Characteristics of the heroes of war and peace in English. Main characters war and peace

Leo Nikolayevich Tolstoy in his epic novel "War and Peace" provided a wide system of images. His world is not limited to a few noble families: real historical characters are mixed with fictional, major and minor ones. This symbiosis is sometimes so intricate and unusual that it is extremely difficult to determine which heroes perform a more or less important function.

Representatives of eight noble families act in the novel, almost all of them occupy a central place in the narrative.

Rostov family

This family is represented by Count Ilya Andreevich, his wife Natalya, their four children together and their pupil Sonya.

The head of the family, Ilya Andreevich, is a sweet and good-natured person. He has always been provided for, therefore he does not know how to save, he is often deceived by acquaintances and relatives for selfish purposes. The count is not a selfish person, he is ready to help everyone. Over time, his attitude, reinforced by addiction to the card game, became disastrous for his entire family. Because of the father's squandering, the family has been on the verge of poverty for a long time. The count dies at the end of the novel, after the wedding of Natalia and Pierre, of natural causes.

Countess Natalya is very similar to her husband. She, like him, is alien to the concept of self-interest and the pursuit of money. She is ready to help people who find themselves in a difficult situation, she is overwhelmed with feelings of patriotism. The countess had to endure many sorrows and troubles. This state of affairs is associated not only with unexpected poverty, but also with the death of their children. Of the thirteen born, only four survived; subsequently, the war took one more - the youngest.

The Count and Countess of Rostov, like most of the characters in the novel, have their prototypes. They were the grandfather and grandmother of the writer - Ilya Andreevich and Pelageya Nikolaevna.

The eldest child of the Rostovs is called Vera. This is an unusual girl, not like all the other members of the family. She is rude and callous at heart. This attitude applies not only to strangers, but also to close relatives. The rest of the Rostov children subsequently make fun of her and even come up with a nickname for her. The prototype of Vera was Elizaveta Bers, daughter-in-law of L. Tolstoy.

The next oldest child is Nikolai. His image is drawn in the novel with love. Nicholas is a noble person. He responsibly approaches any occupation. Tries to be guided by the principles of morality and honor. Nikolai is very similar to his parents - kind, sweet, purposeful. After the distress he had endured, he constantly took care not to find himself in a similar situation again. Nikolai takes part in military events, he is repeatedly awarded, but still he leaves military service after the war with Napoleon - his family needs him.

Nikolai marries Maria Bolkonskaya, they have three children - Andrei, Natasha, Mitya - and a fourth is expected.

The younger sister of Nikolai and Vera, Natalya, is the same in character and temperament as her parents. She is sincere and trusting, and this almost ruins her - Fedor Dolokhov fools the girl and persuades her to escape. These plans were not destined to come true, but Natalya's engagement with Andrei Bolkonsky was terminated, and Natalya fell into a deep depression. Subsequently, she became the wife of Pierre Bezukhov. The woman stopped watching her figure, others began to speak of her as an unpleasant woman. Tolstoy's wife, Sofya Andreevna, and her sister, Tatyana Andreevna, became the prototypes of Natalia.

The youngest child of the Rostovs was Petya. He was the same as all Rostovs: noble, honest and kind. All these qualities were enhanced by youthful maximalism. Petya was a sweet eccentric, to whom all pranks were forgiven. The fate of Petya was extremely unfavorable - he, like his brother, goes to the front and dies there very young and young.

We suggest that you familiarize yourself with the summary of the second part of the first volume of the novel by L.N. Tolstoy "War and Peace".

Another child, Sonya, was brought up in the Rostov family. The girl was related to the Rostovs, after the death of her parents, they took her in and treated her like their own child. Sonya was in love with Nikolai Rostov for a long time, this fact did not allow her to get married on time.

Presumably she remained alone until the end of her days. Its prototype was Leo Tolstoy's aunt, Tatyana Alexandrovna, in whose house the writer was brought up after the death of his parents.

We get to know all the Rostovs at the very beginning of the novel - they are all active throughout the story. In the "Epilogue" we learn about the further continuation of their kind.

Bezukhov family

The Bezukhov family is not represented in such a numerous form as the Rostov family. The head of the family is Kirill Vladimirovich. The name of his wife is not known. We know that she belonged to the Kuragin family, but it is not clear who exactly she was to them. Count Bezukhov has no children born in marriage - all his children are illegitimate. The eldest of them - Pierre - was officially named by his father the heir to the estate.

After such a statement by the count, the image of Pierre Bezukhov begins to appear actively in public terms. Pierre himself does not impose his society on others, but he is a prominent groom - the heir to unthinkable wealth, so they want to see him always and everywhere. Nothing is known about Pierre's mother, but this does not become a reason for indignation and ridicule. Pierre received a decent education abroad and returned to his homeland full of utopian ideas, his vision of the world is too idealistic and divorced from reality, so all the time he faces unthinkable disappointments - in social activities, personal life, family harmony. His first wife was Elena Kuragina - a whore and a flirtatious. This marriage brought a lot of suffering to Pierre. The death of his wife saved him from the unbearable - he did not have the power to leave Elena or change her, but he could not come to terms with such an attitude towards his person. The second marriage - with Natasha Rostova - became more successful. They had four children - three girls and a boy.

Princes Kuragins

The Kuragin family is stubbornly associated with greed, debauchery and deceit. The reason for this was the children of Vasily Sergeevich and Alina - Anatole and Elena.

Prince Vasily was not a bad person, he possessed a number of positive qualities, but his desire for enrichment and gentleness of character towards his son nullified all positive aspects.

Like any father, Prince Vasily wanted to ensure a prosperous future for his children, one of the options was a profitable marriage. This position not only had a bad effect on the reputation of the whole family, but also later played a tragic role in the lives of Elena and Anatole.

Little is known about Princess Alina. At the time of the story, she was a rather ugly woman. Her distinguishing feature was hostility to her daughter Elena on the basis of envy.

Vasily Sergeevich and Princess Alina had two sons and a daughter.

Anatole - became the cause of all the troubles of the family. He led a life of spenders and rake - debts, brawls were a natural occupation for him. Such behavior left an extremely negative imprint on the reputation of the family and its financial situation.

Anatole was seen in love with his sister Elena. The possibility of a serious relationship between brother and sister was suppressed by Prince Vasily, but, apparently, they still took place after Elena's marriage.

The daughter of the Kuragins, Elena, had incredible beauty, like her brother Anatole. She skillfully flirted and after marriage had a love affair with many men, ignoring her husband Pierre Bezukhov.

Their brother Ippolit was completely unlike them in appearance - he was extremely unpleasant in appearance. In terms of the composition of his mind, he was not much different from his brother and sister. He was too stupid - this was noted not only by those around him, but also by his father. Nevertheless, Ippolit was not hopeless - he knew foreign languages ​​​​well and worked at the embassy.

Princes Bolkonsky

The Bolkonsky family occupies far from the last place in society - they are rich and influential.
The family includes Prince Nikolai Andreevich - a man of the old school and peculiar customs. He is rather rude in dealing with his relatives, but still not devoid of sensuality and tenderness - he is kind to his grandson and daughter, in a peculiar way, but still, he loves his son, but he does not really succeed in showing the sincerity of his feelings.

Nothing is known about the prince's wife, even her name is not mentioned in the text. In the marriage of the Bolkonskys, two children were born - son Andrei and daughter Marya.

Andrei Bolkonsky is partially similar in character to his father - he is quick-tempered, proud and a little rude. He has an attractive appearance and natural charm. At the beginning of the novel, Andrei is successfully married to Lisa Meinen - the couple has a son, Nikolenka, but his mother dies on the night after giving birth.

After some time, Andrei becomes the fiancé of Natalia Rostova, but he didn’t have to get married - Anatol Kuragin translated all the plans, which earned him personal dislike and exceptional hatred on the part of Andrei.

Prince Andrei takes part in the military events of 1812, is seriously wounded on the battlefield and dies in the hospital.

Maria Bolkonskaya - Andrey's sister - is deprived of such pride and stubbornness as her brother, which allows her, not without difficulty, but still to get along with her father, who is not distinguished by an accommodating character. Kind and meek, she understands that she is not indifferent to her father, therefore she does not hold a grudge against him for nit-picking and rudeness. The girl is raising her nephew. Outwardly, Marya does not look like her brother - she is very ugly, but this does not prevent her from marrying Nikolai Rostov and living a happy life.

Liza Bolkonskaya (Meinen) was the wife of Prince Andrei. She was an attractive woman. Her inner world was not inferior to her appearance - she was sweet and pleasant, she loved needlework. Unfortunately, her fate did not turn out in the best way - childbirth turned out to be too difficult for her - she dies, giving life to her son Nikolenka.

Nikolenka lost his mother early, but the boy's troubles did not stop there - at the age of 7, he also loses his father. Despite everything, he is characterized by the cheerfulness inherent in all children - he grows up as an intelligent and inquisitive boy. The image of his father becomes key for him - Nikolenka wants to live in such a way that his father can be proud of him.

Mademoiselle Bourienne also belongs to the Bolkonsky family. Despite the fact that she is only a friendly companion, her significance in the context of the family is quite significant. First of all, it consists in a pseudo friendship with Princess Mary. Often Mademoiselle acts meanly towards Mary, enjoys the favor of the girl in relation to her person.

The Karagin family

Tolstoy does not spread much about the Karagin family - the reader gets acquainted with only two representatives of this family - Marya Lvovna and her daughter Julie.

Marya Lvovna first appears before readers in the first volume of the novel, her own daughter also begins to act in the first volume of the first part of War and Peace. Julie has an extremely unpleasant appearance, she is in love with Nikolai Rostov, but the young man does not pay any attention to her. Does not save the situation and its huge wealth. Boris Drubetskoy actively draws attention to her material component, the girl understands that the young man is kind to her only because of the money, but does not show it - for her this is actually the only way not to remain an old maid.

Princes Drubetskoy

The Drubetsky family is not particularly active in the public sphere, so Tolstoy avoids a detailed description of the family members and focuses readers only on active characters - Anna Mikhailovna and her son Boris.

Princess Drubetskaya belongs to an old family, but now her family is going through hard times - poverty has become a constant companion of the Drubetskys. This state of affairs gave rise to a sense of prudence and self-interest in the representatives of this family. Anna Mikhailovna tries to get as much benefit as possible from her friendship with the Rostovs - she has been living with them for a long time.

Her son, Boris, was a friend of Nikolai Rostov for some time. As they grew older, their views on life values ​​and principles began to differ greatly, which led to a removal in communication.

Boris more and more begins to show self-interest and the desire to get rich at any cost. He is ready to marry for money and does it successfully, taking advantage of the unenviable position of Julie Karagina

Dolokhov family

Representatives of the Dolokhov family are also not all active in society. Among all, Fedor stands out clearly. He is the son of Marya Ivanovna and the best friend of Anatole Kuragin. In his behavior, he also did not go far from his friend: revelry and an idle way of life are a common occurrence for him. In addition, he is famous for his love affair with Pierre Bezukhov's wife, Elena. A distinctive feature of Dolokhov from Kuragin is his attachment to his mother and sister.

Historical figures in the novel "War and Peace"

Since Tolstoy's novel takes place against the backdrop of historical events related to the war against Napoleon in 1812, it is impossible to do without at least a partial mention of real characters.

Alexander I

The novel most actively describes the activities of Emperor Alexander I. This is not surprising, because the main events take place on the territory of the Russian Empire. In the beginning, we learn about the positive and liberal aspirations of the emperor, he is "an angel in the flesh." The peak of his popularity falls on the period of Napoleon's defeat in the war. It was at this time that the authority of Alexander reaches incredible heights. An emperor can easily make changes and improve the lives of his subjects, but he doesn't. As a result, such an attitude and inactivity become the reason for the emergence of the Decembrist movement.

Napoleon I Bonaparte

On the other side of the barricade in the events of 1812 is Napoleon. Since many Russian aristocrats were educated abroad, and the French language was everyday for them, the attitude of the nobles towards this character at the beginning of the novel was positive and bordered on admiration. Then disappointment occurs - their idol from the category of ideals becomes the main villain. With the image of Napoleon, such connotations as egocentrism, lies, pretense are actively used.

Mikhail Speransky

This character is important not only in Tolstoy's novel, but also during the real era of Emperor Alexander.

His family could not boast of antiquity and significance - he is the son of a priest, but still he managed to become the secretary of Alexander I. He is not a particularly pleasant person, but everyone notes his importance in the context of events in the country.

In addition, historical characters of lesser significance, in comparison with the emperors, act in the novel. These are the great commanders Barclay de Tolly, Mikhail Kutuzov and Pyotr Bagration. Their activity and the disclosure of the image takes place on the battlefields - Tolstoy tries to describe the military part of the narrative as realistic and captivating as possible, therefore these characters are described not only as great and unsurpassed, but also as ordinary people who are subject to doubts, mistakes and negative qualities of character.

Other characters

Among the other characters, the name of Anna Scherer should be highlighted. She is the "owner" of a secular salon - the elite of society meets here. Guests are rarely left to their own devices. Anna Mikhailovna always seeks to provide her visitors with interesting interlocutors, she often panders - this is of particular interest to her.

Characteristics of the heroes of the novel "War and Peace": images of characters

We all have read or heard about the novel War and Peace, but not everyone will be able to remember the characters in the novel the first time. The main characters of the novel War and Peace- love, suffer, live life in the imagination of each reader.

Main characters War and Peace

The main characters of the novel War and Peace - Natasha Rostova, Pierre Bezukhov, Andrey Bolkonsky.

It is rather difficult to say which is the main one, since Tolstoy's characters are described as if in parallel.

The main characters are different, they have different views on life, different aspirations, but the trouble is common, the war. And Tolstoy shows in the novel not one, but many destinies. The history of each of them is unique. There is no best, there is no worst. And we understand the best and the worst in comparison.

Natasha Rostova- one of the main characters with her own history and troubles, Bolkonsky also one of the best characters, whose story, alas, had to have an end. He himself has exhausted his life limit.

Bezukhov a little strange, lost, insecure, but his fate bizarrely presented him with Natasha.

The main character is the one closest to you.

Characteristics of heroes War and peace

Akhrosimova Marya Dmitrievna- a Moscow lady, known throughout the city "not for wealth, not for honors, but for her directness of mind and frank simplicity of address." Anecdotal stories were told about her, they quietly laughed at her rudeness, but they were afraid and sincerely respected. A. knew both capitals and even the royal family. The prototype of the heroine is A. D. Ofrosimova, well-known in Moscow, described by S. P. Zhikharev in the Student's Diary.

The heroine's usual way of life consists of doing chores at home, traveling to mass, visiting prisons, receiving petitioners, and traveling to the city on business. Four sons serve in the army, which she is very proud of; he knows how to hide his anxiety for them from outsiders.

A. always speaks in Russian, loudly, she has a “thick voice”, a fat body, she holds high “her fifty-year-old head with gray curls.” A. is close to the Rostov family, loving Natasha more than anyone else. On the name day of Natasha and the old countess, it is she who dances with Count Rostov, enthralling the entire assembled society. She boldly reprimands Pierre for the incident, because of which he was expelled from St. Petersburg in 1805; she gives a rebuke to the old prince Bolkonsky for the impoliteness done to Natasha during the visit; she also frustrates Natasha's plan to run away with Anatole.

Bagration- one of the most famous Russian military leaders, hero of the Patriotic War of 1812, prince. In the novel, he acts as a real historical person and a participant in the plot action. B. "short, with an oriental type of hard and motionless face, dry, not yet an old man." In the novel, he participates mainly as the commander of the Shengraben battle. Before the operation, Kutuzov blessed him "for the great feat" of saving the army. The mere presence of the prince on the battlefield changes a lot in his course, although he does not give any visible orders, but at the decisive moment he dismounts and himself goes on the attack ahead of the soldiers. He is loved and respected by everyone, it is known about him that Suvorov himself gave him a sword for his courage in Italy. During the battle of Austerlitz, one B. fought off twice as strong an enemy all day and, during the retreat, led his column undisturbed from the battlefield. That is why Moscow chose him as its hero, in honor of B. a dinner was given in an English club, in his person "due honor was paid to a fighting, simple, without connections and intrigues, Russian soldier ...".

Bezukhov Pierre- one of the main characters of the novel; at first, the hero of the story about the Decembrist, from the idea of ​​which the work arose.

P. - the illegitimate son of Count Bezukhov, a famous Catherine nobleman, who became the heir to the title and a huge fortune, "a massive, fat young man with a cropped head, wearing glasses", he is distinguished by an intelligent, timid, "observant and natural" look P. was brought up abroad and appeared in Russia shortly before the death of his father and the beginning of the campaign of 1805. He is intelligent, inclined to philosophical reasoning, soft and kind-hearted, compassionate to others, kind, impractical and prone to passions. His closest friend, Andrei Bolkonsky, characterizes P. as the only "living person" in the whole world.

At the beginning of the novel, P. considers Napoleon the greatest man in the world, but gradually becomes disillusioned, reaching hatred for him and a desire to kill him. Having become a rich heir and falling under the influence of Prince Vasily and Helen, P. marries the latter. Very soon, having understood the character of his wife and realizing her depravity, he breaks with her. In search of the content and meaning of his life, P. is fond of Freemasonry, trying to find answers to his questions in this teaching and get rid of the passions that torment him. Realizing the falsity of the Masons, the hero breaks with them, tries to rebuild the life of his peasants, but fails because of his impracticality and gullibility.

The greatest trials fall on the lot of P. on the eve and during the war, it is not without reason that “his eyes” readers see the famous comet of 1812, which, according to common belief, foreshadowed terrible misfortunes. This sign follows P.'s declaration of love to Natasha Rostova. During the war, the hero, having decided to look at the battle and is not yet very clearly aware of the strength of national unity and the significance of the ongoing event, ends up on the Borodino field. On this day, the last conversation with Prince Andrei, who understood that the truth is where “they”, that is, ordinary soldiers, gives him a lot. Left in burning and deserted Moscow to kill Napoleon, P. tries as best he can to deal with the misfortune that has befallen people, but is captured and experiences terrible moments during the execution of prisoners.

The meeting with Platon Karataev opens up for P. the truth that one must love life, even suffering innocently, seeing the meaning and purpose of each person in being a part and reflection of the whole world. After meeting with Karataev, P. learned to see "the eternal and infinite in everything." At the end of the war, after the death of Andrei Bolkonsky and the rebirth of Natasha to life, P. marries her. In the epilogue, he is a happy husband and father, a man who, in a dispute with Nikolai Rostov, expresses convictions that allow him to be seen as a future Decembrist.

Berg- German, "a fresh, pink guards officer, impeccably washed, buttoned and combed." At the beginning of the novel, a lieutenant, at the end - a colonel who has made a good career and has awards. B. is accurate, calm, courteous, selfish and stingy. The people around him laugh at him. B. could only talk about himself and his interests, the main of which was success. He could talk about this subject for hours, with visible pleasure for himself and at the same time teaching others. During the campaign of 1805, B. was a company commander, proud of the fact that he was diligent, accurate, enjoyed the trust of his superiors, and arranged his financial affairs in a profitable way. When meeting in the army, Nikolai Rostov treats him with slight contempt.

B. first, the alleged and desired fiance of Vera Rostova, and then her husband. The hero makes an offer to his future wife at a time when refusal is impossible for him - B. correctly takes into account the financial difficulties of the Rostovs, which does not prevent him from demanding part of the promised dowry from the old count. Having reached a certain position, income, having married Vera, who meets his requirements, Colonel B. feels contented and happy, even in Moscow, leaving the inhabitants, taking care of acquiring furniture.

Bolkonskaya Lisa- the wife of Prince Andrei, for whom the name of the "little princess" was fixed in the world. “Her pretty, with a slightly blackened mustache, her upper lip was short in teeth, but it opened all the nicer and stretched out even more nicely sometimes and fell on the lower one. As is always the case with quite attractive women, her shortcomings—the shortness of her lips and her half-open mouth—seemed to be her special, her own beauty. It was fun for everyone to look at this full of health and liveliness, pretty future mother, who so easily endured her situation.

The image of L. was formed by Tolstoy in the first edition and remained unchanged. The wife of the second cousin of the writer, Princess L. I. Volkonskaya, nee Truzson, served as the prototype of the little princess, some of whose features were used by Tolstoy. The "Little Princess" enjoyed universal love because of her constant liveliness and courtesy of a secular woman who could not even imagine her life outside the world. In her relationship with her husband, she is distinguished by a complete misunderstanding of his aspirations and character. During disputes with her husband, her face took on a “brutal, squirrel expression” because of her raised lip, but Prince Andrei, repenting of his marriage to L., notes in a conversation with Pierre and his father that this is one of the rare women with whom “you can be calm for your honor.

After Bolkonsky left for the war, L. lives in the Bald Mountains, experiencing constant fear and antipathy for his father-in-law and friendly not with his sister-in-law, but with the empty and frivolous companion of Princess Marya, Mademoiselle Bourrienne. L. dies, as she foresaw, during childbirth, on the day of the return of Prince Andrei, who was considered dead. The expression on her face before and after her death seems to indicate that she loves everyone, does no harm to anyone and cannot understand what she is suffering for. Her death leaves a feeling of irreparable guilt in Prince Andrei and sincere pity in the old prince.

Bolkonskaya Marya- Princess, daughter of the old Prince Bolkonsky, sister of Prince Andrei, later the wife of Nikolai Rostov. M. has “an ugly, weak body and a thin face ... the princess’s eyes, large, deep and radiant (as if rays of warm light sometimes came out of them in sheaves), were so good that very often, despite the ugliness of the whole face, these eyes became more attractive beauty."

M. is very religious, accepts pilgrims and wanderers, enduring ridicule from her father and brother. She has no friends with whom she could share her thoughts. Her life is focused on love for her father, who is often unfair to her, for her brother and his son Nikolenka (after the death of the “little princess”), for whom she, as best she can, replaces her mother, M. is a smart, meek, educated woman, not hoping for personal happiness. Because of the unfair reproaches of her father and the impossibility of enduring it any longer, she even wanted to go on a wandering. Her life changes after meeting with Nikolai Rostov, who managed to guess the wealth of her soul. Having married, the heroine is happy, completely sharing all her husband's views "on duty and oath."

Bolkonsky Andrey- one of the main characters of the novel, the prince, the son of N. A. Bolkonsky, the brother of Princess Mary. "...Small in stature, a very handsome young man with definite and dry features." This is a smart, proud person who is looking for great intellectual and spiritual content in life. The sister notes in him some kind of “pride of thought”, he is restrained, educated, practical and has a strong will.

B. by origin occupies one of the most enviable places in society, but is unhappy in family life and is not satisfied with the emptiness of the world. At the beginning of the novel, his hero is Napoleon. Wanting to imitate Napoleon, dreaming of "his Toulon", he leaves for the army, where he shows courage, composure, heightened sense of honor, duty, and justice. Participates in the Battle of Shengraben. Seriously wounded in the battle of Austerlitz, B. understands the futility of his dreams and the insignificance of his idol. The hero returns home, where he was considered dead, on the birthday of his son and the death of his wife. These events shock him even more, leaving him feeling guilty about his dead wife. Deciding after Austerlitz to no longer serve, B. lives in Bogucharov-ve, doing housework, raising his son and reading a lot. During Pierre's arrival, he admits that he lives for himself alone, but something wakes up in his soul for a moment when he sees the sky above him for the first time after being wounded. From that time on, while maintaining the same circumstances, “his new life began in the inner world.”

During the two years of his life in the village, B. has been much involved in analyzing the latest military campaigns, which prompts him, under the influence of a trip to Otradnoye and awakened vitality, to go to St. Petersburg, where he works under Speransky, who is in charge of preparing legislative changes.

In St. Petersburg, the second meeting of B. with Natasha takes place, a deep feeling and hope for happiness arise in the soul of the hero. Postponing the wedding for a year under the influence of his father, who did not agree with the decision of his son, B. goes abroad. After the betrayal of the bride, in order to forget about it, to calm the feelings that flooded over him, he again returns to the army under the command of Kutuzov. Participating in the Patriotic War, B. wants to be at the front, and not at the headquarters, draws closer to the soldiers and comprehends the imperious power of the "spirit of the army" fighting for the liberation of their homeland. Before participating in the last battle of Borodino in his life, the hero meets and talks with Pierre. Having received a mortal wound, B., by chance, leaves Moscow in the Rostovs' train, reconciling with Natasha along the way, forgiving her and understanding before death the true meaning of the power of love that unites people.

Bolkonsky Nikolai Andreevich- prince, general-in-chief, retired from service under Paul I and exiled to the village. Father of Princess Marya and Prince Andrei. In the image of the old prince, Tolstoy restored many features of his maternal grandfather, Prince N. S. Volkonsky, "an intelligent, proud and gifted man."

N. A. lives in the countryside, meticulously allocating his time, most of all not enduring idleness, stupidity, superstition and violation of the once established order; he is demanding and harsh with everyone, often harassing his daughter with nit-picking, in the depths of his soul he loves her. The revered prince “walked in the old way, in a caftan and powder”, was short, “in a powdered wig ... with small dry hands and gray drooping eyebrows, sometimes, as he frowned, obscured the brilliance of smart and as if young shining eyes.” He is very proud, smart, restrained in showing feelings; perhaps his main concern is the preservation of family honor and dignity. Until the last days of his life, the old prince retains an interest in political and military events, only before his death he loses real ideas about the scale of the misfortune that happened to Russia. It was he who brought up feelings of pride, duty, patriotism and scrupulous honesty in his son Andrei.

Bolkonsky Nikolenka- the son of Prince Andrei and the "little princess", born on the day of the death of his mother and the return of his father, who was considered dead. He was brought up first in the house of his grandfather, then Princess Mary. Outwardly, he is very much like his dead mother: he has the same upturned lip and curly dark hair. N. grows up as a smart, impressionable and nervous boy. In the epilogue of the novel, he is 15 years old, he becomes a witness to a dispute between Nikolai Rostov and Pierre Bezukhov. Under this impression, N. sees a dream with which Tolstoy completes the events of the novel and in which the hero sees glory, himself, his late father and Uncle Pierre at the head of a large "right" army.

Denisov Vasily Dmitrievich- a combat hussar officer, gambler, gambler, noisy "a little man with a red face, shiny black eyes, black disheveled mustache and hair". D. is the commander and friend of Nikolai Rostov, a man for whom the highest honor in life is the honor of the regiment in which he serves. He is brave, capable of daring and rash acts, as in the case of the seizure of food transport, participates in all campaigns, commanding a partisan detachment in 1812 that freed the prisoners, including Pierre.

The hero of the war of 1812, D. V. Davydov, who is also mentioned in the novel as a historical person, served as the prototype for D. in many respects. Dolokhov Fedor - "Semenov officer, famous player and breter." Dolokhov was a man of medium height, curly-haired and with light, blue eyes. He was twenty-five years old. He did not wear a mustache, like all infantry officers, and his mouth, the most striking feature of his face, was completely visible. The lines of this mouth were remarkably finely curved. In the middle, the upper lip energetically descended onto the strong lower lip in a sharp wedge, and something like two smiles constantly formed in the corners, one on each side; and all together, and especially in combination with a firm, insolent, intelligent look, made such an impression that it was impossible not to notice this face. The prototypes of the image of D. are R. I. Dorokhov, a reveler and a brave man whom Tolstoy knew in the Caucasus; a relative of the writer, known at the beginning of the 19th century. Count F. I. Tolstoy-American, who also served as the prototype for the heroes of A. S. Pushkin, A. S. Griboyedov; partisans during the Patriotic War of 1812 A. S. Figner.

D. is not rich, but he knows how to position himself in society in such a way that everyone respects and even fears him. He is bored in the conditions of ordinary life and gets rid of boredom in a strange, even cruel way, doing incredible things. In 1805, he was expelled from St. Petersburg for tricks with the quarter, demoted to the rank and file, but during the military campaign he regained his officer rank.

D. is smart, brave, cold-blooded, indifferent to death. He carefully hides from. outsiders his tender affection for his mother, confessing to Rostov that everyone considers him an evil person, but in fact he does not want to know anyone except those whom he loves.

Dividing all people into useful and harmful, he sees around him mostly harmful, unloved, whom he is ready to “pass over if they get on the road.” D. is impudent, cruel and cunning. Being Helen's lover, he provokes Pierre to a duel; coolly and dishonestly beats Nikolai Rostov, taking revenge for Sonya's refusal to accept his offer; helps Anatole Kuragin to prepare an escape with Natasha, Drubetskaya Boris - the son of Princess Anna Mikhailovna Drubetskaya; from childhood he was brought up and lived for a long time in the Rostov family, who, through his mother, is a relative, was in love with Natasha. "A tall fair-haired young man with regular fine features of a calm and handsome face." Prototypes of the hero - A. M. Kuzminsky and M. D. Polivanov.

D. from his youth dreams of a career, is very proud, but accepts his mother's troubles and condones her humiliations if it benefits him. A. M. Drubetskaya, through Prince Vasily, gets her son a place in the guard. Once in the military service, D. dreams of making a brilliant career in this area.

Participating in the campaign of 1805, he acquires many useful contacts and understands his "unwritten subordination", wishing to continue to serve only in accordance with it. In 1806, A.P. Scherer “treats” them, who came from the Prussian army as a courier, to his guests. In the light of D. seeks to make useful contacts and uses the last money to give the impression of a rich and prosperous person. He becomes a close person in Helen's house and her lover. During the meeting of the emperors in Tilsit, D. is in the same place, and since that time his position has been especially firmly established. In 1809, D., seeing Natasha again, is carried away by her and for some time does not know what to prefer, since marriage with Natasha would mean the end of her career. D. is looking for a rich bride, choosing at one time between Princess Mary and Julie Karagina, who eventually became his wife.

Karataev Platon- a soldier of the Apsheron regiment, who met Pierre Bezukhov in captivity. Nicknamed in the service Falcon. This character was not in the first edition of the novel. His appearance is apparently due to the development and finalization of the image of Pierre and the philosophical concept of the novel.

At the first meeting with this small, affectionate and good-natured man, Pierre is struck by the feeling of something round and calm that comes from K. He attracts everyone to him with his calmness, confidence, kindness and smile of his round face. One day, K. tells the story of an innocently convicted merchant, who has resigned himself and suffers “for his own, but for people’s sins.” This story makes an impression among the prisoners as something very important. Weakened from a fever, K. begins to lag behind on transitions; he is shot by French escorts.

After the death of K., thanks to his wisdom and unconsciously expressed in all his behavior, the folk philosophy of life, Pierre comes to understand the meaning of life.

Kuragin Anatole- son of Prince Vasily, brother of Helen and Ippolit, officer. In contrast to the "calm fool" Ippolit, Prince Vasily looks at A. as a "restless fool" who always needs to be rescued from trouble. A. is a tall handsome man with a good-natured and "victorious look", "beautiful big" eyes and blond hair. He is dapper, arrogant, stupid, not resourceful, not eloquent in conversations, depraved, but "on the other hand, he also had the ability of calmness, precious to the world, and unchanging confidence." Being a friend of Dolokhov and a participant in his revels, A. looks at his life as a constant pleasure and amusement that should have been arranged for him by someone, he does not care about his relationships with other people. A. treats women contemptuously and with a consciousness of his superiority, accustomed to being liked and not experiencing serious feelings for anyone.

After infatuation with Natasha Rostova and an attempt to take her away, A. was forced to hide from Moscow, and then from Prince Andrei, who intended to challenge the offender to a duel. Their last meeting will take place in the infirmary after the Battle of Borodino: A. is wounded, his leg is amputated.

Kuragin Vasily- Prince, father of Helen, Anatole and Hippolyte; a well-known and influential person in Petersburg society, holding important court posts.

Prince V. treats everyone around him condescendingly and patronizingly, he speaks quietly, always bending down the hand of his interlocutor. He appears “in a courtly, embroidered uniform, in stockings, shoes, with stars, with a bright expression of a flat face”, with a “perfumed and shining bald head”. When he smiles, there is “something unexpectedly rough and unpleasant” in the wrinkles of his mouth. Prince V. does not wish harm to anyone, does not think over his plans in advance, but, as a secular person, he uses circumstances and connections to carry out plans that spontaneously arise in his mind. He always seeks rapprochement with people who are richer and higher than him in position.

The hero considers himself an exemplary father who has done everything possible to raise children and continues to take care of their future. Learning about Princess Marya, Prince V. takes Anatole to the Bald Mountains, wanting to marry him to a rich heiress. A relative of the old Count Bezukhov, he travels to Moscow and starts an intrigue with Princess Katish before the count's death to prevent Pierre Bezukhov from becoming heir. Having failed in this matter, he starts a new intrigue and marries Pierre and Helen.

Kuragina Helen- the daughter of Prince Vasily, and then the wife of Pierre Bezukhov. A brilliant St. Petersburg beauty with an "unchanging smile", full white shoulders, glossy hair and a beautiful figure. There was no noticeable coquetry in her, as if she was ashamed “for her undoubtedly and too much and win? effective beauty." E. is imperturbable, giving everyone the right to admire herself, which is why she feels, as it were, gloss from a multitude of other people's views. She knows how to be silently worthy in the world, giving the impression of a tactful and intelligent woman, which, combined with beauty, ensures her constant success.

Having married Pierre Bezukhov, the heroine discovers in front of her husband not only a limited mind, coarseness of thought and vulgarity, but also cynical depravity. After breaking up with Pierre and receiving a large part of the fortune from him by proxy, she lives either in St. Petersburg or abroad, then returns to her husband. Despite the family break, the constant change of lovers, including Dol ohov and Drubetskoy, E. continues to be one of the most famous and favored ladies of St. Petersburg. She is making very great progress in the world; living alone, she becomes the mistress of the diplomatic and political salon, gaining a reputation as an intelligent woman. Deciding to convert to Catholicism and considering the possibility of divorce and a new marriage, entangled between two very influential, high-ranking lovers and patrons, E. dies in 1812.

Kutuzov- Commander-in-Chief of the Russian Army. A participant in real historical events described by Tolstoy, and at the same time the plot of the work. He has a "chubby, wounded face" with an aquiline nose; he is gray-haired, plump, steps heavily. On the pages of the novel, K. first appears in an episode of a review near Braunau, impressing everyone with his knowledge of the matter and attention, hidden behind seeming absent-mindedness. K. knows how to be diplomatic; he is cunning enough and speaks "with elegance of expression and intonation", "with an affectation of deference" of a subservient and unreasoning person, when the matter does not concern the security of the homeland, as before the battle of Austerlitz. Before the Battle of Shengraben, K., crying, blesses Bagration.

In 1812, K., contrary to the opinion of secular circles, received the dignity of a prince and was appointed commander in chief of the Russian army. He is a favorite of soldiers and combat officers. From the beginning of his activity as commander-in-chief, K. believes that to win the campaign “you need patience and time”, that not knowledge, not plans, not mind, but “something else, independent of mind and knowledge” can solve the whole thing. . According to Tolstoy's historical and philosophical concept, a person is not able to really influence the course of historical events. K. has the ability to "calmly contemplate the course of events", but he knows how to see everything, listen, remember, do not interfere with anything useful and not allow anything harmful. On the eve and during the battle of Borodino, the commander oversees the preparations for the battle, together with all the soldiers and militias prays before the icon of the Smolensk Mother of God, and during the battle he controls the "elusive force" called the "spirit of the army." K. experiences painful feelings when he decides to leave Moscow, but “with his whole Russian being” he knows that the French will be defeated. Having directed all his forces to the liberation of his homeland, K. dies when his role is fulfilled, and the enemy is driven out of the borders of Russia. “This simple, modest, and therefore truly majestic figure could not fit into that deceitful form of a European hero, allegedly controlling people, which history invented.”

Napoleon- French Emperor a real historical person depicted in the novel, a hero whose image is associated with the historical and philosophical concept of L. N. Tolstoy.

At the beginning of the work, N. is the idol of Andrei Bolkonsky, a man whose greatness bows to Pierre Bezukhov, a politician whose actions and personality are discussed in the high society salon of A.P. Scherer. As the protagonist of the novel, he appears in the Battle of Austerlitz, after which the wounded Prince Andrei sees “a radiance of complacency and happiness” on the face of N., admiring the view of the battlefield.

The figure of N. "fat, short ... with broad, thick shoulders and an involuntarily protruding belly and chest, had that representative, portly appearance that people living in their forties have in the hall"; his face is youthful, full, with a protruding chin, short hair, and "his white plump neck protruded sharply from behind the black collar of his uniform." N.'s self-satisfaction and self-confidence are expressed in the conviction that his presence plunges people into delight and self-forgetfulness, that everything in the world depends only on his will. Sometimes he is prone to outbursts of anger.

Even before the order to cross the borders of Russia, the hero’s imagination is haunted by Moscow, and during the war he does not foresee its general course. Giving the Battle of Borodino, N. acts "involuntarily and senselessly", not being able to somehow influence its course, although he does nothing harmful to the cause. For the first time during the Battle of Borodino, he experienced bewilderment and hesitation, and after him the sight of the dead and wounded "overcame that spiritual strength in which he believed his merit and greatness." According to the author, N. was destined for an inhuman role, his mind and conscience were darkened, and his actions were "too opposite to goodness and truth, too far from everything human."

Rostov Ilya Andreevich- Count, father of Natasha, Nikolai, Vera and Petya Rostovs, famous Moscow gentleman, rich man, hospitable. R. knows how and loves to live, is good-natured, generous and motivated. The writer used many character traits and some episodes from the life of his paternal grandfather, Count I. A. Tolstoy, when creating the image of the old Count Rostov, noting in his appearance those features that are known from the portrait of his grandfather: a full body, “sparse gray hair on a bald spot."

R. is known in Moscow not only as a hospitable host and a wonderful family man, but also as a person who knows how to arrange a ball, a reception, a dinner better than others, and if necessary, put his own money for this. He is a member and foreman of the English club from the day of its foundation. It is he who is entrusted with the chores of arranging a dinner in honor of Bagration.

The life of Count R. is burdened only by the constant consciousness of his gradual ruin, which he is unable to stop, allowing the managers to rob themselves, not being able to refuse petitioners, not being able to change the once established order of life. Most of all, he suffers from a consciousness that ruins children, but he becomes more and more confused in business. In order to improve property matters, the Rostivs live in the countryside for two years, the count leaves the leaders, looks for a place in St. Petersburg, transporting his family there and, with his habits and social circle, giving the impression of a provincial there.

R. is distinguished by tender deep love and cordial kindness towards his wife and children. When leaving Moscow after the battle of Borodino, it was the old count who began to slowly give up carts for the wounded, thus inflicting one of the last blows to his condition. Events of 1812-1813 and the loss of Petya finally broke the mental and physical strength of the hero. The last event, which, out of old habit, he directs, making the same active impression, is the wedding of Natasha and Pierre; in the same year, the count dies "just at the time when things ... got so confused that it was impossible to imagine how it would all end," and leaves a good memory behind.

Rostov Nikolay- son of Count Rostov, brother of Vera, Natasha and Petya, officer, hussar; at the end of the novel, the husband of Princess Marya Volkonskaya. "A short, curly-haired young man with an open expression," in which he saw "swiftness and enthusiasm." N. the writer gave some features of his father, N. I. -Tolstoy, a participant in the war of 1812. The hero differs in many ways in the same traits of openness, cheerfulness, goodwill, self-sacrifice, musicality and emotionality as all Rostovs. Being sure that he is neither an official nor a diplomat, N. at the beginning of the novel leaves the university and enters the Pavlograd Hussar Regiment, in which his whole life is concentrated for a long time. He participates in military campaigns and the Patriotic War of 1812. N. takes his first baptism of fire while crossing the Enns, not being able to combine "the fear of death and a stretcher and love for the sun and life." In the battle of Shengraben, he goes on the attack too bravely, but, being wounded in the arm, he gets lost and leaves the battlefield with the thought of the absurdity of the death of the one "whom everyone loves so much." Having passed these tests, N. becomes a brave officer, a real hussar; he retains a sense of adoration for the sovereign and fidelity to his duty. Feeling at home in his own regiment, as in some special world where everything is simple and clear, N. turns out to be not free from solving complex moral problems, as, for example, in the case of officer Telyanin. In the regiment, N. becomes a “quite coarse” kind fellow, but remains sensitive and open to subtle feelings. In civilian life, he behaves like a real hussar.

His long-lasting romance with Sonya ends with the noble decision of N. to marry a dowry even against the will of his mother, but he receives a letter from Sonya with the return of his freedom. In 1812, during one of his trips, N. met Princess Marya and helped her leave Bogucharov. Princess Mary amazes him with her meekness and spirituality. After the death of his father, N. retires, taking on all the obligations and debts of the deceased, taking care of his mother and Sonya. When meeting with Princess Volkonskaya, out of noble motives, he tries to avoid her, one of the richest brides, but their mutual feeling does not weaken and is crowned with a happy marriage.

Rostov Petya- the youngest son of the Rostov counts, brother of Vera, Nikolai, Natasha. At the beginning of the novel, P. is still a little boy, enthusiastically yielding to the general atmosphere of life in the Rostov house. He is musical, like all Rostovs, kind and cheerful. After the entry of Nicholas into the army, P. wants to imitate his brother, and in 1812, carried away by a patriotic impulse and an enthusiastic attitude towards the sovereign, he asks for leave to join the army. “Snub-nosed Petya, with his cheerful black eyes, a fresh blush and a little fluff on his cheeks” becomes after leaving the mother’s main concern, realizing only at that time the full depth of her love for her youngest child. During the war, P. accidentally ends up with an assignment in the Denisov detachment, where he remains, wanting to take part in the present case. He accidentally dies, showing on the eve of his death in relations with his comrades all the best features of the "Rostov breed", inherited by him in his own home.

Rostov- Countess, "a woman with an oriental type of thin face, forty-five years old, apparently exhausted by children ... The slowness of her movements and speech, which came from the weakness of her strength, gave her a significant look that inspires respect." When creating the image of the Countess, R. Tolstoy used the character traits and some circumstances of the life of his paternal grandmother P. N. Tolstoy and mother-in-law L. A. Bers.

R. used to live in luxury, in an atmosphere of love and kindness. She is proud of the friendship and trust of her children, pampers them, worries about their fate. Despite seeming weakness and even lack of will, the Countess makes balanced and reasonable decisions regarding the fate of children. Her love for children is also dictated by her desire to marry Nikolai to a rich bride at all costs, nit-picking Sonya. The news of Petya's death almost drives her insane. The only object of displeasure of the countess is the inability of the old count to manage affairs and small quarrels with him because of the waste of the state of the children. At the same time, the heroine cannot understand either the position of her husband, or the position of her son, with whom she remains after the death of the count, demanding the usual luxury and the fulfillment of all her whims and desires.

Rostova Natasha- one of the main characters of the novel, daughter of Count Rostov, sister of Nikolai, Vera and Petya; at the end of the novel, Pierre Bezukhov's wife. N. - "black-eyed, with a big mouth, ugly, but alive ...". As its prototype, Tolstoy was served by his wife and her sister T. A. Bers, married Kuzminskaya. According to the writer, he "took Tanya, reworked with Sonya, and Natasha turned out." The image of the heroine took shape gradually from the very birth of the idea, when the writer, next to his hero, a former Decembrist, introduces himself to his wife.

N. is very emotional and sensitive, she intuitively guesses people, “not deigning” to be smart, sometimes she is selfish in the manifestations of her feelings, but more often she is capable of self-forgetfulness and self-sacrifice, as is the case with the removal of the wounded from Moscow or nursing mother after the death of Petya.

One of N.'s defining qualities and virtues is her musicality and rare beauty of her voice. With her singing, she is able to influence the best in a person: it is N.'s singing that saves Nikolai from despair after losing 43 thousand. Old Count Rostov says about N. that she is all in him, “gunpowder”, while Akhrosimova calls her “Cossack” and “potion girl”.

Constantly carried away, N. lives in an atmosphere of love and happiness. A change in her fate occurs after a meeting with Prince Andrei, who became her fiancé. The impatient feeling that overwhelms N., the insult inflicted by the old prince Bolkonsky, pushes her to be infatuated with Anatole Kuragin, to refuse Prince Andrei. Only having experienced and felt a lot, she realizes her guilt before Bolkonsky, reconciling with him and remaining near the dying Prince Andrei until his death. N. feels true love only for Pierre Bezukhov, with whom he finds complete understanding and whose wife he becomes, plunging into the world of family and maternal worries.

Sonya- niece and pupil of the old Count Rostov, who grew up in his family. The storyline of S. is based on the fate of T. A. Ergolskaya, a relative, close friend and teacher of the writer, who lived until the end of her days in Yasnaya Polyana and in many ways prompted Tolstoy to engage in literary work. However, the spiritual appearance of Yergolskaya is quite far from the character and inner world of the heroine. At the beginning of the novel, S. is 15 years old, she is “a thin, miniature brunette with a soft look tinted with long eyelashes, a thick black braid that wraps around her head twice, and a yellowish tint of skin on her face and especially on her naked, thin, but graceful hands and neck . With smoothness of movement, softness and flexibility of small members and a somewhat cunning and restrained manner, she resembles a beautiful, but not yet formed kitten, which will be a lovely cat.

S. fits perfectly into the Rostov family, is unusually close and friendly with Natasha, and has been in love with Nikolai since childhood. She is restrained, silent, judicious, cautious, her ability to self-sacrifice is highly developed. S. attracts attention with her beauty and moral purity, but she does not have that immediacy and inexplicably irresistible charm that Natasha has. S.'s feeling for Nikolai is so constant and deep that she wants to "always love, and let him be free." This feeling makes her refuse the enviable groom in her dependent position - Dolokhov.

The content of the heroine's life depends entirely on her love: she is happy, being connected by a word with Nikolai Rostov, especially after Christmas and his refusal of his mother's request to go to Moscow to marry the rich Julie Karagina. S. finally decides her fate under the influence of biased reproaches and reproaches of the old countess, not wanting to pay ingratitude for everything that was done for her in the Rostov family, and most importantly, wishing Nikolai happiness. She writes him a letter in which she frees him from this word, but secretly hopes that his marriage to Princess Mary will be impossible after the recovery of Prince Andrei. After the death of the old count, he remains with the countess to live in the care of the retired Nikolai Rostov.

Tushin- staff captain, hero of the Shengraben battle, “a small, dirty, thin artillery officer with big, intelligent and kind eyes. There was something "unmilitary, somewhat comical, but extremely attractive" about this man. T. becomes shy when meeting with his superiors, and there is always some kind of his fault. On the eve of the battle, he speaks of the fear of death and the uncertainty of what awaits after it.

In battle, T. completely changes, presenting himself as the hero of a fantastic picture, a hero throwing cannonballs at the enemy, and the enemy guns seem to him to be the same puffing smoking pipes as his own. Battery T. forgotten during the battle, left without cover. During the battle, T. does not have a sense of fear and thoughts about death and injury. He becomes more and more cheerful, the soldiers listen to him like children, but he does everything he can, and thanks to his ingenuity sets fire to the village of Shengraben. From another trouble (cannons left on the battlefield), the hero is rescued by Andrei Bolkonsky, who announces to Bagration that the detachment largely owes its success to this man.

Sherer Anna Pavlovna- the maid of honor and close associate of Empress Maria Feodorovna, the hostess of the fashionable high-society "political" salon in St. Petersburg, describing the evening in which Tolstoy begins his novel. A.P. is 40 years old, she has “obsolete facial features”, every time the Empress is mentioned, she expresses a combination of sadness, devotion and respect. The heroine is dexterous, tactful, influential at court, prone to intrigues. Her attitude to any person or event is always dictated by the latest political, court or secular considerations, she is close to the Kuragin family and friendly with Prince Vasily. A.P. is constantly “full of animation and impulse”, “to be an enthusiast has become her social position”, and in her salon, in addition to discussing the latest court and political news, she always “treats” guests with some novelty or celebrity, and in 1812 Her circle demonstrates salon patriotism in Petersburg light.

Chapped Tikhon- a peasant from Pokrovsky near Gzhatya, who joined Denisov's partisan detachment. He got his nickname because of the lack of one tooth. He is agile, walks on "flat, twisted legs." In the detachment T. is the most necessary person, no one more dexterous than him can lead the "language" and perform any uncomfortable and dirty work. T. goes to the French with pleasure, bringing trophies and bringing prisoners, but after his injury, he begins to kill the French needlessly, laughingly referring to the fact that they were “bad”. For this, he is not loved in the detachment.

Now you know the main characters of War and Peace, as well as their brief description.

In his novel, Tolstoy portrayed a number of characters. The author knowingly provides a detailed description of the characters. "War and Peace" is a novel in which the entire noble families, which make up the whole noble families, show the reader a reflection of the people who lived during the war with Napoleon. In "War and Peace" we see the Russian spirit, the features of historical events characteristic of the period of the late 18th - early 19th centuries. The greatness of the Russian soul is shown against the backdrop of these events.

If you make a list of characters ("War and Peace"), you get a total of about 550-600 heroes. However, they are not all equally important to the story. "War and Peace" is a novel whose heroes can be divided into three main groups: main, secondary characters and those simply mentioned in the text. Among them are both fictional and historical figures, as well as heroes who have prototypes among the writer's environment. This article will introduce the main characters. "War and Peace" is a work in which the Rostov family is described in detail. Therefore, let's start with it.

Ilya Andreevich Rostov

This is a count who had four children: Petya, Nikolai, Vera and Natasha. Ilya Andreevich is a very generous and good-natured person who loved life. As a result, his exorbitant generosity led to extravagance. Rostov is a loving father and husband. He is a good organizer of receptions and balls. But life on a grand scale, as well as disinterested assistance to wounded soldiers and the departure of Russians from Moscow, dealt fatal blows to his condition. Conscience tormented Ilya Andreevich all the time because of the approaching poverty of his relatives, but he could not help himself. After the death of Petya, the youngest son, the count was broken, but revived, preparing the wedding of Pierre Bezukhov and Natasha. Count Rostov dies a few months after these characters are married. "War and Peace" (Tolstoy) is a work in which the prototype of this hero is Ilya Andreevich, Tolstoy's grandfather.

Natalya Rostova (wife of Ilya Andreevich)

This 45-year-old woman, the wife of Rostov and the mother of four children, had some eastern surroundings, the focus of gravity and slowness in her was regarded as solidity, as well as her high significance for the family. However, the real reason for these manners lies in the weak and exhausted physical condition due to childbirth and the forces devoted to raising children. Natalya loves her family and children very much, so the news of Petya's death almost drove her crazy. Countess Rostova, like Ilya Andreevich, loved luxury and demanded that everyone fulfill her orders. In it you can find the features of Tolstoy's grandmother - Pelageya Nikolaevna.

Nikolay Rostov

This hero is the son of Ilya Andreevich. He is a loving son and brother, he honors his family, but at the same time he faithfully serves in the army, which is a very important and significant feature in his characterization. He often saw even his fellow soldiers as a second family. Although Nikolai was in love with Sonya, his cousin, for a long time, he nevertheless marries Marya Bolkonskaya at the end of the novel. Nikolai Rostov is a very energetic person, with "open and curly hair. His love for the Russian emperor and patriotism never dried up. After going through the hardships of the war, Nikolai becomes a brave and courageous hussar. He retires after the death of Ilya Andreevich in order to correct the financial situation of the family, pay off debts and finally become a good husband for his wife. To Tolstoy, this hero is presented as a prototype of his own father. As you probably already noticed, the system of characters is characterized by the presence of prototypes in many heroes. "War and Peace" - a work in which the morals of the nobility are presented through the features of the family of Tolstoy, who was a count.

Natasha Rostova

This is the daughter of the Rostovs. A very emotional and energetic girl who was considered ugly, but attractive and lively. Natasha is not very smart, but at the same time she is intuitive, as she could well "guess people", their character traits and mood. This heroine is very impulsive, prone to self-sacrifice. She dances and sings beautifully, which at that time was an important characteristic of a girl belonging to a secular society. Leo Tolstoy repeatedly emphasizes the main quality of Natasha - closeness to the Russian people. She absorbed the nation and Russian culture. Natasha lives in an atmosphere of love, happiness and kindness, but after a while the girl faces a harsh reality. The blows of fate, as well as heartfelt experiences, make this heroine an adult and, as a result, give her true love for her husband, Pierre Bezukhov. The story of the rebirth of Natasha's soul deserves special respect. She began attending church after being the victim of a deceitful seducer. Natasha is a collective image, the prototype of which was Tolstoy's daughter-in-law, Tatyana Andreevna Kuzminskaya, as well as her sister (the author's wife), Sofya Andreevna.

Vera Rostova

This heroine is the daughter of the Rostovs ("War and Peace"). The portraits of characters created by the author are distinguished by a variety of characters. Vera, for example, was famous for her strict disposition, as well as for the inappropriate, though fair, remarks she made in society. Her mother, for some unknown reason, did not love her very much, and Vera felt this keenly, and therefore often went against everyone. This girl later became the wife of Boris Drubetskoy. The prototype of the heroine is Lev Nikolaevich (Elizaveta Bers).

Petr Rostov

Rostov's son, still a boy. Petya, who grew up, tried to go to war as a young man, and his parents could not keep him. He escaped from their care and decided to join the Denisov regiment. In the very first battle, Petya dies, not having had time to fight yet. The death of a beloved son greatly crippled the family.

Sonya

With this heroine, we finish the description of the characters ("War and Peace") belonging to the Rostov family. Sonya, a glorious miniature girl, was Ilya Andreevich's own niece and lived all her life under his roof. Love for Nikolai became fatal for her, as she failed to marry him. Natalya Rostova, the old countess, was against this marriage, since the lovers were cousins. Sonya acted nobly, refusing Dolokhov and deciding to love only Nikolai all her life, while freeing him from the promise given to her. She spends the rest of her life in the care of Nikolai Rostov, with the old countess.

The prototype of this heroine is Tatyana Alexandrovna Yergolskaya, the second cousin of the writer.

Not only the Rostovs in the work are the main characters. "War and Peace" is a novel in which the Bolkonsky family also plays a big role.

Nikolai Andreevich Bolkonsky

This is the father of Andrei Bolkonsky, a general-in-chief in the past, in the present he is a prince who has earned the nickname "Prussian king" in Russian secular society. He is socially active, strict like a father, pedantic, is a wise owner of the estate. Outwardly, this is a thin old man with thick eyebrows that hung over intelligent and penetrating eyes, in a powdered white wig. Nikolai Andreevich does not like to show his feelings even to his beloved daughter and son. He harasses Mary with constant nit-picking. Prince Nikolai, sitting on his estate, follows the events taking place in the country, and only before his death loses an idea of ​​the scale of the Russian war with Napoleon. Nikolai Sergeevich Volkonsky, the writer's grandfather, was the prototype of this prince.

Andrey Bolkonsky

This is the son of Nikolai Andreevich. He is ambitious, like his father, restrained in expressing feelings, but he loves his sister and father very much. Andrei is married to Lisa, the "little princess". He had a successful military career. Andrei philosophizes a lot about the meaning of life, the state of his spirit. He is in constant search. In Natasha Rostova, after the death of his wife, he found hope for himself, as he saw a real, and not fake, as in secular society, girl, and therefore fell in love with her. Having made an offer to this heroine, he was forced to go abroad for treatment, which became a test of their feelings. The wedding ended up falling apart. Andrei went to war with Napoleon, where he was seriously wounded, as a result of which he died. Until the end of his days, Natasha looked after him faithfully.

Marya Bolkonskaya

This is Andrei's sister, the daughter of Prince Nicholas. She is very meek, ugly, but kind-hearted and also very rich. Her devotion to religion is an example of meekness and kindness to many. Marya loves her father unforgettably, often pestering her with his reproaches and ridicule. This girl also loves her brother. She did not immediately accept Natasha as a future daughter-in-law, since she seemed to her too frivolous for Andrei. Marya, after all the hardships, marries Nikolai Rostov.

Its prototype is Maria Nikolaevna Volkonskaya, Tolstoy's mother.

Pierre Bezukhov (Pyotr Kirillovich)

The main characters of the novel "War and Peace" would not be listed in full, if not to mention Pierre Bezukhov. This hero plays one of the most important roles in the work. He experienced a lot of pain and mental trauma, has a noble and kind disposition. Lev Nikolaevich himself loves Pierre very much. Bezukhov, as a friend of Andrei Bolkonsky, is very responsive and devoted. Despite the intrigues weaving under his nose, Pierre did not lose confidence in people, did not become embittered. By marrying Natasha, he finally found happiness and grace, which he lacked with his first wife, Helen. At the end of the work, his desire to change the political foundations in Russia is noticeable, you can even guess from afar the Decembrist moods of Pierre.

These are the main characters. "War and Peace" is a novel in which a large role is given to such historical figures as Kutuzov and Napoleon, as well as to some other commanders in chief. Other social groups are also represented, except for the nobility (merchants, petty bourgeois, peasantry, army). The list of characters ("War and Peace") is quite impressive. However, our task is to consider only the main characters.

"War and Peace" by Leo Tolstoy is not just a classic novel, but a real heroic epic, the literary value of which is incomparable with any other work. The writer himself considered it a poem, where the private life of a person is inseparable from the history of the whole country.

It took Leo Tolstoy seven years to perfect his novel. Back in 1863, the writer more than once discussed plans to create a large-scale literary canvas with his father-in-law A.E. Bers. In September of the same year, the father of Tolstoy's wife sent a letter from Moscow, where he mentioned the writer's idea. Historians consider this date the official start of work on the epic. A month later, Tolstoy writes to his relative that all his time and attention is occupied by a new novel, over which he thinks like never before.

History of creation

The initial idea of ​​the writer was to create a work about the Decembrists, who spent 30 years in exile and returned home. The starting point described in the novel was to be 1856. But then Tolstoy changed his plans, deciding to display everything from the beginning of the Decembrist uprising of 1825. And this was not destined to come true: the third idea of ​​the writer was the desire to describe the young years of the hero, which coincided with large-scale historical events: the war of 1812. The final version was the period from 1805. The circle of heroes was also expanded: the events in the novel cover the history of many personalities who went through all the hardships of different historical periods in the life of the country.

The title of the novel also had several variants. The “working” name was “Three Pores”: the youth of the Decembrists during the Patriotic War of 1812; The Decembrist uprising of 1825 and the 50s of the 19th century, when several important events in the history of Russia took place at once - the Crimean War, the death of Nicholas I, the return of the amnestied Decembrists from Siberia. In the final version, the writer decided to focus on the first period, since writing a novel even on such a scale required a lot of effort and time. So instead of an ordinary work, a whole epic was born, which has no analogues in world literature.

Tolstoy devoted the entire autumn and early winter of 1856 to writing the beginning of War and Peace. Already at that time, he repeatedly tried to quit his job, because, in his opinion, it was not possible to convey the whole idea on paper. Historians say that in the writer's archive there were fifteen options for the beginning of the epic. In the process of work, Lev Nikolayevich tried for himself to find answers to questions about the role of man in history. He had to study many chronicles, documents, materials describing the events of 1812. The confusion in the writer’s head was caused by the fact that all information sources assessed both Napoleon and Alexander I in different ways. Then Tolstoy decided for himself to move away from the subjective statements of strangers and display in the novel his own assessment of events based on true facts. From diverse sources, he borrowed documentary materials, records of contemporaries, newspaper and magazine articles, letters from generals, archival documents of the Rumyantsev Museum.

(Prince Rostov and Akhrosimova Marya Dmitrievna)

Considering it necessary to go directly to the scene, Tolstoy spent two days in Borodino. It was important for him to personally go around the place where large-scale and tragic events unfolded. He even personally made sketches of the sun on the field during different periods of the day.

The trip gave the writer an opportunity to feel the spirit of history in a new way; became a kind of inspiration for further work. For seven years, the work was on a spiritual upsurge and "burning". The manuscripts consisted of more than 5200 sheets. Therefore, "War and Peace" is easy to read even after a century and a half.

Analysis of the novel

Description

(Napoleon before the battle in thought)

The novel "War and Peace" touches upon a sixteen-year period in the history of Russia. The starting date is 1805, the final date is 1821. More than 500 characters are “employed” in the work. These are both real-life people, and fictional writers to add color to the description.

(Kutuzov before the Battle of Borodino is considering a plan)

The novel intertwines two main storylines: historical events in Russia and the personal lives of the characters. Real historical figures are mentioned in the description of Austerlitz, Shengraben, Borodino battles; the capture of Smolensk and the surrender of Moscow. More than 20 chapters are devoted specifically to the Battle of Borodino, as the main decisive event of 1812.

(In the illustration, an episode of the Ball by Natasha Rostova from the film "War and Peace" 1967.)

In opposition to "wartime", the writer describes the personal world of people and everything that surrounds them. Heroes fall in love, quarrel, reconcile, hate, suffer... In the confrontation between various characters, Tolstoy shows the difference in the moral principles of individuals. The writer is trying to tell that various events can change the worldview. One complete picture of the work consists of three hundred and thirty-three chapters of 4 volumes and another twenty-eight chapters placed in the epilogue.

First volume

The events of 1805 are described. In the "peaceful" part, life in Moscow and St. Petersburg is affected. The writer introduces the reader to the society of the main characters. The “military” part is the battles of Austerlitz and Shengraben. Tolstoy concludes the first volume with a description of how military defeats affected the peaceful life of the characters.

Second volume

(The first ball of Natasha Rostova)

This is a completely "peaceful" part of the novel, which touched upon the life of the characters in the period 1806-1811: the birth of Andrei Bolkonsky's love for Natasha Rostova; freemasonry of Pierre Bezukhov, the kidnapping of Natasha Rostova by Karagin, Bolkonsky's refusal to marry Natasha Rostova. The end of the volume is a description of a formidable omen: the appearance of a comet, which is a symbol of great upheavals.

Third volume

(In the illustration, an episode of the Borodino battle of their film "War and Peace" 1967.)

In this part of the epic, the writer refers to wartime: the invasion of Napoleon, the surrender of Moscow, the battle of Borodino. On the battlefield, the main male characters of the novel are forced to intersect: Bolkonsky, Kuragin, Bezukhov, Dolokhov ... The end of the volume is the capture of Pierre Bezukhov, who made an unsuccessful assassination attempt on Napoleon.

Fourth volume

(After the battle, the wounded arrive in Moscow)

The “military” part is a description of the victory over Napoleon and the shameful retreat of the French army. The writer also touches upon the period of the partisan war after 1812. All this is intertwined with the “peaceful” fates of the heroes: Andrei Bolkonsky and Helen pass away; love is born between Nikolai and Marya; think about living together Natasha Rostova and Pierre Bezukhov. And the main character of the volume is the Russian soldier Platon Karataev, in whose words Tolstoy tries to convey all the wisdom of the common people.

Epilogue

This part is devoted to describing the changes in the lives of the heroes seven years after 1812. Natasha Rostova is married to Pierre Bezukhov; Nicholas and Marya found their happiness; the son of Bolkonsky, Nikolenka, grew up. In the epilogue, the author reflects on the role of individuals in the history of the whole country, and tries to show the historical interconnections of events and human destinies.

The main characters of the novel

More than 500 characters are mentioned in the novel. The author tried to describe the most important of them as accurately as possible, endowing with special features not only of character, but also of appearance:

Andrei Bolkonsky - Prince, son of Nikolai Bolkonsky. Constantly looking for the meaning of life. Tolstoy describes him as handsome, reserved, and with "dry" features. He has a strong will. Dies as a result of a wound received at Borodino.

Marya Bolkonskaya - Princess, sister of Andrei Bolkonsky. Inconspicuous appearance and radiant eyes; piety and concern for relatives. In the novel, she marries Nikolai Rostov.

Natasha Rostova is the daughter of Count Rostov. In the first volume of the novel, she is only 12 years old. Tolstoy describes her as a girl of not very beautiful appearance (black eyes, big mouth), but at the same time “alive”. Her inner beauty attracts men. Even Andrei Bolkonsky is ready to fight for his hand and heart. At the end of the novel, she marries Pierre Bezukhov.

Sonya

Sonya is the niece of Count Rostov. In contrast to her cousin Natasha, she is beautiful in appearance, but much poorer in spirit.

Pierre Bezukhov is the son of Count Kirill Bezukhov. A clumsy massive figure, kind and at the same time strong character. He can be harsh, or he can become a child. Interested in Freemasonry. He is trying to change the life of the peasants and influence large-scale events. Initially married to Helen Kuragina. At the end of the novel, he marries Natasha Rostova.

Helen Kuragin is the daughter of Prince Kuragin. Beauty, a prominent society lady. She married Pierre Bezukhov. Changeable, cold. Dies as a result of an abortion.

Nikolai Rostov is the son of Count Rostov and Natasha's brother. The successor of the family and the defender of the Fatherland. He took part in military campaigns. He married Marya Bolkonskaya.

Fedor Dolokhov is an officer, a member of the partisan movement, as well as a great swashbuckler and lover of ladies.

Counts of Rostov

The Rostov counts are the parents of Nikolai, Natasha, Vera, and Petya. A revered married couple, an example to follow.

Nikolai Bolkonsky - Prince, father of Marya and Andrei. In Catherine's time, a significant personality.

The author pays much attention to the description of Kutuzov and Napoleon. The commander appears before us as smart, unfeigned, kind and philosophical. Napoleon is described as a little fat man with an unpleasantly feigned smile. At the same time, it is somewhat mysterious and theatrical.

Analysis and conclusion

In the novel "War and Peace" the writer tries to convey to the reader the "people's thought". Its essence is that each positive hero has his own connection with the nation.

Tolstoy departed from the principle of telling a story in a novel in the first person. Evaluation of characters and events goes through monologues and author's digressions. At the same time, the writer leaves the reader the right to assess what is happening. A vivid example of this is the scene of the Battle of Borodino, shown both from the side of historical facts and the subjective opinion of the hero of the novel, Pierre Bezukhov. The writer does not forget about the bright historical figure - General Kutuzov.

The main idea of ​​the novel lies not only in the disclosure of historical events, but also in the ability to understand that one must love, believe and live under any circumstances.

Alexey Durnovo talks about the prototypes of the heroes of Leo Tolstoy's famous epic.

Prince Andrei Bolkonsky

Nikolai Tuchkov

One of those characters whose image is more fictional than borrowed from specific people. As an unattainable moral ideal, Prince Andrei, of course, could not have a definite prototype. Nevertheless, in the facts of the character's biography, one can find a lot in common, for example, with Nikolai Tuchkov.

Nikolai Rostov and Princess Marya - the writer's parents

He, just like Prince Andrei, was mortally wounded in the Battle of Borodino, from which he died in Yaroslavl three weeks later. The scene of the wounding of Prince Andrei at the Battle of Austerlitz is probably borrowed from the biography of Staff Captain Fyodor (Ferdinand) Tizenhausen. He died with a banner in his hands, when he led the Little Russian grenadier regiment to the enemy bayonets in that very battle. It is possible that Tolstoy gave the image of Prince Andrei the features of his brother, Sergei. At least this applies to the story of the failed marriage of Bolkonsky and Natasha Rostova. Sergei Tolstoy was engaged to Tatyana Bers, but the marriage, postponed for a year, never took place. Either because of the inappropriate behavior of the bride, or because the groom had a gypsy wife, whom he did not want to part with.

Natasha Rostova

Sofya Tolstaya - the writer's wife

Natasha has two prototypes at once, the already mentioned Tatyana Bers and her sister Sophia Bers. Here it should be noted that Sophia is none other than the wife of Leo Tolstoy. Tatyana Bers married Senator Alexander Kuzminsky in 1867. She spent most of her childhood in the family of a writer and managed to make friends with the author of War and Peace, even though she was almost 20 years younger than him. Moreover, under the influence of Tolstoy, Kuzminskaya herself took up literary work. It seems that every person who went to school knows about Sofya Andreevna Tolstaya. She really rewrote War and Peace, a novel whose main character had many similarities with the author's wife.

Rostov

Ilya Andreevich Tolstoy - the grandfather of the writer

The surname Rostov was formed by replacing the first and last letters in the surname Tolstoy. "P" instead of "t", "v" instead of "d", well, minus "l". So the family, which occupies an important place in the novel, acquired a new name. The Rostovs are the Tolstoys, or rather the writer's paternal relatives. There is even a coincidence in the names, as in the case of the old Count Rostov.

Even Tolstoy did not hide the fact that Vasily Denisov is Denis Davydov

This name hides the writer's grandfather Ilya Andreevich Tolstoy. This man, in fact, led a rather wasteful lifestyle and spent enormous sums on entertainment events. And yet, this is not the good-natured Ilya Andreevich Rostov from War and Peace. Count Tolstoy was the governor of Kazan and a bribe taker known throughout Russia. He was removed from his post after the auditors discovered the theft of almost 15 thousand rubles from the provincial treasury. Tolstoy explained the loss of money by a "lack of knowledge."

Nikolai Rostov is the father of the writer Nikolai Ilyich Tolstoy. There are more than enough similarities between the prototype and the hero of War and Peace. Nikolai Tolstoy served in the hussars and went through all the Napoleonic wars, including the Patriotic War of 1812. It is believed that the descriptions of military scenes with the participation of Nikolai Rostov were taken by the writer from the memoirs of his father. Moreover, Tolstoy Sr. completed the financial collapse of the family with constant losses in cards and debts, and to remedy the situation, he married the ugly and withdrawn Princess Maria Volkonskaya, who was four years older than him.

Princess Mary

The mother of Leo Tolstoy, Maria Nikolaevna Volkonskaya, by the way, is also the full namesake of the book heroine. Unlike Princess Marya, she had no problems with the sciences, in particular with mathematics and geometry. She lived for 30 years with her father in Yasnaya Polyana (Bald Mountains from the novel), but never married, although she was a very enviable bride. The fact is that the old prince, in fact, had a monstrous character, and his daughter was a closed woman and personally rejected several suitors.

Dolokhov's prototype probably ate his own orangutan

Princess Volkonskaya even had a companion - Miss Hanessen, somewhat similar to Mademoiselle Bourienne from the novel. After the death of her father, the daughter began to literally give away property, after which her relatives intervened, arranging the marriage of Maria Nikolaevna with Nikolai Tolstoy. Judging by the memoirs of contemporaries, the arranged marriage turned out to be very happy, but short-lived. Maria Volkonskaya died eight years after the wedding, having managed to give birth to her husband four children.

Old Prince Bolkonsky

Nikolai Volkonsky, who left the royal service for the sake of raising his only daughter

Nikolai Sergeevich Volkonsky - an infantry general who distinguished himself in several battles and received the nickname "King of Prussia" from his colleagues. In character, he is very similar to the old prince: proud, self-willed, but not cruel. He left the service after the accession of Paul I, retired to Yasnaya Polyana and took up raising his daughter.

The prototype of Ilya Rostov is Tolstoy's grandfather, who ruined his career

For days on end he improved his household and taught his daughter languages ​​and sciences. An important difference from the character from the book: Prince Nikolai perfectly survived the War of 1812, and died only nine years later, a little short of seventy.

Sonya

Tatyana Ergolskaya is the second cousin of Nikolai Tolstoy, who was brought up in his father's house. In their youth, they had an affair that never ended in marriage. Not only Nikolai's parents opposed the wedding, but Yergolskaya herself. The last time she rejected a marriage proposal from her cousin was in 1836. The widowed Tolstoy asked for the hand of Yergolskaya, so that she would become his wife and replace the mother of five children. Ergolskaya refused, but after the death of Nikolai Tolstoy, she really took up the education of his sons and daughter, devoting the rest of her life to them.

Dolokhov

Fedor Tolstoy-American

Dolokhov also has several prototypes. Among them, for example, lieutenant general and partisan Ivan Dorokhov, the hero of several major campaigns, including the war of 1812. However, if we talk about character, then Dolokhov has more similarities with Fedor Ivanovich Tolstoy-American, who was famous in his time as a breter, player and lover of women. It must be said that Tolstoy is not the only writer who has placed the American in his works. Fedor Ivanovich is also considered the prototype of Zaretsky, Lensky's second from Eugene Onegin. Tolstoy got his nickname after he made a trip to America, during which he was taken off the ship and ate his own monkey.

Kuragins

Alexey Borisovich Kurakin

In this case, it is difficult to talk about the family, because the images of Prince Vasily, Anatole and Helen are borrowed from several people who are not related by kinship. Kuragin Sr. is undoubtedly Alexei Borisovich Kurakin, a prominent courtier during the reigns of Paul I and Alexander I, who made a brilliant career at court and made a fortune.

Prototypes of Helen - the wife of Bagration and the mistress of a classmate of Pushkin

He had three children, exactly like Prince Vasily, of whom his daughter brought him the most trouble. Alexandra Alekseevna really had a scandalous reputation, especially her divorce from her husband made a lot of noise in the world. Prince Kurakin, in one of his letters, even called his daughter the main burden of his old age. Looks like a character from War and Peace, doesn't it? Although, Vasily Kuragin spoke a little differently.

Anatole Kuragin, apparently, has no prototype, except for Anatoly Lvovich Shostak, who at one time seduced Tatiana Bers.

Ekaterina Skavronskaya-Bagration

As for Helen, her image is taken from several women at once. In addition to some similarities with Alexandra Kurakina, she has much in common with Ekaterina Skvaronskaya (Bagration's wife), who was known for her careless behavior not only in Russia, but also in Europe. At home, she was called the "Wandering Princess", and in Austria she was known as the mistress of Clemens Metternich, the Minister of Foreign Affairs of the Empire. From him, Ekaterina Skavronskaya gave birth - of course, out of wedlock - a daughter, Clementine. Perhaps it was the "Wandering Princess" that contributed to the entry of Austria into the anti-Napoleonic coalition. Another woman from whom Tolstoy could borrow Helen's traits is Nadezhda Akinfova. She was born in 1840 and was very famous in St. Petersburg and Moscow as a woman of scandalous reputation and rampant disposition. She gained wide popularity thanks to an affair with Chancellor Alexander Gorchakov, a classmate of Pushkin. By the way, he was 40 years older than Akinfova, the husband who was the chancellor's great-nephew.

Vasily Denisov

Denis Davydov

Every schoolchild knows that Denis Davydov was the prototype of Vasily Denisov. Tolstoy himself acknowledged this.

Julie Karagina

There is an opinion that Julie Karagina is Varvara Alexandrovna Lanskaya. She is known exclusively for the fact that she had a long correspondence with her friend Maria Volkova. From these letters Tolstoy studied the history of the War of 1812. Moreover, they almost completely entered War and Peace under the guise of correspondence between Princess Marya and Julie Karagina.

Pierre Bezukhov

Petr Vyazemsky

Alas, Pierre does not have any obvious or even approximate prototype. This character has similarities both with Tolstoy himself and with many historical figures who lived during the time of the writer and during the Patriotic War. There is, for example, a curious story about how the historian and poet Pyotr Vyazemsky went to the site of the Battle of Borodino. Allegedly, this incident formed the basis of the story of how Pierre traveled to Borodino. But Vyazemsky was at that time a military man, and he arrived on the battlefield not by an internal call, but by official duties.