1. The measured life of the village and the stormy city life.
2. The figure of Princess Alina.
3. "Naturality" of the village and the capital.
In the first two chapters of A. S. Pushkin's poetic novel "Eugene Onegin" we see a village, calm, measured life and a stormy movement in the capital. The first chapter is mainly devoted to Onegin's lifestyle in the capital. The second chapter contains a description of rural life. “The village where Eugene was bored, / There was a lovely corner ... / The master’s house is solitary, / Fenced by a mountain from the winds, / Stood over the river. In the distance / In front of him, they were full of flowers and blossomed / Meadows and golden fields ... ”A.S. Pushkin does not idealize the village. The poet shows us the measured course of life characteristic of her. “The herds roamed the meadows, / And the empty vestibule expanded / The huge neglected garden, / The shelter of pensive dryads.” The poet uses completely different colors when describing the "frantic" life of the capital. There are no natural and calm colors. “... I would still love balls. / I love frenzied youth, / And crampedness, and brilliance, and joy, / And I will give a well-thought-out outfit ... ”The author also admires the life of the capital. "In the days of fun and desires / I was crazy about balls: / There is no place for confessions / And for delivering a letter."
Differently represented in the work and leisure of the inhabitants of such different places. In the second chapter, the poet shows us an example of the influence of living conditions on the fate and character of a person. Here the main figure is Princess Alina, Tatyana's Moscow cousin. When she was in society, she read Richardson and was always dressed in fashion and to her face. She was carried away by the "glorious dandy", the player and the guard sergeant. But fate and her parents decreed otherwise. Her husband took her to his village. After a little crying, she began to get used to the new way of life. She gave herself entirely to the new worries that now appeared in her. And her husband did not interfere in her affairs. Alina has become a real village dweller. “She went to work, / Salted mushrooms for the winter, / Went to the bathhouse on Saturdays, / She beat the maids in anger ...” It can be said that the new situation completely changed this woman. The world of the village became her second home, almost a second home.
Onegin is also initially fascinated by village life. Every thing he found by chance tells a lot about its owner. For example, he found in one of the cabinets an expense notebook “calendar of the eighth year”. “The old man, having many things to do, / He did not look at other books.” Onegin's life in the capital was filled with other things. “It used to be that he was still in bed: / They carry notes to him. / What? Invitations? In fact, / Three houses are calling for the evening.
Therefore, Eugene Onegin also did not become inactive in village life. “At first, our Eugene thought / To approve the new order ... / Yarem from corvée with old times / Replaced with light quitrent ...” But all his village innovations cause bewilderment among local residents. They silently decide that he is "the most dangerous eccentric." This shows another opposition between the capital and the countryside. No matter how idle life in the capital is, it is she who first perceives the new trends of the times. After all, the villagers not only did not follow the innovation introduced by Onegin, but also considered it an eccentricity. The village lives in its own, closed world, according to its age-old customs. Village life is just a storehouse for storing and passing on from generation to generation of traditions, signs. "They kept in a peaceful life / Habits of dear old times." And how could it be otherwise, if their whole life passed according to the folk calendar. On Shrove Tuesday - pancakes, twice a year - fasting, on Trinity Day - a prayer service. However, in addition to the religious routine, the life of the village is filled with Russian folk songs, rituals, and in them, as in legends, the history of many generations is transmitted.
All this does not exist for metropolitan life - there are other interests, aspirations, memories. Such a life is filled not so much with practical matters and troubles as with entertainment: "... then he looked at the stage / In a great distraction / Turned away and yawned ..." Boredom is an indispensable companion of Eugene Onegin both in the capital and the countryside. When the neighbors stopped friendship with him, out of boredom he became a friend of Lensky.
The most striking representative of village life can be called Tatyana, who appears in the second chapter of the novel. Since childhood, she was brought up in this environment.
No wonder Pushkin calls her wild. “Wild, sad, silent / Like a timid doe in the forest ...” These two lines reveal another quality of a villager - naturalness. The world of the village is closest to nature. Sometimes it seems that the village is a separate community that harmoniously fits into the life of nature. And a person living according to its laws is pure in soul, more developed spiritually. Perhaps that is why the description of Tatyana does not slip the notes of boredom that fills Onegin's life. The beauty of Russian nature is connected with the image of Tatyana in the narrative: “She loved on the balcony / To warn the dawn of dawn, / When the round dance disappears in the pale sky / The stars disappear ...” With such a description, a magical, magical picture arises in our imagination. Like Tatyana, we seem to be witnessing the birth of a new day. “And quietly the edge of the earth brightens / And the messenger of the morning, the wind blows, / And the day gradually rises.” Only a calm, rural life allows you to get in touch with such a miracle. Metropolitan life is too fast to see this splendor. There, the glare of the morning sun is eclipsed by the lanterns. The horizon is lost among the silhouettes of buildings. The life of the capital, described in the novel, is mostly at night. And therefore, the inhabitants of her meet the sunrise, as a rule, still in bed. Therefore, they are inaccessible to the charm and poetry of the resurgent sun, with which each new day of the villagers begins.
In the novel, Pushkin quite vividly shows two different, sometimes seemingly opposite, but very dear worlds - capitals and villages. Each of them has its own advantages and disadvantages. They manifest themselves mainly through the images of the main characters and descriptions of their lives. Village life, based on legends and traditions, is closer to mother nature. He is measured, unhurried, quiet. But the life of the capital is full of new trends of the times. Not burdened by the traditions of antiquity, it is easier to perceive everything new. Here, not nature, but people are the masters of life, dictate their own laws.
So it is impossible to unambiguously answer which of the two worlds is better - capital or rural. It would be more correct to say that both worlds are vividly, clearly and originally presented by A. S. Pushkin in the novel "Eugene Onegin".
Was fed up. He was not truly in love with anyone, he did not have an interesting occupation, hobbies. He was bored by the abundance of entertainment, and continued to amuse himself out of boredom.
At first, upon arrival in the village, everything seemed new to Yevgeny. He enjoyed the country air, walked with pleasure. But very quickly he got bored here too. The only thing he had enough
He avoided acquaintance with his neighbors, with the same landowners as he himself was. He looked down on everyone. And when someone came to him, Onegin, like a naughty boy, ran away from the house through the backyard.
That he is the most dangerous eccentric.
True, when at the same time a graduate of the University of Gottingham, Onegin, appeared in their area. Lensky was still a sentimental youth, and perhaps 26-year-old Onegin, he reminded him of his youthful dreams, hopes, aspirations. This young man was very different from his Petersburg acquaintances, and therefore he enjoyed communication with Lensky. Although
Onegin met with Lensky almost every day. They rode horses, sat in Onegin's living room, sipping wine and talking about feelings, about politics, about the international situation.
Lensky was in love with the daughter of the landowners-neighbors Larins, and he was there in the evenings. Once Onegin asked to go with him to visit the Larins, which made a lot of noise among inquisitive neighbors. This acquaintance did not make much of an impression on Onegin himself. It seemed to Lensky that his friend was bored in this sweet and kind family. Perhaps he would never have come to the Larins again if she had not written to him. He considered it his duty to explain himself to her.
Onegin's days in the village were rather monotonous. In the summer he got up quite early and bathed in the river. Then he drank coffee.
These lines show that Onegin lived very well in the countryside. Even here, in this wilderness, he found "young black-eyed whites and a fresh kiss."
Summer is over and autumn has come. The time is boring: sometimes rains, sometimes frosts. You don't ride a horse. And the animal will suffer on the icy road, and you yourself can be crippled. All that remains is to read Walter Scott, to make calculations and drive billiard balls with a cue. Boring. This boredom was diluted by Lensky, who came on a troika of horses, and with whom Onegin dined, drinking a bottle of French wine.
The quiet, blessed life in the village was over for Onegin when, being invited to, he got angry with Lensky, and to tease him, began to flirt with.
Lensky was really furious. The very next day, he turned to a neighbor, known for his adventures, to become his second. Onegin did not take the duel seriously. He did not even bother to find a second equal to him in class. He did not want to kill his young friend, he fired without aiming. And killed. After such a tragic death of Lensky, Onegin could not stay in the village and soon left it. But he did not return to Petersburg either, having gone on a long journey.
Onegin was demonic in the sense that he was able to influence the fate of people. If he had not appeared in Tatyana's life, she, who knows, would really have married one of the closest neighbors, with whom she had grown up next to and whom she knew well. Onegin was not like anyone, he was a new person, and therefore she felt attracted to him, she learned what true love is. Having met Onegin, she experienced passion. If Evgeny had not started flirting with Olga, there would have been no fatal duel, Lensky would have married Olga. And they would live quietly next to Larina, giving her grandchildren. And so. Olga left somewhere with a lancer, Tatyana lived in Petersburg, and mother was left completely alone in her estate. That's how Onegin burst into a whirlwind into someone else's life and dramatically changed it.
Bakhtagaliev Victor
The work traces how the stay in the village affected Onegin's personality.
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A. S. Pushkin - Eugene Onegin Bakhtgaliev Victor 9a Teacher Kozenko T.K.
Transition to slides Description of Eugene Onegin How rural life affected the hero Material used
Description of Eugene Onegin EUGENE ONEGIN - the hero of the novel in verse by A.S. Pushkin "Eugene Onegin" (1823-1831). A brilliant metropolitan aristocrat, the last offspring of a noble noble family and therefore “the heir to all his relatives” (one of them is an elderly uncle, to whose village E.O. goes at the very beginning of the novel), he leads an idle, careless, independent, full of refined life. pleasures and various charms. “Having fun and luxury as a child,” he is content with home education and does not burden himself with service (in real life, this was almost impossible). But E.O. not just a "young rake", he is a Petersburg dandy, which creates an aura of exclusivity and mystery around him. Back
How rural life affected the hero Even in his new village life, Eugene Onegin introduced elements of the usual routine. He brought to the village both his favorite books and a portrait of Byron. True, he could not force himself to get close to his neighbors, their conversations about harvest and wine seemed too primitive to him. The only exception was Vladimir Lensky. Lensky was younger than Onegin, but this did not prevent young people from spending time in interesting conversations. Lensky studied in Germany, was an admirer of Schiller and Goethe, a connoisseur and follower of Kant. The very topics of conversations and disputes that arose almost daily between Onegin and Lensky in a certain way characterize both as thinking and deeply educated people. They argue about the fate of civilization and the ways of development of society, the role of culture and science in the improvement of mankind, about good and evil, art, religion and morality, even about the significance of passions in the life of an individual. It is these disputes that emphasize the differences in their positions: the contrast of youth and maturity, naivety and sobriety, enthusiasm and skepticism. They complement each other and complement each other. Despite the similarity of pastime, their reaction to reality is different. The rural way of life does not cause that boredom in Lensky, which is the invariable lot of a mature Onegin.
In Onegin's village life, two events took place that, to one degree or another, influenced his future fate: acquaintance with the Larin family and a duel with Lensky. The shock that Onegin experienced, accidentally killing Lensky in a duel, revealed to him the danger and fatality of individualism, moreover, it led him to a new moral crisis and to the need to change his life again. Onegin is a person striving for self-improvement, and new impressions should become part of him. Therefore, only at first glance it may seem that Onegin is going wherever his eyes look. In fact, his route is not accidental. The places that attract him are connected with the history of Russia: the Volga expanses, Nizhny Novgorod, the Caucasus, the “shores of Taurida”. He rethinks his life, passing it through eternal events. Upon returning to St. Petersburg, he again meets Tatyana Larina. But now this is no longer a naive village girl who confessed her love to him. Tatyana became a brilliant society lady, the owner of a fashion salon, the wife of a distant relative and childhood friend of Onegin.
Eugene Onegin experiences an extraordinary feeling for the first time. He is so hopelessly in love that, like Goethe's Werther, he is ready to die. But the times of Goethe have passed, and for Onegin, a love shock becomes the beginning of a spiritual rebirth. Eugene Onegin, not only as a literary hero, but also as a person of the 19th century, is interesting in that he constantly strives for self-improvement. His soul is renewed after each trial sent to it to become better and purer. Back
Material used slovo.ws school-essay.ru Back
Onegin hoped that the village would somehow brighten up his life, but after two days, during which he had fun and got used to the new environment, he was bored with everything there. Onegin's feelings cooled down, and along with the feelings, the soul also fell asleep.
After the first meeting and receiving Tatyana's letter, Onegin changed. He began to think about the people around him, about their fate:
“But, having received Tanya’s message,
Onegin was vividly touched;
The language of girlish dreams
A swarm of thoughts disturbed him ... "
Even when meeting Tatyana in the garden, Onegin confesses to her brotherly love:
“Dreams and years have no return;
I will not renew my soul...
I love you brother love
And maybe even more tender.
He gave Tatyana advice to learn to control himself, Pushkin himself approves of his noble deed.
Onegin's way of life has also changed. Pushkin describes it this way:
“Onegin lived as an anchorite;
At the seventh hour he got up in the summer
And went light
To the river running under the mountain;
I imitated the singer Gulnara,
This Hellespont swam across,
Then I drank my coffee
Going through a bad magazine
And dressed...
... Here is Onegin's holy life;
And he is insensitive to her
Surrendered, red summer days
In careless bliss did not consider
Forgetting the city and friends
And boredom of festive undertakings.
Pushkin calls Onegin's life in the countryside "saint", which cannot be said about his city life.
Onegin's feelings wake up after a quarrel with Lensky, he is tormented by remorse because of an unfair act. He doubts that the duel will take place, he has the idea to prevent it and make peace with Lensky. But the order of secular society, rumors about his cowardice in case of refusal to duel frighten him, and he decides to shoot himself.
After the murder of Lensky, Onegin, unable to find peace, leaves.
The second chapter of Pushkin's novel "Eugene Onegin", written in the genre of a novel in verse, begins with a description. Rustic with touching love for her. Further, Pushkin describes the master's house, called by Pushkin in a European manner, a castle. There is nothing superfluous and accidental in the works of the great Russian poet, each line has a deep meaning. This can be seen by analyzing the second chapter of the novel. (By the way, you can read its summary).
For example, calling the master's estate a castle, the author wanted to emphasize the solidity and strength of the house in which Eugene settled. The description of the house characterizes its former owner. Having built the estate once, my uncle did not change anything in it for forty years. He led his landlord household without any special innovations and "quarreled with the housekeeper for forty years."
Further, Pushkin shows how Onegin lives in his uncle's estate, his relationship with his neighbors. This is another dash to . Neighbors at first sought to make friends with a young landowner from St. Petersburg. Someone cherished the dream of making him their son-in-law, someone was looking for communication with a new person, wanted to find out St. Petersburg news and gossip. But "at first everyone went to him." Only Onegin himself did not seek friendship with anyone, and as soon as he saw a wagon with another guest on the road, he literally fled on a stallion through the backyard.
True, it should be said here that, having accepted the inheritance, he replaced the corvee for the peasants with a light quitrent. What pushed the neighbors away from him even more. This act of his reflected the mood of the noble youth of that time, the desire of Onegin himself for progress.
In the second chapter, Pushkin introduces another hero - who also arrived in his village almost at the same time as Onegin. Lensky is opposed to Onegin in everything. If Eugene is a master of hypocrisy, then Lensky is honest with people and sincere. He expects the same from others, and therefore he is naive and trusting, like a child. Onegin has cooled down and everything is boring to him, Lensky looks at the world with wide eyes, in love with life, with the nature surrounding him. His soul did not have time to become corrupted, like the soul of Onegin, he is devoid of skepticism, loves people and life itself.
Onegin's education is domestic, knowledge is scattered, not having a logical system. Lensky, a graduate of a German university, has a solid knowledge that he is ready to put into practice. By its nature, mindset and ardor of soul, the image of Lensky is similar to Pushkin himself. In addition, he, like him, writes poetry. But Pushkin also wrote Lensky not from himself.
A visit to the graves of Dmitry Larin and his parents is another touch to the portrait of Lensky. This episode testifies to the subtlety and spiritual sensitivity of the young poet.
Lensky, like Onegin, was an enviable groom in the Russian outback, and although the neighbors' conversations about haymaking, wine, kennels, and his family did not arouse interest in Lensky, he did not avoid communicating with them. From the neighbors, Lensky learned about Onegin, and wanted to get to know him.
The young landowners began to meet frequently. attracted them to each other, they were interested together. Riding horses, Onegin and Lensky argued on economic and political topics, discussed issues of science, religion, and talked about poetry.
An analysis of chapter 2 of Pushkin's novel "Eugene Onegin" shows that it is built on opposites. Onegin is opposed to Lensky. In the same chapter, Pushkin introduces the reader to, which Lensky loves. The simple-hearted and sociable Olga is opposed by her older sister - wild, silent. A sad and thoughtful girl is the opposite of her younger sister - lively and energetic.
The love of Lensky and Olga was largely inspired by their parents and public opinion. Olga and Vladimir grew up together. Probably, the parents were friendly with each other, and often ran into each other with their children. Parents dreamed of marrying their children. These conversations inspired obedient children with a feeling of affection, which they take for love. Olga had no other objects of adoration. But she was able to easily get carried away by another, if a new attractive face appeared in her sky. And Lensky, who grew up, like Tatyana, on novels, was a dreamy nature, and for love he took the desire to love and be loved.
Tatyana loved to read novels, she was dreamy, prone to mysticism, by nature. Even Onegin, after meeting the sisters, remarked to Lensky that the dreamy and thoughtful Tatyana was more suitable for the poetic soul of a young friend. And Olga is sweet, charming, and looks like a doll. Her beauty is able to quickly get bored, as the author is tired.
So why not Tatyana, but Olga became the love of Vladimir Lensky? The answer lies in these lines: "and childish pranks were alien to her." When guests came with children, she preferred to retire in a room, or somewhere in the garden. And knowing Tatyana's tendency to loneliness, kind parents did not bother her, leaving her to herself.
