A culture born on the dusty streets of big cities, among high-rise buildings, numerous factories of working quarters, noisy highways, nuclear reactors and other landscapes of the modern urban. I want to talk about the history of hip-hop and the development of the components of this culture. Hip-hop, what does this word so often pronounced in youth circles mean? You can't talk about hip-hop as a style of music or a style of clothing, hip-hop is a lifestyle!
Hip-Hop appeared in the United States in Negro ghettos. Ghettos are areas of large cities where ethnic minorities live, voluntarily or involuntarily, in more or less harsh conditions. African Americans, Hispanics, etc.). This style became very fashionable, went beyond the borders of the United States and covered part of the white youth for a short period.
The history of hip-hop began in 1969 in the South Bronx - the black ghetto of New York. There is no definite and clear interpretation of the word "hip-hop". It was simply invented by DJ Africa Bambata when it became clear that a new street culture phenomenon needed a name. And it became clear in the first half of the 1970s. Then on the streets of a poor quarter of New York, in the South Bronx, African Americans gathered in a company and made hip-hop. That is, they danced a break, painted graffiti on the walls, played streetball and, of course, read rap. It was this whole movement in the complex that was called hip-hop.
Hip-hop, as such, is divided into many directions. Each direction is quite independent and carries its own meaning. Hip-hop is for everyone. Let's say two people consider themselves part of hip-hop culture, one is madly in love with spinning on his head, and the second is drawing inscriptions with his father's car enamel in spray cans on the neighbor's fence. They have almost nothing in common, except for a common cultural hip-hop component. It has three main areas:
- - Rap, Funk, Beatbox (music)
- - Break dance, Crump, C-Walk, waving (dance)
- - Graffiti (pictorial)
A person who considers himself a member of the hip-hop subculture can engage in rap, graffiti, and breakdance at the same time.
But hip-hop's biggest breakthrough was of course the emergence of rap music. The word "rap" comes from the English rap - a knock, or a blow (a direct hint at the rhythm of rap). Another meaning is “to speak”, “to speak” (which is also directly related to recitativity). Later, for rap, they came up with many transcripts: Rhythm And Poetry (rhythm and poetry), Rhythmic African Poetry (rhythmic African poetry) or Radical American Poetry (radical American poetry). From all this variety of meanings, one thing is clear: rap is a musical genre consisting of rhythmic recitative and music (or samples). A rap group usually consists of several MCs (Master of Ceremonies or Microphone Conrolla) - that is, those who rap, and one DJ - the one who plays music.
Clive Campbell, nicknamed Kool Herc, arrived in the South Bronx in 1967 from Jamaica. He is considered one of the founders of hip hop. Kool Herc became what was later called "DJ". He brought with him the Jamaican style, where the main thing was in the leading role of the DJ. In Jamaica, the DJ was the "master" of the music system around which youth life developed. He organized parties himself, delivered interesting May Day speeches into the microphone. Soon they began to call him MC (master of ceremony - "MC" master of ceremony) - he picked up records, played, announced them. And when the DJ began, in addition to announcing, to pronounce rhythmic texts to the music, this became known as the word “rap”. Kool Herk didn't play pop hits, he preferred harder black funk like James Brown, soul and rhythm and blues (RnB). Kool Herk's influence spread with parties like this and soon he, Grandmaster Flash, Afrika Bambaataa and Grandmaster Caz were playing at parties all over the Bronx, as well as in Brooklyn, Manhattan. Soon Kool Herk, for the convenience of the dancers, begins to repeat instrumental breaks - the so-called breaks - between verses, during which the dancers came out onto the dance floor and showed their skills. Cool Herc noted the dancers' enthusiasm for such breaks and coined the term B-Boy (b-boy), Break boys - for those who move in the manner of a break, and the dance itself was called breakdancing style (breaking). "MC" became synonymous with rap even when not only DJs became rappers, but also performers who could move in a special hip-hop style. In the late 60s, break existed in the form of two independent dances - the New York acrobatic style, which we call the lower break, and the Los Angeles pantomime (upper break). It was the acrobatic style of breaking that was originally played by b-boys in breaks. He became popular after James Brown wrote the funk hit "The Good Foot" in 1969 and performed elements of this dance on stage. This style marked the beginning of dance competitions. In the late 70s, there was an expansion of the influence and geography of hip-hop, first in New York. In the areas of Harlem, Bronx, Queens, DJs and break bands began to perform. "Battles" between DJs, competitions of dancers began. Various street dancers became known as break teams who practiced, performed together, and developed their skills.
In 1975, when Kool Herk was in a club, plugged in a microphone and started talking to a dancing crowd during a break dance, the first rap appeared. It was quite in the spirit of the Jamaican tradition of colloquial reggae (which, by the way, had become really famous in America by that moment). The crowd liked it - the DJs took the practice into service. At first, the matter did not go beyond monosyllabic shouting or chanting some encouraging phrase. Later, short limiriki began to be included in the monologue - and finally, a simple poetic improvisation took place - most often based on the song that was playing on the turntable.
All this led to positive consequences - the aggressiveness of the showdown between street gangs decreased, negative energy was realized in a different peaceful form. Hip-hop culture represented a politically motivated alternative to crime and violence. Hip-hop dance battles kept New York City's children and youth away from drugs, alcohol, and street violence, as breakdancing required a healthy lifestyle. Hip-hop has improved the situation in the criminal neighborhoods of New York. Music and dance are truly a universal means to overcome barriers between people! Bambaataa even stated that when they created hip-hop culture, they created it thinking and hoping that this new idea would stand next to the concepts of peace, love, brotherhood, friendship, unity, so that people could get away from the negativity that filled streets. And despite the fact that negative things still happened, hip-hop culture, as it progresses, plays a big role in resolving conflicts, as well as strengthening its positive influence more and more.
In the mid-80s, rap moves beyond hip-hop culture into the mainstream Mainstream is used to refer to the most radio-played and commercially lucrative trend in popular music. In the American music industry, white musicians began to embrace and embrace the new style. Some pop groups have become, to some extent, promoters of hip-hop, seeing something interesting and new there. Creative collaborations arose, which contributed to the expansion of hip-hop's international prominence. During this time, the history of hip-hop continues to develop at a rapid pace. In 1986, rap hit the top ten on the Billboard chart with Beastie Boys (You Gotta) Fight for Your Right (To Party!) and Run-DMC and Aerosmith Walk This Way. Known for pairing rock music with their rap, Run-DMC was one of the first rap groups to be featured regularly on MTV.
In the 90s, there is more interest in hip-hop, especially rap. Breaking proved difficult for masses of young people and became the lot of a small group of young people. With the filing of the NWA, infamous for their defiantly obscene and aggressive lyrics, "gangsta rap" is gaining popularity, reflecting the criminal life of the Negro ghettos. The most influential figure in hip-hop of the decade is a former member of the NWA named Dr. Dre; he introduces a new style of g-funk, the most prominent representative of which was his protégé Snoop Dogg. A few years later, the members of the trio The Fugees, with their album "The Score", clearly demonstrated the possibilities for integrating hip-hop with other musical directions - rhythm and blues, reggae and even jazz. They were one of the first hip-hop projects to gain wide popularity outside the United States.
In the mid-1990s, a rivalry developed between gangsta rappers from the West and East coasts of the United States, which ended in the death of their leaders - Tupac Shakur and Notorious B.I.G. The tragic outcome of this confrontation generated such widespread discussion in the media that for almost the entirety of 1997, rappers occupied the top lines of the US charts. This period is characterized by an intensive commercialization of hip-hop, a departure from its tramp roots, which is usually associated with the name of Puff Daddy, a rapper who promoted a glamorous lifestyle and built his compositions on a very extensive citation of pop hits of previous decades. As the 20th century drew to a close, the white rapper Eminem rose to prominence as he attempted to resurrect the old-school hip-hop charge of provocation and social protest.
Since the late 1980s, hip-hop has been fueling the stylistically and technologically modified rhythm and blues (“new jack swing”, “hip-hop soul”) thanks to it. In 2004, for the first time in history, the Grammy Award in the most prestigious "supergenre" nomination - "for the best album" - was awarded to rap artists - the duo OutKast. In modern hip-hop, as in other major styles of popular music, producers play a large role, on which the entire industry depends. In the mid-2000s, hip-hop's most in-demand producers - Scott Storch, The Neptunes, Timbaland - contributed to the further exploration of the funk aesthetic. Hip-hop artists, despite their initial negrocentricity, can be found in most countries of the world, from Argentina to Japan. More than 30 years after the peak of hip-hop's popularity, there are no signs of a decline in this culture. Looking ahead, I believe that the future of this culture is bright, so many pages in the history of hip-hop have not yet been written.
Nowadays, all sorts of new dance styles appear, but the popularity remains unchanged until now. The main elements of this dance are all kinds of jumps, falls, tricks, as well as well-coordinated movements to a rhythmic melody. Hip-Hop is considered a very dynamic style, with the main emphasis in it on certain specific parts of the body, as well as movements from ordinary everyday life.
It should be noted that America became the birthplace of Hip-Hop dance, and African Americans became its first dancers. The history of dance began in the South Bronx, considered the most disadvantaged and dangerous area of New York, in 1967. It was this place that was visited by Kul-Herk, one of the founders of culture.
The main merit of Kool-Herk is that at the parties, which he himself organized, he began to try to read recitative to the sound of the records he played, which later grew into such a thing as Rap. In addition, he periodically used breaks (musical breaks) in his music, so that the dancers entering the circle could demonstrate their dancing skills.
The younger generation, a peculiar way of his self-expression. We will tell you more about its appearance and features later in the article.
Subculture development
The modern fashion trend appeared in America. The first dancers and performers in this style were African Americans.
Speaking about what hip-hop is as a musical and dance trend of youth culture, one must take into account that initially this style had a very bright social orientation. He was a kind of challenge to the rich hypocrites and corrupt officials. Later, hip-hop became a fashion trend, which means that it began to be supported commercially.
The word "hip" was borrowed from the dialect of African Americans, it denoted the moving parts of the body. Its other meaning is "the desire for improvement." "Hop" means jump. When these two words are combined, it turns out - development, moving forward, rethinking life, and so on.
In 1974, DJ Africa Bambaata identified 5 components of hip-hop, and rapper Keith Wiggins and Grandmaster Flash since 1978 began to develop the direction further. It all started with a simple joke. When the young men saw off a friend to work, they laughed, marched and sang, echoing the rhythm, the word "hip-hop". This is how the musical rhythm of the described music was born.
One of the founders of this subculture is Kool-Herk. At his parties, he accompanied the sounding music with a recitative, later this manner of performance would be called Rap. So that the dancers could show their talents, Kool-Herk made musical breaks (breaks) between his performances. Thanks to this, those who wished to come out in a circle and demonstrated their abilities in a dance.
Kinds
Hip-hop, being the direction of youth culture, calls for self-expression. Girls and boys in dance or music show their individuality. This course includes five directions:
- musical (rap);
- dance (break dance);
- artistic (graffiti);
- sports (basketball and streetball).
In the 90s, another direction developed - gangster rap, which was saturated with aggression and cruelty. It was a kind of propaganda of the criminal world and its values.
Dancing
What is hip hop dance? Today it is a dynamic style. Hip-hop dances include elements such as movement, rotation, jumping, "bouncing" the body, and so on. Hip-hop dancers can demonstrate their swagger, ostentatious relaxation, softness, and so on.
The origin of hip-hop dance falls on the 70s, and its basis is African-American jazz (translated as "improvisation"). It was conceived by the Americans as a confrontation with the outside world, a struggle for freedom. Hip-hop dances suggest freedom in everything: in movements, clothes, emotions.
Now afro-jazz is a separate direction. But if you look at it as a special dance of black tribes, you can see a lot in common with the hip-hop dance of our time.
African-American youth in dancing around the fire revealed their feelings and emotions. There was some relaxation in their movements. According to local tribes, God lives in the earth. This religious moment is also reflected in Afro-jazz: many movements in the dance are turned to the floor. This explains both the low landing of the dancers and the slightly relaxed knees. All this allows us to talk about hip-hop as a street dance based on improvisation and freedom of movement.
Today, new directions are emerging, numerous dance schools are opening, and competitive hip-hop is one of the most popular dance trends all over the world.
Music
What is the direction, which is based on two main elements: rap (recitative) and the rhythm that the DJ sets. The performers of this music call themselves "MC". A rapper must master the art of rhyming. It is rap that is considered the ancestor of the described youth culture.
At first, hip-hop songs were the singer's own speeches, the purpose of which was to address the listener and the surrounding society with a specific issue (usually on social topics). Public Enemy is a previously known hip-hop group, thanks to which this direction began to develop.
Hip-hop becomes popular in the 90s, when this direction is advanced to a commercial level, more and more new trends appear in it. But they all have the same basis - reciting rhythmic recitative (turnip) to melody and rhythm.
Peculiarities
Originating in America among ordinary African Americans, hip-hop has stirred up numerous problems at the public and political level. Therefore, this culture also implies extraordinary attributes:
- performers' clothing is loose trousers or trousers, sweatshirts with hoods, baseball caps, ski hats, etc.;
- accessories - bright wide laces, massive chains, wristlets, etc.
It's easy to talk about what hip-hop is today - it's an incredibly popular trend in modern youth culture. Before mastering this musical or dance style, one must not only master the basic movements, but also understand the true meaning and basis of the modern subculture.
the site decided to tell its readers about the history of the musical and cultural genre of hip-hop.
Hip-hop music consists of two main elements: rap (rhythmic recitative with clearly marked rhymes) and a rhythm set by a DJ; at the same time, compositions without vocals are not uncommon. In this combination, rap performers call themselves "MC" (eng. MC - Microphone Controller or Master of Ceremony). The priority and most appreciated is the art of rhyme, which "MC" in the pursuit of innovation often compose to the detriment of the meaning of the text, which, in turn, turns it into intricate riddles (for example, Guestface Killa says that he purposely strives to compose such rhymes, so that no one but him understands what is at stake). The task of one or more DJs includes programming rhythm on a drum machine, sampling (using fragments of other people's compositions, especially bass and synthesizer parts), manipulating vinyl records, and sometimes “beatboxing” (vocal imitation of a drum machine rhythm). On stage, musicians are often accompanied by a dance ensemble.
Guestface Killa says she's making weird rhymes on purpose
Currently, hip-hop is one of the most commercially successful types of modern entertainment music and is stylistically represented by many directions within the genre.
Origins and development of hip hop music
Hip-hop originated in the black environment of the Bronx, a New York area, in the second half of the 1970s. At the time, it was party music created by disc jockeys (called "DJs" for short) who worked in the then extremely primitive sampling technique: it often consisted of repeating the musical performance of someone else's dance composition. The first MCs were literally typical entertainers ("Master of Ceremony" - that is, abbreviated to MC; this abbreviation then absorbed many other meanings), they introduced DJs, and also supported the attention of the audience with energetic exclamations and whole tirades. Note that in Jamaica, a similar manner of performance was developed at the turn of the 1960s and 70s. thanks to the emerging technique of duba.
The popularity of the music at these parties led local DJs to sell their hands on cassettes of live "sets" (performance programs) that skillfully mixed rhythms and bass lines taken from disco and funk compositions, over which MCs rapped. It was a purely amateur occupation, and during that period (1977-78) there were no studios and official releases of rap records.
Hip hop is one of the most successful types of music
The situation changes dramatically when, in the early autumn of 1979, the single “Rapper's Delight” performed by the Sugarhill Gang is released in the USA and makes a sensation in the American popular music market. songs dispute the glory of superiority; however, it was thanks to this 15-minute composition that the American public and the media became aware of such a phenomenon as hip-hop, however, despite the popularity of the song, the majority agreed that this was just a musical joke, from which nothing would come of it The song was written by a Negro band, formed almost by accident the day before the recording (ironically, the band's musicians were not from the Bronx, but from another state altogether.) The rhythm (classical disco) and bass line were taken from Chic's then-hit "Good Times", a rap performed by three MCs was superimposed on top. One of the advantages of the composition is that already in this first rap of 1979 typical rhymes were given, as well as the fundamental themes of hip-hop: details of everyday life, competitions um- si, sex, arrogance and ostentatious vanity.
At the very beginning of the 1980s. among rappers, a strong interest arose in European electronic pop music (primarily Kraftwerk and Gary Newman, which were widely sampled), the technological discoveries of which, coupled with the developed "breakbeat" - a broken, completely new rhythm - contributed to the breakaway of hip-hop from rhythmic addiction to disco and funk. The breakbeat rhythm, combined with the more advanced Jamaican dub technique by that time, brought hip-hop to a new level. The innovators of early hip-hop were Curtis Blow, Africa Bambata, Grandmaster Flash and Whodini, their 1980-84 recordings. (now referred to as the "old school of hip-hop") were decisive for the formation of the genre. Music magazine Rolling Stone named Grandmaster Flash's "The Message" (1982) as the most influential song in hip hop history.
The baton of innovation was picked up by the bands Run DMC, Mantronix, Beastie Boys, each of which brought their discoveries to hip-hop: Run DMC played a minimal drum machine breakbeat, Mantronix received recognition for their revolutionary mixing technique, and the Beastie Boys combined elements of punk rock and rap and with the assistance of Rick Rubin became the first white rap collective to achieve commercial success. Separate compositions with elements of rap recitative were also recorded by punk bands, for example, Blondie (their single "The Rapture" topped the American charts back in 1982) and The Clash (their single "The Magnificent Seven" in 1980 was intensively promoted on black radio stations New York).
By the 80s, hip-hop musicians began to develop more serious themes.
By the mid-1980s, hip-hop music was no longer focused solely on the party atmosphere, and the next generation of rappers began to develop more serious topics, for example, the socially aggressive raps of Public Enemy brought them cult status among listeners not only in the black environment. The musical side of hip-hop also became more complicated: the modern stage in its development begins with the release in 1987 of the album “Paid in Full” by the duet Eric B. & Rakim. By the end of the 1980s. rap music reached levels of popularity comparable to rock, country, and pop music, and major music industry institutions such as the Grammy award-winning American Recording Academy and the American Music Awards established categories for rap in 1988. This popularity in America was embodied by the NWA, MC Hammer, Kris Kross and others, who addressed their music to white teenagers and a wider listening audience, which, in turn, gave impetus to the development of more uncompromising genres in hip-hop.
At the turn of the 1990s, with the filing of the NWA, infamous for their defiantly obscene and aggressive lyrics, "gangsta rap" was gaining popularity, reflecting the criminal life of black ghettos. The most influential figure in hip-hop of the decade is a former member of the NWA named Dr. Dre; he introduces a new style of g-funk, the most prominent representative of which was his protégé Snoop Dogg. A few years later, the members of the trio The Fugees, with their album "The Score", clearly demonstrated the possibilities for integrating hip-hop with other musical directions - rhythm and blues, reggae and even jazz. They were one of the first hip-hop projects to gain wide popularity outside the United States.
The most influential hip-hop figure of the 90s was Dr. Dre
In the mid-1990s, a rivalry broke out between gangsta rappers from the West and East coasts of the United States, which ended in the death of their leaders - Tupac Shakur and Notorious B.I.G. occupied the top lines of the US charts. This period is characterized by an intense commercialization of hip-hop, a departure from its tramp roots, which is usually associated with the name of Puff Daddy, a rapper who promoted a glamorous lifestyle and built his compositions on a very extensive citation of pop hits of previous decades. As the 20th century drew to a close, the white rapper Eminem rose to prominence as he attempted to resurrect the old-school hip-hop charge of provocation and social protest.
Since the late 1980s, hip-hop has been fueling the stylistically and technologically modified rhythm and blues (“new jack swing”, “hip-hop soul”) thanks to it. In 2004, for the first time in history, the Grammy Award in the most prestigious "supergenre" nomination - "for the best album" - was awarded to rap artists - the duo OutKast. In modern hip-hop, as in other major styles of popular music, producers play a large role, on which the entire industry depends. In the mid-2000s, the most in-demand hip-hop producers - Scott Storch, The Neptunes, Timbaland - contributed to the further development of the funk aesthetic. Hip-hop artists, despite their initial negrocentrism, can be found in most countries of the world, from Argentina to Japan.
In 2004, for the first time in history, a Grammy was awarded to a rap artist.
Punk HardCore is not part of the hip hop culture, it originated in the late 70s in the US punk scene.
Subculture Aesthetics
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Hip-hop was the first music that most fully and distinctively embodied the ideology of modern African American culture. This ideology was built on the antagonism of the American Anglo-Saxon culture, so hip-hop, being an integral part of the original Negro culture, is likely to continue to develop (contrary to predictions that hip-hop music will freeze and die), as evidenced by millions of contracts new rap artists. Over the past decades, its own fashion has also formed, radically different from the traditional fashion of the white population, its own jargon and its own cultivated manner of pronunciation, dance styles, its own graphic art - "graffiti" (images and graffiti made on walls made with aerosol cans or special markers with paint). ) and more recently also movies (not necessarily about rappers, but taking themes from the Negro environment, see the films "Barbershop", "Hustle And Flow", "Don't Be a Menace to South Central While Drinking Your Juice in Your Neighborhood"; rappers are also all more begin to become film actors). Thus, it becomes difficult to draw a clear line between hip-hop proper and the Negro subculture.
Hip hop fashion has a number of features, such as loose clothing
Despite the hip-hop fashion changing every year, in general, it has a number of characteristic features. Clothes are usually loose, sporty style: sneakers and baseball caps (usually with straight peaks) of famous brands (e.g. Reebok, Roca Wear), T-shirts and basketball jerseys, jackets and sweatshirts with hoods, ski hats pulled over the eyebrows, baggy pants (the so-called "pipes"), lowered wide shorts. Hairstyles are short, although short African braids are also popular. Massive jewelry (chains, medallions, etc.) is popular among rappers themselves.
Russian hip hop
The first experiments with rap in Russia apparently date back to 1984, when in Kuibyshev, the disc jockey of the Kanon discotheque, Alexander Astrov, together with the local group Rush Hour, recorded a 25-minute program, which was soon distributed throughout the country in the form of a magnetic album " Rap".
The first Russian-speaking rap artists appeared in the early 1990s.
In addition to these experiments, hip-hop in Russia gained notoriety, rather narrow, in the second half of the 80s, when the breakdancing hobby began, although proper English-language rap compositions were little known to music lovers. The first Russian-speaking rap artists appeared in the early 1990s, Bogdan Titomir was famous, on the other hand, more underground forms of Russian hip-hop (“MD&C Pavlov”) were not successful. The market of Russian hip-hop, as an industry, was formed only in the late 1990s, which was confirmed by the emergence of many groups of this genre ("Bad Balance", "Casta", "Legal Business", "Dots"). In 1999, the global revival of breakdance contributed to its re-revival in Russia.
Russian hip-hop is as controversial as its Western original, with elements of rap occasionally included by various musicians in their songs.
Hip-hop is not just a music or dance direction. It is a lifestyle and a way of self-expression of the younger generation.
Hip-hop is a dance and musical direction of youth culture. At the beginning of the 20th century, hip-hop had a pronounced social orientation in creativity: it protested against injustice, the domination of money, and corruption. Then, gradually, it became fashionable, and therefore commercial. However, in the hip-hop environment and now there are many performers who adhere to the original, oppositional line in creativity to the authorities.
History of occurrencedance
The word "hip" came from an African American dialect and was used to refer to the moving parts of the human body. In addition, the word "hip" was used in the meaning of "acquisition of knowledge, improvement." The word "hop" means "jump, leap". Thus, united, two words express the idea of the whole trend of hip-hop - forward movement, development, understanding of modern life, sharp criticism of negative aspects.
The five basic elements of hip-hop were formulated by DJ Afrika Bambaataa in 1974. In 1978, rapper Keith "Cowboy" Wiggins, along with Grandmaster Flash, helped to further develop the new movement. And it all started with a joke. Young people, seeing off their friend to the army, sang the words hip-hop, hip-hop in a jazz manner, imitating the stamped step of marching soldiers. And so the rhythm of a new musical direction was born. Colleagues of young experimenters, disco artists, derisively called them "hip-hoppers", not suspecting that it was thanks to them that a new youth culture was born that would find fans all over the world.
What is hip hop?
Hip-hop culture is based on five pillars: DJing, MCing, Breaking, Graffiti and Knowledge. African-American DJs sought to diversify the monotony of disco compositions and began to experiment with records, reshaping the compositions in their own way. The musical field of hip-hop is vast, but its essence is the same for all currents: the recitation of rap - rhythmic recitative - on a melodic and rhythmic basis. Grandmaster Flash created the technical basis of hip hop that is now used by many DJs. It consists of a double set of turntables connected so that the sound of one record can be superimposed on the sound of another.
In the 80s, the DJ technique was enriched with new techniques: "scratch" - "scratching" became widely used. This technique involves the ability of the DJ to move the record back and forth in such a way that the rhythmic pattern is not disturbed. It was this music that became the basis for the development of hip-hop dance.
Kinds
As noted above, hip-hop is not just music or dance, but a youth subculture in general, allowing its adherents to express their individuality. Therefore, both dance and musical compositions in the style of hip-hop can differ significantly from each other. In the culture of hip-hop, the following areas can be distinguished:
1. Music - rap
3. Visual arts - graffiti, drawing on the walls
4. Sports - basketball and streetball
In the 80s and 90s, such a hip-hop phenomenon as gangster rap arose. The texts of this style were permeated with aggression, cruelty and promoted the values of the criminal environment.
Features of hip hop
Hip-hop originated as a means of self-expression for the African-American population of America. This trend for the first time touched on acute social, political and racial problems. Hip-hop culture also implies a special style of clothing. Attributes of clothing in the style of hip-hop are wide pants, sneakers, baseball caps, sweatshirts with hoods. Various accessories complement the image - massive chains, plaques, wristlets, wide laces, etc.
Now hip-hop is one of the most commercially successful areas of modern culture, and, accordingly, dances.
