What colors to mix to make pink. Hair coloring

24.04.2019

Mixing colors is one of the most difficult procedures that a person who decides to make repairs on their own may face. The fact is that it is very important to know which colors to mix to create a certain tone. It should be noted right away that it is better to purchase white paint and tint it in the store using a special machine, so the tone will be uniform. If you decide to do everything yourself, then you can find out how to mix colors correctly.

These materials are universal, they are used for many purposes: with their help, you can simply paint the walls, paint stained glass windows, apply a picture on the wall and ceiling. In general, the scope of their use is limited to fantasy. The compositions are easy to use, well kept on the surface. But if you decide to paint a multi-component image on the wall, then buying paint in all the necessary colors will cost too much, and after completion of the work there will be a large amount of unnecessary material. In this case, it is better to buy a base series, and to create certain shades, mix acrylic paints.


Mixing basic paint colors makes it possible to get many different shades, while you can save a lot on your purchase.

Basic color range

Everyone has known since school: when you combine yellow and red, you get orange, but if you add blue to the same yellow, you get green. It is on this principle that the table for mixing acrylic paints is built. According to her, it is enough to purchase only the main colors:

  • white;
  • black;
  • red;
  • brown;
  • blue;
  • yellow;
  • pink.

You can simply mix acrylic paints in these tones to get most of the existing shades.

Table Blending Basics

To properly mix materials, you can not do without a table. At first glance, working with it is easy: to get the desired result, just find the color and see what components are required. But the proportions are not indicated in the color mixing table, so it is necessary to gradually add tinting material to the main paint and apply the mixture to some unnecessary product: a sheet of plywood, drywall, and so on. Then you need to wait until the material dries. If the color matches the required, you can start working on the main surface.

Tinting technique

Now about how to get colors. By mixing acrylic materials, two main tones can be achieved: light and dark. Basic tones: earthy, green, orange, purple. To create a color, it is recommended to follow certain rules:

  1. Light. In this case, titanium white is the main material, to which one or two tinting compositions are added. The less additional paintwork is used, the lighter the tone will come out. So you can make most shades of a light palette.
  2. Dark. To form shades of this type, the opposite should be done. Before mixing colors, it is necessary to prepare the base tone, black dye is gradually introduced into the base. When working with black paint, you need to be careful, because it can make the color not dark, but dirty.
  3. Green. This shade is not in the main palette, so you will need to mix yellow and blue. The exact ratio can only be known empirically.
  4. Violet. This is a cool color that is obtained by mixing blue with pink or red. In some cases, you will also need to add black to darken the material.
  5. Orange. To create this color, you need to mix red and yellow. For a more saturated orange, it is recommended to add more red and vice versa. If you want to create a soft color, for example, coral, then you need to lighten the material with white. Can dark colors be added? Yes, you can, but as a result of mixing paints, a dirty tone may result.
  6. Earthy. Brown is the main color here. By adding various shades to it, they get a color from beige to dark wood.

Palette Rules

To get started, you will need a basic set of paints, brushes, a container of water and a palette (you can take any surface, including school supplies for drawing).

It is recommended to place white in the center, as they are used in creating most shades. Dyes of the main color range are placed in the recesses around (if any). You need to mix carefully, gradually adding tinting material and constantly checking the result. After mixing the colors, the brush should be rinsed in a container of water.

On a note! It is quite easy to work with acrylic resin materials using a table and a palette. The main thing is to practice more, each time the result will get better.

Oil paints

If you compare this material with watercolor or acrylic, then the oil is more fluid. Because of this, you need to mix the compositions of different colors very carefully. On the one hand, this is a disadvantage, but on the other hand, this feature allows you to get the following effects:

  • If thoroughly mixed, a uniform tone will be obtained. Such material is perfect for both full coloring of surfaces, and for partial decoration.
  • If mixed partially, then multi-tone streaks will appear on the coating.

Mixing

Now about how to mix oil paints. A table is also used to mix oil-based paint colors. It indicates the colors obtained by combining various tinting components. In addition, here you can find such an indicator as a combination of brilliance. If you add a little gloss to a matte base, then there will be practically no result, and if you do the opposite, then the shine will be slightly muted.

Mixing methods:

  1. Mechanical. In this case, we are talking about mixing two or more materials of different colors in one container. Color saturation is controlled by the number of compositions of bright shades. The desired color is created even before the wall or ceiling is processed.
  2. Color overlay. Gradual application of several strokes on top of each other.
  3. Optic. This is the most complex method, which is available only to specialists. It involves mixing glossy and matte bases while applying paint to the surface. You can mix the colors of paints only on the treated surface, otherwise you will get a more even tone.

Peculiarities

The first method fully corresponds to the data in the table. If we are talking about color overlay, then the result is unpredictable. One of the simplest options for optical illusions is glazing: a dark tone is applied to the surface, after it dries, a slightly lighter paint is applied, and then completely light. As a result, each color will be visible through the upper layers.

Thus, there is no definite scheme. To find out which colors to mix, it is not enough just to take and look at the table, it is important to constantly practice and not be afraid of experiments. So you can create a new effect that will make the interior unique. It is also important to remember that a mixed shade is very difficult to repeat, so you should remember the proportions.

Now the question of how to properly mix paints does not seem so difficult.

Learn to draw: mix acrylic, oil, watercolor paints. All sorts of shades with three primary colors.

Without creativity, human life is empty and uninteresting. Painting, like music, is studied not only in order to be realized in life, but also in order to find an outlet in life, a hobby that will bring joy and peace to life. And where is the drawing, so is the mixing of colors. This is what this article is about. In it, we will tell you how to mix and get new colors and shades of the most common paints in drawing.

How to mix acrylic, oil and watercolor paints to get the right color: table, proportions

Mixing acrylic paints

We suggest that you familiarize yourself with the lesson of the famous artist and called teacher, author of the book "Acrylic Painting with Lee Hammond". Lee Hammond warns that although we supposedly know from childhood that mixing red and blue will make purple, acrylic paints have a different pigmentation and most likely you will find brown on the palette.

Important: read the pigments on the packages. Have you seen up to 15 types of one shade on store shelves? Do you think this is to fill the window? No, it's the same color with different pigments. Therefore, we write out or photograph on a smartphone the color - the necessary pigment, and already with this we go to the store to replenish the colors.

Also note that the pigments are transparent, translucent and dense in consistency. Therefore, you can buy completely different structures from the same paint manufacturer. This is not a marriage, but the properties of the pigment.

So, in order to get an almost complete range of colors, just 7 colors are enough. For beginners, it is recommended to purchase these particular colors, and in the future, at your own discretion, buy additional shades.

Please note that we do not specifically translate the name of the primary colors so that you can name them in the store and purchase the necessary pigments:

  • Primary: Cadmium Yellow Medium
  • Primary: Cadmium Red Medium
  • Primary: Prussian Blue
  • Optional: Alizarin Crimson
  • Additional: Burnt Umber
  • Neutral: Ivory Black
  • Neutral: Titanium White




Bought, prepared the canvas for the experiment and move on to magic.

The first experiment - we mix each color with white and get new, amazing pastel and delicate shades. We give a table of strokes with a signature of what we mixed.



Well, now from left to right, from the first to the bottom, we analyze the shades that we managed to get: fawn; peach or as it is also called coral; light pink; beige; sky blue; gray or light asphalt.

And now we are trying to mix all the colors with black, the result is in the table below.



And we got these colors: khaki or dark green; chestnut; plum; rich brown; Navy blue.

But it's all simple, now let's move on to a more complex option for mixing acrylic paints, but interesting! Mix and get all shades of green.

As we already did, we mix two colors that are under the stroke and get just such a shade.



In addition, we received: olive green color; a gray-green hue reminiscent of asphalt after rain reflecting the green crowns of trees; bottle green; mint.

The next step is purple and violet tones and midtones. In order to get such shades, you will need to have Prussian blue or Alizarin pink or cadmium red in the work kit. Two mixing examples: Prussian Blue + Cadmium red medium or Prussian Blue + Alizarin Crimson.



We got colors: chestnut, rich warm gray, plum and lavender.

Now add white pigment and stir, add another drop to each option. Pay attention to what a riot of color played in your hands!

Solar shades. That's what artists like to call shades of orange, these are wonderful uplifting tones. They are obtained by mixing red with complementary colors.



On this table we got: orange as it is, peach, brick, coral.

Earth tones can be obtained by adding burnt umber (international value of Burnt Umber). If it becomes necessary to get pastel shades of these tones, then just add a drop of white pigment.



In this case, we got earthy tones: umber; brick; dark turquoise; sepia dark; dirty beige; pastel lilac; blue steel; warm grey.

Mixing oil paints

In oil paints, the situation with the palette is a bit simpler and one pigment is used in one color, so we will not give the main colors, but leave only the name of the color. The rules that we remember from childhood are just the rules of oil paints.

What color do you need What colors to mix
Pink Add red to white paints drop by drop until the desired shade is obtained.
Chestnut Add red to brown and, if necessary, darken - a drop of black, lighten - white.
purplish red Add blue drop by drop to red
shades of red Red and white for lightening, red and black for darkening, red and yellow for purplish and orange tones.
Orange Add red drop by drop to yellow.
Gold In yellow, drop by drop of brown and red until the desired shade is obtained.
Shades of yellow and orange Yellow with white, yellow with black, yellow with red and brown.
pastel green Yellow with a drop of blue, yellow with a drop of blue and black.
grass color Yellow with a dash of blue and green.
Olive In dark green, add yellow drop by drop.
light green Add white drop by drop to green, a drop of yellow for depth of color.
Turquoise green Green color with a hint of blue.
bottle green Blue to breed with yellow.
green needles In green, add yellow and black drop by drop.
light turquoise In blue, add green and white drop by drop to lighten it.
pastel blue Gradually add white to blue.
Wedgwood blue In blue, add 5 drops of white and 1 drop of black until the desired shade is obtained.
royal blue In blue, add black and a drop of green.
Dark blue Add black to blue and a drop of green at the end.
Grey White is diluted with black, adding green will get an asphalt shade.
Pearl gray In black, add white and a drop of blue.
Brown Mix yellow, red and blue in equal proportions, if necessary, dilute with white, black or green for the desired shade.
Brick Red with yellow and a drop of blue, optionally with white.
brown gold Red with yellow, blue and some white. Yellow is the most expressive.
Mustard In yellow, drop by drop of red and black, for the piquancy of color, a drop of green.
Beige In brown, drop by drop white, if you need a bright beige - drop by drop of yellow.
off white In white drop by drop brown and black.
pinkish gray In white, drop by drop of red and black.
Grey-blue Add gray and blue to white.
Greenish gray In gray, add green and, if necessary, white.
Light charcoal In black drop by drop white.
Citric In white drop by drop yellow and green, more yellow.
pastel brown Add a drop of green to yellow and dilute with brown and white.
fern Green with white and a dash of black.
Coniferous Mix green with black.
Emerald In green, add yellow and a drop of white.
Bright light green Add yellow and white to green.
bright turquoise In white, add green and a drop of black for color depth.
Avocado shade In brown, add yellow and a drop of black.
royal purple Add red and yellow to blue.
dark purple In red, add blue and a drop of black.
Tomato color Dilute red with yellow and add brown.
tangerine In yellow drop by drop of red and brown
Chestnut with red Dilute red with brown and a drop of black for shading.
bright orange Dilute white with orange and brown in equal proportions.
Marsala Red with brown and a drop of yellow and black.
Crimson In blue we add white, a little brown and red.
Plum Mix blue with red and white, darken with black.
light chestnut Red with yellow and diluted with black and white.
Honey Brown is diluted with white and yellow.
Dark brown Red with yellow and black.
gray gray In black, gradually add red with white.
eggshell color Yellow with white and a hint of brown.

Mixing watercolor paints

Watercolor paints are mixed in the same way as oil paints, except that watercolor is translucent and the shades are more muted. We recommend that you work through the table above first, and only then move on to drawing on canvas.

Basic colors for mixing paints

The primary colors in mixing paints are only three colors. It's red, blue and yellow. White and black are optional. Thanks to these colors, you can get absolutely all the shades of the rainbow.


This article does not give ready-made solutions, because it is impossible to squeeze out or smear a certain amount of milligrams of paint, this article gives a direction in which you can work and develop. Try, experiment and you will definitely get an amazing creation. And painting works much better than any psychologist, relieves stress, distracts from problems and helps to see beauty in the ordinary!

Video: How to get brown, purple, blue, red, beige, orange, pink, gray, lilac, black, turquoise, mint, green, olive, sky blue, lilac, pistachio, khaki, yellow, fuchsia, cherry, marsala, white when mixing colors?

Decided to take up painting or painting furniture? But don't know how to get different shades? The paint mixing charts and tips will help you do just that.

Basic concepts

Before you start studying paint mixing tables, you should familiarize yourself with some definitions that will make it easy to understand a new material for yourself. The words used in the theory and practice of blending shades are explained below. These are not scientific encyclopedic definitions, but transcripts in a language understandable to an ordinary beginner, without the presence of complex terminology.

Achromatic colors are all intermediate shades between black and white, that is, gray. In these colors there is only a tonal component (dark - light), but there is no "color" as such. Those where it is are called chromatic.

Primary colors are red, blue, yellow. They cannot be obtained by mixing any other colors. Those that can are composite.

Saturation is a characteristic that distinguishes an achromatic hue from an identical lightness. Next, consider what a paint mixing table for drawing is.

Range

Paint mixing tables are usually presented as a matrix of rectangles or squares, or in the form of shade combination schemes with numerical values ​​or percentages of each color component.

The underlying table is the spectrum. It can be depicted as a stripe or a circle. The second option is more convenient, visual and understandable. In fact, the spectrum is a schematic representation of a beam of light decomposed into color components, in other words, a rainbow.

This table contains both primary and secondary colors. The more sectors in this circle, the greater the number of intermediate shades. In the figure above, there are also gradations of lightness. Each ring corresponds to a certain tone.

The hue of each sector is obtained by mixing neighboring paints along the ring.

How to mix achromatic colors

There is such a painting technique as grisaille. It involves the creation of a picture using gradations of exclusively achromatic colors. Sometimes brown or another shade is added. Below is a table of mixing colors for paints when working with this method.

Please note that when working with gouache, oil, acrylic, a grayer shade is created by not only reducing the amount of black, but also by adding white. In watercolor, professionals do not use this paint, but dilute

How to mix with white and black

In order to get a darker or lighter shade of the pigment that you have in the kit, you need to mix it with achromatic colors. This is how gouache works, mixing acrylic paints. The table below is suitable for working with any material.

There are a different number of ready-made colors in the kits, so compare what you have with the desired shade. When adding white, you will get the so-called pastel colors.

Below is how the gradation of several complex colors is obtained from the lightest, almost white, to very dark.

Mixing watercolors

The table below can be used for both methods of painting: glazing or single layer. The difference is that in the first version, the final shade is obtained by visually connecting different tones superimposed one on top of the other. The second method involves the mechanical creation of the desired color by combining pigments on the palette.

How this is done is easy to understand from the example of the first line with purple tones from the figure above. Layered execution is done like this:

  1. Fill in all the squares with a light tone, which will be obtained by using a small amount of paint and a sufficient amount of water.
  2. After drying, apply the same color to the second and third elements.
  3. Repeat the steps as many times as needed. In this version, there are only three color transition cells, but there may be more.

When working in the technique of glazing painting, it is worth remembering that it is better to mix different colors in no more than five layers. The previous one must be well dried out.

In the event that you prepare the required color immediately on the palette, the sequence of work with the same purple gradation will be as follows:

  1. Set the color by taking a little paint on a wet brush. Apply to the first rectangle.
  2. Add pigment, fill in the second element.
  3. Dip the brush back into the paint and make a third cell.

When working in one layer, you must first mix all the colors on the palette. This means that in the first method, the final shade is obtained by optical mixing, and in the second - mechanical.

gouache and oil

The techniques for working with these materials are similar, since the pigments are always presented in the form of a creamy mass. If the gouache is dry, it is pre-diluted with water to the desired consistency. White is always present in any set. They are usually used up faster than others, so they are sold in individual jars or tubes.

Mixing (table below), like gouaches, is a simple task. The advantage of these techniques is that the next layer completely overlaps the previous one. If you made a mistake and after drying you didn’t like the resulting shade, make up a new one and apply it on top. The previous one will not show through if you work with thick colors without diluting them with liquid (water for gouache, solvent for oil).

Pictures in this painting technique can even be textured, when a thick mass is applied pasty, that is, in a thick layer. Often, a special tool is used for this - a palette knife, which is a metal spatula on the handle.

The proportions of paints to be mixed and the necessary colors to obtain the desired shade are shown in the previous table diagram. It is worth saying that it is enough to have only three primary colors in the set (red, yellow and blue), as well as black and white. From them, in different combinations, all other shades are obtained. The main thing is that the colors in the jar should be exactly the main spectral tones, that is, for example, not pink or raspberry, but red.

Acrylic work

Most often, these paints work on wood, cardboard, glass, stone, making decorative crafts. In this case, it happens the same way as when using gouache or oil. If the surface has been pre-primed and the paints are suitable for it, getting the desired shade is not difficult. Below are examples of mixing shades with acrylic.

For (batik) are also used but they are sold in jars of liquid consistency and are similar to printer ink. In this case, the colors are mixed according to the principle of watercolor on the palette with the addition of water, not white.

If you understand how to use paint mixing charts, you can easily create an unlimited number of shades when working with watercolors, oils, or acrylics.

»we touched on the basics of drawing - what you need to do to draw about what you want. And they did it on the example of a pencil and paper. Why? Because it is easier than learning to paint with paints, because in the case of using paints, in addition to the problem " How can I draw this? the problem "" appears - so that what happens is very similar to what is intended. And in this article we will try to give an exact answer to this question.

How to get the right color? There are two ways. The first is traditional, using the color wheel known to many:

So, there are primary colors:

  • yellow
  • blue
  • red .

which, when mixed, give

  • orange
  • green
  • violet
  • brown .

Moreover, the shades of mixed colors depend on the proportion of the primary colors. And, using the color wheel, you can get the desired color like this:

  1. Take a certain amount of the main color (for example, blue )
  2. Add some amount of a second base color (for example, yellow )
  3. Compare the resulting green with what you wanted to get
  4. Add one or another primary color to correct the hue.
  5. Or simply take the desired shade of green from a tube jar.

Why does the last paragraph appear - take the desired shade from the jar? Because getting the right color by mixing the main ones sometimes happens difficult.

Basically, to start, you can get the desired color using such a color wheel. However, as skill grows, so does the need for more precise color matching. After all, with the help of the principles described, it often turns out dirt. For example, it is very difficult to get a good violet color by mixing red And blue. Or is it hard to get necessary shades green , orange, brown colors. That is, the principles do not take into account any factors that affect the result when mixing colors.

We are happy to tell you that these factors really exist, and, moreover, with their help you can cope with the problem of "dirt" and still learn to get the right colors not by intuitive mixing, but by ordinary simple sequence of actions. This sequence and the reasons for the “dirty” of the standard color wheel were not discovered by us, but by Michael Wilcox. Who wrote the book . How to get the color you really want". By the way, you can download this book by Michael Wilcox at the link Blue and yellow do not make green.

Naturally, it will not be possible to present all the material of the book in one article, so we will limit ourselves to the main points, and we recommend that you take the details from this very book by Michael Wilcox “Blue and yellow do not make green".

So, how to reliably and accurately get the right color?

For this, it is necessary to take into account an important theoretical point. Why do we see color? Because different objects (including paint pigment) have different surface, which reflects light differently from the sun or other light source. That is, the surface, for example, of a bathtub, has such a structure that it reflects all colors and absorbs nothing. And all the colors of the rainbow, as we know, form white. Accordingly, the bath appears white. On the other hand, the surface of soot has such a structure that it absorbs all the light falling on it. And soot reflects nothing. As a result, we see black soot.

What happens if you mix white and soot? It will turn out beautiful grey color. Why? Because the light is reflected from the pieces of white completely, as white. And then it is partially absorbed by soot particles. The more soot in the white, the darker the gray obtained - due to the fact that more and more white light reflected by the white particles is absorbed by the soot particles.

Exactly the same principle works for colored pigments. Thus, red paint is red because it reflects predominantly red color. Blue color looks blue, since the pigment in its composition absorbs all colors except blue. In the same way "works" and yellow color - the pigment absorbs most colors except yellow.

Next, we move on to mixing colors. So, for example, you take blue paint and red paint. mix them up and get dirt. Why? Because the reflected red ABSORBED blue pigment in the same way as the entire incident color. Accordingly, the red pigment absorbs all the emission of blue - because the nature of its surface is so arranged that predominantly red pigment is reflected.

But you may ask: "What nonsense, because mixing blue And yellow we still get green, and according to your theory, dirt should also turn out? Well, if there were really pure colors in nature, then we would see the formation of dirt. But there is one But, which makes it possible not only to mix colors, but also to carefully and reliably select the right shade of color.

So, the pigment reflects not only one light. Light of one wavelength is reflected in greater measure. So, the red pigment mainly reflects red color. However, all other colors are also reflected (for example, violet or orange). Exactly the same can be said about yellow color - mainly the pigment reflects yellow, but nevertheless it can be reflected in a sufficiently large amount orange or green. WITH blue same thing - it can carry additional "harmonics" green or purple .

So there is Not three primary colors. Eat six primary colors:

  1. Mainly reflective paint red and to a lesser but significant extent orange .
  2. Paint that mainly reflects red and to a lesser (but significant) extent violet .
  3. Pigment that reflects predominantly yellow and in addition green .
  4. Pigment that reflects predominantly yellow and plus additive orange .
  5. Mainly reflective material blue and partially violet .
  6. Material that reflects predominantly blue and partially green .

Well, have you already understood the principle of color formation?

It's very simple: you take yellow from point 3 and blue from point 6, mix these colors. The blue pigment neutralizes the yellow color, the yellow pigment absorbs the blue color. What color remains? Right, green! And not just green, but beautiful, bright and juicy green.

In the same way: by mixing the blue from point 5 and the red from point 2, you neutralize the blue and red colors, and a juicy and saturated color appears. violet color.

And finally: by mixing yellow 4 and red 1, you get orange due to the fact that the red pigment will absorb the radiation from the yellow, and yellow - the reflected radiation from the red pigment.

The result is NEW color wheel of the six primary colors:

The colors have arrows that point the way for the optimal development of the "blended" color. Respectively, variety of shades is born as a result of some combination of these SIX primary colors. "Incorrect" combinations (eg blue 6 and red 1) produce muted shades of colors (eg muddy purple). The combination of one "correct" color and one "wrong" (for example, blue 6 and red 2) produces more developed shades (for example, a brighter purple). And finally, the combination of the "right" colors (for example, blue 5 and red 2) produces a pure and bright color (bright and beautiful purple).

Naturally, reading the article is not enough to master getting the right color. It is best to read the book Blue and yellow don't make green» by Michael Wilcox plus do the practical color matching exercises in the book. However, our question has been answered.

Aspiring painters and designers often wonder how to mix paints to get the right color. There are basic shades, when combined, a new original version can come out. In some situations, such a challenge arises when one paint runs out and can be replaced by mixing several options. Two or more can be used for this purpose.

How to mix paints to get different shades?

I would like to note that such a task is difficult, since some paints, after combining with each other, provoke reactions, which ultimately negatively affects the result, for example, the color may become dark or even lose its tone and become gray.

Understanding what colors can be mixed, it is worth saying that it is impossible to obtain yellow, red and blue colors by combining other colors, but they are actively used in different combinations.

Learn how to mix paints to get some colors:

  1. Pink. To get this color, you need to mix red and white in equal quantities. By varying the proportion of white paint, you can get shades of different saturation.
  2. Green. To get this color, mix blue, cyan and yellow in equal proportions. If you want to create an olive shade, then combine green, yellow and add a small amount of brown. A light shade is obtained by mixing yellow, green and white.
  3. Orange. This beautiful color is obtained by combining red and yellow. The more red in the end, the brighter the final shade will turn out.
  4. Violet. In this case, you need to mix the following paint colors: and blue, and in equal proportions. If you change the proportions and add white, you can get different shades.
  5. Grey. There are a huge number of options, so to get different shades, you should mix black and white in different proportions.
  6. Beige. This color is often used, for example, when painting portraits. To get it, you need to add white to brown, and then, to improve the brightness, use a little yellow.

It is worth noting that the closer the colors are to each other on the color wheel, the similar their tone, which means that the result will be more pure and saturated.



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