slide 2
Household genre in Russia.
In the seventies of the 19th century, a new, independent of the Academy of Arts, creative association arose - the Association of Traveling Art Exhibitions. The organization of the Wanderers very soon turned into the largest center of the artistic life of Russia, into the stronghold of the new realistic trend in painting, and the Imperial Academy of Arts, although it remained the official governing body in the field of art, was increasingly losing its authority and this role of the main center.
slide 3
Created on the initiative of G.G. Myasoedova, N.N. Ge, V.G. Perov, the Partnership included in its composition the advanced forces of Russian democratic artistic culture. I.N. was the ideological and organizational leader of the Wanderers for many years. Kramskoy.
slide 4
In their work, the Wanderers, based on a realistic method, deeply and comprehensively reflected the contemporary life of the working people of Russia. The everyday genre was the leading one in their work. An important place was also occupied by the art of portraiture, remarkable for the content of its socio-psychological characteristics. Many works of the Wanderers are devoted to Russian history, in which their attention was especially attracted by the dramatic popular movements. These works were marked by the depth of historical knowledge of the past. In landscape works, the Wanderers turned to simple, ordinary motifs of their native nature, creating paintings imbued with a patriotic feeling and great social content. A significant number of works of the Wanderers reproduced images of folk art and literature. Truthfully depicting events and scenes from life, in their works they passed judgment on the surrounding reality, denounced the cruel oppression of the people. At the same time, the Wanderers showed the people's heroic struggle for social and national liberation, wisdom, beauty, the strength of a working man, the diversity and poetic charm of their native nature.
slide 5
Household genre in Russia.
With their work, the Wanderers actively participated in the broad general democratic movement of the era, in the struggle of progressive social forces against autocracy and the remnants of serfdom in tsarist Russia. That is why the Wanderers were supported by the advanced part of society. During the 70-80s of the 19th century, the work of the Wanderers deepened and improved. Their organization grew stronger, gained more and more authority and popularity among the general public.
slide 6
From the very beginning of his independent creative activity, Perov took the path of social satire, which was widely developed in his art. Perov enters painting as a genre painter. He used in his early works the achievements of his predecessor, the founder of critical realism in painting - P. A. Fedotov, whose works for the first time explain the social meaning of the phenomena depicted, Fedotov was Perov's predecessor in his views on the tasks of art. Perov posed in his work a new, most urgent problem of his time, connected with the situation of the peasants. Neither Fedotov nor another of Perov's predecessors, Venetsianov, dealt with this problem.
Slide 7
Historical themes in Perov's paintings.
Perov has been interested in historical topics for a long time. It is known that even at the School of Painting and Sculpture, he made sketches for "Stepan Razin". Now, many years later, approaching the creation of a historical picture as a mature master, Perov set a very difficult task - to write a triptych in which he intended to unfold the history of the Pugachev uprising. In the first picture of the triptych, he wanted to reveal the causes of the uprising, in the second - to depict the uprising itself, and in the third - to convey the massacre of the landowners. But out of the whole triptych, he managed to paint only the third picture - “Pugachev's Court”.
Slide 8
The large multi-figure painting "Nikita Pustosvyat" (1881) testifies to the artist's enormous work in the field of historical painting. But, taking up the plot from the schismatic movement at the turn of the 17th-18th centuries, which united various opposition groups, Perov also could not give a satisfactory solution to the task he had set, although, perhaps, he came a little closer to the realization of his plan. And yet, despite the failures, Perov was the only one of the whole galaxy of contemporary painters who correctly understood the problem of historical painting. He sought to show the people as the driving force of history. Perov did not succeed, but he outlined ways to solve this problem - and this is his great merit.
Slide 9
The significance of Perov in the history of Russian painting is enormous. He was one of the first among artists to speak out against the blatant lack of rights and oppression in which the Russian peasantry found itself in post-reform Russia. Revealing the ulcers of the social system of tsarist Russia, Perov mercilessly stigmatized everything that oppressed the people and humiliated their human dignity. Having enriched almost all genres of painting, he outlined the paths for their further development. With his deep ideological determination, Perov is an example of patriotic service to his homeland, his people. His art excites the modern Soviet audience with its depth of thought and high skill.
Slide 10
The painter always combined creative work with active social activities. It was he who initiated the creation of a new type of organization of artists - the Association of Traveling Art Exhibitions. The idea of such an organization originated with Myasoedov as early as 1867, when he was abroad and had the opportunity to observe the activities of European artists in organizing traveling exhibitions, held mainly for commercial purposes.
slide 11
On November 29, 1871, the first traveling art exhibition was opened in St. Petersburg, which was then shown in Moscow, Kyiv and Kharkov. Myasoedov presented for this exhibition the painting "Grandfather of the Russian Fleet. (Botik of Peter I)" (1871), in which the solution of the historical theme is given in everyday terms.
slide 12
Creativity Myasoedov.
The study of the life of the Russian peasantry leads Myasoedov to plots that tell about ancient beliefs and customs, their role in the life of the people. So, in the painting "Plowing" (1876) an old ritual action is shown: peasants plow the village from evil spirits, harnessing naked girls to the plow.
slide 13
1878-80 Myasoedov is working on two versions of Drought, which features a prayer service in a field. At the same time, searches are underway in the field of historical themes: the artist paints the painting "Self-Incinerators" (1882-84), the plot of which is very closely related to previous genre paintings.
Slide 14
By the beginning of the 1880s. in the work of Myasoedov a new stage is outlined. In the landscape "Road in the Rye" (1881), the simplicity and expressiveness of the motif is striking: the figure of a lone wanderer receding towards the horizon in the midst of an endless rye field. The artist, as it were, opens up the possibility of a more generalized, monumental solution to a genre picture, which was fully manifested in Mowers (1887). The author sings here the joyful side of life, conveys the beauty of peasant labor, its measured, harmonious, almost musical rhythm. The very dimensions of the canvas (159x275 cm) testify to the importance of the theme of the painting for the artist. However, its solution is not devoid of certain contradictions. Having completely abandoned the critical principle, the artist thereby abandoned the basic principle of the artistic system of the 1870s.
slide 15
Having not mastered a new figurative language and not being prepared to perceive the artistic ideas of a new generation of painters, Myasoedov was among those representatives of the Association of Traveling Art Exhibitions, who at the turn of the 1880s and 1890s. did not want to admit young artists into their ranks. The last years of the artist's life did not contribute anything significant to his work.
View all slides
1 of 15
Presentation on the topic: Domestic genre in painting
slide number 1
Description of the slide:
slide number 2
Description of the slide:
Household genre in Russia. In the seventies of the 19th century, a new, independent of the Academy of Arts, creative association arose - the Association of Traveling Art Exhibitions. The organization of the Wanderers very soon turned into the largest center of the artistic life of Russia, into the stronghold of the new realistic trend in painting, and the Imperial Academy of Arts, although it remained the official governing body in the field of art, was increasingly losing its authority and this role of the main center.
slide number 3
Description of the slide:
slide number 4
Description of the slide:
In their work, the Wanderers, based on a realistic method, deeply and comprehensively reflected the contemporary life of the working people of Russia. The everyday genre was the leading one in their work. An important place was also occupied by the art of portraiture, remarkable for the content of its socio-psychological characteristics. Many works of the Wanderers are devoted to Russian history, in which their attention was especially attracted by the dramatic popular movements. These works were marked by the depth of historical knowledge of the past. In landscape works, the Wanderers turned to simple, ordinary motifs of their native nature, creating paintings imbued with a patriotic feeling and great social content. A significant number of works of the Wanderers reproduced images of folk art and literature. Truthfully depicting events and scenes from life, in their works they passed judgment on the surrounding reality, denounced the cruel oppression of the people. At the same time, the Wanderers showed the people's heroic struggle for social and national liberation, wisdom, beauty, the strength of a working man, the diversity and poetic charm of their native nature.
slide number 5
Description of the slide:
Household genre in Russia. With their work, the Wanderers actively participated in the broad general democratic movement of the era, in the struggle of progressive social forces against autocracy and the remnants of serfdom in tsarist Russia. That is why the Wanderers were supported by the advanced part of society. During the 70-80s of the 19th century, the work of the Wanderers deepened and improved. Their organization grew stronger, gained more and more authority and popularity among the general public.
slide number 6
Description of the slide:
From the very beginning of his independent creative activity, Perov took the path of social satire, which was widely developed in his art. Perov enters painting as a genre painter. He used in his early works the achievements of his predecessor, the founder of critical realism in painting - P. A. Fedotov, whose works for the first time explain the social meaning of the phenomena depicted, Fedotov was Perov's predecessor in his views on the tasks of art. Perov posed in his work a new, most urgent problem of his time, connected with the situation of the peasants. Neither Fedotov nor another of Perov's predecessors, Venetsianov, dealt with this problem.
slide number 7
Description of the slide:
Perov has been interested in historical topics for a long time. It is known that even at the School of Painting and Sculpture, he made sketches for "Stepan Razin". Now, many years later, approaching the creation of a historical picture as a mature master, Perov set a very difficult task - to write a triptych in which he intended to unfold the history of the Pugachev uprising. In the first picture of the triptych, he wanted to reveal the causes of the uprising, in the second - to depict the uprising itself, and in the third - to convey the massacre of the landowners. But out of the whole triptych, he managed to paint only the third picture - “Pugachev's Court”. Historical themes in Perov's paintings.
slide number 8
Description of the slide:
The large multi-figure painting "Nikita Pustosvyat" (1881) testifies to the artist's enormous work in the field of historical painting. But, taking up the plot from the schismatic movement at the turn of the 17th-18th centuries, which united various opposition groups, Perov also could not give a satisfactory solution to the task he had set, although, perhaps, he came a little closer to the realization of his plan. And yet, despite the failures, Perov was the only one of the whole galaxy of contemporary painters who correctly understood the problem of historical painting. He sought to show the people as the driving force of history. Perov did not succeed, but he outlined ways to solve this problem - and this is his great merit. Historical themes in Perov's paintings.
slide number 9
Description of the slide:
The significance of Perov in the history of Russian painting is enormous. He was one of the first among artists to speak out against the blatant lack of rights and oppression in which the Russian peasantry found itself in post-reform Russia. Revealing the ulcers of the social system of tsarist Russia, Perov mercilessly stigmatized everything that oppressed the people and humiliated their human dignity. Having enriched almost all genres of painting, he outlined the paths for their further development. With his deep ideological determination, Perov is an example of patriotic service to his homeland, his people. His art excites the modern Soviet audience with its depth of thought and high skill.
Description of the slide:
On November 29, 1871, the first traveling art exhibition was opened in St. Petersburg, which was then shown in Moscow, Kyiv and Kharkov. Myasoedov presented for this exhibition the painting "Grandfather of the Russian Fleet. (Botik of Peter I)" (1871), in which the solution of the historical theme is given in everyday terms.
slide number 12
Description of the slide:
Creativity Myasoedova. The study of the life of the Russian peasantry leads Myasoedov to plots that tell about ancient beliefs and customs, their role in the life of the people. So, in the painting "Plowing" (1876) an old ritual action is shown: peasants plow the village from evil spirits, harnessing naked girls to the plow.
Description of the slide:
Creativity Myasoedov. By the beginning of the 1880s. in the work of Myasoedov a new stage is outlined. In the landscape "Road in the Rye" (1881), the simplicity and expressiveness of the motif is striking: the figure of a lone wanderer receding towards the horizon in the midst of an endless rye field. The artist, as it were, opens up the possibility of a more generalized, monumental solution to a genre picture, which was fully manifested in Mowers (1887). The author sings here the joyful side of life, conveys the beauty of peasant labor, its measured, harmonious, almost musical rhythm. The very dimensions of the canvas (159x275 cm) testify to the importance of the theme of the painting for the artist. However, its solution is not devoid of certain contradictions. Having completely abandoned the critical principle, the artist thereby abandoned the basic principle of the artistic system of the 1870s.
slide number 15
Description of the slide:
Having not mastered a new figurative language and not being prepared to perceive the artistic ideas of a new generation of painters, Myasoedov was among those representatives of the Association of Traveling Art Exhibitions, who at the turn of the 1880s and 1890s. did not want to admit young artists into their ranks. The last years of the artist's life did not contribute anything significant to his work.
"State and family budget" - Solving public debt problems: Family budget. Attraction of additional sources Issuance (issue) of unsecured money Borrowing money from the population, banks, business organizations within the country, as well as from foreign states and financial organizations (funds) ... Household:
"Family Values" - M.Yu. Lermontov "Song about Tsar Ivan Vasilyevich ...". A family thought ... Block "Family values", 6th grade. You cannot defend. Block "Family values", grade 9. A. Platonov "Return". A.S. Pushkin "The Captain's Daughter". The story of N.V. Gogol "Taras Bulba". Block "Family values", Grade 7. Test ... by love A.S. Pushkin "Eugene Onegin".
"Family holidays" - What is a holiday? Family. Holidays make family life bright! Draw cards, prepare gifts. What is a ritual? What reminders of memorable dates in your life do you have? What requirements should a holiday gift meet? In what modern ritual has the oldest tradition of offering gifts to deities been preserved?
"Family Traditions" - Look into the family album. Who can I be proud of in my family? The nightingale and the cuckoo - the symbols of the girl's towel - spoke of the birth of a new family and the continuation of the family lineage. Family traditions. Parents about children. Free time in the family. From grandma's chest. Towels are kept in the house as holy family heirlooms.
"Family Kindergarten" - The following specialists work with the children of the family kindergarten: Offered a flexible daily routine, optimal for such a group of different ages. Support for large families. Social teacher; Educational psychologist; Senior nurse; Musical director; Physical education teacher. The functions of family kindergartens are:
"Family Code" - Family and law. Correct version of the text. temperament types. Time to love, then create a family to have children. Items for personal use. A family based on marriage is a small group. For good reason, at the age of sixteen. Rights and obligations for mutual maintenance, family expenses, raising children.
This collection was created for everyone who helps children absorb the beauty of fine art from an early age. It is not easy to find outstanding canvases that can be shown to kids. Often such works contain content that we consider unacceptable for children.
We saved your time and made a selection of 11 paintings in the everyday genre. They can and should be considered with children. This is how we instill a love for art and creativity, develop an artistic taste.
Domestic genre (in painting) - a genre of fine art that involves drawing scenes from people's daily lives, such as work and rest, holidays and significant events. As a separate genre appeared in the XVI century.
It is noteworthy that in Russian painting the everyday genre was formed in the second half of the 19th century. Then the St. Petersburg Academy of Arts officially recognized everyday painting, and the French word “genre” (genre) was adopted for its designation. Artists who created canvases for everyday subjects began to be called genre painters.
In ancient times in Rus', images with the events of everyday life were called "everyday letters".
11 Paintings in the Household Genre for Children
1. “Ball at the Moulin de la Galette”, Pierre-Auguste Renoir, 1876, Musée d'Orsay, Paris.
2. “Memories of a garden in Etten”, Vincent van Gogh, 1888
3. “Lute player”, Michelangelo Merisi da Caravaggio, 1595, Hermitage, St. Petersburg
4. “In the harvest. Summer”, 1820s, A. G. Venetsianov
5. “Haymaking”, A. A. Plastov, 1945, Tretyakov Gallery
6. “The capture of the snow town”, V. I. Surikov, 1891
7. “Young painter”, I. I. Firsov, 1760s.
8. "Swing", Pierre-Auguste Renoir, 1876
9. “Hunters at rest”, V. G. Perov, 1871, oil on canvas. 119 × 183 cm, Tretyakov Gallery, Moscow
10. “Breakfast of an aristocrat”, P. A. Fedotov, 1849, State Tretyakov Gallery, Moscow
11. “Morning”, Tatyana Nilovna Yablonskaya, 1954
For your own masterpieces there is always a place on our website. Register and upload your drawings!
The first everyday paintings appeared on the walls of the caves of prehistoric man. Since then, artists have brought everyday painting to cosmic heights, in the truest sense of these words. The life of astronauts in orbit is also immortalized on the canvases of masters of brush and paint.
Knowing the priceless baggage of the past in this genre will enrich your creative piggy bank with new ideas and impressions. Let's take a closer look at the work of the chroniclers of the history of mankind.
The history of the development of the genre
Sketches and paintings on everyday topics are characteristic of any era. However, the recognized birth and development of this genre dates back to the 17th century. In those years when bourgeois society was emerging in Holland, a number of artists appeared who boldly began to depict the life of the common people without any embellishment.
Everyday scenes from rural huts, farmsteads, city taverns, markets became more and more popular in those years. The absence of photography encouraged painters to capture as many pages of modern history as possible. Thanks to their paintings, people could learn how others live.
The winds of change of that time were affecting more and more countries in Europe. As a result, the household genre has become widespread in all its corners. Many famous painters began to turn to the life of their inconspicuous compatriots.
Revolutionary trends encouraged caring artists to contribute to the fight for human rights. With their works, they denounced the existing inequality and drew attention to the miserable life of the poor.
At the same time, many of these paintings were songs of gratitude to the working people. They sang the importance of this or that craft, individual representatives or entire sections of the population, without which the normal life of the rest would simply be unthinkable.
As a result of constant development, several directions have developed in this genre of fine art. Here are the main ones:
- Life and life of the villager.
- Life and life of the city inhabitant.
- Professional household portrait.
- Everyday scenes with the identification of contrast in the life of different segments of the population.
In Russia, everyday painting gained recognition thanks to the Wanderers. Their paintings became clear evidence of the failure of the existing serf system and urged society to change. Until now, we admire the work of these masters. In Soviet times, the work of all representatives of art was strongly influenced by the dominant ideology. Socialist realism, in fact, was heavily embellished with wishful thinking that was presented as real. Nevertheless, many painters of that time managed to avoid the pernicious influence. Pictures of such authors still delight us with their sincerity and impeccability.
Famous artists of the domestic genre
Unfortunately, not all masters of household painting are as popular as the artists who depicted mythical and biblical subjects. Even many landscape painters of that time are better known than representatives of the everyday genre. Nevertheless, the great painters also contributed to the photo album of the history of that time.
P. P. Rubens is one of those masters. He did not shy away from painting on everyday topics. The bright colors of rural landscapes inspired him no less than the biblical stories of wealthy customers.
The founder of this genre in Russian art is rightfully considered A. G. Venitsianova. He sang a hymn to the peasants with his works. Many progressive painters of that time picked up the impulse of the great master and contributed to this cause. Among the recognized masters of the domestic genre P. A. Fedotov, V. G. Perov. Their paintings not only tell about the life of that time, but also denounce the vices of a rotten society. Their desire for justice was picked up by the Wanderers.
Creativity stands out in this series I. E. Repina. Who doesn't know him "Barge haulers on the Volga" or "We didn't expect"? But there are many lesser-known paintings by the great artist that show how difficult life was for ordinary people at that time. It is simply impossible to list all the deserving ones. The life of people is a part of our life, so it will always be a popular topic for creative work. Try yourself in this genre. Take a pencil and paints and draw a scene from the everyday life of those who live near you.
