Write an essay-reasoning, revealing the meaning of the statement
Konstantin Georgievich Paustovsky: “There is nothing like this in life
and in our minds, which could not be conveyed by the Russian word.
Arguing your answer, give 2 (two) examples from the read text.
When giving examples, indicate the numbers of the required sentences or use
citation.
You can write a work in a scientific or journalistic style, revealing
topic on linguistic material. You can start writing with the words
.
The essay must be at least 70 words.
A work written without relying on the text read (not on this text),
Not Evaluated. If the essay is a paraphrase or
completely rewritten source code without any
comments, then such work is evaluated by zero points.
1 essay option:
I cannot but agree with the statement of K. Paustovsky, who dedicated these lines to our native language: "There is nothing in life and in our minds that could not be conveyed by the Russian word." Indeed, the Russian language is one of the most developed and richest languages in the world. What is his wealth?
The richness of any language is determined primarily wealth of vocabulary. The famous Russian scientist included more than 200 thousand words in the Dictionary of the Living Great Russian Language. An important source of speech enrichment is synonymy. Our language is very rich in synonyms - words that have a common meaning and differ in additional shades or stylistic coloring. Synonyms attract the writer or speaker in that they allow you to express your thoughts with the utmost accuracy. Thus, describing the feelings of Anna Fedotovna, the author uses the synonyms "bitterness and resentment" (sentence No. 44), "the conversation disturbed, surprised, offended" (sentence No. 33), which help the writer to more fully and comprehensively reveal the state of mind of his heroine.
The Russian language also has the richest word-formation possibilities. The ways of forming words in Russian are very diverse. One of the most productive ways is the suffix. Let's take, for example, the word "Tanya" from sentence 1. It is formed with the help of a diminutive suffix - echk, which helps the author express sympathy for the heroine of his work.
Thus, the Russian word can not only name objects, phenomena and actions, but also express feelings. (204 words)
Option 2 essay:
He was right who claimed that "... there is nothing in life and in our minds that could not be conveyed by the Russian word." Let's turn to the text.
So, in sentence 12, the author uses the word "joking". He could choose among the synonyms of this group "talked", "whispered", "consulted", but stops at the colloquial word "whistle", meaning "to whisper, to speak with each other in secret." The writer does this in order to more clearly and vividly depict what is being described.
In sentence 43, when naming children, he uses the bookish word "delegation". It doesn't seem to fit the text at all. One could write "guys", "a group of children", "envoys of the school", but Boris Vasilyev, in order to show some officiality of the visitors, chooses this very word.
Thus, I can conclude that the synonyms used by the author help to express the idea brighter, more emotionally, more accurately. (125 words)
OTHER WORKS:
1. Write an essay-reasoning, revealing the meaning of the statement of the linguist Iraida Ivanovna Postnikova: "Possessing both lexical and grammatical meaning, a word can be combined with other words, included in a sentence."
A word can be included in a sentence only when combined with other words that have lexical and grammatical meaning. I will give examples.
Firstly, in sentence 8 of K. Osipov's text, I find among the words: "library", "books", "mind", the word "food" that would seem to be inappropriate in meaning. But, used by the author in a figurative sense (“that which is a source for something”, in this case, a “source” for enriching knowledge), it is very suitable for this verbal set and is “included” in the sentence with full rights.
Secondly, sentence 25 of the text, consisting of ten words, becomes a syntactic unit only when the author of the adjective agrees with the noun in gender, number and case, puts three verbs in the past tense and singular, phraseological unit "caught on the fly", which is the predicate agrees with the subject.
Thus, I can conclude: she was right, stating that only "having both lexical and grammatical meaning, a word can be combined with other words, included in a sentence."
2. Essay on the GIA 2013 on the test 32. (According to the collection of typical examination options, edited. 36 options.) Write an essay-reasoning, revealing the meaning of the statement taken from the textbook of the Russian language: “Phraseologisms are constant companions of our speech. We often use them in everyday speech, sometimes without even noticing, because many of them are familiar and familiar from childhood.
I fully agree with the statement taken from the textbook of the Russian language: “Phraseologisms are constant companions of our speech. We often use them in everyday speech, sometimes without even noticing, because many of them are familiar and familiar from childhood. A vivid confirmation of this is the text of Albert Anatolyevich Likhanov.
Let's say he wrote that the teacher was crying when faced with "childish scolding" and a wild fight among first-graders. It will sound normal. And if we imagine that she “howled out loud”, then we immediately see a sad picture, namely the impotence, the teacher’s fear of the problem that has arisen.
Why did the teacher, having matured and gained experience, stop crying when faced with problem situations? She simply realized that “tears cannot help grief” and only hard work can eradicate childhood shortcomings. The phraseological units used in the text help accurately and expressively: “one must get down to business with rolled up sleeves”, not be afraid to “admit a mistake”, “blame a grave sin” “from a sick head to a healthy one”.
Thus, I can confidently say that if speech can be compared with the fabric of thinking, then phraseological units are its precious threads, giving the fabric a peculiar, unique coloring and brilliance. They can rightly be called pearl placers.
3. Write an essay-reasoning, revealing the meaning of the statement of the linguist Svetlana Ivanovna Lvova: “Punctuation marks have their own specific purpose in written speech. Like every note, the punctuation mark has its own specific place in the writing system, it has its own unique "character".
The world of human feelings is endless: joy, anger, sadness, fear, happiness ... In oral speech, these feelings are conveyed not only by words, but also by facial expressions, gestures, and the sound of a voice. In written speech, "only an exclamation mark serves as the bearer of a wide variety of feelings." In the text proposed for analysis, this sign occurs several times, performing various functions.
First, sentence 20 (“Glorious fellow!”) With an exclamation mark expresses Gvozdev's attitude towards Alexei Meresyev.
Secondly, in sentence 21 "What power is in this man!" this sign at the end of a sentence is used to express delight, admiration for the fortitude of a legless pilot.
Thus, I can conclude that the rights that claimed that each sign has its own "character". And the exclamation point in the text is a prime example of this!
4. Write an essay-reasoning, revealing the meaning of the statement of the linguist Alexander Alexandrovich Reformatsky: “What in the language allows it to fulfill its main role - the function of communication? It's the syntax."
Syntax studies the structure of coherent speech, which means that it is this section of the language that helps to solve the function of communication.
An important syntactic device is the dialogue (the form of speech in which communication takes place), which is presented in the text of L. Panteleev very widely. I will give examples.
Sentences 39 - 40 ("-I am a sergeant ... - And I am a major ..."), which are replicas of the dialogue, are distinguished by the brevity of the statement, characteristic of colloquial speech.
In the replicas of the dialogue I find several references that help in the process of communication to designate the person to whom the speech is addressed. For example, in sentence 37:
Comrade guard, - said the commander.
Thus, I can conclude that the linguist was right: the syntax presented in this text in the form of a dialogue, calls, allows you to perform the communicative function of the language.
Write an essay-reasoning, revealing the meaning of the statement of Konstantin Georgievich Paustovsky: "There is nothing in life and in our minds that could not be conveyed by the Russian word."
Essay-reasoning 1
I understand the statement of K. G. Paustovsky as follows. There is no object in the universe for which a person would not come up with a word. With the help of the word, he named not only objects, but also any action and state. The Russian word is especially rich in designating phenomena. I will give examples from the text.
The author uses the colloquial word "huddle" to convey what the children felt when they were close together (sentence 2).
And to determine the state of the poor mother, who was deprived of the most precious thing, the letters of the deceased son, in sentence 52 the writer uses gradation: “He died, died, died ...” This stylistic figure enhances the semantic and emotional meaning of what the elderly woman felt.
Thus, I can conclude that K. G. Paustovsky was right when he stated that “... there is nothing in life and in our minds that could not be conveyed by the Russian word.
Essay-reasoning 2
I cannot but agree with the statement of K. Paustovsky, who dedicated these lines to our native language: "There is nothing in life and in our minds that could not be conveyed by the Russian word." Indeed, the Russian language is one of the most developed and richest languages in the world. What is his wealth?
The richness of any language is determined primarily by the richness of the dictionary. The famous Russian scientist V.I. Dahl included more than 200 thousand words in the Dictionary of the Living Great Russian Language. An important source of enrichment of speech is synonymy. Our language is very rich in synonyms - words that have a common meaning and differ in additional shades or stylistic coloring. Synonyms attract the writer or speaker in that they allow you to express your thoughts with the utmost accuracy. Thus, describing the feelings of Anna Fedotovna, the author uses the synonyms "bitterness and resentment" (sentence No. 44), "the conversation disturbed, surprised, offended" (sentence No. 33), which help the writer to more fully and comprehensively reveal the state of mind of his heroine.
The Russian language also has the richest word-formation possibilities. The ways of forming words in Russian are very diverse. One of the most productive ways is the suffix. Let's take, for example, the word "Tanya" from sentence 1. It is formed with the help of a diminutive suffix -echk, which helps the author express sympathy for the heroine of his work.
Thus, the Russian word can not only name objects, phenomena and actions, but also express feelings.
Step by step instructions for writing an essay.
Step 1. Get to know the statement
Attentively read language statement. make sense of his. Highlight keywords.
Step 2. Determine the main idea of the statement
Find out what language properties about which linguistic phenomena is spoken in the sentence.
Sample Answers:
about the richness, expressiveness, accuracy of Russian speech;
about the means of expressing thoughts;
about the role of epithets, metaphors, personifications, comparisons, synonyms, antonyms, phraseological units, etc.;
about the relationship of vocabulary and grammar;
about the role of syntax in human communication;
about the flexibility of the Russian punctuation system and the functions of punctuation marks, etc.
Step 3. Making out the introduction
The intro must:
express your attitude To her.
characterizes
reasoning
notes
proves
compares
compares
opposes
calls
describes
disassembles
emphasizes
refers to...
stops at...
reveals the content
notes the importance
formulates
concerns
claims
thinks that...
For Expressionyour attitude the following words can be used for the author's position:
really
In fact
I fully agree with...
have to agree with...
Remember that the introduction should be approximately from 2-3 sentences.
Can apply citation, For example:
K. G. Paustovsky said: "There is nothing in life and in our minds that could not be conveyed by the Russian word." Indeed, words most accurately, clearly and figuratively express the most complex thoughts and feelings of people, all the diversity of the surrounding world..
Can be dispensed with without quoting, For example:
Language is one of the miracles with which people convey the subtlest shades of thought. The great Russian writer K. Paustovsky argued that the Russian word can not only name objects, phenomena and actions, but also express ideas, thoughts, feelings. I cannot but agree with the opinion of the author of the statement.
I understand the statement of K. G. Paustovsky as follows: there is no object in the universe for which a person would not have invented the word. With the help of the word, we name not only objects, but also any action and state. The Russian word is especially rich in designating phenomena. I share the point of view of the Russian writer.
In the statement of K. G. Paustovsky, my attention was drawn to the idea that in the rich Russian language one can find words to express the whole diversity of the surrounding world and the inner world of a person.
Step 4. Writing the body
The main part can be started with the following words
Let's take a closer look at the words in the text ... (we call the name of the author of the text)
Let's turn to the text of the Russian writer ... (surname of the author of the text)
Let's prove this idea with examples from the text...
Let's try to reveal the meaning of the thesis on examples taken from the text...
Study carefully evaluation criteria argument examples:
examples should be 2;
examples should be from the specified text;
giving an example, it is necessary not only name linguistic phenomenon, but explain its meaning And indicate the role in the text.
When designing examples, you can use the introductory words "firstly", "secondly", etc. Don't forget they separate comma.
Step 5. We write the conclusion.
In the final part of the essay, conclusion from all that has been said. As a rule, the conclusion says the same thing as the introduction, but in different words.
You can start the conclusion with the following words and phrases:
Hence, ...
As a result, you can come to the following conclusion: ...
In conclusion, we can say that...
We make sure that...
Summarizing what has been said...
It follows that...
Thus, ...
For example:
Thus, the above examples confirm the idea of K.G. Paustovsky that in the Russian language one can find the right words to express the most complex thoughts and various shades of feelings.
Summing up what has been said, I want to note that epithets play an important role in a literary text: they contribute to a more complete, accurate, vivid and figurative transmission of the shades of thoughts, feelings and assessments of the author of the text.
Overall plan:
2. Argumentation:
a) argument-example No. 1;
b) argument-example No. 2.
We start each part from the red line, t o there should be in your essay at least 3 paragraphs. A better 4, because The 2nd part can be divided into 2 paragraphs according to the number of example arguments.
Points are deducted for missing paragraphs.
Quotes
Paustovsky Konstantin Georgievich
Paustovsky Konstantin Georgievich (1892 - 1968) - Russian, Soviet writer.
Cherish love like a precious thing
Quote from the book of Paustovsky K.G. "A Tale of Life" (Restless Youth) (1954). The old man says to the main character (author) -
"- Let me give you an old man's advice. Take care of love as a precious thing. Once you treat love badly, the next one will definitely be flawed."
Have mercy on the imagination! Don't avoid it
An expression from the book of Paustovsky K.G. "Tale of Life" "Throw to the South" (1959-1960) -
"But still, have mercy on the imagination! Do not avoid it. Do not chase, do not rebuke and above all do not be ashamed of it like a poor relative. This is the beggar who hides the innumerable treasures of Golconda."
In literature, as always, there is a war between Scarlet and Gray Rose!
The expression belongs to the writer Paustovsky K.G. His son, Vadim Paustovsky, writes in the preface to the book "The Tale of Life" "Time of Great Expectations" (1958) -
“It was the father who owned the aphorism known at one time about the situation in our literature. Comparing writers with knights who fought wars between adherents of the orders of the Scarlet and White Roses in medieval England, he said:
"In literature, as always, there is a war going on between Scarlet and Gray Rose!"
The War of the Scarlet and White Roses was a series of armed dynastic conflicts in 1455-1485 in the struggle for power between supporters of the two branches of the English Plantagenet dynasty - Lancaster and York.
The war ended with the victory of Henry Tudor of the House of Lancaster, who founded a dynasty that ruled England and Wales for 117 years. Roses were the distinctive badges of the two warring parties. The white rose, symbolizing the Virgin, was used as a distinctive sign by the first Duke of York, Edmund Langley, in the 14th century.
The scarlet rose became the symbol of the Plantagenet-Lancaster dynasty during the war. Perhaps it was invented as a counterweight to the emblem of the enemy. The expression "War of the Scarlet and White Roses" came into use in the 19th century, after the publication of the story "Anna of Geierstein" by Sir Walter Scott.
Scott chose the name based on a fictional scene in William Shakespeare's play Henry VI, Part I, where the opposing sides choose their different colored roses in the Temple Church.
How little a person needs for happiness when there is no happiness, and how much is needed as soon as it appears
Quote from the work of Paustovsky K.G. Distant Years (Restless Youth) (1954). The author describes a boy who does not have his own home, who was left by his parents. Paustovsky argues -
"I thought how little a person needs in the end to be happy when there is no happiness, and how much is needed as soon as it appears."
Only touch beauty with a careless hand - it will disappear forever
An expression from the book of Paustovsky K.G. "A Tale of Life" "The Book of Wanderings" (1963).
These words are spoken by the writer M.M. Prishvin Paustovsky K.G. He reproached Paustovsky K.G. for the fact that he popularized Meshchera too much, as a result, crowds of tourists poured in there:
“You know what you have done with your enthusiasm for Meshchera!” he said to me with reproach and condemnation, like a careless boy. “Hundreds of summer cottages are already being built in your quiet Solotcha for the inhabitants of Ryazan. Go now to the meadows and find at least one blooming spurr.
Look! Hell, you'll find him! Only touch beauty with a careless hand - it will disappear forever. Contemporaries, perhaps, will be grateful to you, but the children of your children are unlikely to bow for this. And how much strength was in this very Meshchera for the development of a lofty folk spirit, folk poetry! You are an imprudent person, my dear. They did not save their Berendey's kingdom.
Yes, the spur is now in Meshchera, perhaps, you will not find it in the daytime with fire.
Nothing in life comes back but our mistakes
Quote from the work of Paustovsky K.G. Distant Years (Restless Youth) (1954). These are the words of Father Paustovsky -
“There was a sense and expediency in the fact that the past is irreversible. I was convinced of this later, when I made two or three attempts to re-experience what had already been experienced.
“Nothing comes back in life,” my father used to say, “except our mistakes.”
And the fact that nothing really repeated in life was one of the reasons for the deep attractiveness of existence.
Konstantin Georgievich Paustovsky(May 31, 1892 - July 14, 1968) lived a hard but honest life. He was born on the same day as another Soviet classic - Leonid Leonov. They were both nominated for the Nobel Prize in Literature at different times. But the author of the Golden Rose still had more chances to get it ...
“Surprisingly, Paustovsky managed to live through the time of insane praise of Stalin and not write a word about the leader of all times and peoples. He managed not to join the party, not to sign a single letter or appeal stigmatizing anyone. He struggled to remain and therefore remained himself, ”wrote his literary secretary Valery Druzhbinsky about Konstantin Georgievich.
We selected 10 quotes from the writer's works:
- Good taste is first of all a sense of proportion. "Golden Rose"
- He is not a writer who has not added at least a little vigilance to a person's vision. "Golden Rose"
- It is better to love from afar, but love is necessary, otherwise - the cover. That's how to wander and everywhere - in trains, on steamboats, streets, at noon and at dawn - to think about beautiful things, unwritten books, to fight, to perish, to waste oneself. "Romantics"
- The ability to feel sadness is one of the properties of a real person. One who is devoid of the feeling of sadness is just as pathetic as the person who does not know what joy is, or who has lost the sense of humor. "Restless Youth"
- People usually go into nature as if they are on vacation. I thought that life in nature should be a permanent state of man. "Restless Youth"
- To pull out of a person his innermost dream - that's the task. And it's hard to do so. Nothing a person hides so deeply as a dream. Perhaps because she cannot bear the slightest ridicule, even a joke, and certainly cannot bear the touch of indifferent hands. Only a like-minded person can believe a dream with impunity. "Golden Rose"
- Prose, like life itself, is great and varied. Sometimes it is necessary to tear whole pieces out of old prose and insert them into new prose in order to give it full vitality and strength. "Throw South"
- The Russian language exists like a collection of the greatest poetry, as unexpectedly rich and pure as a blazing starry sky over a wooded wasteland. "Book of Wanderings"
- Never put letters from women you love in books. "Romantics"
- Almost everyone passes away without having accomplished even a tenth of what he could have accomplished. "Time of Great Expectations"
Cherish love like a precious thing. Once you mistreat love, the next one will definitely be flawed.
The richness of associations speaks of the richness of the writer's inner world.
In a true writer's vocation, there are absolutely no qualities that cheap skeptics ascribe to him - no false pathos, no pompous consciousness by the writer of his exceptional role.
In every field of human knowledge there is an abyss of poetry.
There is no excuse for people that a drunk person becomes worse than the dirtiest cattle.
Inspiration is like first love, when the heart beats loudly in anticipation of amazing meetings, unimaginably beautiful eyes, smiles and omissions.
Inspiration is a strict working state of a person.
Inspiration enters us like a radiant summer morning that has just thrown off the mists of a quiet night, spattered with dew, with thickets of wet foliage. It gently breathes its healing coolness into our faces.
Imagination born of life, in turn, sometimes gains power over life.
A genius is so inwardly rich that any topic, any thought, incident or object causes him an inexhaustible stream of associations.
I deeply love nature, the strength of the human spirit and the real human dream. And she is never loud ... Never! The more you love her, the deeper you hide in your heart, the more you protect her.
The voice of conscience and faith in the future do not allow a true writer to live on earth like an empty flower, and not to convey to people with full generosity all the huge variety of thoughts and feelings that fill him.
The writer's job is to convey or, as they say, convey his associations to the reader and evoke similar associations in him.
The business of the artist is to resist suffering with all his strength, with all his talent.
The job of an artist is to create joy.
If a person's ability to dream is taken away, then one of the most powerful incentives that give rise to culture, art, science and the desire to fight for the sake of a beautiful future will disappear.
An idea, like lightning, arises in a person's mind, saturated with thoughts, feelings and memory notes. All this accumulates gradually, slowly, until it reaches the degree of tension that requires an inevitable discharge. Then all this compressed and somewhat chaotic world gives birth to lightning - an idea.
Knowledge of all related areas of art - poetry, painting, architecture, sculpture and music - unusually enriches the inner world of the prose writer and gives special expressiveness to his prose. The latter is filled with the light and colors of painting, the capacity and freshness of words characteristic of poetry, the proportionality of architecture, the convexity and clarity of the lines of sculpture, and the rhythm and melody of music. All these are additional riches of prose, as if its additional colors.
Knowledge is organically linked to human imagination. This seemingly paradoxical law can be expressed as follows: the power of imagination increases with the growth of knowledge.
Art creates good people, shapes the human soul.
Every minute, every word and glance thrown by chance, every deep or playful thought, every imperceptible movement of the human heart, as well as the flying fluff of a poplar or the fire of a star in a puddle at night, are all grains of gold dust.
Each person, at least several times in his life, has experienced a state of inspiration - spiritual uplift, freshness, a vivid perception of reality, the fullness of thought and consciousness of his creative power.
Whoever has not experienced excitement from the barely audible breathing of a sleeping young woman will not understand what tenderness is.
We must be the masters of the art of all times and all countries.
We, writers, have been extracting them for decades, these millions of grains of sand, collecting them imperceptibly for ourselves, turning them into an alloy and then forging our “golden rose” from this alloy - a story, a novel or a poem.
We need dreamers. It's time to get rid of the mocking attitude to this word. Many still do not know how to dream, and perhaps that is why they cannot become on a level with time.
Our criticism tends to exaggerate everything, both good and bad.
Our creativity is intended so that the beauty of the earth, the call to struggle for happiness, joy and freedom, the breadth of the human heart and the power of the mind prevail over darkness and sparkle like the never-setting sun.
Let's not talk about love, because we still don't know what it is. Maybe it's thick snow falling all night, or winter streams where trout splash. Or is it laughter, and singing, and the smell of old resin before dawn, when the candles are burning out and the stars are pressed against the panes to shine in the eyes. Who knows? Maybe these are men's tears about what the heart once expected: about tenderness, about caress, incoherent whispering in the middle of forest nights. Maybe it's the return of childhood. Who knows?
Ignorance makes a person indifferent to the world, and indifference grows slowly but irreversibly, like a cancerous tumor.
You can't lose your sense of calling. It cannot be replaced by either sober calculation or literary experience.
There is nothing happier in the world than agreement between close people, and nothing more terrible than dying love, which is not deserved, inexplicable by anyone who loves...
There are no such sounds, colors, images of thoughts - complex and simple - for which there would not be an exact expression in our language.
You need to give freedom to your inner world, open all the floodgates for it, and suddenly see with amazement that there are much more thoughts, feelings and poetic power in your mind than you expected.
One of the foundations of writing is a good memory.
The expectation of happy days is sometimes better than these very days.
The dazzling sun of imagination lights up only at the touch of the earth. It cannot burn in the void. It fades away in her.
The feeling of life as continuous novelty is the fertile soil on which art flourishes and matures.
Writers cannot for a moment surrender to adversity and retreat in front of obstacles. Whatever happens, they must continuously do their job, bequeathed to them by their predecessors and entrusted by their contemporaries.
A writer who has fallen in love with the perfection of classical architectural forms will not allow heavy and clumsy composition in his prose. He will seek the proportionality of the parts and the severity of the verbal pattern. He will avoid an abundance of prose-diluting ornaments - the so-called ornamental style.
Writing is not a craft or an occupation. Writing is a calling.
The impulse to creativity can be as easily extinguished as it arose if left without food.
Poetry has one amazing property. She returns the word to its original, virgin freshness. The most erased, completely “spoken” words by us, having completely lost their figurative qualities for us, living only as a verbal shell, in poetry begin to sparkle, ring, and smell sweet!
The poetic perception of life, everything around us is the greatest gift that we have inherited from childhood. If a person does not lose this gift during long sober years, then he is a poet or a writer.
Nature will act on us with all its power only when we bring our human element into the sensation of it, when our state of mind, our love, our joy or sadness come into full conformity with nature and it will no longer be possible to separate the freshness of the morning from the light of loved ones. eye and the measured noise of the forest from reflections on the life lived.
The rhythm of prose is never achieved artificially. The rhythm of prose depends on talent, on a sense of language, on a good “writing ear”. This good ear is to some extent in contact with the musical ear.
Our deepest regret is the excessive and unjustified swiftness of time ... Before you have time to come to your senses, youth is already fading and eyes are dimming. Meanwhile, you have not yet seen even a hundredth of the charm that life has scattered around.
The heart, imagination and mind are the environment where what we call culture is born.
Consciousness remains unchanged in its essence, but during the work it causes whirlwinds, flows, cascades of new thoughts and images, sensations and words. Therefore, sometimes a person himself is surprised at what he wrote.
The wear and tear of prose is often the result of a writer's cold blood, a formidable sign of his mortification. But sometimes it's just inability, indicating a lack of culture.
There is a kind of law of influence of the writer's word on the reader. If the writer, while working, does not see behind the words what he writes about, then the reader will not see anything behind them. But if the writer sees well what he writes about, then the simplest and sometimes even erased words acquire novelty, act on the reader with striking force and evoke in him those thoughts, feelings and states that the writer wants to convey to him.
The creative process in its very course acquires new qualities, becomes more complex and richer.
Only writers with a gift for improvisation can write without a preliminary plan.
He is not a writer who has not added at least a little vigilance to a person's vision.
One who is devoid of the feeling of sadness is just as pathetic as a person who does not know what joy is, or who has lost the sense of humor. The loss of at least one of these properties indicates an irreparable spiritual limitation.
Love has a thousand aspects, and each of them has its own light, its own sadness, its own happiness and its own fragrance.
A person must be smart, simple, fair, brave and kind. Only then does he have the right to bear this high title - Man.
The clearer the air, the brighter the sunlight. The more transparent the prose, the more perfect its beauty and the stronger it resonates in the human heart.
