What colors need to be mixed to get green. How to get orange color by mixing paints

In the interior of the premises, wall decoration of various types of plasters and painting them with paints is becoming fashionable. But not always in hardware stores you can pick up your favorite palette. Do not despair. Modern technologies allow you to get the desired result. Mixing colors of standard shades allows you to get desired result. The next question arises, how to mix paints to get a beautiful tone? Let's try to get an answer.

There are quite a few tones. But the production of paints is based on the use of standard colors. Non-standard colors are now in vogue, which can be obtained by mixing dyes. How to mix colors correctly, the following recommendations from experts will suggest.

It has been known since childhood that the basis of all tones are three colors: red, blue, yellow.

For other options, you need to know the rules for mixing paints. The combination of basic dyes gives a wide range of different halftones.

The secret of creating a new color by mixing colors is the use of basic dyes in different proportions. For example, when you mix blue with yellow, you get green. If you continue to add yellow to the resulting substance, you can get tones that are increasingly approaching it. It all depends on the volumes that are connected.

On the video: how to get a new color.

The nuances of the connection of dyes

Mixing colors of chromatic shades, which are placed next to each other in color wheel, give a fairly bright palette. If we mix dyes that are on opposite sides of the circle, we get achromatic tones, that is, with a predominance of gray.

To get the desired result, you need to understand not only color scheme, but also make sure that the solutions are suitable in chemical composition. Otherwise, you may get unexpected results. If the color, when mixing paints, initially turns out to be bright, then over time it begins to darken and gray. For example, the combination of white lead and cinnabar red color gives an initially bright pink, but after a while it will lose its saturation. This also applies to oil paints. They are very susceptible to solvents.

The best option for achieving a high-quality saturated color scheme is to combine the minimum number of colors. Comparability of materials is required. A color mixing table will help in their selection.

Traditional palette mixing options

When you get a color scheme yourself, you need to know the rules for mixing paints. Consider the common options for obtaining the desired color.

Red

Red is a representative of the main color scheme. To obtain various red shades, you must follow the rules:

• The tone of carmine, which is as close as possible to fuchsia, is combined with yellow 2: 1. The result is red.
• Connecting pink color with yellow, we get orange.
• To get scarlet, you need to take red and yellow in a ratio of 2: 1.
• To achieve a red palette with a soft effect, red and pink paint are mixed. To achieve more light tone, then it is better to add white paint.
• If you add dye to the main red paint dark color, then we get burgundy.
• Dark red can be achieved by mixing red and purple in a ratio of 3:1.

Blue

There are primary colors, which include blue. To obtain the desired blue tint, you must use this primary color. Blue is obtained by adding white to the blue palette. As the volume increases, the white shade will become lighter. To obtain a moderate tone, turquoise is used instead of white.

For getting blue flowers and shades, must be followed following scheme. Add to blue:

• yellow and get blue-green;
• red, in the end we get purple;
• orange will provide gray;
• black will make it possible to form dark blue.

Green

How to mix paints to get green and its shades. The basic rule is to mix yellow and blue dyes. A bright palette of green shades is achieved by combining primary colors in different volumes and adding additional dyes. Complementary colors are black and white.

How to get khaki color? To do this, two elements are connected: yellow and blue, with the addition of brown tinting. For the result obtained, the amount of substance is important. olive color can be obtained if you take green yellow tones. Making a mustard shade is more difficult. Red, black and a little green are added to yellow.

Green is not a primary color. To obtain it, the colors of yellow and blue paints are mixed. But, to get a rich green tone, you need to use a factory-prepared green paint. If the green paint was made independently, then the tones will not be bright.

Mixing dyes that have a white and green tint makes it possible to get light green, and if you add a little yellow, you can admire light green.

Other shades

Let's look at other tones. What shade is one of the most sought after? Very often used in the interior gray tone. It will turn out if black is mixed with white. The more white, the lighter the result will be.

Gray is also very often in demand, which has a silvery metallic tint. When mixed, a silver color will turn out if you use different additives, for example, antimony.

So, in order to have the color that suits a particular interior, you need to mix dyes. What colors to mix in order to get everything right, the recommendations given above will tell you. The resulting paints will delight the owners for a long time.

How to get the right shade (1 video)

Red and green combined give a dark Brown color. But its shade and intensity depends on the chosen proportions. the main role in this combination belongs to the green color. The darker it is and used in greater proportion, the more intense the brown color, up to black.

If you mix blue and green, what color will you get?

Blue and green - we get the color of turquoise or sea ​​wave. The more intense blue tone, the more in shade it will prevail, approaching turquoise. The predominance of green makes the shade of the sea wave greenish. With an equal proportion of colors, a rich blue tint is obtained.

If you mix yellow and green, what color will you get?

Combining yellow and green - we get a light green or light green tone. In order for it to turn out, the proportions of colors should be the same. By adding green to yellow, we get an olive tint, if there is very little yellow, we get a deep green with a blue tint, that is, it all depends on the proportion.

In addition, primary colors can produce many other shades. For example, when you combine red with blue, you get purple. Which, depending on the proportion we use, can range from a light, almost transparent lavender shade to a deep purple. Yellow and red give a bright orange hue.

Advice! If you try to mix all three basic shades at the same time, you get an indefinite dirty brown with a blue tint, it is called complex.

By experimenting with primary colors, taking into account the basic rules of color, you can achieve any desired shade.

How to mix colors - video

Every person who has ever held a brush and paint in his hand knows that from two or three colors you can get a lot of shades. The rules for mixing and matching colors are determined by the science of color. Its basis is the color wheel known to many. There are only three primary colors: red, blue and yellow. Other shades are obtained by mixing and are called secondary.

What colors of paint should be mixed to get brown

Brown is considered complex, and all primary colors can be used to create it. There are several ways to get brown:

• Classic: green + red in proportions 50:50.
• The main trio: blue + yellow + red in the same amount.
• Mixing: blue + orange or gray + orange. You can vary the intensity of the hue by adding less or more gray.
• Optional: green + purple + orange. This shade is obtained with a pleasant red or red tint. You can also mix yellow + purple - the color will turn out with a yellowish tint.

What colors of paints must be mixed to get purple

The easiest way to get purple is to mix red and blue in equal proportions. True, the shade will turn out to be dirty, and it will need to be adjusted.

To make the tone colder, take 2 parts blue and 1 part red and vice versa.

To achieve lavender and lilac, the resulting dirty purple must be diluted with white. The more white, the lighter and softer the shade will be.

Dark purple can be obtained by gradually adding black or green to the original color.

What colors of paint must be mixed to get red

Red is considered base color and is present in any artistic palette. However, you can get red by mixing purple (magenta) and yellow in a 1:1 ratio. You can also mix a carmine shade with yellow - you get a more intense red. You can make it lighter by adding more yellow and vice versa. Shades of red can be obtained by adding orange, pink, yellow, White color.

What colors of paints should be mixed to get beige

Beige is a neutral and dependent color, it has many shades, which can be obtained by varying the amount of added white and yellow tint.

Most easy way get beige - mix brown and white.

To make the color more contrast, you can add a little yellow.

Nude beige can be obtained by mixing scarlet, blue, yellow and white. The ivory shade is created by mixing golden ocher and white paint.

Green can be achieved by mixing equal parts yellow and Blue colour. Get a grassy green shade. If you add white color to it, the mixture will lighten. By mixing brown or black pigment, you can achieve an emerald, marsh, olive, dark green hue.

What colors of paint should be mixed to get gray

Classic tandem to receive gray color is black + white. The more white, the lighter the finished shade will turn out.

• You can also mix red, green and white. The color will turn out with a slight yellow tint.
• A gray-blue shade can be created by mixing orange with blue and white.
• If you mix yellow with purple and white, you get a gray-beige shade.

What colors of paint should be mixed to get black

Black is the base monochrome color. It can be obtained by mixing magenta with yellow and cyan. Also, artists often mix green and red, but the resulting shade will not be jet black. Saturated black color gives a mixture of orange with blue and yellow with purple. To get the shade of the night sky, you can add a little blue to the finished color, and a drop of white to lighten it.

What colors of paint must be mixed to get blue

Blue is the main color in the palette and it is quite difficult to get it by mixing. It is believed that it can be obtained by adding a little yellow to green, but in practice it turns out more of a blue-green tint. You can mix purple with blue, the shade will be deep, but dark. You can lighten it up by adding a drop of white.

What colors of paints must be mixed to get yellow

Base yellow cannot be obtained by mixing other shades. Something similar comes out if you add green to orange. Variations of yellow are obtained by adding other tones to the base. For example, lemon is a mixture of yellow, green and white. Sunny yellow is a mixture of basic yellow, white and red droplets.

What colors of paint should be mixed to get pink

The easiest option is to mix red and white. The more white, the lighter the shade will turn out. It is important to know that the tone depends on which red you choose:

• Scarlet + white will give a pure pink color.
• Brick red + white - peach pink.
• Blood red + purple gives a fuchsia shade.
• Orange-pink can be obtained by adding yellow paint to scarlet and white.

What colors of paints must be mixed to get orange

Orange can be obtained by mixing red and yellow.

• A less saturated shade will be obtained if a pink pigment is added to the yellow paint.
• Terracotta orange is the result of a base orange mixed with blue or purple.
• Dark shades are achieved by mixing red, yellow and black.
• If you add brown instead of black, you get red orange.

We vary the intensity of the tone by adding more white or black.

Color mixing table

Primary colors (blue, yellow, red) are almost impossible to obtain by mixing other shades. But with their help you can create all color palette!

Knowing the basic rules of color, it will be easier to figure out the decoration and get the right shade!

Take paint. Any kind of paint will do - even those used to paint furniture or walls - but it's best (and cleaner) to practice with a few small tubes of oil or acrylic paint. First, let's see what happens if we mix just two colors - red and blue.

• Note: Black can be obtained by mixing the available colors. Black pigment, of course, exists, but its use is too conspicuous. It is better to get dark colors by mixing transparent primary colors: shadows also have shades depending on the time of day and other factors.
• Read the "Other Tips" section below for guidance on choosing the best magenta and cyan.

1. Mix red and blue. Everyone knows that red and blue, when mixed, make purple, right? Indeed, but this is not that bright, lively purple. Instead, they form something like this:

   • Not very pleasing to the eye, is it? This is because red and blue absorb more and reflect less spectrum, giving a dark, dirty purple instead of a vibrant, vibrant one.

2. Now try this: mix magenta with a little cyan and you will see the difference. This time you will get something like this:

   

   • Magenta is a shade of purple, cyan is a blue-green hue, often referred to as bright blue or turquoise. Along with yellow, they are the primary colors in the CMYK model, which is based on a subtractive color scheme (obtaining color by subtracting individual components from white). This scheme is used in printing, including color printers.
   • You can see that using the real primary colors - magenta and cyan - results in a much brighter and more vibrant hue. If you want a richer purple, add more blue. Add black for dark purple.

3. Mix pigments to get primary and secondary colors. There are 3 main color pigments: cyan, magenta and yellow. There are also 3 secondary colors obtained by mixing two primary colors:

   • Cyan + yellow = green
   • Cyan + magenta = blue
   • Magenta + yellow = red
   • Cyan + magenta + yellow = black
   • In subtractive color mixing, the combination of all colors produces black.

4. "See the information below. See the "Mixing Colors" section for more detailed tips on how to achieve a wide variety of shades, including light, dark, and greyish. The Tips section provides an extensive list of colors and combinations that can be used to get those colors on the palette.

   Light Blending: Additive Colors

   1. Take a look at your monitor. Look at the white areas on this page and get as close as possible. Even better if you have a magnifying glass. Bringing your eyes closer to the screen, you will see not white, but red, green and blue dots. Unlike pigments, which work by absorbing color, light is additive, that is, it works by adding up light fluxes. In movie screens and displays, be it 60-inch plasma tv or the 3.5-inch Retina display on your iPhone, using additive color mixing.

      Mix light to get primary and secondary colors. As in the case of subtractive colors, there are 3 primary and 3 secondary colors obtained by mixing primary colors. The result may surprise you:

      • Mixing red + blue = magenta
      • Mixing blue + green = cyan
      • Mixing green + red = yellow
      • In additive color mixing, the combination of all colors produces white.
      • Note that primary additive colors are secondary subtractive colors and vice versa. How can it be? Know that the effect of subtractive color is a combined process: it absorbs some colors, and we perceive what is left, that is, the reflected light. The reflected color is the color of the light output that remains when all other colors have been absorbed.

   Modern color theory

   1. Understand the subjective nature of color perception. A person's perception and identification of color depend on both objective and subjective factors. While scientists can define and measure light down to the nanometer, our eyes perceive a complex combination of not only hue, but also the saturation and brightness of a color. This circumstance is further complicated by the way we see the same color on different backgrounds.

      Hue, saturation and lightness are the three dimensions of color. We can say that any color has three dimensions: hue, saturation and lightness.

      • Tone characterizes the position of a color on the color wheel - red, orange, yellow, and so on, including all intermediate colors, such as red-orange or orange-yellow. Here are a few examples: pink refers to a magenta tone or red (or somewhere in between). Brown refers to an orange tone because brown is a dark orange.
      • Saturation is what the rich give bright color like on a rainbow or color wheel. Pale, dark and muted colors (shades) are less saturated.
      • Lightness indicates how close a color is to white or black, regardless of the color. If you take a black and white photograph of flowers, you can tell which ones are lighter and which ones are darker.
        • For example, bright yellow is relatively light color. You can lighten it even more by adding white and making it a pale yellow.
        • Bright blue is naturally dark and low on the light scale, while dark blue is even lower.

   Mixing paints

   1. Follow this guide to get any color you want. Magenta, yellow and cyan are the primary subtractive colors, which means that any other color can be obtained by mixing them, but they themselves cannot be obtained from other colors. Primary subtractive colors are used when mixing pigments such as inks, dyes and paints.

      

      Colors with low saturation (dim colors) come in three main types: light, dark and muted.

      Add white for light colors. Any color can be lightened by adding white to it. To get a very light color, it is better to add a little bit of the main color to white so as not to waste excess paint.

      Add black for dark colors. Any color can be darkened by adding black to it. Some artists prefer to add a complementary (complementary) color that is opposite the given color on the exact CMY/RGB color wheel. For example, green can be used to darken magenta and magenta can be used to darken green because they are opposite each other on the color wheel. Add black or complementary color a little at a time so as not to overdo it.

      Add white and black (or white and a complementary color) to get muted, grayish colors. By changing the relative amount of added black and white flowers, you can get any desired level of lightness and saturation. For example: add white and black to yellow to get a light olive. The black will darken the yellow, making it olive green, and the white will lighten that olive green. Various olive green shades can be obtained by adjusting the amount of paint added.

      • To obtain a desaturated color, such as brown (dark orange), you can adjust the hue in the same way as for a bright orange - by adding a small amount of colors nearby on the color wheel: magenta, yellow, red or orange. They will make the brown more vibrant while changing its hue. But since brown is not a bright color, you can also use colors on the other sides of the triangle, such as green or blue, which will darken the brown while changing its hue.

   2. Get black. This can be done by mixing any two mutually complementary, as well as three or more equidistant colors from each other on the color wheel. Just don't add white or any color that contains white unless you want to get a shade of gray. If the resulting black leans too much towards a particular color, neutralize it by adding a little complementary color to that color.

      Don't try to get white. White cannot be obtained by mixing other colors. Like the three primary colors - magenta, yellow and cyan - you will have to buy them, unless, of course, you work with materials like watercolor, for which paper itself is used instead of white if necessary.

      Develop an action plan. Think about the tone, lightness, and saturation of the color you have and the color you want to achieve, and make adjustments accordingly.

      • For example, a shade of green can be brought closer to cyan or yellow - its neighbors on the color wheel. It can be lightened by adding white. Or darken it by adding black or its complementary color, namely purple, magenta or red, depending on the shade of green. You can tone it down by adding black and white, or make a desaturated green a little brighter by adding (bright) green.
      • One more example. You mixed red and white to make pink, but the pink came out too bright and warm (yellowish). To correct the warm tone, you will have to add a little magenta. To tone down a hot pink, add white, a complementary color (or black), or both. Decide if you want a darker pink (add only the complementary color), taupe pink (add white and complementary color), or just a lighter pink (add only white). If you're planning on adjusting the hue with magenta and muting the pink with green or cyan (complementary to magenta and red), you can try combining the two by using a color between magenta and cyan, such as blue.

   3. Mix paints and start creating a masterpiece! If all this seems impossible to you, you just need a little practice. Creating a color guide for your own needs - good way practice using the principles of color theory. Even printing it from a computer, you will provide yourself useful information while you still have no practice and you can not work on an intuitive level.

   Color samples and how to get them

   • Choose the color you would like to receive and follow the instructions below. Each pattern provides a range of possibilities; you can adjust the amount of paint used to get exactly the color you want. For example, any light color can be lightened or darkened by adding more or less white. Complementary, or complementary, colors are colors located opposite each other on the RGB/CMY color wheel.
   • Red: Add some yellow or orange to the magenta.
     • Light red (salmon pink, coral): Add white to red. Use less white and more red to get coral.
     • Dark red: Add some black (or cyan) to red. Cyan is complementary to red.
     • Muted red: Add white and black (or cyan) to red.
   • Yellow: Yellow cannot be obtained by mixing other colors. You will have to buy it.
     • Light yellow: Add white to yellow.
     • Dark yellow (olive green): Add some black (or purple-blue) to the yellow. Violet-blue is complementary to yellow.
     • Muted yellow (light olive): Add white or black (or violet-blue) to yellow.
   • Green: Mix cyan and yellow.
     • Light green: Add white to green.
     • Dark green: Add some black (or magenta) to the green. Magenta is complementary to green.
     • Grey-green: Add white and black (or magenta) to green.
   • Cyan (turquoise blue): Cyan cannot be obtained by mixing other colors. You will have to buy it.
     • Light cyan: Add white to cyan.
     • Dark cyan: Add some black (or red) to cyan. Red is complementary to cyan.
     • Grey-blue: Add white and black (or red) to cyan.
   • Violet blue: Mix magenta with cyan or blue.
     • Light Violet Blue (Lavender): Add white to purple-blue.
     • Dark purple blue: Add some black (or yellow) to violet-blue. Yellow is complementary to purple.
     • Greyish Violet Blue: Add white and black (or yellow) to violet-blue.
   • Violet: Mix magenta with a little cyan, blue or violet blue.
     • Light purple: Add white to purple.
     • Dark violet: Add some black (or lime green) to purple. Lime green is complementary to purple.
     • Muted purple: Add white and black (or lime green) to purple.
   • Black: Black can be obtained by mixing any two complementary colors or three colors equidistant on the exact CMY/RGB color wheel, such as red, green, and blue. If instead of pure black you get dark color, fix it by adding its complementary color.
   • White: White cannot be obtained by mixing other colors. You will have to buy it. To get a warm white (such as cream), add some yellow. To get a cool white, add a little cyan.
   • Grey: Gray is a mixture of black and white.
   • When mixing paints, add them little by little to control the color. You can always add more. This is especially true when working with black and blue, which tend to dominate other colors. Add a little at a time until you get the desired result.
   • To find out if a color is complementary, use your own eyes. It's an old trick: look closely at a color, then look away at a white surface. Due to the "color fatigue" of the eyes, you will see the opposite color.
   • Choosing primary colors when shopping can be tricky. Look for a magenta that is free of white and blue pigments (PW and PB). Violet and red pigments such as PV19 and PR122 work best. Good cyan PB15:3. PB15 and PG7 are also good. If you need artistic paints or frosting, you can try to match the colors with the printer. Print a sample from your computer to a printer to take with you to the store, or look for the primary colors on the sides of a cereal or cookie box.
   • You need one color triangle of colors that provide visual balance to the picture, and another color triangle to determine pairs of colors that cancel each other out, since complementary colors for these tasks are slightly different. So, ultramarine works well with lemon yellow and other beautiful yellows, but to darken these yellows, use purple. Additional information on this subject can be found on the net.
   • How many tubes with different colors really need to paint a picture? Jean-Louis Morell's book on watercolor painting shows how, using the color triangle cyan-yellow-magenta, to get almost any desired color only four or five, but this can be done with the help of these three plus white (paper acts as white in watercolor painting)!
     • The best range of shades can be obtained by mixing colors that are close to the CMY primary colors, but to get more dark shade, one - and even better two - should be darker than these primary colors, for example, Persian blue or cobalt blue, crimson alizarin.
   • What you write? The colors you need depend entirely on what you're writing. For example, ultramarine, Neapolitan yellow, burnt sienna and white are useful for distant landscapes if bright greens and yellows are not needed.

   What will you need

   • Palette - disposable paper is well suited.
   • Palette knife (any size)
   • Watercolor paper or primed canvas (available from your local art supply store; ready-made primed canvas works well)
   • Containers with water or solvent for washing brushes
   • Synthetic brush of your choice (#8 round or #6 flat works well)
   • Spray bottle to keep water-based paints from drying out
   • Paper towels to remove dirt and clean brushes
   • Color circle
   • Paints
   • A bathrobe or an old shirt that you don't mind getting dirty
   • Gloves

Taking the first steps in working with decor, most artists are faced with the problem of the lack of many shades in standard sets colors. Yes and in Everyday life the need to obtain different tones arises quite often: from choosing a color for painting walls in a house to selecting ideal option eye shadow. However, do not be upset if there are no colors in the existing arsenal of colors. required element. Remember, with only three base colors: yellow, blue and red, you can get any shade that exists in nature. So, to get orange, you just need to mix two basic colors: red and yellow, and also get acquainted with some of the nuances that artists use when mixing paints.

First, let's prepare everything you need. You need to bring:

1. surface for mixing (for example, a palette);
2. yellow and red paint;
3. brushes;
4. canvas or other working surface, on which it is planned to apply the resulting material ( watercolor paper, pastel paper, etc.).

In order for the final color to turn out perfect, before starting work, make sure that the surface is free of foreign particles (lint, dust particles, brush hairs, etc.). You also need to immediately decide which of the ways you plan to get the desired orange tone. If mixing is done on paper, the final hue is obtained by overlapping the tone after applying one layer of composition to another. If you mix colors on a palette or b cans, you get a separate new tone as a result.

Receipt process

To get orange by combining shades on paper, you first need to decide what you want to get in the end. Since if you apply yellow on top of red, the final tone will be darker than if you apply red on top. It is also important to ensure that the blending brush is free of foreign tints, as the presence of a paint brush of a different color on the hairs of a brush can give a completely unexpected result.
The same rule must be followed if you decide to get the necessary Orange color in dry painting. Just layer red and yellow on top of each other and then rub. The resulting shade will entirely depend on what color layer was applied on top: if the last layer was yellow, then orange will be lighter, if red, a red-orange tone is formed.

When mixing paints on a palette, the situation is somewhat simpler. You need to apply a little of one paint base and another on it, and then mix it with a palette knife (a special small spatula). A regular brush will work too, but again make sure the brush is free of other paints.

Completely different mixing rules need to be followed if you are working with oil paints. To make the final color orange, you need to apply yellow and red strokes very close to each other, then, moving a little distance away, you will see that you have achieved the desired effect.

Correct Proportions

Proportions of red and yellow paint depend solely on what shade you want to get as a result. So when mixing paints in the same proportions, you will get a classic orange color as a result. In order for the final orange to be more golden or yellow-orange, the yellow paint must predominate. While more red should be added to get a saturated fiery orange. You can also soften the resulting shade of orange by adding a little white paint, then you get a lighter, pastel tone. But to darken the tonality, it is better not to use black, since it does not so much darken as it drowns out the color spectrum. To get a darker shade of orange, it is recommended to apply a little dark gray.

Conclusion

Receipt principle orange colors quite simple, it is enough to know the RGB model and the principles of mixing to make the most stable composition. From the type of work, whether it is drawing or room decor, the method of obtaining orange flowers does not change.