Description of the painting by Yuon “March Sun”
Yuon loved to paint sunny landscapes, and this picture was no exception.
The canvas “March Sun” depicts a warm day in an ordinary village.
Although March is considered the month of spring, it is still winter on our streets.
The snow just starts to melt a little, and the sun gives its warmth.
The sky becomes somehow light and weightless, not at all like in winter, when it is cloudy and heavy.
Here are horses with young riders walking along a well-trodden path.
Snow crunches under their hooves, melted in the sun.
Behind them is another horse, next to which is a black dog.
She tries to play with the horse, yapping at her in a boisterous way.
Along the path are tall trees stretching up to a clear blue sky.
Thin birches expose their branches to the sun, trying to warm themselves after a long winter.
Soon the snow will melt, and they will again find a new life, spreading their leaves.
On a hillock one can see houses, the roofs of which are still covered with a snow cap.
The houses are cozy and warm, although on the street, despite the snowdrifts, the spring sun warms so pleasantly.
In addition to animals and children, no one can be seen.
Everyone is busy with their own business.
Although it can be assumed along the path that quite recently, literally in front of the young riders, other horses galloped.
The path is trodden, and therefore it is easy for the children to control the horses, directing them to the right place.
At first glance it may seem that this is a winter landscape.
The snow sparkles and shimmers under the sun's rays, but it is felt that the sun is already warm, spring.
The snowdrifts seem to be covered with a melted crust and very soon the long-awaited streams will run.
Nature wakes up from hibernation, and spring comes into its own.
Yuon surprisingly accurately conveyed both the warmth of the sun and the spring translucent weightless sky, through which small air clouds float.
Before us is a picture of the Russian painter Konstantin Fedorovich Yuon "March Sun". The rectangular canvas was painted in oil in 1915. The painting is dedicated to the beauty of the artist's native land. Yuon depicted a rural landscape in the suburbs. The picture shows early spring. The canvas is flooded with warm sun.
In the center of the picture are two riders on horseback. If you look closely, these are young cheerful boys. The guys are dressed in black sheepskin coats and dark hats. One sits on a bay horse, the other on a red one. Riders ride along a well-trodden road on the outskirts of the village. Behind them gallops a bay foal, which is urged on by its barking by a small black dog. Her tail wags merrily. Having survived a long winter, the guys can not wait to rush at a gallop.
Tall bare trees look majestic against the turquoise sky. Slender birches stand in a circle, whispering like girlfriends. Perennial hornbeams spread their heavy branches wide and bizarrely. The clear high sky is flooded with light. Cumulus light clouds give softness to the picture. The clear air smells of melted spring.
In the background are the roofs of houses covered with snow. The village houses are lined up along the street. The street is deserted. Settled snow covers the ground. Ice crust sparkles in the sun. There are trails and cuts in the snow. A few more such sunny days, and nature will begin to wake up from winter.
The compositional center of the picture brings together nature, people and animals. The village is spacious and comfortable. The low horizon composition creates a monumental canvas impression. The trees seem to touch the sky. The juxtaposition of large trees and small horses enhances the expressiveness of the picture. Dark horses on a white background draw attention to themselves. The rhythm in the composition is set by the horse: they walk at a fast pace. On the snow shadows from riders and trees. Tree trunks do not appear black: they are illuminated by rays. The bluish snowy plain merges with the bright blue sky, creating a single background. In his work, Konstantin Fedorovich used rich colors.
The product looks realistic. The idea of the picture is to convey the beauty of Russian nature, freedom, expanse of the Russian people.
The canvas evokes pleasant feelings, a smile, fills the heart with joy. The high standing March sun gives hope. The heart stops in anticipation of spring.
Yuon shone several paintings on the theme of spring. All of them inspire and delight.
Description 2
We see the work of Yuon "The March Sun" it depicts a spring day, most likely the beginning of the arrival of spring, when there is still snow on the ground. Winter still does not want to give up its place to spring, but spring is already eager to get it, fighting for warm weather. This painting is in the Tretyakov Gallery and, if possible, you can see it in its original version in it.
Great weather, it's almost noon. There is still snow on the street, but a warm spring is already felt, a bright luminary sparkles, from which the name of the picture was coined. In the foreground you can see a couple of kids jumping on horseback. The boys are still very small, under them there are just as small horses as they are. But they behave proudly and confidently, boldly moving forward. After them, a red-haired big cow and a dog trudge along, a black dog rages with a young cow standing nearby. Behind them, in the distance, you can see a small village, houses, the roofs of which are shrouded in snow blankets. Apart from children and animals, there is no one else on the street. Therefore, the picture looks very quiet.
The main thing is to turn your eyes to the nearby trees. The author depicts them as very large and majestic, that one wants to look at them and look at them. The birch trees in the composition are beautiful and tender, their thin trunks rise to the spring luminary. The birch trees have already removed their winter blanket and are waiting with hope for new green leaves to grow on their branches. To the right are other trees, it is hard to tell the name of this tree by their trunk. They also have tall trunks and branches like ropes smoking in different turns.
This composition is filled with bright and sunny light, despite the fact that spring has just recently arrived, the sun is chasing to warm up the icy ground, soaked in cold. So that small cheerful streams flow faster along it, fresh grass appears, and flowers bloom. In the sun, the snow sparkles with different shades of the rainbow, houses stand nearby and shadows come from them. The sky is no longer as cold and cloudy as in the frost season, it is very bright and gentle, there are not even clouds on it. When creating a canvas, the artist takes more blue and white flowers. In these tones and the sky, and snow, and trees. The picture evokes good and kind emotions, pleases the beginning arrival of spring, brave boys who independently wanted to ride horses.
Yuon March sun - composition
Spring is the most magical and wonderful time of the year, when snow melts and crystal clear streams flow, when children run through puddles, and ringing drops begin. I really like this period and my favorite spring month can be safely called March. After all, it is at this time that the first, truly, bright sun appears, which will go with us until the beginning of the next long and gloomy winter. The sun constantly saturates us with its energy. Without it, we would not be able to exist, due to lack of vitamin D and heat.
I really like the way the artists show the March weather, as it turns out very realistic and unusual! They transfer all the outgoing heat from the picture. My favorite landscape is "March Sun" by Konstantin Fedorovich Yuon.
Konstantin Fedorovich is a Russian painter, landscape painter, theater artist and art theorist. He drew one of the most famous animated films of the Soviet era - "Kashtanka", as well as about 20 paintings.
"The March Sun" is one of the most popular landscapes of this writer. When you look at it, you are transported to 1915 - the year when this picture was painted.
It is depicted in light blue colors. The bright sky gives the picture a positive mood, and white clouds, similar to cotton wool, lightness. Thin white birch trees are drawn to the light, to the sun, to life. It can be seen that the path is not very well trampled by animals and people, as evidenced by the snow that fell that night.
Two riders on dark brown horses ride along a country road. From their clothes, we can understand that it is quite cold outside. A horse and a dog follow slowly behind them. In the background is a village with small wooden houses. Their roofs are covered with shiny snow. On the windows of the houses, you can see various platbands that give bright spots to the “white canvas”.
But why is the painting called "March Sun", even though it is not depicted in the landscape? And because even though the sun is not on the canvas, it is pronounced, through the light blue sky. The whole picture seems to smell like spring.
This scenery managed to touch my heart. For the first time I see a picture in which the winter rural nature is so vividly shown. It feels the joy of the onset of the long-awaited spring.
Essay 4
The artist Yuon, who actually painted the painting “March Sun”, was born in the Moscow region, where he studied the art of depicting a landscape on canvas. He very often went out into the street as a child and simply copied everything he saw. Because of this addiction, he became one of the best and most skilled landscape painters in Russia. He also very often went on long trips to sketch this or that place, since he had very little of what he had in his native village, but even from those simple things that he had in his village, he could make beautiful piece of art. An example of such a painting inspired by simple phenomena is his painting “March Sun”.
In this picture, we see, oddly enough, the genre characteristic of the author - the landscape. It depicts the author's native village, in the Moscow region, however, this picture depicts a sunrise, which adds color to the work. Bright combinations of orange and yellow create a strong enough impression of the entire emotional component of the picture, and therefore the person evaluating it will draw the most beautiful conclusions about it. The exposition itself depicts two horsemen, in a winter landscape, who are apparently going to collect brushwood in the forest in order to subsequently heat their homes. Also in the background we see huts typical of the architecture of that time. It can also be concluded from this that the author made a landscape of his native area, since he did not particularly like to travel anywhere, because he was an ardent homebody and simply adored his country, and in particular his native village, in which he was also very often wrote his works.
It should also be noted the problematic of this work of art. In it, the author, most likely, did not try to express any burning topic, because it is simply a landscape of his own village. Most likely, through this picture, the author tried to express his love for the place in which he was born, grew up, and lived all his life. Therefore, the work can be attributed to works that in one way or another glorify their native country, causing the viewer a sense of pride.
Thus, we are presented with a work written by the hand of a wonderful landscape painter who, without leaving his native village, painted pictures that glorified his birthplace, including glorifying his country, almost all his life.
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- 1. Famous artist K. F. Yuon.
- 2. The main characters of the picture.
- 3. Artistic and compositional features of the picture.
- 4. Conclusions.
The famous Soviet artist Konstantin Fedorovich Yuon during his life created a lot of works in various genres - sketches, sketches, portraits. But the vast majority of his paintings are landscapes. K.F. Yuon was very fond of this genre and was inspired by the French Impressionists in his work. Therefore, his works are very bright, filled with light, the contours of objects seem to dissolve in it. At the same time, the artist, remaining true to the school of realism, builds a clear composition that gives his works expressiveness and completeness. I give a description of the painting "The March Sun" by Yuon as a magnificent example of the artist's work.
Yuon's canvas is designed in soft, light colors, against which the bright, color-saturated figures of boys on horseback in the lower part of the picture immediately catch the eye. We immediately see that they are the main characters here. Despite the fact that both the horses and the boys' sheepskin coats are mostly black and gray, the artist depicted them surprisingly light and bright. They fit perfectly into the environment of a transparent azure sky, dazzling white snow, on which soft blue shadows lie, a light, barely noticeable green haze. And at the same time, they stand out very much against the general light background with saturated, rich colors. The contrast of the figures in the foreground with the surroundings gives the picture amazing liveliness and dynamism. And although they are located almost at the very bottom of the canvas, we immediately pay attention to them and understand that they are in the center of the composition. The very arrangement of the figures and the expressive way they are painted bring the landscape closer to the genre scene.
The overall tone of the picture is very joyful and optimistic. The artist surprisingly well managed to convey on the canvas the feeling of the awakening of nature, the freshness and warmth of the first spring days. Bright, pure colors and wide strokes seem to be taken from the Impressionists, they give the picture emotionality and cheerfulness. A clear, balanced realistic composition makes it amazingly alive. Before writing an essay based on the painting “March Sun” by Yuon, I looked at this canvas for a long time. And it began to seem to me that I seemed to feel the breeze, and a slight frost, and the warmth of the first spring sun, I heard the crunch of snow under the hooves of horses and the cheerful roll call of the boys. The cheerful and bright painting “The March Sun”, in which Yuon skillfully combined two painting techniques, is rightfully considered one of the artist’s best works.
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K.F. Yuon loved to paint sunny landscapes, and this picture was no exception. The canvas “March Sun” depicts a warm day in an ordinary village. Although March is considered the month of spring, it is still winter on our streets. The snow just starts to melt a little, and the sun gives its warmth. The sky becomes somehow light and weightless, not at all like in winter, when it is cloudy and heavy.
Here are horses with young riders walking along a well-trodden path. Snow crunches under their hooves, melted in the sun. Behind them is another horse, next to which is a black dog. She tries to play with the horse, yapping at her in a boisterous way. Along the path are tall trees stretching up to a clear blue sky. Thin birches expose their branches to the sun, trying to warm themselves after a long winter. Soon the snow will melt, and they will again find a new life, spreading the leaves.
On a hillock one can see houses, the roofs of which are still covered with a snow cap. The houses are cozy and warm, although on the street, despite the snowdrifts, the spring sun warms so pleasantly. In addition to animals and children, no one can be seen. Everyone is busy with their own business. Although it can be assumed along the path that quite recently, literally in front of the young riders, other horses galloped. The path is trodden, and therefore it is easy for the children to control the horses, directing them to the right place.
At first glance it may seem that this is a winter landscape. The snow sparkles and shimmers under the sun's rays, but it is felt that the sun is already warm, spring. The snowdrifts seem to be covered with a melted crust and very soon the long-awaited streams will run. Nature wakes up from hibernation, and spring comes into its own. K.F. Yuon surprisingly accurately conveyed both the warmth of the sun and the spring translucent weightless sky, through which small air clouds float.
