Phrases of the wild from the play Thunderstorm. The Dark Kingdom in Ostrovsky's drama "Thunderstorm": Wild and Boar

Already such and such a scolder, like ours
Savel Prokofich, look for more!
A. N. Ostrovsky
The drama of Alexander Nikolaevich Ostrovsky "Thunderstorm" for many years became a textbook work depicting the "dark kingdom" that suppresses the best human feelings and aspirations, trying to force everyone to live according to their rough laws. No free-thinking - unconditional and complete obedience to elders. The carriers of this "ideology" are Wild and Kabanikha. Internally, they are very similar, but there is some external difference in their characters.
The boar is a hypocrite and a hypocrite. Under the guise of piety, she, “like rusty iron,” eats her household, completely suppressing their will. The boar raised a weak-willed son, she wants to control his every step. The very idea that Tikhon can make decisions on his own without looking back at his mother is unpleasant to her. “I would believe you, my friend,” she says to Tikhon, “if I didn’t see with my own eyes and hear with my own ears, what kind of respect for parents from children has now become! If only they remembered how many diseases mothers endure from children.
The boar not only humiliates the children herself, she teaches Tikhon to do the same, forcing him to torture his wife. This old woman is suspicious. If she had not been so ferocious, Katerina would not have rushed first into the arms of Boris, and then into the Volga. Wild, just like a "chain" pounces on everyone. Curly, however, is sure that “... we don’t have enough guys for me to become, otherwise we would wean him to be mischievous.” This is absolutely true. Wild does not meet with due resistance, and therefore suppresses everyone. Behind him, capital is the basis of his outrages, which is why he keeps himself that way. For Wild there is one law - money. With them, he determines the “value” of a person. Swearing is a normal state for him. They say about him: “To look for such a scolder as Savel Prokofich is with us. No way will a person be cut off. ”
Kabanikha and Wild are "pillars of society", spiritual mentors in the city of Kali-nova. They have established unbearable orders, from which one rushes into the Volga, others run wherever their eyes look, and still others become drunkards.
The boar is quite sure of her rightness, she alone knows the ultimate truth. That is why he behaves so unceremoniously. She is the enemy of everything new, young, fresh. “That’s how the old thing is being brought out. I don't want to go to another house. And if you go up, you will spit, but get out more quickly. What will happen, how the old people will die, how the light will stand, I don’t know. Well, at least it’s good that I don’t see anything. ”
Dikoy has a pathological love for money. In them, he sees the basis of his unlimited power over people. Moreover, for him, all means are good in getting money: he shortchanges the townspeople, “he will not count a single one by way”, he has “thousands made up of unpaid kopecks”, quite calmly appropriates the inheritance of his nephews. Wild is not scrupulous in the choice of means.
Under the yoke of the Scavs and Boars, not only their households, but the whole city, groan. "Tolstoy is powerful" opens before them an unlimited possibility of arbitrariness and tyranny. “The absence of any law, any logic - this is the law and logic of this life,” Dobrolyubov writes about the life of the city of Kalinov, and, consequently, of any other city in Tsarist Russia.
In the play "Thunderstorm" Ostrovsky gives a true picture of the musty atmosphere of the provincial city. A terrifying impression is made on the reader and the viewer, but why is the drama still relevant 140 years after its creation? Little has changed in the psychology of people. Who is rich, in power, he is right, unfortunately, to this day.

The Thunderstorm by A. N. Ostrovsky made a strong and deep impression on his contemporaries. Many critics were inspired by this work. However, in our time it has not ceased to be interesting and topical. Raised to the category of classical drama, it still arouses interest.

The arbitrariness of the "older" generation lasts for many years, but some event must occur that could break the patriarchal tyranny. Such an event is the protest and death of Katerina, which awakened other representatives of the younger generation.

Let us consider in more detail the characteristics of the main acting heroes.

The action of Ostrovsky's drama takes place in the fictitious city of Kalinovo on the banks of the Volga, where the traditional way of life reigns. The city has beautiful nature, but callousness and ignorance, anger, drunkenness and depravity reign among the inhabitants of this area. And the worst thing is that people are used to it. They had such a way of life, and if a normal person got to them, then he could not stay there for a long time. As in every literary work, there are positive and negative characters in Ostrovsky's play "Thunderstorm". The negative, first of all, are the mother-in-law of the main character Katerina - Marfa Ignatievna Kabanova and uncle Boris, Katerina's beloved, Savel Prokofievich Dikoy.

In the play, these heroes are rarely called by their first names and patronymics, they are more called and. What these characters have in common is that they are both cruel and heartless people, but their love of money unites them. Relationships of people, according to their worldview, are based only on wealth. They, as they want, mock their household, forcing them to live in constant fear.

Wild put himself above everyone around him, and they are afraid of him and do not even try to resist it. He shows permissiveness, because in Kalinin there is no one who could resist him. Wild is convinced of his impunity and considers himself the master of life.

The boar covers disrespectful behavior with a mask of virtue. She is a strong and powerful person, she is little interested in emotions and feelings. As a person of the old formation, Kabanova is interested in earthly affairs and interests. Her requirements are the unquestioning fulfillment of order and rank.

Wild, as well as Kabanova, can be considered representatives of a certain part of the merchant class who behaved inappropriately. Such people cannot be called pious. But it cannot be said that the Russian merchants of the 19th century were the prototype of Kabanikha and Dikiy. In the same drama, Ostrovsky shows that Boris's father was the brother of Diky, but being brought up in the same family, he was different from the merchant Diky. Boris's father was married to a girl of noble origin, and he had a completely different life than his despotic brother.

Kabanova is also shown as a typical representative of the merchant class. Being the head of the family, the mother of Tikhon, Varvara and the mother-in-law of Katerina, she constantly harasses her loved ones with her behavior. Maybe she loved her children in her own way, but how can a normal mother behave like that? Probably not. The drama contains a description of Katerina's childhood story. Katerina's parents were also from the merchant class, but Katerina's mother was a sensitive, kind and sympathetic woman. She loved and cared for her daughter very much.

Ostrovsky took the plot for his play from real life, but the city was given the fictitious name Kalinov. Many Volga cities believed that the play "Thunderstorm" was written based on the events that took place in their city. Now for some reason they believe that this is the city of Kostroma.

In Ostrovsky's drama "Thunderstorm", Dikoy and Kabanikh are representatives of the "Dark Kingdom". One gets the impression that Kalinov is fenced off from the rest of the world by the highest fence and lives some kind of special, closed life. Ostrovsky focused on the most important, showing the wretchedness, the savagery of the customs of the Russian patriarchal life, because all this life only stands on the usual, outdated laws, which, obviously, are completely ridiculous. The "Dark Kingdom" tenaciously clings to its old, well-established. This is standing in one place. And such a standing is possible if it is supported by people who have power and authority.

A more complete, in my opinion, idea of ​​a person can be given by his speech, that is, the usual and specific expressions inherent only to this hero. We see how Wild, as if nothing had happened, just like that can offend a person. He does not put in anything not only those around him, but even his relatives and friends. His household live in constant fear of his wrath. Wild in every possible way mocks his nephew. It is enough to recall his words: “I told you once, I told you twice”; "Don't you dare meet me"; you will get everything! Is there enough space for you? Wherever you go, here you are. Pah you damned! Why are you standing like a pillar! Are you being told or not?" Wild frankly shows that he does not respect his nephew at all. He puts himself above everyone around him. And no one offers him the slightest resistance. He scolds everyone over whom he feels his power, but if someone scolds him himself, he will not be able to answer, then hold on, all at home! On them, the Wild will take all his anger.

Wild - a "significant person" in the city, a merchant. Here's how Shapkin says about him: For no reason will a person be cut off.

“The view is extraordinary! Beauty! The soul rejoices! ”- exclaims Kuligin, but against the background of this beautiful landscape, a bleak picture of life is drawn, which appears before us in The Thunderstorm. It is Kuligin who gives an accurate and clear description of the life, customs and customs that prevail in the city of Kalinov.

So, like Wild, Kabanikha is distinguished by selfish inclinations, she thinks only of herself. Residents of the city of Kalinov talk about Dikoy and Kabanikh very often, and this makes it possible to obtain rich material about them. In conversations with Kudryash, Shapkin calls Diky "a scolder", while Kudryash calls him a "shrill peasant". The boar calls Wild a "warrior". All this speaks of the grumpiness and nervousness of his character. Reviews about Kabanikh are also not very flattering. Kuligin calls her "a hypocrite" and says that she "clothes the poor, but completely ate her home." This characterizes the merchant from a bad side.

We are struck by their heartlessness in relation to people dependent on them, their unwillingness to part with money in settlements with workers. Recall what Dikoy says: “I was talking about a fast, about a great one, and then it’s not easy and slip a little man, he came for money, he carried firewood ... I sinned: I scolded, so scolded ... I almost nailed it.” All relationships between people, in their opinion, are built on wealth.

The boar is richer than the Wild Boar, and therefore she is the only person in the city with whom the Wild Boar must be polite. “Well, don’t open your throat very much! Find me cheaper! And I love you!"

Another feature that unites them is religiosity. But they perceive God, not as someone who forgives, but as someone who can punish them.

Kabanikha, like no other, reflects the whole commitment of this city to old traditions. (She teaches Katerina, Tikhon how to live in general and how to behave in a particular case.) Kabanova tries to seem kind, sincere, and most importantly an unhappy woman, tries to justify her actions with her age: “Mother is old, stupid; well, you young people, smart, should not exact from us fools. But these statements are more like irony than sincere confession. Kabanova considers herself the center of attention, she cannot imagine what will happen to the whole world after her death. The boar is blindly devoted to her old traditions to the point of absurdity, forcing all households to dance to her tune. She makes Tikhon say goodbye to his wife in the old way, causing laughter and a feeling of regret among those around him.

On the one hand, it seems that the Wild is rougher, stronger and, therefore, scarier. But, looking closer, we see that Wild is only capable of screaming and rampaging. She managed to subdue everyone, keeps everything under control, she even tries to manage people's relationships, which leads Katerina to death. The boar is cunning and smart, unlike the Wild Boar, and this makes her more scary. In the speech of Kabanikhi, hypocrisy and duality of speech are very clearly manifested. She talks to people very boldly and rudely, but at the same time, while communicating with him, she wants to seem kind, sensitive, sincere, and most importantly, an unhappy woman.

We can say that Dikoy is completely illiterate. He says to Boris: “Fail you! I don't want to talk to the Jesuit with you." Dikoy uses in his speech "with the Jesuit" instead of "with the Jesuit". So he also accompanies his speech with spitting, which finally shows his lack of culture. In general, throughout the drama, we see him sprinkle his speech with abuse. “What are you doing here! What the hell is the water one here! ”, Which shows him as an extremely rude and ill-mannered person.

Wild is rude and straightforward in his aggressiveness, he does things that sometimes cause bewilderment and surprise among others. He is able to offend and beat a peasant without giving him money, and then in front of everyone to stand in front of him in the dirt, asking for forgiveness. He is a brawler, and in his rampage he is able to throw thunder and lightning at his household, hiding from him in fear.

Therefore, we can conclude that Diky and Kabanikha cannot be considered typical representatives of the merchant class. These characters in Ostrovsky's drama are very similar and differ in egoistic inclinations, they think only of themselves. And even their own children, to some extent, seem to be a hindrance to them. Such an attitude cannot decorate people, which is why Dikoy and Kabanikha evoke persistent negative emotions in readers.

At the time the play was written, society was ruled by heroes like Wild. His portrait is similar to hundreds of other wealthy merchants, immersed in a luxurious lifestyle, absolute ignorance. Such people pulled Russia to the bottom. In the dark realm of stupidity, stupidity, medieval customs. The image and characterization of the Wild in the play "Thunderstorm" is negative. He is the true embodiment of the concept of tyranny. He is a prominent representative of wild customs and a harsh attitude towards people and life.

Savel Prokofievich Wild- a wealthy merchant in the city of Kalinov. negative character.

Image and characteristics

Wild man, to put it mildly, unpleasant. This impression is due to the terrible character. Wife of Diky, knowing that it is better not to anger her husband, begins every morning to tearfully address others:

“Fathers, don’t be angry! Doves, don't get angry!

And so every day. It is easy to guess how she gets from him if she disobeys or deigns to be angry. There is no talk of a happy, family life.

Wild typical portrait of a petty tyrant. Used to feel like a full-fledged ruler of the city. I am absolutely sure that he has the right to influence the fate of the inhabitants, impudently interfering in their lives.

"If I want - I'll have mercy, if I want - I'll crush."

Feeling power over people, he uses it to the fullest, creating whatever comes into his head. Wild knows for sure that his antics will go unpunished.

Rude and boor. Speaking is a complete nightmare. Solid swearing. Maybe he is used to expressing himself this way, believing that the interlocutor will understand faster. You won't get a good word from him. Wild knows exactly who to yell at and where to remain silent.

Man of moods. You never know what mood he will be in today. However, he was not seen smiling. Always gloomy and angry.

Not educated. I haven't read a single book in my entire life. The names of famous writers cause bewilderment in Savel. Doesn't know history. Not friendly with modernity. Thinks science is a waste of time. Stupidity, a ridiculous occupation unworthy of respect. In a word, wild man.

Recognizes actions. He is well aware that he is doing bad things, but changing the situation or changing himself is not for him.

“I know what I’m doing is bad, but I can’t help myself.”

Greedy for money. Money is the main thing in the life of Savel Prokofievich. Meaning and essence. Get money into the pocket of the Wild, he will never be able to part with them. Employees have forgotten what a salary is. As soon as someone asks to lend some money, Diky begins to internally rumble.

“Therefore, just give me a hint about money, it will start to inflame my whole inner one.”

When they try to reproach him with greed, Dikoy justifies himself:

"Who does not feel sorry for his own good."

It's rare that you can beg. But he hears enough of this, it will not seem enough.

attitude towards women. That's who gets it from Savel Prokofievich so it's poor women. All aggression is directed at the female gender. The only woman that the tyrant and despot is afraid of is Kabanikh. She respects. Opinion counts. The woman feels stronger and more cunning. The very character is akin to his.

Selfish. According to the will, Dikoy owes his nephew the inheritance that Boris inherited from his grandmother. One of the conditions for obtaining is a respectful attitude towards the uncle. Such conditions are favorable to the Wild. He takes advantage of this, forcing his nephew to plow on him from morning to night. It's like a free labor force. Why not exploit a relative. At the same time, Wild constantly humiliates and insults his nephew. Constantly reminds him, as if justified:

“I have my own children, why would I give money to strangers? Through this, I must offend my own!

Cowardly. Despite the fighting nature of the Wild, he is cowardly, like a hare. An ordinary thunderstorm can make him tremble. He associates it with the Lord's punishment, supernatural power. He tries to hide from her, fearing that the thunder of heaven will break him.

Self-assured. Goes through life. Like a tank, it does not stop in front of obstacles on the way. He knows exactly what he is doing and is absolutely sure that he is doing the right thing. The opinion of others is irrelevant.