Still life - the perfect decoration for the kitchen. The interior with hints of fruits, vegetables and berries whets the appetite, enhances the taste of your favorite dishes, and inspires culinary experiments. So imagine yourself a great artist and go ahead - draw a still life.

How to draw still life watercolor, You will be prompted by the following video. Rather turn it on!

How to draw a still life with a pencil

A fragile strawberry twig and a couple of your favorite fruits - a colorful still life will instantly cheer you up and catch the enchanted looks of your guests at the time when you will be.

1. Lightly press the pencil to draw a horizontal line - this is the edge of the table. Draw the outline of a pear, two apples and a mug.

2. Draw a sprig of strawberries in the circle. give fruit natural look, more clearly drawing convex shapes. Don't forget to draw the tails and shrunken sepals.

3. Well done! And now, with the help of an eraser, lightly erase the drawn sketch so that only barely noticeable lines remain. Carefully color the pear with colored pencils, applying yellow, orange, red and brown shades to the fruit.

4. Now move on to coloring the apple. For this, dense strokes of green, orange and yellow shades are ideal. For the handle, use a brown pencil.

5. Great! Make the apple more expressive and bright with another layer of hatching. Shadow You can convey brown, dark green and marsh colors.

Pay attention! All fruits should have small, unpainted areas (highlights).

6. On the second apple, also apply the first, light layer of shading, without tinting the highlight.

7. Now shade the apple again, coloring one side of it with shades of red and brown.

8. Color the strawberries with light red strokes. Draw small grains with a brown pencil.

9. With cherry and red pencils, make the shading of strawberries brighter. Draw lettuce leaves.

10. Then draw thin stems, outlines of leaves, depict flowers.

11. With the help of green and yellow shades, color the strawberry leaves, draw the stems again.

12. Shade the mug with a blue pencil. Make the shadow dark blue, and paint the inside of the mug gray. Let the bezel be black.

Important to remember: hatching should be made according to the shape of the dish or other object.

13. Shade the tablecloth pink pencil. Make the shadows from the objects on the table a little darker.

14. And the last thing: on the wall, make red-brown shading, and in places where objects cast a shadow, dark brown.

What a beauty!

[b] Still life is called
image of a number of objects of inanimate nature. Translated from French, this
"dead nature" Vegetables, fruits, bouquets of flowers, miscellaneous items,
made by man can be material for still lifes. Drawing
still life develops in a child artistic taste, because the selection of items in
still life is not accidental, but comprehended and specially selected. Still life artist
seeks to reveal the beauty of the shape of objects or their color ratio.

Before we start drawing, let's think
how it is more convenient to arrange them on the sheet - in the length or width of the sheet.

Try to get the items
you were not crooked, stood straight, did not fall, looked like a teapot and a cup, drawn
here.



When we draw the bottom of the teapot,
draw rounded lines, while remembering that you do not need to pinch too much
in your fingers and press on it. Let's draw rounded lines easily and
freely: they will turn out more correctly.



When depicting a still life, consisting
of several items, try to arrange them so that they are partially
closed each other - this will give more naturalness.




This figure shows how the volume
transmitted in separate strokes: where there is no light, the strokes are darker. Darker
strokes are also located in the place of the falling shadow. And in the place where the light falls, they are drawn
glare.



Let's try to draw a still life,
consisting of four items: a jug, drapery and two apples.



Now let's draw
still life consisting of a jug, a plate, a cutting board and a spoon.

Compositionally, the whole group is very
varied. An obliquely lying spoon “interrupts” the verticality of the jug and
horizontality of the board with a plate, thus introducing variety into
curvilinear objects.

Drapery drawing

The background in the still life plays great

Artists have always loved to paint still lifes. On their canvases they depicted luxurious bouquets of flowers, exotic fruits, game, fresh vegetables and highly intricate utensils. Now still lifes are still popular, but drawing them is not so easy. It's best to start by drawing simple compositions of three or four different objects.

First you need to prepare:

Paper;
- pencil;
- eraser;
- bright colored pencils. For example, watercolor works well.

After that, you can start working on a still life:

1. Mark the edge of the table with a pencil, and then draw the outlines of two apples, a pear and a mug;

2. Draw the fruits in more detail. Draw a sprig of strawberries standing in a circle;

5. Apply another layer of hatching to the apple, gradually making its color more saturated and expressive. Remember that on an apple, as well as on a pear, there should be a glare, because the light on objects in this case falls from one side. Shadow areas additionally darken with brown and swamp green;

The still life is complete. Gradually, you can complicate the composition by adding more and more new items. You can paint a still life not only with colored pencils, but also with oil, acrylic or watercolor paints.

There is absolutely nothing complicated in using pastels. In many ways, you will need the same skills that were detailed in the article on drawing an apple. In general, still life has been and remains one of the most beloved genres of classical painting. visual arts. Still life is the creation within a single composition of various objects that simply catch your eye. All that remains after this is just to harmoniously arrange them next to each other.

And here is the still life that we will learn to draw in this lesson using pastels. As you can see, pastel is a wonderful medium with which to achieve impressionistic images.

Pastel has always been famous for its bright and very saturated color, so many artists pay special attention to it. Using pastels, you can achieve a wide variety of effects, such as overlaying colors in layers, adding bright strokes to a picture, or blending colors using fingers, which makes it possible to achieve a matte tone.

Pastel can be purchased as ordinary crayons or pencils. Pastel comes in different hardness. In this case, a soft pastel variety was used to create this still life. The background color is yellow, on which all other colors used to draw fruit are superimposed. The paper also matches in tone overall composition. With the help of the sharp tip of the pastel, the contours of the fruit are outlined, which are then painted over with the flat part of the pastel.

Let's see what we need to create this still life.

• A sheet of special paper for pastels, the color of the paper is gray or beige
• Hard black pastel crayon or pastel pencil which needs to be sharpened first. It will be needed to create contours.
• 12 sticks of soft pastels.

So, let's start drawing a still life.

Create a sketch

First of all, you need to carefully study exactly how the fruits are located and understand their outlines, how they fit together. Next, take a hard black pastel and sketch the composition with light strokes. Let the strokes be light and not strong, because this is just a sketch, it does not have to be completely accurate.

Adding a background tone

Take a pastel lemon- yellow color and start applying it with the side of the background on all warm-colored fruits. In our case, this is an orange orange, a red apple, as well as a banana and a yellow pear. But the grapes are not touched yet. It is advisable not to go beyond the border of the contour and not affect those areas that will be used later to display highlights. Use the tip of the pastel to create sharper yellow lines. They allow you to display the lower bend of the banana, as well as its leg.

After the outlines are marked and the background color is applied, it's time to move on to basic colors and glare. To mark the borders of the fruit, you need to use not only the flat side, but also the sharp tip of the pastel.

The orange takes shape

With the help of an orange pastel, inside the orange you need to make a few short lines in the shape of a sickle. These lines should follow the outline of the orange. You can make lines with both the sharp end of the pastel and its flat side. As a rule, orange blends harmoniously with light warm colors, so orange will partially cover the lemon yellow background.

Strokes of green for banana and pear

Now we again need both the sharp tip and the side of the pastel, which has green color(khaki). With it, for a pear and a banana, you need to add a green tint. At the same time, carefully draw complex lines that should indicate the bulge of the pear in its lower region and, in fact, the banana leg.

Adding a Light Tone

To ensure the drawing of an apple, we need a light red pastel. middle part apples need to be painted over with even strokes, which should be repeated for the left side of the apple. Next, using a sharp tip, it is required to enhance the color in the area located around the recess with the handle, and then more clearly highlight the outline of the fetus.

Let's move on to grapes

Using a cherry red pastel, we will draw grapes. With the help of short strokes, the berries must be painted over in such a way that the strokes fall in the shape of the berries. Don't forget to leave empty space for future highlights.

Back to apple and orange

Take the cherry red pastel again and turn to the areas of the apple that are already covered in light red. Now, with the help of dense strokes, you need to emphasize the shape of the apple, while not affecting its middle left area. Then we take a bright orange pastel and shade the orange. When hatching, also try to repeat the shape of an orange.

Apply dark tones to the apple

Using the sharp tip of a dark purple pastel, you should highlight the contour of the fruit, as well as the recess in which the stalk is located. Using the side of the pastel, you need to darken the red spot, which is located right in the center of the apple.

Grapes take shape

Let's turn our attention to grapes. Using a dark purple pastel, you need to paint over the inside of each grape, which you need to do with small and energetic strokes. At the same time, we need to emphasize the shape of the berries. Of course, do not forget to leave unpainted areas intended for highlights.

Adding dark tones

Using yellow ocher, highlight the darkest areas on the pear and banana peel. In this case, the densest lines should pass where a slight shadow falls on the pear from the grapes. To emphasize the shape of the grapes, the outer border of the berries should be outlined with the sharp tip of a black pastel.

Glare for grapes

Now take a white pastel and lightly cover all the areas on the grapes that have remained white so far. In this case, some highlights need to be made clearer. In order for the highlights to be correctly placed, it does not hurt to once again check the final result shown at the beginning of this article.

Highlight enhancement

We are not done with highlights yet. On an orange, you need to highlight a bright spot of khaki color and create a white highlight on it. Then white highlights should be done on the rest of the fruit, for which you need the flat side of the pastel. Using the sharp end of the white pastel, you need to make a series of beveled lines in the recess with the apple handle, and then go through the black-brown pastel. Using the same color, you need to circle the borders of the apple a little and make light hatching of light brown spots, which should become a little darker. Now lightly, with your fingertip, rub the highlights on the grapes.

Finishing up with the orange

It's time to deal with the orange. Using the flat side of the pastel, you need to add a few light red strokes to the orange, which will not only emphasize the shape, but also the outline of the fruit. Apply such strokes easily, after which the red pastel needs to be lightly rubbed with your finger.

Adding a background and shadow

With the help of white pastel, you should add a few lines around the still life vertically and horizontally. Hatching should not affect only those areas that are located to the right of the pear and to the left of the orange, since we will draw a shadow there.

To make a shadow, with the tip of a black pastel, you need to make small strokes around the grapes, enhancing the shadow from them. Then, using the flat side, add a small shadow and rub it with your finger so that it smoothly blends into the white background.

Finished still life

Well, here's what we got. Let's pay attention to some elements of the finished drawing.

BUT) layered color. Pastel allows you to easily apply many layers to the drawing. In this case, the light tone acts as the main one, and dark tones are applied to it, which allows you to achieve the effect of volume.

B) uniform background. The white background sets off the shapes of fruits painted in bright colors.

AT) Blurred shadow. Due to the fact that the shadow of the fruit smoothly turns into White color background, it looks more natural.

As you can see, there is nothing difficult in drawing a still life, and pastel is an amazing medium that is really pleasant to work with.

How to draw a still life - let's start simple, say, with preparatory phase and gradually approach the drawing of the still life itself. At this stage, for a better understanding of what we are doing, I suggest the following few exercises. You do not paint the only still life, and especially not for speed? You do need good knowledge which can give a good practical base, right? Then consider the topic - how to draw a still life with these exercises.

Developing the abilities of proportional vision through comparative analysis volumes:

Find either bottles or cans - no matter what, just not very complicated. You line them up, hardly four or six, and train your eye. Try to analyze the height and width of each item and their relationship to each other. At first, you can only draw outlines. All objects are drawn on the object plane. Like this:

Another task:

Making a drawing crumpled sheet paper, cardboard, with analysis of fracture planes. Note that each face resembles a face of a cube. When you understand this, the task does not seem difficult. This exercise is very useful for the development of the eye. Like this:

The task is more difficult:

How to draw a still life

So we smoothly moved on to drawing the still life itself. But now you are more prepared to perceive the material well. We draw a still life, taking into account the placement of the composition in the sheet (see the composition in the figure). We catch the nature of the still life - whether it is elongated in length, or in width. Be sure to take into account the object plane, because all objects lie on it, and do not hang in the air. We find the borders of the still life in the sheet, retreating from the top of the sheet by 10 centimeters, on the sides by 7 centimeters, from the bottom - 3 cm. Do not rush, the main thing is to start correctly, so that later you do not "screw up" all the work. Do not rush, because now we are finding the main proportions of the still life:

When, taking into account the proportions, you have determined the boundaries of the still life on the sheet, it's time to find the boundaries and proportional ratios of each item individually. We set the proportions at three points. In no case do not begin to draw the details of a still life, lay down hatching. If later you notice that somewhere you didn’t catch the proportions, you will have to erase everything that you painted there. As a result, the work at the very beginning will be overwritten and it is not known what it will be like at the end:

If you did everything right, take a break, drink tea, in a word, do something so as not to look at work and give your eyes a rest. Believe me, in 20-30 minutes you will see something that you have not seen before. If you find a mistake somewhere, correct it, it's not too late. If everything is in order, we move on.

When you have found a place in the sheet for each item in your still life, look at the composition: each item carries geometric shapes or a combination of them. Draw each object more clearly, understanding that each object carries the basis of some geometric shape. Draw with perspective. There is no need to overdo it with the pressure of the pencil. Draw with a graphite pencil T, TM so that the drawing is transparent and clean.

We lay down the hatching:

Next, let's start shading. Let's determine where we have light and shadow in the still life. Now we don't need semitones. We do not touch the light, but shade the shadow with all the halftones with a pencil. Don't blacken or you won't have the power of a pencil for the last darkest drop shadows.

After we have defined the light and shadow, it's time to remember all the exercises that we learned in the drawing basics section. We lay down hatching on the subject, where chiaroscuro will be distributed according to the shape of the subject. Objects receding into perspective will be drawn softer. The foreground is selected. If it is difficult, then return to the page of the basis of the drawing and repeat everything again. Basically, you should end up like this: