What does ingenue mean. Ingenue is the role of a naive girl

17.07.2019

From Wikipedia, the free encyclopedia

Initially, the role of ingenue was established on the stage as a special case of the wider role of "lovers" (fr. amouruses), common in French plays of the 17th century (by the same Moliere). By the end of the 18th century, the role of the ingénue became more complicated. So, the French theatrical practice of that time distinguishes several types of ingénue: according to the characteristics of the characters - “shy” ( rosiere), "virgin" ( vierge), "virtuous" ( vertueuse); by genre - "ingenue lyric", "ingenue comedian", "ingenue dramatic", etc.

Usually, an actress in the role of an ingenue must certainly have a certain set of physical data and a special manner of performance: small stature, harmony, gentle voice, restraint in expressing feelings, a specific manner of recitation, etc. One of the most famous in the role of an ingenue was Mademoiselle Mars ( Anne-Francois-Hippolyte Boutet; joined the Comédie Française in 1799). Critics of that time noted that she had no equal in this role: “Delightful in everything connected with purity, innocence, with gentle and timid impressionability, with cheerfulness, modest, naive and innocent…”. In the theatrical practice of the 18th - early 19th centuries, it became optional to observe the age correspondence between the role and the age of the actress. So, Mademoiselle Mars played 18-year-old girls even after the age of 60.

see also

Initially, the role of ingenue was established on the stage as a special case of the wider role of "lovers" (fr. amouruses), common in French plays of the 17th century (by the same Moliere). By the end of the 18th century, the role of the ingénue became more complicated. So, the French theatrical practice of that time distinguishes several types of ingénue: according to the characteristics of the characters - “shy” ( rosiere), "virgin" ( vierge), "virtuous" ( vertueuse); by genre - "ingenue lyric", "ingenue comedian", "ingenue dramatic", etc.

Usually, an actress in the role of an ingenue must certainly have a certain set of physical data and a special manner of performance: small stature, harmony, gentle voice, restraint in expressing feelings, a specific manner of recitation, etc. One of the most famous in the role of an ingenue was Mademoiselle Mars ( Anne-Francois-Hippolyte Boutet; joined the Comédie Française in 1799). Critics of that time noted that she had no equal in this role: “Delightful in everything connected with purity, innocence, with gentle and timid impressionability, with cheerfulness, modest, naive and innocent…”. In the theatrical practice of the 18th - early 19th centuries, it became optional to observe the age correspondence between the role and the age of the actress. So, Mademoiselle Mars played 18-year-old girls even after the age of 60.

see also

Write a review on the article "Ingenue"

Notes

An excerpt characterizing Ingenue

Having happily galloped between the French, he galloped to the field behind the forest, through which ours ran and, disobeying the command, went downhill. That moment of moral hesitation has come, which decides the fate of the battles: these upset crowds of soldiers will listen to the voice of their commander or, looking back at him, will run further. Despite the desperate cry of the regimental commander’s voice, which was so formidable for a soldier, despite the furious, crimson, dissimilar face of the regimental commander and brandishing his sword, the soldiers kept running, talking, shooting into the air and not listening to commands. The moral hesitation that decides the fate of the battles, obviously, was resolved in favor of fear.
The general coughed from the scream and gunpowder smoke and stopped in despair. Everything seemed lost, but at that moment the French, who were advancing on ours, suddenly, for no apparent reason, ran back, disappeared from the edge of the forest, and Russian arrows appeared in the forest. It was Timokhin's company, which, alone in the forest, kept itself in order and, having sat down in a ditch near the forest, unexpectedly attacked the French. Timokhin, with such a desperate cry, rushed at the French and with such insane and drunken determination, with one skewer, ran into the enemy that the French, not having time to come to their senses, threw down their weapons and ran. Dolokhov, who fled next to Timokhin, killed one Frenchman point-blank and was the first to take the surrendered officer by the collar. The fugitives returned, the battalions gathered, and the French, who had divided the troops of the left flank into two parts, were momentarily pushed back. The reserve units managed to connect, and the fugitives stopped. The regimental commander was standing with Major Ekonomov at the bridge, letting the retreating companies pass by, when a soldier approached him, took him by the stirrup and almost leaned against him. The soldier was wearing a bluish, factory-made overcoat, there was no knapsack and shako, his head was tied, and a French charging bag was put on over his shoulder. He held an officer's sword in his hands. The soldier was pale, his blue eyes brazenly looked into the face of the regimental commander, and his mouth was smiling. Despite the fact that the regimental commander was busy giving orders to Major Ekonomov, he could not help but pay attention to this soldier.
“Your Excellency, here are two trophies,” said Dolokhov, pointing to the French sword and bag. “I have captured an officer. I stopped the company. - Dolokhov was breathing heavily from fatigue; he spoke with stops. “The whole company can testify. Please remember, Your Excellency!

If you think about how many borrowed words successfully function and take root in the modern Russian language ... We have long ceased to notice the foreign origin of some of them. Others, on the contrary, evoke a whole range of emotions when heard in the context of a conversation.

Take, for example, theatrical terminology. Most of us consider ourselves to be well-rounded people, but think about whether you know what an ingénue is.

Where did the word come from

Even people far from philology can easily determine the origin of a given word. There is something refined, light, almost soft in it. Quite right, the word came to us from distant romantic France, where even the most ordinary things receive a special, incomparable name and sound.

As is the case with borrowed words, one can think about the meaning of this for a long time, putting forward a variety of assumptions. Someone, hearing the word "ingenue", makes an association with the image of the nude. Others recall the naturalness, natural beauty and immediacy of youth. The second option is even somewhat close to the truth, but it cannot be called fully true.

The whole world is a theater

The fact is that "ingenue" is a term originally associated with the light of spotlights, the stage and burgundy curtains. It was in the theater that it was first applied in relation to a specific phenomenon, after which it migrated to the expanses of world cinema.

So, ingenue is a kind of characteristic, a kind of image, firmly associated with the stage worker. In everyday life, we often encounter situations where, at the first meeting with a person, we can guess about his character, life position, and aspirations. So in this case, ingenue is the image of a young, inexperienced girl who is firmly associated with one or another actress.

What does it look like

It is easy to guess that not all the fair sex is suitable for such a role. A stocky and strongly built lady is completely unsuitable for the role of a young charmer, this is quite natural.

Ingenue is always lightness, subtlety and innocence embodied in the human body. This role is the lot of miniature girls with wide eyes and great enthusiasm for the world. It is not at all necessary that the actress be a sixteen-year-old beauty - just a visual resemblance to the described ideal of beauty is enough for this image to become a permanent stage mask.

Was it always like this

In fairness, it should be noted that ingenue is a role that has gone through a number of transformations. For example, at first, only young girls with a completely defined character could shine in this capacity, where there is more naivety than anything else. If we recall Karamzin's Poor Lisa, we can clearly see this pure image in almost perfect correspondence.

Over time, the image began to transform, get additional shades, and soon the role of the ingenue was understood as a kind of simpleton, completely unadapted to the harsh reality and constantly getting into trouble. It is noteworthy that this meaning is characteristic of the Russian theatrical tradition. Gradually, the roles began to differentiate, divided into “shy”, “simple”, “virgins” and gentle “virtuous girls”. Even later, this role ceased to be purely female - young ingenues were required on the stage, but one of its first representatives was still Voltaire's Candide.

Thus, like any other phenomenon in our lives, the very concept of ingénue has repeatedly changed. Today we understand it in one way, but perhaps in a few years this word, tracing from French, will acquire a completely different meaning.

Only one thing is clear: no matter how many years pass, the world will always admire the natural charm, naturalness and ease of the owners of this role.

The section is very easy to use. In the proposed field, just enter the desired word, and we will give you a list of its meanings. I would like to note that our site provides data from various sources - encyclopedic, explanatory, word-building dictionaries. Here you can also get acquainted with examples of the use of the word you entered.

Meaning of the word ingenue

ingenue in the crossword dictionary

Explanatory dictionary of the Russian language. D.N. Ushakov

ingenue

uncl., w. (fr. ingenue) (theatrical). The role of an inexperienced naive girl.

An actress who specialized in this role. Comic ingenue.

New explanatory and derivational dictionary of the Russian language, T. F. Efremova.

ingenue

and. non-cl. obsolete

    The role of the actress who played the role of naive, ingenuous girls.

    An actress who plays such roles.

Ingenue

(French Ingénue, literally ≈ naive), acting role: the role of simple-minded, naive, charming young girls, endowed with depth of feelings (I.-lyricist, I.-dramatist), slyly mischievous, playfully coquettish (I.-comedian). The roles of young heroines and soubrettes are close to I..

Wikipedia

Ingenue

Ingenue- acting role, naive girl. Less often, "ingenue" is called the performers of the roles of inexperienced, naive young men.

At the end of the 18th - 19th centuries, this role in the Russian theater was often called "simple" and "simple". Vivid examples of ingénue roles are Agnes in the School for Wives by Molière and Voltaire Candide, - the “speaking” names of the characters themselves indicate the role: agnes- "simple"; candide- "frank", "truthful", "sincere". Another work of Voltaire is called “L’Ingénu”.

Initially, the role of ingenue was established on the stage as a special case of the wider role of "lovers" (fr. amouruses), common in French plays of the 17th century (by the same Moliere). By the end of the 18th century, the role of the ingénue became more complicated. So, the French theatrical practice of that time distinguishes several types of ingénue: according to the characteristics of the characters - “shy” ( rosiere), "virgin" ( vierge), "virtuous" ( vertueuse); by genre - "ingenue lyric", "ingenue comedian", "ingenue dramatic", etc.

Usually, an actress in the role of an ingenue must certainly have a certain set of physical data and a special manner of performance: small stature, harmony, gentle voice, restraint in expressing feelings, a specific manner of recitation, etc. One of the most famous in the role of an ingenue was Mademoiselle Mars ( Anne-Francois-Hippolyte Boutet; joined the Comédie Française in 1799). Critics of that time noted that she had no equal in this role: “Delightful in everything connected with purity, innocence, with gentle and timid impressionability, with cheerfulness, modest, naive and innocent…”. In the theatrical practice of the 18th - early 19th centuries, it became optional to observe the age correspondence between the role and the age of the actress. So, Mademoiselle Mars, even after the age of 60, played 18-year-old girls.

Examples of the use of the word ingenue in the literature.

This one is by no means naive. ingenue directly created for the role of an insidious traitor.

Mademoiselle Mars approached the fiftieth anniversary with great care, capturing all the best roles - from heroines in love to ingenue, with a clear bias towards ingenue.

On his way to Italy and on his return, he stopped in Lyon, where he courted the actress Hyacinthe Meunier, a dexterous ingenue, who knew how to keep Dumas near her, allowing him almost nothing.

This is followed by a beautiful letter about Mademoiselle Delaporte - charming and modest ingenue, one of Dumas's closest friends, who, without any reason, was considered his mistress.

Then serving with Grigoriev, again somehow we had a special company, and Vasya Grigoriev, platonic in love with ingenue Lebedev, sighed and treated us to vodka, just to talk about the subject of the heart.

One of them died, and the other finally went on stage and became famous in her time. ingenue Dubrovina.

Ingenue, learning roles, marquises giving them advice, coquettes flirting under the cover of fans, a lamp-maker making jokes - all this could be made into a charming performance and played on January 15 - at the Molière celebrations.

But I, Mommy - you notice this - I have not seen anyone and do not want to see, because I do not believe for a second this marriage swindler, this amorous goat, this typical provincial ingenue.

ingénue - "naive") - acting role, naive girl. Less often, "ingenue" is called the performers of the roles of inexperienced, naive young men.

Initially, the role of ingenue was established on the stage as a special case of the wider role of "lovers" (fr. amouruses), common in French plays of the 17th century (by the same Moliere). By the end of the 18th century, the role of the ingénue became more complicated. So, the French theatrical practice of that time distinguishes several types of ingénue: according to the characteristics of the characters - “shy” ( rosiere), "virgin" ( vierge), "virtuous" ( vertueuse); by genre - "ingenue lyric", "ingenue comedian", "ingenue dramatic", etc.

Usually, an actress in the role of an ingenue must certainly have a certain set of physical data and a special manner of performance: small stature, harmony, gentle voice, restraint in expressing feelings, a specific manner of recitation, etc. One of the most famous in the role of an ingenue was Mademoiselle Mars ( Anne-Francois-Hippolyte Boutet; joined the Comédie Française in 1799). Critics of that time noted that she had no equal in this role: “Delightful in everything connected with purity, innocence, with gentle and timid impressionability, with cheerfulness, modest, naive and innocent…”. In the theatrical practice of the 18th - early 19th centuries, it became optional to observe the age correspondence between the role and the age of the actress. So, Mademoiselle Mars played 18-year-old girls even after the age of 60.

see also



Similar articles