Paintings from dried flowers with their own hands. Master class "Autumn landscape" (from autumn leaves)

In order for your craft to turn out beautiful and retain its original shape, you need to properly prepare the material. Flowers with leaves should be collected only in sunny and dry weather. Dry blanks between book pages. Be sure to put a heavy press on top. Drying will take you about 2-3 weeks. From the prepared material, very beautiful paintings and crafts are obtained.

DIY leaf panel

Necessary materials:

Dried natural material
- thick cardboard
- tweezers
- scissors
- brush
- blade
- glue

Stages of work:

The picture must be glued from top to bottom. First of all, make the sky and the river. To create the sky, the leaves must be placed at an angle. Leaves for the river are glued in a horizontal position. Now start creating the distant shores. Blankets of pastel shades (petals of peonies or roses, raspberry leaves) are very suitable. Take green blanks and make hills of the second coast out of them. The house is created as follows: first glue the walls, and then the window with the roof. Glue trees near each house. As a crown, take various dry blades of grass. Trunks can be made from banana peel and birch bark. The last to make a hedge, small bushes, sheaves. Frame the finished picture, cover it with a protective film or glass. Remember that the picture should not be placed under bright sunlight, otherwise it will quickly deteriorate.

How about you? It will be a great addition to any room.

Panel of autumn leaves

You will need:

Leaves from various trees
- spray paint
- foil
- the basis for the picture
- glue
- foil

How to do:

On the street, collect fallen leaves, clean from dust and dirt. Use a paper towel to wipe the blanks to get rid of moisture. Prepare the basis for the picture, attach the leaves and think about what the composition will be. Lubricate the surface of the base with glue. Drip a little glue on the leaves. Glue them right side up so that the veins are on top, giving a relief texture. Coat with glue again and lay the foil on top. The piece of foil should be large enough to cover the entire base. Decorate the foil beautifully so that it fits snugly against the wood base. Prepare black spray paint, apply on top. Once it dries, start creating tones.

Take a scraper and start removing the paint. Try not to damage the foil, but you should not worry about this, since everything can be fixed with a black marker. This picture will be a great decoration for any interior.

Do and .

Panel of dry leaves

Necessary materials:

Compass
- ruler
- sheet of cardboard
- simple pencil
- leg-split
- brush
- PVA glue

Stages of work:

Prepare the base for the wreath. Using a compass and a ruler, find the middle on the cardboard, draw one circle with a diameter of 24 centimeters, and the second with a diameter of 12 centimeters. Cut out the wreath. Tie a string of twine, fold it in half, glue it to the base of the wreath on the front side. Dilute the PVA with water, glue the sheets. Lubricate the cardboard with glue, stick the leaves, set the work aside to dry. As soon as the glue dries, decorate the wreath with berries, cones and dry inflorescences.

Panel of leaves on the theme of autumn

You will need:

White impregnation for wood
- plywood with a thickness of 50 by 50 cm
- glue "Moment"
- rowan leaves
- dark brown wood impregnation

Work process:

First, apply a dark impregnation to the plywood, let it dry completely. See the packaging for the drying time. All recommendations must be followed. As soon as the first layer is completely dry, apply a light impregnation. Apply it very thinly so as not to cover the dark tone and cover the pattern of the wood. Iron rowan leaves with an iron, fold between magazine or book pages. During ironing, the color of the blanks will change slightly, so do not be afraid.

On the board with a pencil, draw the outlines of the future branch. Each leaflet will consist of 5-6 individual rowan leaves. Glue blanks on the "Moment". Move from one blank to another gradually until you have collected them all. Hang the panel on the wall.

It will turn out incredibly beautiful and.

Panel of autumn leaves

Necessary materials:

colorful leaves
- colored paper
- scissors
- quilling stick
- brush
- PVA glue

Stages of work:

Cut out an oval from soft blue paper. This will be the base of the craft. Glue the leaves on top. They must first be dried or held under the "press" for several days. You can speed up the drying process. To do this, lay the sheets between two book pages and iron. Start gluing all the sheets from top to bottom to create the effect of a forest, dry the glue.

Glue the base with sheets to yellow paper or cardboard. You can also take a light green color. Glue multi-colored birds on top or draw them with a black marker. Decorate the picture with flowers. Cut them out of double sided paper. Cut 3 strips with a width of 1 cm, cut them with a "fringe". Wrap paper strips on a stick and fix with glue. As soon as it dries, "dissolve" the flowers and carefully straighten the petals.

To create a leaf, prepare green double-sided paper, make strips with a width of ½ cm. Wind them tightly on a stick, release what you wind and you will get a curl. Squeeze the curl with your fingers so that the leaf shape comes out, fix with glue. Glue the leaves and flowers.

The use of natural materials in crafts and fine arts is gaining more and more popularity every year. Pressed floristry (oshibana) is an ancient Japanese technique for creating pictures from dried flowers. Using various dried plants, decorators create unique paintings and stories, and the whole process takes place without the use of any paints.

In order to create an image from dry flowers, no special tools are required. In fact, all working raw materials can be collected in a field, a nearby park, forest, or grown on a windowsill. Turning on the fantasy, the materials can be found anywhere: drying the peel of a banana or eggplant, opening tea bags with hibiscus or other tea, as well as drying the peel of a tangerine, cucumber, or removing it from an onion.

Leaves, flowers, fluff, peel and other materials are dried in a variety of ways, including standard press drying, vacuum drying and drying with irons. Usually, after treatment, the plants lose their natural color and turn pale or darken by several shades. Materials such as bananas turn dark brown after drying, so before starting work, you need to roughly imagine what result the author wants to achieve, and then select the plants of the desired color scheme.
After selecting materials, dried plants are attached to a fabric or paper canvas, forming a unique composition.
As an illustrative example, we recommend following the process of creating the painting "Lady with a Bouquet" performed using the technique of mistaken.

1. Getting started, in addition to dry materials, you need to prepare the following tools:
Colorless glue (PVA can be used);
Small scissors;
Tweezers;
sharp object;
Glue gun (for gluing large plants);
White cardboard (if necessary - color)

2. The following materials are needed to create a painting:
Dried rose petals or bluebells;
Violets petals;
Any yellow leaves;
Dry banana peel;
Dry corn stigmas (in other words, hair from corn);
Other decoration materials that will be on hand.

3. Before starting work, you should make a small sketch of the future picture on paper;

4. Apply a few rose petals to the finished sketch. We attach the leaves to each other so that the result is a skirt, at least slightly repeating the drawn silhouette;

5. We apply glue to the entire length of the skirt and glue the petals with tweezers;

6. Let's move on to the sleeves. We cut them out of the petals of a lighter shade and glue them in the same way. Previously, sleeves can be drawn on the petals, and then cut out. The result should be like this.

7. We make out the neckline. Cut out a bust of the required shape from the peel of a banana and glue it onto the drawing;

9. Cut out the hands from the yellow sheet and glue them to the lady;

10. We make out the face from small flower particles and use a gun to apply a drop of glue to the head area. We fix a bunch of corn hair, holding it with a sharp object for a while so that the hair sticks well. Immediately decorate with dry violet;

With my own hands. The technology is simple, and the result can be very effective. This decor is suitable just as decoration for the interior. Making is easy to turn into a joint creativity with children.

Panel made of natural material

It is very possible to create by gluing dried leaves and flowers, individual petals onto a base, for example, from cardboard. This technique has its own name - mistaken (or osibana). Quite often acts as a hobby for adults. Oshibana is an ancient Japanese art of laying out pictures from dried leaves and flowers.

For children's creativity, the option is also suitable. The child in the process of doing crafts and preparing the material will learn new information about the world around him, learn to compare colors and shapes. He will develop fine motor skills, perseverance. It is very good to combine leaves and flowers with twigs, seeds, grains. So you can get a relief surface and even three-dimensional details.

Do-it-yourself panel of autumn leaves

So, what is needed in order to build such beauty? A panel of autumn leaves (photo below) can only be made from flat elements, while using both the natural forms of objects and complex configurations of artificial origin created on a paper substrate.

You can choose from the following scenes:

• bouquets;
• landscapes;
• still lifes;
• portrait or complex thematic ideas.

In a word, this technique is very interesting, unusual. The result depends on your imagination, perseverance and the blanks that you have.

Materials and tools

To make a panel of autumn leaves with your own hands, you will need the following:

• base (cardboard, fiberboard, paper, for example, colored);
• dried leaves, flower petals;
• glue;
• brush for applying glue (optional);
• glass and frame for work decoration.

So, nothing special is required. The main thing is patience and the desire to do something special.

Leaf preparation technology

To make a beautiful panel from natural material, it is important to properly prepare the source materials. You will need:

• freshly picked leaves, flowers, petals;
• unnecessary thick books;
• cardboard;
• cotton wool;
• scissors;
• threads or large stationery gum (not erasers, but those used for banknotes);
• a flat free surface for several days (table, shelf).

Drying the material is not a quick process, but you definitely shouldn’t rush to get high-quality blanks for work.

The sequence of drying leaves is as follows:

1. Spread the leaves evenly and carefully between the pages of an unnecessary book (the paper may get dirty). Do not lay out the leaves one by one, it is better to do this after a few pages (they will dry out faster and better, they will not stick together).
2. Place the book under a press (box, crate, or several large books).
3. Wait a few days.
4. Check if the blanks are dry. If the quality suits you, take out the leaves and get to work. If the material is not dry, leave for a couple more days.

How to dry flowers

Flower petals or small (not thick) flowers are dried in the same way as leaves. So, you can prepare flowers of daffodils, phlox, bindweed, viola (pansies), bells. But asters, roses and other flowers, in which the base is dense, fleshy, it is better to dry like this:

1. Prepare a sheet of cardboard or thick paper a little larger than the flower itself.
2. Fold the blank in half like a postcard.
3. Cut a hole of any shape in the center of each side (this is a kind of ventilation so that the flower does not rot).
4. Unfold the cardboard and put a layer of cotton wool inside.
5. Put a flower on the cotton.
6. Add another layer of cotton on top.
7. Close with cardboard (fold the sashes).
8. Secure the "postcard" with rubber bands or tie with threads.
9. It is advisable to put under pressure.
10. Check the result after a few days. If the cotton wool is very damp and the flower is not dry, change the cotton wool and dry it.

As you can see, the technology for harvesting leaves and flowers is simple, but if you do not follow it, you will not get high-quality material. Incompletely dried leaves can be deformed, and the petals of the flowers will fall off.

Panel execution technology

To make a beautiful panel of leaves (photo above), you need to work like this:

1. Take a cardboard base or colored paper if part of the background is left uncovered with dried material.
2. To make objects of complex unnatural shape (vases, houses), cut out substrates (blank parts) from thin paper.
3. Spread glue on one side of the backing paper and place dry leaves on top.
4. Wait for the element to dry and trim along the edge contour. Throw away small leaf clippings, and use large ones for other details.
5. When all the components are ready, apply glue to the base and glue the blanks. If necessary, first lay out a background of leaves or petals.
6. After the painting has dried, arrange it in a frame under glass. So the panel will be better preserved.

Panels of dry leaves can be made in the form of a relief using twigs, spikelets, cones, grains and seeds. This option is perfect for children's creativity.

So, making a panel of autumn leaves with your own hands is easy. This creative activity can be a fun and rewarding way to spend time with your child. Prepare quality material and explain the technology. Even small children can make a simple composition of leaves and flowers.

In the interior design of residential premises, every detail is important, helping to complement its style and bring the necessary zest to the design of the room. It is such a unique interior detail in many styles that paintings made from dried inflorescences, herbs and leaves of trees of various species can become.

The technique of creating such canvases has been known since ancient times, and enjoys well-deserved popularity in many countries of the world. Initially, paintings from dried plants made by the application method appeared in Japan.

In the Land of the Rising Sun, they have always appreciated the beauty of nature and have been able to enjoy the contemplation of every flower. It was the Japanese who learned how to preserve the beauty of inflorescences for a long time, drying them, and using them as the main material for making paintings - applications.

Art is wrong.

The art of creating pictures from dry plants is called the Japanese word "Obshibana" (or "Oshibana"), which is interesting and unusual for Europeans. Oshibana is one of the branches of the science of creating flower arrangements - floristry.

The art of the mistaken appeared in Japan more than six centuries ago, and much later it came from there to European countries. In particular, during the Victorian era in Europe, this type of art was extremely widespread.

Luxurious apartments of rich nobles and modest dwellings of the poor were decorated with dried flowers, leaves and herbs. They differed in the degree of artistic performance, as well as in the quality and appearance of the frame - the picture frames for the rich were made of luxurious, expensive materials.

In the modern world, the art of the mistaken is experiencing another peak of its popularity. Just think - from the usual crafts provided for by the school curriculum for children of primary and secondary school age, paintings - applications from dried plants began to serve as decoration for living quarters. Many masters have paid attention to the art of the mistaken, and they make wonderful canvases of high artistic value.

Features of creating a picture.

To create a picture of dried flowers, you do not need special skills or the availability of expensive materials. All that is needed is to prepare vegetable raw materials in advance and dry them properly. Suitable flowers, leaves of trees of various species, herbs and plant seeds.

The process of assembling the picture is ridiculously simple: dried plants must be folded into a harmonious composition and fixed on a cardboard or fabric base with glue. After that, the picture must be thoroughly dried, and then inserted into a finished frame with glass - this way the picture will last longer, and dust will not accumulate on the inflorescences.

The production of paintings from dried flowers using the oshiban technique is available to almost everyone. But, despite the seeming simplicity, the art of mistaken still has some secrets.

The most important thing in the art of creating paintings from dried flowers is the correct preparation of plant materials. Dried flowers and leaves should retain their color, texture and natural shape.

Therefore, drying flowers, herbs, leaves, seeds and poplar fluff is best done under pressure or in a special folder to create a herbarium. The easiest way that many people remember from school is also suitable - to dry plants between the pages of an old book. In this case, the leaves and flowers should acquire a flat shape.

During drying, the plants almost always change their color, become dull and faded. To prevent this from happening, the flowers and leaves must be subjected to heat treatment while still fresh.

At home, they can be gently ironed with a hot iron. Experienced master florists know that young leaves and flowers have the brightest and most stable color. Therefore, it is best to use the freshest and youngest plants.

The variety of flowers also matters - peonies, asters, dahlias, pelargoniums, as well as brightly colored autumn leaves retain their natural color for a very long time, so they are best used to create compositions.

But lilies, nasturtiums and pansies are not able to retain their color for a long time - they quickly fade in the sun and become faded. Plants need to be dried very quickly, because in this way they retain their natural color as much as possible.

For storage of dried vegetable raw materials, it is best to use glass or metal containers that are hermetically sealed with lids. It is best to store the material for paintings in a dark place, because under the influence of sunlight, plant material can quickly fade and lose its color. This also applies to Oshigan's paintings, which can also fade over time.

Required tools.

To make paintings from dried plants using the mistaken technique, you will need the following tools:

• PVA glue or any other that leaves no residue after drying;
• brush for applying glue;
• simple pencil;
• tweezers;
• sharp scissors;
• thick cardboard or fabric base for the picture.

On a cardboard or fabric base chosen to create a future picture, you need to draw a plan - a sketch of the future composition. After that, carefully lay out the plant components, carefully selecting them in color and texture.

It is necessary to select harmonious color combinations and tint options for plant material to make the picture very beautiful and unique. Experienced craftsmen who have been practicing the technique of creating wrong paintings for a long time recommend that you first fold the composition without gluing, changing it as necessary - and only after choosing the optimal image option, start gluing the composition.

Painting of flowers and leaves "wrong". Master class "Quiet pier"

The target audience: children from 12 years old, teachers, parents
Purpose: painting as a gift
The purpose of the master class: performance of decorative and applied work in the technique of "Planar floristry".
Tasks:
1. Teach:
Learn how to work with natural material (collection and drying of plants)
2. Develop:
Develop the emotional sphere, creative thinking, imagination and fantasy.
Develop fine motor skills.
3. Nurture:
To educate children in independence, creativity, aesthetic feelings.

Any plant material is good in itself, in its original form, so to speak. Nature presented in it all possible forms with symmetry and asymmetry, color and texture and even aromas. Therefore, the desire to bring this perfection into your home and somehow capture it in pictures is understandable.
Floristics is a special kind of creativity. It combines a reverent attitude to all living things, observation, the ability to see the beautiful, unique in every small blade of grass and the artistic perception of the world as a whole. Floral painting has such an arsenal of expressive means, so many techniques and creative techniques that, perhaps, no other type of fine art possesses.
Dried flower arrangements have been a traditional art form in Japan for hundreds of years. There it received the name "oshibana" (oshibana), which in translation means "pressed flowers". In China and its neighboring countries, Thailand, Korea and others, pressing flowers has been a separate, very revered craft since ancient times.
Plants that are suitable for planar floristry can be harvested throughout the year, because each season has its own beauty and opportunities. Spring will bring dried leaves from wild plants. In summer, you can dry flowers, collect poplar fluff for compositions. Autumn is "red", which means colorful autumn leaves from trees like oak, maple, rowan and bright fruits. In winter, seeds are collected from ash and maple. As the main background, you can use all available means - beautiful paper, drawing paper, interesting pieces of wallpaper, everything will do.
Planar floristry This is not only painstaking work, but also a pleasant, exciting activity. To join this art, it is not necessary to be a professional artist. You just need to understand the texture of natural materials and learn how to combine them organically and thus become a co-author of nature itself.
Using the available tools and materials, you can create your own unique compositions that can decorate the interior or serve as a wonderful gift.

Rules for collecting and drying plants

To create interesting works, it is absolutely necessary that the natural material be as diverse as possible, different in texture, shape and color.
Collect plants that will later become "paints" from early spring to late autumn, even at the beginning of winter. It is necessary to remember a few rules for collecting and drying plants.
1. Plants can only be harvested in dry weather.
2. Dry the stems and leaves separately from the flowers. Compositae (marigolds, poppies, lilies) dry in parts, separating the petals. Daisies, violets, umbelliferous, cereals, veres dry whole.
3. Lay plants between sheets of paper so that they do not wrinkle. Press from above with a load, the weight of which can be from 4-5 to 10-15 kg. The air temperature is not lower than 22-24 degrees. In autumn and winter, it is necessary to dry the plants near heated batteries. After a day, check the quality of drying plants, if necessary, change the paper - and so on until the plants are completely dry for 2-3 weeks.
4. No need to throw away plants that have lost their natural look. The whole palette of pastel shades can come in handy in the work.

Master Class

To make an application from dried plants, you will need the following tools and materials:
- scissors (large and manicure);
- tweezers;
- medium soft pencil;
- material for the base (dense cardboard);
- material for the design of the picture (frame with glass, 2-3 mm thick);
- PVA glue;
- brushes or thin sticks for glue;
- plants dried under pressure (corncob wrappers, leaves of viburnum, poplar, burdock, maple, strawberries, grapes, lilacs, rose petals, twigs of wormwood, birch, birch bark, cattail).

Attention! All plants are interchangeable, so if the listed plants are not at hand, they can be replaced with similar ones in color and texture.
Before starting work, with light strokes, we make a sketch on thick cardboard with minimal elaboration, given the possibility of improvising in the process. We outline the contours of the image, paying special attention to the main lines and forms - the horizon, the foreground.

We depict the sky with birch bark of different shades (from white to beige). To do this, we use the inner and outer parts of the birch bark. We try to combine colors so that they smoothly blend into each other, we achieve the effect of cloud blur. We generously coat the inside of the birch bark with glue and glue it to the base according to the outlined contours. For more thorough gluing after each stage, it is necessary to put the work under the press for a while.

Overlay the primary layer to represent the surface of the water. We use the inner part of the bark of a slightly rotten birch. It already has the colors and shades necessary for the image of ripples on the water.

We depict the coast in the foreground. We use a set of leaves of green shades (from light to dark) of various plants.

We depict the forest in the background. To get a picturesque background for the next stage of work, we use leaves of yellow and green flowers. We arrange them horizontally.

We return to a more detailed study of the surface of the water. We create a solar path. This is the lightest part, so we lay it out using the outside of the white birch bark. For the darkened parts of the water, birch bark of dark shades is needed. The inner layer of rotten bark is perfect for this.

We turn to a more thorough study of the forest in the background. To depict numerous aerial planes and various types of trees, we will use dark poplar leaves; grapes, lilacs, yellow leaves of autumn birches, red maple leaves. For the image of a coniferous forest, different types of wormwood (white and green) are suitable. All leaves are glued vertically.

We start working on the boat, which is located in the background. First, draw it on paper, cut it out and glue it a little to the left of the middle.

For the image of the boat, we use dry autumn cattail leaves. Let's start with the body. The boat is made of wood, so you need to depict it in action. On the outside of the boat lay out boards of gray-brown leaves, placing them horizontally. The boards on the inside of the boat are in the shade, so we use dark brown leaves. Glue light stripes around the entire perimeter of the upper part of the boat to reflect the thickness of the wooden base. In the inside of the boat, it is also necessary to depict three boards for sitting: stern, rowing and bow. To do this, we use beige leaves, placing them perpendicularly.

On the shore, in the foreground, we have three birches from the outer layer of white birch bark. We cut out the desired shape of the trunk with scissors and glue it according to the composition.

We are working on the structure of the tree bark. Old trees have many irregularities, various cracks, tubercles, which, of course, should not be left without attention. We spread them with birch bark of different shades. We put darker pieces of birch bark on the shady side of the trunks. We mark dark dashes and spots on the bark of the tree, trying to place them as randomly as possible.

Let's move on to the crown. When depicting trees, we must take into account the anatomical structure and the shape of the branches characteristic of birches. We form the crown from poplar and birch leaves by picking with hands. On the crown of the tree we add thin hanging branches. At the same time we depict birch trees in the background. We use the same set of leaves. We stick to the same technology.

We are working on the second boat, using the same techniques, materials and techniques for doing work as on the first one. We depict the shadow from the boat on the surface of the water, which is covered with light ripples. To emphasize this, the material used is uneven and broken. For this effect, the torn birch bark of the inner part of the dark bark is used, and the outer part, which is lighter, is used to depict highlights.

Let's move on to a more thorough study of the details of the foreground. At the base of the tree and next to the boat we have a bush. We convey the density of the herbaceous cover with plants of different shapes and textures: white sweet clover, common oregano, dandelion, cereal plants. We lay out small islands from climbing decorative indoor plants in the background.
Now everything fell into place, and the composition can be considered complete.

The finished picture is inserted into a frame under glass.

Close-up of boats.

Close-up of the crown of birches.