Spring big water
The first version of the essay.
After a difficult, cold winter, nature gradually, as if reluctantly, wakes up. Drops rang out, and higher and higher above the horizon at lunchtime the sun rises. And then it becomes noticeable how clean the air is, how transparent it is. And the soul is also clean and everything is clear. And think only of the good.
But… Big water came. For nature, it is a real boon, flood meadows will receive their portion of nutrient silt, springs feeding the river will be cleaned, new whirlpools will appear in the channel where fish will settle. Yes, that's bad luck, a person who has settled closer to water throughout his history can suffer greatly from large water. It happens that some villages in the spring flood fall into isolation for a while. In this case, communication with the mainland is carried out using a boat. It was she who was depicted by Levitan in the foreground of his famous work “Spring. Big water. By this he shows us that there are times in life when even such a nondescript thing as this small boat acquires significance. Each viewer viewing the picture, involuntarily becomes a co-author of the plot.
In the distance you can see a village, of which there are many in Russia, flooded, gray, and this makes you a little sad.
The main part of the landscape is occupied by water, it is a river overflowing its banks. She flooded huge spaces, and froze in quiet expectation. The trees also stand silent, they are still bare, without foliage, and as if in a mirror are reflected in calm water in anticipation of spring warmth. And yet, the picture is filled with light,
To convey all the charm of spring, the author uses bright colors when writing a picture, uses a lot of yellow tones, from which the viewer's mood improves. Depicting water and sky, Isaac Levitan did a great job creating a huge number of blue shades, from light white to deep blue. The yellowish birch trunks, reflected in the water, give the viewer the impression of light airiness.
With great skill, a narrow strip of the coast is depicted, which, beautifully curving, takes the viewer's gaze into the distance.
Lyricism and poetry, slight sadness and faith in the good, all this is present in the works of the great landscape painter. Canvas "Spring. Big Water" conveys to us the beauty of the arrival of spring. It instills in us optimism, a desire to strive for the best, and rightfully occupies a prominent place in the work of Isaac Levitan.
Short essay description Grade 4.
Looking at the painting "Spring. Big water." I. Levitan involuntarily think about the strength and beauty of Russian nature. The artist depicted on the canvas the moment of the flood, the water flooded everything around.
In the foreground is an old, fragile boat. Apparently, it is no coincidence that she is depicted in the picture. This boat is a symbol of man's powerlessness in front of nature. But at the same time, there is nothing evil in the picture. Everything is very calm, quiet, peaceful. The birch trees, flooded with water, seem to have frozen. The smooth surface of the flooded river is clean and transparent, like a mirror. In the background we see a valley with houses where people live, perhaps a small village or farm. The water did not touch the houses, which, according to the artist, reflects the unity of man and nature.
The picture evokes the viewer a sense of patriarchy, tranquility. Notes of tenderness are present everywhere - colors, composition, plot. With this work of art, the author wanted to express his love for his native nature.
The third option for writing a description of the picture
Before me is a picture of the great Russian painter I. Levitan “Spring. Big water. Full of charm and attraction, it leads to lyrical reflections on the approaching warmth, inconstancy and indomitability of the elements.
The canvas depicts a spring landscape. Nature seems to be breathing the first truly warm days, as if it had just woken up from the winter that bound it for long days of sound sleep. A wide-spread seasonal flood flooded a small forest thicket, not yet dressed in bright green outfits.
In the foreground, near the formed bank, a boat nestled alone - the only means of transportation for the village people.
From the earth, prescribed in brown and orange tones, it breathes coolness. The spring sun has not yet warmed its surface with its rays.
The water is crystal clear, as if the surface of a mirror reflects the endless blue sky, slightly covered with a veil of clouds, foreshadowing bad weather. But, despite this, the timid rays of the sun, breaking through the dense clouds, still play with discordant highlights on the water surface. The discordant outlines of young birches and aspens in the water visually make them taller, playing with their reflections in the magical game of the looking glass. Their wavering shadows seem to dance shyly. Trees are like prisoners in the middle of the water, they look ridiculous, but nonetheless beautiful in their own way.
The mighty trunk of the maple has spread its branches like a hero, it towers over the weak, twisted birches, it is probably not the first time it has experienced a spring flood.
In the background, in the distance, you can see a couple of houses caught in the flood. They are completely alone, left until the water leaves, only their black sad roofs are visible. To the right of them, a sharp eye will find a couple more houses that misfortune bypassed. They are located on a hillock and saved themselves from the willful spring antics of nature.
Silence stands around, no person is visible. It seems that only a light breeze disturbs the calmness, playing with its gentle breath with the branches of trees.
On this canvas, Russian nature - all its power, beauty and grandeur looms in a simple but bright landscape. Shimmering with dozens of shades of various colors, the spring sorceress, having awakened all living things from sleep, seeks to open her warm embrace.
One feels great tremulous love, devotion and empathy of the artist to the Russian nature of his creation.
Painting by Isaac Levitan “Spring. Big Water" was written in 1897 and is one of the artist's most significant works.
On the canvas, we see the river at the time of the flood, when the water flooded the coastal areas - and the birch grove, and the fields, and part of the village. In the river, calm and motionless, as in a mirror, the spring blue sky, and thin bare trunks and branches of trees, are reflected, oscillating.
In the foreground - a forgotten boat, and somewhere very far away - a high bank with modest wooden huts and several flooded village buildings. Levitan skillfully painted a narrow strip of yellow-red shore - beautifully curving, he takes the viewer's gaze deep into the picture.
Each tree, graceful, quiveringly curved, is painted by the artist with love and admiration. As if alive, touchingly and trustingly expect birch trees for something good that spring will bring them. Admiring the thin birches and aspens stretching upwards, the sonorous high sky with thin clouds, as if you are dissolving in the light of this bright sunny day.
The landscape is filled with light, pure colors, typical for spring Russian nature. The color of the canvas is formed by the subtlest transitions of shades: blue, green and yellow. The most diverse is the blue color - for the image of the sky and water, Levitan chooses a wide variety of shades: from milky white to dark blue. The yellow birch trunks and their slightly trembling reflections in the water give the picture a quivering, “airiness”.
Levitan's painting “Spring. Big Water" is imbued with subtle lyricism and poetry, it is unusually musical. The canvas tells about the spring resurrection of nature, and great bright joy comes from it, filling us with optimism, calmness and the desire to live.
In addition to describing the painting by I. I. Levitan “Spring. Big Water”, our website contains many other descriptions of paintings by various artists, which can be used both in preparation for writing an essay on a painting, and simply for a more complete acquaintance with the work of famous masters of the past.
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This painting by Levitan is one of his most famous and significant works. He depicted the river during the spring flood. The water flooded everything around, it overflowed its banks a lot. There was a birch grove, a field, a village in the water. The water in the river is shown as still. It reflects, as if in a mirror, the sky and trees.
The artist depicted the sky with light colors, blue tones, which also speaks of the arrival of spring. Reflections of branches and tree trunks are visible in the water. In the foreground of the picture is a boat. In the distance, wooden huts are visible, which stand on a high bank, as well as flooded wooden buildings of local residents. Levitan showed the coast very beautifully. The artist painted it in yellow-red colors. He twists and draws attention behind him, deep into the flooded village.
You have to love nature very much, your native Russian land, sincerely admire its beauty in order to be able to show birch trees so accurately. Each tree is beautifully curved, graceful and touching. They also seem to be waiting for the arrival of spring, warmth. You involuntarily admire this landscape, thin aspens. The sky is shown high, the sun is shining brighter and warmer. From the picture it breathes spring air, still cool, but every day becoming warmer, truly spring.
The whole landscape is permeated with the sunny mood of the coming spring. The artist used only light colors, without adding bright colors. He showed that nature awakens from a long winter sleep and is filled with new life. The artist used the blue color both for the image of the sky and for the image of the river, but he did it in different shades, it turned out amazingly beautiful. Levitan also used green, yellow shades. The variety of shades is simply amazing: from milky to dark blue. When I look at this picture, either musical works or poems about spring come to mind.
Composition based on the painting by I. I. Levitan “Spring. Big water"
Goals : to promote the development in children of emotional responsiveness to spring manifestations of nature, associations with their own experience of perceiving them. To develop coherent dialogic and monologue speech of students, enriched with emotionally colored vocabulary. Cultivate love for nature, respect for it.
During the classes
1. Preparation for the perception of the work
Our land is beautiful in all seasons, and each time is beautiful in its own way. But there is a time in nature when nature awakens from its winter sleep and all lives in anticipation of heat, the sun.
The poetry of spring, the awakening of nature, the melting of snow is a favorite theme of both Russian painting and Russian literature.
Ivan Bunin. 1892.
Raging hollow water
Noisy and muffled, and drawn out.
Rooks flying herds
They shout both cheerfully and importantly.
Black mounds are smoking,
And in the morning in the warm air
thick white couples
Filled with warmth and light.
And at noon puddles under the window
So spill and shine
What a bright sunspot
The bunnies are fluttering around the hall.
Between round loose clouds
Innocently the sky is blue
And the gentle sun warms
In the lull of the Humen and courtyards.
Spring, spring! And she's all happy.
How in oblivion what do you stand
And you hear the fresh smell of the garden
And the warm smell of melted roofs.
Around the water murmurs, sparkles,
The crowing of roosters sometimes sounds
And the wind, soft and damp,
Closes eyes softly.
With extraordinary pictorial freshness and fullness, this theme was embodied in the famous canvas by I.I. Levitan "Spring. Big water.
2. Examining the painting
Look closely at the picture.
What feelings does it evoke in you?
Imagine that you are on the bank of this river. What do you feel, hear?
3. Analysis of the content of the picture
What is the name of the painting? Why?
Already in the title of the canvas, consisting of two phrases, one can not help but feel the artist's desire to briefly talk about the depicted. Such double titles, which contain a kind of condensed narrative, are characteristic of I.I. Levitan: "Evening. Golden Reach", "Village. Moonlit night”, “Sunny day. Lake”, “Autumn day. Sokolniki", "Autumn. Sunny day", "Twilight. Haystacks"... The artist seems to invite the viewer to "read" the pictorial story and be deeply imbued with the poetic feeling that inspired his brush.
What colors did the artist choose for this painting?
What colors are dominant?
What is the brightest thing in the picture?
Why are the main colors blue and yellow?
What do you think attracted the attention of the painter in this corner of nature?
What interesting things did Isaac Ilyich Levitan see?(Slide 1)
Why does water appear blue?(Slide 2)
What sky? What can you compare the clouds floating across the sky to?
What trees are in the water?
Why do trees seem so elongated and curved?
What can you say about the weather that was on the day when the artist painted the picture?
What else did the artist depict in this corner of nature?
What did he mean by that?
What feelings does this picture evoke in you?
4. Drawing up an essay plan
What can be said in the introduction?
Work with the textbook (p. 87, exercise 178)
Which sentences from the exercise can be used in the intro?
What will we write about in the main part of the essay?
What will we write in the final part of the essay?
In his book "Stories about the Russian landscape" V.N. Osokin writes: “Spring. Big Water ”is a lyric-musical poem by the artist about floods in Russian fields, about graceful girlish birches bathing in spring waters that flooded all, about the spring of light, as Prishvin later called this phenomenon, and about a lot more that I wanted to describe not prose, but in verse or recreate with music.
Sample Plan
- Artist's painting.
- Spring flood.
- Everyone is enjoying spring!
5. Lexico-orthographic preparation (base sheet)
1. High water.
High water, the river overflowed, flooded the banks, the coastal forest, the boat.
Everything is illuminated by the bright sun, the blue sky (clear, azure, bright, bottomless, boundless), merges with water, light clouds (pieces of cotton wool, white lambs), carry spring on their wings, transparent air.
3. Trees.
Slender (white-trunked) birch trees, always green spruce, reflect, look, stretch, sun glare on the birch trunks.
One birch bent to better examine itself
Look defenseless and touching
4. The mood of the picture.
Bright, festive, permeated with light, a combination of warm and cold colors (warmth of the spring sun, coolness of water), freshness, expectation of the first young greenery, a breath of breeze, creaking of branches, murmur of water, nature awakens after winter sleep.
6. Writing and proofreading essay
An example essay
Levitan's painting "Spring. Big water” nature is depicted as majestic, calm. April afternoon. Everything is lit by the gentle warmth of the sun.
The snow has melted. The water overflowed so much that it flooded all the low places, the forest, houses, sheds, birch groves. The river flows slowly. In the blue-blue water, as in a mirror, slender, like candles, bare trees are reflected. Very soon swollen sticky buds will bloom and the first lacy greens will appear.
The day is sunny and clear. Clouds resembling small lambs float across the pale blue sky. The air is clear and clean.
The birch grove, not yet dressed in foliage, is visible through and through. Pinkish branches of trees gently stand out against the blue bottomless sky.
An old boat is moored to the curving shore. Apparently, her owner was here recently and is about to come to the same place. In the distance, behind the trees, you can see coastal houses and barns flooded with high water.
The whole picture is permeated with the sparkling rays of the bright sun. Levitan managed to convey the joy of spring nature and great love for it. His story about the arrival of spring is a hope for a good summer, happiness.
Isaac Levitan is a Russian landscape painter who gave the world a large number of his wonderful works, and all of them are beautiful, without exception. Levitan's painting “Spring is big water” is also fascinating. Why the artist called his work that way, you begin to understand when you look at the picture. After all, the author captured the awakening of nature on it, exactly the moment when spring comes into its own, when the sun warms up and the snow begins to melt rapidly.
This causes the rivers to overflow their banks, which flood the adjacent territories with their waters, be it forests, meadows, villages. Just the spring flood, or as people say, the big river that comes, and Levitan depicted on the canvas “Spring is big water”.
Levitan big water description of the picture
Now I have in front of me a reproduction of Levitan's painting "Big Water" and I will have to make a description of the painting based on it. What am I going to do now.
Most of the picture is occupied by water. Wherever you look, wherever you look, we see blue, still cold, mirror-like water, in which the sky with clouds is reflected, and this makes the water seem bottomless. The water flooded the entire district and even distant buildings, perhaps these are sheds, or maybe rural houses. This is not so important, the important thing is that they are also in the water. There is also a small young grove in the water. All thin trees were "knee-deep" in the water. They are still without leaves, because the heat has only recently returned to the earth, but a little more and they will all put on beautiful green dresses.
On the left we see a strip of land. It has a yellowish color, perhaps it is clay, or maybe the bright sun flooded the earth with its light and this makes it seem bright. This piece of land only further emphasizes the blueness of the water, its transparency.
Ahead we see a boat. She is on the coast. Perhaps it was carried away by the current, or maybe someone sailed from the villagers, but now it is empty, there is no one nearby who would break the silence.
Concluding my thoughts on Levitan's painting "Spring - Big Water", which I present in the essay, I note that the author of the picture did not miss the slightest detail, depicting a sunny spring day. Here you have the trees that are reflected in the water, and the shadows that have appeared due to the sun, and the thin branches of trees that strive upwards towards the spacious sky, towards the solar warmth.
The picture itself is juicy, bright, and blinds the audience with its sunlight. And, despite the fact that the water flooded everything around, the picture evokes only positive emotions, emotions of joy and anticipation of an early real warmth.
