Introduction
Olga Ilyinskaya in Goncharov's novel "Oblomov" is the most striking and complex female character. Getting to know her as a young, just developing girl, the reader sees her gradual maturation and disclosure as a woman, mother, and independent person. At the same time, a complete characterization of the image of Olga in the novel "Oblomov" is possible only when working with quotations from the novel that most capably convey the appearance and personality of the heroine:
“If she were turned into a statue, she would be a statue of grace and harmony. The size of the head strictly corresponded to a somewhat high growth, the oval and dimensions of the face corresponded to the size of the head; all this, in turn, was in harmony with the shoulders, the shoulders - with the camp ... ".
When meeting with Olga, people always stopped for a moment "before this so strictly and deliberately, artistically created creature."
Olga received a good upbringing and education, understands the sciences and art, reads a lot and is in constant development, knowledge, achievement of new and new goals. These features of hers were reflected in the appearance of the girl: “The lips are thin and mostly compressed: a sign of a thought constantly directed at something. The same presence of a speaking thought shone in the keen, always cheerful, piercing look of dark, gray-blue eyes, "and unevenly located thin eyebrows created a small crease on the forehead" in which something seemed to say, as if a thought rested there.
Everything in her spoke of her own dignity, inner strength and beauty: “Olga walked with her head tilted slightly forward, so gracefully, nobly resting on a thin, proud neck; moved smoothly with her whole body, stepping lightly, almost imperceptibly.
Love for Oblomov
The image of Olga Ilyinskaya in Oblomov appears at the beginning of the novel as a still very young, little-knowing girl, looking at the world around her with wide open eyes and trying to cognize it in all its manifestations. The turning point, which became for Olga the transition from childish shyness and some embarrassment (as was the case when communicating with Stolz), was love for Oblomov. A wonderful, strong, inspiring feeling that flashed with lightning speed between lovers was doomed to parting, since Olga and Oblomov did not want to accept each other as they really are, cultivating a feeling for semi-ideal prototypes of real heroes.
For Ilyinskaya, love for Oblomov was not associated with the feminine tenderness, gentleness, acceptance and care that Oblomov expected from her, but with duty, the need to change the inner world of her lover, to make him a completely different person:
“She dreamed of how“ she would order him to read the books ”that Stoltz had left, then read the newspapers every day and tell her the news, write letters to the village, finish the plan for arranging the estate, get ready to go abroad - in a word, he would not doze off with her; she will show him the goal, make him fall in love again with everything that he stopped loving.
“And all this miracle will be done by her, so timid, silent, whom no one has obeyed until now, who has not yet begun to live!”
Olga's love for Oblomov was based on the selfishness and ambitions of the heroine. Moreover, her feelings for Ilya Ilyich can hardly be called true love - it was a fleeting love, a state of inspiration and rise in front of a new peak that she wanted to reach. For Ilyinskaya, in fact, Oblomov’s feelings were not important, she wanted to make her ideal out of him, so that she could then be proud of the fruits of her labors and, perhaps, remind him later that everything he had was due to Olga.
Olga and Stolz
The relationship between Olga and Stolz developed from a tender, reverent friendship, when Andrei Ivanovich was a teacher, mentor, an inspiring figure for the girl, in his own way distant and inaccessible: “When a question, bewilderment was born in her mind, she did not suddenly decide to believe him: he was too far ahead of her, too taller than her, so that her pride sometimes suffered from this immaturity, from the distance in their minds and years.
Marriage with Stolz, who helped her recover after parting with Ilya Ilyich, was logical, since the characters are very similar in character, life orientations and goals. Quiet, calm, endless happiness was seen by Olga in her life together with Stolz:
“She experienced happiness and could not determine where the boundaries were, what it was.”
“She also walked alone, along an inconspicuous path, he also met her at the crossroads, gave her his hand and led her not into the brilliance of dazzling rays, but as if to the flood of a wide river, to spacious fields and friendly smiling hills”
Having lived together for several years in cloudless, endless happiness, seeing in each other those ideals that they always dreamed about and those people who appeared to them in their dreams, the heroes began to seem to move away from each other. It became hard for Stolz to reach out for the inquisitive, continuously striving forward Olga, and the woman “began to strictly notice herself and caught that she was embarrassed by this silence of life, her stop at moments of happiness,” asking questions: “Is it really necessary and possible to wish for something ? Where to go? Nowhere! There is no further road ... Really not, have you already completed the circle of life? Is it really all ... everything ... ". The heroine begins to be disappointed in family life, in women's destiny and in the fate that was prepared for her from birth, but continues to believe in her doubting husband and that their love will keep them together even in the most difficult hour:
“That unfading and indestructible love lay mightily, like the force of life, on their faces - in the time of friendly sorrow it shone in the slowly and silently exchanged look of cumulative suffering, was heard in endless mutual patience against life's torture, in restrained tears and muffled sobs.
And although Goncharov does not describe in the novel how the further relationship between Olga and Stolz developed, it can be briefly assumed that after some time the woman either left her husband or lived the rest of her life unhappy, more and more plunging into disappointment from the unattainability of those lofty goals, oh whom I dreamed of in my youth.
Conclusion
The image of Olga Ilyinskaya in the novel Oblomov by Goncharov is a new, to some extent feminist type of Russian woman who does not want to close herself off from the world, limiting herself to housekeeping and family. A brief description of Olga in the novel is a woman-seeker, a woman-innovator, for whom “routine” family happiness and “Oblomovism” were really the most terrifying and frightening things that could lead to degradation and stagnation of her forward-looking, learning personality. For the heroine, love was something secondary, stemming from friendship or inspiration, but not an original, leading feeling, and even more so not the meaning of life, like Agafya Pshenitsyna.
The tragedy of Olga's image lies in the fact that the society of the 19th century was not yet ready for the emergence of strong female personalities capable of changing the world on an equal footing with men, so she would still have expected the very soporific, monotonous family happiness that the girl was so afraid of.
Artwork test
The novel "Oblomov" is the main work in creativity. The novel was created over several years, from 1847 to 1859. The landowner became its main character. An educated person spends his life indulging in bliss and half laziness. He is not adapted to work and, despite the existing potential, does not have an interest in any type of activity. Olga Ilyinskaya, whose character turns out to be the exact opposite of Oblomov's image, the author assigned the role of the motivator of the main character.
The novel shows character development. Having met Olga as a young girl, the reader observes her development as a person, growing up and changing status. Constantly striving for self-development, the ambitious Olga Sergeevna Ilyinskaya awakens in Oblomov a love that is not destined to continue.
Biography and plot
Olga Ilyinskaya is an attractive girl living in St. Petersburg. She is positive, optimistic and not prone to mannerisms, traditional for the described era. The girl's family is noble. Parents died early, and as a child the heroine ended up in the house of her aunt, Marya Mikhailovna. There she was given an upbringing, allowed to openly express her opinion. Olga's self-sufficiency is also explained by the fact that she was her close friend. The girl is a fan of his views and brings to life ideas favored by a friend.
The image of Olga is not typical for a woman of the 19th century. Her characteristic excludes a tendency to coquetry and affectation, secrecy and greed. The girl cares little about decency and other people's opinions. Ilinskaya's societies are shunned by champions of the traditional social order and etiquette. Olga is educated and reasonable. Describing the character, the author does not pay attention to appearance, noting that the heroine lacks white skin, blush and refined outlines. The graceful and elegant Ilyinskaya turns from a good-natured child into a woman whose face loses its carefree expression and takes on a painful thoughtfulness.
The feelings that Olga awakened in Oblomov's heart ennobled the hero and allowed him to begin a new stage in his life. The hero was unable to match the girl, and they had to break off relations. The breakup hurt both of them. Ilya Oblomov fell ill with a fever, and Olga Ilyinskaya went to Paris to heal a broken heart. Six months spent in France, she maintained a close relationship with Stolz and came to her senses. Having accepted a marriage proposal from a friend of Oblomov, Olga married him.
Combining simplicity and naturalness, Olga Ilyinskaya differed from the fair sex in St. Petersburg. , which occupied Oblomov's thoughts after Olga's departure, did not differ in breadth of views or lofty ideals. Its simplicity and the desire to lead a familiar lifestyle made the hero think that similarity gives grounds for the appearance of feelings.
Olga's personal growth, described on the pages of the work, is happening at a rapid pace. This conquered Oblomov. Later, realizing that he was not ready for such a rhythm of life and had other ideals, the hero gave up trying to be on a par with Ilyinskaya. The love story didn't happen.
In comparison with Olga Pshenitsyna looks modest. Her main concerns are housekeeping and the search for opportunities to please Oblomov. For her, he acts as Ilinskaya, so it seems to the lazy landowner that marriage with Pshenitsyna is a successful scenario.
Accustomed to home life, lavish feasts, the quiet fluidity of time, Oblomov and Pshenitsyna are content with what fate presents them. At the same time, Ilyinskaya and Stolz got used to creating their lives in spite of circumstances. The Oblomov re-education plan that Ilyinskaya developed would never have occurred to Pshenitsyna, who believed that her husband was an ideal man. The feelings that Olga mistook for love were rather pleasure from the results demonstrated by Ilya. Olga's main purpose is to constantly search for herself and improve herself, which is impossible next to Oblomov.
actresses
The novel "Oblomov" was filmed. The audience remembered two films worthy of analysis and distinguished by interesting acting work. In 1966, a TV series created by Italian directors was released. The role of Olga was played by Giuliana Lodzhodiche, and Alberto Lionello acted as Oblomov.
The Soviet audience was able to appreciate the director's interpretation in 1979. Feature film “A Few Days in the Life of I.I. Oblomov” was received warmly and kindly. Critics noted the game that embodied Ilyinskaya on the screen.
The meek and refined actress faithfully portrayed the features that the author described in the novel. The appearance of the actress gracefully complemented the image she created. The role brought the performer great success in cinema. In a duet with Elena Solovey, she presented a unique tandem of an outstanding personality and her ward.
Literary critics are looking for the prototype of Olga Ilyinskaya, noting her resemblance to the main character of the novel "". reminiscent of Ilinskaya. Writers characterize girls as simple characters with no interest in the secular life of modern society. In working on the image, Goncharov went further, depicting a woman who attracts with natural beauty and serious requests. Olga is not enough to be a happy lady, she feels the need to show character.
Ilyinskaya is one of the classic female images of Russian literature. Olga is an authentic heroine, a whole nature, which has no equal.
Quotes
The author puts into the mouth of the main character the words that he expects to hear from the public. The middle of the 19th century was a troubled time, when there were no counts of persons like Oblomov. Few people wanted to leave their comfort zone in order to take decisive action, and in the image of a woman, the writer gives Oblomov and people like him the strongest motivation. The feminine principle is a collective image of the height reached:
“I am your goal,” you say, and you walk towards it so timidly, slowly; and you still have a long way to go; you must be taller than me. I expect it from you!” Olga says to Oblomov.
Despite prudence, Olga is not alien to heart impulses:
“The heart, when it loves, has its own mind ... it knows what it wants and knows in advance what will be”
This is how a girl explains, who does not fully understand that, without wanting it herself, she replaced love with excitement. In the depths of her soul, Olga understands that the feelings she has experienced have no chance:
“Yes, in words you punish yourself, throw yourself into the abyss, give up half your life, and then doubt will come, a sleepless night: how you become gentle with yourself, careful, caring, how far you see ahead! ..”
The girl sees who Oblomov is and understands that he will never decide on a serious act and will not change his essence.
Olga Sergeevna Ilyinskaya is one of the main characters of the novel by I. A. Goncharov, Oblomov's beloved, a bright and strong character. Ilyinskaya was not distinguished by beauty, but she was quite graceful and harmonious. It had a sincere simplicity and naturalness, which was rare. Nothing pretentious, no frills. The girl was orphaned early and lived in the house of her aunt, Marya Mikhailovna. It is unclear where and when Stoltz met her, but it was he who decided to introduce Olga to his friend Oblomov. The author of the novel emphasized the rapid spiritual maturation of the heroine. Her personal growth took place not by the day, but by the hour. Ilya Ilyich fell in love with her when he heard her superbly sing an aria from Bellini's opera. He became more and more immersed in this new feeling.
Olga was self-confident and wanted to change Oblomov without fail, to make him an active person. On this occasion, she even drew up a plan for re-education. As Stoltz wanted, positive changes really began to occur with his friend, and this was entirely Olga's merit. She was very proud of this and began to transform herself too. However, the girl did not understand that this was more a practical experience in re-education than sincere love. Moreover, the soul and mind of Ilyinskaya needed further development, and Oblomov changed slowly and reluctantly. Their relationship was doomed to break. Even after marrying Stolz, she does not stop looking for herself. Her deep soul needs something else, but she doesn't know exactly what. As the author shows, Olga's main purpose is an eternal desire for development and a spiritually rich life.
The characterization of Olga Ilyinskaya in Goncharov's novel "Oblomov" allows you to better know and understand this character. This is the main female image, which plays a significant role in the work.
Roman Goncharova
The characterization of Olga Ilyinskaya is necessary in order to better understand the essence of this work.
It should be noted that Ivan Goncharov worked on the novel for 12 years - from 1847 to 1859. He entered his famous trilogy, along with "Cliff" and "Ordinary History".
In many ways, Goncharov wrote "Oblomov" for so long due to the fact that the work constantly had to be interrupted. Including because of the round-the-world trip on which the writer went on this trip, he dedicated travel essays, only after publishing them did he return to writing Oblomov. A significant breakthrough happened in the summer of 1857 in the resort of Marienbad. There, in a few weeks, Goncharov completed most of the work.
The plot of the novel
The novel tells about the fate of the Russian landowner Ilya Ilyich Oblomov. He lives in Petersburg with his servant named Zakhar. He spends many days lying on the couch, sometimes not getting up at all. He does nothing, does not go out, but only dreams of a comfortable life in his estate. It seems that no troubles can budge him. Neither the decline into which his household comes, nor the threat of eviction from the St. Petersburg apartment.
His childhood friend Andrei Stoltz is trying to stir up Oblomov. He is a representative of the Russified Germans, is the complete opposite of Oblomov. Always very active and energetic. He forces Oblomov to go out for a while, where the landowner meets Olga Ilyinskaya, whose description is in this article. This is a modern and progressive-minded woman. After much deliberation, Oblomov decides and proposes to her.
Oblomov's move
Ilyinskaya is not indifferent to Oblomov, but he himself spoils everything when he succumbs to Tarantiev's intrigues and moves to the Vyborg side. At that time it was actually the rural outskirts of the city.
Oblomov finds himself in the house of Agafya Pshenitsyna, who eventually takes over his entire household. Ilya Ilyich himself is gradually fading into complete inactivity and lack of will. Meanwhile, rumors about the upcoming wedding of the heroes are already circulating around the city. But when Ilyinskaya comes to his house, she is convinced that nothing will ever be able to wake him up. Their relationship ends after that.
In addition, Oblomov is influenced by Pshenitsyna's brother Ivan Mukhoyarov, who confuses the protagonist in his machinations. Frustrated, Ilya Ilyich falls seriously ill, only Stolz saves him from complete ruin.
Oblomov's wife
After parting with Ilyinskaya, Oblomov marries Pshenitsyna a year later. They have a son, who is named Andrei in honor of Stolz.
Disappointed in her first love, Ilyinskaya eventually marries Stolz. At the very end of the novel, he comes to visit Oblomov and finds his friend sick and completely broken. Due to being sedentary at an early age, he had a stroke, Ilya Ilyich foresees his imminent death, asks Stolz not to leave his son.
Two years later, the main character dies in his sleep. His son is taken in by Stolz and Ilyinskaya. The faithful servant of Oblomov, Zakhar, who outlived his master, although he was much older than him, starts drinking and begging with grief.
The image of Ilyinskaya
The characterization of Olga Ilyinskaya must begin with the fact that this is a bright and complex image. At the very beginning, the reader gets to know her as a young girl who is just beginning to develop. Throughout the novel, we can observe how she grows up, reveals herself as a woman and mother, becomes an independent person.
As a child, Ilyinskaya receives a quality education. She reads a lot, understands She is constantly in development, strives to achieve new goals. Everything in it speaks of one's own dignity, beauty and inner strength.
Relations with Oblomov
In the novel "Oblomov" Olga Ilyinskaya, whose characteristics are given in this article, appears before us as a very young girl. She learns the world around her, tries to figure out how everything works around her.
The key moment for her is the love for Oblomov. Olga Ilyinskaya, the description of the character you are reading now, embraces a strong and inspiring feeling. But it was doomed because the young people did not want to accept each other for who they really were. Instead, they created some ephemeral semi-ideal images that they fell in love with.
Why can't they decide to make fundamental changes in themselves in order for their likely joint relationship to become a reality? For Olga herself, love for Oblomov becomes a duty, she believes that she is obliged to change the inner world of her lover, to re-educate him, turning him into a completely different person.
It is worth recognizing that, first of all, her love was based on selfishness and personal ambition. More important than feelings for Oblomov for her was the opportunity to rely on her achievements. She was interested in the opportunity to change a person in these relationships, to help him rise above himself, to turn into an active and energetic husband. It was this fate that Ilyinskaya dreamed of.
In the novel Oblomov, the comparative characteristics in the table of Olga Ilyinskaya and Pshenitsyna immediately make it clear how different these heroines are.
Married to Stolz
As we know, nothing came of relations with Oblomov. Ilyinskaya married Stolz. Their romance developed slowly, began with a sincere friendship. Initially, Olga herself perceived Stolz more as a mentor, who was an inspiring figure for her, inaccessible in her own way.
In the characterization of Olga Ilyinskaya, a quote can be cited in order to better understand her relationship with Andrei. “He was too far ahead of her, too taller than her, so that her pride sometimes suffered from this immaturity, from the distance in their minds and years,” Goncharov writes about her attitude to Stolz.
This marriage helped her recover from her break with Oblomov. Their joint relationship looked logical, since the characters were similar in nature - both active and purposeful, this can be seen in the novel "Oblomov". A comparative description of Olga Ilyinskaya and Agafya Pshenitsyna is given in this article below. It helps to better understand the actions of these characters.
Over time, everything has changed. Stolz could no longer keep up with Olga, who was constantly striving forward. And Ilyinskaya began to become disillusioned with family life, in the very fate that was originally destined for her. At the same time, she finds herself as a mother for the son of Oblomov, whom she, together with Stolz, takes in for upbringing after the death of Ilya Ilyich.
Comparison with Agafya Pshenitsyna
Citing the characteristics of Olga Ilyinskaya and Agafya Pshenitsyna, it should be noted that the second woman who fell in love with Oblomov was the widow of a petty official. She is an ideal hostess who cannot sit idle, constantly takes care of the cleanliness and order in the house.
At the same time, the comparative characteristics of Agafya Pshenitsyna and Olga Ilyinskaya will be in favor of the latter. After all, Agafya is a poorly educated, uncultured person. When Oblomov asks her about what she is reading, she just looks at him blankly, not answering anything. But she still attracted Oblomov. Most likely, the fact that it fully corresponded to his usual way of life. She provided the most comfortable conditions for him - silence, tasty and plentiful food and peace. She becomes a gentle and caring nanny for him. At the same time, with her care and love, she finally killed the human feelings that awakened in him, which Olga Ilyinskaya tried so hard to awaken. The characteristic in the table of these two heroines makes it possible to better understand them.
Comparison with Tatyana Larina
Interestingly, many researchers give a comparative description of Olga Ilyinskaya and Tatyana Larina. Indeed, if you do not go into details, at first glance, these heroines are very similar to each other. The reader is captivated by their simplicity, naturalness, indifference to secular life.
It is in Olga Ilyinskaya that those features that traditionally attracted Russian writers in any woman are manifested. This is the absence of artificiality, living beauty. Ilyinskaya differs from women of her time in that she lacks the usual female domestic happiness.
She feels the hidden strength of character, she always has her own opinion, which she is ready to defend in any situation. Ilyinskaya continues the gallery of beautiful female images in Russian literature, which was opened by Pushkin's Tatyana Larina. These are morally impeccable women who are faithful to duty, agree only to a compassionate life.
Introduction
Olga Ilyinskaya in Goncharov's novel "Oblomov" is the most striking and complex female character. Getting to know her as a young, just developing girl, the reader sees her gradual maturation and disclosure as a woman, mother, and independent person. At the same time, a complete characterization of the image of Olga in the novel "Oblomov" is possible only when working with quotations from the novel that most capably convey the appearance and personality of the heroine:
“If she were turned into a statue, she would be a statue of grace and harmony. The size of the head strictly corresponded to a somewhat high growth, the oval and dimensions of the face corresponded to the size of the head; all this, in turn, was in harmony with the shoulders, the shoulders - with the camp ... ".
When meeting with Olga, people always stopped for a moment "before this so strictly and deliberately, artistically created creature."
Olga received a good upbringing and education, understands the sciences and art, reads a lot and is in constant development, knowledge, achievement of new and new goals. These features of hers were reflected in the appearance of the girl: “The lips are thin and mostly compressed: a sign of a thought constantly directed at something. The same presence of a speaking thought shone in the keen, always cheerful, piercing look of dark, gray-blue eyes, "and unevenly located thin eyebrows created a small crease on the forehead" in which something seemed to say, as if a thought rested there.
Everything in her spoke of her own dignity, inner strength and beauty: “Olga walked with her head tilted slightly forward, so gracefully, nobly resting on a thin, proud neck; moved smoothly with her whole body, stepping lightly, almost imperceptibly.
Love for Oblomov
The image of Olga Ilyinskaya in Oblomov appears at the beginning of the novel as a still very young, little-knowing girl, looking at the world around her with wide open eyes and trying to cognize it in all its manifestations. The turning point, which became for Olga the transition from childish shyness and some embarrassment (as was the case when communicating with Stolz), was love for Oblomov. A wonderful, strong, inspiring feeling that flashed with lightning speed between lovers was doomed to parting, since Olga and Oblomov did not want to accept each other as they really are, cultivating a feeling for semi-ideal prototypes of real heroes.
For Ilyinskaya, love for Oblomov was not associated with the feminine tenderness, gentleness, acceptance and care that Oblomov expected from her, but with duty, the need to change the inner world of her lover, to make him a completely different person:
“She dreamed of how“ she would order him to read the books ”that Stoltz had left, then read the newspapers every day and tell her the news, write letters to the village, finish the plan for arranging the estate, get ready to go abroad - in a word, he would not doze off with her; she will show him the goal, make him fall in love again with everything that he stopped loving.
“And all this miracle will be done by her, so timid, silent, whom no one has obeyed until now, who has not yet begun to live!”
Olga's love for Oblomov was based on the selfishness and ambitions of the heroine. Moreover, her feelings for Ilya Ilyich can hardly be called true love - it was a fleeting love, a state of inspiration and rise in front of a new peak that she wanted to reach. For Ilyinskaya, in fact, Oblomov’s feelings were not important, she wanted to make her ideal out of him, so that she could then be proud of the fruits of her labors and, perhaps, remind him later that everything he had was due to Olga.
Olga and Stolz
The relationship between Olga and Stolz developed from a tender, reverent friendship, when Andrei Ivanovich was a teacher, mentor, an inspiring figure for the girl, in his own way distant and inaccessible: “When a question, bewilderment was born in her mind, she did not suddenly decide to believe him: he was too far ahead of her, too taller than her, so that her pride sometimes suffered from this immaturity, from the distance in their minds and years.
Marriage with Stolz, who helped her recover after parting with Ilya Ilyich, was logical, since the characters are very similar in character, life orientations and goals. Quiet, calm, endless happiness was seen by Olga in her life together with Stolz:
“She experienced happiness and could not determine where the boundaries were, what it was.”
“She also walked alone, along an inconspicuous path, he also met her at the crossroads, gave her his hand and led her not into the brilliance of dazzling rays, but as if to the flood of a wide river, to spacious fields and friendly smiling hills”
Having lived together for several years in cloudless, endless happiness, seeing in each other those ideals that they always dreamed about and those people who appeared to them in their dreams, the heroes began to seem to move away from each other. It became hard for Stolz to reach out for the inquisitive, continuously striving forward Olga, and the woman “began to strictly notice herself and caught that she was embarrassed by this silence of life, her stop at moments of happiness,” asking questions: “Is it really necessary and possible to wish for something ? Where to go? Nowhere! There is no further road ... Really not, have you already completed the circle of life? Is it really all ... everything ... ". The heroine begins to be disappointed in family life, in women's destiny and in the fate that was prepared for her from birth, but continues to believe in her doubting husband and that their love will keep them together even in the most difficult hour:
“That unfading and indestructible love lay mightily, like the force of life, on their faces - in the time of friendly sorrow it shone in the slowly and silently exchanged look of cumulative suffering, was heard in endless mutual patience against life's torture, in restrained tears and muffled sobs.
And although Goncharov does not describe in the novel how the further relationship between Olga and Stolz developed, it can be briefly assumed that after some time the woman either left her husband or lived the rest of her life unhappy, more and more plunging into disappointment from the unattainability of those lofty goals, oh whom I dreamed of in my youth.
Conclusion
The image of Olga Ilyinskaya in the novel Oblomov by Goncharov is a new, to some extent feminist type of Russian woman who does not want to close herself off from the world, limiting herself to housekeeping and family. A brief description of Olga in the novel is a woman-seeker, a woman-innovator, for whom “routine” family happiness and “Oblomovism” were really the most terrifying and frightening things that could lead to degradation and stagnation of her forward-looking, learning personality. For the heroine, love was something secondary, stemming from friendship or inspiration, but not an original, leading feeling, and even more so not the meaning of life, like Agafya Pshenitsyna.
The tragedy of Olga's image lies in the fact that the society of the 19th century was not yet ready for the emergence of strong female personalities capable of changing the world on an equal footing with men, so she would still have expected the very soporific, monotonous family happiness that the girl was so afraid of.
Artwork test
