynov" - 2000 ("Melody");
"I'll give you the whole world" - 2001 ("Park of Stars");
Grand Collection - 2003 ("Quad-Disk");
"Great Performers of Russia of the XX Century" - 2004 (Moroz Records);

After listening to these recordings, you can get acquainted with the songs of the talented composer and listen to his unusually soft, wonderful voice.

His mother Nina Trofimovna from June 1942 to September 1945 served in the evacuation hospitals of the 3rd Ukrainian Front, and met the wounded soldier Grigory Martynov in the hospital. She married him and married him, after which the newlyweds settled in the city of Kamyshin, where in love and harmony they raised two sons - Eugene and Yuri.

Yevgeny spent his childhood and youth in the Donbass. Evgeny's mother Nina Martynova later said: “Then we lived on the Volga, in the city of Kamyshin, and then moved to Artyomovsk. Little Zhenya was very sick, he didn’t even go to kindergarten. At home, we always sang Russian and Ukrainian songs in two voices, my father played the button accordion, and so Zhenya spent all the children's matinees with him, spent all the holidays. And he loved music so much that we bought him an accordion. He, in fact, did not have a childhood: two schools - to eat, there was no time to take a walk. I remember the teacher Zhenin said: “I would like more such students, and not those who study music under pressure ...” And the truth is, I never forced either Zhenya or Yura to study. Then Zhenya entered the Kyiv Conservatory. But my father and I are invalids of the second group, from the war, and he had to transfer to us closer.

Yevgeny's father Grigory Martynov, before being wounded, was the commander of a rifle platoon of the 333rd division, and after arriving in Artemovsk, he began working as a singing teacher at the Artyomovsk secondary school and supervised amateur art activities. He talked about Evgeny: “He loved our house in Artyomovsk, and it’s beautiful with us there ... He sent us telegrams from every city on tour, always with a return address, he was afraid of everything for my mother and me ... She saved them all : here is Ukraine, and Belarus, and the Urals, and Kamchatka ... "But the musical career of the future famous composer began with my father's accordion, whose sound made Evgeny leave his games and listen with delight to the music. The boy quickly memorized the melodies he heard, and later he sang and danced himself, tapping out the rhythms of the memorized songs. He also liked to recite poems and monologues heard in the club, cinema and on the radio. At school, Eugene showed a gift for drawing, then he became interested in tricks and willingly showed them at school concerts. Zhenya studied well, without much difficulty, but music gradually replaced other hobbies and passions, including football, which he loved to play since childhood. His father taught Yevgeny to play the button accordion, then the accordion, and when Yevgeny was 11 years old, his parents bought him his own professional accordion, and he enjoyed playing it in front of his classmates and neighbors. Thanks to his father and constant studies, Eugene received good professional skills in musical improvisation and mastered the basics of accompaniment techniques in different keys, which in the future allowed him to easily adapt to any singing and immediately play along with the singer even in cases where the material was unknown to him. After the age of eight, Yevgeny Martynov entered the Artyomovsk Music College in the conducting and wind department, where he showed a passion for composing, and he wrote a romance for clarinet and piano, a scherzo for clarinet and piano, and a prelude for piano.

After graduating from college, Eugene entered the Kyiv Tchaikovsky Conservatory, and completed his education at the Donetsk Musical and Pedagogical Institute. The first two songs-ballads were written by him to the verses of his classmates L. Zhidel and T. Kireeva - “The Ballad of the Komsomol Members of Donbass” and “The Song of the Motherland”. When Martynov studied at the conservatory as a professional clarinetist, someone said about him: "This is a gift of fate." So he received the student nickname "Gift" for his outstanding abilities.

After graduating for a year, Yevgeny directed the pop orchestra of the Donetsk All-Union Research Institute of Explosive Equipment, and in 1972 he came to Moscow with a letter of recommendation from the Donetsk conductor to the popular pop singer Maya Kristalinskaya, who warmly welcomed the charming young man from Donbass. It was Maya Kristalinskaya, whose pop authority was very high, who sent the “well-singing composer” to the Rosconcert, having previously given Martynov the most flattering recommendation. The audition at the Rosconcert was successful, and they decided to test Evgeny as a soloist-vocalist in a national pop program, offering to work for a couple of months for free, which was usual for newcomers from the provinces. In June 1972, Yevgeny Martynov went on his first tour of Siberia and the Far East along with other rising stars of the Soviet stage: young Lev Leshchenko, Valentina Tolkunova, Svetlana Morgunova, Gennady Khazanov and the newly created Vladimir Chizhik jazz ensemble Melodiya.

In 1973, he was enrolled in the staff of the Rosconcert, and fate immediately connected Evgeny with the Moscow poets Pavel Leonidov and David Usmanov, with whom he wrote his first songs in Moscow, which were added to the songs composed earlier in Donetsk - “Lullaby to Ashes” on verses by Marcinkyavichyus, "The Ballad of the Mother" to the verses of Dementiev, "Birch" to the verses of Yesenin and "The song has a name and patronymic" to the verses of Lisyansky.

In June 1973, Martynov won the title of laureate of the All-Union Competition of Soviet Song Performers in Minsk, performing there the songs “Dark Night”, “Migratory Birds Are Flying” and his “Mother's Ballad”, for which he received the audience award.

Very soon, the song "The Ballad of the Mother" was noted at the all-Union television festival "Song-74", and made the name of Yevgeny Martynov popularly known. Composer Oleg Ivanov said: “Like many, I was struck by Zhenya's first song. It was "The Ballad of a Mother", which in those years literally swept across the country. I was struck by the music, and the poems, and the passionate performance... And interestingly, a year before that, I was shown the poems by Andrey Dementiev, but I felt that I could not write a song on them. Poems seemed to be waiting for Martynov. Then we met him at the X World Festival of Youth and Students in Berlin. It was wonderful to sit next to Zhenya and listen to him sing. Just happiness. He combined both a composer, and a singer, and a musician who masterfully owns the piano: his instrument sounded bright, orchestral. A brilliant pianist, Martynov played claviers of any complexity from sight. Once he demonstrated a musical joke - he played a piece on an inverted clavier. Zhenya had a bright melodic talent. He never went to the middle peasants. For two or three years he became one of the most popular composers. His compositions attracted the most famous performers. Two Slavic cultures merged in the composer's creative palette: Zhenya, a Russian, lived in Ukraine, which gave his melodies a special melody. His songs were beautiful with the beauty that comes from the generous sunny land. And he sang them with such emotional devotion, as if for the first and last time, he burned and gave this burning to people.

Despite the successful start of his creative career, Yevgeny Martynov's personal life did not take shape for a long time. Initially, he was forced to arrange a fictitious marriage in order to obtain a Moscow residence permit. Pianist Leonty Atalyan spoke about this: “At one time, Zhenya arranged a fictitious marriage in order to make himself a Moscow residence permit. We had a costume designer Alena Abrosimova. Good girl. She herself suggested to Zhenya: “Let's sign! What are you suffering from?" A lot of musicians did that back then. We worked from the Rosconcert. Our base was in Moscow. And when we came to Moscow, each time we had to think about where to spend the night. Zhenya often joked about this. “Leon, what station are you sleeping at today? - he asked loudly so that the director of the team could hear. “I'm on Kursk.” “You know, I prefer the Air Terminal on Leningradka,” I replied. "There's a good buffet."

In 1975, after performing the songs "Swan Fidelity" and "Apple Trees in Bloom", Yevgeny Martynov's popularity further strengthened, and in the same year he won the "Grand Prix" of the international pop song festival "Bratislava Lyra". Moreover, it should be noted that a performer from the USSR received an award at this competition for the first time.

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Soon, Martynov's debut EP with three songs in the author's performance was released, and it broke all circulation records, being repeatedly re-released at the Melodiya Firm's record factories for almost two years. The poet Vladimir Kudryavtsev said: “Fate brought me together with Yevgeny in the early 70s in Moscow, at the apartment of the poet Andrei Dementyev ... I will never forget that evening. At home, Martynov's songs performed by him sounded especially confidential and very touching, full of drama and incredible sincerity. Andrei's wife Galina, perhaps listening to these confession songs more than once, could not stand it, burst into tears. Yes, and we, men, were excited and touched. And for a long time they were impressed by what they heard. And for Yevgeny, probably, the very homely atmosphere in the living room of the Dementiev family was special. He was drawn to the family flame. It turns out that he then, not having a Moscow residence permit and any housing, spent the night - at the Kursk railway station. He joked then: “My address is the left bench to the right of the policeman. Just don't tell this address to Andrey. I don't like being pitied. He will definitely offer me to live with them ... ”I stayed in Moscow for a few more days, and we lived with him in a hotel, in the same room. Yevgeny's sharpness, his humor and cheerfulness were captivating. He had many acquaintances in Moscow, and to the traditional question: “How is life?” - he invariably answered: "Than to live like this, it is better, God forbid, to die." – “Yes you that?! - not understanding the play on words, they told him. “You still have to live and live.”

Over the years of his composing and performing activities, Martynov was awarded many laureate titles and honorary diplomas. He was awarded in 1973 at the All-Union Competition of Soviet Song Performers in Minsk and the World Festival of Youth and Students in Berlin. In 1974, he was noted at the All-Union Television Festival of the Soviet Song "Young Voices". In 1975, he received an award at the international pop song contest "Bratislava Lira" in Czechoslovakia, and in 1976 at the international pop song contest "Golden Orpheus" in Bulgaria. In 1976, Martynov received an award at the Melodiya druzhiki interfestivals of pop songs in Kyiv, and in 1977 at the Dechinsky Anchor in Czechoslovakia. Unexpectedly for Martynov, foreign artists began to perform his songs. The All-Union Copyright Agency began to receive notifications about the performance of his songs in various parts of the world: in all socialist countries, in Finland, Spain, England, Canada, the USA and Japan.

In 1978, Eugene married a Kiev woman named Evelina, in marriage with whom his son Sergei was born in 1984, who was so named after the composer Sergei Rachmaninov and the poet Sergei Yesenin.

In 1980, the composer was awarded the honorary title of laureate of the Lenin Komsomol Prize, from 1974 to 1990 Martynov was regularly recognized as the laureate of the All-Union TV festivals "Song of the Year", and since 1984 he became a member of the Union of Composers. His colleague, composer Georgy Movsesyan said: “Yuri Gulyaev, Zhenya and I always met on joyful occasions, performed together. We were welcome guests among sailors, astronauts, and athletes. I am grateful to Zhenya for the fact that, unlike the "eat-alongs", he did not put an earring on his ear and always went on stage fit and elegant, respecting the audience. He wanted to relate to the song such as parents have to children. And he wrote the claviers of his songs with care, like a student for an exam, although he was both a specialist and a master. In general, he was conscientious to the point of stupefaction and treated work as something sacred, and not as a craft. Many of us rushed to another “religion”, he remained with his god ... ”The receipt of laureate titles was accompanied by the presentation of special diplomas and prizes“ For elegance ”,“ For artistic charm ”and“ For telegenicity ”. This success with a capital letter changed the atmosphere around the name of Yevgeny Martynov, but not Yevgeny himself.

Martynov's creative alliance with Andrey Dementiev turned out to be the most inspirational and fruitful. The community of Martynov - Dementyev led to the appearance of the songs "Father's House", "Natalie", "Yesenin has a birthday", "Sorry" and "Swallows returned home." However, other famous songwriters willingly collaborated with Yevgeny Martynov - Robert Rozhdestvensky, Andrei Voznesensky, Ilya Reznik, Igor Shaferan, Mikhail Tanich, Leonid Derbenev, Nikolai Dobronravov, Rimma Kazakova and many other authors.

Martynov's songs sounded everywhere: “I'll give you the whole world”, “Nightingales sing, flood ...”, “Start over”, “Seagulls over the water”, “Merry umbrella”, “Song of my love”. After 1975, Martynov released 5 author's minions with the title "Evgeny Martynov sings his songs." The copies of these minions were instantly sold out, and often the composer himself, who generously gave away records to fans, could not purchase them in stores. In 1979, his big record appeared on sale.

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Martynov has successfully toured many countries around the world - the USA, Canada, Mexico, Brazil, Argentina, Italy, Germany, Spain, Belgium, Finland, India and Switzerland. Classmate Evgenia Martynova Professor T.I. Kireeva said: “Zhenya was an unusually cheerful, bright person. Both as a friend and as a musician he was amazing. He always radiated love and joy. He generously bestowed his rays of sunshine on each individual and all of our student brethren. Never discouraged. When he came to the conservatory or the hostel, he always joked and laughed. Where Zhenya was, there was always fun, laughter and, of course, a song. We were amazed at his resourcefulness, he knew how to stir up anyone. He usually sat down at the piano, played, and then began to sing.

The fact that Yevgeny Martynov was very fond of joking was also confirmed by Leonty Atalyan: “Martynov kept his first fees - 400-500 rubles ... in swimming trunks, wrapped in a plastic bag. For him, it was wealth. Sometimes on trips, Zhenya took out fifty dollars and stolniks, sculpted them on the glass of the bus and had fun watching how people passing by reacted. He generally liked to joke.

Until 1990, which became his last, Yevgeny Martynov was one of the most popular and beloved authors and performers in the USSR. Yuri Martynov said: “Evgeny Martynov, in my opinion, is one of the last composers who was accepted with open arms solely for his talent. “Maybe we really don’t understand something? Zhenya said. - I'm already tired of all this. My nerves can't stand it... And most importantly, I'm ashamed. It’s a shame to push around, almost defending the right of your creativity to a place on the air with your fists.

The poet Vladimir Kudryavtsev said: “Over time, Eugene came to me in Kyiv. It was blooming May, and suddenly it started raining mushrooms. And when it ended, we ... went to Hydropark. We stood on the banks of the Dnieper, and just at that time a rainbow blossomed. And Zhenya says to me: “Write about it. I even have a chorus." And he sang: "Marcephali, marcephali ..." This was his favorite word, the meaning of which he himself did not know. When I called him later, I said: “Hi, Marcephali!” However, on the same day, he was already humming the first lines of a song that had not yet been written:

"Give me for the sake of
Colors of grassy rainbows..."

We met with Evgeny many more times - in Moscow and in Kyiv. But this song is the only one left. I mean: the song is in Ukrainian... And now the last one. (We are talking about the song "Koliori kokhannya", in Russian - "Colors of Love"). He promised me to come to Yalta in October, where I moved for permanent residence. And so..."

On September 3, 1990, at about 10 am, Yevgeny Martynov entered the 180th police station, with whom he had long maintained friendly relations (he repeatedly spoke to police officers, introduced him to his work). He was cheerful and cheerful. An hour later, citizens called the police and said that the lifeless body of a man was lying at the entrance. Police officers urgently went to the scene, and recognized the singer and composer Yevgeny Martynov in the lying dead man. As it became known, he was going home, and suddenly he felt bad with his heart. He sat down at the entrance on the steps, but the pain, apparently, did not let go. Passers-by tried to help him, an ambulance was called. But Martynov bled from his mouth, his face began to turn black, and soon he died suddenly. The cause of death was acute heart failure. The ambulance, which arrived 40 minutes later, was unable to help.

“I will give you the whole world” - this was the name of one of the songs of the composer Yevgeny Martynov, and this is how you can title all his work. For Yevgeny Martynov really gave his admirers the immense world of Beauty, Flight, Spring and Love, forever remaining in our memory as a symbol of light, fidelity and inspiration.

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Yevgeny Martynov is buried at the Novo-Kuntsevo cemetery.

The wife of Evgeny Martynov remarried and moved with her son to Spain. In recognition of the composer's merits, in 1992 one of the streets of Artyomovsk in the Donbass was named after Yevgeny Martynov. On the initiative of cultural figures and friends of the artist in Moscow in 1993, the Moscow Cultural Society Evgeny Martynov Club was established, which was engaged in cultural and charitable activities and promoted the creative heritage of the remarkable composer and singer. In 1995, a tombstone was opened on the grave of Yevgeny Martynov at the Novo-Kuntsevo cemetery.

In 1998, Yuri Martynov's book "The Swan Fidelity of Evgeny Martynov" was published, in which, on the basis of factual material, official documents, publications of different years, statements of colleagues, archival photographs, and based on the memoirs of the composer's brother, the life and creative path of the brightest representative of the professional songwriter was revealed. art of the Soviet Union in the 1970s and 1980s.

Both during his lifetime and after the death of Yevgeny Martynov, many popular domestic and foreign artists included his songs in their repertoire: Michel (Spain), K. Gott (Czech Republic), A. German (Poland), D. Maryanovich, M. Ungar, I.Sherfezi (Yugoslavia), L.Ivanova (Bulgaria), M.Dauer (Romania), M.Chaves (Cuba), J.Yoala, A.Veski, M.Kristalinskaya, G.Nenasheva, L.Kesoglu, A. Vedischeva, T. Miansarova, G. Chokheli, M. Kodreanu, I. Kobzon, L. Zykina, O. Voronets, S. Zakharov, S. Rotaru, V. Tolkunova, L. Leshchenko, L. Senchina, Yu. Bogatikov, E. Shavrina, G. Belov, K. Georgiadi, A. Serov, I. Ponarovskaya, N. Chepraga, L. Serebrennikov, I. Otieva, N. Gnatyuk, L. Uspenskaya, V. Vuyachich, N. Brodskaya, performers of the new (for the composer) generations - F. Kirkorov, N. Baskov, S. Pavliashvili, A. Malinin, I. Shvedova, I. Demarin, V. Gotovtseva, M. Evdokimov, Anastasia, Julian, Tanya Otryagina; as well as such well-known groups as the Red Banner Song and Dance Ensemble of the Soviet (Russian) Army named after A.Alexandrov, the Academic Song and Dance Ensemble of the Ministry of Internal Affairs of the USSR (RF), the State Russian Folk Ensemble "Russia", vocal and instrumental ensembles - "Orera ”, “Gems”, “Flame”, “Gaya”, “Hope”, “Chervona Ruta”, “Seven Young” (Yugoslavia), “Blue Jeans” (Japan), vocal ensembles - “Russian Song”, “Indian Summer ”,“ Voronezh Girls ”, duet“ Romen ”... The composer's works were also successfully performed (and are being performed) by the orchestras of symphonic and pop music of the All-Union (Russian) radio and television, the State Brass Band of Russia, the orchestras of pop and dance music of Bratislavsky and Ostrava Radio (Slovakia and Czech Republic), Moscow variety orchestra "Melody", Orchestra conducted by Claude Caravelli (France).

While sorting through the papers of Yevgeny Martynov, his brother Yuri found records that can be considered the creative testament of the musician. There are such lines: “I am close to the civil lyrics - the continuation of the traditions of the Soviet song. It is important to preserve all the best that was written by composers in this genre. We must continue the traditions, otherwise we will destroy our national Russian song culture. Now girls aged 14-17 have begun to dictate fashion. For them, the main thing is the dance rhythm. Hence the verses of the corresponding content. People have forgotten how to sing. And what is more important - entertainment in music or its educational value? The song has authors. Now the culture is nameless, unbridled, there is no responsibility for writing. Members of the Union of Composers are not respected. And professionals must be respected, we strived so hard to become them! A member of the creative union is almost the personification of stagnation, but the guy with the guitar is the foreman of perestroika! .. A song should unite people of all ages!”

A documentary film "Swan Song" was made about Yevgeny Martynov.

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Text prepared by Andrey Goncharov

Used materials:

Site materials www.rutv.ru
Site materials www.evgenymartynov.narod.ru
Site materials www.donbass.dn.ua
Site materials www.pnp.ru
Site materials www.shanson-e.tk
Site materials www.tvcenter.ru

The composer spent his childhood and youth in the Donbass, he received his higher musical education at the Kyiv Conservatory. P.I. Tchaikovsky and the Donetsk Musical and Pedagogical Institute (now - the S.S. Prokofiev Conservatory). Since 1973, the composer lived in Moscow and worked first at the State Concert Association "Rosconcert" (soloist-vocalist), and then at the publishing houses "Young Guard" and "Pravda" (music editor-consultant). Member of the Union of Composers of the USSR since 1984. Over the years of his composing and performing activities Martynov E.G. was awarded many laureate titles and honorary diplomas, in particular at the All-Union Competition of Soviet Song Performers in Minsk (1973), the World Festival of Youth and Students in Berlin (1973), the All-Union Television Festival of Soviet Song "Young Voices" (1974 1975, the international pop song contest "Bratislava Lira" in Czechoslovakia (1975), the international pop song contest "Golden Orpheus" in Bulgaria

(1976), at the pop song interfestivals "Melodies of Friends" in Kyiv (1976) and "Dechinsky Anchor" in Czechoslovakia (1977). In 1980, the composer was awarded the honorary title of laureate of the Moscow Komsomol Prize in those years, and in 1987 he became the laureate of the Lenin Komsomol Prize. From 1974 to 1990 he was a permanent laureate of the All-Union television festivals "Songs of the Year".

The artist has toured extensively and successfully around the country and abroad. With concert performances and as part of creative delegations, he traveled to many countries of the world: the USA, Canada, Mexico, Brazil, Argentina, Italy, Germany, Spain, Belgium, Finland, India, Switzerland, and all former socialist countries. The songs of E.G. Martynov included (and still include) in their repertoire many popular domestic and foreign artists: Michel (Spain), K. Gott (Czech Republic), A. German (Poland), D. Maryanovich, M. Ungar, I. Sherfezi (Yugoslavia), L.Ivanova (Bulgaria), M.Dauer (Romania), M.Chaves (Cuba), J.Yoala, A.Veski, M.Kristalinskaya, G.Nenasheva, L.Kesoglu, A.Vedishcheva, T. Miansarova, G. Chokheli, M. Kodreanu, I. Kobzon, L. Zykina, O. Voronets, S. Zakharov, S. Rotaru, V. Tolkunova, L. Leshchenko, L. Senchina, Y. Bogatikov, E. Shavrina, G. Belov, K. Georgiadi, A. Serov, I. Ponarovskaya, N. Chepraga, L. Serebrennikov, I. Otieva, N. Gnatyuk, L. Uspenskaya, V. Vuyachich, N. Brodskaya, performers of the new (for composer) generation - F. Kirkorov, N. Baskov, M. Nasyrov, V. Baikov, S. Pavliashvili, A. Malinin, I. Shvedova, I. Demarin, V. Gotovtseva, M. Evdokimov, Anastasia, Julian, Natalie, Tanya Otryagina; as well as such well-known groups as the Red Banner Song and Dance Ensemble of the Soviet (Russian) Army named after A.Alexandrov, the Academic Song and Dance Ensemble of the Ministry of Internal Affairs of the USSR (RF), the State Russian Folk Ensemble "Russia", vocal and instrumental ensembles - "Orera ", "Gems", "Flame", "Gaya", "Hope", "Chervona Ruta", "Seven Young" (Yugoslavia), "Blue Jeans" (Japan), vocal ensembles - "Russian Song", "Indian Summer ", "Voronezh Girls", duet "Romen" ... The composer's works were also successfully performed (and are being performed) by the orchestras of symphonic and pop music of the All-Union (Russian) radio and television, the State Brass Band of Russia, the orchestras of pop and dance music of Bratislavsky and Ostrava radio (Slovakia and Czech Republic), the Moscow Variety Orchestra "Melody", the Orchestra conducted by Claude Caravelli (France) ...

The most popular songs of E. G. Martynov: "The Ballad of the Mother", "Swan Fidelity", "Father's House", "Apple Trees in Bloom", "Alyonushka", "I'm Waiting for Spring", "Seagulls over the Water", "Father's Letter ", "Start over", "I'll give you the whole world", "On the swing", "The spell", "Natalie", "Mother's eyes", "Meeting friends" ("Let's sit in a good way"), "March-remembrance "," Nightingales sing, flood ... "," If the heart is young "(" Today I am where the blizzard sweeps "), "White lilac", "Tell me, cherry ...". The composer collaborated with the most famous Moscow poets: A. Dementiev, R. Rozhdestvensky, A. Voznesensky, I. Reznik, S. Ostrov, M. Plyatskovsky, V. Kharitonov, I. Shaferan, M. Tanich, L. Derbenev, N. Dobronravov , A. Poperechny, R. Kazakova, A. Pyanov, N. Dorizo ... Musical collections, phonograph records and compact cassettes with songs by E. G. Martynov were published in huge editions and enjoyed constant success among pop song lovers, as in our country and beyond.

Composer and performer

Laureate of the Lenin Komsomol Prize (1980)

Ten-time laureate of the Songs of the Year program

Evgeny Martynov was born on May 22, 1948 in the city of Kamyshin in the Volgograd region.

After graduating from college, Eugene entered the Kyiv Tchaikovsky Conservatory, and completed his education at the Donetsk Musical and Pedagogical Institute. The first two ballad songs were written by him to the verses of his classmates L. Zhidel and T. Kireeva - “The Ballad of the Komsomol Members of Donbass” and “The Song of the Motherland”. When Martynov studied at the conservatory as a professional clarinetist, someone said about him: "This is a gift of fate." So he received the student nickname "Gift" for his outstanding abilities.

In 1975, after performing the songs "Swan Fidelity" and "Apple Trees in Bloom", Yevgeny Martynov's popularity further strengthened, and in the same year he became the owner of the "Grand Prix" of the international pop song festival "Bratislava Lyre". Moreover, it should be noted that a performer from the USSR received an award at this competition for the first time.

Soon, Martynov's debut EP with three songs in the author's performance was released, and it broke all circulation records, being repeatedly re-released at the Melodiya Firm's record factories for almost two years. The poet Vladimir Kudryavtsev said: “Fate brought me together with Yevgeny in the early 70s in Moscow, at the apartment of the poet Andrei Dementyev ... I will never forget that evening. At home, Martynov's songs performed by him sounded especially confidential and very touching, full of drama and incredible sincerity. Andrei's wife Galina, perhaps listening to these confession songs more than once, could not stand it, burst into tears. Yes, and we, men, were excited and touched. And for a long time they were impressed by what they heard. And for Yevgeny, probably, the very homely atmosphere in the living room of the Dementiev family was special. He was drawn to the family flame. It turns out that he then, not having a Moscow residence permit and any housing, spent the night - at the Kursk railway station. He joked then: “My address is the left bench to the right of the policeman. Just don't tell this address to Andrey. I don't like being pitied. He will definitely offer me to live with them ... ”I stayed in Moscow for a few more days, and we lived with him in a hotel, in the same room. Yevgeny's sharpness, his humor and cheerfulness were captivating. He had many acquaintances in Moscow, and to the traditional question: “How is life?” - he invariably answered: "Than to live like this, it is better, God forbid, to die." - “Yes, what are you?! - not understanding the play on words, they told him. “You still have to live and live.”

Over the years of his composing and performing activities, Martynov was awarded many laureate titles and honorary diplomas. He was awarded in 1973 at the All-Union Competition of Soviet Song Performers in Minsk and the World Festival of Youth and Students in Berlin. In 1974, he was noted at the All-Union Television Festival of the Soviet Song "Young Voices". In 1975, he received an award at the international pop song contest "Bratislava Lira" in Czechoslovakia, and in 1976 at the international pop song contest "Golden Orpheus" in Bulgaria. In 1976, Martynov received an award at the Melodiya druzhiki interfestivals of pop songs in Kyiv, and in 1977 at the Dechinsky Anchor in Czechoslovakia. Unexpectedly for Martynov, foreign artists began to perform his songs. From the All-Union Copyright Agency began to receive notices about the performance of his songs in various parts of the world: in all socialist countries, in Finland, Spain, England, Canada, the USA and Japan.

In 1978, Eugene married a Kiev woman named Evelina, in marriage with whom his son Sergei was born in 1984, who was so named after the composer Sergei Rachmaninov and the poet Sergei Yesenin.

Martynov's creative alliance with Andrey Dementiev turned out to be the most inspirational and fruitful. The community of Martynov - Dementyev led to the appearance of the songs "Father's House", "Natalie", "Yesenin has a birthday", "Sorry" and "Swallows returned home." However, other well-known songwriters also willingly collaborated with Yevgeny Martynov - Robert Rozhdestvensky, Andrei Voznesensky, Ilya Reznik, Igor Shaferan, Mikhail Tanich, Leonid Derbenev, Nikolai Dobronravov, Rimma Kazakova and many other authors.

"Give me for the sake of

Colors of grassy rainbows..."

We met with Evgeny many more times - in Moscow and in Kyiv. But this song is the only one left. I mean: the song is in Ukrainian... And now the last one. (We are talking about the song “Koliori Kokhannya”, in Russian - “Colors of Love”). He promised me to come to Yalta in October, where I moved for permanent residence. And so..."

Yevgeny Martynov is buried at the Novo-Kuntsevo cemetery.

Afterword…

Both during his lifetime and after the death of Yevgeny Martynov, many popular domestic and foreign artists included his songs in their repertoire: Michel (Spain), K. Gott (Czech Republic), A. German (Poland), D. Maryanovich, M. Ungar, I.Sherfezi (Yugoslavia), L.Ivanova (Bulgaria), M.Dauer (Romania), M.Chaves (Cuba), J.Yoala, A.Veski, M.Kristalinskaya, G.Nenasheva, L.Kesoglu, A. Vedischeva, T. Miansarova, G. Chokheli, M. Kodreanu, I. Kobzon, L. Zykina, O. Voronets, S. Zakharov, S. Rotaru, V. Tolkunova, L. Leshchenko, L. Senchina, Yu. Bogatikov, E. Shavrina, G. Belov, K. Georgiadi, A. Serov, I. Ponarovskaya, N. Chepraga, L. Serebrennikov, I. Otieva, N. Gnatyuk, L. Uspenskaya, V. Vuyachich, N. Brodskaya, performers of the new (for the composer) generations - F. Kirkorov, N. Baskov, S. Pavliashvili, A. Malinin, I. Shvedova, I. Demarin, V. Gotovtseva, M. Evdokimov, Anastasia, Julian, Tanya Otryagina; as well as such well-known groups as the Red Banner Song and Dance Ensemble of the Soviet (Russian) Army named after A. Aleksandrov, the Academic Song and Dance Ensemble of the Ministry of Internal Affairs of the USSR (RF), the State Russian Folk Ensemble "Russia", vocal and instrumental ensembles - "Orera ”, “Gems”, “Flame”, “Gaya”, “Hope”, “Chervona Ruta”, “Seven Young” (Yugoslavia), “Blue Jeans” (Japan), vocal ensembles - “Russian Song”, “Indian Summer ”,“ Voronezh Girls ”, duet“ Romen ”... The composer's works were also successfully performed (and are being performed) by the orchestras of symphonic and pop music of the All-Union (Russian) radio and television, the State Brass Band of Russia, the orchestras of pop and dance music of Bratislavsky and Ostrava Radio (Slovakia and Czech Republic), Moscow variety orchestra "Melody", Orchestra conducted by Claude Caravelli (France).

While sorting through the papers of Yevgeny Martynov, his brother Yuri found records that can be considered the creative testament of the musician. There are the following lines: “Civil lyrics are close to me - a continuation of the traditions of the Soviet song. It is important to preserve all the best that was written by composers in this genre. We must continue the traditions, otherwise we will destroy our national Russian song culture. Now girls aged 14-17 have begun to dictate fashion. For them, the main thing is the dance rhythm. Hence the verses of the corresponding content. People have forgotten how to sing. And what is more important - entertainment in music or its educational value? The song has authors. Now the culture is nameless, unbridled, there is no responsibility for writing. Members of the Union of Composers are not respected. And professionals must be respected, we strived so hard to become them! A member of the creative union is almost the personification of stagnation, but the guy with the guitar is the foreman of perestroika! .. The song should unite people of all ages!
www.donbass.dn.ua
Site materials www.pnp.ru
Site materials www.shanson-e.tk
Site materials www.tvcenter.ru

Yevgeny MARTYNOV tragically passed away almost two decades ago, but his songs "Swan Fidelity", "Apple Trees in Bloom", "Alyonushka", "Tell me, tell me, cherry" still continue to sound and delight listeners. I decided to find out what Martynov was like in everyday life, and met with his friend jazz pianist Leonty ATALYAN.

Mikhail FILIMONOV

- I met Zhenya Martynov when I came to work in the orchestra Alexey Mazhukov“Soviet song,” Leonty began the story. - Zhenya at that time had a modest experience. He graduated from the Musical Pedagogical Institute in Donetsk with a degree in clarinet. But he didn’t play so well, he didn’t know how to improvise. For some time he worked in the Donetsk theater. Received 80 rubles. Then, by chance, I stumbled upon the poems "Alexey, Aleshenka, son" by a then little-known poet Andrey Dementiev and wrote a song for them. He showed it to someone at the Rosconcert, and he was taken to the big concert program "Pop Song Tournament" with the participation Leshchenko, Tolkunova and other emerging artists. The participants of the program were accompanied by two big bands - an orchestra Vadim Ludvikovsky and orchestra Alexey Mazhukov.

- At that time, Nina Brodskaya also sang in the orchestra with Mazhukov, who recorded “To meet with love is a difficult problem” for the film “Ivan Vasilyevich Changes Profession”?

- Yes, an extraordinary woman ... Once in Odessa, Brodskaya almost brought Mazhukov to a heart attack. After the concert in the Philharmonic Hall, we were told: “Don't go anywhere! There will be a meeting." And we had a lot of women in the team. And these ladies at the meeting began to pour dirt on each other. The turn came to Brodskaya. She attacked the wife of the director of the orchestra and gave out something like this tirade: “But didn’t you, Tamara, say that Mazhukov’s wife lives with him only because he is a composer and he has a large fee? And that Mazhukov, when conducting, is constantly massaging his heart and straightening his balls? Everyone was shocked!

Wealth in swimming trunks

“Zhenya Martynov and I struck up a friendship from the very beginning,” Atalyan continued. He was a simple, open guy. I got a little at first. And then how it went!

Martynov kept his first fees - 400-500 rubles ... in swimming trunks, wrapped in a plastic bag. For him, it was wealth. Sometimes on trips, Zhenya took out fifty dollars and stolniks, sculpted them on the glass of the bus and had fun watching how people passing by reacted. He generally liked to joke.

- Did you like to drink?

- At the dawn of his career, Martynov almost did not drink. I remember how on May 22, 1973 we celebrated his 25th birthday in Kislovodsk. They sat down, nodded a little, congratulated him. But they didn't even finish the bottle. "Ugh, what a mess!" Zhenya said after another glass. And he gave the remaining vodka to Mazhukov's younger brother, saxophonist Ilya, who loved to throw. The next day we moved from Kislovodsk to Sochi. And there on the beach met the girls. They had fun, amused themselves, but for Martynov it all ended in embarrassment. “Zhen, well, how did you spend the night?” we asked him the next day. “Yes, the leg came out crap,” he complained. - Everything always works well for me - in the hotel, and on the train, and on the plane. But as soon as you throw your leg, everything immediately falls down. After that, in the team they constantly teased him: “Zhen, how is your leg?”

Here, poetess Nadezhda Slobozhan, Leonty's friend, intervened in the conversation, with whom he came to our meeting:

- Well, what are you up to? Let me tell you straight out that Martynov God knows how long he went around in hymens! You fucked all the girls. In each city you had three touring wives. But Martynov has nothing. At the age of 30, he still got married. But his marriage was unhappy. The wife tried to bend him under her. And then he started drinking heavily.

“Actually, Zhenya was swearing even before his marriage,” Leonty clarified. “A lot of money came crashing down on him. And, apparently, he was not ready for this. I remember that in December 1975 we crossed paths on tour in Penza. I have already moved to another group. And Martynov continued to work for Mazhukov. Came to his room. He was already pretty drunk. “Zhen, what are you doing, started chirping?” I was surprised. And near him wiped half the team. Everyone looked into his mouth. And he obviously enjoyed it. “Leon, I don’t swear,” he answered me to general laughter. “It’s just that I threw it yesterday, and today I got a hangover.” Then I heard from friends that Zhenya began to drink more and more. But with what it was connected - I do not presume to judge. I did not know his wife. When he got married, we didn't talk to him anymore. In one of the TV shows about Martynov, Andrey Dementiev said that he did not really welcome this marriage. Like, Zhenya was already a famous composer, and the girl married him by calculation.

Was it his first marriage?

- At one time, Zhenya arranged a fictitious marriage in order to make himself a Moscow residence permit. We had a costume designer Alena Abrosimova. Good girl. She herself suggested to Zhenya: “Let's sign! What are you suffering from?" A lot of musicians did that back then. We worked from Rosconcert. Our base was in Moscow. And when we came to Moscow, each time we had to think about where to spend the night. Zhenya often joked about this. “Leon, what station are you sleeping at today? he asked loudly so that the director of the team could hear. “I'm on Kursk.” “You know, I prefer the Air Terminal on Leningradka,” I replied. "There's a good buffet."

Cop raid

- I heard that in the early 80s an order was issued - to remove all non-resident musicians from the Rosconcert. Have you been badly hurt?

- Even Larisa Dolina suffered then. She had to leave Moscow and work from the Ulyanovsk Philharmonic.

“Why don’t you tell how you and Dolina ran away from the cops?” - Slobozhan raised her voice. They performed at a restaurant at night. Suddenly, a cop raid came on in order to check documents. And Lyonka and Dolina were the only musicians who did not have a Moscow residence permit. They were slowly let out through the kitchen, and they fled through some construction site.

- It was during the period when I left Rosconcert for MOMA (Moscow Association of Musical Ensembles. - M.F.) and worked in restaurants as part of an orchestra led by Yura Pasternak, Atalyan confirmed. — Dolina began to cooperate with us in the late 70s. For our team, they even specially created the future legendary nightclub "Arlekino" in Odintsovo near Moscow. One of the regulars was Mikhail Zvezdinsky. Now he pretends to be almost the organizer of this institution. In fact, Misha did not work with us. Just came to hang out. Sometimes one of the guests asked him to sing. He brought us bowls and we accompanied him.

- Is the name of the club somehow connected with Pugacheva?

- It was she who gave the idea to give this institution the name of her famous song. But Alla Borisovna was by no means the first person there, as many believed. There were plenty of people like her. Savely Kramarov and Yura Antonov hung out with us ... Even Brezhnev's daughter Galya came. She liked to have everyone kicked out, and we played for her alone. For the first time Galya heard our orchestra in Iveria. And she was shocked by our soloist Mehrdad Badi. He was a handsome man - tall, long-haired, always dressed in the latest fashion. Plus, he sang flawlessly in English. In short, "firm". Galina just thrilled when Badi saw. And he shied away, he was somehow embarrassed by her assertive attention. And in order not to fuck with her, he ran through the kitchen ...

"Arlekino" did not last long. The Georgian director became proud and planted an article in the local Odintsovo newspaper that he, being so good, converted the pub into a cozy cafe and Pugacheva herself gave it a name. And the people thought that Alla was singing there, and they poured it in a wave. But during the day there was nothing there. Complaints poured in. And on the old New Year at five in the morning a whole team of cops broke into the Arlekino. "What's going on here?" they asked. "Today is a holiday - the old New Year," the administrator explained. “There is no such holiday,” the cops objected. And they demanded that everyone present had a passport. We were photographed - full face and profile. But then they let him go and didn't touch him again.

- Pugacheva in Arlekino at least once sang?

- Once in the "Arlekino" some Georgian loaded the towers and asked to sing Pugacheva, who was in the hall. She undertook to play the organ herself. And she sang the blues: “Hi everyone! Relax, take a walk! Then she sang a fast song. But our audience didn't really care. And while she was singing, Zvezdinsky gave one of his acquaintances a Polaroid, went on stage and took such a pose as if he was singing, and Pugacheva was standing behind on backing vocals. At this moment - bam! - He was photographed. Misha trumpeted this picture for a long time - they say, Alla herself performed on his vocals.