The name of the circle of arts and crafts, work program, development. What is the name of the theater group The name of the theater group in the house of culture

06.07.2019

Introduction

How to develop the speech and thinking of students? How to teach to comprehend the secrets of the word? How to teach to comprehend the world, to cultivate responsiveness, compassion, love for all living things?

The shortest path to emotional liberation, removal of tightness, inhibition, learning to feel the word and artistic imagination is the path through the game, writing, fantasizing. All this can give theatrical activity.

In the program of the "Creative Workshop" circle, children's theater is considered not only as a means of achieving a certain artistic result, i.e. creation of the play. It is very important that classes in theatrical arts activate students' thinking and cognitive interest, awaken fantasy and imagination, love for their native word, teach sympathy and empathy.

The "Creative Workshop" circle is a completely different form of organizing students' learning activities than a lesson. The student does not receive ready-made knowledge, he obtains it, builds it himself.

At the circle, the attention of the children is directed to the tasks: through the installation, the logical structure of the classes, the leader manages the independent cognitive activity of the students. They themselves choose the desired pace, and means, and methods for completing the task, alternating between pair, individual and group work. An atmosphere of trust, cooperation between students and the leader, meaningful work with didactic material, appeal to the personal experience of students, connection with other types of art - contributes to the development of the student's individuality.

Explanatory note

The program of the circle "Creative Workshop" is designed for two years of classes with children of different ages: junior, middle, senior classes.

The workshop is a technology that requires the leader to move to the position of partnership with students, non-violence, valuelessness and priority of the process over the result. This technology is aimed at "immersion" of the circle participants in the process of search, knowledge and self-knowledge.

The theater group "Creative Workshop" has its own principles, its own algorithm of work. The motivational stage of classes is reflected in the presentation of the inductor - the stimulus of cognitive activity. The inductor - the subject, the stimulus of cognitive activity - helps students break through experience, through the barrier of their knowledge, beliefs, which show him only the reality that corresponds to them, and makes everything else invisible. To see, to see, to puzzle, and then to organize a search is a desirable chain of actions in which the leader includes the student, inventing an inductor. Motivation is also strengthened by advertising - the presentation of one's ideas, plans, results of one's work, the occupation of the circle always ends with reflection at the level of thought, analysis of one's path, one's feelings, impressions.

Classes in the circle "Creative Workshop" are conducted according to the program, which includes several sections.

The section "Culture and Technique of Speech" combines games and exercises aimed at developing breathing and freedom of the speech apparatus, correct articulation, clear diction, logic and orthoepy. The section includes word games that develop coherent figurative speech, the ability to compose short stories and fairy tales, and select the simplest rhymes.

The section "Rhythmoplasty" includes complex rhythmic, musical, plastic games and exercises designed to ensure the development of the child's motor abilities, the plastic expressiveness of body movements, and reduce the consequences of educational overload.

The section "Theatrical game" provides not so much for the acquisition of professional skills by the child, but for the development of his playing behavior, aesthetic sense, the ability to communicate with peers and adults in various life situations.

The section "Ethics and etiquette" includes the understanding of universal values ​​with the task of students finding their own meanings and values ​​of life, teaching a culture of communication, norms of decent behavior (etiquette), educating aesthetic needs (to be a skilled reader, a theater spectator), individual diagnostics of the student's moral development and possible its correction.

The class schedule is based on two classes per week. The educational process is built in accordance with the age, psychological capabilities and characteristics of the children, one hundred suggests a possible adjustment of the time and mode of classes.

Program goal: harmonious development of the child's personality by means of aesthetic education; development of his artistic and creative skills; moral development.

The goal can be achieved by solving a number of tasks:

  • Providing the necessary conditions for the personal creative development of children;
  • Formation of a common culture;
  • Acquisition of knowledge and practice in the field of theatrical art.

As a result of mastering the program of the theater circle "Creative Workshop", students receive a whole range of knowledge and acquire certain skills. By the end of the second year, they should:

  • To be able to correctly assess the consequences of human activity and their own actions;
  • To achieve a state of acting looseness, to be able to live through a particular literary plot using the etude method, to improvise in a fairly short time;
  • To cultivate in oneself such qualities as responsiveness, empathy, the desire to help, self-esteem, confidence;
  • Master communication skills, adapt quickly, feel comfortable in any environment.

Educational work is a significant moment when working with a children's association. The main link of this work is the creation and strengthening of the team. This is facilitated by general classes, classes in the study of acting, stage speech, stage movement, the correct application of makeup, the preparation and holding of general holidays, performances.

Team relationships are very important. Collective work contributes not only to the comprehensive aesthetic development, but also the formation of the moral qualities of the children, teaches the norms of decent behavior. One of the tasks of the teacher is to create a comfortable microclimate. A friendly creative team not only helps children to enrich themselves with knowledge and skills, but also to feel like a single whole.

Praise of the teacher for the independent solution of the issue, constant assignments, conversations, as well as help to younger comrades give self-confidence and a sense of satisfaction. It is important that the older participants feel responsible for themselves and for the younger ones, and the younger ones respect the elders, seeing them as protectors and helpers in their activities.

Great importance is attached to games in the classroom. Quite complex situations often arise in the game, requiring moral decisions and actions from the children. Everyone is obliged to follow the rules of the game, and children feel that victory is different. In the game, insults to each other, rudeness, dishonesty are unacceptable. They always appreciate mutual assistance, kindness, honesty, support, attention and sensitivity. The educational value of the game is difficult to overestimate. Another function of the game, physical development, the game improves motor skills.

It is extremely important to take care of older pupils - teenagers, given that it is for them that the group has a special value, personal significance. Different perceptions of a small group of adolescents are associated with satisfaction with their relationships with other members of the group, with such a feature of adolescence as the predominance of the emotional-volitional side of relationships and inaccurate awareness of relationships and insufficient awareness of relationships with group mates. The leader, taking into account this feature, must distribute duties, roles and assignments in such a way that the status of the group member rises, and the relationship between the organizer (leader), activists, performers, individual guys (“rebels” - according to G. Furmanov) is satisfied, t .e. everyone was involved in the common cause. The effectiveness of students' classes is created by using the method of mutual assessments, by forming healthy competition, and also by educating the child's personal responsibility.

Curriculum for two years

Educational and thematic plan for two years

Topic

Number of hours

Timing

Educational and thematic plan of the 1st year of study
I half year

Introductory conversation. Acquaintance with the circle plan. Circle asset election

Culture and technique of speech

Games for the development of attention ("Names", "Colors", "Paints", "Gardener and Flowers", "Aibolit", "Lawyers", "Deaf and Dumb", "Echo", "Nonsense, or nonsense").

Issue of the newspaper "Word in the theater ..."

Rhythmoplasty

Psychophysical training, preparation for etudes. Development of coordination. Improving posture and gait.

Development of the stage sketch "Appeal" ("Acquaintance", "Wish", "Mirror").

Theatrical play

Acquaintance with the structure of the theater, its main professions: actor, director, screenwriter, artist, make-up artist. Practicing the stage sketch “Those professions of the theater…”

Makeup technique. Hygiene of make-up and technical means in make-up. Techniques for applying a general tone.

Acquaintance with the script of the fairy tale in verse (based on the fairy tale "Twelve Months").

The distribution of roles, taking into account the wishes of young artists and the correspondence of each of them to the chosen role (external data, diction, etc.). Expressive reading of the fairy tale by roles.

Discussion of the proposed circumstances, the behavior of each character on the stage. Discussion of scenery, costumes, stage effects, musical accompaniment. Assistance to "artists" in the preparation of sketches of simple scenery and costumes.

Working out roles in 1, 2 events. (Work on facial expressions during dialogue, logical stress, making decorations)

Working out roles in 3, 4, 5, 6, 7 phenomena. (Work on facial expressions during dialogue, logical stress, making decorations)

Working out roles in 8,9,10,11 phenomena. (Work on facial expressions during dialogue, logical stress, making decorations)

Selection of musical accompaniment to the scenario of a fairy tale. Rehearsal.

Dress rehearsal in costumes. With scenery, with musical accompaniment, etc.

Performing a performance in front of school students and parents

Analysis of the case by the organizers (shortcomings, what needs to be foreseen) and participants (whether it was interesting to work on the performance, was it needed, what will we do next - collective planning of the next case).

Ethics and etiquette

The relationship of ethics with the general culture of man. (Respect of a person for a person, for nature, for the earth, for the Motherland, for childhood, for old age, for mother, for bread, for knowledge; for what you do not know, self-respect).

Compilation of the story “Man is the highest value” based on photographs of your loved ones. ("There are no uninteresting people in the world")

Rehearsal of the stage sketch "The theater begins with a hanger, and etiquette with" magic "words." (Etiquette).

Bad habits. (Etiquette)

Issue of the newspaper "Etiquette in questions and answers". (Flowers, secular society)

II half year

Culture and speech technique

Games and exercises aimed at developing breathing and freedom of the speech apparatus

Games for the development of language guesses (“Rhyme”, “Looking for the beginning again”, “Compositor”, “Looking for the other half”, “Creativity”, “By the first letter”, “Literary domino or domino sayings”, “Out of several - one »

Evening "Knowledge is power"

Rhythmoplasty

Non-objective sketch (thread a needle, collect things in a suitcase, sharpen a pencil with a blade, etc.)

Stage study "Sculpture". Stage studies in pairs: "Advertising", "Contradiction". Stage studies in groups: "Very large picture", "Abstract picture", "still life", "Landscape".

Stage sketches. Noisy design according to texts, division into groups, drawing up stage sketches.

Rhythm training. Ball exercises.

Theatrical play

Verbal influence on subtext. Speech and body (formation of ideas about the composition of the work of the body and speech; the subtext is revealed through plasticity).

The development of observation. (Based on your observations, show a sketch. Understand and reproduce the character of a person, his attitude to the world around him).

The development of imagination and the ability to work in a sharp drawing (“in a mask”).

Work on the organs of articulation, diction and familiarity with the norms of orthoepy. (Repetition of letters, alternation of voiced and consonants, combination with vowels; work on proverbs and tongue twisters).

Work on the image. Analysis of facial expressions. Hairstyles and wigs.

Acquaintance with the scenario of the fairy tale "How Ivan the Fool outwitted the devil."

The distribution of roles, taking into account the wishes of young artists and the correspondence of each of them to the chosen role (external data, pantomime, etc.). rehearsal of individual scenes.

Specifying the proposed circumstances, the behavior of each character on the stage. Discussion of scenery, costumes, musical accompaniment.

Rehearsal of pantomime movements. Poster production.

Presentation to the students of the extended day group.

Performance analysis. (Educators of the extended day group are invited).

Ethics and etiquette

The concept of tact. The Golden Rule of Morality "Do unto others as you would like to be done unto you." (Work on the text of N. Gumilyov's poem "The Sixth Sense")

Development of the tact theme. (Working out stage sketches "Bus", "Criticism", "Dispute")

The culture of speech as an important component of the image of a person, part of his charm.

Norms of communication and behavior. (Compilation of stage sketches)

Issue of the newspaper "Etiquette in questions and answers". (In a restaurant, in a cafe. Invitation. Home, family)

Theatrical play

Show stage sketch “Dialogue – onomatopoeia and “talk” of animals. (Chicken - rooster, pig-cow, lion-ram, dog - cat, two monkeys, big dog - small dog)

Playing with costumes. (Play one or another image that arises when receiving attributes: a “butterfly” and a towel, a belt and a cap, etc.). Mastering the stage space.

Creativity Krylov, reading the fable "The Wolf and the Lamb". Acquaintance with the script for a parody of Krylov's fable "The Wolf and the Lamb".

The distribution of roles, taking into account the wishes of students. Discussion of costumes, scenery. Making masks of animals.

Role development. Work on facial expressions during dialogue, logical stress

dress rehearsal

Performance. (a creative report at a parent meeting or a speech in front of an extended day group).

Case analysis. (Positive sides, negative sides).

Analysis of work for the year.

Educational and thematic plan of the 2nd year of study
I half year

Introductory conversation. Acquaintance with the circle plan. Elections of the circle's asset. Production of the “Corner of the theater circle “Creative Workshop”

Culture and technique of speech

Work on exercises aimed at developing breathing and freedom of the speech apparatus, correct articulation.

Games for the development of clear diction, logic of speech and orthoepy.

Games with words that develop coherent figurative speech. (“A named story or a poem”, “What does it look like?”, “Why is the anthem Asia, and not the anthem Africa?”, “Theatre of the Absurd”, “Scatter!”, “Accusation and justification”).

Compilation of a short story "Many-faced words."

Issue of the newspaper "Games are conducted by experts". (discussion, selection of material, distribution of responsibilities).

Rhythmoplasty

Pantomime test.

Rhythm training.

Pantomimic etudes "One does, the other interferes." (“Movement in the image”, “Waiting”, “Dialogue”).

Improving posture and gait.

Pantomimic study "Picture Gallery". Compilation of a pantomimic study "Animated Picture".

Theatrical play

The importance of details in art.

Mastering the proposed circumstances, stage tasks “The truth of passions, the plausibility of feelings in the proposed circumstances ...” (A.S. Pushkin).

The basis of acting is action. “The main thing is not in the action itself, but in the natural origin of the urge to it.” (K.S. Stanislavsky)

  • Stage sketches for the imagination.
  • The image of various sounds and noises, "illustrating" the reading of passages of the text.
  • An etude on the state of expectation in a given situation (5 people at the same time).

Communication as a process of giving and receiving feelings and thoughts of two or more persons. Organization of etudes for evaluation of different situations.

Work on exercises that develop the chest resonator ("Steam Engine"). (Patterns, proverbs).

Makeup technique. Chiaroscuro.

On the shape and proportions of the body and face. Blush. Eyeliner. Make-ups of a young plump and young thin face.

Analysis of facial expressions.

Dramatization based on popular expressions from the fables of I.A. Krylov. Stage sketches.

Reading and discussion of a dramatization based on the fairy tale by Sergei Mikhalkov “How the bear found the pipe”. Discussion of the play, its themes, ideas, possible principles of staging. Distribution of roles.

Role development. Work on facial expressions during dialogue, logical stress. Making masks, decorations.

Dress rehearsal. Stage decoration.

Premiere. (To primary school students)

Performance analysis.

Discussion of the topic "Drugs". Selection of material, distribution of responsibilities. Issue of the newspaper "Heron - a smoker" about the dangers of smoking.

Etudes for the movement characteristic of a given image (7-8 people at the same time).

Reading a poem in a certain way. Stage image "Gait".

II half year

Ethics and etiquette

(Etiquette). The culture of speech as an important component of the image of a person, part of his charm. Speech etiquette. Choice of vocabulary, intonation, dialect, speech errors, softness and harshness of speech. Preparation and display of stage sketches.

(Etiquette). Norms of communication and behavior: behavior on the street, in transport; phone conversation; behavior in the store. Student examples. Stage sketches.

The memory of a person, family, people. Without memory there is no conscience. Creative work "Holy memory". Analysis of creative works.

Issue of the newspaper "Etiquette in questions and answers". (Discussion, collecting material, distribution of responsibilities).

Theatrical play

Etude as the main means of education of the actor. An etude is “a means to remember life” (K.S. Stanislavsky). Image action noise.

Non-objective study of contrasts (2 people, the stage is divided by a partition). Etudes "Breaking camera", "Sound nursery rhymes", "Talking on the phone with an invisible opponent" (1 person).

Work on exercises that develop the strength and flight of the speech voice.

Work on the image. Fairy make-up.

Acquaintance with the script for the children's play "Ecology and Environmental Protection". (Discussion of the play, its theme, ideas, possible principles of staging)

The distribution of roles, taking into account the wishes of the students and the correspondence of each of them to the chosen role (external data, diction, etc.). Expressive reading of the fairy tale by roles.

Discussion of the proposed circumstances, the behavior of each character on the stage. Discussion of scenery, costumes, musical accompaniment. Rehearsal of individual episodes.

Rehearsal of individual episodes. Making masks.

Rehearsal of individual episodes. Making decorations.

Selection of musical accompaniment to the script.

Run-through rehearsal. (Identification of those places that require improvement).

Dress rehearsal in costumes, with scenery, with musical accompaniment.

Performance premiere.

Performance analysis.

Culture and technique of speech

Playful verbal riddles for the development of attention, expansion of vocabulary.

Conversation “I am in the world ... the world is in me ...” (Friendship). Situation resolution.

Riddles - metagrams and riddles - logogryphs. "Insidious" word quiz (Feeling the word and the ability to think outside the box).

Conversation "Hope". Essay - reasoning on the chosen proverb.

Testing "features of emotions". Test analysis.

Issue of the newspaper "Create, invent, try!". (Discussion, collecting material, distribution of responsibilities).

Rhythmoplasty

Pantomimic study - shadow

Movement coordination (10 people). Imitation of animal behavior (5 people). Study for observation.

Ethics and etiquette

Round table "ABC of communication"

Creation of stage sketches. (“In a taxi”, “On the street, in transport, in an elevator”, “In a train car”, “On vacation”, “Appeal”, “Greeting”)

Psychological self-portrait. (Compilation of a detailed psychological self-characterization).

Analysis of work for the year

Bibliography

  1. The program of the teacher of additional education: From development to implementation / comp. N.K. Bespyatova - M.: Airispress, 2003. - 176 p. - (Methodology).
  2. School of creativity: Author's programs for the aesthetic education of children by means of the theater - M .: VTsKhT, 1998 - 139 p.
  3. Pirogova L.I. Collection of word games on the Russian language and literature: Pleasant with useful. - M .: School Press, 2003. - 144.
  4. Skorkina N.M. Non-standard forms of extracurricular work. - Volgograd: teacher - AST, 2002. - 72 p.
  5. Extracurricular activities: intellectual marathons at school. 5-11 grades / ed. - comp. A.N. Pavlov. - M.: ed. NTSENAS, 2004. - 200 p.
  6. Lvova S.I. Literature lessons. 5-9 cells: A guide for the teacher. - M.: Bustard, 1996 - 416 p.

How to choose the one and only one from the many options for names for the theater circle? It depends on what you decide to focus on: the age of the participants, the audience, an approximate repertoire plan. You may want to choose a professional term or bet on the name of a well-known character.

Instruction

When choosing a name for a theater group, be guided by the age of its participants. It would be appropriate to call the children's team (up to 14 years old) one of the names of fairy-tale heroes (“Cipollino”, “Piero”, “Ole Lukoye”). Young theater-goers and aged circle members may not be against Hamlet, Don Quixote, or even Le Figaro. Do not use the names of characters in books and films whose authors are in good health without their written permission (which is sometimes very problematic due to various legal subtleties, material costs, or, for example, a language barrier).

Think about who will come to your performances. If you plan to perform mainly in front of children, then the name of your theater group should be clear to the kids, causing them positive emotions. For example, "Merry Carlson", "Pinocchio and Company", "Sisters and Brothers Grimm". However, the teenage and youth audience is quite picky. In this case, you do not need to choose too pretentious name. And at the same time, it can be unusual and even shocking. For example, “We are together”, “Light and performance”, “Steps behind the stage”.

Take as a basis the future repertoire. So, if you are going to stage sketches, reprises, parody plays, then it is possible that you will like the following titles: “Jester with us”, “Regulars”, “Puppet show”, “Domino”. If you are going to focus on serious dramatic works, then the name of the circle should be appropriate: “Sphere”, “Mirror”, “Theme”, “Situation”, etc.

Choose the names associated with the audience and circle members with the theater, namely: - the names of the genres ("Drama", "Reprise", "Miniature", "Intermedia") - the names of the structural units of the works ("Phenomena", "Prologue", "Exposition") - terms associated with the work on the production and design of the scene ("Mise en Scene", "Props", "Decoration") - terms associated with the arrangement of the stage and the auditorium ("Ramp", "Scenes", "Gallery", "Parterre").

Decide if it is appropriate to call theatrical circle in honor of famous playwrights or their plays. On the one hand, this means that you strive to meet a given level. But on the other hand, it may seem too pretentious, especially if the performances are not successful.

Do not choose names that are too long and try to do without quality adjectives (big, small, beautiful, beautiful, new, old, funny, sad, etc.). Or at least use them in such a way that the resulting phrase has at least something to do with art. For example, "New Age", "Small Hall", "Sad Image".


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Program

G. Otradny

Age composition of students: 10-13 years old

Implementation period: 3 years

The program was developed by:

Lebedeva Nadezhda Yurievna teacher

PROGRAM PASSPORT

Full name of the institution

State budgetary educational institution of the Samara region "Boarding school for students with disabilities in the urban district of Otradny"

Program name

The program of artistic and aesthetic education ""

Main developer of the program

Head of the children's association - Lebedeva Nadezhda Yurievna

Purpose of the program

Formation of a creative personality capable of self-realization.

Program objectives

1.Educational

evaluate the actions of other children and compare with their own;

· learn to act naturally and justifiably on the stage;

· give the opportunity to fully use their abilities and express themselves in stage incarnations;

· to involve knowledge and acquired skills in staging a stage version;

· to teach to comprehend: how a work is born, formed and appears before us as it is. Understand how a story is born

2.Correctional

Develop the ability to control your body;

develop visual and auditory attention, memory, observation, resourcefulness and fantasy, imagination, imaginative thinking;

develop imagination and faith in stage fiction;

develop the ability to perform the same actions in different circumstances and situations in different ways;

3.Educational

Develop a child's willingness to be creative

to cultivate the ability to master the stage space, acquire the image and expression of the character of the hero;

Develop communication skills and the ability to communicate with adults in different situations

Implementation period

2016–2019

Performers of the main

program activities

Students, pupils of 3-5 grades, the teaching staff of the school, the public.

EXPLANATORY NOTE

The theater group is designed to educate and educate children and adolescents gifted in creativity. This program is based on the psychological characteristics of children 10-14 years old. The topics of the program combine certain conceptual material with diverse forms of practical creative work. At the same time, the program provides for the development of theatrical and creative activity of students in a single process of mastering knowledge and ideas about the art of the theater. At the same time, these topics can help in the preparation of literary and dramatic compositions, theatrical programs and performances.

In classes with this age group, it is of paramount importance to rely on the students' experience of communicating with theatrical art. The leader's task is to mobilize this previously acquired experience, to help them rethink it, in order to awaken their creative activity, emotional memory and imagination on this basis.

The structure of the program suggests the possibility of creative interpretation of its content. The teacher has the right to build his work based on the needs and capabilities of this school team.

General methodological principles of the teacher's work on the program of the theater circle:

Classes are held with all interested children, without any selection. The optimal number of children in the classroom is 12-16 people. Classes are preferably carried out in a spacious room.

The process of theater classes is based on developing techniques and is a system of creative games and sketches aimed at developing the psychomotor and aesthetic abilities of children.

New knowledge is presented in the form of problem situations that require active joint searches from children and adults. The course of the lesson is characterized by emotional saturation and the desire to achieve a productive result through collective creativity. It is based on an individual approach, respect for the personality of the child, faith in his abilities and capabilities. The teacher strives to nurture independence and self-confidence in children. The less programming in the activities of children, the more joyful the atmosphere of classes, the more pleasure they receive from joint creativity, the brighter and more colorful their emotional world becomes.

This program does not imply literal implementation, it focuses the teacher on creating conditions for the activation of aesthetic attitudes in the child, as an integral characteristic of his worldview and behavior. Using the program allows you to stimulate children to a figurative and free perception of the world around them (people, cultural values, nature), which, developing in parallel with the traditional rational perception, expands and enriches it. The child learns to respect other people's opinions, to be tolerant of different points of view, learns to transform the world, uses fantasy, imagination, and communication with other people.

The program has been implemented for three years, 2 hours a week.

Directions:

Development of aesthetic abilities;

Development of the sphere of feelings, complicity, empathy;

Activation of the thought process and cognitive interest;

Mastering the skills of communication and collective creativity;

By the end of the first year, the student:

1. What is theater

2. How theater differs from other arts

3. How theater was born

4. What types of theaters exist

5. Who creates theatrical canvases (performances)

HAS CONCEPTS:

1. On the elementary technical means of the stage

2. About stage design

3. On the norms of behavior on stage and in the auditorium

2. Think figuratively

3. Focus

4. Feel yourself in the stage space

ACQUIRES SKILLS:

1. Communication with a partner (classmates)

2. Elementary acting

3. Figurative perception of the world around

5. Collective creativity

And also gets rid of excessive shyness, fear of society, the complex "view from the outside", acquires sociability, openness, respect for the world around, responsibility to the team.

At the end of the second year, the child

1. What are expressive means.

2. Fragment as an integral part of the plot.

3. Effective formula: Initial event, conflict situation, final.

1. Use expressive means to express the nature of the scene.

2. Fragmentally disassemble the work, as well as fragmentarily present it.

3. Determine the main idea of ​​the work and form it into a plot.

4. Understand fine art as a life process.

HAS A CONCEPT:

1. About the birth of the plot of the work.

2. About the internal monologue and the 2nd plan of the acting state.

3. About the most important task and morality in the work.

HAS SKILLS:

1. Free communication with the audience, classmates.

2. Express your thoughts in a wide range of opponents.

3. Analyze the sequence of actions.

4. Build a logical chain of life events.

By the end of the third year, the student will:

1. Knows ancient Greek, modern, puppet, musical theaters

2. What is a screen

3. the basics of acting

1. Create images and scenery for performances

2. Distributes roles. Analyze the work

3. Express your thoughts

5. Memorize small texts

Has skills:

1. Expressive gestures

2. Build a logical chain

3. Has puppetry skills

Calendar-thematic plan

Topic of the lesson

Number of hours

Form and working methods

Introductory conversation. Acquaintance with the circle plan. Choice of mug asset

Theater outside and inside. Introduction to the concept of "theater"

Front work

Rhythmoplasty. Psychophysical training, preparation for etudes. Development of coordination. Improving posture and gait.

group

Culture of technology and speech. Games for the development of attention ("names", "colors", "paints", "Echo"), etc.

group

Rhythmoplasty. Practicing the stage study "Conversion" (acquaintance, position, mirror)

group

Pronouncing tongue twisters in turn with different tempos and strength of sound, different intonation.

Verbal form of work

The story of one doll. Watching a movie about Pinocchio.

group

Art workshop of Papa Carlo

Frontal

Rehearsal of a fragment from the fairy tale "Pinocchio" by A. Tolstoy

Individual work

Organic music in the play. Selection of musical accompaniment for performances

Front work

Role training

Individual work

Individual work

Culture of speech and technique of speech. Games and exercises aimed at developing breathing and freedom of the speech apparatus

group work

Non-objective sketch (thread a needle, collect things in a suitcase, sharpen a pencil with a blade)

group work

Theatrical alphabet. Learning tongue twisters, counting rhymes, nursery rhymes and playing them.

Individual work

Theatrical game. Fairy tale quiz

Front work

Viewing the fairy tale-performance "New Year's Adventures of Masha and Vitya". Analysis of the work

group work

Role training

Individual work

Dress rehearsal in costumes. With scenery, musical accompaniment.

Individual work

Issue of the newspaper "Questions and Answers" (In a restaurant, in a cafe. Invitation, home, family)

Front work

Dramatization of cartoon fairy tales based on the book "The Best Cartoons for Kids"

Front work

Rehearsal of pantomime movements. Poster production

Front work

Meeting with actors of the puppet theater

group work

Scenery Workshop

Individual work

Expressive means in the theater

group work

Development of imagination and ability to work "in a mask"

Front work

Rhythm training. Sword exercises

Individual work

Bad habits (Etiquette)

group work

Learning roles for the final performance

Individual work

68 hours

Second year of study

Introductory conversation. Acquaintance with the circle plan. Production of the “Corner of the theater circle “Creative Workshop”

group work

Fundamentals of theatrical culture

group work

Games for the development of clear diction, logic of speech and orthoepy

Front work

Games with words that develop coherent figurative speech.

Front work

Reading in the faces of A. Barto's poems

Individual work

Dramatization of Russian folk tales

Front work

Rehearsal of episodes of the play

Individual work

Scenery preparation

group work

Dress rehearsal in costumes. With scenery, musical accompaniment.

Individual work

Breathing exercises

Individual work

Rhythmoplasty. Trial by pantomime

Front work

Pantomimic studies

group work

Makeup technique. Chiaroscuro

Individual work

Analysis of facial expressions

group work

Reading and discussion of a dramatization based on the fairy tale by S. Mikhalkov “How the bear found the pipe”. Discussion of the play, distribution of roles.

group work

Art workshop. Scenery making

group work

Performance rehearsal

Dress rehearsal in costumes. With scenery, musical accompaniment.

Recitation competition

Front work

Theatrical video. Watching the musical fairy tale-performance "The Wolf and the Seven Kids"

Front work

Discussion of the topic "Drugs". Issue of the newspaper "Heron-smoker"

group work

Staging fairy tales by K. Chukovsky

group work

Production of props for performances

front work

Performance rehearsal

Individual work

68hours

Third year of study

Etiquette. Speech etiquette. The choice of vocabulary, intonation, dialect, speech error, softness, harshness of speech. Preparation and display of stage sketches

group work

Non-objective study

Front work

Work on the image. Fairy make-up

Individual work

Mimic. "Silent movie"

Front work

Acquaintance with the work of J. Rodarri.

group work

The distribution of roles, taking into account the wishes of students. Expressive reading of the work

group work

Rehearsal of episodes of the play

Front work

Dress rehearsal in costumes. With scenery, musical accompaniment.

Individual work

Playful verbal riddles for the development of attention, expansion of vocabulary.

group work

Composition - reasoning on the selected proverb

group work

Issue of the newspaper "Create, invent, try!"

Front work

Pantomime Day

group work

Introduction to puppet theatre. History of the puppet theatre.

Front work

Mastering the skills of puppetry (glove, finger, spoon puppets, table theater puppets).

group work

Performance of the finger puppet theater "Kurochka Ryaba"

Rehearsal

Individual work

dress rehearsal

Individual work

Creation of stage sketches.

group work

Scenery making

Front work

Round table "ABC of communication"

Individual work

Psychological self-portrait. (Compilation of a detailed psychological self-characterization)

Individual work

"Skit"

group work

Analysis of work for the year

Front work

68hours

Total for three years: 204 hours

Bibliography

1. The program of the teacher of additional education: From development to implementation / comp. N.K. Bespyatova - M.: Airispress, 2003. - 176 p. - (Methodology).

3. Pirogova L.I. Collection of word games on the Russian language and literature: Pleasant with useful. - M .: School Press, 2003. - 144.

4. Skorkina N.M. Non-standard forms of extracurricular work. - Volgograd: teacher - AST, 2002. - 72 p.

5. Extracurricular activities: intellectual marathons at school. 5-11 grades / ed. - comp. A.N. Pavlov. - M.: ed. NTSENAS, 2004. - 200 p.

6. Lvova S.I. Literature lessons. 5-9 cells: A guide for the teacher. - M.: Bustard, 1996 - 416 p.

Choosing the name of a circle of arts and crafts is not as simple a task as it might seem at first glance. This association is not created for one year, the development of the circle is laid in the future. Changes and additions to the work program, the emergence of new areas and age groups are possible. All this makes the choice of event responsible.

The Importance of Further Education

Children attending the circle acquire skills and abilities that help them to study in a general education school. In addition, creative activities with an enthusiastic, caring teacher make them more organized and manageable.

Fine motor skills, which develop well in such classes, make it possible to learn how to write well, put beautiful handwriting. It is also known to be beneficial for the mental performance of children.

The modern name of the arts and crafts circle will attract the attention of children, it will be interesting for them to go to it. In the process of creating a work of art, a small person will overcome difficulties: he will learn patience, learn about his abilities.

Boring stages of work, such as a monotonous operation that is repeated many times, the teacher will help to perform mechanically. Then the head is freed for a conversation on an interesting topic. While the guys are shading, sticking, cutting out something, the teacher is telling a story on a common topic.

  • Leaves.
  • Acorns.
  • Small stones.
  • Shells.
  • Seeds of various plants.
  • Cones.

Then crafts are created either in the form of paintings that can be hung on the walls of the room, or in the form of figurines. Scenes from Russian fairy tales can be depicted. Natural material can be painted with gouache, and after drying, coated with acrylic transparent varnish. It is odorless and water soluble.

Names suitable for the preschool work program:

  • "Developing Skills"
  • "Before school".
  • "Skilled Hands".

Circle for younger students

The previous practice of electives gave tangible results: the students who attended them did better in subjects. A group of 10 people is the optimal number for informal activities.

In the process, the teacher often approaches one or another student. Personal assistance from a specialist, and on time, is the key to student success. If a lot of guys signed up, especially at the beginning of his work, common work will help to unite everyone in one thing.

The distribution of tasks will make everyone feel at home and the work will go smoothly. In winter, when attendance falls, more attention can be paid to the individual approach.

Directions that children of elementary school are happy to study:

  • Plasticine technology.
  • Salty dough.
  • Decorative postcard.

Perspective development of the circle

So that the circle does not close after the first year of life, its future development should be considered. The program that children studied in the first year will remain in the second for those who first came to study. The second year is already a different program, otherwise the children will be bored.

Thematic plans for each year of study may have their own names. But the name of the circle of arts and crafts remains constant. each year includes repetition, consolidation of previously acquired skills, and new material.

Technologies that require constant training are good to leave and develop. It can be the following types of work:

  • Modeling.
  • Drawing.
  • Decoration.
  • Sewing.
  • Embroidery.
  • Knitting.
  • Author's doll.

Working with paper, most likely, will no longer be interesting for the guys. Although for congratulations of loved ones you can leave

The third year (or a course for older children) can make not just dolls or soft toys, but glove dolls. Then we can put on a little show. This will also attract the attention of parents.

Participation in exhibitions is a quick way to achieve success in your chosen field. Sometimes teachers do not want to be bound by this, explaining that they are busy. But children who are preparing for the competition can devote a lot of time to this. Especially when they hear praise. Do not be afraid to declare participation in city, regional and other competitions. It will be a good idea for future development.

The circle may receive an order for the production of promotional products, souvenirs, building models, etc. This is good advertising. Take pictures of the process steps, make notes in the local newspaper, and everyone will know the name of the arts and crafts circle. At the end, arrange a holiday.

Then the children will fly on wings to their favorite circle, and their teacher will become a loved one.

The art of puppet theater originated in ancient times and has always attracted the attention of spectators, especially children. Here, in a simple and uncomplicated form, the most important things can be told: friendship, love, mutual understanding, betrayal and many others. As a rule, puppet theater is quite easy to do with your own hands. In some families, there is even a tradition of amateur puppet theater, where the roles are voiced by relatives-puppeteers: grandfathers, grandmothers, fathers, mothers and the children themselves.

But often an original theater also wants to be called somehow, so that it stands out from the others. By following some of the tips suggested in this article, you can make searching for a name much easier.

  • The easiest way is to name the well-known puppet plays after the heroes: Pinocchio, Harlequin, Malvina, Papa Carlo. There are, in fact, a great many options. It remains only to choose a name that does not coincide with the puppet theaters already familiar to the audience.
  • Another method is connection with the plot. For example, "Papa Carlo's Closet", "Golden Key", "Field of Miracles". And this is just from one fairy tale, and there are quite a lot of them.
  • An interesting name, for example, "Wooden House". In case the body of the stage for puppets is made of wood. Then it will be especially important.
  • If you will show plays "on the topic of the day", you can name accordingly. "Satirical stage", "Theater of honor and conscience", for example.
  • If the theater is designed to show plays in the circle of friends and family, then you can call it: "Family Theater", "Theatre of Friends".

How to behave in the theater, read the article



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