There are millions of eyes, mouths, noses, ears, chins in the whole world and each with its own characteristics. However, to make cartoon-style faces, you just need to understand the basics. In this tutorial, we will learn how to create emotions on the faces of cartoon characters in just a few steps.
human face behavior
Just like the tone of the voice, the facial expression lends itself to easy and quick change. Different expressions are not only the result of muscle contraction, but also the simultaneous action of one and the relaxation of opposite muscles. For example, when laughing and smiling, the same muscles are involved, only with different intensities.
If you are asked to describe what feelings are depicted below, what would you say?
Surely you will say that the boy is thinking about something. Not really. This image expresses a complete lack of expression, since none of the facial muscles are tense.
In fact, this facial expression people use 80% a day. When a person is alone, this is exactly the expression on his face, but when a person is in a company, listening or talking, usually his face expresses various emotions.
Primary emotions
Primary emotions are those emotions that arise on primary stimuli and people do not have sufficient control over them and their origin.
These basic emotions are expressed on our face regardless of culture, race or age. Below are the main ones:
- Happiness (1): The corners of the lips are raised up - the eyebrows are raised up - the eyes are wide open;
- Anger (2): The corners of the lips are lowered down - the tips of the eyebrows near the nose are lowered down - the eyes are wide open;
- Fright (3): The corners of the lips (sometimes the entire line of the lips) are randomly lowered down - irregularly shaped raised eyebrows - eyes are wide open;
- Sadness (4): The corners of the lips are lowered down - the tips of the eyebrows near the nose are raised up - the eyes with lowered eyelids.
These are the basic facial expressions and we use them most frequently throughout our lives. For a cartoon, it is basically necessary to develop other expressions based on the main ones.
There are two more expressions that complement the group of basic ones:
- Surprise (5): Small and half-open mouth - eyebrows raised above an irregular shape - eyes wide open;
- Nonsense! (6): The corners of the lips are randomly lowered down - the tips of the eyebrows near the nose are lowered down - the eyes are closed.
"Why was it necessary to separate these two emotions from the first group?"
Simple: these expressions are variations of the expressions of the first group.
Now, you might be wondering why there are so few basic forms of emotional expression? It's very simple: there are primary colors that can be mixed to create others, just as there are primary emotions that can be mixed to create other secondary expressions! Just take a look:
Note that to create a sleepy expression, we took the eyebrows from the expression of happiness and mixed them with almost closed eyes of sadness. Cool, isn't it?
family emotions
The fun doesn't end! A family of emotions consists of those emotions, for the construction of which it is necessary to change only one component in the previous one.
Note that only the mouth has been changed in the drawing. We can express two different feelings, starting from the basic (“nonsense!” - “something smells bad”).
Here is another example ("surprise" - "fear"):
Here, too, only the mouth has been changed.
This time we use the mouth and eyes to get another version of the same primary emotion ("surprise" - "confused").
We can extract the third emotion from the secondary:
Fantastic, isn't it? It's entirely possible that you'll end up with dozens or even hundreds of possible emotional faces for your design by applying these techniques!
The physical side of emotions
Primary emotions and physical state of the concept are very close. One form of emotion can mean another.
Note that physical emotion stems from the primary. Fatigue comes from sadness.
We can amplify the emotion simply by adding an additional element - drops of sweat (“hot”):
Let's see another example of a physical reaction. This time our character is being electrocuted! In short: completely lost control over the reaction!
We exaggerated the mouth expression to get the desired result.
Note that primary emotions are dominant. Shock, even when uncontrollable, is a variant of fear.
Intensity and additional elements
Depending on the intensity of the emotion expression, we can create very interesting results:
In addition to intensity, we can insert additional elements into the image to increase emotion. In the first image, let's add a few drops of sweat to emphasize the fear. In the second case, we add a language.
Back to fear. Let's adjust the image to explore a more intense sense of panic!
We increase the eyes of the character and close his face.
Angle changes
To achieve a stronger impact, you can change the viewing angle of the scene.
Note that when placing the corner of the stage from top to bottom, it creates an impression of inferiority for our character. In contrast, by positioning the camera from bottom to top, we make our character more menacing! The prominent chin and taunt help create the perfect atmosphere for threatening!
In cartoon style, menacing characters tend to have large chins, weak characters have large eyes but smaller jaws, and the mouth is always very close to the chin.
Try to apply these methods in your projects and you will see!
Playing with social stereotypes and context
To make our characters more stereotypical, we can add some elements that reinforce the context of the scene.
Note that the drunk has dirty hair, unshaven appearance, heavy eyelids and one tooth sticking out of his mouth. The patient has a large nose and considerable age, eyes are closed and saliva is visible when coughing.
Here is another example. The picture below can be applied in several contexts. The man on top is in pain, the man below is furious.
Let's change the picture. Let's add tears to two characters and cloth in the hand of one of them and they will cry.
Facial Signals
People use facial expressions to convey certain signals to other people.
Below is an illustrative example of signal exchange. The heartthrob directs his gaze to the girl. Did she fall in love with him?
Let's look at another example. A common cartoon scene: a sweet girl who always gets what she wants.
Let's change the context. We have only changed the direction of the eyes. This detail made the girl more shy.
Conclusion
If you have difficulty expressing the feelings and emotions of your characters, then the best way to achieve results is to train in the perception of the emotions of other people.
We hope you are motivated to explore the expression of different emotions. And remember that for caricatures you need to exaggerate the expressions and understand the basics of their instantaneous formation.
Translation - Duty.
The human face is a very complex thing. Especially, you understand it when you undertake to draw it. Often in the head all the emotions, the forms look very beautiful, but as soon as it comes to practice, the result is more than depressing. The reason for this is usually a lack of knowledge. Human emotions, facial features and complex angles can be disassembled into simple steps and rules that will help even a beginner to understand exactly how to achieve this or that effect.
In this article, we will introduce you to the basic knowledge of face drawing and cover topics such as depicting face shapes, basic angles, emotions, and ethnic features. If you want to learn how to draw sketches of indignant, cheerful or indifferent people both in transport and on the street, these simple rules will be very useful to you. We will try to acquaint you with how to correctly convey human emotions through facial expressions and remind you what subtleties you should remember when drawing a person's face.
1. Basics
face shape
A very individual characteristic, which, if you do not know how to approach it, can seriously puzzle any artist. In reality, there are very simple lines behind this intricate concept, which just need to be studied more closely. For example, in the image below, you can see the basic shapes of the face.
- Rectangular: a long face, almost the same in width both from below and from above.
- In the form of a diamond: narrow forehead and chin, the widest part is the middle of the face.
- Square: approximately the same in width and length face with a square chin.
- In the shape of a heart: faces with a pointed chin and a parting that repeats the shape of a heart.
- triangular: sharp chin and even parting.
- Oval: the shape of the face repeats an inverted egg, with a narrow chin and the widest part in the middle of the face.
- Round: approximately the same in width and length, with a rounded chin.
angles
In order to correctly convey the dynamics of the face, and sometimes even some kind of emotion, it is necessary to catch the right angle. This may seem like a daunting job, but if you keep the basic principles in mind, with a little practice, you will no longer be intimidated by the prospect of drawing a birdwatcher.
Profile
The face can be inscribed in a square and divided into two equal parts, where the middle is the human ear. The visible eye should be located very close to the edge of the conditional square, and the nose, mouth and chin should slightly go beyond the border.
In order to successfully depict this angle, it is worth remembering three things:
- Size: the right side of the face looks larger because it is closer to us and takes up more space. The left side is farther away and therefore will always look smaller.
- Overlap: the nose is located on that part of the face that is farthest from us.
- Planes: in this view we see both the front and side of the face
look down
Now let's try to deal with the features of this difficult angle.
- Size: due to the fact that the top of the head is closer to us, it looks larger than the rest of the face and takes up more space.
- Overlap: the nose overlaps the distant elements of the head, in this case the lips and mouth. Also, the eyebrows slightly overlap the eyelids.
- Planes: due to the fact that we are looking at the character from above, we see only the upper surface of the head, nose and eyebrows.
It is worth remembering that the ears in this perspective seem higher than the eyes.
look up
The queue has reached the angle with the gaze directed upwards.
- Size: now the lower part is closer to the viewer and seems larger.
- Overlap: the nose again overlaps the farthest parts of the face.
- Planes: in this perspective we see the lower plane of the face, namely the chin and nostrils
- From this angle, the ears seem to be lower than the eyes.
2. Emotions and facial expressions
Emotions, one might say, breathe life into our faces, and without them, any drawing looks uninteresting. But in order to portray them convincingly enough, you need to understand how they are expressed on our faces.
Renowned psychologist Paul Ekman has spent many years researching human emotions and their physical manifestation in people around the world. He identified six basic emotions that are common to all cultures, genders and races. What’s more, his team broke down these basic emotions into facial muscle movements to gain a more detailed understanding of how emotions are expressed in our faces.
For any artist, this knowledge is priceless. By understanding how these emotions involve the eyes, nose, eyebrows, and mouth, you will be able to portray any emotion and control its intensity.
Astonishment
The eyebrows are raised, the eyes are wide open, the jaw is open, parting the lips. The inner corner of the eyebrows is raised. It is worth remembering that this is not a tense emotion: the upper and lower eyelids are relaxed, the mouth is simply open without much tension. This is very important to remember so as not to confuse surprise and fear.
Fear
As well as in surprise - eyebrows raised up. But in this case, the inner corners of the eyebrows are reduced to each other, making the eyebrows arched. This arch of the eyebrows creates small wrinkles between the eyebrows. Again, the eyes and mouth are wide open, only in the case of fear, the expression is much more tense. The eyelids are slightly raised, the lips are tense and curved, with the jaw laid back.
Disgust
The most important thing in this expression is the nose and mouth. The upper lip is raised, the lower lip can be in both a raised and a low position. The nose is wrinkled and creates wrinkles around the mouth. The stronger the disgust, the more wrinkles there will be around the mouth.
Anger
In anger, the eyebrows are lowered and brought together. Do not confuse this expression with fear, where the eyebrows are drawn together and raised. The best way to show this position of the eyebrows in the drawing is to add wrinkles between the eyebrows, without them it will be difficult to convey the expression realistically enough. The eyes are open again, but with a tense lower eyelid. The nostrils are upturned, the mouth is tense, it can be closed or open with the teeth brought together.
Happiness
Happiness is conveyed through a smile or laughter. The corners of the mouth are stretched and raised up. Because of this, the cheeks also rise, making the eyes smaller. In this emotion, it is very important to remember that there should be wrinkles (“crow's feet”) near the corners of the eyes. The absence of wrinkles from a smile indicates that the emotion is not entirely sincere. Only this small detail can already transform your drawing.
Sadness
The inner corners of the eyebrows are brought together and raised. The inside of the upper eyelid tends upward, while the lower eyelid may appear raised. The corners of the lips are lowered, the lips seem to tremble.
Having managed to use the knowledge of these basic emotions, you will very quickly learn to portray any emotions and even character on a human face. Once you master the basics, you can easily mix these emotions to create new expressions. For example, you can use eyebrows for fear and a mouth for joy, and get a cruel expression.
3. Ethnic features
In order to make your work even more dynamic, realistic and interesting, you also need to be able to depict ethnic differences between people.
Our unique external features are what makes us so unique. Different races, as a result of adaptation to external conditions, have developed various external characteristics.
Let's try to look at the characteristics of each race and understand how these physical differences can be transferred to paper. For ease of reference, we will conditionally divide people into several ethnic groups, with pronounced physical differences.
Asians
A distinctive feature of the Asian type of face can be considered high cheekbones, a small nose and a narrow slit of the eyes, with an outer angle higher than the inner one. Eyelids and eyebrows are usually weakly expressed. The shape of the face is usually oval or round. The hair is dark, straight and coarse. Skin slightly yellowish. Lips are medium in thickness.
African Americans
A feature of the structure of the face of African Americans can be considered their nose and lips. The nose is usually broad but not flat and rarely pointed or prominent. In order to convey it correctly, first draw an inverted triangle and three circles at the bottom. This will help to make the nose of the required width. The lips are very full and swollen in both men and women. It is worth remembering that the hair texture of African Americans is usually very curly. Hair is not always black - it can be brown, red, or even ash white. Color - all shades of brown.
Caucasoids 
Hair, as a rule, wavy or straight, a wide variety of colors. The skin is light, pinkish or olive. The nose is protruding, but not wide, the eyes are set horizontally with a poorly developed upper eyelid. Lips are thin.
Now that we have dealt with the basics of the anatomy of the human face, we hope that you will finally be able to translate your idea into reality, begin to better understand how emotions work, how races differ from each other, how to correctly depict one or another angle and choose the right face shape.
The main photo is taken from the website.
An anime character with absolutely no emotion on his face looks pretty boring. But it is worth changing the line of the mouth a little, and along with the character, you yourself can start smiling. And learning how to draw anime emotions is not difficult at all, you only need a pencil, a piece of paper and a little practice.
Before you start drawing emotions, you need to draw the face of your character. There are many ways to draw an anime character's face, but let's focus on the simplest of them:
- Draw a circle with a pencil. It doesn't have to be perfect.
- Draw a vertical line down the middle of the circle.
- We divide it into three equal parts with horizontal lines. The top part is for the hair, the center part is for the forehead, and the bottom part is for the eyes.
- From the third horizontal line down, draw a rectangle whose height is 2/3 of the circle.
- Draw a horizontal line down the center of the rectangle, and then with another horizontal line divide the bottom of the rectangle in half.
- Connect the top corners of the rectangle to the bottom center point to form a triangle.
- Now we draw the eyes, nose and mouth of the character along the auxiliary lines, as shown in the picture.
- We draw the cheeks and jaw of the character.
- Next, draw the ears (their height is equal to the height of the eyes), hair and finish the pupils and highlights for the eyes.
Positive emotions
Let's conditionally divide the emotions of anime characters into positive, negative and neutral. Positive will include smile, joy, laughter and love.
How to draw anime emotions? When drawing, pay attention to the position of the eyebrows, the shape of the mouth and eyes. In a calm state, the character's mouth is depicted as a straight line or as a dashed line. Now consider how to step by step with a pencil for beginners:
- We draw the face of the character, and in place of the mouth we make a slightly curved line. This is how you fake a smile.
- If you want your character to smile more or be happy, draw the mouth slightly open, like an inverted D, and the lower eyelids of the eyes slightly raised to cover the iris.
- To depict laughter, we draw the mouth even more open, and the eyes closed and resembling two arcs.
- Tears of joy are depicted with lowered eyebrows, a D-shaped mouth, teardrops at the corners of the eyes, and additional highlights in the eyes.
- When falling in love, the character has hearts instead of eyes, and the mouth resembles the number 3.
Neutral emotions
Neutral feelings include surprise, puzzlement, fatigue, indifference, and actions such as tongue sticking, sleeping, and winking.
How to draw anime emotions related to neutral? When drawing such emotions, the eyes almost always change, the position of the eyebrows and mouth changes.
To depict the puzzled anime emotion step by step, draw one eyebrow lowered and the other one raised up. The character's eyes should look to the side or up. We make the mouth small and look like the letter L.
Surprise on the face of the character is depicted with high eyebrows, wide-open mouth and eyes. The pupils are drawn small.
If you want to draw a very strong surprise, then remove the eyebrows from the character, and instead of the eyes, draw two large circles with dots inside. The mouth is opened so wide that it merges with the chin.
For a tired character, we draw eyebrows and upper eyelids with straight lines, and depict the eyes with two dots. Under the eyes we make strokes and draw a mouth with an arc.
To portray the character showing the tongue, draw the eyebrows in a wave, the eyes in the form of two inverted Vs, the mouth in a slash, and the tongue in the form of an arch.
The sleeping hero's eyebrows are slightly tilted, his eyes are closed, and his mouth is open and looks like a small oval.
If you are depicting boredom, the eyebrows should be straight and slanted, the upper eyelids should be drawn with straight lines, and the eyes should be small semicircles. The mouth is open and inclined, shaped like an uneven oval.
To portray a wink, draw the eyebrows raised, one eye closed, and the mouth with a small smile.
negative emotions
Negative emotions: anger, sadness, tears, fear and shock.
How to draw sadness anime emotion? First draw the raised eyebrows, then add some highlights to the eyes and make the mouth arch. Tears to the character are drawn in the form of two streams from the eyes. The eyes can be open and look down or completely closed.
To depict sobbing, draw closed eyes, from which tears flow in different directions in streams. At the same time, the mouth is open so that teeth are visible, which are depicted by an additional strip slightly uneven at the edges.
A frightened character has slanted eyebrows, wide eyes, and a smaller iris. Three vertical stripes are drawn near the lower eyelid. The mouth is depicted open, shaped like the number 8.
Shock is depicted with raised eyebrows, eyes in the form of small circles with strokes below, and a wide-open mouth that merges with the chin.
How to draw an anime emotion of anger step by step? If you want to draw a disgruntled character, then this is done with the help of furrowed eyebrows and lowered corners of the mouth. To make the character's face seem even more annoyed, you need to draw wrinkles between the eyebrows, and draw a mouth with clenched teeth. To do this, draw a slightly uneven oval and a broken line in the middle.
In a rage, the character's mouth opens even more and teeth become visible. Eyebrows bend even more, and the irises of the eyes are reduced.
Symbols that convey emotions
A feature of anime and manga was the use of symbols to display certain emotions. There are quite a few such characters, but let's focus on some of them. For example, a droplet on the character's temple can mean stupor or overwork, and a lot of drops symbolize nervousness and embarrassment.
Another well-known symbol is the vein or cross. It can be drawn on the character's head, cheek, or clenched fist. Such a sign indicates that the character is very annoyed.
A sigh is represented by a small cloud next to the character's mouth. If the hero has spirals instead of eyes, it means that he is dizzy.
A spark that flashed in the character's eye symbolizes his irritation or rage, and rhombuses - a predatory brilliance.
Eyes without pupils are drawn to very angry characters or those who have lost control of themselves. The absence of a nose indicates resentment or discontent of the hero.
Flames in the eyes are a symbol of anger or determination, and small crosses mean that the character has passed out.
A successful portrait can be considered a work that seems to come to life. A portrait of a person is made alive by the emotions displayed on it. In fact, it is not as difficult to draw human emotions as it seems at first glance. If you do not draw from nature or from a photograph, then before work you can go to the mirror. It is necessary, having taken the necessary form, to study the changes in your face. The emotions you draw on paper will reflect the state of mind of the person whose portrait you are depicting.
Sketch
You can draw different emotions only if you have the necessary base, so the first stage in your work is a sketch. When creating a portrait, it is important to consider the angle in order to maintain the correct proportions of the face. Draw the basics you need: the oval of the head, neck and, if desired, the contours of the shoulders. Draw a vertical - the axis of symmetry of the face. Divide it with a horizontal line, approximately in a ratio of 1:2, counting from the top edge. At the height of this line, the eyes will be located. Mark the eyebrows with small arcs. In the middle of the lower, longer, part of the vertical of the face is the nose. The distance between the eyes and the vertical will be equal to the size of the wings of the nose. Show the mouth with a slightly curved horizontal line. Do not forget to outline the ears and chin, and you can start studying facial expressions. Emotions drawn with a pencil are convenient because, unlike working with other materials, it will be more profitable to generalize the forms without drawing everything thoroughly.
Happiness
First, let's try to draw the emotions of a happy person. In an ecstatic state, people's eyes usually do not change, but you can show slight wrinkles that appear around them when smiling. To heighten the effect, slightly dilated pupils can be displayed. The arches of the eyebrows are slightly raised. A smile can be depicted by curving the line of the mouth and lifting the outer corners of the lips. Do not forget about folds or, if the person you are drawing has them, dimples on the cheeks. Also, in a smiling person, the cheeks rise slightly and appear more plump, for this, make small downward curved lines under the eyes. If the smile is "open", then show the teeth with several vertical lines.
Anger
An evil expression on the face is mostly given by eyebrows shifted to the bridge of the nose. The inner corners of the eyebrows drop strongly, almost pressing against the eyes, while the outer corners, on the contrary, fly up. Because of this, a wrinkle forms on the bridge of the nose, which can be shown with small vertical strokes. The eyes in anger are very narrowed, wrinkles appear under them and near the outer corners, show them with horizontal strokes. The mouth is also important: you can depict an evil grin by drawing teeth and showing the nasolabial fold with lines - from the wings of the nose to the corners of the lips. The shape of the mouth resembles a perfect circle: the upper lip seems to be wrapped with corners down, while the lower one forms an arc raised upwards. Due to the fact that the mouth of a screaming person is open, you need to lower the lower jaw and chin, extending the oval of the face. The wings of the nose are greatly expanded. When creating a portrait of an evil person, you can slightly sharpen the facial features, this will give him a little aggressiveness.
mockery
A mocking expression is given to the face by the shape of the eyebrows and mouth. Raise one eyebrow with an arch, depict the other like a wave, lowering the inner corner. From the side of the raised eyebrow, pull up the wing of the nose. Draw a smirk by lifting one corner of your lips. Due to this, the entire line of the mouth is slightly shifted towards the raised corner. Lower your lower lip so that your teeth are slightly visible. Also, a fold forms on the cheek on the side where the smile is extended. Narrow your eyes a little and show wrinkles around the outer corners with small strokes, as with a smile.
Astonishment
The next emotion we will try to draw is surprise. All elements of the face of a surprised person seem wider and rounder than in a calm state. Let's start with the eyebrows. The arches of the eyebrows are strongly curved, due to this, horizontal folds form on the forehead. Or you can lift only one eyebrow up, this will give your portrait even more surprise. When the eyebrows rise, the nose rises with them, so extend it up a bit. The eyes are often round and wide. The mouth is slightly open, it becomes like an oval in shape, and do not forget to draw teeth inside it.
Sadness
In sadness, people often lower their heads, and to show this, it is necessary to make the frontal lobe of the oval of the head a little larger, and cut the lower jaw and chin. The eyes do not change their shape, but the gaze is usually lowered (show this by shifting the pupil at the lower edge of the eye), so the upper eyelids will cover the eyes a little more and appear larger. The inner tips of the eyebrows rise, and the rest follows the shape of the eye, descending in an arc downward - this can be shown by a curve resembling a wave with a line. The lips will be tightly closed, and their corners will drop down. If the person in your portrait is crying, then the shape of their eyes will be narrowed. Tears can be shown with a simple line. Trails of tears, leaving the outer corners of the eyes, repeat the lines of the oval of the face and descend to the chin, bending around the cheeks.
Disgust
When expressing disgust, the face seems to wrinkle, so horizontal folds will form on the forehead, a vertical wrinkle will appear between the eyebrows, and a slightly noticeable nasolabial fold near the mouth. Draw the eyebrows as straight as possible and lower them lower to the eyes, but lift the inner corners up. The eyes will not differ much from the neutral expression, except that they will be slightly narrowed. Neglect is also expressed by the upper lip raised on one side and exposing the teeth.
thoughtfulness
Pensiveness is the last state that we will try to draw. The emotions of a pensive person are weakly expressed. People usually relax their facial muscles when thinking, but the brows in this expression can be pulled together so there is a wrinkle between them. Draw them in a straight line, but slightly lift the upper corners. The eyes do not change shape, but if you draw them a little narrower or completely closed, this will give the portrait even more thoughtfulness. The gaze can be taken aside or lowered, just draw circles of the iris and pupil not directly in the center of the eye. The lips will be slightly parted, so be sure to show your teeth.
Anxiety
In a restless person, the facial muscles are uncontrollably tense, so you need to display the wrinkles on the forehead and under the eyes. Eyebrows, as in the expression of sadness, form a wave, while the eyes are wide and rounded. In addition, a person experiencing excitement may have slightly dilated pupils. The lips are compressed, so draw the lower lip a little narrower than usual; some people bite it, so you can add a strip of teeth.
We hope this article helped you understand how to draw emotions step by step, and your portrait turned out to be alive.
Depicting the emotions of anime is not at all difficult. In this lesson, you will highlight for yourself what we need to change in order to get this or that emotion, how to properly show and express the character.
Now we will look at how small details can dramatically change the character of our character.
When you understand the principle behind the technique of drawing emotions, you can draw absolutely any character and show the emotions you want!
1. Calm, sweet smile
The smile is emphasized by bright highlights on the eyes and the arch of the mouth.
Unlike the previous emotion, here the drawing of the eyes has changed a little, and the arc of the mouth has changed dramatically (it has become more straight).
Differs from the first drawing in the shape of the mouth.
As if a slightly improved version of "joy", where the drawing of the eyes has changed dramatically.
As shown in the figure, the eyes are drawn with inverted arcs and dashes under them.
Rather, this emotion is something between embarrassment and disgust.
The eyes are more strict and the mouth is drawn with a "spring". The nose is not shown here.
There are already cardinal changes in the whole face as a whole.
The mouth occupies a large space and is already drawn more than just a line. The teeth are drawn with fangs. Lines are visible above the nose. Eyebrows curved down. Less glare in the eyes and pupils are darker, larger and virtually glare-free.
Everything, as in the previous case, only the emotions are less pronounced and closer to the normal state.
Mouth without fangs. The eyes are brighter and with more highlights.
Unlike the previous one, the mouth is drawn with an arc, the eyes are brighter.
The mouth is wide open, wide eyes, very small pupils, straight eyebrows, there are third-party dashes.
