I. S. Turgenev in each work tests the heroes with love. Evgeny Bazarov was no exception. A love story helps to reveal the image of the protagonist most fully.
Bazarov meets Anna Odintsova at the governor's ball, where he arrives with his friend Arkady. Seeing her, he says that she "doesn't look like other women." Bazarov is distinguished by a simplified, "anatomical" view of women. For the hero, they are just biological objects.
After Odintsova calls Bazarov to her estate, he becomes interested in her and tries to spend all his time with her. Interest in Odintsova becomes a turning point in the fate of Bazarov. Love-denying nihilism collides with real life in which the hero falls in love, but still tries to deny this feeling and suppress it in himself. However, reality defeats theory, and Bazarov falls in love irrevocably.
Odintsova is passionate about Bazarov, he is curious to her. However, cold and sensible, the heroine is afraid to lose that calm and comfortable life that she valued so much. After all, Bazarov’s passionate love would definitely bring Odintsova’s measured life into dissonance. Fear and unwillingness to change their lives becomes the cause of the failed love of the characters.
When Bazarov explains to Anna and confesses his feelings to her, she refuses him. This greatly affects the state of mind of the hero. The test of love becomes fatal for Bazarov. All his convictions break, he constantly thinks about Odintsova. And now, experiencing internal torment, the hero decides to treat the man for typhus. This leads him to infection. Feeling the approaching death, Bazarov wants to say goodbye to his beloved. The author describes this episode not as a meeting of lovers, but as a meeting of a person with a dying relative. Turgenev points out one detail: Odintsova did not even take off her gloves, afraid of getting infected. Most likely, she did not have love in relation to Bazarov. The protagonist understands that now she is driven only by pity for him, and not by love. This is the whole tragedy of the hero: he breaks all his principles for the sake of a woman who does not reciprocate his feelings.
Odintsova is not capable of love. This is also proved by the epilogue of the novel: the heroine marries for convenience.
Having told the story of the failed love of Bazarov and Odintsova, the author shows that human nature cannot be resisted. He completely debunks the theory of nihilism.
Turgenev gives the reader the opportunity to reflect on the question of what would happen if love was mutual. Perhaps Evgeny Bazarov would have completely retreated from the theory of nihilism and would have loved life as it is. But there is an option that, having been disappointed in love, he would have strengthened his outlook on life.
Thus, I. S. Turgenev in the novel "Fathers and Sons" demonstrated that the nihilist Bazarov needs love. His meeting with Anna Odintsova showed that he can sincerely love. But his relationship with Odintsova was doomed from the very beginning. They flared up brightly, but ended before they even started their development.
Option 2
The relationship between Evgeny Bazarov and Anna Odintsova runs like a red thread through the plot of the novel. From the first pages we learn that the main character does not believe in love, he considers everything romantic and ideal to be “rubbish”. With the help of a love plot, interesting changes are expressed that occur with Evgeny's beliefs. Inclinations towards nihilism, inner callousness lose their strength and power over the hero under the influence of feelings for Anna Sergeevna.
The first meeting of the characters took place at the gubernatorial ball, when their mutual friend, Arkady Kirsanov, introduced the guests to each other. Eugene, as Arkady noticed, was embarrassed when they met, but tried to hide it. Bazarov caught the feeling that suddenly awakened in him, but decided to ignore the rush of emotions.
The turning point in the plot was an invitation to stay at the Odintsov estate, addressed to Kirsanov and Bazarov. During the two-week stay, Anna and Eugene spent a lot of time together: they talked, walked in the forest. It was then that Bazarov falls in love. Nevertheless, he tries to turn away from Anna Sergeevna in order to interrupt the painful feeling of unrequited love.
Evgeny is confident in a conversation with Odintsova, still denies romance and love, but alone with himself, the hero has no right to hide the obvious: he is a romantic at heart and this cannot be changed. Internal experiences and conflicts could not but affect the character of the hero: he becomes irritable, quick-tempered and unpredictable. Unable to resist anymore, Bazarov confesses his love, but Anna is afraid of love, she is not ready to take this dizzying step that will deprive her life of peace and regularity. Odintsova rejects him.
The love line in the novel could not have ended otherwise. First, the characters have opposite worldviews. Bazarov rejects and despises the values on which Odintsova grew up. Odintsovo life is material wealth, stability, confidence in the future, comfort and absence of worries. Eugene is a native of the people, a future doctor, a nihilist, a proud, arrogant and harsh person. The luxury of a noble life is alien to him, but he loves trials, disputes and difficulties in order to once again prove to himself the superiority of his views and ideas over others. Secondly, Turgenev forces the hero to pass the test of love in order to show how far from reality Bazarov's beliefs are. Ivan Sergeevich believes that nihilism is unnatural, it is contrary to human nature. Therefore, love changes Eugene, disarms him before the world, turns his soul inside out.
The love story of Bazarov and Odintsova
In the work of Ivan Sergeevich Turgenev "Fathers and Sons" many important issues are touched upon, the relevance of which cannot be doubted even in our time. However, one of the most important aspects of the work is the theme of testing the love of heroes, which exposes the farthest corners of the human soul and simply opens our eyes to our world - beautiful, complex and amazing.
One of the main characters of the work "Fathers and Sons", Evgeny Vasilyevich Bazarov, was famous for his rational attitude to life. He was a nihilist, prioritized the mind, not feelings, literally "lived" his favorite thing - the study of medicine, and repeatedly spoke skeptically about poetry, and about novels, and in general about the sensual aspect of human life. Above all, Bazarov valued reason, self-sufficiency and purposefulness - everything that his life consisted of before meeting Anna Sergeevna Odintsova.
Anna Sergeevna, a wealthy widow, attracted the attention of Bazarov from the very first minutes of their acquaintance. A beautiful, stately, self-confident woman simply could not help but interest Yevgeny Vasilyevich. Bazarov fell in love. He fell in love so strongly and so reverently that he was even disappointed in his nihilistic views, and in his own system of values in general. Unfortunately, on the part of Odintsova, sympathy did not grow into either passion or love. The heroine just wanted peace - a comfortable and measured life, into which Bazarov, with his mental anguish and love, simply did not fit in any way.
Perhaps if this love was mutual, everything would be different. Yevgeny Bazarov would love life for what it is - without conventions, without the eternal denial of literally everything in the world. And perhaps Bazarov would have been disappointed in love, over time, only becoming stronger in nihilism again. We will never know.
I believe that the test of love that befell Evgeny Vasilyevich Bazarov was one of the most significant moments in his life. A person who throughout his life paid attention only to the mind, its development and comprehension, for the first time discovered for himself another, completely irrational world - the world of feelings, emotions and mental anguish. Perhaps the meeting with Anna Sergeevna became that turning point in the life of the hero, after which she seemed to be divided into two parts - the “before” part and the “after” part. Unfortunately, we will not be able to follow the further development of Bazarov, to observe what life path he would have to go through if not for his sudden death. This is the drama of the work, as well as the drama of human life itself - a sudden, such an unfair conclusion.
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Bazarov meets the young widow Anna Sergeevna Odintsova in a hotel room after the ball, at which both were present. This couple is the main one in the novel, so, for example, the love line is presented through them. Arkady introduced Bazarov to her, for Arkady it was surprising to discover that Bazarov, according to Arkady, was embarrassed, which had never happened before. This is Bazarov's first confession. Consider Anna Sergeevna, she is a young woman.
The heroine married in her youth, and the marriage was unhappy, he was old, but very rich. Due to illness and age, her husband soon died and, of course, Anna herself became the heiress. Now she is a rich widow. Anna was an extraordinary person. As soon as her husband died, she traveled all over Europe to unwind and learn a lot. Anna adhered to liberal views. When Anna returned to Russia, she was very disappointed in life in her native country. The heroine has always been a quick-witted and intelligent woman. This is how she attracted Bazarov. Odintsova understands people, is able to sensibly evaluate events. She is always in control of her feelings, because of her past life.
True happiness is peace and tranquility. Odintsova invites Evgeny Bazarov to visit her. The heroes were able to find a common language and a common language. Soon, Eugene realized that he had fallen in love, and these feelings contradict his ideas.
Feelings defeated the mind and could not cope with them. This was proof of the inconsistency of the theory. But, unfortunately, Odintsova rejects him and believes that her peace of mind is more precious than a new relationship. In the end, they part ways as friends.
Bazarov did not think about the consequences and about the future. Anna, having married again, for an unloved, but good person, acted sensibly and correctly.
Updated: 2017-12-23
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Love is an amazing feeling. When it fills a person, it makes his soul blossom. The theme of love is found in many literary works. What role does she play in the novel by I. S. Turgenev. "Fathers and Sons"? In order to answer this question, let's turn to the work.
The novel contains and describes four lines of love: Nikolai Petrovich and Fenechka, Arkady and Katya, Pavel Petrovich and Princess R., Bazarov and Odintsova.
Nikolai Kirsanov and Fenechka are undoubtedly a worthy example of tender and happy love.
Despite the different social status: he is a nobleman, she is the daughter of a housekeeper, they are together and live happily. This does not prevent them from living happily and having a child, and getting married at the end of the work. Thus, the author proves to us that the difference in class, and even more so in age, cannot be an obstacle to love.
The second line is somewhat similar to the first. It has the same happy ending. Arkady and Katya were glad to be in each other's company. I.S. Turgenev shows the inconsistency of Bazarov's theory using the example of Arkady. Kirsanov succumbs to a feeling of love and eventually abandons nihilism in favor of a calm and happy family life, repeating the example of his father.
Pavel Petrovich's love is tragic "... a man who staked his whole life on the card of female love, and when this card was killed for him, became limp and sank to the point that he was not capable of anything, such a person is not a man ...". There is some truth in Bazarov's words. Pyotr Petrovich should not have resigned and "chased" the princess. Love is indeed an important feeling, but it should not turn into an end in itself for a person, otherwise it will destroy him. A similar thing happened to Pavel Petrovich. I believe that love should bring joy, not disappointment and suffering.
Obviously, the most important line of love in the novel is Bazarov's feeling for Odintsova. The protagonist of the work is a nihilist. He denies everything: nature, art, religion, authority, beauty, including love. He considers everything from a practical point of view "... Nature is not a temple, but a workshop, and man is a worker in it ...". This happens until he meets Anna Sergeevna. Then the heart and takes precedence over his mind. Bazarov's theory begins to collapse. The author puts him to the test of love in order to show his inner conflict. The heart speaks of love, and the mind of nihilism. In the end, love wins and the hero confesses it “... Well, what can I tell you ... I loved you! ... ". he also recalls his parents “... After all, people like them cannot be found in your great light during the day with fire ...”. Bazarov's feelings for the second time prove the inconsistency of his theory, in which he himself lost faith.
Thus, love in the novel "Fathers and Sons" shows the feelings of the characters, through it their actions are manifested, it helps to understand oneself and choose the right path. All the characters in the novel are tested by love, but not all pass it.
Lyubov Bazarova and Odintsova.
The novel "Fathers and Sons" is built on the relationship between fathers and children. But here, too, the author reveals different points of view about love. How small love can turn into big love. As an independent person who does not recognize women, an egoist, he may be defenseless in front of her. This novel shows what a person can do when he meets his soul mate.
In my opinion, Bazarov's love for Odintsova was unrequited. Undoubtedly, Odintsova was pleased with Bazarov's company, she liked to listen to his opinions, to argue with him. But she never admitted to herself or to him that she loved him. Maybe she is too proud and afraid of losing her independence, so she did not confess. Or maybe she didn't love at all. In my opinion, she did not let him go and did not bring him closer to her. She was afraid of losing his company, but she didn't want to hurt his heart either.
Before meeting with Odintsova, Bazarov held a negative point of view about love and marriage. He believed that no woman is worthy of being talked about in a male society, no woman is able to subjugate him. He did not understand love, did not recognize romance. It seemed to him that only weak-willed people are capable of romance. He considered himself free, with a strong character. By nature, he was a self-confident person, straightforward. He was never shy in front of women and considered it below his dignity.
When Bazarov met with Odintsova, everything changed. He began to be shy in front of women, which was clearly noticed by his friend Arkady. At first, he did not recognize his love, but he wanted to communicate with Odintsova, romance woke up in him (which is uncharacteristic for him).
Finally, he caught himself thinking that he loved this girl, and at some point he confessed to her. He couldn't even stop himself from hugging her. But she didn't answer him yes or no.
Before his death, Bazarov wanted to see Anna and she arrived. But even when he was dying, she did not confess her love to him.
I believe that Bazarov is worthy of respect. He was able to step over himself, through his principles and confess to Odintsova in love. At that moment, he left his pride, independence in front of women and opened his soul to her. But Odintsova could not. She didn't have the willpower to do it. It seems to me that these characters are very similar to each other. Both are independent, proud, selfish. But in the end, Bazarov changes his attitude towards Odintsova, but she does not. If she had thrown away her independence and pride, then I am sure that the end of this novel would not have been so sad.
I believe that Bazarov is worthy of respect. He was able to step over himself, through his principles and confess to Odintsova in love. At that moment, he left his pride, independence in front of women and opened his soul to her. But Odintsova could not. She didn't have the willpower to do it. It seems to me that these characters are very similar to each other. Both are independent, proud, selfish. But in the end, Bazarov changes his attitude towards Odintsova, but she does not. If she had thrown away her independence and pride, then I am sure that the end of this novel would not have been so sad.
Topic: Bazarov in relations with Odintsova and Arkady.
The purpose of the lesson: 1) to trace through the text of the novel how the image of Bazarov is revealed in his love for Odintsova and in relations with Arkady,
2) develop oral speech skills, thinking, the ability to analyze what is read;
3) to form the morality of students
During the classes
I. Orgmoment
II. teacher's word
With extraordinary depth, the author reveals the powerful, direct and passionate nature of Bazarov. Reading these pages, we should think about questions that cannot but worry all of us: about true love, about Bazarov's attitude to his beloved woman. The lesson should be conducted emotionally, touching these issues with great tact, helping students understand how the author's attitude to Bazarov is revealed.
In previous eyes, Turgenev showed that his hero is invisibly higher than the people around him, differs from them in his democracy, knowledge, intelligence, fortitude. But there we noted the pages where the author argues with Bazarov, namely, with his attitude to art, nature. Telling the love story of his hero, the writer expands the polemic with him even wider, shows the failure of the romantic views of the young nihilist, makes him “feel romance in himself.” However, the author does not debunk Bazarov. He still remains a strong, great man, and here he is higher than Pavel Petrovich, because he did not put his LIFE "On the card of female love", and he loves in a different way. In the depiction of Bazarov's love, the inconsistency of Turgenev's worldview, his dual
attitude towards Bazarov, who appears before us not as a photograph of a revolutionary raznochinets, but as an image refracted through the prism of perception of a writer who did not understand much in the views and actions of revolutionary democracies.
III. Conversation.
Why did Odintsova attract Bazarov's attention?
She was beautiful, not like provincial ladies.
How does Turgenev describe her portrait?
She strikes with the “dignity of her posture”, “calmly and intelligently, it was calmly, and not thoughtfully, her bright eyes looked ... Some kind of gentle and soft power emanated from her face.”
Let us recall the dialogue between Arkady and Bazarov at the end of the fourteenth chapter.
Bazarov's remarks undoubtedly sound cynicism. Unlike the revolutionary democrats, Bazarov does not raise the question of the emancipation of women. So he declares that "only freaks think freely between women" compares a cold woman with ice cream. "However, it can be assumed that this cynicism is feigned, that it is caused by the desire to hide from Arkady and, perhaps, from himself the strong impression made on him Odintsova. After all, the next day "Arkady introduced Bazarov to her and with secret surprise noticed that he seemed to be embarrassed ... Bazarov himself felt that he was embarrassed, and he became annoyed. "That's it! You got scared!" - he thought, and, lounging in an armchair no worse than Sitnikov, he spoke with exaggerated cheekiness, and Odintsova did not take her clear eyes off him.
“The breaking of Bazarov in the first minutes of the visit had an unpleasant effect on her ...; but she immediately realized that he felt embarrassed, and this even flattered her. One vulgar thing repulsed her, and no one would reproach Bazarov for vulgarity. Responding to Odintsova's invitation, Bazarov, to Arkady's great surprise, blushed.
From what can we conclude that not only the beauty of Odintsova attracted Bazarov, but also her mind, the breadth of interests?
"The conversation lasted more than three hours, unhurried, varied and lively."
– Odintsova is a smart woman, an interesting companion. There was something else in this woman that attracted Bazarov to her.
Let us turn to the end of the fifteenth chapter (dialogue between Bazarov and Arkady).
In the words of Bazarov, mock cynicism again sounds ("Such a rich body!", "It is said - the first grade"), since it is unpleasant for him to confess the feeling that Odintsova aroused in him.
What separates Bazarov from Odintsova?
Bazarov considers her an aristocrat. “Duchess, sovereign person. She would only wear a train at the back and a crown on her head, ”he remarks ironically.
What impression did Odintsova's house make?
Bazarov is disgusted by the aristocratic spirit of this house - the lackeys, the butler.
"What grunge!" - he says, ironically using a French word - however, deliberately pronouncing it in a Russian way.
Let us pay attention to the dialogue between Bazarov and the butler.
Bazarov speaks to him with exaggerated politeness, as it was not customary to speak with servants: “There will be no orders, most respected ... unless you deign to bring a glass of vodka.” This tone, in which mockery of aristocratic customs sounds, aroused legitimate bewilderment of the butler.
IV . Reading chapter 16 (the scene of the conversation with Odintsova) from the words: (“Odintsova turned to Bazarov ...”, ending with the words: “... We must spare her ears”).
How is the manner of speaking and arguing different from arguing with Pavel Petrovich?
What words show that Bazarov considers it necessary to reorganize society?
“... Moral illnesses come from bad education, from all sorts of trifles with which people's heads are stuffed from childhood, from the ugly state of society in a word. Fix society and there will be no disease.”
To characterize Bazarov's views, the assessment that he gives to the current state of society - "ugly" - is extremely important.
Do you think Turgenev agrees with this assessment? How did he describe the situation in the country?
Turgenev, with a few strokes, but very eloquently, draws the impoverishment of the peasants, the ignorance of the people, the mismanagement of the landowners, the insignificance and bureaucracy of the highest officials. In assessing the state of society, the writer agrees with his hero.
So, in a conversation with Odintsova, Bazarov willingly expresses his views, shares his thoughts with her. This conversation is serious. concerning important and exciting issues. Consequently, contrary to his cynical statements, Bazarov sees Odintsova as a smart, understanding interlocutor.
How is Bazarov's attitude towards Odintsova gradually changing?
On the first day of his stay in Nikolskoye, he still continues to speak with ostentatious cynicism about Odintsova, but not about her appearance, but about what attracts him especially in her: “a woman with a brain”, “a grated roll”. The next morning, returning from a walk with Odintsova, he struck Arkady with the expression of his face (“although it was cheerful and even affectionate,” “Arkady did not like it”) and by the fact that, absent-mindedly, he greeted him a second time.
What does Turgenev say about Bazarov's state of mind at the beginning of chapter 17?
“In Bazarov ... an unprecedented anxiety began to appear: he was easily irritated, spoke reluctantly, looked angrily and could not sit still, as if something was tempting him.”
Soon, “Bazarov stopped talking with Arkady about Odintsova, he even stopped scolding her “aristocratic manners.”
“... In general, he talked with Arkady much less than before ... he seemed to be avoiding him, as if he was ashamed of him ...”
Why could Bazarov be ashamed of Arkady? (17 chapter).
We read an excerpt from the seventeenth chapter, starting with the words: "The real reason for all this novelty ..." and ending with the words: "... which, of course, he did not always succeed."
How does Bazarov look at love for a woman?
Bazarov argued that a person should not stake a woman's love all his life. He rightly believed that the personal tragedy of a person should not turn him into a living dead.
Bazarov did not recognize unrequited love; he understood love as a simple attraction to a beautiful woman, and he called a deeper feeling romanticism, that is, nonsense. On this, of course, we cannot agree with him. Argue with him and Turgenev. Refuting the views of his hero on love, the writer makes Bazarov experience what he himself rejected: “He would easily cope with his blood, but something else moved into him, which he did not allow, which he always mocked, which outraged the whole his pride. In conversations with Anna Sergeevna, he expressed even more than before his indifferent contempt for everything romantic; and left alone, he indignantly recognized the romance in himself.
In what episodes is the "romantic" nature of Bazarov's love clearly revealed?
Let us recall his first explanation with Odintsova in chapter 17. What is the setting in which this explanation takes place? Pay attention to the landscape.
“Bazarov got up and pushed the window. It swung open at once with a thud ... He did not expect it to open so easily; besides, his hands were trembling. The dark, soft night looked into the room with its almost black sky, faintly rustling trees and the fresh smell of free, clean air.
“Bazarov got up. The lamp burned dimly in the middle of a darkened, fragrant, secluded room, through the occasionally swaying curtain the irritable freshness of the night poured in, its mysterious whisper was heard.
The background on which the explanation of Bazarov and Odintsova takes place is a poetic picture of a summer night. Nature is drawn from the point of view of Bazarov. It was the dark, soft night that looked at him, it seemed to him that the night's "freshness" was "irritable", it was he who heard "Mysterious whispering. To Bazarov the materialist, the scientist-biologist, the rustle of leaves, the rustling of the night seem mysterious!
So, under the influence of the feeling of true love that gripped him, a romantic awakens in him, he begins to see the world in a different way.
But does Bazarov give up? Does he submit to a romantic feeling, does he betray his convictions?
No, in relations with Odintsova, he is true to himself: in what he says to her, and in how he speaks to her, one feels a struggle, an unwillingness to submit to the “ideal love” that has taken possession of him.
In the scenes of Bazarov's explanation with Odintsova, he is captivated by his stern frankness, honesty, and the absence of any kind of showmanship: “I am a positive, uninteresting person. I can't speak," he says. Bazarov does not compromise, does not adapt to the mood of Odintsova, he seems to want to tell her to everyone
his behavior: "Accept me as I really am, or do not accept at all."
"... The graceful side of life is inaccessible to me, the side that you cherish so much",- he frankly admits to his interlocutor. Directly, bluntly, he calls her an aristocrat, condemns in her that which is alien to him: "... You have spoiled yourself ... you love comfort, conveniences very much, and you are very indifferent to everything else." Note the ability to understand people, characteristic of Bazarov. Having fallen in love with Odintsova, he sees her shortcomings. He speaks directly and frankly about his feelings, without resorting to beautiful words: “On the contrary, he is rather pitiful to whom this thing happens.”(Bazarov bypasses the high word "love", replacing it with the vernacular "this thing"). To Odintsova’s question whether he could surrender completely to the feeling of love, he honestly answers: “ I don't know, I don't want to brag." Meanwhile, we see that he is capable of a great feeling. Condition: "Life for life" - seems fair to him. The author's remark also speaks of the strength of his feelings: “His heart was really breaking.”
The following lines testify to the depth of his suffering: “And Bazarov, two hours later, returned to his bedroom with boots wet from dew, disheveled and gloomy”. The next day, continuing the conversation interrupted the day before, Odintsova touches on the question of Bazarov's future. And here, again, in his words - not a shadow of panache, simplicity and the absence of even a hint of a pose. "... I am a future county doctor," - he declares. And further: “If there is a chance to do something - fine, but if it doesn’t work out - at least you will be satisfied that you didn’t chat in vain in advance.” Loud phrases jar him: “... I understand your reluctance to talk about your future activities; but what's going on in you now... - It's happening! repeated Bazarov, “as if I were some kind of state or society!”
What features of Bazarov manifested themselves in his love for Odintsova?
Courageous determination, will, directness and honesty, severe demands on oneself and others, aversion to phrases, to posturing, the ability to love deeply, deeply. Let us recall his portrait in the nineteenth chapter: “His face, stern and bilious, with lowered eyes, with an imprint of contemptuous determination in every line ...” This is a strong man, he loves deeply and suffers greatly, but he holds himself courageously, steadfastly. Let's read the end of the nineteenth chapter (from the words: "Sitting in the tarantass to Bazarov ..." to the words: "... I didn't open my mouth all the way").
We see how painfully Bazarov suffers, but he is not “limp”, like Pavel Petrovich, he is angry at his pain, he wants to win it without fail. And he remains true to his beliefs: “... It is better to beat stones on the pavement than to let a woman take possession of at least the tip of her finger,” he says.
Some critics who wrote about the novel "Fathers and Sons" argued that in the story of Bazarov's love for Odintsova, Turgenev "debunks" his hero. Do you think these critics were right?
No, Turgenev argues only with the views of Bazarov, shows the inconsistency of his "anti-romantic" beliefs, but at the same time, Bazarov's love story reveals the wonderful qualities of his personality, makes him even more attractive, shows how much he is higher than the county aristocrats, including - and cold, pampered, incapable of a strong sense of selfishness Odintsova.
It should, however, be noted that Odintsova is in many ways worthy of Bazarov. Not every woman he could love so much: and in her mind, in her experience and knowledge of life, in her strength of character, she is worthy of Bazarov. It elevates him. If Bazarov had fallen in love with an empty, insignificant woman, such love would not have aroused sympathy and respect (it was an empty, absurd, eccentric woman that Pavel Petrovich loved all his life).
V . Homework: 20, 21 chapters, cinquain
VI. Conclusions and results of the lesson
