Paintings on Slavic themes. Slavic artists

Grow, braid, to the waist, don't shed a single hair.
Grow, braid, to toe - all the hairs in a row.
Our grandmothers knew this saying when they themselves were girls.

From it we can conclude that the most ancient hairstyle in Rus' is a braid, but this is not so. At first they wore loose hair. And so that they do not fall on the eyes, they held the strands with a hoop or tied them with a ribbon. The hoop was made of wood, bast or birch bark. And sheathed with cloth, trimmed with beads, dyed feather grass, bird feathers, natural or artificial flowers.

Well, braids appeared much later. Russian girls braided only one braid. And this differed from mothers who relied on two. Girls of Belarus and Eastern Ukraine braided one braid only on holidays. And on working days, they wove two at a time and laid them on the head with a crown. In the west of Ukraine, one spit was completely unknown. Two, four or more braids adorned the hairstyles of local girls. They called them "small pigtails" or "dribushki".

Before marriage, girls wore one braid. At the bachelorette party, the girlfriends with howling and crying, probably caused by envy, intertwined one braid into two. It was two braids worn by married women in Rus'. One braid nourished her with life, and the other - future offspring. It was believed that a woman's hair contained a force that could energetically support her family. They were placed as a crown on the head or tied with a ribbon to make it easier to put on a headdress. From the moment a woman entered into marriage, no one, except her husband, naturally, saw her braids again. In Rus', women always covered their heads with a warrior, tearing off a headdress was considered a terrible insult (to goof off means to disgrace yourself). The worst insult was perhaps the cutting of the scythe. Once, one gentleman, in a rage, cut off a thin pigtail to his maid, and then calmed down his indignant peasants, and even paid a fine. If a girl cut her braid on her own, then, most likely, she mourned the deceased groom, and cutting her hair was for her an expression of deep sorrow and unwillingness to get married. Pulling the braid meant insulting the girl.

By the way, those who dared to tear off a headdress from a woman were also punished with serious fines. Only fines, it seems, did not go at all to improve the moral state of the victim, but to the state treasury.

But the braid could also be cut off by force - say, if a girl parted with innocence before marriage. This was already at the time of the adoption of Christianity, because in pagan times the presence of a premarital child was not an obstacle to a wedding, and even vice versa: the girl's fertility was confirmed by a living fait accompli. Then morals became stricter, and the one who allowed herself liberties before the wedding could part with her hair as a punishment - a jealous rival could also cut it off.

In addition, in some places there was a curious custom when a girl’s braid was cut off before marriage, and she gave it to her husband, as if saying by this that she was giving him her whole life, and then she grew a new one under the scarf. In the event of an attack by enemies - Pechenegs or Polovtsians, for example - a husband could take his wife's girlish braid with him into battle, as a talisman against misfortunes and the evil eye. And if the enemies broke into the Slavic settlements, then, in addition to the logically explainable robbery, violence and murders, they could cut off women's hair.

During pregnancy, the hair was not cut, as the woman took the energy not only for herself, but also for the child. Cutting your hair during pregnancy meant depriving your unborn child of support. Hair has traditionally been considered the seat of life force, so young children were not usually cut until a certain age (usually 3-5 years old). Among the Slavs, the first haircut acted as a special rite, which was called - tonsure. In princely families, the boy was also put on a horse for the first time on the day of tonsure. And a newborn child under one year old is not recommended to even comb, not only cut.

Children at a young age were combed by their parents, then they did it on their own. They could only trust someone who was well known and loved to comb their hair. A girl could only allow her chosen one or husband to comb her hair.

For children under 12 years old, even the ends of their hair were not cut, so as not to cut off the mind that comprehends life, the laws of the Family and the Universe, so as not to deprive them of the vitality bestowed by Nature and the protective power.

Trimming the ends of the hair to a length of no more than one nail in young people over 16 years of age was done in order to make the hair grow faster, and this act could be performed only on the days of the new moon.

Interestingly, the old maids were strictly forbidden to twist one braid into two, they were also forbidden to wear a kokoshnik.

The so-called three-beam braids were braided for little girls, which were a symbol of the unification of Reveal, Navi and Rule (present, past and future). The scythe was located strictly in the direction of the spine, since, according to our ancestors, it served to fill a person through the ridge with vital forces. A long braid kept feminine power for the future husband. Weaving braids protected women from the evil eye, negativity and evil.

The braid was not just a hairstyle. She could tell a lot about her owner. So, if a girl wore one braid, then she was in an “active search”. Is there a ribbon in the braid? Marriageable girl, and all potential candidates urgently need to send matchmakers. If two ribbons appeared in the braid, and they were woven not from the beginning of the braid, but from its middle, - that’s it, “dry the oars”, or, as they say, whoever didn’t have time, he was late: the girl had a groom. And not just the one that builds eyes and plays glances, but the official one, because the ribbons also meant the blessing received from the parents for marriage.

Combing hair was like a sacred ritual, because during the procedure it was possible to touch the vital energy of a person. Apparently, in order to restore the vitality lost during the day, it was necessary to run a comb through the hair at least 40 times. Only parents could comb their hair for babies, and then the person himself did this daily procedure. It is interesting that the girl could only allow her plait to be untwisted and her hair to be combed by her chosen one or husband.

The fact that cutting hair radically changes lives seems to have been well known in the old days. Hence the sign that has survived to this day that it is highly undesirable for pregnant women to cut their hair. Voluntarily, and sometimes with reverent awe, only women who were in a state of severe spiritual shock, for example, during monastic vows, were allowed to cut off their braids. Hair in Ancient Rus' did not have the habit of cutting at all, and this custom has been preserved in modern men's monasteries.

A braid as thick as a hand was considered the standard of female beauty in Rus'. Healthy and shiny hair could be better than the words of flattering matchmakers could say about the future wife. Unfortunately, not all beauties could boast of thick long braids. Of course, in Rus' they have never heard of building up. So the young ladies resorted to deception - they wove hair from ponytails into their pigtails. And what to do, everyone wants to get married!

Long hair is a sign of good health, beauty and female inner strength, which means that men subconsciously like it. According to statistics, men, evaluating women, put women's hair in third place after the figure and eyes.

An experiment was conducted: children of 5 years old, drawing their mother, in 95% of cases drew her with long hair, despite the fact that mothers had short haircuts. This suggests that the image of a mother - gentle, kind and affectionate, is subconsciously associated in young children with long hair. The same statistic claims that 80% of men associate short haircuts with masculinity and aggression.

Long hair gives a woman strength, but what is important: they should not be worn loose. Letting down long hair was indecent, it's like being naked. “Masha loosened her braids, and after her all the sailors.”

Loose hair in the presence of a man meant an invitation to intimacy. Therefore, before a woman was not allowed to let her hair down in front of strangers. The women who wore their hair loose were the fallen ones, they were called "LITTLE GIRLS".

It was also not customary to let your hair down because it was considered unsafe to scatter energy and strength by letting your hair down. Therefore, the hair was taken and braided. After all, a woman, letting her hair down, could attract other people's views, could arouse the envy of ill-wishers. Women cursed themselves in this sense, as they knew that in their hands was the energy protection of the family and their home.

Women's hair has a very powerful sexual attraction, which is probably why married women could only show their hair to their husbands, and the rest of the time they wore a headscarf. Therefore, a woman in the temple should wear a headscarf so as not to embarrass the men and not distract them from prayer.

And also the scarf symbolizes the power of the husband and female humility and humility. Only unmarried women could not cover their heads with a scarf in temples before.

It is very important to know about the power of women's hair and use this knowledge for your own benefit, and most importantly, remember that hair is our dignity and our pride.

Pictures of Slavic themes: images of Gods and ornaments in memory of the Russian Family

The faces of the Gods are their image for our understanding of what powerful Forces govern the Russian Family, this is an opportunity to remember and honor our intercessors and patrons, to establish a direct connection with them.

In our catalog you can choose paintings and order their full-color printing on canvases of the required size, as well as frame the finished canvases. They will be an excellent decoration of the interior of your home, a gift to loved ones and dear people. Slavic paintings have the most powerful energy and provide nourishment for the accomplishment of new deeds, strengthen the Faith, help to receive and give to the descendants of the Veda about the Roots of the Russian tree.

A variety of Slavic paintings: the history of Rod through the eyes of an artist

Slavic paintings by Maxim Kuleshov have long been known and collect enthusiastic comments all over the Internet. Surprisingly pronounced details and characters of the Gods in the images created by the hands, heart and soul of this artist evoke warm and kind emotions.

In all the paintings of the Slavic theme, there is an expression of one simple thought - we are Rod and we are one. Grandfather Dazhdbog looks at us affectionately, and Father Svarog is ready to help in every difficult moment and protects his sons and daughters from enemies, the wise Veles shows the right path and protects on the way, gives many ideas to achieve the goal, and caring mother Makosh helps to maintain prosperity and peace in your family...

Ours also presents magnificent Slavic paintings with Gods and based on Russian fairy tales by a no less famous master. His series "Slavic World" is unusually colorful and at a glance takes us to the world of Rule.

Each picture is not just written in the Slavic theme, but reflects a whole history - the history of the laws of our Family, to which we are most directly related.

We are constantly replenishing our gallery of Slavic paintings with the Gods and heroes of the Russian land - we are pleased to put in the catalog for the possibility of evaluation and purchase by everyone the canvases of both eminent masters and talented young artists.

In modern Russia, and indeed throughout the White World, only a few artists have devoted themselves to studying and recreating the image of our ancient Hyperborean Rus'. Among them is Alexander Uglanov, an accomplished master of easel painting. His fabulous paintings could be seen in the original at the best collective exhibitions on Slavic themes, organized by Yuri Mikhailovich Medvedev at the Museum of Moscow (2009) and at the School of Arts. Balakireva (2010). And now the time has come to comprehend the work of Uglanov as an individual, original and unique world.

Alexander Borisovich Uglanov was born in 1960 in the city of Tver. In 1979 he graduated from the Venetsianov Art School (former Kalinin Art School), where he studied at the design department with teacher Vladimir Ivanovich Burov. An experienced master taught his followers the strict canons of academic art, demanded from them a careful study of nature and high-quality drawing, as the basis of easel painting, and at the same time, contributed to the development of the student's individual talent.

At the school, Alexander Uglanov met Vsevolod Ivanov with another student of the Kalinin Art School. Young artists from Tver have been linked by creative friendship for many years. They lived with the same dreams, images, and even painted pictures in the same style. The tone was set by the elder Vsevolod Ivanov (born 1950), who dreamed of fantastic myths about the lost civilizations of Central Atlantis and Hyperborea. In the works of Alexander Uglanov, we find a similar theme. These are "Guests from Hyperborea" (2002), "Atlantis" (2004), "The Mysterious Icy Ocean" (2007) and others.

The young artist tried different styles and forms. He has portraits of the classical genre, romantic visions, exotic subjects, complex surreal compositions. Among them stands out the painting "Dream of a Dandy" (1998), written in the best traditions of European romanticism of the 20th century.

Already at the first solo exhibitions in his native Tver (1998) and in Moscow (2001), Uglanov's talent was appreciated by the audience on merit. They noted his skill as a painter, a deep love for his native nature, for the origins of Rus', his non-commercial sincerity and kind irony. Orders for paintings followed, invitations to other cities and countries.

Special mention should be made of the Hellenic period of Uglanov's work. The fact is that from October 2003 to May 2004 the artist lived and worked in Greece, collaborated with the galleries of Athens, Thessaloniki and Veria. Here he created such canvases as "The Abduction of Helen", "The Goddess of Wisdom", "Dionysius", etc. On the Balkan soil, the master saw his native roots and adequately supplemented the collection of Russian Hellenistics.

Gradually, the artist from Tver finds his own theme and forms his own style. He focuses on Hyperborean and Vedic Rus', closer to us in time and space. A series of folklore images appears: Prince Sloven, Vedunya, Bannik. On the canvases "Mists of Gardariki", "Sanctuary of the Forest", "Test", we see the strict nature of Northern Eurasia, with its dense thickets, shaggy rocks and clear rivers.

The wooden architecture of our ancestors naturally fits into this harsh nature: ancient temples and settlements. In the reproduction of the original Russian world, one can feel the influence of the pre-revolutionary architect V.V. Suslov, with his fantasies in the spirit of fairy-tale towers.

The study of native origins led Alexander Uglanov to comprehend the secrets of the Sacred Knowledge, which makes his art several levels higher than souvenir handicrafts "a la rus". Uglanov's "Magician" reminds us of Leshy or Veles, stern and wise in the northern way. The painting “Daria the Virgin” depicts the summer holiday of Kupala, the most popular of the folk Christmas holidays. Zimushka-Winter is personified in the image of Morena, rarely depicted with such a piercing, chilling coldness.

One of the artist's best paintings is called Veda. Here is the whole philosophy of Shaktism, the matriarchal cult of the pre-Christian era. From the trunk of the World Tree, the Great Mother emerges, personifying female deities and priestesses-guardians of the Aryan tradition. The goddess is surrounded by the sacred animals of Hyperborea: a bear, a deer and a swan. The symbols of Triglav and the Odala rune are inscribed in the center. Before us is the work of an already mature thinker and master, worthy of representing the Russian Renaissance of the early twenty-first century.

The new school of Slavic-Aryan art, for which we have worked for several decades, is being born and is maturing before our very eyes. Hyperborean Rus' is acquiring more and more visible features, turning from the Ancestral Motherland of Ts into the environment of our modern habitat, into our Native Home.

In his work, the artist Vsevolod Borisovich Ivanov shows us Ancient (Vedic) Rus' the way she really was. Here is what the artist himself says about his work:

"Arctida is calling"

Summer sunset sun. On the shores of the White Sea, there is a settlement of Pomors - fearless seafarers. At the pier, a ship froze in a dark silhouette. The evening dawn reflects with glare on the calm surface of the water. Near the ship, a man and a woman are quietly talking.
With the first rays of a new day, a flotilla of small ships will set off on a long and risky voyage across the icy sea. Clouds in the form of swans are slowly moving towards the north, indicating the direction of the path.

"In the age of Indra"

The middle of the 8th millennium BC is on the clock of history. A string of mammoths (Russians called them indriks) descend from the elevated bank to the snowy surface of the river. A detachment of soldiers reconnoitering the area of ​​the Rakhna River (Ra, Volga).

After the death of Daaria-Arktida, the surviving "Grandchildren of Dazhdbog" settled in Siberia, where they created many cities, the main of which was Asgard. However, after the war with the Atlanteans, the climate in Siberia became colder and the Russians (who tamed mammoths) had to move to warmer climes.

"In the city of the RUSSIAN KIND"

Many millennia have passed since the Aryans settled in Siberia. Having survived powerful cataclysms and wars, the mighty ethnos created centers of culture in many parts of Eurasia.

The painting depicts a part of the city adjacent to the defensive wall. Powerful tamed Indrik-beasts (mammoths) further emphasize the strength of the inhabitants of the city.

The god Indra was the companion of the god Perun. He patronized the soldiers. The symbolism of the Family is visible in the sky. The climate in Siberia in those distant millennia was not severe.

A crowd of people is moving along the streets of the legendary city of Slovenska. The people are in jubilation: the hunters still managed to capture the Serpent Gorynych. For a long time, the monster mocked and caused all sorts of misfortunes to the Russians. Finally, the serpent got tired and, like a weary robber, fell asleep in a cave.

Taking advantage of a convenient moment, the Slavs managed to "get" a terrible beast. They chained the snake in stocks and iron and took him in a cage to the princely courtyard. Now Gorynych will turn from a fierce enemy into a funny laughingstock on holidays.

"Sky Stone Fall"

The hunters moved slowly along the lake shore. Suddenly, an unexpected sight caught their attention. They saw a flying hot ball that crashed into the surface of the lake covered with thin ice. And then the rumble from the fall of a heavenly stone hit the Russians in the ears. A wave of water shot up, mixed with small fragments of ice. The red-hot heavenly messenger still glows under the ice, but the spirit of the month Studich will soon cool the ardent fury of heaven.

"Anastasia"

Frosty Sechen (February) reigns in nature. Due to severe frosts, it is often called "Fierce". True, the day depicted in the picture turned out to be sunny and beautiful. There are traces of the recent thaw - icicles. In a lowland, behind frost-covered trees and bushes, a river flows. A wooden staircase on a hill leads to a bridge. On it stands a girl in an elegant winter attire. A few more moments - and the beauty will go further. Behind her remains a crowded city with churches and towers.

"Exiled or Intruder"

Bigfoot ran out of his cave to scare the too annoying woodcutter. The peasant dared to cut down the forest near the cave itself, thereby violating the vital interests of its inhabitants. The giant grabbed several spruce branches to whip the impudent daredevil. But the peasant drives his horse in such a way that the giant will not arrange a "cool" chase. It is enough that the daredevil is scared. Next time, he will cut firewood elsewhere.

"Flight. Mother Yogini"

It just so happened, but the most ancient images of Russian Vedic deities are the most distorted. Goddess Yoga is one of them. The author presented the "evil baba yaga, bone leg" in her true form - a young fair-haired woman. She flies on a structure that will later be called a stupa. A jet of jet flame speaks of the technical capabilities of this aircraft - a legacy of the technology of the antediluvian world. In the hands of the Yogini, a balancer in the form of two panicles-fans.

"Aryan-Russians left, the wolves came"

Many millennia ago there was Siberian Rus'. Many cities flaunted among the forests and steppes. Thus passed centuries and millennia. But one day there was a sudden cold snap.

The moment is shown when the inhabitants of this city, like most other neighboring cities and towns, left their homes. Life in such a climate has become simply unbearable. All the time and effort went into simply surviving. Severe winter frosts and a short summer finally decided the issue of resettlement to warmer climes.

"Volkodlak"

In Slavic mythology, a werewolf is a person with the supernatural ability to turn into a wolf. The miraculous tirlich grass helps the werewolves. And also, in order to turn into a wolf, you need to throw yourself from left to right over twelve knives stuck in an aspen stump. When you want to become a man again, jump over them from right to left. But the trouble is, if someone removes at least one knife: then the wolf-dlak will never be able to turn into a man!

"Day of the Sea Goddess"

In the distant past, the southern coast of the Baltic Sea belonged to the Slavic tribes. They were sometimes called "Rugs" or "Ruyans". On the island of Ruyan (Rügen) there were many settlements and sanctuaries. The city of Arkona was sacred in the Slavic world.

Among the large buildings on the square stood the temple of God Sventovid. But the Ruyans were also a sea people. The goddess Ran personified the power and mystery of the sea. The picture shows a cape protruding into the sea, on which rises a stone idol depicting a goddess. The priests carry the sacred boat.

"Prosic (November)"

Two zodiac signs dominate in November - Scorpio and Sagittarius. They replace each other in the last third of the month. The time of the year is depicted when all signs of summer have disappeared, but winter has not yet come.

The figure of Kitavras, (Polkan) personifying the image of an archer, froze in the middle of the forest near a hollow tree, the growths on the bark of which clearly resemble the appearance of a scorpion. On the right side of the picture, a tree stands out, into which the Spirit of Prosich has moved. Two Vedic signs are depicted on the trunk of the tree - the symbols of Scorpio and Sagittarius.

"Abandoned portage"

A large boat of the Varangians stands alone among the trees. There is a gaping hole in the bow. Half-rotten logs-skating rinks are lying nearby. Nature gradually takes possession of the vessel. How could this boat be here? Apparently, the Varangians once marched along this portage to uncharted lands. Perhaps there was a quarrel with the locals. A fight ensued. The Varangians fled. The attacking side managed to damage the boat, making it unseaworthy. It would take a long time to repair a ship in such a turbulent area.

"Offering to the Spirits of the River"

On the bank of the river stands the temple of Veles. The sorcerer slowly descends down the steps to the river. He holds in his hands a ritual vessel for offerings to the spirits of the river.
Our distant Ancestors knew how to get along with Nature. They felt like part of it, not masters. And Nature gave them everything they needed. The people of those times were connected with Nature by many of the thinnest threads. Through secret rites, they interacted with the spirits of rivers, lakes, forests.

"The Sacred Lake of the Siversky Mountains"

The picture shows a lake among the mountains. The Siver Mountains in ancient Rus' were sometimes called the Urals. Temples and memorial pillars rise along the shores of the lake. A fortified city is visible in the distance. A huge sign is carved on the far rocky outcrop.

Winter is coming. The lake is covered with a crust of ice. The boats of the Rus, praising their Gods, are still visible on the lake near the rocky sanctuary. On the left side of the picture, a cave temple rises, the front side of which is carved from stone. He has the appearance of a fabulous griffin.

"Arrival of the Russian Magi"

An ancient temple stands on the bank of a large Siberian river. It was built many thousands of years ago, back in the days of the Daariyans (Hyperboreans). This temple survived the Flood, many parts of the temple were destroyed, the decorations crumbled, although in some places clay sculptures and Vedic signs were preserved.

Aria-Ruses have been living in these places for a long time. Their northern homeland was swallowed up by the waters of the Cold (Arctic) Ocean. The painting depicts another visit to the temple by the Magi.

"Sanctuary of Numbers"

Processions of the local kind of Russians are moving towards the temple of Chislobog. The fence of the palisade is decorated with pillars with images of the zodiac signs. At the top of the tower, the priest of the deity holds in his right hand a sacred disc with inscriptions. The left hand tightly grips the hilt of the sword. A gilded calendar disc is mounted on top of the tower structure.

Among the ancient Rus, the number-bog was in charge of the course of time, which was divided into many different segments: both huge eras and epochs, as well as months and days.

"Beloyar (March)"

Beloyar - the ancient name of the month of March - in honor of the great lord of Rus', the Ancient Bus Beloyar. The month of Beloyar marked the beginning of the year, the time of the awakening of nature from the tenacious embrace of winter. Later, when the image of Bus Beloyar was erased from the people's memory, this month sounded in the mouths of the Russians as "berezen" or "berezozol".
The picture reflects the time close to the change of the Heavenly Halls. There were thaws on the river. On the right rises a temple dedicated to Bus Beloyar.

"Long-awaited meeting"

Evening mood reigns in nature. The setting sun warms the autumn foliage of the trees with its rays, gently rests on the warm logs of the tower. In the lower part of the picture, we see a warrior returning from a patrol or a campaign, leading a conversation with his betrothed. In the lower right corner is a statue of God, illuminated by the rays of the sun. Where and when could this happen? Perhaps this is ancient Artania or Ruskolan. Or maybe this is the Valdai region of the times of the same ancient, epic city of Slovenska.

"Pollen (April)"

This month is under the auspices of Lada, the divine shepherd and chosen one of Lada - Lelya. April is dominated by two signs. In the second half of the month, Taurus replaces Aries.

The painting depicts late April, when the trees are covered with early greenery. There are two zodiac signs in the sky: Z - Aries, Y - Taurus. 3nak on the roof of the gate means a symbol of the entrance to the Rule - the personification of development and the future. In the pattern of trees and foliage, you can read the faces of Aries and Taurus.

"Star Gates"

It's time for the night. The full moon has risen over the surrounding forests, and its light is reflected on the water surface of the river. A young Russian walks along the coast. His companion is a tame bear. It is not far to go to the nearest village.

But suddenly the night sky lit up, and a truly wonderful sight appeared before the eyes of the eyewitnesses. Space gates opened and creatures from a distant universe appeared on Earth. They resemble magical birds and emit a bright golden light.

"Prince Rus has arrived in the spring"

The legendary, but no less historical image of Prince Rus is known from many Russian legends and chronicles. The brother of the same legendary Slovene, he founded the oldest Russian city not far from the place where the regional center of Staraya Russa now stands.

It is also known from the legends that the prince had at his disposal a "heavenly chariot", on which Rus flew. It is likely that the outlandish airplane was created during the high technology of the Hyperborean antediluvian. Through a string of millennia, he went to Prince Pycy.

"The Apparition of the Tailed Star"

A tailed star (comet) appeared in the evening sky. The appearance of a tailed star is an unusual event for the inhabitants of the ancient city of Slovenska. They walk in a solemn procession and watch the sky. The sun is waning, but its circle is no longer visible. It is obscured by the temple depicted in the lower right part of the picture. However, the rays of the sunset, like arrows, pierce the evening haze. What portends a tailed wonder? The townspeople talk about this with each other, and the Magi will give the exact answer.

"Temple of Sventovid in Arkona"

... at the beginning of the second millennium, many lands of Baltic Rus' were conquered by the Germans. So Lipetsk, Drozdyany, Berloga, Pereslavl, Branny Bor, etc. became the cities of Leipzig, Dresden, Berlin, Breslau (Wroclaw), Brandenburg.

The last piece of Slavic land remained - the city of Arkona. On Arkona Square there was a large wooden temple dedicated to Sventovit. The painting depicts one of the many festive ceremonies in honor of the Great God.

"In the city of Prince Lizard"

The setting sun illuminates the mysterious Russian city with an orange-golden light. The idol of Rod, covered with thin gold plates, sparkles in the rays of the setting sun. In the center (center) of the idol of the Family, there is a three-petal self-hedron (crystal) made of rock crystal.

A huge life force is contained in this stone. He has the ability to change color shades in response to changes in the weather and the thoughts of those around him.

"Sanctuary of the God of Justice"

The sanctuary of the God of Justice is depicted. The priest of the temple leads an invisible conversation with the idol of the deity of the Western Slavs. A little further away are the leaders and elders. In the distance, the other members of a strong tribe are watching the ceremony. Apparently, some important issue is being resolved, since they turned to the chief priest of the sanctuary for advice. Perhaps it is a matter of war and peace. Or a dispute between relatives, which must, as always, be resolved peacefully.

"The Arrival of Perun to Earth"

"Four thousand years ago, the cosmic chariot of God Perun swiftly swept across the celestial dome of the Earth." So say the ancient tales. Russians joyfully greet the arrival of their deity. Tribal unions sacredly honor and fulfill all the precepts of Perun, which contain the power and wisdom of the Great Cosmos.

Perhaps the glade with the sanctuary of God is located in the Slovenian land, near Ilmen Lake ... The Great Perun will soon leave the Earth for the next four thousand years.

"Troubled Times"

In the 9th and 10th centuries, Persian and Arab travelers and scientists knew three Russian civilizations - Kiev, Novgorod and Artania.
The capital of Artania was located on the site of the present city of Tomsk, on the banks of the river Temnaya (Tom).

Rusichi vigilantly guarded the borders of their lands. There were many ways to lead uninvited "guests" into dead and impenetrable forests and swamps.
The picture shows a signal post. Two warriors vigilantly peer towards the distant pass, where the enemies appeared.

"Traces of the Past"

Once on this place near the coast of the Varangian Sea there was a sacred grove of the Slavs. An idol of one of the Vedic Gods was erected right on the shore, serving as a beacon for passing ships.

Time passed. In the XI-XII centuries, the enemies captured this region. The grove was cut down, the idol was overthrown. Gradually, it was covered with a layer of earth and overgrown with moss, hiding under a green veil from prying eyes. Runes shine high in the sky - the hidden sign of the abandoned God.

"Chernobog"

This god of the Slavs was the opposite of the White God - Belbog. Chernobog was revered as an evil deity. As night opposes day, as cold opposes heat, so evil has good as its adversary. This is how balance is maintained in our world. But the absolute triumph of Chernobog on Earth is impossible, as well as the complete domination of Belbog.

"Belbog and Chernobog"

Two riders ride, each on their own path. then two gods - Belbog and Chernobog. The first God was portrayed as a wise, gray-bearded old man, the second - the personification of evil. However, the Russians revered them equally.

They are inseparable from each other, like day from night, light from darkness, and so on. These gods always watch over a person and record his deeds in special books. Good "registers" Belbog, evil - Chernobog. However, a person has a free choice on which path to take.

"Outpost of Kashchei"

"In the hall of Kashchei"

The immortal servant of Navi is looking intently at the golden needle, visible through the shell of a duck egg. In the chest among the jewels is a golden duck. The needle contains the eternal life of Kashchei.

A map of the antediluvian world hangs on the wall of a powerful log house. The island of Poseidon is clearly visible, where Kashchei was one of the main servants of Chernobog. Now the servant of Navi lives somewhere in the depths of the Siberian taiga.

"The owner of the lake. The mystery of Lake Brosno"

In the west of the Tver region there is a deep lake Brosno. An old legend tells of a Varangian leader who, crossing the Brosno water surface in a boat, was killed by a huge monster.

In the 30s of the twentieth century, the surrounding residents managed to catch the Brosna monster. The unprecedented skin flaunted for a long time in the courtyard of one of the houses, but scientific circles were not interested. Judging by the known data, it was a huge reptile, similar to a plesiosaur or pliosaurus.

"Heaven's Honor Day"

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In the city of Slovenia

It's evening. On a walk

Vision of the Pomors of the goddess Hyperborea

Priest of the Falcon God

Exodus of the Hyperboreans

Temple by the lake

The night before the Kupala holiday

Rainbow over Arkona

The fleet of Hyperborea will carry out the order

Temple of the god Znich. Winter

Church of Radogoshcha. Summer

Temple of Sventovid. Spring

Khors Temple. Autumn