The page contains the most famous paintings by Russian artists of the 19th century with titles and descriptions

The diverse painting of Russian artists since the beginning of the 19th century attracts with its originality and versatility in the domestic fine arts. The masters of painting of that time did not cease to amaze with their unique approach to the plot and reverent attitude to the feelings of people, to their native nature. In the 19th century, portrait compositions were often painted with an amazing combination of an emotional image and an epicly calm motive.

The paintings of Russian artists are magnificent in craftsmanship and truly beautiful in perception, strikingly accurately reflected the breath of their time, the unique character of the people and their desire for beauty.

The canvases of Russian painters, which are the most popular: Alexander Ivanov is a bright representative of the picturesque biblical direction, telling us in colors about the episodes of the life of Jesus Christ.

Karl Bryullov is a popular painter in his time, his direction is historical painting, portrait themes, romantic works.

Marine painter Ivan Aivazovsky, his paintings are magnificent and one might say simply unsurpassedly reflect the beauty of the sea with transparent rolling waves, sea sunsets and sailboats.

Distinctive versatility stands out the work of the famous Ilya Repin, who created genre and monumental works that reflect the life of the people.

Very picturesque and large-scale paintings by the artist Vasily Surikov, the description of Russian history is his direction, in which the artist emphasized the episodes of the life path of the Russian people in colors.

Each artist is unique, for example, the picturesque master of fairy tales and epics Viktor Vasnetsov, unique in his style, is always juicy and bright, romantic canvases, the heroes of which are the well-known heroes of folk tales.

Each artist is unique, for example, the picturesque master of fairy tales and epics Viktor Vasnetsov, unique in his style, is always juicy and bright, romantic canvases, the heroes of which are the well-known heroes of folk tales. Very picturesque and large-scale paintings by the artist Vasily Surikov, the description of Russian history is his direction, in which the artist emphasized the episodes of the life path of the Russian people in colors.

In Russian painting of the 19th century, such a trend as critical realism also appeared, emphasizing ridicule, satire and humor in the plots. Of course, this was a new trend, not every artist could afford it. In this direction, such artists as Pavel Fedotov and Vasily Perov were determined.

Landscape painters of that time also occupied their niche, among them Isaac Levitan, Alexei Savrasov, Arkhip Kuindzhi, Vasily Polenov, the young artist Fyodor Vasiliev, the picturesque master of the forest, forest glades with pines and birches with mushrooms Ivan Shishkin. All of them colorfully and romantically reflected the beauty of Russian nature, the variety of forms and images of which is associated with the colossal potential of the surrounding world.

According to Levitan, in every note of Russian nature there is a unique colorful palette, hence there is a huge expanse for creativity. Perhaps this is the riddle that the canvases created in the vast expanses of Russia are distinguished by some exquisite severity, but at the same time, they attract with discreet beauty, from which it is difficult to look away. Or not at all intricate and rather not catchy plot, Levitan's painting Dandelions, as it were, encourages the viewer to think and see the beauty in the simple.

Speaking about the landscape genre, it is impossible not to refer to the work of the great landscape painters. Now it is hard to imagine that two hundred years ago such a thing as a landscape did not exist yet. The traditions of Russian landscape painting began to take shape only at the end of the 18th century. Before that, artists painted under the influence of Italian and French masters, ennobling nature according to the academic laws of construction, which were considered mandatory in the painting of that time.

A huge contribution to the development of the Russian landscape was made by the Association of Traveling Exhibitions (Wanderers) under the leadership of I. N. Kramskoy. Artists sang of the beauty of discreet Russian nature, the simplicity of rural landscapes, the vast expanses of Rus'.

Major masters of landscape:

• Alexei Kondratievich Savrasov (1830-1897)
• Ivan Konstantinovich Aivazovsky (1817–1900)

Ivan Ivanovich Shishkin (1832-1898)

Art by I.I. Shishkin is surprisingly clear and transparent. His paintings are a hymn to wildlife, its beauty. He created landscape art with coniferous thickets, with boundless expanse, with all the simplicity of the northern landscape.

At the age of 12, at the insistence of his father, he was assigned to the 1st Kazan gymnasium. I have not completed the full course. In 1852 he moved to Moscow and entered the School of Painting, Sculpture and Architecture. Here A. N. Mokritsky became Shishkin's mentor. After completing the course (1856), the talented student was advised to continue his education in St. Petersburg at the Academy of Arts. His training was led by S. M. Vorobyov.

The teachers immediately noted Shishkin's penchant for landscape painting. Already in the first year of his stay at the academy, he was awarded a small silver medal for "View in the vicinity of St. Petersburg." In 1858 the artist received the Big Silver Medal for the painting "View on the Island of Valaam".

The successes achieved allowed Shishkin to travel abroad as a scholarship holder of the Academy. The journey began in Munich (1861), where Ivan Ivanovich visited the workshops of the popular animal painters B. and F. Adamov. In 1863, Shishkin moved to Zurich, then to Geneva, Prague, Dusseldorf. Longing for his homeland, he returned to St. Petersburg in 1866, before the expiration of his scholarship.

In Russia, the artist was awarded the title of academician (1865). Since that time, the most fruitful period of the painter's work began. The paintings "Cutting down the forest" (1867), "Rye" (1878), "Pine trees illuminated by the sun" (1886), "Morning in a pine forest" (1889) were created; bears were painted by K. A . Savitsky), "Ship Grove" (1898) and many others.

Shishkin actively worked in the open air, often taking artistic trips around Russia. He exhibited his works almost every year - first at the academy, and then, after the Association of Traveling Art Exhibitions was established (1870), at these expositions.

Ivan Ilyich Levitan (1860-1900)

Born on August 30, 1860 in the Lithuanian town of Kybartai into a Jewish family. My father was a small employee in the city government. Soon after the birth of the youngest son, the family moved to Moscow. At the age of 13, Isaac was admitted to the Moscow School of Painting, Sculpture and Architecture, in the class of A.K. Savrasov and V.D. Polenov. From the very beginning of his studies, Levitan earned a living by taking lessons and commissioned portraits. He brilliantly graduated from college, but because of his origin, he was awarded a diploma as a calligraphy teacher.

The first major painting "Quiet Abode" he painted after a trip in 1890 to the Russian North. The canvas was purchased by P. M. Tretyakov for his gallery. In 1892 the artist was forced to leave Moscow because Jews were not allowed to live in the capitals. He settled in a village located along the Vladimir highway, along which convicts were driven to Siberia. The artist captured these places in the painting "Vladimirka" (1892). In the 90s. Levitan made another trip, this time along the Volga. There was born the painting “Fresh wind. Volga" (1891-1895). The exacerbation of tuberculosis caused the artist to leave abroad, to France, then to Italy, although the efforts of friends helped him get permission to live in Moscow.

Returning home, in 1898 Levitan began to teach a landscape class at the school, which he graduated from. His health was deteriorating, and in 1899 the artist, at the invitation of A.P. Chekhov, left for Yalta. Returning, he began teaching again, but his health continued to deteriorate, and on August 4, 1900, Levitan died.

The landscapes of the singer of Russian nature are not just a photographic image of nature - the artist managed to convey her living breath. No wonder the critic V.V. Stasov called Levitan's paintings emotional poems. At the same time, Levitan was not only a great landscape painter. His creative heritage also includes drawings, watercolors, and book illustrations.

The city of Plyos is associated with the name of Isaac Levitan. Levitan comes to Ples three summers in a row, in 1888-1890. There is not a single corner and path in the vicinity of Plyos, wherever the great master has been. Inspired by the magical beauty of Plyos, he paints almost 200 paintings and sketches here! Now famous paintings: “Above Eternal Peace”, “After the Rain. Ples”, “Evening. Golden Plyos, Birch Grove and many others have become an adornment of the collections of the Tretyakov Gallery, the Russian Museum and many collections in Russia and abroad.

Vasily Dmitrievich Polenov (1844-1927)

Born on June 1, 1844 in the Borok estate (now Polenovo in the Tula region) in the family of archaeologist and bibliographer D. V. Polenov. After receiving a secondary education, Vasily entered the St. Petersburg Academy of Arts (1863), and a little later began to attend lectures at the law faculty at the university.

In 1872, Polenov, who completed both courses with honors, was awarded a trip abroad at the expense of the academy. He visited Vienna, Venice, Florence, Naples, lived in Paris for a long time. The visit home was short-lived; in 1876 the artist volunteered for the Serbo-Montenegrin-Turkish war.

In subsequent years, he traveled extensively in the Middle East and Greece (1881-1882, 1899, 1909), Italy (1883-1884, 1894-1895). In 1879 he joined the Society of Wanderers. In 1882-1895. taught at the Moscow School of Painting, Sculpture and Architecture.

In recognition of Polenov's merits, in 1893 he was elected a full member of the Academy of Arts. From 1910, he was engaged in the development of provincial theaters, becoming three years later the head of a special section at the Moscow Society of People's Universities.

Polenov is known as the author of works of various genres. He turned to historical and religious themes - "Christ and the Sinner" (1886-1887), "On the Lake of Tiberias" (1888), "Among the Teachers" (1896); in 1877 he created a series of sketches of the Kremlin cathedrals and palace chambers; at various times he made theatrical scenery. According to his sketches, churches were built in Abramtsevo (in collaboration with V. M. Vasnetsov) and in Bekhov near Tarusa (1906). But Polenov’s landscapes brought him the greatest fame: “Moscow Courtyard” (1878), “Grandmother’s Garden”, “Summer” (both 1879), “Overgrown Pond” (1880), “Golden Autumn” (1893). ), conveying the poetic charm of the corners of urban life and pristine Russian nature.

The artist spent the last years of his life in the Borok estate, where he organized a museum of art and scientific collections. Since 1927, the museum-estate of V. D. Polenov has been operating here.

Alexei Kondratievich Savrasov (1830 - 1897)

The artist was born on May 12 (24), 1830 in Moscow, in the family of a merchant of the 3rd guild, Kondraty Artemyevich Savrasov. Contrary to the wishes of his father, who dreamed of adapting his son to "commercial affairs", the boy entered the Moscow School of Painting and Sculpture in 1844, where he studied in the class of landscape painter K.I. Rabus. During his studies, in 1850, he completed the painting "Stone in the Forest near the Razliv", which art critics consider somewhat clumsy in composition. In the same year, for the painting "View of the Moscow Kremlin in the moonlight" he was awarded the title of non-class artist.

Founding member of the Association of Traveling Art Exhibitions (see Wanderers). Romantic effects predominate in S.'s early works (View of the Kremlin in inclement weather, 1851, Tretyakov Gallery).

In the 1850-60s. Savrasov more often turns to calm, narrative images, in a number of cases marked by a desire for color unity in his works (Elk Island in Sokolniki, 1869, ibid.), to enhance the emotional sound of chiaroscuro. The result of these searches was the painting "The Rooks Have Arrived" (1871, ibid.), where Savrasov, depicting an outwardly nondescript motif and emphasizing the moment of transition in the life of the natural environment (the onset of early spring), managed to show the deep sincerity of native nature. Savrasov's subsequent works ("The Country Road", 1873, "The Courtyard", 1870s; "The Grave over the Volga", 1874, private collection, Moscow) also differ in lyrical immediacy, interest in the open air.

Alexei Savrasov, one of the most important representatives of the lyrical movement in the Russian landscape, had a great influence on Russian landscape painters of the late 19th and early 20th centuries.

A.K. has passed away. Savrasov September 26, 1897, was buried in Moscow, at the Vagankovsky cemetery. The alley where he is buried bears his name. His favorite student was Isaac Levitan

Arkhip Ivanovich Kuindzhi (1841-1910)

Born in January 1841 in Mariupol in the family of a shoemaker, of Greek origin. Orphaned, was brought up in a family of relatives. He began to draw early and mastered painting mostly on his own.

In 1855, he went to Feodosia on foot to study with I.K. Aivazovsky. The influence of the famous marine painter on the young Kuindzhi was undeniable. At the end of the 60s. Kuindzhi arrived in St. Petersburg. The artist presented his first works in 1868 at the exhibition of the Academy of Arts and soon firmly established himself as a master of landscape: “Autumn Mudslide” (1872); "The Forgotten Village" (1874); "Chumatsky tract in Mariupol" (1875), etc.

In 1870 he first visited the island of Valaam, where he subsequently painted a lot. According to contemporaries, it was the landscapes created there that attracted the attention of the audience.

The painting "Ukrainian Night" (1876) simply stunned the public and determined the author's special path in art. From her, Kuindzhi began his "pursuit of light" - he sought to achieve a complete illusion of natural lighting. This was manifested to the highest degree in the painting “Night on the Dnieper” (1880) with a sparkling moonlit path, in velvet darkness.

The painter revealed the possibilities of the landscape in a new way, transforming, purifying and elevating reality. He achieved extraordinary intensity and brightness of colors, new color schemes. Characteristic for him are numerous "sunny" paintings and sketches (including "Birch Grove", 1879).

The intense contrast of saturated tones, lighting effects - all this was unusual for 19th-century painting. phenomenon. Misunderstanding of colleagues forced Kuindzhi to refuse to participate in exhibitions at the moment of the highest success. The last time he exhibited his work was in 1882.

The artist lived as a hermit in the Crimea, where he created a series of large canvases and hundreds of sketches, continuing to experiment with paint and color. Among Kuindzhi's late works is his only plot painting "Christ in the Garden of Gethsemane" (1901) and "Night" (1905-1908), breathing with extraordinary harmony.

In 1909, Arkhip Ivanovich founded the Society of Artists (which later received his name), which provided support to people of art. The painter bequeathed to this Society all his fortune and the works that were in the workshop.

Guys, we put our soul into the site. Thanks for that
for discovering this beauty. Thanks for the inspiration and goosebumps.
Join us at Facebook And In contact with

There are places and feelings that cannot be described in words. But these places can be drawn. With all the penetration, bright colors, the most ringing feelings. website selected for you pictures about the forest. About the sun through the foliage, about the overgrown paths. Greatness and tenderness, beauty and peace. To your attention 10 artists - singers of magical nature, able to immerse the viewer in the dense aroma and good coolness of the forest. Enjoy!

Viktor Alexandrovich Bykov is a famous Russian landscape painter who sings of the beauty and lyricism of Russian nature. His paintings are realistic and at the same time fabulously airy. Pure colors, transparent air, lightness and freshness - Viktor Bykov's paintings are very popular with private collectors from Russia and abroad.

Peter Mörk Mønsted is a Danish realist painter, a recognized master of the landscape. Despite numerous trips around the world, P. Mønsted's canvases are mostly written in Denmark and depict untouched northern landscapes. The artist's works adorn the collections of the museums of Aalborg, Bautzen, Randers and numerous private collections.

Michael O'Toole is from Vancouver, Canada's west coast. He grew up in an atmosphere of creativity, because his mother Nancy O'Toole was a fairly well-known artist. Bright colors, contrast and pure tones in the landscapes of Michael O'Toole leave few people indifferent. Michael works mainly with acrylics, he uses color powerfully, confidently and juicy, playing with contrasts.

Roland Palmaerts was born in Belgium, in Brussels. He worked as a designer and illustrator and participated in exhibitions at the same time. The exhibitions were so successful that Palmaerts devoted himself entirely to painting and teaching. He is the author of several teaching aids on painting. He is a member of the Canadian Society of Watercolor Painters, the European Watercolor Institute and was President of the Institute of Figurative Art for five years.

Ilya was born in Moscow. He is a member of the Union of Artists of Russia. Known as a ceramics artist, he also has a great command of watercolor. His airy creations, gentle, subtle. A warm mist drenched in the gentle sun hangs in its forests. Many of his works are in Russian museums.

Petras Lukosius is a Lithuanian artist. His multi-layered painting is permeated with light, streams of the sun pour abundantly on his mystical forests, light gently envelops every branch. Paintings by Petras can be found all over the world, including Germany, England, Spain and Sweden.

This list of famous landscape painters has been compiled by our editor, Neil Collins, M.A., LL.B. It represents his personal opinion about the ten best representatives of genre art. Like any compilation of this kind, it reveals more of the compiler's personal tastes than the position of landscape painters. So the top ten landscape painters and their landscapes.

http://www.visual-arts-cork.com/best-landscape-artists.htm

#10 Thomas Cole (1801-1848) and Frederick Edwin Church (1826-1900)

In tenth place, two American artists at once.

Thomas Cole: The greatest American landscape painter of the early 19th century and founder of the Hudson River School, Thomas Cole was born in England, where he worked as an apprentice engraver before emigrating to the United States in 1818, where he quickly achieved recognition as a landscape painter, settling in the village of Catskill in the Hudson Valley. An admirer of Claude Lorraine and Turner, he visited England and Italy between 1829 and 1832, after which (thanks in part to the encouragement he received from John Martin and Turner) he began to focus less on natural scenery and more on grandiose allegorical and historical themes. . Largely impressed by the natural beauty of the American landscape, Cole imbued much of his landscape art with great feeling and obvious romantic splendor.

Famous landscapes of Thomas Cole:

- "View of the Catskills - Early Autumn" (1837), oil on canvas, Metropolitan Museum, New York

- "American Lake" (1844), oil on canvas, Detroit Institute of Arts

Frederick Edwin Church

- "Niagara Falls" (1857), Corcoran, Washington

- "Heart of the Andes" (1859), Metropolitan Museum of Art, New York

- "Cotopaxi" (1862), Detroit Institute of Arts

#9 Caspar David Friedrich (1774-1840)

Thoughtful, melancholic and somewhat reclusive, Caspar David Friedrich is the greatest landscape painter of the Romantic tradition. Born near the Baltic Sea, he settled in Dresden, where he focused exclusively on spiritual connections and the meaning of the landscape, inspired by the silent stillness of the forest, as well as light (sunrise, sunset, moonlight) and seasons. His genius lay in his ability to capture a hitherto unknown spiritual dimension in nature, which gives the landscape an emotional, incomparable mysticism.

Famous landscapes of Caspar David Friedrich:

- "Winter Landscape" (1811), oil on canvas, National Gallery, London

- "Landscape in Riesengebirge" (1830), oil on canvas, Pushkin Museum, Moscow

- Man and Woman Looking at the Moon (1830-1835), oil, National Gallery, Berlin

#8 Alfred Sisley (1839-1899)

Often called the "forgotten Impressionist", the Anglo-French Alfred Sisley was second only to Monet in his devotion to spontaneous plein airism: he was the only Impressionist who devoted himself exclusively to landscape painting. His seriously underestimated reputation is based on his ability to capture the unique effects of light and seasons in wide landscapes, sea and river scenes. His depiction of dawn and a cloudy day is especially memorable. Today he is not very popular, but is still considered one of the greatest representatives of Impressionist landscape painting. Could well be overrated, because, unlike Monet, his work never suffered from a lack of form.

Famous landscapes by Alfred Sisley:

- Foggy Morning (1874), oil on canvas, Musée d'Orsay

- "Snow at Louveciennes" (1878), oil on canvas, Musée d'Orsay, Paris

- Morette Bridge in the Sun (1892), oil on canvas, private collection

#7 Albert Cuyp (1620-1691)

A Dutch realist painter, Aelbert Kuip is one of the most famous Dutch landscape painters. His most magnificent scenic views, river scenes and landscapes with calm cattle, show majestic serenity and masterful handling of bright light (early morning or evening sun) in the Italian style is a sign of Klodeev's great influence. This golden light often captures only the sides and edges of plants, clouds, or animals through impasto lighting effects. In this way, Cuyp turned his native Dordrecht into an imaginary world, reflecting it at the beginning or end of an ideal day, with an all-encompassing sense of stillness and security, and the harmony of everything with nature. Popular in Holland, it was highly regarded and collected in England.

Famous landscapes of Albert Cuyp:

- "View of Dordrecht from the North" (1650), oil on canvas, collection of Anthony de Rothschild

- “River landscape with horseman and peasants” (1658), oil, National Gallery, London

#6 Jean-Baptiste Camille Corot (1796-1875)

Jean-Baptiste Corot, one of the greatest landscape painters of the Romantic style, is famous for his unforgettable picturesque depiction of nature. His particularly subtle approach to distance, light and form depended on tone rather than drawing and color, giving the finished composition an air of endless romance. Less constrained by painterly theory, Corot's works are nonetheless among the world's most popular landscapes. A regular participant in the Paris Salon since 1827 and a member of the School of Barbizon, led by Theodore Rousseau (1812-1867), he had a great influence on other plein air artists such as Charles-Francois Doubigny (1817-1878), Camille Pissarro (1830-1903). ) and Alfred Sisley (1839-1899). He was also an unusually generous man who spent most of his money on artists in need.

Famous landscapes by Jean-Baptiste Corot:

- "The Bridge at Narni" (1826), oil on canvas, Louvre

- Ville d'Avrey (ca. 1867), oil on canvas, Brooklyn Museum of Art, New York

- "Rural Landscape" (1875), oil on canvas, Musée Toulouse-Lautrec, Albi, France

#5 Jacob van Ruisdael (1628-1682)

- "The Mill at Wijk near Duarsted" (1670), oil on canvas, Rijksmuseum

- "Jewish Cemetery in Ouderkerk" (1670), Old Masters Gallery, Dresden

No. 4 Claude Lorrain (1600-1682)

French painter, draftsman and engraver active in Rome who is regarded by many art historians as the greatest painter of the idyllic landscape in the history of art. Since pure (i.e., secular and non-classical) landscape, as well as ordinary still life or genre painting, lacked moral heaviness (in the 17th century in Rome), Claude Lorrain introduced classical elements and mythological themes into his compositions, including gods, heroes and saints. In addition, his chosen environment, the countryside around Rome, was rich in ancient ruins. These classic Italian pastoral landscapes were also filled with a poetic light that represents his unique contribution to the art of landscape painting. Claude Lorraine particularly influenced English painters, both during his lifetime and for two centuries thereafter: John Constable called him "the finest landscape painter the world has ever seen".

Famous landscapes by Claude Lorrain:

- "Modern Rome - Campo Vaccino" (1636), oil on canvas, Louvre

- "Landscape with the wedding of Isaac and Rebecca" (1648), oil, National Gallery

- "Landscape with Tobius and the Angel" (1663), oil, Hermitage, St. Petersburg

- "Building a boat at Flatford" (1815), oil, Victoria and Albert Museum, London

- "Hay Cart" (1821), oil on canvas, National Gallery, London

No. 2 Claude Monet (1840-1926)

The greatest modern landscape painter and giant of French painting, Monet was the leading figure of the incredibly influential Impressionist movement, to whose principles of spontaneous plein air painting he remained true for the rest of his life. A close friend of the Impressionist painters Renoir and Pissarro, his desire for optical truth, primarily in the depiction of light, is represented by a series of canvases depicting the same object in different lighting conditions and at different times of the day, such as "Haystacks" (1888 ), The Poplars (1891), Rouen Cathedral (1892) and The River Thames (1899). This method culminated in the famous Water Lilies series (among all the most famous landscapes) created from 1883 in his garden at Giverny. His latest series of monumental drawings of water lilies with shimmering colors has been interpreted by several art historians and painters as an important precursor to abstract art, and by others as the supreme example of Monet's search for spontaneous naturalism.

Landscapes of nature in the paintings of Russian artists they convey that thin invisible line that separates man from nature. Nature in painting reflects the world in which not man dominates nature, but nature dominates him. A world in which colors exacerbate feelings of unity with nature.
(In the announcement: a painting by Krymov N.P. "After the Spring Rain")

The seasons in painting are a special theme in the landscapes of nature paintings by Russian artists, because nothing touches so sensitively as the change in the appearance of nature according to the seasons. Along with the season, the mood of nature changes, which the paintings in painting convey with the ease of the artist's brush.

Check out the most famous works of great Russian artists:

Presentation: nature in the paintings of Russian artists

Spring pictures

Bright and sonorous, with the murmur of streams and the singing of arriving birds, spring awakens nature in the paintings of A. Savrasov, Konchalovsky, Levitan, Yuon, S. A. Vinogradov, A. G. Venetsianov, Ostroukhov.
To the section...

Summer pictures

Blooming gardens, warm showers and hot sun, the summer in the paintings of I. Levitan, Plastov, Polenov, Vasiliev, Gerasimov, Shishkin so slowly smells of scents in rich colors.
To the section...

autumn pictures

In a round dance of leaves of various shades, driven by a cool wind with raindrops, autumn is spinning in a waltz in the paintings of Levitan, Polenov, Gerasimov, Brodsky, Zhukovsky.
To the section...

winter pictures

Enchained in chains, covering the tired earth with a snowy blanket, he sings a lullaby like a blizzard, carefully guarding the dream of nature winter in the paintings of Plastov, Krymov, Levitan, Nissky, I. E. Grabar, Yuon, Shishkin, Kustodiev.
To the section...

In the description of nature paintings by famous artists, one can find a reflection of the subtlety and beauty of the landscape of Russian nature at certain times of the year. It is unlikely that the artist, like nature, has the best time of the year for the perception of nature on canvas, although everyone certainly has a favorite time of the year.