A. Ostrovsky "Thunderstorm": description, characters, analysis of the work

Without a doubt, The Thunderstorm (1859) is the pinnacle of Alexander Ostrovsky's dramaturgy. The author shows the most important changes in the social and political life of Russia on the example of family relations. That is why his creation needs a detailed analysis.

The process of creating the play "Thunderstorm" is connected by many threads with past periods in Ostrovsky's work. The author is attracted by the same issues as in the “Moskvitian” plays, but the image of the family receives a different interpretation (the denial of the stagnation of patriarchal life and the oppression of Domostroy was new). The appearance of a bright, kind beginning, a natural heroine is an innovation in the author's work.

The first thoughts and sketches of The Thunderstorm appeared in the summer of 1859, and already in early October the writer had a clear idea of ​​the whole picture. The work was strongly influenced by the journey along the Volga. Under the patronage of the Naval Ministry, an ethnographic expedition was organized to study the customs and mores of the indigenous population of Russia. Ostrovsky also took part in it.

The city of Kalinov is a collective image of different Volga cities, which at the same time are similar to each other, but have their own distinctive features. Ostrovsky, as an experienced researcher, entered all his observations about the life of the Russian provinces and the specifics of the behavior of the inhabitants into a diary. Based on these recordings, the characters of "Thunderstorm" were later created.

The meaning of the name

A thunderstorm is not only a rampant element, but also a symbol of the collapse and purification of the stagnant atmosphere of a provincial town, where the medieval orders of Kabanikhi and Dikiy ruled. This is the meaning of the play's title. With the death of Katerina, which occurred during a thunderstorm, the patience of many people is exhausted: Tikhon rebels against the tyranny of his mother, Varvara escapes, Kuligin openly blames the inhabitants of the city for what happened.

For the first time, Tikhon spoke about a thunderstorm during the farewell ceremony: “... There will be no thunderstorm over me for two weeks.” By this word, he meant the oppressive atmosphere of his home, where the despotic mother rules the show. “The storm is sent to us as punishment,” Dikoy says to Kuligin. The tyrant understands this phenomenon as a punishment for his sins, he is afraid to pay for an unfair attitude towards people. The boar is in solidarity with him. Katerina, whose conscience is also not clear, sees the punishment for sin in thunder and lightning. The righteous wrath of God - this is another role of a thunderstorm in Ostrovsky's play. And only Kuligin understands that only a flash of electricity can be found in this natural phenomenon, but his advanced views cannot yet get along in a city that needs to be cleansed. If you need more information about the role and meaning of thunderstorms, you can read on this topic.

Genre and direction

"Thunderstorm" is a drama, according to A. Ostrovsky. This genre defines a heavy, serious, often everyday plot, close to reality. Some reviewers have mentioned a more precise wording: domestic tragedy.

In terms of direction, this play is absolutely realistic. The main indicator of this, perhaps, is the description of the mores, habits and everyday aspects of the existence of the inhabitants of the provincial Volga cities (detailed description). The author attaches great importance to this, carefully describing the realities of the life of the characters and their images.

Composition

1. Exposition: Ostrovsky paints an image of the city and even the world in which the characters live and future events unfold.
2. This is followed by the beginning of Katerina's conflict with the new family and society as a whole and the internal conflict (dialogue between Katerina and Barbara).
3. After the plot, we see the development of the action, during which the characters seek to resolve the conflict.
4. Closer to the final, the conflict comes to the point where problems require urgent resolution. The climax is Katerina's last monologue in act 5.
5. Following her is the denouement, which shows the insolubility of the conflict on the example of the death of Katerina.

Conflict

There are several conflicts in The Thunderstorm:

1. Firstly, this is a confrontation between tyrants (Dikay, Kabanikha) and victims (Katerina, Tikhon, Boris, etc.). This is a conflict between two worldviews - the old and the new, obsolete and freedom-loving characters. This conflict is illuminated.
2. On the other hand, the action exists due to the psychological conflict, that is, internal - in the soul of Katerina.
3. The social conflict gave rise to all the previous ones: Ostrovsky begins his work with the marriage of an impoverished noblewoman and a merchant. This trend has spread widely in the time of the author. The ruling aristocratic class began to lose power, becoming poorer and ruined due to idleness, extravagance and commercial illiteracy. But the merchants gained momentum due to unscrupulousness, assertiveness, business acumen and nepotism. Then some decided to improve things at the expense of others: the nobles gave out refined and educated daughters for rude, ignorant, but rich sons from the merchant guild. Because of this discrepancy, the marriage of Katerina and Tikhon is initially doomed to failure.

essence

Brought up in the best traditions of aristocracy, the noblewoman Katerina, at the insistence of her parents, married the uncouth and soft-bodied drunkard Tikhon, who belonged to a wealthy merchant family. His mother oppresses her daughter-in-law, imposing on her the false and ridiculous orders of Domostroy: crying for show before her husband leaves, humiliating herself in front of us in public, etc. The young heroine finds sympathy with Kabanikh's daughter, Varvara, who teaches her new relative to hide her thoughts and feelings, secretly acquiring the joys of life. During her husband's departure, Katerina falls in love and begins dating Diky's nephew, Boris. But their dates end in separation, because the woman does not want to hide, she wants to run away with her beloved to Siberia. But the hero cannot risk taking her with him. As a result, she still repents of her sins to her husband and mother-in-law, and receives severe punishment from Kabanikha. Realizing that her conscience and domestic oppression do not allow her to live on, she rushes into the Volga. After her death, the younger generation rebels: Tikhon reproaches his mother, Varvara runs away with Kudryash, etc.

Ostrovsky's play combines features and contradictions, all the pluses and minuses of feudal Russia in the 19th century. The town of Kalinov is a collective image, a simplified model of Russian society, described in detail. Looking at this model, we see "the necessary need for active and energetic people." The author shows that an outdated worldview only interferes. It first spoils relationships in the family, and later it does not allow cities and the whole country to develop.

Main characters and their characteristics

The work has a clear system of characters, which fit the images of the characters.

1. First, they are oppressors. Wild is a typical petty tyrant and a rich merchant. From his insults, relatives scatter in the corners. The servants of the Wild are cruel. Everyone knows that it is impossible to please him. Kabanova is the embodiment of the patriarchal way of life, the outdated Domostroy. A rich merchant's wife, a widow, she constantly insists on observing all the traditions of her ancestors and follows them clearly herself. We have described them in more detail in this.
2. Secondly, adapt. Tikhon is a weak man who loves his wife, but cannot find the strength to protect her from her mother's oppression. He does not support the old orders and traditions, but sees no reason to go against the system. Such is Boris, who endures the intrigues of his rich uncle. This article is devoted to the disclosure of their images. Varvara is the daughter of Kabanikhi. She takes her deceit by living a double life. During the day, she formally obeys the conventions, at night she walks with Kudryash. Falsity, resourcefulness and cunning do not spoil her cheerful, adventurous disposition: she is also kind and responsive to Katerina, gentle and caring towards her beloved. A whole is dedicated to the characterization of this girl.
3. Katerina stands apart, the characterization of the heroine is different from everyone else. This is a young intelligent noblewoman, whom her parents surrounded with understanding, care and attention. Therefore, the girl got used to freedom of thought and speech. But in marriage, she faced cruelty, rudeness and humiliation. At first she tried to come to terms, to love Tikhon and his family, but nothing came of it: Katerina's nature opposed this unnatural union. Then she tried on the role of a hypocritical mask that has a secret life. It didn’t suit her either, because the heroine is distinguished by directness, conscience and honesty. As a result, out of hopelessness, she decided to rebel, admitting her sin and then committing a more terrible one - suicide. We wrote more about the image of Katerina in dedicated to her.
4. Kuligin is also a special hero. It expresses the author's position, introducing a bit of progressiveness into the archaic world. The hero is a self-taught mechanic, he is educated and smart, unlike the superstitious inhabitants of Kalinov. We also wrote a short story about his role in the play and character.

Themes

• The main theme of the work is the life and customs of Kalinov (we devoted a separate one to her). The author describes a remote province in order to show people that one should not cling to the remnants of the past, one should understand the present and think about the future. And the inhabitants of the Volga town are frozen out of time, their life is monotonous, false and empty. It is spoiled and hindered in the development of superstition, conservatism, as well as the unwillingness of petty tyrants to change for the better. Such a Russia will continue to vegetate in poverty and ignorance.
• Love and family are also important themes here, as in the course of the story the problems of upbringing and the conflict of generations are raised. The influence of the family on certain characters is very important (Katerina is a reflection of her parents' upbringing, and Tikhon grew up so spineless because of his mother's tyranny).
• The theme of sin and repentance. The heroine stumbled, but in time she realized her mistake, deciding to correct herself and repent of her deed. From the point of view of Christian philosophy, this is a highly moral decision that elevates and justifies Katerina. If you are interested in this topic, read our about it.

Issues

Social conflict entails social and personal problems.

1. Ostrovsky, firstly, denounces tyranny as a psychological phenomenon in the images of Dikoy and Kabanova. These people played with the fate of their subordinates, trampling down the manifestations of their individuality and freedom. And because of their ignorance and despotism, the younger generation becomes as vicious and useless as the one that has already outlived its own.
2. Secondly, the author condemns weakness, obedience and selfishness with the help of images of Tikhon, Boris and Barbara. By their behavior, they only condone the tyranny of the owners of life, although they could together turn the tide in their favor.
3. The problem of the controversial Russian character, conveyed in the image of Katerina, can be called personal, albeit inspired by global upheavals. A deeply religious woman, in search and finding herself, commits adultery, and then commits suicide, which is contrary to all Christian canons.
4. moral issues associated with love and devotion, education and tyranny, sin and repentance. The characters cannot distinguish one from the other, these concepts are intricately intertwined. Katerina, for example, is forced to choose between fidelity and love, and Kabanikha does not see the difference between the role of a mother and the power of a dogmatist, she is driven by good intentions, but she embodies them to the detriment of everyone.
5. Tragedy of conscience a lot is important. For example, Tikhon had to make a decision whether to protect his wife from his mother's attacks or not. Katerina also made a deal with her conscience when she got close to Boris. You can learn more about this.
6. Ignorance. The inhabitants of Kalinovo are stupid and uneducated, they trust fortune-tellers and wanderers, and not scientists and professionals in their field. Their worldview is turned to the past, they do not strive for a better life, so there is nothing to be surprised at the savagery of morals and the ostentatious hypocrisy of the main people of the city.

Meaning

The author is convinced that the desire for freedom is natural, despite certain failures in life, and tyranny and hypocrisy are ruining the country and talented people in it. Therefore, one’s independence, craving for knowledge, beauty and spirituality must be defended, otherwise the old order will not go anywhere, their falseness will simply embrace the new generation and force them to play by their own rules. This idea is reflected in the position of Kuligin, Ostrovsky's original voice.

The author's position in the play is clearly expressed. We understand that Kabanikha, although she preserves traditions, is not right, just like the rebellious Katerina is not right. However, Katerina had potential, she had a mind, she had purity of thoughts, and the great people personified in her will still be able to be reborn, throwing off the shackles of ignorance and tyranny. You can find out more about the meaning of drama in this topic.

Criticism

The Thunderstorm became the subject of fierce debate among critics in both the 19th and 20th centuries. In the 19th century, Nikolai Dobrolyubov (the article “A Ray of Light in the Dark Kingdom”), Dmitry Pisarev (the article “Motives of Russian Drama”) and Apollon Grigoriev wrote about it from opposite positions.

I. A. Goncharov highly appreciated the play and expressed his opinion in the critical article of the same name:

In the same drama, a broad picture of national life and customs subsided, with unparalleled artistic fullness and fidelity. Every face in a drama is a typical character snatched straight from the milieu of folk life.

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Alexander Nikolaevich Ostrovsky

Savel Prokofievich Dik "oh, merchant, significant person in the city.

Boris Grigorievich, his nephew, a young man, decently educated.

Marfa Ignatievna Kabanova (Kabanikha), wealthy merchant, widow.

Tikhon Ivanovich Kabanov, her son.

Katerina, his wife.

barbarian, sister of Tikhon.

Kuligi, tradesman, self-taught watchmaker, looking for a perpetuum mobile.

Vanya Kudryash, a young man, a wild clerk.

Shapkin, tradesman.

Feklusha, stranger.

Glasha, a girl in Kabanova's house.

Lady with two footmen, an old woman of 70 years old, half crazy.

city ​​dwellers both sexes.

All persons, except for Boris, are dressed in Russian. (Note by A.N. Ostrovsky.)

The action takes place in the city of Kalinov, on the banks of the Volga, in the summer. There are 10 days between steps 3 and 4.

Act one

A public garden on the high bank of the Volga, a rural view beyond the Volga. There are two benches and several bushes on the stage.

The first phenomenon

Kuligin sits on a bench and looks over the river. Curly And Shapkin are walking.

Kuligin(sings). “In the midst of a flat valley, at a smooth height…” (Stops singing.) Miracles, truly it must be said, miracles! Curly! Here, my brother, for fifty years I have been looking beyond the Volga every day and I can’t see enough.

Curly. And what?

Kuligin. The view is extraordinary! Beauty! The soul rejoices.

Curly. Something!

Kuligin. Delight! And you are "something"! You took a closer look, or you don’t understand what beauty is spilled in nature.

Curly. Well, what's the deal with you! You are an antique, a chemist.

Kuligin. Mechanic, self-taught mechanic.

Curly. All the same.

Silence.

Kuligin(points to the side). Look, brother Curly, who is waving his arms like that?

Curly. This? This Wild nephew scolds.

Kuligin. Found a place!

Curly. He has a place everywhere. Afraid of what, he of whom! He got Boris Grigoryevich as a sacrifice, so he rides on it.

Shapkin. Look for such and such a scolder as Savel Prokofich among us! Will cut off a person for nothing.

Curly. A piercing man!

Shapkin. Good, too, and Kabanikha.

Curly. Well, yes, at least that one, at least, is all under the guise of piety, but this one has broken loose from the chain!

Shapkin. There is no one to take him down, so he is fighting!

Curly. We don’t have many guys like me, otherwise we would wean him to be naughty.

Shapkin. What would you do?

Curly. They would have done well.

Shapkin. Like this?

Curly. Four of them, five of them in an alley somewhere would talk to him face to face, so he would become silk. And about our science, I wouldn’t utter a word to anyone, if only I would walk and look around.

Shapkin. No wonder he wanted to give you to the soldiers.

Curly. I wanted to, but I didn’t give it away, so it’s all one thing, that’s nothing. He will not give me away: he smells with his nose that I will not sell my head cheaply. He's scary to you, but I know how to talk to him.

Shapkin. Oh is it?

Curly. What's here: oh! I am considered a brute; why is he holding me? So, he needs me. Well, that means I'm not afraid of him, but let him be afraid of me.

Shapkin. Like he doesn't scold you?

Curly. How not to scold! He can't breathe without it. Yes, I don’t let it go either: he’s a word, and I’m ten; spit, and go. No, I will not be a slave to him.

Kuligin. With him, that eh, an example to take! It's better to be patient.

Curly. Well, if you are smart, then you should learn it before courtesy, and then teach us. It’s a pity that his daughters are teenagers, there aren’t any big ones.

Shapkin. What would it be?

Curly. I would respect him. It hurts dashing for girls!

Pass wild And Boris, Kuligin takes off his hat.

Shapkin(curly). Let's go to the side: it will still be attached, perhaps.

Departure.

The second phenomenon

The same. wild And Boris.

wild. Buckwheat, have you come here to beat? Parasite! Get lost!

Boris. Holiday; what to do at home.

wild. Find the job you want. Once I told you, twice I said to you: “Do not dare to meet me”; you get it all! Is there enough space for you? Wherever you go, here you are! Pah you damned! Why are you standing like a pillar? Are you being told al no?

Boris. I'm listening, what else can I do!

wild(looking at Boris). You failed! I don't even want to talk to you, to the Jesuit. (Leaving.) Here it is imposed! (Spits and leaves.)

The third phenomenon

Kuligin, Boris, Curly And Shapkin.

Kuligin. What is your business with him, sir? We will never understand. You want to live with him and endure abuse.

Boris. What a hunt, Kuligin! Captivity.

Kuligin. But what kind of bondage, sir, let me ask you? If you can, sir, tell us so.

Boris. Why not say? Did you know our grandmother, Anfisa Mikhailovna?

Kuligin. Well, how not to know!

Curly. How not to know!

Boris. After all, she disliked the father because he married a noble woman. On this occasion, father and mother lived in Moscow. Mother said that for three days she could not get along with her relatives, it seemed very wild to her.

Kuligin. Still not wild! What to say! You must have a great habit, sir.

Boris. Our parents raised us well in Moscow, they spared nothing for us. I was sent to the Commercial Academy, and my sister was sent to a boarding school, but both suddenly died of cholera, and my sister and I remained orphans. Then we hear that my grandmother also died here and left a will so that our uncle would pay us the part that should be when we come of age, only with a condition.

Kulagin. With what, sir?

Boris. If we are respectful to him.

Kulagin. This means, sir, that you will never see your inheritance.

Boris. No, that's not enough, Kuligin! He will first break upon us, abuse us in every possible way, as his heart desires, but all the same will end up giving us nothing, or just a little. Moreover, he will begin to tell that he gave out of mercy, that this should not have been.

Curly. This is such an institution in our merchant class. Again, even if you were respectful to him, someone who forbids him to say something that you are disrespectful?

Boris. Well, yes. Even now he sometimes says: “I have my own children, for which I will give money to strangers? Through this, I must offend my own!

Kuligin. So, sir, your business is bad.

Boris. If I were alone, it would be nothing! I would drop everything and leave. And I'm sorry sister. He used to write her out, but mother's relatives did not let her in, they wrote that she was sick. What would her life here be - and it's scary to imagine.

Curly. Of course. Somehow they understand the appeal!

Kuligin. How do you live with him, sir, in what position?

Boris. Yes, none. “Live,” he says, “with me, do what they tell you, and pay what I put.” That is, in a year he will count as he pleases.

Curly. He has such an establishment. With us, no one even dare to utter a word about salaries, they will scold what the world is worth. “You,” he says, “how do you know what I have in mind? Can you know my soul somehow? Or maybe I will come to such an arrangement that five thousand ladies will be given to you. So you talk to him! Only he had never in his entire life come to such and such an arrangement.

Kuligin. What to do, sir! You have to try to please somehow.

Boris. The fact of the matter, Kuligin, is that it is absolutely impossible. They cannot please him either; and where am I?

Curly. Who will please him, if his whole life is based on cursing? And most of all because of the money; not a single calculation without scolding is complete. Another is glad to give up his own, if only he would calm down. And the trouble is, how someone will make him angry in the morning! He picks on everyone all day long.

Boris. Every morning my aunt begs everyone with tears: “Fathers, don’t make me angry! Doves, don't get angry!

Curly. Yes, save something! Got to the market, that's the end! All the men will be scolded. Even if you ask at a loss, you still won’t leave without a scolding. And then he went for the whole day.

Shapkin. One word: warrior!

Curly. What a warrior!

Boris. But the trouble is when he is offended by such a person whom he does not dare not scold; stay at home here!

Curly. Fathers! What a laugh! Somehow he was scolded by hussars on the Volga. Here he worked wonders!

Boris. And what a home it was! After that, for two weeks everyone hid in attics and closets.

Kuligin. What is this? No way, the people moved from Vespers?

Several faces pass at the back of the stage.

Curly. Let's go, Shapkin, in revelry! What's there to stand?

They bow and leave.

Boris. Eh, Kuligin, it is painfully difficult for me here, without a habit. Everyone looks at me somehow wildly, as if I were superfluous here, as if I were disturbing them. I don't know the customs. I understand that all this is our Russian, native, but still I can’t get used to it.

Kuligin. And you'll never get used to it, sir.

Boris. From what?

Kuligin. Cruel morals, sir, in our city, cruel! In philistinism, sir, you will see nothing but rudeness and bare poverty. And we, sir, will never get out of this bark! Because honest labor will never earn us more daily bread. And whoever has money, sir, he tries to enslave the poor, so that he can make even more money from his free labors. Do you know what your uncle, Savel Prokofich, answered the mayor? The peasants came to the mayor to complain that he would not read any of them by the way. The mayor began to say to him: “Listen,” he says, “Savel Prokofich, you count the peasants well! Every day they come to me with a complaint!” Your uncle patted the mayor on the shoulder and said: “Is it worth it, your honor, to talk about such trifles with you! A lot of people stay with me every year; you understand: I won’t pay them a penny more per person, I make thousands of this, that’s how it is; I'm fine!" That's how, sir! And among themselves, sir, how they live! They undermine each other's trade, and not so much out of self-interest, but out of envy. They quarrel with each other; they lure drunken clerks into their tall mansions, such, sir, clerks, that there is no human appearance on him, his human appearance is lost. And those, for a small blessing, on stamp sheets, malicious slander scribble on their neighbors. And they will begin, sir, the court and the case, and there will be no end to the torment. They are suing, they are suing here and they will go to the province, and there they are already waiting for them and clapping their hands with joy. Soon the fairy tale is told, but the deed is not soon done; they lead them, they lead, they drag them, they drag them, and they are also happy with this dragging, that's all they need. “I,” he says, “will spend money, and it will become a penny for him.” I wanted to describe all this in verses ...

Boris. Are you good at poetry?

Kuligin. The old fashioned way, sir. After all, I read Lomonosov, Derzhavin... Lomonosov was a wise man, a tester of nature... But also from ours, from a simple title.

Boris. You would have written. It would be interesting.

Kuligin. How can you, sir! Eat, swallow alive. I already get it, sir, for my chatter; Yes, I can’t, I like to scatter the conversation! Here's something else about family life I wanted to tell you, sir; yes some other time. And also something to listen to.

Enter Feklusha and another woman.

Feklusha. Blah-alepie, honey, blah-alepie! Beauty is wondrous! What can I say! Live in the promised land! And the merchants are all pious people, adorned with many virtues! Generosity and alms by many! I'm so happy, so, mother, happy, up to the neck! For our failure to leave them even more bounty will be multiplied, and especially the house of the Kabanovs.

They leave.

Boris. Kabanov?

Kuligin. Hypnotize, sir! She clothes the poor, but eats the household completely.

Silence.

If only I, sir, could find a perpetual mobile!

Boris. What would you do?

Kuligin. How, sir! After all, the British give a million; I would use all the money for society, for support. Work must be given to the bourgeoisie. And then there are hands, but there is nothing to work.

Boris. Are you hoping to find a perpetuum mobile?

Kuligin. Certainly, sir! If only now I could get some money on the model. Farewell, sir! (Exits.)

The fourth phenomenon

Boris(one). Sorry to disappoint him! What a good man! Dreaming himself - and happy. And I, apparently, will ruin my youth in this slum. After all, I’m walking around completely dead, and then there’s still nonsense in my head! Well, what's up! Should I start tenderness? Driven, beaten, and then foolishly decided to fall in love. Yes, to whom? In a woman with whom you will never even be able to talk! (Silence.) To all the same, it doesn’t get out of my head, no matter what you want. Here she is! She goes with her husband, well, and the mother-in-law with them! Well, am I not a fool? Look around the corner and go home. (Exits.)

On the opposite side enter Kabanova, Kabanov, Katerina And barbarian.

Fifth phenomenon

Kabanova, Kabanov, Katerina And barbarian.

Kabanova. If you want to listen to your mother, then when you get there, do as I ordered you.

Kabanov. But how can I, mother, disobey you!

Kabanova. There is not much respect for elders these days.

barbarian(About myself). Do not respect you, how!

Kabanov. I, it seems, mother, not a step out of your will.

Kabanova. I would have believed you, my friend, if I had not seen with my own eyes and heard with my own ears, what is now the reverence for parents from children! If only they remembered how many diseases mothers endure from children.

Kabanov. I mum...

Kabanova. If a parent that when and insulting, in your pride, says so, I think it could be transferred! What do you think?

Kabanov. But when did I, mother, not endure from you?

Kabanova. Mother is old, stupid; well, and you, smart young people, should not exact from us, fools.

Kabanov(sigh, to the side). Oh you, sir. (Mothers.) Do we dare, mother, to think!

Kabanova. After all, out of love, parents are strict with you, out of love they scold you, everyone thinks to teach good. Well, now I don't like it. And the children will go to people to praise that the mother is grumbling, that the mother does not give a pass, she shrinks from the light. And God forbid, one cannot please the daughter-in-law with some word, well, the conversation began that the mother-in-law completely ate.

Kabanov. Something, mother, who is talking about you?

Kabanova. I didn’t hear, my friend, I didn’t hear, I don’t want to lie. If only I had heard, I would not have spoken to you, my dear, then. (Sighs.) Oh, a grave sin! That's a long time to sin something! A conversation close to the heart will go on, well, you will sin, get angry. No, my friend, say what you want about me. You won’t order anyone to speak: they won’t dare to face it, they will stand behind your back.

Kabanov. Let your tongue dry...

Kabanova. Complete, complete, don't worry! Sin! I have long seen that your wife is dearer to you than your mother. Since I got married, I don’t see the same love from you.

Kabanov. What do you see, mother?

Kabanova. Yes, everything, my friend! What a mother cannot see with her eyes, she has a prophetic heart, she can feel with her heart. Al wife takes you away from me, I don’t know.

Kabanov. No, mother! What are you, have mercy!

Katerina. For me, mother, it’s all the same that your own mother, that you, and Tikhon loves you too.

Kabanova. You would, it seems, could be silent, if you are not asked. Do not intercede, mother, I will not offend, I suppose! After all, he is also my son; you don't forget it! What did you jump out in the eyes of something to poke! To see, or what, how you love your husband? So we know, we know, in the eyes of something you prove it to everyone.

barbarian(About myself). Found a place to read.

Katerina. You are talking about me, mother, in vain. With people, that without people, I'm all alone, I don't prove anything from myself.

Kabanova. Yes, I didn’t want to talk about you; and so, by the way, I had to.

Katerina. Yes, even by the way, why do you offend me?

Kabanova. Eka important bird! Already offended now.

Katerina. It’s nice to endure slander!

Kabanova. I know, I know that my words are not to your liking, but what can you do, I am not a stranger to you, my heart aches for you. I have long seen that you want the will. Well, wait, live and be free when I'm gone. Then do what you want, there will be no elders over you. Or maybe you remember me.

Kabanov. Yes, we pray to God for you, mother, day and night, that God will give you, mother, health and all prosperity and success in business.

Kabanova. Okay, stop it, please. Maybe you loved your mother while you were single. Do you care about me: you have a young wife.

Kabanov. One does not interfere with the other, sir: the wife is in itself, and I have respect for the parent in itself.

Kabanova. So will you trade your wife for your mother? I don't believe this for the rest of my life.

Kabanov. Why should I change, sir? I love both.

Kabanova. Well, yes, it is, smear it! I can already see that I'm a hindrance to you.

Kabanov. Think as you wish, everything is your will; only I don’t know what kind of unfortunate person I was born into the world that I can’t please you with anything.

Kabanova. What are you pretending to be an orphan? What did you nurse something dismissed? Well, what kind of husband are you? Look at you! Will your wife be afraid of you after that?

Kabanov. Why should she be afraid? It's enough for me that she loves me.

Kabanova. Why be afraid! Why be afraid! Yes, you're crazy, right? You will not be afraid, and even more so me. What is the order in the house will be? After all, you, tea, live with her in law. Ali, do you think the law means nothing? Yes, if you keep such stupid thoughts in your head, you would at least not chatter in front of her sister, in front of the girl; she, too, to get married: that way she will hear enough of your chatter, so after that the husband will thank us for science. You see what other mind you have, and you still want to live by your will.

Kabanov. Yes, mother, I don’t want to live by my own will. Where can I live with my will!

Kabanova. So, in your opinion, you need all the caress with your wife? And not to shout at her and not to threaten?

Kabanov. Yes, mama...

Kabanova(hot). At least get a lover! A? And this, maybe, in your opinion, is nothing? A? Well, speak!

Kabanov. Yes, by God, mama...

Kabanova(completely cool). Fool! (Sighs.) What a fool and talk! Only one sin!

Silence.

I'm going home.

Kabanov. And we now, only once or twice will pass along the boulevard.

Kabanova. Well, as you wish, only you look so that I don't have to wait for you! You know I don't like it.

Kabanov. No, mother, God save me!

Kabanova. That's it! (Exits.)

The sixth phenomenon

The same, without Kabanova.

Kabanov. You see, I always get it for you from my mother! Here is my life!

Katerina. What am I to blame?

Kabanov. Who's to blame, I don't know

barbarian. Where do you know!

Kabanov. Then she kept pestering: "Get married, get married, I would at least look at you as a married man." And now he eats food, does not give a passage - everything is for you.

barbarian. So is it her fault? Her mother attacks her, and so do you. And you say you love your wife. I'm bored looking at you! (Turns away.)

Kabanov. Interpret here! What am I to do?

barbarian. Know your business - keep quiet, if you can't do anything better. What are you standing - shifting? I can see in your eyes what's on your mind.

Kabanov. So what?

barbarian. It is known that. I want to go to Savel Prokofich, have a drink with him. What's wrong, right?

Kabanov. You guessed it brother.

Katerina. You, Tisha, come quickly, otherwise mamma will begin to scold again.

barbarian. You are quicker, in fact, otherwise you know it!

Kabanov. How not to know!

barbarian. We, too, have little desire to accept scolding because of you.

Kabanov. I instantly. Wait! (Exits.)

The seventh phenomenon

Katerina And barbarian.

Katerina. So you, Varya, pity me?

barbarian(looking to the side). Of course, it's a pity.

Katerina. So you love me, then? (Kissing her hard.)

barbarian. Why shouldn't I love you?

Katerina. Well, thank you! You are so sweet, I love you to death myself.

Silence.

Do you know what came to my mind?

barbarian. What?

Katerina. Why don't people fly?

barbarian. I do not understand what you say.

Katerina. I say why don't people fly like birds? You know, sometimes I feel like I'm a bird. When you stand on a mountain, you are drawn to fly. That's how it would have run up, raised its hands and flew. Try something now? (Wants to run.)

barbarian. What are you inventing?

Katerina(sighing). How frisky I was! I completely screwed up with you.

barbarian. Do you think I can't see?

Katerina. Was I like that! I lived, did not grieve about anything, like a bird in the wild. Mother did not have a soul in me, dressed me up like a doll, did not force me to work; Whatever I want, I do it. Do you know how I lived in girls? Now I'll tell you. I used to get up early; if it’s summer, I’ll go to the spring, wash myself, bring water with me and that’s it, water all the flowers in the house. I had many, many flowers. Then we'll go to church with mama, all of them are wanderers - our house was full of wanderers; yes pilgrimage. And we will come from the church, we will sit down for some work, more like gold velvet, and the wanderers will begin to tell: where they were, what they saw, different lives, or they sing poetry. So it's time for lunch. Here the old women lie down to sleep, and I walk in the garden. Then to vespers, and in the evening again stories and singing. That was good!

barbarian. Yes, we have the same thing.

Katerina. Yes, everything here seems to be out of captivity. And I loved going to church to death! For sure, it used to happen that I would enter paradise and not see anyone, and I don’t remember the time, and I don’t hear when the service was over. Exactly how it all happened in one second. Mom said that everyone used to look at me, what was happening to me. And you know: on a sunny day, such a bright pillar goes down from the dome, and smoke moves in this pillar, like a cloud, and I see, it used to be that angels in this pillar fly and sing. And then, it happened, a girl, I would get up at night - we also had lamps burning everywhere - but somewhere in a corner and pray until the morning. Or, early in the morning, I’ll go into the garden, as soon as the sun rises, I’ll fall on my knees, pray and cry, and I myself don’t know what I’m praying for and what I’m crying about; so they will find me. And what I prayed for then, what I asked for, I don’t know; I don't need anything, I've had enough of everything. And what dreams I had, Varenka, what dreams! Or golden temples, or some extraordinary gardens, and invisible voices sing, and the smell of cypress, and the mountains and trees seem not to be the same as usual, but as they are written on the images. And the fact that I'm flying, I'm flying through the air. And now sometimes I dream, but rarely, and not that.

barbarian. But what?

Katerina(after a pause). I will die soon.

barbarian. Completely you!

Katerina. No, I know that I will die. Oh, girl, something bad is happening to me, some kind of miracle! This has never happened to me. There is something so extraordinary about me. It's like I'm starting to live again, or ... I don't know.

barbarian. What is the matter with you?

Katerina(takes her hand). And here's what, Varya: to be some kind of sin! Such a fear on me, such a fear on me! It’s as if I’m standing over an abyss and someone is pushing me there, but there’s nothing for me to hold on to. (He grabs his head with his hand.)

barbarian. What happened to you? Are you well?

Katerina. I’m healthy ... I wish I were sick, otherwise it’s not good. A dream comes into my head. And I won't leave her anywhere. If I start thinking, I won’t collect my thoughts, I won’t pray, I won’t pray in any way. I babble words with my tongue, but my mind is completely different: it’s as if the evil one is whispering in my ears, but everything about such things is not good. And then it seems to me that I will be ashamed of myself. What happened with me? Before trouble before any it! At night, Varya, I can’t sleep, I keep imagining some kind of whisper: someone is talking to me so affectionately, like a dove cooing. I no longer dream, Varya, as before, of paradise trees and mountains, but it’s as if someone hugs me so hot and hot and leads me somewhere, and I follow him, I go ...

barbarian. Well?

Katerina. What am I saying to you: you are a girl.

barbarian(looking around). Speak! I'm worse than you.

Katerina. Well, what can I say? I'm ashamed.

barbarian. Speak, there is no need!

Katerina. It will make me so stuffy, so stuffy at home, that I would run. And such a thought would come to me that, if it were my will, I would now ride along the Volga, in a boat, with songs, or in a troika on a good one, embracing ...

barbarian. Just not with my husband.

Katerina. How much do you know?

barbarian. Still not to know.

Katerina. Ah, Varya, sin is on my mind! How much I, poor thing, cried, what I did not do to myself! I can't get away from this sin. Nowhere to go. After all, this is not good, this is a terrible sin, Varenka, that I love another?

barbarian. Why should I judge you! I have my sins.

Katerina. What should I do! My strength is not enough. Where should I go; I will do something for myself out of longing!

barbarian. What you! What happened to you! Just wait, my brother will leave tomorrow, we'll think about it; maybe you can see each other.

Katerina. No, no, don't! What you! What you! Save the Lord!

barbarian. What are you afraid of?

Katerina. If I see him even once, I will run away from home, I will not go home for anything in the world.

barbarian. But wait, we'll see there.

Katerina. No, no, and don't tell me, I don't want to listen.

barbarian. And what a hunt to dry something! Even if you die of longing, they will pity you! How about, wait. So what a shame to torture yourself!

Included Lady with a stick and two lackeys in triangular hats at the back.

The eighth phenomenon

The same And Lady.

Lady. What beauties? What are you doing here? Are you waiting for the good fellows, gentlemen? Are you having fun? Funny? Does your beauty make you happy? This is where beauty leads. (Pointing to the Volga.) Here, here, in the very pool.

Barbara smiles.

What are you laughing at! Don't rejoice! (Knocks with a stick.) Everything in the fire will burn inextinguishable. Everything in resin will boil unquenchable. (Leaving.) Wow, where beauty leads! (Exits.)

The ninth phenomenon

Katerina And barbarian.

Katerina. Oh, how she frightened me! I tremble all over, as if she were prophesying something to me.

barbarian. On your own head, old hag!

Katerina. What did she say, huh? What she said?

barbarian. All nonsense. You really need to listen to what she is talking about. She prophesies to everyone. I have sinned all my life since I was young. Ask what they say about her! That's why he's afraid to die. What she fears, scares others. Even all the boys in the city are hiding from her, threatening them with a stick and shouting (mimicking): "You will all burn in fire!"

Katerina(squinting). Ah, ah, stop it! My heart sank.

barbarian. There is something to fear! Fool old...

Katerina. I'm afraid, I'm scared to death. She is all in my eyes.

Silence.

barbarian(looking around). That this brother is not coming, out, no way, the storm is coming.

Katerina(with fear). Storm! Let's run home! Hurry!

barbarian. What, are you out of your mind? How can you show yourself home without a brother?

Katerina. No, home, home! God bless him!

barbarian. What are you really afraid of: the storm is still far away.

Katerina. And if it's far away, then perhaps we'll wait a little; but it would be better to go. Let's go better!

barbarian. Why, if anything happens, you can’t hide at home.

Katerina. But all the same, it’s better, everything is calmer: at home I go to the images and pray to God!

barbarian. I didn't know you were so afraid of thunderstorms. I'm not afraid here.

Katerina. How, girl, do not be afraid! Everyone should be afraid. It’s not so terrible that it will kill you, but that death will suddenly find you as you are, with all your sins, with all your evil thoughts. I'm not afraid to die, but when I think that suddenly I will appear before God the way I am here with you, after this conversation, that's what's scary. What's on my mind! What a sin! Terrible to say! Oh!

Thunder. Kabanov is included.

barbarian. Here comes the brother. (Kabanov.) Run quickly!

Thunder.

Katerina. Oh! Hurry, hurry!

Action two

A room in the Kabanovs' house.

The first phenomenon

Glasha(gathers the dress into knots) and Feklusha(included).

Feklusha. Dear girl, you are still at work! What are you doing sweetie?

Glasha. I collect the owner on the road.

Feklusha. Al is going where is our light?

Glasha. Rides.

Feklusha. How long, honey, is it going?

Glasha. No, not for long.

Feklusha. Well, the tablecloth is dear to him! And what, the hostess will howl or not?

Glasha. I don't know how to tell you.

Feklusha. Yes, she howls when?

Glasha. Don't hear something.

Feklusha. Painfully I love, dear girl, to listen, if someone howls well.

Silence.

And you, girl, look after the wretched, you wouldn’t pull off anything.

Glasha. Whoever understands you, all of you are riveting each other. What's not good for you? It seems that you, strange, don’t have a life with us, but you all quarrel and change your mind. You are not afraid of sin.

Feklusha. It is impossible, mother, without sin: we live in the world. Here's what I'll tell you, dear girl: you, ordinary people, each one embarrasses one enemy, but to us, to strange people, to whom there are six, to whom twelve are assigned; That's what you need to overcome them all. Difficult, dear girl!

Glasha. Why do you have so many?

Feklusha. This, mother, is an enemy out of hatred against us that we lead such a righteous life. And I, dear girl, am not absurd, I have no such sin. There is one sin for me for sure, I myself know what it is. I love sweet food. Well, so what! According to my weakness, the Lord sends.

Glasha. And you, Feklusha, did you go far?

Feklusha. No, honey. I, due to my weakness, did not go far; and hear - heard a lot. They say that there are such countries, dear girl, where there are no Orthodox tsars, and the Saltans rule the earth. In one land, the Turkish Saltan Mahnut sits on the throne, and in the other, the Persian Saltan Mahnut; and they do judgment, dear girl, on all people, and whatever they judge, everything is wrong. And they, my dear, cannot judge a single case righteously, such is the limit set for them. We have a righteous law, and they, my dear, are unrighteous; that according to our law it turns out that way, but according to theirs everything is the other way around. And all their judges, in their countries, are also all unrighteous; so to them, dear girl, and in requests they write: “Judge me, unjust judge!”. And then there is the land where all the people with dog heads.

Glasha. Why is it so - with dogs?

Feklusha. For infidelity. I'll go, dear girl, wander around the merchants: will there be something for poverty. Farewell for now!

Glasha. Goodbye!

Feklusha leaves.

Here are some other lands! There are no miracles in the world! And we're sitting here, we don't know anything. It's also good that there are good people: no, no, yes, and you will hear what is happening in the world; otherwise they would die like fools.

Enter Katerina And barbarian.

The second phenomenon

Katerina And barbarian.

barbarian(Glasha). Drag the bundle into the wagon, the horses have arrived. (Katerina.) You were given away young in marriage, you didn’t have to walk in the girls: here your heart hasn’t left yet.

Glasha leaves.

Katerina. And never leaves.

barbarian. Why?

Katerina. This is how I was born, hot! I was still six years old, no more, so I did it! They offended me with something at home, but it was towards evening, it was already dark; I ran out to the Volga, got into the boat, and pushed it away from the shore. The next morning they already found it, ten miles away!

barbarian. Well, did the guys look at you?

Katerina. How not to look!

barbarian. What are you? Didn't love anyone?

Katerina. No, I just laughed.

barbarian. But you, Katya, don't like Tikhon.

Katerina. No, how not to love! I feel sorry for him very much!

barbarian. No, you do not love. When it's a pity, you don't love it. And no, you have to tell the truth. And you're hiding from me in vain! I noticed a long time ago that you love another person.

Katerina(with fear). What did you notice?

barbarian. How funny you say! I'm small, right? Here is the first sign for you: as soon as you see him, your whole face will change.

Katherine lowers her eyes.

Is it a little...

Katerina(looks down). Well, who?

barbarian. But you yourself know what to call something?

Katerina. No, name it. Call by name!

barbarian. Boris Grigorych.

Katerina. Well, yes, him, Varenka, him! Only you, Varenka, for God's sake...

barbarian. Well, here's more! You yourself, look, do not let it slip somehow.

Katerina. I can't lie, I can't hide anything.

barbarian. Well, but without this it is impossible; remember where you live! Our house is based on that. And I was not a liar, but I learned when it became necessary. I walked yesterday, so I saw him, talked to him.

Katerina(after a short silence, looking down). Well, so what?

barbarian. I ordered you to bow. It's a pity, he says that there is nowhere to see each other.

Katerina(looks even more). Where to see you! And why...

barbarian. Boring like that.

Katerina. Don't tell me about him, do me a favor, don't tell me! I don't want to know him! I will love my husband. Tisha, my dear, I won’t exchange you for anyone! I didn't even want to think about it, and you're embarrassing me.

barbarian. Don't think, who's forcing you?

Katerina. You don't feel sorry for me! You say: don't think, but remind yourself. Do I want to think about it? But what to do, if it doesn’t get out of your head. Whatever I think about, it's right there in front of my eyes. And I want to break myself, but I can not in any way. Do you know that the enemy troubled me again tonight. After all, I had left home.

barbarian. You're kind of tricky, God bless you! But in my opinion: do what you want, if only it was sewn and covered.

Katerina. I don't want that. Yes, and what a good thing! I'd rather endure as long as I endure.

barbarian. And if you don't, what are you going to do?

Katerina. What will I do?

barbarian. Yes, what will you do?

Katerina. Whatever I want, I'll do it.

barbarian. Do it, try it, they'll get you here.

Katerina. What to me! I'm leaving, and I was.

barbarian. Where will you go? You are a husband's wife.

Katerina. Eh, Varya, you don't know my character! Of course, God forbid this happens! And if it gets too cold for me here, they won't hold me back by any force. I'll throw myself out the window, I'll throw myself into the Volga. I don’t want to live here, so I won’t, even if you cut me!

Silence.

barbarian. You know what, Katya! As soon as Tikhon leaves, let's sleep in the garden, in the arbor.

Katerina. Why, Varya?

barbarian. Is there something that doesn't matter?

Katerina. I'm afraid to spend the night in an unfamiliar place,

barbarian. What to be afraid of! Glasha will be with us.

Katerina. Everything is kind of shy! Yes, I probably.

barbarian. I wouldn’t call you, but my mother won’t let me in alone, but I need to.

Katerina(looking at her). Why do you need? barbarian (laughs). We will tell fortunes with you there.

Katerina. You're kidding, must be?

barbarian. You know, I'm joking; and is it really?

Silence.

Katerina. Where is this Tikhon?

barbarian. What is he to you?

Katerina. No, I am. After all, it's coming soon.

barbarian. They sit locked up with their mother. She sharpens it now, like rusting iron.

Katerina. For what?

barbarian. For nothing, so, teaches mind-reason. Two weeks on the road will be a secret matter. Judge for yourself! Her heart is aching that he walks of his own free will. Now she is giving him orders, one more menacing than the other, and then she will make him swear to the image that he will do everything exactly as ordered.

Katerina. And at will, he seems to be bound.

barbarian. Yes, how connected! As soon as he leaves, he will drink. He is now listening, and he himself is thinking how he could break out as soon as possible.

Enter Kabanova And Kabanov.

The third phenomenon

The same, Kabanova And Kabanov.

Kabanova. Well, you remember everything I told you. Look, remember! Kill yourself on the nose!

Kabanov. I remember, mother.

Kabanova. Well, now everything is ready. The horses have arrived. Forgive you only, and with God.

Kabanov. Yes, mama, it's time.

Kabanova. Well!

Kabanov. What do you want, sir?

Kabanova. Why are you standing, haven't you forgotten the order? Tell your wife how to live without you.

Catherine lowered her eyes.

Kabanov. Yes, she, tea, knows herself.

Kabanova. Talk more! Well, well, give orders. So that I can hear what you order her! And then you come and ask if everything is done right.

Kabanov(becoming against Katherine). Listen to your mother, Katya!

Kabanova. Tell her not to be rude to her mother-in-law,

Kabanov. Do not be rude!

Kabanova. To honor the mother-in-law as her own mother!

Kabanov. Honor, Katya, mother, as your own mother.

Kabanova. So that she does not sit idly by, like a lady.

Kabanov. Do something without me!

Kabanova. So that you don’t stare out the windows!

Kabanov. Yes, mother, when will she ...

Kabanova. Oh well!

Kabanov. Don't look out the windows!

Kabanova. So that I don’t look at young guys without you.

Kabanov. What is it, mother, by God!

Kabanova(strictly). There is nothing to break! You must do what your mother says. (With a smile.) It's all better, as ordered something.

Kabanov(embarrassed). Don't look at guys!

Katerina looks at him sternly.

Kabanova. Well, now talk among yourselves, if necessary. Let's go, Barbara!

They leave.

The fourth phenomenon

Kabanov And Katerina(standing as if in a daze).

Kabanov. Kate!

Silence.

Katya, are you angry with me?

Katerina(after a short silence, shakes his head). No!

Kabanov. What are you? Well, forgive me!

Katerina(all in the same state, shaking his head). God be with you! (Covering his face with his hand.) She offended me!

Kabanov. Take everything to heart, so you will soon fall into consumption. Why listen to her! She needs to say something! Well, let her say, and you miss the deaf ears, Well, goodbye, Katya!

Katerina(throws on her husband's neck). Hush, don't leave! For God's sake, don't leave! Dove, I beg you!

Kabanov. You can't, Katya. If mother sends, how can I not go!

Katerina. Well, take me with you, take me!

Kabanov(freeing himself from her embrace). Yes, you can't.

Katerina. Why, Tisha, not?

Kabanov. Where is it fun to go with you! You've got me here completely! I don't know how to break out; and you're still messing with me.

Katerina. Have you fallen out of love with me?

Kabanov. Yes, I didn’t stop loving, but with a sort of bondage, you will run away from whatever beautiful wife you want! Think about it: no matter what, I'm still a man; live like this all your life, as you see, you will also run away from your wife. Yes, as I know now that there will be no thunderstorm over me for two weeks, there are no shackles on my legs, so am I up to my wife?

Katerina. How can I love you when you say such words?

Kabanov. Words like words! What other words can I say! Who knows what you're afraid of? After all, you are not alone, you stay with your mother.

Katerina. Don't talk to me about her, don't tyrannize my heart! Oh, my misfortune, my misfortune! (Crying.) Where can I, poor thing, go? Who can I grab onto? My fathers, I am dying!

Kabanov. Yes, you are full!

Katerina(walks up to her husband and hugs him). Tisha, my dear, if you would stay or take me with you, how I would love you, how I would love you, my dear! (caresses him.)

Kabanov. I will not understand you, Katya! You won’t get a word from you, let alone affection, otherwise you climb yourself.

Katerina. Silence, who are you leaving me to! Be in trouble without you! The fat is in the fire!

Kabanov. Well, you can't, there's nothing to do.

Katerina. Well, so that's it! Take some terrible oath from me...

Kabanov. What oath?

Katerina. Here’s the one: so that I wouldn’t dare to talk to anyone else without you, or see anyone else, so that I wouldn’t even dare to think about anyone but you.

Kabanov. Yes, what is it for?

Katerina. Calm my soul, do such a favor for me!

Kabanov. How can you vouch for yourself, you never know what can come to mind.

Katerina(Falling to my knees). So as not to see me neither father nor mother! Die me without repentance, if I ...

Kabanov(picking her up). What you! What you! What a sin! I don't want to listen!

Enter Kabanova, barbarian And Glasha.

Fifth phenomenon

The same, Kabanova, barbarian And Glasha.

Kabanova. Well, Tikhon, it's time. Ride with God! (Sits down.) Everyone sit down!

Everyone sits down. Silence.

Well, goodbye! (Rises and everyone rises.)

Kabanov(approaching mother). Farewell, mother! Kabanova (gestures to the ground). To the feet, to the feet!

Kabanov bows at his feet, then kisses his mother.

Say goodbye to your wife!

Kabanov. Farewell, Katya!

Katerina throws herself on his neck.

Kabanova. What are you hanging around your neck, shameless! Don't say goodbye to your lover! He is your husband - the head! Al order do not know? Bow down at your feet!

Katerina bows at her feet.

Kabanov. Farewell, sister! (He kisses Varvara.) Farewell, Glasha! (He kisses Glasha.) Farewell, mother! (Bows.)

Kabanova. Goodbye! Distant farewell - extra tears.

Kabanov goes after him Katerina, barbarian And Glasha.

The sixth phenomenon

Kabanova(one). What does youth mean? It's funny to even look at them! If it weren't for her, she would have laughed to her heart's content: they don't know anything, there's no order. They don't know how to say goodbye. It’s good, whoever has elders in the house, they keep the house while they are alive. And after all, too, stupid, they want to do their own thing; but when they go free, they get confused in obedience and laughter to good people. Of course, who will regret it, but most of all they laugh. Yes, it’s impossible not to laugh: they will invite guests, they don’t know how to seat, and besides, look, they will forget one of their relatives. Laughter, and more! So that's the old something and displayed. I don't want to go to another house. And if you go up, you will spit, but get out more quickly. What will happen, how the old people will die, how the light will stand, I don’t know. Well, at least it's good that I don't see anything.

Enter Katerina And barbarian.

The seventh phenomenon

Kabanova, Katerina And barbarian.

Kabanova. You boasted that you love your husband very much; I see your love now. Another good wife, after seeing her husband off, howls for an hour and a half, lies on the porch; and you see nothing.

Katerina. Nothing! Yes, I can't. What to make people laugh!

Kabanova. The trick is small. If I loved, so I would have learned. If you don’t know how to do it, you could at least make this example; still more decent; and then, apparently, in words only. Well, I'll go pray to God, don't bother me.

barbarian. I'll go from the yard.

Kabanova(affectionately). What about me! Go! Walk until your time comes. Still enjoy!

go away Kabanova And barbarian.

The eighth phenomenon

Katerina(alone, thoughtfully). Well, now silence will reign in your house. Ah, what a bore! At least someone's children! Eco grief! I don’t have children: all I would do was sit with them and amuse them. I love to talk with children very much - they are angels, after all. (Silence.) If I died a little, it would be better. I would look from heaven to earth and rejoice in everything. And then she would fly invisibly wherever she wanted. I would fly into the field and fly from cornflower to cornflower in the wind, like a butterfly. (thinks.) But here's what I'll do: I'll start some work according to the promise; I will go to the Gostiny Dvor, buy canvas, and I will sew linen, and then I will distribute it to the poor. They pray to God for me. So we’ll sit down to sew with Varvara and we won’t see how time passes; And then Tisha will arrive.

Included barbarian.

The ninth phenomenon

Katerina And barbarian.

barbarian(covers head with handkerchief in front of mirror). I'll go for a walk now; and Glasha will make beds for us in the garden, mother allowed. In the garden, behind the raspberries, there is a gate, her mother locks it, and hides the key. I took it away, and put another one on her so that she wouldn't notice. Here, you may need it. (Gives the key.) If I see you, I'll tell you to come to the gate.

Katerina(pushing away the key in dismay). For what! For what! Don't, don't!

barbarian. You don't need, I need; take it, it won't bite you.

Katerina. What are you up to, you sinner! Is it possible! Did you think! What you! What you!

barbarian. Well, I don't like to talk a lot, and I don't have time either. It's time for me to walk. (Exits.)

The tenth phenomenon

Katerina(alone, holding the key). What is she doing? What is she thinking? Ah, crazy, really crazy! Here is death! Here she is! Throw him away, throw him far away, throw him into the river, so that they will never be found. He burns his hands like coal. (Thinking.) This is how our sister dies. In captivity, someone has fun! Few things come to mind. The case came out, the other is glad: so headlong and rush. And how is it possible without thinking, without judging something! How long to get into trouble! And there you cry all your life, suffer; bondage will seem even more bitter. (Silence.) And bondage is bitter, oh, how bitter! Who does not cry from her! And most of all, we women. Here I am now! I live, toil, I don’t see a light for myself. Yes, and I will not see, know! What's next is worse. And now this sin is on me. (thinks.) If not for my mother-in-law! .. She crushed me ... she made me sick of the house; the walls are even disgusting, (Looks thoughtfully at the key.) Throw it? Of course you have to quit. And how did he get into my hands? To temptation, to my ruin. (Listens.) Ah, someone is coming. So my heart sank. (Hides the key in his pocket.) No!.. Nobody! That I was so scared! And she hid the key ... Well, you know, there he should be! Apparently, fate itself wants it! But what a sin in this, if I look at him once, at least from a distance! Yes, even though I’ll talk, it’s not a problem! But what about my husband! .. Why, he himself did not want to. Yes, maybe such a case will never happen again in a lifetime. Then cry to yourself: there was a case, but I didn’t know how to use it. Why am I saying that I am deceiving myself? I have to die to see him. To whom am I pretending! .. Throw the key! No, not for anything! He is mine now ... Come what may, and I will see Boris! Oh, if only the night would come sooner!..

Act Three

scene one

Street. The gate of the Kabanovs' house, there is a bench in front of the gate.

The first phenomenon

Kabanova And Feklusha(sitting on a bench).

Feklusha. The last times, mother Marfa Ignatievna, the last, according to all signs, the last. You also have paradise and silence in your city, but in other cities it’s so simple sodom, mother: noise, running around, incessant driving! The people are just scurrying about, one there, the other here.

Kabanova. We have nowhere to hurry, dear, we live slowly.

Feklusha. No, mother, that’s why you have silence in the city, because many people, if only to take you, are decorated with virtues, like flowers: that’s why everything is done coolly and decently. After all, this running around, mother, what does it mean? After all, this is vanity! For example, in Moscow: people are running back and forth, it is not known why. Here it is the vanity. Vain people, mother Marfa Ignatievna, so they run around. It seems to him that he is running after business; in a hurry, poor man, he does not recognize people; it seems to him that someone is beckoning him, but he will come to the place, but it is empty, there is nothing, there is only one dream. And he will go in sorrow. And another imagines that he is catching up with someone he knows. From the outside, a fresh person now sees that there is no one; but to him everything seems to be from the vanity that he catches up with. It's vanity, because it seems to be foggy. Here, on such a fine evening, it is rare for anyone to come out of the gate to sit; and in Moscow now there are amusement and games, and through the streets there is an Indo roar, there is a groan. Why, mother Marfa Ignatievna, they began to harness the fiery serpent: everything, you see, for the sake of speed.

Kabanova. I heard, honey.

Feklusha. And I, mother, saw it with my own eyes; of course, others don’t see anything from the fuss, so he shows them a car, they call him a car, and I saw how he paws something like this (spreads fingers) does. Well, and the groan that people of a good life hear like that.

Kabanova. You can call it in every possible way, perhaps, at least call it a machine; people are stupid, they will believe everything. And even if you shower me with gold, I won’t go.

Feklusha. What an extreme, mother! Save the Lord from such misfortune! And here's another thing, mother Marfa Ignatievna, I had a vision in Moscow. I’m walking early in the morning, it’s still a little dawning, and I see, on a tall, tall house, on the roof, someone is standing, his face is black. You know who. And he does it with his hands, as if pouring something, but nothing is pouring. Then I guessed that it was he who was shedding tares, and in the daytime, in his vanity, he would invisibly pick up the people. That’s why they run like that, that’s why their women are all so thin, they can’t work up their bodies in any way, but it’s as if they have lost something or are looking for something: there is sadness in their face, even a pity.

Kabanova. Anything is possible, my dear! In our times, what to marvel at!

Feklusha. Hard times, mother Marfa Ignatievna, hard times. Already, time began to come to belittlement.

Kabanova. How so, my dear, in derogation?

Feklusha. Of course, not we, where should we notice something in the hustle and bustle! But smart people notice that our time is getting shorter. It used to be that summer and winter dragged on and on, you couldn’t wait until they were over; and now you won’t see how they fly by. Days and hours seem to have remained the same, but time, for our sins, is getting shorter and shorter. That's what smart people say.

Kabanova. And worse than that, my dear, it will be.

Feklusha. We just don't want to live to see this.

Kabanova. Maybe we'll live.

Included wild.

The second phenomenon

The same And wild.

Kabanova. What are you, godfather, wandering around so late?

wild. And who will forbid me!

Kabanova. Who will forbid! Who needs!

wild. Well, then, there is nothing to talk about. What am I, under the command, or what, from whom? Are you still here! What the hell is a merman here!..

Kabanova. Well, don't open your throat very much! Find me cheaper! And I love you! Go on your way, where you went. Let's go home, Feklusha. (Rises.)

wild. Stop, motherfucker, stop! Do not be angry. You will still have time to be at home: your house is not far off. Here he is!

Kabanova. If you are at work, do not yell, but speak plainly.

wild. Nothing to do, and I'm drunk, that's what.

Kabanova. Well, now you will order me to praise you for this?

wild. Neither praise nor scold. And that means I'm crazy. Well, it's over. Until I wake up, I can't fix this.

Kabanova. So go to sleep!

wild. Where will I go?

Kabanova. Home. And then where!

wild. What if I don't want to go home?

Kabanova. Why is this, may I ask you?

wild. But because I have a war going on there.

Kabanova. Who is there to fight? After all, you are the only warrior there.

wild. Well, then, what am I a warrior? Well, what of this?

Kabanova. What? Nothing. And the honor is not great, because you have been fighting with the women all your life. That's what.

wild. Well, then, they must submit to me. And then I, or something, I will submit!

Kabanova. I marvel at you a lot: there are so many people in your house, but they can’t please you for one.

wild. Here you go!

Kabanova. Well, what do you want from me?

wild. Here's what: talk to me so that my heart passes. You're the only one in the whole city who knows how to talk to me.

Kabanova. Go, Feklushka, tell me to cook something to eat.

Feklusha leaves.

Let's go to rest!

wild. No, I won't go to the chambers, I'm worse in the chambers.

Kabanova. What made you angry?

wild. Since the very morning.

Kabanova. They must have asked for money.

wild. Precisely agreed, damned; either one or the other sticks all day long.

Kabanova. It must be, if they come.

wild. I understand this; what are you going to tell me to do with myself when my heart is like that! After all, I already know what I need to give, but I can’t do everything with good. You are my friend, and I must give it back to you, but if you come and ask me, I will scold you. I will give, I will give, but I will scold. Therefore, just give me a hint about money, my whole interior will be kindled; it kindles the whole interior, and that’s all; well, and in those days I would not scold a person for anything.

Kabanova. There are no elders above you, so you are swaggering.

wild. No, you, godfather, shut up! You listen! Here are the stories that happened to me. I was talking about something great about fasting, and then it’s not easy and slip a little peasant in: he came for money, he carried firewood. And brought him to sin at such a time! He sinned after all: he scolded, so scolded that it was impossible to demand better, almost nailed him. Here it is, what a heart I have! After asking for forgiveness, he bowed at his feet, right. Truly I tell you, I bowed at the peasant's feet. This is what my heart brings me to: here in the yard, in the mud, I bowed to him; bowed to him in front of everyone.

Kabanova. Why are you bringing yourself into your heart on purpose? This, mate, is not good.

wild. How so on purpose?

Kabanova. I saw it, I know. You, if you see that they want to ask you for something, you will take it from your own on purpose and attack someone to get angry; because you know that no one will go to you angry. That's it, godfather!

wild. Well, what is it? Who does not feel sorry for their own good!

Glasha is included.

Glasha. Marfa Ignatyevna, it's time to have a bite to eat, please!

Kabanova. Well, mate, come on in. Eat what God sent.

wild. Perhaps.

Kabanova. Welcome! (He lets Diky go ahead and goes after him.)

Glasha, with folded arms, stands at the gate.

Glasha. No way, Boris Grigoryevich is coming. Isn't it for your uncle? Does Al walk like that? It must be walking.

Included Boris.

The third phenomenon

Glasha, Boris, Then Kuligin.

Boris. Don't you have an uncle?

Glasha. We have. Do you need, or what, him?

Boris. They sent from home to find out where he was. And if you have it, then let it sit: who needs it. At home, they are glad-radehonki that he left.

Glasha. Our mistress would have been behind him, she would have stopped him soon. What am I, a fool, standing with you! Goodbye. (Exits.)

Boris. Oh you, Lord! Just take a look at her! You cannot enter the house: the uninvited do not go here. That's life! We live in the same city, almost nearby, but we see each other once a week, and then in church or on the road, that's all! Here that she got married, that they buried - it doesn't matter.

Silence.

I wish I hadn't seen her at all: it would have been easier! And then you see in fits and starts, and even in front of people; a hundred eyes are looking at you. Only the heart breaks. Yes, and you can’t cope with yourself in any way. You go for a walk, but you always find yourself here at the gate. And why do I come here? You can never see her, and, perhaps, what kind of conversation will come out, you will introduce her into trouble. Well, I got to the town!

Kuligin goes to meet him.

Kuligin. What, sir? Would you like to play?

Boris. Yes, I'm walking myself, the weather is very good today.

Kuligin. Very well, sir, take a walk now. Silence, the air is excellent, because of the Volga, the meadows smell of flowers, the sky is clear ...

The abyss has opened, full of stars,

The stars have no number, the abyss - the bottom.

Let's go, sir, to the boulevard, not a soul is there.

Boris. Let's go!

Kuligin. That's what, sir, we have a small town! They made a boulevard, but they don't walk. They walk only on holidays, and then they do one kind of walking, and they themselves go there to show their outfits. You will only meet a drunken clerk, trudging home from the tavern. There is no time for the poor to walk, sir, they have work day and night. And they only sleep three hours a day. And what do the rich do? Well, what would it seem, they do not walk, do not breathe fresh air? So no. Everyone’s gates, sir, have been locked for a long time, and the dogs have been lowered ... Do you think they are doing business or praying to God? No, sir. And they don’t lock themselves up from thieves, but so that people don’t see how they eat their own home and tyrannize their families. And what tears flow behind these locks, invisible and inaudible! What can I say, sir! You can judge by yourself. And what, sir, behind these locks is the debauchery of the dark and drunkenness! And everything is sewn and covered - no one sees or knows anything, only God sees! You, he says, look, in people I am yes on the street, but you don’t care about my family; to this, he says, I have locks, yes constipation, and angry dogs. The family, they say, is a secret, a secret! We know these secrets! From these secrets, sir, he alone is cheerful, and the rest howl like a wolf. And what's the secret? Who does not know him! To rob orphans, relatives, nephews, beat up the household so that they would not dare to squeak about anything that he does there. That's the whole secret. Well, God bless them! Do you know, sir, who walks with us? Young boys and girls. So these people steal an hour or two from sleep, well, they walk in pairs. Yes, here's a couple!

are shown Curly And barbarian. They kiss.

Boris. They kiss.

Kuligin. We don't need it.

Curly leaves, and Varvara approaches her gate and beckons Boris. He fits.

The fourth phenomenon

Boris, Kuligin And barbarian.

Kuligin. I, sir, will go to the boulevard. What's stopping you? I'll wait there.

Boris. Okay, I'll be right there.

Kuligin leaves.

barbarian(covering with a scarf). Do you know the ravine behind the Boar Garden?

Boris. I know.

barbarian. Come there early.

Boris. For what?

barbarian. What a fool you are! Come, you'll see why. Well, hurry up, they are waiting for you.

Boris leaves.

Didn't know after all! Let him think now. And I already know that Katerina will not bear it, she will jump out. (Goes out the gate.)

scene two

Night. A ravine covered with bushes; above - the fence of the Kabanovs' garden and the gate; above is a path.

The first phenomenon

Curly(included with guitar). There is no one. Why is she there! Well, let's sit and wait. (Sits down on a stone.) Let's sing a song out of boredom. (Sings.)

Like a Don Cossack, a Cossack led a horse to water,

Good fellow, he is already standing at the gate.

Standing at the gate, he thinks himself

Duma thinks how he will destroy his wife.

Like a wife, a wife prayed to her husband,

In a hurry, she bowed to him:

“You, father, are you a dear friend of the heart!

You do not beat, do not ruin me from the evening!

You kill, ruin me from midnight!

Let my little kids sleep

To small children, to all close neighbors.

Included Boris.

The second phenomenon

Curly And Boris.

Curly(stops singing). Look you! Humble, humble, but also went on a rampage.

Boris. Curly, is that you?

Curly. I am Boris Grigoryevich!

Boris. Why are you here?

Curly. Am I? Therefore, I need it, Boris Grigorievich, if I'm here. I wouldn't go if I didn't have to. Where is God taking you?

Boris(looks around the area). Here's the thing, Curly: I ought to stay here, but I don't think it makes any difference to you, you can go somewhere else.

Curly. No, Boris Grigoryevich, I see you are here for the first time, but I already have a familiar place here and the path I have trodden. I love you, sir, and I am ready for any service to you; and on this path you do not meet with me at night, so that, God forbid, no sin has happened. Deal is better than money.

Boris. What's wrong with you, Vanya?

Curly. Yes, Vanya! I know that I am Vanya. And you go your own way, that's all. Get it yourself, and walk yourself with it, and no one cares about you. Don't touch strangers! We don’t do that, otherwise the guys will break their legs. I am for mine ... Yes, I don’t know what I’ll do! I'll cut my throat.

Boris. In vain you are angry; I don't even have a mind to beat you. I wouldn't have come here if I hadn't been told to.

Curly. Who ordered?

Boris. I didn't understand, it was dark. Some girl stopped me on the street and told me to come here, behind the Kabanovs' garden, where the path is.

Curly. Who would it be?

Boris. Listen, curly . Can I talk to you to your heart's content, won't you chat?

Curly. Speak up, don't be afraid! All I have is dead.

Boris. I know nothing here, neither your orders, nor your customs; and the thing is...

Curly. Did you love who?

Boris. Yes, Curly .

Curly. Well, that's nothing. We are loose about this. Girls walk around as they want, father and mother do not care. Only the women are locked up.

Boris. That's my grief.

Curly. So did you really love a married woman?

Boris. Married, Curly .

Curly. Eh, Boris Grigorievich, stop the nasty!

Boris. It's easy to say quit! It may not matter to you; you leave one and find another. And I can't! If I have loved...

Curly. After all, that means you want to ruin her completely, Boris Grigoryevich!

Boris. Save, Lord! Save me, Lord! No, Curly, how can you. Do I want to kill her! I just want to see her somewhere, I don't need anything else.

Curly. How, sir, to vouch for yourself! And after all here what people! You know. They will eat them, they will hammer them into the coffin.

Boris. Oh, don't say that, Curly, please don't scare me!

Curly. Does she love you?

Boris. Don't know.

Curly. Did you see each other when or not?

Boris. I once only visited them with my uncle. And then I see in the church, we meet on the boulevard. Oh, Curly, how she prays if only you looked! What an angelic smile on her face, but from her face it seems to glow.

Curly. So this is young Kabanova, or what?

Boris. She, Curly .

Curly. Yes! So that's it! Well, we have the honor to congratulate!

Boris. With what?

Curly. Yes, how! It means that things are going well for you, if you were ordered to come here.

Boris. Is that what she said?

Curly. And then who?

Boris. No, you're kidding! This cannot be. (Grabs his head.)

Curly. What's wrong with you?

Boris. I'm going crazy with joy.

Curly. Vota! There is something to go crazy! Only you look - don’t make trouble for yourself, and don’t get her into trouble either! Suppose, even though her husband is a fool, but her mother-in-law is painfully fierce.

barbarian comes out of the gate.

Tertier phenomenon

The same And barbarian, Then Katerina.

barbarian(sings at the gate).

Across the river, behind the fast one, my Vanya walks,

My Vanyushka is walking there ...

Curly(continues).

The goods are purchased.

(Whistling.)

barbarian(goes down the path and, covering his face with a handkerchief, approaches Boris). You boy, wait. Expect something. (Curly.) Let's go to the Volga.

Curly. Why are you taking so long? Wait for you more! You know what I don't like!

Varvara hugs him with one arm and leaves.

Boris. It's like I'm dreaming! This night, songs, goodbye! They walk hugging. This is so new to me, so good, so fun! So I'm waiting for something! And what I'm waiting for - I don't know, and I can't imagine; only the heart beats and every vein trembles. I can’t even think of what to say to her now, it takes her breath away, her knees bend! That's when my stupid heart boils suddenly, nothing can calm it down. Here goes.

Katerina quietly descends the path, covered with a large white shawl, her eyes downcast on the ground.

Is that you, Katerina Petrovna?

Silence.

I don't know how to thank you.

Silence.

If only you knew, Katerina Petrovna, how much I love you! (Tries to take her hand.)

Katerina(with fear, but without looking up). Don't touch, don't touch me! Ahah!

Boris. Do not be angry!

Katerina. Get away from me! Go away, damned man! Do you know: after all, I will not beg for this sin, I will never beg! After all, he will lie like a stone on the soul, like a stone.

Boris. Don't chase me!

Katerina. Why did you come? Why did you come, my destroyer? After all, I'm married, because my husband and I live to the grave!

Boris. You told me to come...

Katerina. Yes, you understand me, you are my enemy: after all, to the grave!

Boris. I'd rather not see you!

Katerina(with excitement). What am I cooking for myself? Where do I belong, you know?

Boris. Calm down! (Takes her by the hand.) Sit down!

Katerina. Why do you want my death?

Boris. How can I want your death when I love you more than anything in the world, more than myself!

Katerina. No no! You ruined me!

Boris. Am I a villain?

Katerina(shaking head). Lost, ruined, ruined!

Boris. God save me! Let me die myself!

Katerina. Well, how did you not ruin me, if I, leaving the house, go to you at night.

Boris. It was your will.

Katerina. I have no will. If I had my own will, I would not go to you. (Raises her eyes and looks at Boris.)

A little silence.

Your will is over me now, can't you see! (Throws herself around his neck.)

Boris(hugs Katherine). My life!

Katerina. You know? Now I suddenly want to die!

Boris. Why die when we live so well?

Katerina. No, I can't live! I already know not to live.

Boris. Please don't say such words, don't make me sad...

Katerina. Yes, you feel good, you are a free Cossack, and I! ..

Boris. No one will know about our love. Can't I pity you?

Katerina. E! Why feel sorry for me, no one is to blame - she herself went for it. Don't be sorry, kill me! Let everyone know, let everyone see what I'm doing! (Hugs Boris.) If I am not afraid of sin for you, will I be afraid of human judgment? They say it's even easier when you endure for some sin here on earth.

Boris. Well, what to think about it, since we are good now!

Katerina. And then! Think about it and cry, I still have time at my leisure.

Boris. And I was frightened; I thought you would drive me away.

Katerina(smiling). Drive away! Where is it! With our heart! If you hadn't come, I think I would have come to you myself.

Boris. I didn't know that you love me.

Katerina. I love for a long time. As if to sin you came to us. When I saw you, I didn't feel like myself. From the very first time, it seems that if you had beckoned me, I would have followed you; even if you go to the ends of the world, I would follow you and not look back.

Boris. How long has your husband been away?

Katerina. For two weeks.

Boris. Oh, so we walk! Time is enough.

Katerina. Let's take a walk. And there… (thinking) how they lock it up, that's death! If they don't lock me up, I'll find a chance to see you!

Enter Curly And barbarian.

The fourth phenomenon

The same, Curly And barbarian.

barbarian. Well, did you get it right?

Katerina hides her face in Boris's chest.

Boris. We did it.

barbarian. Let's go for a walk, and we'll wait. When necessary, Vanya will shout.

Boris And Katerina leave. Curly and Varvara sit down on a rock.

Curly. And you came up with this important thing, to climb into the garden gate. It is very capable for our brother.

barbarian. All I.

Curly. To take you to it. And the mother is not enough?

barbarian. E! Where is she! It won't hit her in the forehead either.

Curly. Well, for sin?

barbarian. Her first dream is strong; here in the morning, so he wakes up.

Curly. But how do you know! Suddenly, a difficult one will lift her.

barbarian. Well, so what! We have a gate that is from the yard, locked from the inside, from the garden; knock, knock, and so it goes. And in the morning we will say that we slept soundly, did not hear. Yes, and Glasha guards; just a little, she will now give a voice. You can't be without fear! How is it possible! Look, you're in trouble.

Curly takes a few chords on the guitar. Varvara lies close to Kudryash's shoulder, who, not paying attention, plays softly.

barbarian(yawning). How would you know what time it is?

Curly. First.

barbarian. How much do you know?

Curly. The watchman beat the board.

barbarian(yawning). It's time. Shout out. Tomorrow we will leave early, so we will walk more.

Curly(whistles and sings loudly).

All home, all home

And I don't want to go home.

Boris(behind the scenes). I hear!

barbarian(rises). Well, goodbye. (Yawns, then kisses coldly, as if he had known him for a long time.) Tomorrow, look, come early! (Looks in the direction where Boris and Katerina went.) You will say goodbye, you will not part forever, see you tomorrow. (Yawns and stretches.)

Runs in Katerina, and behind it Boris.

Fifth phenomenon

Curly, barbarian, Boris And Katerina.

Katerina(Barbarian). Well, let's go, let's go! (They go up the path. Katerina turns around.) Goodbye.

Boris. Till tomorrow!

Katerina. Yes, see you tommorow! What do you see in a dream, tell me! (Approaches the gate.)

Boris. Certainly.

Curly(sings with guitar).

Walk, young, for the time being,

Until evening until dawn!

Ay leli, for the time being,

Until evening until dawn.

barbarian(at the gate).

And I, young, for the time being,

Until morning until dawn,

Ay leli, for the time being,

Until morning until dawn!

They leave.

Curly.

How the dawn started

And I got up home ... and so on.

act four

In the foreground is a narrow gallery with the vaults of an old building that is beginning to collapse; here and there grass and bushes behind the arches - the shore and a view of the Volga.

The first phenomenon

Several walkers of both sexes pass behind the arches.

1st. The rain is drizzling, no matter how the storm gathers?

2nd. Look, it will come off.

1st. It's also good that there is a place to hide.

All enter under the vaults.

Woman. And what people are walking on the boulevard! It's a festive day, everyone has risen. Merchants are so dressed up.

1st. Hide somewhere.

2nd. Look what people are going to get here now!

1st(looking at the walls). But here, my brother, someday, it means that it was painted. And now it still means in some places.

2nd. Well, yes, how! Of course, that was painted. Now, you see, everything is left in vain, collapsed, overgrown. After the fire, they never fixed it. You don’t even remember this fire, it will be forty years old.

1st. What would it be, my brother, was it painted here? It is rather difficult to understand this.

2nd. This is fiery hell.

1st. Yes, my brother!

2nd. And people of all ranks go there.

1st. Yes, yes, I understand now.

2nd. And every rank.

1st. And arap?

2nd. And araps.

1st. And this, my brother, what is it?

2nd. And this is a Lithuanian ruin. Battle - see? How ours fought with Lithuania.

1st. What is this - Lithuania?

2nd. So it is Lithuania.

1st. And they say, my brother, she fell on us from the sky.

2nd. I can't tell you. From the sky so from the sky.

Woman. Talk more! Everyone knows that from the sky; and where there was a battle with her, mounds were poured there for memory.

1st. What, my brother! After all, it is so accurate!

Enter wild and after him Kuligin without a hat. Everyone bows and assumes a respectful position.

The second phenomenon

The same, wild And Kuligin.

wild. Look, you've soaked everything. (Kuligin.) Get away from me! Leave me alone! (With heart.) Foolish man!

Kuligin. Savel Prokofich, after all, this, your degree, is of benefit to all the townsfolk in general.

wild. Go away! What a use! Who needs this benefit?

Kuligin. Yes, at least for you, your degree, Savel Prokofich. That would be, sir, on the boulevard, in a clean place, and put it. And what is the expense? Empty consumption: stone column (shows the size of each item with gestures), a copper plate, so round, and a hairpin, here is a straight hairpin (gestures), the simplest one. I'll put it all together and cut out the numbers myself. Now you, your degree, when you deign to walk or others who are walking, now come up and see what time it is. And that sort of place is beautiful, and the view, and everything, but it seems to be empty. With us, too, your degree, and there are passers-by, they go there to look at our views, after all, an ornament - it is more pleasant for the eyes.

wild. What are you doing to me with all sorts of nonsense! Maybe I don't want to talk to you. You should have known first whether I was in the mood to listen to you, fool, or not. What am I to you - even, or something! Look, what an important case you have found! So right with the snout something and climbs to talk.

Kuligin. If I climbed with my business, well, then it would be my fault. And then I am for the common good, your degree. Well, what does ten rubles mean for society! More, sir, is not needed.

wild. Or maybe you want to steal; who knows you.

Kuligin. If I want to give away my labors for nothing, what can I steal, your degree? Yes, everyone here knows me, no one will say bad things about me.

wild. Well, let them know, but I don't want to know you.

Kuligin. Why, sir Savel Prokofich, do you want to offend an honest man?

wild. Report, or something, I'll give you! I don't report to anyone more important than you. I want to think about you that way, and I think so. For others, you are an honest person, but I think that you are a robber, that's all. Would you like to hear it from me? So listen! I say that the robber, and the end! What are you going to sue, or what, will you be with me? So you know that you are a worm. If I want - I'll have mercy, if I want - I'll crush.

Kuligin. God be with you, Savel Prokofich! I, sir, am a small man; it will not be long to offend me. And I’ll tell you this, your degree: “Virtue is honored in rags!”

wild. Don't you dare be rude to me! Do you hear!

Kuligin. I'm not doing you any rudeness, sir; but I tell you because, perhaps, you will take it into your head to do something for the city sometime. You have a lot of strength, your degree; there would only be a will for a good deed. Let’s just take it now: we have frequent thunderstorms, and we won’t start lightning rods.

wild(proudly). All is vanity!

Kuligin. But what's the fuss when the experiments were?

wild. What kind of lightning rods do you have there?

Kuligin. Steel.

wild(with anger). Well, what else?

Kuligin. Steel poles.

wild(more and more angry). I heard that the poles, you sort of asp; yes, what else? Adjusted: poles! Well, what else?

Kuligin. Nothing more.

wild. Yes, a thunderstorm, what do you think, huh? Well, speak up.

Kuligin. Electricity.

wild(stomping foot). What else there elestrichestvo! Well, how are you not a robber! A thunderstorm is sent to us as a punishment so that we feel, and you want to defend yourself with poles and some kind of goads, God forgive me. What are you, a Tatar, or what? Are you Tatar? Ah, speak! Tatar?

Kuligin. Savel Prokofich, your degree, Derzhavin said:

I'm rotting in the ashes,

I command thunder with my mind.

wild. And for these words, send you to the mayor, so he will ask you! Hey, venerable ones, listen to what he says!

Kuligin. Nothing to do, you have to submit! But when I have a million, then I'll talk. (Waving his hand, he leaves.)

wild. What are you, steal, or something, from someone! Hold it! Such a fake man! What kind of person should be with this people? I don't know. (Turning to the people.) Yes, you damned ones, you will lead anyone into sin! I didn’t want to be angry today, but he, as if on purpose, did make me angry. For him to fail! (Angrily.) Has it stopped raining?

1st. It seems to have stopped.

wild. Seems! And you, fool, go and have a look. And then - it seems!

1st(coming out from under the arches). Stopped!

wild leaves and everyone follows him. The stage is empty for some time. Under the vaults quickly enters barbarian and, crouching, looks out.

The third phenomenon

barbarian and than Boris.

barbarian. It seems he is!

Boris passes in the back of the stage.

Boris looks around.

Come here. (Beckons with hand.)

Boris is included.

What are we to do with Katherine? Say mercy!

Boris. And what?

barbarian. The trouble is, and only. My husband has arrived, do you know that? And they did not wait for him, but he arrived.

Boris. No, I didn't know.

barbarian. She just didn't make herself!

Boris. Apparently, only I lived for ten days while he was gone. You won't see her now!

barbarian. Oh what are you! Yes you listen! She trembles all over, as if her fever beats; so pale, rushing about the house, just what she was looking for. Eyes like a lunatic! This morning the poster has been accepted, and sobs. My fathers! what should I do with her?

Boris. Yes, she might get over it!

barbarian. Well, hardly. She does not dare to raise her eyes to her husband. Mamma began to notice this, she walks around and keeps looking askance at her, she looks like a snake; And she from this even worse. It's just a pain to look at her! Yes, and I'm afraid.

Boris. What are you afraid of?

barbarian. You do not know her! She's kind of weird with us. Everything will come from her! He will do such things that ...

Boris. Oh my god! What to do? You should have had a good talk with her. Can't you convince her?

barbarian. Tried. And he doesn't listen to anything. Better don't come.

Boris. Well, what do you think she can do?

barbarian. And here's what: he will thump at the feet of her husband and tell everything. That's what I'm afraid of.

Boris(with fear). Could it be?

barbarian. Anything can come from her.

Boris. Where is she now?

barbarian. Now my husband and I have gone to the boulevard, and my mother is with them. Come on in if you want. No, it's better not to go, otherwise she, perhaps, will be completely at a loss.

A thunderclap in the distance.

No way, storm? (Peeks out.) Yes, and rain. And then the people fell. Hide somewhere there, and I'll be here in plain sight, so that they don't think what.

Enter several persons of different rank and sex.

The fourth phenomenon

different faces and than Kabanova, Kabanov, Katerina And Kuligin.

1st. The butterfly must be very afraid that it is in such a hurry to hide.

Woman. No matter how you hide! If it’s written for someone, you won’t go anywhere.

Katerina(running in). Ah, Barbara! (Seizes her hand and holds her tightly.)

barbarian. Completely you!

Katerina. My death!

barbarian. Yes, you change your mind! Gather your thoughts!

Katerina. No! I can not. I can't do anything. My heart hurts a lot.

Kabanova(entering). That's it, you have to live in such a way as to always be ready for anything; there would be no fear.

Kabanov. But what kind of sins, mother, she can have such special sins: they are all the same as all of us, and she is so afraid by nature.

Kabanova. How much do you know? Alien soul of darkness.

Kabanov(jokingly). Is there anything without me, but with me, it seems, there was nothing.

Kabanova. Maybe without you.

Kabanov(jokingly). Katya, repent, brother, it's better if you're guilty of something. After all, you can’t hide from me: no, you’re naughty! I know everything!

Katerina(looks Kabanov in the eyes). My dove!

barbarian. Well, what are you up to! Can't you see that it's hard for her without you?

Boris comes out of the crowd and bows to Kabanov.

Katerina(shouts). Oh!

Kabanov. What are you afraid of! Did you think it was someone else? This is an acquaintance! Is your uncle healthy?

Boris. God bless!

Katerina(Barbarian). What else does he need from me? Or is it not enough for him that I suffer so much. (Bending down to Varvara, sobs.)

barbarian(loudly so mother can hear). We're knocked down, we don't know what to do with her; And here still strangers climb! (Makes a sign to Boris, he goes to the very exit.)

Kuligin(walks to the middle, addressing the crowd). Well, what are you afraid of, pray tell! Now every grass, every flower rejoices, but we hide, we are afraid, just what kind of misfortune! The storm will kill! This is not a storm, but grace! Yes, grace! You are all thunder! The northern lights will light up, you should admire and marvel at the wisdom: “the dawn rises from the midnight countries”, and you are horrified and think up: this is for war or for the plague. If a comet is coming, I would not take my eyes off! Beauty! The stars have already looked closely, they are all the same, and this is a new thing; Well, I would look and admire! And you are afraid to even look at the sky, you are trembling! From everything you have made yourself a scarecrow. Eh, people! I'm not afraid here. Come on, sir!

Boris. Let's go! It's scarier here!

They leave.

Fifth phenomenon

The samewithout Boris And Kuligina.

Kabanova. Look what racei spread. There is so much to hear, nothing to say! The times have come, some teachers have appeared. If the old man talks like that, what can you demand from the young!

Woman. Well, the whole sky overlaid. Exactly with a hat, and covered it.

1st. Eko, my brother, it’s like a cloud is twisting in a ball, it’s as if life is tossing and turning in it. And so it crawls on us, and it crawls, like a living thing!

2nd. You mark my word that this thunderstorm will not pass in vain! I tell you right; therefore I know. Either he will kill someone, or the house will burn down, you will see: therefore, look what color is not forged.

Katerina(listening). What they're saying? They say they will kill someone.

Kabanov. It is known that they are so fenced, in vain, whatever comes to mind.

Kabanova. Don't judge yourself older! They know more than you. Old people have signs of everything. An old man will not say a word to the wind.

Katerina(husband). Tisha, I know who will kill.

barbarian(Katerina quietly). At least you shut up.

Kabanova. How much do you know?

Katerina. Will kill me. Pray for me then.

Included Lady with lackeys. Katerina hides herself screaming.

The sixth phenomenon

The same And Lady.

Lady. What are you hiding? Nothing to hide! Apparently, you are afraid: you don’t want to die! Want to live! How not to want! - you see, what a beauty. Ha ha ha! Beauty! And you pray to God to take away the beauty! Beauty is our death! You will destroy yourself, you will seduce people, and then rejoice in your beauty. You will lead many, many people into sin! Helicopters go out to duels, stab each other with swords. Funny! Old, pious old people forget about death, they are tempted by beauty! And who will answer? You will have to answer for everything. In the whirlpool is better with beauty! Yes, hurry, hurry!

Katerina is hiding.

Where are you hiding, stupid? You can't get away from God! Everything will burn in fire in inextinguishable! (Exits.)

Katerina. Oh! I'm dying!

barbarian. What are you suffering, really? Stand on the sidelines and pray: it will be easier.

Katerina(comes to the wall and kneels, then quickly jumps up). Oh! Hell! Hell! Gehenna fiery!

Kabanov, Kabanova and Varvara surround her.

All heart broken! I can't take it anymore! Mother! Tikhon! I am a sinner before God and before you! Didn't I swore to you that I wouldn't look at anyone without you! Do you remember, do you remember? And do you know what I, dissolute, did without you? The first night I left home...

Kabanov(confused, in tears, pulls her sleeve). Don't, don't, don't say! What you! Mother is here!

Kabanova(strictly). Well, well, tell me, if you've already started.

Katerina. And all the ten nights I walked ... (Sobs.)

Kabanov wants to hug her.

Kabanova. Drop her! With whom?

barbarian. She's lying, she doesn't know what she's talking about.

Kabanova. Shut up! That's it! Well, with whom?

Katerina. With Boris Grigorych.

Thunder strike.

Oh! (Falls senseless into her husband's arms.)

Kabanova. What, son! Where will the will lead? I told you so you didn't want to listen. That's what I've been waiting for!

Act Five

Scenery of the first act. Twilight.

The first phenomenon

Kuligin(sitting on a bench) Kabanov(walks down the boulevard).

Kuligin(sings).

The sky was covered with darkness at night.

All people for peace have already closed their eyes ... and so on.

(Seeing Kabanov.) Hello sir! Are you far enough?

Kabanov. Home. Heard, brother, our business? The whole family, brother, was in disorder.

Kuligin. Heard, heard, sir.

Kabanov. I went to Moscow, you know? On the road, my mother read, read instructions to me, and as soon as I left, I went on a spree. I am very glad that I broke free. And he drank all the way, and in Moscow he drank everything, so it's a bunch, what the heck! So, to take a whole year off. I never thought about the house. Yes, even if I remembered something, it would not have occurred to me what was happening. Heard?

Kuligin. Heard, sir.

Kabanov. I'm unhappy now, brother, man! So for nothing I die, not for a penny!

Kuligin. Your mommy is pretty cool.

Kabanov. Well, yes. She is the reason for everything. And what am I dying for, tell me for mercy? I just went to the Wild, well, they drank; I thought it would be easier, no, worse, Kuligin! What has my wife done to me! It couldn't be worse...

Kuligin. Wise thing, sir. It is wise to judge you.

Kabanov. No, wait! What's even worse than that. It's not enough to kill her. Here mother says: she must be buried alive in the ground so that she will be executed! And I love her, I'm sorry to touch her with my finger. He beat me a little, and even then my mother ordered. It's a pity for me to look at her, you understand this, Kuligin . Mommy eats her up, and she, like some kind of shadow, walks unanswered. Only cries and melts like wax. So I'm dying looking at her.

Kuligin. Somehow, sir, it's a good thing to do! You would have forgiven her, and never remembered. Themselves, tea, is also not without sin!

Kabanov. What to say!

Kuligin. Yes, so as not to reproach under a drunken hand. She would be a good wife to you, sir; look - better than anyone.

Kabanov. Yes, you understand, Kuligin: I would be fine, but mama ... unless you talk to her! ..

Kuligin. It's time for you, sir, to live by your own mind.

Kabanov. Well, I'm going to break, or something! No, they say, their own mind. And, therefore, live as a stranger. I’ll take the last one, what I have, I’ll drink it; let mama then nurse me like a fool.

Kuligin. Eh, sir! Deeds, deeds! Well, what about Boris Grigoryitch, sir?

Kabanov. And him, the scoundrel, to Tyakhta, to the Chinese. My uncle sends me to some merchant he knows to the office. For three years his there.

Kulagin. Well, what is he, sir?

Kabanov. She also rushes about, crying. Just now we pounced on him with his uncle, they already scolded him, scolded him, - he is silent. Just what a wild one has become. With me, she says whatever you want, do it, just don’t torture her! And he has pity for her too.

Kuligin. He is a good man, sir.

Kabanov. Gathered completely, and the horses are ready. So sad, trouble! I can see that he wants to say goodbye. Well, you never know! Will be with him. He is my enemy, Kuligin! It is necessary to tell him in parts so that he knows ...

Kuligin. Enemies must be forgiven, sir!

Kabanov. Go ahead, talk to your mother and see what she has to say to you. So, brother Kuligin, our whole family is now smashed apart. Not like relatives, but like enemies to each other. Varvara was sharpened and sharpened by her mother, but she could not stand it, and she was like that - she took it and left.

Kuligin. Where did you go?

Kabanov. Who knows. They say that she ran away with Kudryash and Vanka, and they will not find him anywhere either. This, Kuligin, I must say frankly, that from my mother; therefore she began to tyrannize and lock her up. “Don’t lock it up,” he says, “it will get worse!” That's how it happened. What should I do now, tell me? Teach me how to live now? I'm sick of the house, I'm ashamed of people, I'll get down to business - my hands fall off. Now I'm going home: for joy, or what, I'm going?

Included Glasha.

Glasha. Tikhon Ivanovich, father!

Kabanov. What else?

Glasha. It's not healthy at home, father!

Kabanov. God! So one to one! Say what is there?

Glasha. Yes, your host...

Kabanov. Well? Died, right?

Glasha. No, father; gone somewhere, we can't find it anywhere. Iskamshi fell off their feet.

Kabanov. Kuligin, you must, brother, run to look for her. I, brother, do you know what I'm afraid of? How would she lay hands on herself out of longing! Already so longing, so longing that ah! Looking at her, my heart breaks. What were you watching? How long has she been gone?

Glasha. Lately, dad! Already our sin, overlooked. And even then to say: at every hour you will not beware.

Kabanov. Well, what are you waiting for, run?

Glasha leaves.

And we'll go, Kuligin!

They leave.

The stage is empty for some time. Out the opposite side Katerina and quietly walks across the stage.

The second phenomenon

Katerina(one). No, nowhere! What is he doing now, poor guy? I just say goodbye to him, and there ... and there at least die. Why did I put him in trouble? It doesn't make it any easier for me! I would die alone! And then she ruined herself, ruined him, dishonor herself - eternal obedience to him! Yes! Disgrace to himself - eternal submission to him. (Silence.) Do I remember what he said? How did he feel sorry for me? What words did he say? (Takes his head.) I don't remember, I forgot everything. Nights, nights are hard for me! Everyone will go to sleep and I will go; nothing to everyone, but to me - as if in a grave. So scary in the dark! Some kind of noise will be made, and they will sing, just like someone is being buried; only so quiet, barely audible, far, far away from me... You will be so glad to see the Light! But I don’t want to get up: again the same people, the same conversations, the same torment. Why are they looking at me like that? Why don't they kill now? Why did they do that? Before, they say, they killed. They would take it and throw me into the Volga; I would be glad. “To execute you,” they say, “so sin will be removed from you, and you live and suffer from your sin.” Yes, I'm exhausted! How much longer do I have to suffer? Why should I live now? Well, for what? I don't need anything, nothing is nice to me, and the light of God is not nice! But death does not come. You call her, but she doesn't come. Whatever I see, whatever I hear, only here (points to heart) hurt. If only I could live with him, maybe I would have seen some joy ... Well, it doesn’t matter, I’ve ruined my soul. How I miss him! Oh, how I miss him! If I don’t see you, then at least hear me from afar! Violent winds, transfer my sadness and longing to him! Father, I'm bored, bored! (Goes up to the shore and loudly, at the top of his voice.) My joy, my life, my soul, I love you! Respond! (Crying.)

Included Boris.

The third phenomenon

Katerina And Boris.

Boris(not seeing Katerina). My God! It's her voice, after all! Where is she? (Looks around.)

Katerina(runs up to him and falls on his neck). I did see you! (Crying on his chest.)

Silence.

Boris. Well, here we cried together, God brought.

Katerina. Have you forgotten me?

Boris. How to forget that you!

Katerina. Oh, no, not that, not that! Are you angry at me?

Boris. Why should I be angry?

Katerina. Well, forgive me! I did not want to harm you; Yes, she was not free. What she said, what she did, she did not remember herself.

Boris. Completely you! what you!

Katerina. Well, how are you? Now how are you?

Boris. I'm going.

Katerina. Where are you going?

Boris. Far away, Katya, to Siberia.

Katerina. Take me away from here!

Boris. I can't, Katya. I am not going of my own free will: my uncle sends, and the horses are already ready; I just asked my uncle for a minute, I wanted to at least say goodbye to the place where we met.

Katerina. Ride with God! Don't worry about me. At first, only if it will be boring for you, the poor, and then you will forget.

Boris. What is there to say about me! I am a free bird. How are you? What is the mother-in-law?

Katerina. Torments me, locks me up. She tells everyone and says to her husband: "Do not trust her, she is cunning." Everyone follows me all day and laughs right in my eyes. At every word, everyone reproaches you.

Boris. What about the husband?

Katerina. Now affectionate, then angry, but drinking everything. Yes, he hates me, hates me, his caress is worse for me than beatings.

Boris. Is it hard for you, Katya?

Katerina. It's so hard, so hard, that it's easier to die!

Boris. Who knew what it was for our love to suffer so much with you! I'd better run then!

Katerina. Unfortunately, I saw you. I saw little joy, but grief, grief, something that! Yes, there is still so much to come! Well, what to think about what will happen! Now I've seen you, they won't take that away from me; and I don't need anything else. Only after all, I had to wither you. Now it has become much easier for me; like a mountain had been lifted off my shoulders. And I kept thinking that you were angry with me, cursing me...

Boris. What are you, what are you!

Katerina. No, everything is not what I say; That's not what I wanted to say! I was bored with you, that's what, well, I saw you ...

Boris. They wouldn't have found us here!

Katerina. Stop, stop! I wanted to tell you something... I forgot! Something had to be said! Everything is confused in my head, I don’t remember anything.

Boris. Time for me, Katya!

Katerina. Wait, wait!

Boris. Well, what did you want to say?

Katerina. I'll tell you now. (Thinking.) Yes! You will go on your way, don’t let a single beggar through like that, give it to everyone and order them to pray for my sinful soul.

Boris. Oh, if only these people knew what it feels like to say goodbye to you! My God! God grant that someday it will be as sweet for them as it is for me now. Farewell, Katya! (Hugs and wants to leave.) You villains! Fiends! Oh, what strength!

Katerina. Stop, stop! Let me look at you one last time. (Looks into his eyes.) Well, it will be with me! God bless you now, go. Get up, get up quick!

Boris(takes a few steps back and stops). Katya, something is wrong! Have you thought about what? I'll be exhausted, dear, thinking about you.

Katerina. Nothing, nothing. Ride with God!

Boris wants to approach her.

No, no, no, that's enough!

Boris(sobbing). Well, God be with you! There is only one thing we must ask God for, that she die as soon as possible, so that she does not suffer for a long time! Goodbye! (Bows.)

Katerina. Goodbye!

Boris leaves. Katerina follows him with her eyes and stands for some time thinking.

The fourth phenomenon

Katerina(one). Where to now? Go home? No, it's all the same to me that it's home, that it's to the grave. Yes, that goes home, that goes to the grave!.. that goes to the grave! It’s better in the grave… There’s a little grave under a tree… how nice!.. The sun warms it, wets it with rain… in the spring grass will grow on it, so soft… birds will fly to the tree, they’ll sing, they’ll bring out children, flowers will bloom: yellow, red, blue… all sorts (thinking), all sorts ... So quiet, so good! I feel like it's easier! And I don't want to think about life. Live again? No, no, don't... not good! And the people are disgusting to me, and the house is disgusting to me, and the walls are disgusting! I won't go there! No, no, I won’t go ... You come to them, they go, they say, but what do I need it for? Ah, it's getting dark! And again they sing somewhere! What are they singing? You can't make it out... You would die now... What are they singing? It's all the same that death will come, that itself ... but you can't live! Sin! Will they not pray? Whoever loves will pray... Hands folded crosswise... in a coffin? Yes, so ... I remembered. And they will catch me and bring me back home by force ... Ah, hurry, hurry! (Goes to the shore. Loudly.) My friend! My joy! Goodbye! (Exits.)

Enter Kabanova, Kabanov, Kuligin And worker with a lantern.

Fifth phenomenon

Kabanov, Kabanova And Kuligin.

Kuligin. They say they saw it here.

Kabanov. Yes, it is true?

Kuligin. They speak directly to her.

Kabanov. Well, thank God, at least they saw someone alive.

Kabanova. And you were frightened, burst into tears! There is something about. Don't worry: we'll be toiling with her for a long time.

Kabanov. Who knew that she would come here! The place is so crowded. Who would want to hide here.

Kabanova. See what she's doing! What a potion! How she wants to keep her character!

People with lanterns gather from different sides.

One of the people. What did you find?

Kabanova. Something that is not. Failed exactly where.

One of the people. Yes, there is!

Another. How not to be found!

Third. Look, she will come.

Kuligin(from shore). Who is screaming? What's there?

Kuligin and several people run after him.

The sixth phenomenon

The same, without Kuligin.

Kabanov. Father, she is! (Wants to run.)

Kabanova holds his hand.

Mommy, let me go, my death! I'll pull it out, otherwise I'll do it myself ... What can I do without it!

Kabanova. I won't let you, and don't think! Because of her and destroy yourself, is she worth it! She didn’t scare us enough, she started something else!

Kabanov. Let me go!

Kabanova. There is someone without you. Damn you if you go!

Kabanov(falling to my knees). At least take a look at her!

Kabanova. Take it out - take a look.

Kabanov(gets up. To the people). What, my dears, can't you see something?

1st. It's dark below, you can't see anything.

Noise offstage.

2nd. It's like they're shouting something, but you can't make out anything.

2nd. There they walk along the shore with a lantern.

1st. They're coming here. Vaughn is carrying her.

Several people are returning.

One of the returnees. Well done Kuligin! Here, close by, in a pool, near the shore with a fire, it is far visible into the water; he dress and saw and pulled her out.

Kabanov. Alive?

Another. Where is she alive! She rushed high: there is a cliff, yes, she must have hit the anchor, hurt herself, poor thing! And for sure, guys, as if alive! Only on the temple is a small wound, and only one, as there is one, a drop of blood.

Kabanov rushes to run; towards him Kulagin Katerina is being carried with the people.

The seventh phenomenon

The same And Kuligin.

Kuligin. Here is your Katherine. Do with her what you want! Her body is here, take it; and the soul is no longer yours: it is now before a judge who is more merciful than you! (He lays on the ground and runs away.)

Kabanov(rushes to Katherine). Kate! Kate!

Kabanova. Full! It's a sin to cry about her!

Kabanov. Mother, you ruined her, you, you, you ...

Kabanova. What you? Do you remember yourself? Forgot who you're talking to?

Kabanov. You ruined her! You! You!

Kabanova(son). Well, I'll talk to you at home. (Bows low to the people.) Thank you, good people, for your service!

Everyone bows.

Kabanov. Good for you, Katya! And why did I stay in the world and suffer! (Falls on the corpse of his wife.)

Current page: 1 (total book has 4 pages)

Alexander Nikolaevich Ostrovsky
Storm

faces

Savel Prokofievich Dik "oh, merchant, significant person in the city.

Boris Grigorievich, his nephew, a young man, decently educated.

Marfa Ignatievna Kabanova (Kabanikha), wealthy merchant, widow.

Tikhon Ivanovich Kabanov, her son.

Katerina, his wife.

barbarian, sister of Tikhon.

Kuligi, tradesman, self-taught watchmaker, looking for a perpetuum mobile.

Vanya Kudryash, a young man, a wild clerk.

Shapkin, tradesman.

Feklusha, stranger.

Glasha, a girl in Kabanova's house.

Lady with two footmen, an old woman of 70 years old, half crazy.

city ​​dwellers both sexes.

All persons, except for Boris, are dressed in Russian. (Note by A.N. Ostrovsky.)

The action takes place in the city of Kalinov, on the banks of the Volga, in the summer. There are 10 days between steps 3 and 4.

Act one

A public garden on the high bank of the Volga, a rural view beyond the Volga. There are two benches and several bushes on the stage.

The first phenomenon

Kuligin sits on a bench and looks over the river. Curly And Shapkin are walking.

Kuligin (sings). “In the midst of a flat valley, at a smooth height…” (Stops singing.) Miracles, truly it must be said, miracles! Curly! Here, my brother, for fifty years I have been looking beyond the Volga every day and I can’t see enough.

Curly. And what?

Kuligin. The view is extraordinary! Beauty! The soul rejoices.

Curly. Something!

Kuligin. Delight! And you are "something"! You took a closer look, or you don’t understand what beauty is spilled in nature.

Curly. Well, what's the deal with you! You are an antique, a chemist.

Kuligin. Mechanic, self-taught mechanic.

Curly. All the same.

Silence.

Kuligin (points to the side). Look, brother Curly, who is waving his arms like that?

Curly. This? This Wild nephew scolds.

Kuligin. Found a place!

Curly. He has a place everywhere. Afraid of what, he of whom! He got Boris Grigoryevich as a sacrifice, so he rides on it.

Shapkin. Look for such and such a scolder as Savel Prokofich among us! Will cut off a person for nothing.

Curly. A piercing man!

Shapkin. Good, too, and Kabanikha.

Curly. Well, yes, at least that one, at least, is all under the guise of piety, but this one has broken loose from the chain!

Shapkin. There is no one to take him down, so he is fighting!

Curly. We don’t have many guys like me, otherwise we would wean him to be naughty.

Shapkin. What would you do?

Curly. They would have done well.

Shapkin. Like this?

Curly. Four of them, five of them in an alley somewhere would talk to him face to face, so he would become silk. And about our science, I wouldn’t utter a word to anyone, if only I would walk and look around.

Shapkin. No wonder he wanted to give you to the soldiers.

Curly. I wanted to, but I didn’t give it away, so it’s all one thing, that’s nothing. He will not give me away: he smells with his nose that I will not sell my head cheaply. He's scary to you, but I know how to talk to him.

Shapkin. Oh is it?

Curly. What's here: oh! I am considered a brute; why is he holding me? So, he needs me. Well, that means I'm not afraid of him, but let him be afraid of me.

Shapkin. Like he doesn't scold you?

Curly. How not to scold! He can't breathe without it. Yes, I don’t let it go either: he’s a word, and I’m ten; spit, and go. No, I will not be a slave to him.

Kuligin. With him, that eh, an example to take! It's better to be patient.

Curly. Well, if you are smart, then you should learn it before courtesy, and then teach us. It’s a pity that his daughters are teenagers, there aren’t any big ones.

Shapkin. What would it be?

Curly. I would respect him. It hurts dashing for girls!

Pass wild And Boris, Kuligin takes off his hat.

Shapkin (curly). Let's go to the side: it will still be attached, perhaps.

Departure.

The second phenomenon

The same. wild And Boris.

wild. Buckwheat, have you come here to beat? Parasite! Get lost!

Boris. Holiday; what to do at home.

wild. Find the job you want. Once I told you, twice I said to you: “Do not dare to meet me”; you get it all! Is there enough space for you? Wherever you go, here you are! Pah you damned! Why are you standing like a pillar? Are you being told al no?

Boris. I'm listening, what else can I do!

wild (looking at Boris). You failed! I don't even want to talk to you, to the Jesuit. (Leaving.) Here it is imposed! (Spits and leaves.)

The third phenomenon

Kuligin, Boris, Curly And Shapkin.

Kuligin. What is your business with him, sir? We will never understand. You want to live with him and endure abuse.

Boris. What a hunt, Kuligin! Captivity.

Kuligin. But what kind of bondage, sir, let me ask you? If you can, sir, tell us so.

Boris. Why not say? Did you know our grandmother, Anfisa Mikhailovna?

Kuligin. Well, how not to know!

Curly. How not to know!

Boris. After all, she disliked the father because he married a noble woman. On this occasion, father and mother lived in Moscow. Mother said that for three days she could not get along with her relatives, it seemed very wild to her.

Kuligin. Still not wild! What to say! You must have a great habit, sir.

Boris. Our parents raised us well in Moscow, they spared nothing for us. I was sent to the Commercial Academy, and my sister was sent to a boarding school, but both suddenly died of cholera, and my sister and I remained orphans. Then we hear that my grandmother also died here and left a will so that our uncle would pay us the part that should be when we come of age, only with a condition.

Kulagin. With what, sir?

Boris. If we are respectful to him.

Kulagin. This means, sir, that you will never see your inheritance.

Boris. No, that's not enough, Kuligin! He will first break upon us, abuse us in every possible way, as his heart desires, but all the same will end up giving us nothing, or just a little. Moreover, he will begin to tell that he gave out of mercy, that this should not have been.

Curly. This is such an institution in our merchant class. Again, even if you were respectful to him, someone who forbids him to say something that you are disrespectful?

Boris. Well, yes. Even now he sometimes says: “I have my own children, for which I will give money to strangers? Through this, I must offend my own!

Kuligin. So, sir, your business is bad.

Boris. If I were alone, it would be nothing! I would drop everything and leave. And I'm sorry sister. He used to write her out, but mother's relatives did not let her in, they wrote that she was sick. What would her life here be - and it's scary to imagine.

Curly. Of course. Somehow they understand the appeal!

Kuligin. How do you live with him, sir, in what position?

Boris. Yes, none. “Live,” he says, “with me, do what you order, and pay what I put.” That is, in a year he will count as he pleases.

Curly. He has such an establishment. With us, no one even dare to utter a word about salaries, they will scold what the world is worth. “You,” he says, “how do you know what I have in mind? Can you know my soul somehow? Or maybe I will come to such an arrangement that five thousand ladies will be given to you. So you talk to him! Only he had never in his entire life come to such and such an arrangement.

Kuligin. What to do, sir! You have to try to please somehow.

Boris. The fact of the matter, Kuligin, is that it is absolutely impossible. They cannot please him either; and where am I?

Curly. Who will please him, if his whole life is based on cursing? And most of all because of the money; not a single calculation without scolding is complete. Another is glad to give up his own, if only he would calm down. And the trouble is, how someone will make him angry in the morning! He picks on everyone all day long.

Boris. Every morning my aunt begs everyone with tears: “Fathers, don’t make me angry! Doves, don't get angry!

Curly. Yes, save something! Got to the market, that's the end! All the men will be scolded. Even if you ask at a loss, you still won’t leave without a scolding. And then he went for the whole day.

Shapkin. One word: warrior!

Curly. What a warrior!

Boris. But the trouble is when he is offended by such a person whom he does not dare not scold; stay at home here!

Curly. Fathers! What a laugh! Somehow he was scolded by hussars on the Volga. Here he worked wonders!

Boris. And what a home it was! After that, for two weeks everyone hid in attics and closets.

Kuligin. What is this? No way, the people moved from Vespers?

Several faces pass at the back of the stage.

Curly. Let's go, Shapkin, in revelry! What's there to stand?

They bow and leave.

Boris. Eh, Kuligin, it is painfully difficult for me here, without a habit. Everyone looks at me somehow wildly, as if I were superfluous here, as if I were disturbing them. I don't know the customs. I understand that all this is our Russian, native, but still I can’t get used to it.

Kuligin. And you'll never get used to it, sir.

Boris. From what?

Kuligin. Cruel morals, sir, in our city, cruel! In philistinism, sir, you will see nothing but rudeness and bare poverty. And we, sir, will never get out of this bark! Because honest labor will never earn us more daily bread. And whoever has money, sir, he tries to enslave the poor, so that he can make even more money from his free labors. Do you know what your uncle, Savel Prokofich, answered the mayor? The peasants came to the mayor to complain that he would not read any of them by the way. The mayor began to say to him: “Listen,” he says, “Savel Prokofich, you count the peasants well! Every day they come to me with a complaint!” Your uncle patted the mayor on the shoulder and said: “Is it worth it, your honor, to talk about such trifles with you! A lot of people stay with me every year; you understand: I won’t pay them a penny more per person, I make thousands of this, that’s how it is; I'm fine!" That's how, sir! And among themselves, sir, how they live! They undermine each other's trade, and not so much out of self-interest, but out of envy. They quarrel with each other; they lure drunken clerks into their tall mansions, such, sir, clerks, that there is no human appearance on him, his human appearance is lost. And those, for a small blessing, on stamp sheets, malicious slander scribble on their neighbors. And they will begin, sir, the court and the case, and there will be no end to the torment. They are suing, they are suing here and they will go to the province, and there they are already waiting for them and clapping their hands with joy. Soon the fairy tale is told, but the deed is not soon done; they lead them, they lead, they drag them, they drag them, and they are also happy with this dragging, that's all they need. “I,” he says, “will spend money, and it will become a penny for him.” I wanted to describe all this in verses ...

Boris. Are you good at poetry?

Kuligin. The old fashioned way, sir. After all, I read Lomonosov, Derzhavin... Lomonosov was a wise man, a tester of nature... But also from ours, from a simple title.

Boris. You would have written. It would be interesting.

Kuligin. How can you, sir! Eat, swallow alive. I already get it, sir, for my chatter; Yes, I can’t, I like to scatter the conversation! Here's something else about family life I wanted to tell you, sir; yes some other time. And also something to listen to.

Enter Feklusha and another woman.

Feklusha. Blah-alepie, honey, blah-alepie! Beauty is wondrous! What can I say! Live in the promised land! And the merchants are all pious people, adorned with many virtues! Generosity and alms by many! I'm so happy, so, mother, happy, up to the neck! For our failure to leave them even more bounty will be multiplied, and especially the house of the Kabanovs.

They leave.

Boris. Kabanov?

Kuligin. Hypnotize, sir! She clothes the poor, but eats the household completely.

Silence.

If only I, sir, could find a perpetual mobile!

Boris. What would you do?

Kuligin. How, sir! After all, the British give a million; I would use all the money for society, for support. Work must be given to the bourgeoisie. And then there are hands, but there is nothing to work.

Boris. Are you hoping to find a perpetuum mobile?

Kuligin. Certainly, sir! If only now I could get some money on the model. Farewell, sir! (Exits.)

The fourth phenomenon

Boris (one). Sorry to disappoint him! What a good man! Dreaming himself - and happy. And I, apparently, will ruin my youth in this slum. After all, I’m walking around completely dead, and then there’s still nonsense in my head! Well, what's up! Should I start tenderness? Driven, beaten, and then foolishly decided to fall in love. Yes, to whom? In a woman with whom you will never even be able to talk! (Silence.) To all the same, it doesn’t get out of my head, no matter what you want. Here she is! She goes with her husband, well, and the mother-in-law with them! Well, am I not a fool? Look around the corner and go home. (Exits.)

On the opposite side enter Kabanova, Kabanov, Katerina And barbarian.

Fifth phenomenon

Kabanova, Kabanov, Katerina And barbarian.

Kabanova. If you want to listen to your mother, then when you get there, do as I ordered you.

Kabanov. But how can I, mother, disobey you!

Kabanova. There is not much respect for elders these days.

barbarian (About myself). Do not respect you, how!

Kabanov. I, it seems, mother, not a step out of your will.

Kabanova. I would have believed you, my friend, if I had not seen with my own eyes and heard with my own ears, what is now the reverence for parents from children! If only they remembered how many diseases mothers endure from children.

Kabanov. I mum...

Kabanova. If a parent that when and insulting, in your pride, says so, I think it could be transferred! What do you think?

Kabanov. But when did I, mother, not endure from you?

Kabanova. Mother is old, stupid; well, and you, smart young people, should not exact from us, fools.

Kabanov (sigh, to the side). Oh you, sir. (Mothers.) Do we dare, mother, to think!

Kabanova. After all, out of love, parents are strict with you, out of love they scold you, everyone thinks to teach good. Well, now I don't like it. And the children will go to people to praise that the mother is grumbling, that the mother does not give a pass, she shrinks from the light. And God forbid, one cannot please the daughter-in-law with some word, well, the conversation began that the mother-in-law completely ate.

Kabanov. Something, mother, who is talking about you?

Kabanova. I didn’t hear, my friend, I didn’t hear, I don’t want to lie. If only I had heard, I would not have spoken to you, my dear, then. (Sighs.) Oh, a grave sin! That's a long time to sin something! A conversation close to the heart will go on, well, you will sin, get angry. No, my friend, say what you want about me. You won’t order anyone to speak: they won’t dare to face it, they will stand behind your back.

Kabanov. Let your tongue dry...

Kabanova. Complete, complete, don't worry! Sin! I have long seen that your wife is dearer to you than your mother. Since I got married, I don’t see the same love from you.

Kabanov. What do you see, mother?

Kabanova. Yes, everything, my friend! What a mother cannot see with her eyes, she has a prophetic heart, she can feel with her heart. Al wife takes you away from me, I don’t know.

Kabanov. No, mother! What are you, have mercy!

Katerina. For me, mother, it’s all the same that your own mother, that you, and Tikhon loves you too.

Kabanova. You would, it seems, could be silent, if you are not asked. Do not intercede, mother, I will not offend, I suppose! After all, he is also my son; you don't forget it! What did you jump out in the eyes of something to poke! To see, or what, how you love your husband? So we know, we know, in the eyes of something you prove it to everyone.

barbarian (About myself). Found a place to read.

Katerina. You are talking about me, mother, in vain. With people, that without people, I'm all alone, I don't prove anything from myself.

Kabanova. Yes, I didn’t want to talk about you; and so, by the way, I had to.

Katerina. Yes, even by the way, why do you offend me?

Kabanova. Eka important bird! Already offended now.

Katerina. It’s nice to endure slander!

Kabanova. I know, I know that my words are not to your liking, but what can you do, I am not a stranger to you, my heart aches for you. I have long seen that you want the will. Well, wait, live and be free when I'm gone. Then do what you want, there will be no elders over you. Or maybe you remember me.

Kabanov. Yes, we pray to God for you, mother, day and night, that God will give you, mother, health and all prosperity and success in business.

Kabanova. Okay, stop it, please. Maybe you loved your mother while you were single. Do you care about me: you have a young wife.

Kabanov. One does not interfere with the other, sir: the wife is in itself, and I have respect for the parent in itself.

Kabanova. So will you trade your wife for your mother? I don't believe this for the rest of my life.

Kabanov. Why should I change, sir? I love both.

Kabanova. Well, yes, it is, smear it! I can already see that I'm a hindrance to you.

Kabanov. Think as you wish, everything is your will; only I don’t know what kind of unfortunate person I was born into the world that I can’t please you with anything.

Kabanova. What are you pretending to be an orphan? What did you nurse something dismissed? Well, what kind of husband are you? Look at you! Will your wife be afraid of you after that?

Kabanov. Why should she be afraid? It's enough for me that she loves me.

Kabanova. Why be afraid! Why be afraid! Yes, you're crazy, right? You will not be afraid, and even more so me. What is the order in the house will be? After all, you, tea, live with her in law. Ali, do you think the law means nothing? Yes, if you keep such stupid thoughts in your head, you would at least not chatter in front of her sister, in front of the girl; she, too, to get married: that way she will hear enough of your chatter, so after that the husband will thank us for science. You see what other mind you have, and you still want to live by your will.

Kabanov. Yes, mother, I don’t want to live by my own will. Where can I live with my will!

Kabanova. So, in your opinion, you need all the caress with your wife? And not to shout at her and not to threaten?

Kabanov. Yes, mama...

Kabanova (hot). At least get a lover! A? And this, maybe, in your opinion, is nothing? A? Well, speak!

Kabanov. Yes, by God, mama...

Kabanova (completely cool). Fool! (Sighs.) What a fool and talk! Only one sin!

Silence.

I'm going home.

Kabanov. And we now, only once or twice will pass along the boulevard.

Kabanova. Well, as you wish, only you look so that I don't have to wait for you! You know I don't like it.

Kabanov. No, mother, God save me!

Kabanova. That's it! (Exits.)

The sixth phenomenon

The same, without Kabanova.

Kabanov. You see, I always get it for you from my mother! Here is my life!

Katerina. What am I to blame?

Kabanov. Who's to blame, I don't know

barbarian. Where do you know!

Kabanov. Then she kept pestering: "Get married, get married, I would at least look at you as a married man." And now he eats food, does not allow passage - everything is for you.

barbarian. So is it her fault? Her mother attacks her, and so do you. And you say you love your wife. I'm bored looking at you! (Turns away.)

Kabanov. Interpret here! What am I to do?

barbarian. Know your business - keep quiet if you can't do anything better. What are you standing - shifting? I can see in your eyes what's on your mind.

Kabanov. So what?

barbarian. It is known that. I want to go to Savel Prokofich, have a drink with him. What's wrong, right?

Kabanov. You guessed it brother.

Katerina. You, Tisha, come quickly, otherwise mamma will begin to scold again.

barbarian. You are quicker, in fact, otherwise you know it!

Kabanov. How not to know!

barbarian. We, too, have little desire to accept scolding because of you.

Kabanov. I instantly. Wait! (Exits.)

The seventh phenomenon

Katerina And barbarian.

Katerina. So you, Varya, pity me?

barbarian (looking to the side). Of course, it's a pity.

Katerina. So you love me, then? (Kissing her hard.)

barbarian. Why shouldn't I love you?

Katerina. Well, thank you! You are so sweet, I love you to death myself.

Silence.

Do you know what came to my mind?

barbarian. What?

Katerina. Why don't people fly?

barbarian. I do not understand what you say.

Katerina. I say why don't people fly like birds? You know, sometimes I feel like I'm a bird. When you stand on a mountain, you are drawn to fly. That's how it would have run up, raised its hands and flew. Try something now? (Wants to run.)

barbarian. What are you inventing?

Katerina (sighing). How frisky I was! I completely screwed up with you.

barbarian. Do you think I can't see?

Katerina. Was I like that! I lived, did not grieve about anything, like a bird in the wild. Mother did not have a soul in me, dressed me up like a doll, did not force me to work; Whatever I want, I do it. Do you know how I lived in girls? Now I'll tell you. I used to get up early; if it’s summer, I’ll go to the spring, wash myself, bring water with me and that’s it, water all the flowers in the house. I had many, many flowers. Then we’ll go to church with mama, all of them are wanderers - our house was full of wanderers; yes pilgrimage. And we will come from the church, we will sit down for some work, more like gold velvet, and the wanderers will begin to tell: where they were, what they saw, different lives, or they sing poetry. So it's time for lunch. Here the old women lie down to sleep, and I walk in the garden. Then to vespers, and in the evening again stories and singing. That was good!

barbarian. Yes, we have the same thing.

Katerina. Yes, everything here seems to be out of captivity. And I loved going to church to death! For sure, it used to happen that I would enter paradise and not see anyone, and I don’t remember the time, and I don’t hear when the service was over. Exactly how it all happened in one second. Mom said that everyone used to look at me, what was happening to me. And you know: on a sunny day, such a bright pillar goes down from the dome, and smoke moves in this pillar, like a cloud, and I see, it used to be that angels in this pillar fly and sing. And then, it happened, a girl, I would get up at night - we also had lamps burning everywhere - but somewhere in a corner and pray until the morning. Or, early in the morning, I’ll go into the garden, as soon as the sun rises, I’ll fall on my knees, pray and cry, and I myself don’t know what I’m praying for and what I’m crying about; so they will find me. And what I prayed for then, what I asked for, I don’t know; I don't need anything, I've had enough of everything. And what dreams I had, Varenka, what dreams! Or golden temples, or some extraordinary gardens, and invisible voices sing, and the smell of cypress, and the mountains and trees seem not to be the same as usual, but as they are written on the images. And the fact that I'm flying, I'm flying through the air. And now sometimes I dream, but rarely, and not that.

barbarian. But what?

Katerina (after a pause). I will die soon.

barbarian. Completely you!

Katerina. No, I know that I will die. Oh, girl, something bad is happening to me, some kind of miracle! This has never happened to me. There is something so extraordinary about me. It's like I'm starting to live again, or ... I don't know.

barbarian. What is the matter with you?

Katerina (takes her hand). And here's what, Varya: to be some kind of sin! Such a fear on me, such a fear on me! It’s as if I’m standing over an abyss and someone is pushing me there, but there’s nothing for me to hold on to. (He grabs his head with his hand.)

barbarian. What happened to you? Are you well?

Katerina. I’m healthy ... I wish I were sick, otherwise it’s not good. A dream comes into my head. And I won't leave her anywhere. If I start thinking, I can’t collect my thoughts, I can’t pray, I won’t pray in any way. I babble words with my tongue, but my mind is completely different: it’s as if the evil one is whispering in my ears, but everything about such things is not good. And then it seems to me that I will be ashamed of myself. What happened with me? Before trouble before any it! At night, Varya, I can’t sleep, I keep imagining some kind of whisper: someone is talking to me so affectionately, like a dove cooing. I no longer dream, Varya, as before, of paradise trees and mountains, but it’s as if someone hugs me so hot and hot and leads me somewhere, and I follow him, I go ...

barbarian. Well?

Katerina. What am I saying to you: you are a girl.

barbarian (looking around). Speak! I'm worse than you.

Katerina. Well, what can I say? I'm ashamed.

barbarian. Speak, there is no need!

Katerina. It will make me so stuffy, so stuffy at home, that I would run. And such a thought would come to me that, if it were my will, I would now ride along the Volga, in a boat, with songs, or in a troika on a good one, embracing ...

barbarian. Just not with my husband.

Katerina. How much do you know?

barbarian. Still not to know.

Katerina. Ah, Varya, sin is on my mind! How much I, poor thing, cried, what I did not do to myself! I can't get away from this sin. Nowhere to go. After all, this is not good, this is a terrible sin, Varenka, that I love another?

barbarian. Why should I judge you! I have my sins.

Katerina. What should I do! My strength is not enough. Where should I go; I will do something for myself out of longing!

barbarian. What you! What happened to you! Just wait, my brother will leave tomorrow, we'll think about it; maybe you can see each other.

Katerina. No, no, don't! What you! What you! Save the Lord!

barbarian. What are you afraid of?

Katerina. If I see him even once, I will run away from home, I will not go home for anything in the world.

barbarian. But wait, we'll see there.

Katerina. No, no, and don't tell me, I don't want to listen.

barbarian. And what a hunt to dry something! Even if you die of longing, they will pity you! How about, wait. So what a shame to torture yourself!

Included Lady with a stick and two lackeys in triangular hats at the back.

Ostrovsky's play "Thunderstorm" was written in 1859. The idea of ​​the work came to the writer in the middle of summer, and on October 9, 1859, the work was already completed. This is not a classic, but a realistic play. The conflict is a clash of the "dark kingdom" with the need for a new life. The work caused a great resonance not only in the theatrical, but also in the literary environment. The prototype of the main character was the theater actress Lyubov Kositskaya, who later played the role of Katerina.

The plot of the play is an episode from the life of the Kabanov family, namely, the meeting and subsequent betrayal of his wife with a young man who arrived in the city. This event becomes fatal not only for Katerina herself, but for the whole family. For a better understanding of the conflict and storylines, you can read the chapter-by-chapter summary of The Storm below.

Main characters

Katerina- a young girl, the wife of Tikhon Kabanov. Modest, pure, correct. She keenly feels the injustice of the world around her.

Boris- a young man, "decently educated", came to his uncle, Savl Prokofievich Wild. In love with Catherine.

Boar(Marfa Ignatievna Kabanova) - a rich merchant's wife, widow. An imperious and despotic woman, subjugates people to her will.

Tikhon Kabanov- the son of Kabanikha and the husband of Katerina. He acts as his mother pleases, has no opinion.

Other characters

barbarian- Daughter of Kabanikhi. A self-willed girl who is not afraid of her mother.

Curly- Beloved of Barbara.

Dikoi Savel Prokofievich- a merchant, an important person in the city. Rude and uneducated person.

Kuligin- a tradesman obsessed with the ideas of progress.

Lady- half crazy.

Feklusha- a stranger.

Glasha- servant of the Kabanovs.

Action 1

Kudryash and Kuligin talk about the beauty of nature, but their opinions are different. For Curly, landscapes are nothing, but they delight Kuligin. From afar, the men see Boris and Diky, who is actively waving his arms. They begin to gossip about Savla Prokofievich. Dikoy approaches them. He is unhappy with the appearance in the city of his nephew, Boris, and does not want to talk to him. From the conversation between Boris and Savl Prokofievich, it becomes clear that apart from Diky, Boris and his sister have no one else left from their relatives.

In order to receive an inheritance after the death of his grandmother, Boris is forced to establish good relations with his uncle, but he does not want to give back the money that Boris's grandmother bequeathed to her grandson.

Boris, Kudryash and Kuligin discuss the difficult character of Dikoy. Boris admits that it is difficult for him to be in the city of Kalinovo, because he does not know the local customs. Kuligin believes that it is impossible to earn money here by honest labor. But if Kuligin had money, the man would spend it for the benefit of mankind by collecting a Perpeta mobile. Feklusha appears, praising the merchants and life in general, saying: "we live in the promised land ...".

Boris is sorry for Kuligin, he understands that the inventor's dreams of creating mechanisms useful for society will forever remain only dreams. Boris himself does not want to ruin his youth in this outback: "driven, beaten, and even foolishly decided to fall in love ..." with the one with whom he could not even talk. This girl turns out to be Katerina Kabanova.

On stage Kabanova, Kabanov, Katerina and Varvara.

Kabanov speaks with his mother. This dialogue is shown as a typical conversation in this family. Tikhon is tired of his mother's moralizing, but he still fawns over her. Kabanikha asks to recognize his son that his wife has become more important than his mother, as if Tikhon will soon completely cease to respect his mother. Katerina, present at the same time, denies the words of Marfa Ignatievna. Kabanova, with a vengeance, begins to slander herself so that those around her will convince her otherwise. Kabanova calls herself a hindrance to married life, but there is no sincerity in her words. In a moment, she takes control of the situation, accusing her son of being too soft: “Look at you! Will your wife be afraid of you after this?

This phrase shows not only her imperious nature, but also her attitude towards her daughter-in-law and family life in general.

Kabanov admits that he has no will of his own. Marfa Ignatyevna leaves. Tikhon complains about life, blaming his despotic mother for everything. Varvara, his sister, replies that Tikhon is responsible for his own life. After these words, Kabanov leaves for a drink with Wild.

Katerina and Barbara talk heart to heart. “Sometimes it seems to me that I am a bird” - this is how Katya characterizes herself. She completely withered in this society. This is especially evident against the background of her life before marriage. Katerina spent a lot of time with her mother, helped her, walked: “I lived, didn’t grieve about anything, like a bird in the wild.” Katerina feels the approach of death; confesses that she no longer loves her husband. Varvara is concerned about Katya's condition, and in order to improve her mood, Varvara decides to arrange a meeting with another person for Katerina.

The Lady appears on the stage, she points to the Volga: “This is where beauty leads. Into the whirlpool." Her words will turn out to be prophetic, although no one in the city believes her predictions. Katerina was frightened by the words spoken by the old woman, but Varvara was skeptical about them, since the Lady sees death in everything.

Kabanov is back. At that time, married women could not walk alone, so Katya had to wait for him to go home.

Action 2

Varvara sees the reason for Katerina's suffering in the fact that Katya's heart "hasn't left yet", because the girl was married off early. Katerina feels sorry for Tikhon, but she has no other feelings for him. Varvara noticed this a long time ago, but she asks to hide the truth, because lies are the basis of the existence of the Kabanov family. Katerina is not used to living dishonestly, so she says that she will leave Kabanov if she can no longer be with him.

Kabanov urgently needs to leave for two weeks. The carriage is ready, things are packed, it remains only to say goodbye to relatives. Tikhon orders Katerina to obey her mother, repeating the phrases after Kabanikha: “tell her not to be rude to her mother-in-law ... to honor her mother-in-law like her own mother, ... so that she doesn’t sit idly by, ... so that she doesn’t look at young guys!” This scene was humiliating for both Tikhon and his wife. Words about other men confuse Katya. She asks her husband to stay or take her with him. Kabanov refuses his wife and he is embarrassed for his mother's phrase about other men and Katerina. The girl foresees the impending disaster.

Tikhon, saying goodbye, bows to his mother at the feet, fulfilling her will. The boar does not like that Katerina said goodbye to her husband with hugs, because the man in the family is the main one, and she has become on a par with him. The girl has to bow at Tikhon's feet.

Marfa Ignatievna says that the current generation does not know the rules at all. The boar is unhappy that Katerina does not cry after her husband leaves. It's good when there are elders in the house: they can teach. She hopes not to live to see the time when all the old people will die: “I don’t know what the world will stand on ...”

Katya is left alone. She likes silence, but at the same time it scares her. Silence for Katerina becomes not rest, but boredom. Katya regrets that she does not have children, because she could be a good mother. Katerina again thinks about flying and freedom. The girl imagines how her life could have turned out: “I will start some work according to the promise; I will go to the Gostiny Dvor, buy canvas, and I will sew linen, and then I will distribute it to the poor. They will pray to God for me." Varvara leaves for a walk, reporting that she has changed the lock on the gate in the garden. With the help of this little trick, Varvara wants to arrange a meeting with Boris for Katerina. Katerina blames Kabanikha for her misfortunes, but nevertheless does not want to succumb to the "sinful temptation" and secretly meet with Boris. She does not want to be led by her feelings and violate the sacred bonds of marriage.

Boris himself also does not want to go against the rules of morality, he is not sure that Katya has similar feelings for him, but still wants to see the girl again.

Action 3

Feklusha and Glasha are talking about moral principles. They are glad that Kabanikha's house is the last "paradise" on earth, because the rest of the city's residents have a real "sodom". They also talk about Moscow. From the point of view of provincials, Moscow is too fussy a city. Everything and everyone there is as if in a fog, that's why they walk tired, and there is sadness in their faces.

A drunk Dikoy enters. He asks Marfa Ignatievna to talk to him in order to ease his soul. He is unhappy with the fact that everyone constantly asks him for money. Especially Wild is annoyed by his nephew. At this time, Boris passes near the Kabanovs' house, he is looking for his uncle. Boris regrets that, being so close to Katerina, he cannot see her. Kuligin invites Boris for a walk. Young people are talking about the poor and the rich. From Kuligin's point of view, the rich close themselves in their homes so that others do not see their violence against relatives.

They see Varvara kissing Curly. She also informs Boris about the place and time of the upcoming meeting with Katya.

At night, in a ravine under the garden of the Kabanovs, Kudryash sings a song about a Cossack. Boris tells him about his feelings for a married girl, Ekaterina Kabanova. Varvara and Kudryash leave for the banks of the Volga, leaving Boris to wait for Katya.

Katerina is frightened by what is happening, the girl drives Boris away, but he calms her down. Katerina is terribly nervous, admits that she does not have her own will, because “now she has the will ...” of Boris. In a fit of feelings, she hugs the young man: “If I was not afraid of sin for you, will I be afraid of human court?” Young people confess their love to each other.

The hour of parting is near, as the Boar may soon wake up. The lovers agree to meet the next day. Kabanov unexpectedly returns.

Action 4

(events unfold 10 days after the third act)

Residents of the city walk along the gallery overlooking the Volga. It looks like a storm is coming. On the walls of the destroyed gallery, one can discern the outlines of a picture of fiery hell, an image of the battle near Lithuania. Kuligin and Dikoy are talking in raised tones. Kuligin enthusiastically talks about a good deed for everyone, asks Savl Prokofievich to help him. Wild refuses quite rudely: “so know that you are a worm. If I want - I will have mercy, if I want - I will crush. He does not understand the value of Kuligin's invention, namely the lightning rod, with which it will be possible to obtain electricity.
Everyone leaves, the stage is empty. Thunder is heard again.

Katerina increasingly has a premonition that she will soon die. Kabanov, noticing the strange behavior of his wife, asks her to repent of all sins, but Varvara quickly ends this conversation. Boris comes out of the crowd, greets Tikhon. Katerina turns even paler. The boar may suspect something, so Varvara gives a signal to Boris to leave.

Kuligin urges not to be afraid of the elements, because it is not she who kills, but grace. Nevertheless, residents continue to discuss the impending storm, which "will not pass in vain." Katya tells her husband that a thunderstorm will kill her today. Neither Varvara nor Tikhon understand Katerina's inner torment. Varvara advises to calm down and pray, and Tikhon suggests going home.

The lady appears, turns to Katya with the words: “Where are you hiding, stupid? You can't leave God! … into the whirlpool is better with beauty! Hurry!” In a frenzy, Katerina confesses her sin to both her husband and mother-in-law. All those ten days when her husband was not at home, Katya secretly met with Boris.

Action 5

Kabanov and Kuligin discuss Katerina's confession. Tikhon again shifts part of the blame to Kabanikha, who wants to bury Katya alive. Kabanov could forgive his wife, but he is afraid of his mother's wrath. The Kabanov family completely crumbled: even Varvara ran away with Kudryash.

Glasha reports Katerina missing. Everyone goes in search of the girl.

Katerina is alone on stage. She thinks that she has ruined both herself and Boris. Katya sees no reason to live on, asks for forgiveness and calls her lover. Boris came to the call of the girl, he is gentle and affectionate with her. But Boris needs to leave for Siberia, and he cannot take Katya with him. The girl asks him to give alms to those in need and to pray for her soul, assuring her that she did not intend anything bad. After saying goodbye to Boris, Katerina throws herself into the river.

People are screaming that some girl threw herself off the shore into the water. Kabanov realizes that it was his wife, so he wants to jump after her. The boar stops his son. Kuligin brings Katerina's body. She is as beautiful as she was in life, only a small drop of blood appeared on her temple. "Here's your Katherine. Do what you want with her! Her body is here, take it; and the soul is now not yours: it is now before a judge who is more merciful than you!”

The play ends with the words of Tikhon: “Good for you, Katya! And for some reason I stayed to live in the world and suffer!

Conclusion

The work "Thunderstorm" by Ostrovsky A.N. can be called one of the main plays among the entire creative path of the writer. Social and everyday topics, of course, were close to the viewer of that time, as they are close today. However, against the background of all these details, it is not just a drama that unfolds, but a real tragedy, ending with the death of the main character. The plot, at first glance, is uncomplicated, but only Katerina's feelings for Boris, the novel "Thunderstorm" is not limited. In parallel, you can trace several storylines, and, accordingly, several conflicts that are implemented at the level of minor characters. This feature of the play is fully consistent with the realistic principles of generalization.

From the retelling of "Thunderstorm" one can easily draw a conclusion about the nature of the conflict and content, however, for a more detailed understanding of the text, we recommend that you familiarize yourself with the full version of the work.

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Retelling rating

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Storm

Alexander Nikolaevich Ostrovsky
Storm

Savel Prokofievich Dik "oh, merchant, a significant person in the city.
Boris Grigoryevich, his nephew, is a young man, decently educated.
Marfa Ignatievna Kabanova (Kabanikha), a wealthy merchant's wife, widow.
Tikhon Ivanovich Kabanov, her son.
Catherine, his wife.
Barbara, Tikhon's sister.
Kuligi, a tradesman, a self-taught watchmaker looking for a perpetuum mobile.
Vanya Kudryash, young man, clerk to Diky.
Shapkin, tradesman.
Feklusha, stranger.
Glasha, the girl in Kabanova's house.
A lady with two lackeys, an old woman of 70, half crazy.
City dwellers of both sexes.

All persons, except for Boris, are dressed in Russian. (Note by A.N. Ostrovsky.)

The action takes place in the city of Kalinov, on the banks of the Volga, in the summer. There are 10 days between steps 3 and 4.

Act one

A public garden on the high bank of the Volga, a rural view beyond the Volga. There are two benches and several bushes on the stage.

The first phenomenon

Kuligin sits on a bench and looks across the river. Kudryash and Shapkin are walking.

Kuligin (sings). “In the midst of a flat valley, at a smooth height…” (Stops singing.) Miracles, truly, it must be said, miracles! Curly! Here, my brother, for fifty years I have been looking beyond the Volga every day and I can’t see enough.
Curly. And what?
Kuligin. The view is extraordinary! Beauty! The soul rejoices.
Curly. Something!
Kuligin. Delight! And you are "something"! You took a closer look, or you don’t understand what beauty is spilled in nature.
Curly. Well, what's the deal with you! You are an antique, a chemist.
Kuligin. Mechanic, self-taught mechanic.
Curly. All the same.

Silence.

Kuligin (points to the side). Look, brother Curly, who is waving his arms like that?
Curly. This? This Wild nephew scolds.
Kuligin. Found a place!
Curly. He has a place everywhere. Afraid of what, he of whom! He got Boris Grigoryevich as a sacrifice, so he rides on it.
Shapkin. Look for such and such a scolder as Savel Prokofich among us! Will cut off a person for nothing.
Curly. A piercing man!
Shapkin. Good, too, and Kabanikha.
Curly. Well, yes, at least that one, at least, is all under the guise of piety, but this one has broken loose from the chain!
Shapkin. There is no one to take him down, so he is fighting!
Curly. We don’t have many guys like me, otherwise we would wean him to be naughty.
Shapkin. What would you do?
Curly. They would have done well.
Shapkin. Like this?
Curly. Four of them, five of them in an alley somewhere would talk to him face to face, so he would become silk. And about our science, I wouldn’t utter a word to anyone, if only I would walk and look around.
Shapkin. No wonder he wanted to give you to the soldiers.
Curly. I wanted to, but I didn’t give it away, so it’s all one thing, that’s nothing. He will not give me away: he smells with his nose that I will not sell my head cheaply. He's scary to you, but I know how to talk to him.
Shapkin. Oh is it?
Curly. What's here: oh! I am considered a brute; why is he holding me? So, he needs me. Well, that means I'm not afraid of him, but let him be afraid of me.
Shapkin. Like he doesn't scold you?
Curly. How not to scold! He can't breathe without it. Yes, I don’t let it go either: he’s a word, and I’m ten; spit, and go. No, I will not be a slave to him.
Kuligin. With him, that eh, an example to take! It's better to be patient.
Curly. Well, if you are smart, then you should learn it before courtesy, and then teach us. It’s a pity that his daughters are teenagers, there aren’t any big ones.
Shapkin. What would it be?
Curly. I would respect him. It hurts dashing for girls!

Pass Wild and Boris, Kuligin takes off his hat.

Shapkin (Kudryash). Let's go to the side: it will still be attached, perhaps.

Departure.

The second phenomenon

The same. Dikoy and Boris.

Wild. Buckwheat, have you come here to beat? Parasite! Get lost!
Boris. Holiday; what to do at home.
Wild. Find the job you want. Once I told you, twice I said to you: “Do not dare to meet me”; you get it all! Is there enough space for you? Wherever you go, here you are! Pah you damned! Why are you standing like a pillar? Are you being told al no?
Boris. I'm listening, what else can I do!
Wild (looking at Boris). You failed! I don't even want to talk to you, to the Jesuit. (Leaving.) Here he imposed himself! (Spits and leaves.)

The third phenomenon

Kuligin, Boris, Kudryash and Shapkin.

Kuligin. What is your business with him, sir? We will never understand. You want to live with him and endure abuse.
Boris. What a hunt, Kuligin! Captivity.
Kuligin. But what kind of bondage, sir, let me ask you? If you can, sir, tell us so.
Boris. Why not say? Did you know our grandmother, Anfisa Mikhailovna?
Kuligin. Well, how not to know!
Curly. How not to know!
Boris. After all, she disliked the father because he married a noble woman. On this occasion, father and mother lived in Moscow. Mother said that for three days she could not get along with her relatives, it seemed very wild to her.
Kuligin. Still not wild! What to say! You must have a great habit, sir.
Boris. Our parents raised us well in Moscow, they spared nothing for us. I was sent to the Commercial Academy, and my sister was sent to a boarding school, but both suddenly died of cholera, and my sister and I remained orphans. Then we hear that my grandmother also died here and left a will so that our uncle would pay us the part that should be when we come of age, only with a condition.
Kulagin. With what, sir?
Boris. If we are respectful to him.
Kulagin. This means, sir, that you will never see your inheritance.
Boris. No, that's not enough, Kuligin! He will first break upon us, abuse us in every possible way, as his heart desires, but all the same will end up giving us nothing, or just a little. Moreover, he will begin to tell that he gave out of mercy, that this should not have been.
Curly. This is such an institution in our merchant class. Again, even if you were respectful to him, someone who forbids him to say something that you are disrespectful?
Boris. Well, yes. Even now he sometimes says: “I have my own children, for which I will give money to strangers? Through this, I must offend my own!
Kuligin. So, sir, your business is bad.
Boris. If I were alone, it would be nothing! I would drop everything and leave. And I'm sorry sister. He used to write her out, but mother's relatives did not let her in, they wrote that she was sick. What would her life here be - and it's scary to imagine.
Curly. Of course. Somehow they understand the appeal!
Kuligin. How do you live with him, sir, in what position?
Boris. Yes, none. “Live,” he says, “with me, do what you order, and pay what I put.” That is, in a year he will count as he pleases.
Curly. He has such an establishment. With us, no one even dare to utter a word about salaries, they will scold what the world is worth. “You,” he says, “how do you know what I have in mind? Can you know my soul somehow? Or maybe I will come to such an arrangement that five thousand ladies will be given to you. So you talk to him! Only he had never in his entire life come to such and such an arrangement.
Kuligin. What to do, sir! You have to try to please somehow.
Boris. The fact of the matter, Kuligin, is that it is absolutely impossible. They cannot please him either; and where am I?
Curly. Who will please him, if his whole life is based on cursing? And most of all because of the money; not a single calculation without scolding is complete. Another is glad to give up his own, if only he would calm down. And the trouble is, how someone will make him angry in the morning! He picks on everyone all day long.
Boris. Every morning my aunt begs everyone with tears: “Fathers, don’t make me angry! Doves, don't get angry!
Curly. Yes, save something! Got to the market, that's the end! All the men will be scolded. Even if you ask at a loss, you still won’t leave without a scolding. And then he went for the whole day.
Shapkin. One word: warrior!
Curly. What a warrior!
Boris. But the trouble is when he is offended by such a person whom he does not dare not scold; stay at home here!
Curly. Fathers! What a laugh! Somehow he was scolded by hussars on the Volga. Here he worked wonders!
Boris. And what a home it was! After that, for two weeks everyone hid in attics and closets.
Kuligin. What is this? No way, the people moved from Vespers?

Several faces pass at the back of the stage.

Curly. Let's go, Shapkin, in revelry! What's there to stand?

They bow and leave.

Boris. Eh, Kuligin, it is painfully difficult for me here, without a habit. Everyone looks at me somehow wildly, as if I were superfluous here, as if I were disturbing them. I don't know the customs. I understand that all this is our Russian, native, but still I can’t get used to it.
Kuligin. And you'll never get used to it, sir.
Boris. From what?
Kuligin. Cruel morals, sir, in our city, cruel! In philistinism, sir, you will see nothing but rudeness and bare poverty. And we, sir, will never get out of this bark! Because honest labor will never earn us more daily bread. And whoever has money, sir, he tries to enslave the poor, so that he can make even more money from his free labors. Do you know what your uncle, Savel Prokofich, answered the mayor? The peasants came to the mayor to complain that he would not read any of them by the way. The mayor began to say to him: “Listen,” he says, “Savel Prokofich, you count the peasants well! Every day they come to me with a complaint!” Your uncle patted the mayor on the shoulder and said: “Is it worth it, your honor, to talk about such trifles with you! A lot of people stay with me every year; you understand: I won’t pay them a penny more per person, I make thousands of this, that’s how it is; I'm fine!" That's how, sir! And among themselves, sir, how they live! They undermine each other's trade, and not so much out of self-interest, but out of envy. They quarrel with each other; they lure drunken clerks into their tall mansions, such, sir, clerks, that there is no human appearance on him, his human appearance is lost. And those, for a small blessing, on stamp sheets, malicious slander scribble on their neighbors. And they will begin, sir, the court and the case, and there will be no end to the torment. They are suing, they are suing here and they will go to the province, and there they are already waiting for them and clapping their hands with joy. Soon the fairy tale is told, but the deed is not soon done; they lead them, they lead, they drag them, they drag them, and they are also happy with this dragging, that's all they need. “I,” he says, “will spend money, and it will become a penny for him.” I wanted to describe all this in verses ...
Boris. Are you good at poetry?
Kuligin. The old fashioned way, sir. After all, I read Lomonosov, Derzhavin... Lomonosov was a wise man, a tester of nature... But also from ours, from a simple title.
Boris. You would have written. It would be interesting.
Kuligin. How can you, sir! Eat, swallow alive. I already get it, sir, for my chatter; Yes, I can’t, I like to scatter the conversation! Here's something else about family life I wanted to tell you, sir; yes some other time. And also something to listen to.

Feklusha and another woman enter.

Feklush. Blah-alepie, honey, blah-alepie! Beauty is wondrous! What can I say! Live in the promised land! And the merchants are all pious people, adorned with many virtues! Generosity and alms by many! I'm so happy, so, mother, happy, up to the neck! For our failure to leave them even more bounty will be multiplied, and especially the house of the Kabanovs.

Boris. Kabanov?
Kuligin. Hypnotize, sir! She clothes the poor, but eats the household completely.

Silence.

If only I, sir, could find a perpetual mobile!
Boris. What would you do?
Kuligin. How, sir! After all, the British give a million; I would use all the money for society, for support. Work must be given to the bourgeoisie. And then there are hands, but there is nothing to work.
Boris. Are you hoping to find a perpetuum mobile?
Kuligin. Certainly, sir! If only now I could get some money on the model. Farewell, sir! (Exits.)

The fourth phenomenon

Boris (one). Sorry to disappoint him! What a good man! Dreaming himself - and happy. And I, apparently, will ruin my youth in this slum. After all, I’m walking around completely dead, and then there’s still nonsense in my head! Well, what's up! Should I start tenderness? Driven, beaten, and then foolishly decided to fall in love. Yes, to whom? In a woman with whom you will never even be able to talk! (Silence.) Still, I can't get it out of my head, no matter what you want. Here she is! She goes with her husband, well, and the mother-in-law with them! Well, am I not a fool? Look around the corner and go home. (Exits.)

From the opposite side enter Kabanova, Kabanov, Katerina and Varvara.

Fifth phenomenon

Kabanova, Kabanov, Katerina and Varvara.

Kabanova. If you want to listen to your mother, then when you get there, do as I ordered you.
Kabanov. But how can I, mother, disobey you!
Kabanova. There is not much respect for elders these days.
Barbara (to herself). Do not respect you, how!
Kabanov. I, it seems, mother, not a step out of your will.
Kabanova. I would have believed you, my friend, if I had not seen with my own eyes and heard with my own ears, what is now the reverence for parents from children! If only they remembered how many diseases mothers endure from children.
Kabanov. I mum...
Kabanova. If a parent that when and insulting, in your pride, says so, I think it could be transferred! What do you think?
Kabanov. But when did I, mother, not endure from you?
Kabanova. Mother is old, stupid; well, and you, smart young people, should not exact from us, fools.
Kabanov (sighing, to the side). Oh you, sir. (To the mother.) Yes, mother, do we dare to think!
Kabanova. After all, out of love, parents are strict with you, out of love they scold you, everyone thinks to teach good. Well, now I don't like it. And the children will go to people to praise that the mother is grumbling, that the mother does not give a pass, she shrinks from the light. And God forbid, one cannot please the daughter-in-law with some word, well, the conversation began that the mother-in-law completely ate.
Kabanov. Something, mother, who is talking about you?
Kabanova. I didn’t hear, my friend, I didn’t hear, I don’t want to lie. If only I had heard, I would not have spoken to you, my dear, then. (Sighs.) Oh, a grave sin! That's a long time to sin something! A conversation close to the heart will go on, well, you will sin, get angry. No, my friend, say what you want about me. You won’t order anyone to speak: they won’t dare to face it, they will stand behind your back.
Kabanov. Let your tongue dry...
Kabanova. Complete, complete, don't worry! Sin! I have long seen that your wife is dearer to you than your mother. Since I got married, I don’t see the same love from you.
Kabanov. What do you see, mother?

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