The message is the image of Tatyana in the novel Eugene Onegin. The ideal image of the heroine in the novel "Eugene Onegin"

"Eugene Onegin" - a novel in verse. If not the best, then one of the best works of the great Russian classic. A.S. Pushkin for the first time reveals Tatyana Larina, who is an ideal for him, which he gently, lovingly sings.

It is believed that the prototype of the heroine was a real woman who left after her husband exiled to Siberia.

The ideal image of the heroine in the novel "Eugene Onegin"

Pushkin calls his heroine a simple and at the same time very common name - Tatyana. Her character is sincere, folk, natural, but nevertheless she cannot be called a simpleton. The sincerity of the heroine is combined with the extraordinary depth of her soul.

She is a great lover of books, brought up on them and the stories of her nanny, different from her surroundings. Tatyana is not used to making out with her parents and playing with other children, like all her peers. She appears before the readers as a girl somewhat removed from the whole society. For Pushkin, this is the ideal image of the heroine in the novel "Eugene Onegin".

She loves nature and lives according to its rhythms and laws, feeling her unity with her.
Public opinion is not so important for a girl. But she lives in a world of ideals, sincere sincerity, high spiritual morality and purity.

She likes more village life, closeness to nature, which she feels and loves. Then, having married, living in St. Petersburg and leading a secular life, she will longingly recall the life that she had in her beloved village.

A.S. Pushkin, "Eugene Onegin": heroes and their love

Pushkin describes in his novel two vivid images of the main characters. This is Tatyana Larina, Eugene Onegin, who are opposed to each other and at the same time attracted. The pure and sincere soul of the girl comes into contact with a young man who has already seen a lot in his lifetime and is disappointed in life. Onegin's spiritual emptiness and Larina's soul filled to the brim are dramatically revealed in the novel.

It would seem that love should work miracles, and a strong and sincerely in love Tatyana will definitely be able to change everything. Eugene Onegin, however, rejects her after her confession and leaves her completely at a loss. Was it love or passion? Tatyana, being a dreamy girl, fell in love not with a real person, but with an image she invented, which she painted in her dreams.

The young man, who attracted her with his detachment and mystery, with those features that were inherent in herself, nevertheless turned out to be not the same romantic hero from her dreams and dreams. He turned out to be empty, disappointed and even corrupted by the secular life of the capital. But, despite this, noble nobility lived deep in him, and Tatyana did not become deceived. Eugene Onegin left, leaving the girl in complete disarray.

He had a chance to change and find the soulfulness that he once had. But this was too complicated and incomprehensible for him, and the young man, or "young old man," as critics sometimes called him, decided to simply retire and continue his usual way of life.

Much later, Tatiana Larina and Eugene Onegin would meet in St. Petersburg. And then the fire of passion will burn not her, but Onegin. Tatyana, in turn, becoming a high society lady, will not lose her ability to love. However, this time she will already reject Eugene - not in order to take revenge or follow the norms accepted in society.

She loves him, no matter what, and does not hide it from him. But she continues to be guided in life by her high spiritual and moral principles and cannot break the vow given to her husband destined by fate. At the same time, she understands that she is not driven by Onegin, but by passion and selfish pride. How else can she answer? Decide on an extramarital affair? By doing so, she would not only defile her love, but also betray herself, sacrificing her inner rules of life.

V.G. Belinsky about Tatyana

Tatyana in his perception is a deep and strong woman, without the suffering contradictions of complex souls, which sometimes they themselves are unable to understand. It is whole, unified and pure nature. And it doesn’t matter who she is today: a secular lady or a simple girl from the village. Wherever she is, a high spiritual integrity does not leave her, and no matter what happens to her and happens, she is guided by the values ​​\u200b\u200bliving inside her.

Tatiana and Olga

Tatyana - the ideal image of the heroine in the novel "Eugene Onegin", is the complete opposite of her sister Olga. The latter is a windy girl with a careless and narrow-minded disposition. Her image in its entirety is revealed in a dismissive attitude towards the young man who fell in love with her - Lensky, who, because of her frivolous behavior, challenges Onegin to a duel and dies there.
Tatyana cannot be spiritually friendly with her windy sister, she needs depth and meaningfulness of her own and other people's thoughts and actions, which Olga cannot give her.

nature image

Tatyana is able to contemplate beauty, feel harmony, understand the language of nature and love the world around her. She loves to meet the sunrise and think about the moon, walk through the fields and meadows, admire the beautiful natural landscapes, especially in winter, and even

Its image is close to pagan, when people lived in unity with the surrounding world, with nature, without separating themselves from it and finding in nature all the answers to their questions. Tatyana believes in superstitions, omens, divination and dreams. And this belief further strengthens her connection with nature.

social image

The social life of the girl weighs. Her deep inner nature opposes falsehood, but she is forced to come to terms with it and live as fate ordered her. By the end of the novel, the naive village girl has learned to put on a secular cold mask and walk in it, like all the people around. But, despite this, she does not lose her essence and spiritual qualities.

Favorite quotes

Those who read, taught and studied at school the novel "Eugene Onegin", quotes from it can be remembered all their lives. Thanks to the beautiful and light style of the great Russian poet, the poems are remembered quickly and for a long time: “Wild, sad, silent, like a forest doe is timid ...”

In the novel "Eugene Onegin" quotes characterizing the image of Tatyana, vividly and simply depicting Russian, remaining in the memory of young people, help in understanding the mysterious Russian soul and a deeper understanding of themselves.

The image of Tatyana Larina absorbed all the author's dreams of a female ideal. Tatyana remained forever the beloved heroine of the great poet and prose writer. For the first time, the reader meets the heroine in the parental estate, which the mother of the Larin sisters sympathetically watches. Tatyana's father is a "kind fellow", a little "lagging behind" the modern pace of time. Life in the family is calm, monotonous, patriarchal.

From a very young age, Tatyana was very different from other village children. She did not like simple children's amusements, resembling a "shy doe", which is good in solitude. The girl was brought up on the legends of an old nanny and loved to pass the time reading books. The atmosphere of "old times" in her native estate instilled in Tatiana a belief in ancient customs, girlish divination, and interpretation of dreams. Having matured, Tatyana turned into a dreamy and thoughtful young lady. Not possessing a "flashy" beauty, she attracts people with her rich inner world, naturalness and innocence.

It's time for love. Tatyana, as if she lived in anticipation, when Onegin appeared on her horizon - mysterious and unknown. And the girl loved it. Ardent, anxious and wholeheartedly. Tormented by exciting torments, Tatyana decides to take a desperate step and writes a letter to her lover with a confession. She delivers the real confession and herself with it into the hands of Eugene Onegin. Tatyana hopes for reciprocity, but her chosen one rejects her. He was alien to such sincere feelings and impulses.

Tatyana, without ceasing, loved Onegin. Even when he caused the death of Lensky, her sister's fiancé. And when he left on a long journey. She visited his empty estate, trying to better understand the man she fell in love with. Two years later, the reader meets Tatyana again. She is married to a noble prince. There was no trace of that inexperienced and outspoken girl. The "new" Tatyana matured spiritually, became impregnable, but at the same time she did not lose her natural simplicity. Rotation in high society and the nobility of the new position did not spoil her at all. The meeting with Onegin, of course, stirred up a storm of feelings in Tatyana. But she didn't show it. Having received a letter from him with a confession, the heroine sheds tears of sadness, but does not honor her former lover with an answer. Once alone with Onegin, Tatyana does not hide the fact that she still loves him, but at the same time intends to remain faithful to her legal spouse. Tatyana does not hold a grudge against Yevgeny, but leaves no reason for his hopes.

Quotes

So, she was called Tatyana.
Nor the beauty of his sister,
Nor the freshness of her ruddy
She would not attract eyes.

Dika, sad, silent,
Like a forest doe is timid,
She is in her family
Seemed like a stranger girl.

She couldn't caress
To my father, not to my mother;
A child by herself, in a crowd of children
Didn't want to play and jump
And often all day alone
Sitting silently by the window...

Thought, her friend
From the most lullaby days
Rural Leisure Current
Decorated her with dreams.

And there were childish pranks
Alien to her: scary stories
In winter in the dark of nights
They captivated her heart more ...

She liked novels early on;
They replaced everything for her;
She fell in love with deceptions
And Richardson and Rousseau...

For a long time her imagination
Burning with grief and longing,
Alkalo fatal food;
Long hearted languor
It pressed her young breast;
The soul was waiting... for someone...

Tatyana Larina symbolizes the image of a Russian girl. It is difficult to understand the soul of a Russian without being a Russian. It is Tatyana who appears before us as a symbol of the mysterious Russian soul.

From childhood, she was distinguished by her dissimilarity to others. Her originality, sometimes wildness, seems to some to be pride, affectation. But it's not. A meek disposition, but the strength of character is manifested and even more emphasized against the background of Olga's sister. It would seem that a young girl in a noble family can worry. Is it inherent in such a greenhouse environment deep thoughts, the ability to reason and analyze. Ease, carelessness should have become her companions, but everything turned out differently. The desire to study, self-development made the girls a strong character, deeply thinking, empathizing. Frequent solitude contributed to deep immersion in oneself and self-knowledge.

The first feeling that flooded over Tatiana completely swallowed her up. She was ready to meet love. Reading novels contributed to this. And so, the image of a person who corresponded to her fictional character appeared in reality.

Tatyana, a pure and open person, went towards the feeling. She accepted it and decided on a difficult but necessary step - recognition.

Busting girlish pride, I dared to take the first step. What did she get in return? Condescension on the part of the brilliant Onegin to a provincial girl, a humane act of refusal. First love often breaks youthful hearts. But this defeat made Tatyana stronger. The feeling did not fade away, but only lurked somewhere in the depths of the soul. Nothing could stop her from loving Yevgeny, neither his indifference, nor cruelty, nor cynicism, nor the murder of Lensky. You can’t love for something, you can love in spite of. Only then is it love.

Tatyana is a sensual but proud person. She did not humiliate herself and ask for Onegin's love. She tried to pull away and forget. Only she herself knows what was going on in the soul, what a struggle between the mind and the heart raged. The mind allowed the provincial savage girl to turn into a sedate lady, the hostess of the salon. An unloved husband, even for a second, cannot doubt the tenderness and fidelity of his wife.

The power of love, its beauty is most colorfully revealed in tragedy. Tatyana is not destined to be with Onegin. Love is alive in her heart, and perhaps only intensified over time. But, alas. A sacrifice of love for the sake of honor and the promised oath at the altar.

Tatyana Larina in Pushkin's "Eugene Onegin" is the exact opposite of her sister Olga in appearance and character. As a child, she lived alone in her own family, “seemed like a stranger girl”, did not like children's games and silently could sit all day at the window, immersed in dreams. But outwardly motionless and cold, Tatyana lived a strong inner life. "Scary stories of the nanny" made her a dreamer, a child "not of this world."

Avoiding naive village entertainment, round dances and games, Tatyana, on the other hand, gave herself up to folk mysticism with all her heart, her inclination to fantasize directly attracted to this:

Tatyana believed the legends
Folk antiquity:
And dreams, and card fortune-telling,
And the predictions of the moon.
The omens worried her.
Mysteriously to her all objects
proclaimed something.
Premonitions pressed against my chest.

Suddenly seeing
Young two-horned face of the moon
In the sky on the left side
She trembled and turned pale.
Well? beauty found the secret
And in the most horror she:
This is how nature made you
Inclined to contradiction.

From fairy tales of the nanny Tatiana moved early to novels.

They replaced everything
She fell in love with novels
Both Richardson and Rousseau...

From a fantasy girl, Tatyana Larina became a "dreamy girl" who lived in her own special world: she surrounded herself with the heroes of her favorite novels and was alien to rural reality.

For a long time her imagination
Burning with grief and longing,
Alkalo fatal food.
Long hearted languor
Constricted her young breasts.
The soul was waiting for someone.

Tatyana Larina. Artist M. Klodt, 1886

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Women, whose behavior and appearance differ from the generally accepted canons of the ideal, have always attracted the attention of both literary figures and readers. The description of this type of people allows you to lift the veil of unknown life quests and aspirations. The image of Tatyana Larina is perfect for this role.

Family and childhood memories

Tatyana Larina, by her origin, belongs to the nobility, but all her life she was deprived of a vast secular society - she always lived in the countryside and never aspired to an active city life.

Tatyana's father Dmitry Larin was a foreman. At the time of the actions described in the novel, he is no longer alive. It is known that he died young. "He was a simple and kind gentleman."

The girl's mother's name is Polina (Praskovya). She was given away as a girl under duress. For some time she was discouraged and tormented, feeling a sense of affection for another person, but over time she found happiness in family life with Dmitry Larin.

Tatyana still has a sister, Olga. She is not at all like her sister in character: gaiety and coquetry are a natural state for Olga.

An important person for the formation of Tatyana as a person was played by her nanny Filipyevna. This woman is a peasant by birth and, perhaps, this is her main charm - she knows many folk jokes and stories that so lure the inquisitive Tatiana. The girl has a very reverent attitude towards the nanny, she sincerely loves her.

Naming and prototypes

Pushkin emphasizes the unusualness of his image already at the very beginning of the story, giving the girl the name Tatyana. The fact is that for the high society of that time, the name Tatyana was not characteristic. This name at that time had a pronounced common character. Pushkin's drafts contain information that the heroine's original name was Natalya, but later Pushkin changed his intention.

Alexander Sergeevich mentioned that this image is not without a prototype, but did not indicate who exactly served him such a role.

Naturally, after such statements, both his contemporaries and researchers of later years actively analyzed Pushkin's entourage and tried to find Tatyana's prototype.

Opinions on this issue are divided. It is possible that several prototypes were used for this image.

One of the most suitable candidates is Anna Petrovna Kern - her similarity in character with Tatyana Larina leaves no doubt.

The image of Maria Volkonskaya is ideal for describing the resilience of Tatyana's character in the second part of the novel.

The next person who bears a resemblance to Tatyana Larina is Pushkin's sister Olga. In her temperament and character, she ideally matches the description of Tatyana in the first part of the novel.

Tatyana also has a certain similarity with Natalya Fonvizina. The woman herself found a great resemblance to this literary character and expressed the opinion that Tatiana's prototype was her.

An unusual assumption about the prototype was made by Pushkin's lyceum friend Wilhelm Kuchelbecker. He found that the image of Tatyana is very similar to Pushkin himself. This similarity is especially evident in chapter 8 of the novel. Kuchelbecker claims: “the feeling with which Pushkin is overwhelmed is noticeable, although he, like his Tatyana, does not want the world to know about this feeling.”

Question about the age of the heroine

In the novel, we meet Tatyana Larina during her growing up. She is a marriageable girl.
The opinions of the researchers of the novel on the issue of the year of the girl's birth differed.

Yuri Lotman claims that Tatyana was born in 1803. In this case, in the summer of 1820, she just turned 17 years old.

However, this opinion is not the only one. There is an assumption that Tatyana was much younger. Such thoughts are prompted by the nanny's story that she was married off at the age of thirteen, as well as the mention that Tatyana, unlike most girls of her age, did not play with dolls at that time.

V.S. Babaevsky puts forward another version about Tatyana's age. He believes that the girl must be much older than the age assumed by Lotman. If the girl had been born in 1803, then the girl's mother's concern about the lack of options for her daughter's marriage would not have been so pronounced. In this case, a trip to the so-called “bride fair” would not yet be a necessity.

The appearance of Tatyana Larina

Pushkin does not go into a detailed description of Tatyana Larina's appearance. The author is more interested in the inner world of the heroine. We learn about Tatyana's appearance in contrast to the appearance of her sister Olga. The sister has a classic appearance - she has beautiful blond hair, a ruddy face. In contrast, Tatyana has dark hair, her face is too pale, devoid of color.

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Her gaze is full of despondency and sadness. Tatyana was too thin. Pushkin notes, "no one could call her beautiful." Meanwhile, she was still an attractive girl, she had a special beauty.

Leisure and attitude to needlework

It was generally accepted that the female half of society spent their free time doing needlework. Girls, in addition, still played with dolls or various active games (the most common was the burner).

Tatiana does not like to do any of these activities. She loves to listen to the nanny's scary stories and sit by the window for hours.

Tatyana is very superstitious: "The omens worried her." The girl also believes in fortune-telling and that dreams do not just happen, they carry a certain meaning.

Tatyana is fascinated by novels - "they replaced everything for her." She likes to feel like the heroine of such stories.

However, Tatyana Larina's favorite book was not a love story, but a dream book "Martyn Zadeka later became / Tanya's Favorite." Perhaps this is due to Tatyana's great interest in mysticism and everything supernatural. It was in this book that she could find the answer to her question: "consolations / In all sorrows she gives / And sleeps with her without a break."

Personality characteristic

Tatyana is not like most girls of her era. This applies to external data, and hobbies, and character. Tatyana was not a cheerful and active girl who was easily given to coquetry. “Dika, sad, silent” is Tatyana’s classic behavior, especially in society.

Tatyana loves to indulge in dreams - she can fantasize for hours. The girl hardly understands her native language, but is in no hurry to learn it, in addition, she rarely educates herself. Tatyana prefers novels that can disturb her soul, but at the same time she cannot be called stupid, rather the opposite. The image of Tatyana is full of "perfections". This fact is sharply contrasted with the rest of the characters in the novel, who do not have such components.

In view of her age and inexperience, the girl is too trusting and naive. She trusts the impulse of emotions and feelings.

Tatyana Larina is capable of tender feelings not only in relation to Onegin. With her sister Olga, despite the striking difference of girls in temperament and perception of the world, she is connected by the most devoted feelings. In addition, a feeling of love and tenderness arises in her in relation to her nanny.

Tatyana and Onegin

New people coming to the village always arouse the interest of the permanent residents of the area. Everyone wants to get to know the visitor, learn about him - life in the village is not distinguished by a variety of events, and new people bring with them new topics for conversation and discussion.

Onegin's arrival did not go unnoticed. Vladimir Lensky, who was lucky enough to become Yevgeny's neighbor, introduces Onegin to the Larins. Eugene is very different from all the inhabitants of village life. His manner of speaking, behaving in society, his education and ability to carry on a conversation pleasantly amaze Tatiana, and not only her.

However, “early the feelings in him cooled down”, Onegin “has completely cooled down to life”, he is already bored with beautiful girls and their attention, but Larina does not know about it.

Onegin instantly becomes the hero of Tatyana's novel. She idealizes the young man, he seems to her to have descended from the pages of her love books:

Tatyana loves not jokingly
And surrender unconditionally
Love like a sweet child.

Tatyana suffers for a long time in languor and decides to take a desperate step - she decides to confess to Onegin and tell him about her feelings. Tatyana is writing a letter.

The letter carries a double meaning. On the one hand, the girl expresses indignation and grief associated with the arrival of Onegin and her love. She lost the peace in which she lived before, and this leads the girl to bewilderment:

Why did you visit us
In the wilderness of a forgotten village
I would never have known you.
I would not know bitter torment.

On the other hand, the girl, having analyzed her position, sums up: the arrival of Onegin is her salvation, this is fate. By her character and temperament, Tatyana could not have become the wife of any of the local suitors. She is too alien and incomprehensible for them - Onegin is another matter, he is able to understand and accept her:

That in the supreme council is destined ...
That is the will of heaven: I am yours;
My whole life has been a pledge
Faithful goodbye to you.

However, Tatyana's hopes did not come true - Onegin does not love her, but only played with the girl's feelings. The next tragedy in the girl's life is the news of the duel between Onegin and Lensky, and the death of Vladimir. Eugene leaves.

Tatyana falls into a blues - she often comes to Onegin's estate, reads his books. Over time, the girl begins to understand that the real Onegin is fundamentally different from the Eugene she wanted to see. She just idealized the young man.

This is where her unfulfilled romance with Onegin ends.

Tatyana's dream

Unpleasant events in the girl's life, connected with the lack of mutual feelings in the subject of her love, and then death, two weeks before the wedding of the groom's sister Vladimir Lensky, were preceded by a strange dream.

Tatyana always attached great importance to dreams. This same dream is doubly important for her, because it is the result of Christmas divination. Tatyana was supposed to see her future husband in a dream. The dream becomes prophetic.

At first, the girl finds herself in a snowy meadow, she approaches the stream, but the passage through it is too fragile, Larina is afraid to fall and looks around in search of an assistant. A bear appears from under a snowdrift. The girl is frightened, but when she sees that the bear is not going to attack, but, on the contrary, offers her his help, holds out her hand to him - the obstacle has been overcome. However, the bear is in no hurry to leave the girl, he follows her, which frightens Tatyana even more.

The girl tries to escape from the pursuer - she goes to the forest. The branches of the trees cling to her clothes, take off her earrings, tear off her scarf, but Tatyana, seized with fear, runs forward. Deep snow prevents her from escaping and the girl falls. At this time, a bear overtakes her, he does not attack her, but picks her up and carries her further.

A hut appears ahead. The bear says that his godfather lives here and Tatiana can warm up. Once in the hallway, Larina hears the noise of fun, but it reminds her of a wake. Strange guests are sitting at the table - monsters. The girl is disassembled both by fear and curiosity, she quietly opens the door - Onegin turns out to be the owner of the hut. He notices Tatyana and goes to her. Larina wants to run away, but she can't - the door opens and all the guests see her:

… Violent laughter
Resounded wildly; everyone's eyes,
Hooves, trunks are crooked,
Crested tails, fangs,
Mustaches, bloody tongues,
Horns and fingers of bone,
Everything points to her.
And everyone screams: mine! my!

The imperious host calms the guests - the guests disappear, and Tatyana is invited to the table. Immediately, Olga and Lensky appear in the hut, causing a storm of indignation from Onegin. Tatyana is horrified by what is happening, but does not dare to intervene. In a fit of anger, Onegin takes a knife and kills Vladimir. The dream ends, it's already morning in the yard.

Tatyana's marriage

A year later, Tatyana's mother comes to the conclusion that it is necessary to take her daughter to Moscow - Tatyana has every chance to remain virgins:
At Kharitonya in the alley
Carriage in front of the house at the gate
Has stopped. To an old aunt
The fourth year of the patient in consumption,
They have arrived now.

Aunt Alina joyfully received the guests. She herself could not get married at one time and lived alone all her life.

Here, in Moscow, Tatyana is noticed by an important, fat general. He was struck by the beauty of Larina and "meanwhile, he does not take his eyes off her."

The age of the general, as well as his exact name, Pushkin does not give in the novel. Admirer Larina Alexander Sergeevich calls General N. It is known that he took part in military events, which means that his career advancement could take place at an accelerated pace, in other words, he received the rank of general without being in old age.

Tatyana, on the other hand, does not feel a shadow of love towards this person, but nevertheless agrees to marriage.

The details of their relationship with her husband are not known - Tatyana resigned herself to her role, but she did not have a feeling of love for her husband - he was replaced by affection and a sense of duty.

Love for Onegin, despite the debunking of his idealistic image, still has not left Tatyana's heart.

Meeting with Onegin

Two years later, Eugene Onegin returns from his journey. He does not go to his village, but visits his relative in St. Petersburg. As it turned out, during these two years, changes took place in the life of his relative:

"So you're married! I didn't know before!
How long ago? - About two years. -
"On whom?" - On Larina. - "Tatyana!"

Always able to restrain himself, Onegin succumbs to excitement and feelings - he is seized by anxiety: “Is she really? But definitely… No…”

Tatyana Larina has changed a lot since their last meeting - they no longer look at her as a strange provincial:

The ladies moved closer to her;
The old women smiled at her;
The men bowed down
The girls were quieter.

Tatyana learned to behave like all secular women. She knows how to hide her emotions, is tactful towards other people, there is a certain amount of coolness in her behavior - all this causes Onegin to be surprised.

Tatyana, it seems, was not at all dumbfounded, unlike Evgeny, by their meeting:
Her eyebrow did not move;
She didn't even purse her lips.

Always so bold and lively, Onegin was at a loss for the first time and did not know how to speak to her. Tatyana, on the contrary, asked him with the most indifferent expression on her face about the trip and the date of his return.

Since then, Eugene loses peace. He realizes that he loves the girl. He comes to them every day, but feels embarrassed in front of the girl. All his thoughts are occupied only by her - in the morning he jumps out of bed and counts the hours left until their meeting.

But the meetings do not bring relief - Tatyana does not notice his feelings, she behaves with restraint, proudly, in a word, just like Onegin himself towards her two years ago. Consumed by excitement, Onegin decides to write a letter.

I notice a spark of tenderness in you,
I did not dare to believe her - he writes about the events of two years ago.
Eugene confesses his love to a woman. “I was punished,” he says, explaining his recklessness in the past.

Like Tatyana, Onegin entrusts her with the solution of the problem that has arisen:
Everything is decided: I'm in your will
And surrender to my fate.

However, there was no answer. The first letter is followed by another and another, but they remain unanswered. Days pass - Eugene cannot lose his anxiety and confusion. He again comes to Tatyana and finds her sobbing over his letter. She was very similar to the girl he met two years ago. Excited Onegin falls at her feet, but

Tatyana is categorical - her love for Onegin has not yet faded away, but Eugene himself ruined their happiness - he neglected her when she was unknown to anyone in society, not rich and not "favored by the court." Eugene was rude to her, he played with her feelings. Now she is the wife of another man. Tatyana does not love her husband, but she will be “faithful to him for a century”, because it cannot be otherwise. Another version of the development of events is contrary to the life principles of the girl.

Tatyana Larina in the assessment of critics

Roman A.S. Pushkin "Eugene Onegin" became the subject of active research and scientific-critical activity for several generations. The image of the main character Tatyana Larina became the cause of repeated disputes and analyzes.

• Y. Lotman in his works he actively analyzed the essence and principle of writing Tatyana's letter to Onegin. He came to the conclusion that the girl, having read novels, recreated "a chain of reminiscences primarily from the texts of French literature."
• V.G. Belinsky, says that for Pushkin's contemporaries, the release of the third chapter of the novel was a sensation. The reason for this was a letter from Tatyana. According to the critic, Pushkin himself until that moment did not realize the power produced by the letter - he calmly read it, just like any other text.
  The writing style is a little childish, romantic - this is touching, because Tatyana had not known the feelings of love before that “the language of passions was so new and not accessible to the morally dumb Tatyana: she would not have been able to understand or express her own feelings if she had not resorted to to help the impressions left on her.”
• D. Pisarev did not turn out to be such an inspired image of Tatyana. He believes that the girl's feelings are fake - she inspires them herself and thinks that this is the truth. While analyzing the letter to Tatyana, the critic notes that Tatyana is still aware of Onegin’s lack of interest in her person, for she puts forward the assumption that Onegin’s visits will not be regular, this state of affairs does not allow the girl to become a “virtuous mother”. “And now I, by your grace, a cruel man, must disappear,” writes Pisarev. In general, the image of a girl in his concept is not the most positive and borders on the definition of a “village”.
• F. Dostoevsky believes that Pushkin should have named his novel not by the name of Eugene, but by the name of Tatyana. Since it is this heroine who is the main character in the novel. In addition, the writer notes that Tatyana has a much greater mind than Eugene. She knows how to do the right thing in the right situations. Her image is noticeably different hardness. “The type is firm, standing firmly on its own soil,” Dostoevsky says about her.
• V. Nabokov notes that Tatyana Larina has become one of her favorite characters. As a result, her image has become "a 'national type' of a Russian woman." However, over time, this character was forgotten - with the beginning of the October Revolution, Tatyana Larina lost her significance. For Tatyana, according to the writer, there was another unfavorable period. During Soviet rule, the younger sister Olga occupied a much more advantageous position in relation to her sister.

The image of Tatyana Larina in the novel "Eugene Onegin" by Pushkin in quotes