2. Paper plastics in terms of creativity is very similar to sculpture. But, in paper plastic, all products are empty inside, all products are shells of the depicted object. And in sculpture, either the volume is increased with additional elements, or the excess is removed (cut off).
Examples: http://stranamasterov.ru/taxonomy/term/462
3. Corrugated tubes - this is the name of the technique for making products, in which corrugated paper tubes are used to decorate surfaces or to create three-dimensional figures. Corrugated tubes are obtained by winding a strip of paper on a stick, pencil or knitting needle, followed by compression. The compressed corrugated tube holds its shape well and has many options for execution and use.
Examples:
4. Quilling (from the English quilling - from the word quil "bird feather") - the art of paper rolling. It originated in medieval Europe, where nuns created medallions by twisting paper strips with gilded edges on the tip of a bird's feather, which created an imitation of a gold miniature.
Examples:
4. Origami (from Japanese letters: “folded paper”) is the ancient art of folding paper figures. The art of origami has its roots in ancient China, where paper was discovered.
Examples:
Kinds:
- Kirigami - a type of origami that allows the use of scissors and paper cutting in the process of making a model. This is the main difference between kirigami and other paper folding techniques, which is emphasized in the name: kiru - cut, kami - paper.
Pop-up is a whole trend in art. This technique combines elements of techniques.
- Kirigami and Cutouts and allows you to create three-dimensional designs and postcards that fold into a flat figure.
Examples:
- Kusudama (Japanese: "medicine ball") - a paper model, which is usually (but not always) formed by sewing together the ends of many identical pyramidal modules (usually stylized flowers folded from a square sheet of paper), so that a spherical body is obtained forms. Alternatively, individual components can be glued together (for example, the kusudama in the bottom photo is completely glued, not sewn). Sometimes, as a decoration, a tassel is attached from below.
The art of kusudama comes from an ancient Japanese tradition where kusudama was used for incense and a mixture of dry petals; these may have been the first true bouquets of flowers or herbs. The word itself is a combination of the two Japanese words kusuri (medicine) and tama (ball). Currently, kusudami are usually used for decoration or as gifts.
Kusudama is an important part of origami, particularly as a precursor to modular origami. It is often confused with modular origami, which is incorrect, since the elements that make up kusudama are sewn or glued, and not nested into each other, as modular origami suggests.
Examples:
- Origami from circles - folding origami from a paper circle. Usually, an appliqué is then glued from the folded parts.
Examples:
- Origami modular - the creation of three-dimensional figures from triangular origami modules - invented in China. The whole figure is assembled from many identical parts (modules). Each module is folded according to the rules of classic origami from one sheet of paper, and then the modules are connected by nesting them into each other. The resulting friction force does not allow the structure to disintegrate.
Examples:
5. Papier-mâché (French papier-mâché “chewed paper”) is an easily shaped mass obtained from a mixture of fibrous materials (paper, cardboard) with adhesives, starch, gypsum, etc. Papier-mâché is used to make dummies , masks, teaching aids, toys, theatrical props, boxes. In some cases, even furniture.
In Fedoskino, Palekh, Kholui papier-mâché is used to make the basis for traditional lacquer miniatures.
You can decorate a papier-mache blank not only with paints, painting like famous artists, but using decoupage or assemblage.
Examples:
7. Embossing (another name is "embossing") - mechanical extrusion that creates images on paper, cardboard, polymeric material or plastic, foil, parchment (the technique is called "parchment", see below), as well as on leather or birch bark, in which the material itself is embossed with a convex or concave stamp with or without heating, sometimes with the additional use of foil and paint. Embossing is carried out mainly on book covers, postcards, invitation cards, labels, soft packaging, etc.
This type of work can be determined by many factors: force, texture and thickness of the material, the direction of its cutting, layout and other factors.
Examples:
Kinds:
- Parchment - parchment paper (thick waxed tracing paper) is processed with an embossing tool and becomes convex and whitens during processing. In this technique, interesting postcards are obtained, and this technique can also be used to design a scrappage.
Examples:
- Texturing - applying an image using a cliche on a smooth material, usually metallized paper, in order to simulate foil stamping. Also used to imitate the skin of certain breeds (for example, a cliché with a pattern that imitates the skin of a crocodile, etc.)
* Techniques related to weaving:
Man learned weaving much earlier than pottery. At first, he wove dwellings (roofs, fences, furniture), all kinds of baskets for various needs (cradles, tuesas, wagons, turtles, baskets) and shoes from long flexible branches. Man has learned to braid his hair.
With the development of this type of needlework, more and more different materials for application appeared. It turned out that you can weave from everything that comes across: from vines and reeds, from ropes and threads, from leather and birch bark, from wire and beads, from newspapers .... Such weaving techniques as weaving, weaving from birch bark and reeds appeared. , tatting, macrame knot weaving, bobbin weaving, beading, ganutel, kumihimo cord weaving, chain mail weaving, net weaving, Indian mandala weaving, their imitations (weaving from paper strips and candy wrappers, weaving from newspapers and magazines) ...
As it turned out, this type of needlework is still popular, because using it, you can weave a lot of beautiful and useful things, decorating our home with them.
Examples:
1. Beading, like the beads themselves, has a long history. The ancient Egyptians were the first to learn how to weave necklaces from beaded threads, string bracelets and cover women's dresses with beaded nets. But only in the 19th century did the real flourishing of bead production begin. For a long time, the Venetians carefully guarded the secrets of creating a glass miracle. Craftsmen and craftswomen decorated clothes and shoes, purses and handbags, cases for fans and eyeglasses, as well as other elegant things with beads.
With the advent of beads in America, the natives began to use it instead of traditional Indian familiar materials. For ritual belt, cradle, headband, basket, hairnet, earrings, snuff boxes..
In the Far North, beaded embroidery was used to decorate fur coats, high fur boots, hats, reindeer harness, leather sunglasses...
Our great-grandmothers were very inventive. Among the huge variety of elegant trinkets, there are amazing items. Brushes and cases for chalk, cases for a toothpick (!), an inkwell, a pen and a pencil, a collar for your favorite dog, a cup holder, lace collars, Easter eggs, chess boards and much, much, much more.
Examples:
2. Ganutel - exclusive Maltese needlework. It is in the monasteries of the Mediterranean that this technique of creating beautiful flowers to decorate the altar has been preserved to this day.
The ganutel uses thin spiral wire and silk threads to wind parts, as well as beads, pearls or seed beads. Brilliant flowers are elegant and light.
In the 16th century, a spiral wire made of gold or silver was called in Italian “canutiglia”, and in Spanish “canutillo”, in Russian this word probably transformed into “gimp”.
Examples:
3. Macrame (from Arabic - braid, fringe, lace or from Turkish - scarf or napkin with fringe) - nodular weaving technique.
The technique of this nodular weaving has been known since antiquity. According to some reports, macrame came to Europe in the VIII-IX centuries from the East. This technique was known in Ancient Egypt, Assyria, Iran, Peru, China, Ancient Greece.
Examples:
4. Weaving lace on bobbin. In Russia, the Vologda, Yelets, Kirov, Belevsky, Mikhailovsky crafts are still known.
Examples:
5. Tatting is a woven nodular lace. It is also called shuttle lace, because this lace is woven with a special shuttle.
Examples:
* Techniques related to painting, various types of painting and creating images:
Drawing is a genre in the visual arts and a corresponding technique that creates a visual image (image) on a surface or object using graphic means, drawing elements (as opposed to pictorial elements), mainly from lines and strokes.
For example: charcoal drawing, pencil drawing, ink and pen drawing...
Painting - a type of fine art associated with the transmission of visual images by applying paints to a solid or flexible base; creating an image using digital technology; as well as works of art made in such ways.
The most common works of painting are made on flat or almost flat surfaces, such as canvas stretched on a stretcher, wood, cardboard, paper, treated wall surfaces, etc. Paintings also include images painted on decorative and ceremonial vessels. whose surfaces can have complex shapes.
Examples:
1. Batik - hand-painted on fabric using reserve compositions.
The batik technique is based on the fact that paraffin, rubber glue, as well as some other resins and varnishes, when applied to a fabric (silk, cotton, wool, synthetics), do not allow paint to pass through - or, as the artists say, "reserve" from staining individual sections of the fabric.
There are several types of batik - hot, cold, nodular, free painting, free painting using saline, shibori.
Batik - batik is an Indonesian word. Translated from Indonesian, the word "ba" means cotton fabric, and "-tik" means "dot" or "drop". Ambatik - draw, cover with drops, hatch.
Painting "batik" has long been known among the peoples of Indonesia, India, etc. In Europe - since the twentieth century.
Examples:
2. Stained glass (lat. Vitrum - glass) is one of the types of decorative art. Glass or other transparent material is the base material. The history of stained-glass windows begins from ancient times. Initially, glass was inserted into a window or doorway, then the first mosaic paintings and independent decorative compositions appeared, panels made from colored pieces of glass or painted with special paints on plain glass.
Examples:
3. Blowing - a technique based on blowing paint through a tube (on a sheet of paper). This ancient technique was traditional both for the creators of ancient images (bone tubes were used).
Modern tubes for juice are no worse in use. They help to blow recognizable, unusual, and sometimes fantastic drawings from a small amount of liquid paint onto a sheet of paper.
4. Guilloche - the technique of manually burning an openwork pattern on fabric using a burning apparatus was developed and patented by Zinaida Petrovna Kotenkova.
Guilloche requires precision in work. It should be made in a single color scheme and correspond to the ornamental style of a given composition.
Napkins, panels with appliqués, bookmarks for books, handkerchiefs, collars - all this and much more that your imagination will tell you, will decorate any home!
Examples:
5. Grattage (from the French gratter - scrape, scratch) - scratching technique.
The drawing is highlighted by scratching with a pen or a sharp instrument on paper or cardboard filled with ink (so that it does not blur, you need to add a little detergent or shampoo, just a few drops).
Examples:
6. Mosaic is one of the most ancient arts. This is a way to create an image from small elements. Putting together the puzzle is very important for the mental development of the child.
It can be from different materials: bottle caps, beads, buttons, plastic chips, wooden saw cuts of twigs or matches, magnetic pieces, glass, ceramic pieces, small stones, shells, thermo-mosaic, Tetris-mosaic, coins, pieces of fabric or paper, grain, cereals, maple seeds, pasta, any natural material (cone scales, needles, watermelon and melon seeds), pencil shavings, bird feathers, etc.
Examples:
7. Monotype (from the Greek monos - one, single and tupos - print) - one of the simplest graphic techniques.
On a smooth surface of glass or thick glossy paper (it should not let water through) - a drawing is made with gouache paint or paints. A sheet of paper is placed on top and pressed against the surface. The result is a mirror image.
Examples:
8. Thread graphics (thread, thread image, thread design) - a graphic image made in a special way with threads on cardboard or other solid base. Thread graphics are also sometimes called isography or cardboard embroidery. You can also use velvet (velvet paper) or thick paper as a base. Threads can be ordinary sewing, woolen, floss or others. You can also use colored silk threads.
Examples:
9. Ornament (Latin ornamentum - decoration) - a pattern based on the repetition and alternation of its constituent elements; designed to decorate various items (utensils, tools and weapons, textiles, furniture, books, etc.), architectural structures (both from the outside and in the interior), works of plastic arts (mainly applied), among primitive peoples as well the human body itself (coloring, tattoo). Associated with the surface that it decorates and visually organizes, an ornament, as a rule, reveals or accentuates the architectonics of the object on which it is applied. The ornament either operates with abstract forms or stylizes real motifs, often schematizing them beyond recognition.
Examples:
10. Print.
Kinds:
- Sponge printing. For this, both a sea sponge and a regular one intended for washing dishes are suitable.
Examples:
Wood is usually used as the starting material for stamping with a cliche print, so that it is convenient to take it in hand. One side is made even, because. cardboard is pasted on it, and patterns on cardboard. They (patterns) can be from paper, from a rope, from an old eraser, from root crops ...
- Stamp (stamping). Wood is usually used as the starting material for stamping with a cliche print, so that it is convenient to take it in hand. One side is made even, because. cardboard is pasted on it, and patterns on cardboard. They (patterns) can be from paper, from a rope, from an old eraser, from root crops, etc.
Examples:
11. Pointillism (fr. Pointillisme, literally “dottedness”) - a style of writing in painting that uses pure paints that do not mix on the palette, applied in small strokes of a rectangular or round shape, based on their optical mixing in the eye of the viewer, in contrast to mixing paints on the palette. Optical mixing of three primary colors (red, blue, yellow) and pairs of additional colors (red - green, blue - orange, yellow - violet) gives a much greater brightness than a mechanical mixture of pigments. Mixing colors with the formation of shades occurs at the stage of perception of the picture by the viewer from a distance or in a reduced form.
Georges Seurat was the founder of the style.
Another name for pointillism is divisionism (from Latin divisio - division, crushing).
Examples:
12. Drawing with palms. It is difficult for small children to use a paint brush. There is a very exciting activity that will give the child new sensations, develop fine motor skills of the hands, and provide an opportunity to discover a new and magical world of artistic creativity - this is drawing with the palms. Drawing with their hands, little artists develop their imagination and abstract thinking.
Examples:
13. Drawing with leaf prints. Having collected various fallen leaves, smear each leaf with gouache from the side of the veins. The paper you are going to print on can be colored or white. Press the sheet with the painted side against the sheet of paper, carefully remove it, taking the "tail" (petiole). This process can be repeated over and over. And now, having finished the details, you already have a butterfly flying over the flower.
Examples:
14. Painting. One of the most ancient types of folk crafts, which for several centuries have been an integral part of everyday life and the original culture of the people. In Russian folk art, there are a large number of varieties of this type of arts and crafts.
Here are some of them:
- Zhostovo painting - an old Russian folk craft, originated at the beginning of the 19th century, in the village of Zhostovo, Mytishchi district, Moscow region. It is one of the most famous types of Russian folk painting. Zhostovo trays are painted by hand. Usually bouquets of flowers are depicted on a black background.
- Gorodets painting - Russian folk art craft. It has existed since the middle of the 19th century. near the city of Gorodets. Bright, laconic Gorodets painting (genre scenes, figurines of horses, roosters, floral patterns), made with a free brushstroke with white and black graphic strokes, adorned spinning wheels, furniture, shutters, and doors.
- Khokhloma painting - an old Russian folk craft, born in the 17th century in the district of Nizhny Novgorod.
Khokhloma is a decorative painting of wooden utensils and furniture, made in black and red (and, occasionally, green) on a golden background. When painting a tree, silver tin powder is applied to the tree. After that, the product is covered with a special composition and processed in the oven three or four times, which achieves a unique honey-golden color, which gives the effect of massiveness to light wooden utensils. The traditional elements of Khokhloma are red juicy rowan and strawberry berries, flowers and branches. Often there are birds, fish and animals.
Examples:
15. Encaustic (from ancient Greek “the art of burning”) is a painting technique in which wax is the binder of paints. Painting is done with paints in molten form (hence the name). A variety of encaustic is wax tempera, which is distinguished by its brightness and richness of colors. Many early Christian icons were painted in this technique.
Examples:
*Techniques related to sewing, embroidery and the use of fabrics:
Sewing is a colloquial form of the verb "to sew", i.e. what is sewn or sewn.
Examples:
2. Patchwork, Quilting, Quilting or Patchwork is a folk arts and crafts, with centuries-old traditions and stylistic features. This is a technique that uses pieces of multi-colored fabrics or knitted elements of geometric shapes to be connected in a bedspread, blouse or bag.
Examples:
Kinds:
- Artichoke is a type of patchwork that got its name because of its resemblance to the fruit of the artichoke. This technique has other names - “teeth”, “corners”, “scales”, “feathers”.
By and large, in this technique, it all comes down to folding the cut out parts and sewing them onto the base in a certain sequence. Or, using paper, compose (glue) various panels of a rounded (or polyhedral shape) on a plane or in volume.
There are two ways to sew: the tip of the blanks is directed to the center of the main part, or to its edges. This is if you sew a flat product. For products of a volumetric nature - with a tip to a narrower part. The parts to be folded are not necessarily cut into squares. It can be both rectangles and circles. In any case, we meet with the folding of cut-out blanks, therefore, it can be argued that these patchwork techniques belong to the origami patchwork family, and since they create volume, therefore, they also belong to the "3d" technique.
Example:
- Crazy quilt. I recently came across this one as well. I think it's a multimethod.
The bottom line is that the product is created from a combination of various techniques: patchwork + embroidery + painting, etc.
Example:
3. Tsumami Kanzashi. Tsumami is based on origami. Only they fold not paper, but squares of natural silk. The word "Tsumami" means "to pinch": the master takes a piece of folded silk using tweezers or tweezers. The petals of future flowers are then glued onto the base.
Hairpin (kanzashi), decorated with a silk flower, gave the name to a whole new kind of arts and crafts. This technique was used to make decorations for combs, and for individual sticks, as well as for complex structures made up of various accessories.
Examples:
* Techniques related to knitting:
What is knitting? This is the process of making products from continuous threads by bending them into loops and connecting the loops to each other using simple hand tools (crochet hook, knitting needles).
Examples:
1. Knitting on a fork. An interesting way to crochet using a special device - a fork, curved in the shape of the letter U. The result is light, airy patterns.
2. Crochet (tambour) - the process of hand-made fabric or lace from threads using a crochet hook. creating not only dense, embossed patterns, but also thin, openwork, reminiscent of a lace fabric. Knitting patterns consist of different combinations of loops and columns. The correct ratio - the thickness of the hook should be almost twice the thickness of the thread.
Examples:
3. Simple (European) knitting allows you to combine several types of loops, which creates simple and complex openwork patterns.
Examples:
4. Tunisian knitting with a long hook (both one and several loops can simultaneously participate to create a pattern).
5. Jacquard knitting - patterns are knitted on knitting needles from threads of several colors.
6. Fillet knitting - imitates fillet-guipure embroidery on a special grid.
7. Guipure knitting (Irish or Brussels lace) crochet.
2. Sawing. One type is sawing with a jigsaw. Decorating your life and home with handicrafts or children's toys convenient for everyday life, you experience the joy of appearance and the pleasure of the process of their creation.
Examples:
3. Carving - a kind of arts and crafts. It is one of the types of artistic processing of wood along with sawing, turning.
Examples:
* Other self-sufficient techniques:
1. Application (from Latin “attaching”) is a way of working with colored pieces of various materials: paper, fabric, leather, fur, felt, colored beads, beads, woolen threads, metal chased plates, all kinds of fabric (velvet, satin, silk), dried leaves... This use of various materials and structures in order to enhance expressive possibilities is very close to another means of representation - collage.
Examples:
Also exist:
- Application from plasticine - plasticineography - a new kind of arts and crafts. It is a creation of stucco paintings depicting more or less convex, semi-voluminous objects on a horizontal surface. In essence, this is a rare, very expressive type of “painting.
Examples:
- Application from "palms". Examples:
- Breakaway appliqué is one of the types of multifaceted appliqué technique. Everything is simple and accessible, like laying out a mosaic. The base is a sheet of cardboard, the material is a sheet of colored paper torn into pieces (several colors), the tool is glue and your hands. Examples:
2. Assemblage (fr. assemblage) - a technique of visual art, akin to collage, but using three-dimensional details or whole objects, appliquely arranged on a plane like a picture. Allows pictorial additions with paints, as well as metal, wood, fabric and other structures. Sometimes it is applied to other works, from photomontage to spatial compositions, because the terminology of the latest visual art is not well established.
Examples:
3. Paper tunnel. The original English name for this technique is tunnel book, which can be translated as a book or paper tunnel. The essence of the technique is well traced from the English name tunnel - a tunnel - a through hole. The multi-layered nature of the “books” (book) that is being compiled conveys the feeling of the tunnel well. There is a three-dimensional postcard. By the way, this technique successfully combines different types of techniques, such as scrapbooking, applique, cutting, creating layouts and voluminous books. It is somewhat akin to origami, because. aimed at folding paper in a certain way.
The first paper tunnel was dated to the middle of the 18th century. and was the epitome of theatrical scenes.
Traditionally, paper tunnels are created to commemorate an event or sold as souvenirs for tourists.
Examples:
4. Cutting is a very broad term.
Examples:
They are cut out of paper, foam plastic, foam rubber, birch bark, plastic bottles, soap, plywood (although this is already called sawing), fruits and vegetables, as well as other different materials. Various tools are used: scissors, mock knives, scalpel. They cut out masks, hats, toys, postcards, panels, flowers, figurines and much more.
Kinds:
- Silhouette cutting is a cutting technique in which objects of an asymmetric structure are cut out by eye, with curvilinear contours (fish, birds, animals, etc.), with complex outlines of figures and smooth transitions from one part to another. Silhouettes are easily recognizable and expressive, they should be without small details and as if in motion. Examples:
- The cut is symmetrical. With symmetrical cutting, we repeat the contours of the image, which must fit exactly into the plane of the sheet of paper folded in half, consistently complicating the outline of the figure in order to correctly convey the external features of objects in applications in a stylized form.
Examples:
- Vytynanka - the art of cutting openwork patterns from colored, white or black paper has existed since the time when paper was invented in China. And this type of carving became known as jianzhi. This art has spread all over the world: China, Japan, Vietnam, Mexico, Denmark, Finland, Germany, Ukraine, Lithuania and many other countries.
Examples:
- Carving (see below).
5. Decoupage (from the French decoupage - noun, “what is cut out”) is a technique for decorating, appliqué, decorating with cut paper motifs. Chinese peasants in the XII century. began to decorate furniture in this way. And in addition to cut out pictures from thin colorful paper, they began to cover it with varnish to make it look like a painting! So, along with beautiful furniture, this technique also came to Europe.
Today, the most popular material for decoupage is three-layer napkins. Hence the other name - "napkin technology". The application can be absolutely limitless - dishes, books, caskets, candles, vessels, musical instruments, flower pots, bottles, furniture, shoes and even clothes! Any surface - leather, wood, metal, ceramics, cardboard, textiles, gypsum - must be plain and light, because. the pattern cut out of the napkin should be clearly visible.
Examples:
6. Carving (from the English. carvу - cut, cut, engrave, cut; carving - carving, carving, carved ornament, carved figure) in cooking - this is the simplest form of sculpture or engraving on the surface of vegetables and fruits, such short-lived decorations table.
Examples:
7. Collage is a creative genre when a work is created from a wide variety of cut out images pasted onto paper, canvas or digitally. Comes from fr. papier collée - pasted paper. Very quickly, this concept began to be used in an expanded sense - a mixture of various elements, a bright and expressive message from fragments of other texts, fragments collected on the same plane.
The collage can be completed by any other means - ink, watercolor, etc.
Examples:
8. Constructor (from lat. constructor "builder") - an ambiguous term. For our profile, this is a set of mating parts. i.e. details or elements of some future layout, information about which is collected by the author, analyzed and embodied in a beautiful, artistically executed product.
Designers differ in the type of material - metal, wood, plastic and even paper (for example, paper origami modules). The combination of various elements creates interesting designs for games and fun.
Examples:
9. Modeling - shaping plastic material (plasticine, clay, plastic, salt dough, snowball, sand, etc.) with the help of hands and auxiliary tools. This is one of the basic techniques of sculpture, which is designed to master the primary principles of this technique.
Examples:
10. A layout is a copy of an object with resizing (usually reduced), which is made with the preservation of proportions. The layout should also convey the main features of the object.
To create this unique work, you can use various materials, it all depends on its functional purpose (exhibition layout, gift, presentation, etc.). It can be paper, cardboard, plywood, wooden blocks, plaster and clay parts, wire.
Examples:
Layout view - a model is a valid layout that depicts (imitates) any significant features of the original. Moreover, attention is focused on certain aspects of the object being modeled or equally detailed on it. The model is created to be used, for example, for visual-model teaching of mathematics, physics, chemistry and other school subjects, for a sea or air club. A variety of materials are used in modeling: balloons, light and plastic mass, wax, clay, gypsum, papier-mâché, salt dough, paper, foam plastic, foam rubber, matches, knitting threads, fabric ...
Modeling is the creation of a model that is reliably close to the original.
"Models" are those layouts that are in effect. And models that do not work, i.e. "strand" - usually called a layout.
Examples:
11. Soap making. Animal and vegetable fats, fat substitutes (synthetic fatty acids, rosin, naphthenic acids, tall oil) can be used as raw materials for obtaining the main component of soap.
Examples:
12. Sculpture (lat. sculptura, from sculpo - cut, carve) - sculpture, plastic - a type of fine art, the works of which have a three-dimensional shape and are made of solid or plastic materials (metal, stone, clay, wood, plaster, ice, snow , sand, foam rubber, soap). Processing methods - molding, carving, casting, forging, chasing, cutting, etc.
Examples:
13. Weaving - production of fabrics and textiles from yarn.
Examples:
14. Filting (or felting, or felting) - felting wool. There is "wet" and "dry".
Examples:
15. Flat chasing is one of the types of arts and crafts, as a result of knocking out a certain ornamental relief, drawing, inscription or a round figured image, sometimes close to engraving, on a plate, a new work of art is created.
The processing of the material is carried out with the help of a rod - a chasing, which is placed vertically, on the upper end of which they hit with a hammer. By moving the coinage, a new form gradually appears. The material must have a certain plasticity and the ability to change under the influence of force.
Examples:
In conclusion, it should be noted that the division (combination on some basis) of most techniques is conditional (subjective), and many applied art techniques are multi-techniques, i.e. they combine several types of techniques.
All pleasant creativity!
Your Margaret.
32 craftsmen of the Belgorod region were awarded certificates, badges and monetary rewards
The certificate and sign "People's Master of the Belgorod Region" were awarded to 13 masters of arts and crafts who received the honorary title for the first time, and 19 who confirmed this title in 2012. March 13 in the Belgorod State Center of Folk Art was crowded. In the exhibition hall, where the best works of folk craftsmen were exhibited, the guests carefully studied the talented works of folk craftsmen - patchwork panels, wooden products, metal-painted trays, beadwork, clay and textile toys, ancient towels embroidered with a cross, etc. And folk craftsmen, as if before the presentation of an international award, anxiously awaited the award ceremony and gave interviews to the local press. A few minutes later, on the stage, where buffoons and spoons of the Vezelinka instrumental group created a Russian folk mood for the audience, the folk craftsmen were awarded by the Deputy Head of the Department of Internal and Personnel Policy of the Region - Head of the Department of Culture of the Region Sergey Ivanovich Kurgansky, handed them certificates, badges and monetary incentives . 
Lydia Darenskaya, a master of arts and crafts in embroidery from the city of Shebekino, has been going for the title of "People's Master of the Belgorod Region" for 17 years. “I am a musician by profession, and needlework is my hobby,” says the craftswoman. Lidiya Vasilievna embroiders with a cross and satin stitch, makes a soft toy, an appliqué out of fabric. The craftswoman brought nine embroidered towels to the exhibition - almost all the canvases on which she worked for several years: Russian, Ukrainian towels, dezhniks. “It is very difficult to embroider a towel,” the needlewoman shares. - This craft is very rare and almost forgotten for our time. A few years ago, in my area, I met the folklore collector Galina Grezneva and found in her my mentor in creativity. She taught me the folk art of embroidering towels.” The choice of ornament for products was suggested to her by a wise countrywoman. “Choosing ornaments, patterns, drawings for a towel, the master always wants to convey something, to wish people. The embroidered flowers symbolize happiness, the crown - the sun, the oak leaves - life, greatness, ”Lydia Vasilievna shows us the wedding towel.
Tatyana Fesina from the city of Grayvorona, a former tower crane operator, owns a very rare craft at the present time. Tatyana Nikolaevna weaves belts on a reed, on hooks or planks, woven on fingers and a needle, “in a bottle”, in an abusive way or on a bastard. The craftswoman achieves a huge variety in decorating belts, successfully selects the colors of threads and patterns for belts and weaves them for the folk groups of the Grayvoron region.
Weaving a pattern on a loom is a very difficult task, requiring, first of all, the presence of a tool and a place to place it. “To pull the threads back, I use special planks - picks. That is why this weaving is called so - “branoe”, - Tatyana Nikolaevna tells us about the features of the old craft. - Belts used to be woven as a dowry for the bride. And since ancient times, belts have been an indispensable element of men's and women's costumes. Without a belt, as well as without a cross, it was impossible to walk around the village.
… Today in the region already 75 masters have an honorary title. Folk craftsmen are forever inscribed in the history of the Belgorod region, they are doing a good deed - they are reviving and preserving the traditional folk culture of the region.
Recall that the title "People's Master of the Belgorod Region" was established in 2008 by the Government of the Belgorod Region. Today there are more than 2,000 craftsmen in the region, most of whom are amateurs.
The exhibition "People's Master of the Belgorod Region" will be exhibited in the exhibition hall of the Belgorod State Center of Folk Art" (Shirokaya st., 1).
Anna Vorobieva, editor of BGTsNT.
March, 2013
People's Master of the Belgorod Region
On March 13, a solemn ceremony of presenting certificates of the title "People's Master of the Belgorod Region" took place at the Belgorod State Center for Folk Art. This year, this honorary title was awarded to 13 masters of the Belgorod region. Among the awarded - the master of the Novooskolsky House of Crafts Rybakova Yana Vladimirovna.
Certificates, badges and cash prizes were presented to masters of arts and crafts by Sergey Ivanovich Kurgansky, Deputy Head of the Department of Internal and Personnel Policy - Head of the Department of Culture of the Belgorod Region.
The awards ceremony was preceded by an exhibition of works by the nominee masters, deployed in the exhibition hall of the BSCNT. Beautiful works made in various techniques aroused the sincere admiration of the visitors. Painting and wood carving, various embroidery, basket weaving, beading, bobbin weaving, products made of straw, birch bark, rag dolls, patchwork technique - each product is a real work of art and, indeed, the work of real Masters.
Yana Vladimirovna was given a great creative gift. She loved to draw since childhood. And she constantly studied, improving her professional level. She successfully graduated from the Department of Fine Arts of the Novooskolskaya Children's School of Art (class of teacher Kozmenko L.G.), then Alekseevsky Pedagogical College with a degree in Fine Arts and Drawing. In 2007, already working at the House of Crafts, she entered the correspondence department of Belgorod State University.
Yana masterfully owns many genres of arts and crafts (plastic paper, silk painting, beadwork), but her favorite thing is painting on wood.
The craftswoman works a lot in traditional Russian painting, including Khokhloma, Mezen, Severodvinsk, but also actively develops her own decorative painting. And these works are so delightful, made with such artistic taste, grace and skill that they simply captivated the professional jury. It is as a master of painting on wood that Yana Rybakova was awarded the title of "People's Master of the Belgorod Region".
We sincerely congratulate Yana Vladimirovna on this honorary title and wish her new creative successes, talented students and inspiration.
Svetlana Nikulina, Novooskolsky district.
March, 2013
Masters of the Stary Oskol House of Crafts showed aerobatics on the Lipetsk land
On March 13-14, the master of the Stary Oskol House of Crafts Yekaterina Kravchenko and a student of the children's studio "Live Clay" Karina Nikishina took part in the Interregional Exhibition of Traditional Clay Toys "Ancient Images of Clay Toys in the Works of Modern Folk Craftsmen". This exhibition was held within the framework of the federal target program "Culture of Russia" on Lipetsk land in the regional center of Romanov toys.
Works Kravchenko E.K. and Nikishina N.N. vividly represented the declared theme: "Woman, birds, horses", as the traditional Stary Oskol clay toy combines female images, images of birds and animals. The selection of the presented toys was carried out by the exhibition committee, consisting of experts in arts and crafts in the city of Lipetsk.
The opening of the exhibition took place in the exhibition hall of the Regional Center of the Romanov Toy. A warm welcome was given by the hosts of the OCRI, local craftsmen were happy to share valuable and interesting information about the techniques of modeling clay toys and pottery.
The scientific and practical conference “Problems of modern traditional clay toys” aroused particular interest among the guests of the exhibition, where each speaker spoke about the main pressing problems of their craft. Participants from Lipetsk, Penza, Kaluga, Tambov, Voronezh, Stary Oskol, Belgorod, Kursk and Orel voiced the most interesting articles, where they identified the main issues in the revival, preservation and development of traditional clay toys.
Our craftswomen visited a tour of the city of Lipetsk, and also participated in master classes in pottery (S.V. Ilyina), a textile doll (S.A. Grishina), and modeling a Romanov toy (V.V. Markin).
At the end of the main events, all the masters participating in the exhibition opened a fair-sale of clay toys. The tourist group could purchase Filimonovskaya, Sudzhanskaya, Abashevskaya, Starooskolskaya, Romanovskaya and other clay toys. Here the nightingale trill of the whistle sounded, and the rumble of large ocarinas.
The Stary Oskol House of Crafts expresses its gratitude to the founders and organizers of the exhibition and will be happy to take part in further interregional events dedicated to the traditional clay toy.
Starooskolsky district.
March, 2013
Textile mosaic by Lyudmila Podgornaya is always functional
In the Rakityansky district, a patchwork craftswoman Lyudmila Nikolaevna Podgornaya has been working for a long time. From childhood, she came into contact with things made by the skillful hands of folk craftswomen. For many years, the Podgorny family carefully kept a patchwork quilt sewn by a great-grandmother. All this gradually formed in the master a sensitive, reverent attitude to folk art, an understanding of its aesthetic canons. Having trained as a seamstress, she acquired the necessary skills to translate her creative ideas. Working in the House of Crafts gave her the opportunity to both create original works and transfer her knowledge to students. .JPG)
Since 2000, Lyudmila Nikolaevna has actively participated in regional and regional exhibitions and festivals with works that have always demonstrated her skill in creating a composition, in a harmonious color scheme, her careful attitude to folk traditions. In his work, the master uses not only the technique of patchwork, traditional for Russia, but also works in modern “quilting”, which combines many visual techniques of working with textiles. Interesting effects are created by the master when using fabrics of different textures, such as satin and chintz.
Textile mosaic by Lyudmila Podgornaya is always functional, her works are applicable in everyday life. These are blankets, bedspreads, curtains, tablecloths, napkins that can decorate any interior with their multicolor.
In 2012, Podgornaya Lyudmila Nikolaevna was awarded the title "People's Master of the Belgorod Region" for her talent, skill and pedagogical work. The secrets of the art of patchwork technique are adopted from the master by her young students in the circles "Wonderful Moments" and "Needlewoman". According to an individual program, Lyudmila Podgornaya teaches children from a correctional boarding school, and also conducts master classes for a wide range of people interested in folk crafts.
The lessons of the master teach to see and create the splendor of the objective world, to understand the relationship between beauty and usefulness. It is also the lessons of folk culture, gradually educating patriotism. This is the spirituality that gives birth to arts and crafts.
Zotova IP, Senior Researcher, Belgorod State Center for Folk Art.
April 2013
Masters of the Stary Oskol House of Crafts - in
XIII interregional universal wholesale and retail
Kursk Korenskaya Fair
From July 5 to July 7, the XIII Interregional Universal Wholesale and Retail Korenskaya Fair was held in Kursk. It is located near the Holy Gates of the monastery in the town of Svoboda. Before the start of the official opening of the fair on the square in front of the monastery of the Nativity of the Blessed Virgin Mary, a prayer service was held in front of the Icon of the Mother of God “The Sign”.
Currently, the Korenskaya Fair is the main exhibition and fair event of the Kursk region and has become widely known far beyond its borders. The wide geography of participants in the Kursk Korenskaya Fair and the federal status of the event emphasize its uniqueness. For 13 years, the Kursk Korenskaya Fair has become international: participants from Ukraine, Belarus, Serbia, Poland, Bulgaria, Czech Republic, Vietnam, Kazakhstan, Israel, Moldova, Iraq, Estonia, Hungary, Slovakia, Italy, Angola gather in the Svoboda metro station.
The number of participants of the fair is also constantly increasing, this year over six thousand guests and participants have gathered in the Kursk region. More than 1,500 enterprises and organizations of industry, agro-industrial complex, construction and construction industry, mechanical engineering and automotive industry, energy, food and processing industries, chemical and light industry, small and medium-sized businesses, science, culture.
Traditional exhibitions of farmsteads of the region were held at the fair. The city of Stary Oskol was represented by MBUK "Starooskolsky House of Crafts" and MBUK "Center of Arts and Crafts".
The house of crafts was represented by craftswomen of the DPT - the folk craftsman of the Belgorod region Shatalova L.Yu. and master of DPT Kravchenko E.K. Bright, colorful works of craftswomen harmoniously fit into the long rows of the folk art fair. The craftswomen presented works made in traditional techniques in eight areas: traditional rag and designer dolls, felt ornaments and “cheerful” souvenirs, patchwork products - hammans, bags and decorative panels, traditional Stary Oskol clay toys.
Shatalova E.Yu., methodologist of MBUK "Starooskol House of Crafts".
July, 2013
Dolls from Maya Sysoeva
On October 18, 19, on the basis of the Stary Oskol House of Crafts, master classes by the People's Master of Russia Maya Sysoeva "Expedition Dolls of the Vologda Region" were held.
Maya Sysoeva is one of the leading traditional puppeteers. She conducts scientific ethnographic expeditions to Vologda villages, develops original dolls based on traditional images. Her dolls are kept in the collections of ethnographic museums and Orthodox monasteries. .JPG)
Master classes brought together venerable and novice craftswomen from Stary Oskol, Gubkin, Belgorod. The theme of the work was the traditional dolls of the North of Russia.
Sysoeva introduced the audience to the methods of making an ash doll, a doll from the borderlands of the Kostroma and Vologda regions, twist dolls, dolls "father-mother", "family", a Cherepovets couple, twisted dolls with an inflection.
Maya Anatolyevna conquered everyone with her unsurpassed skill, charm and numerous stories about expeditions to Vologda villages.
The creative meeting was a success, the craftswomen were able to learn a lot of new tricks and plots, as well as plunge into the endless puppet world.
Starooskolsky House of Crafts.
October, 2013
Craftswoman-sorceress
"The highest kind of art,
the most talented, the most brilliant
is folk art,
that is, what is sealed by the people,
preserved that the people carried through the centuries.
M.I. Kalinin
.JPG)
Folk mass art remains a very important filler of the free time of a modern teenager, a child and a means of realizing his creative ambitions. And the man-made nature and positive energy, the kind look and talent of the master are undoubtedly the main value of works of folk art. These masters include the master of arts and crafts of the House of Crafts MBUK "Volokonovsky RDK" Lotokhova Elena Ivanovna.
Elena Ivanovna is a master working in several genres of arts and crafts: threading, knitting and crocheting, embroidery with satin ribbons, patchwork technique, soft toy, hand-rolled doll, fabric appliqué. One of the important directions in working with children, Elena Ivanovna puts the development of their cognitive sphere, which opens the child a huge window into the world of knowledge, the world of amazing discoveries, instills a love for artistic creativity, fosters a sense of beauty, develops creative abilities, their imagination, fine motor skills of hands. In the classroom, the members of the circle make crafts and give their parents handmade items. They organize exhibitions of children's works, master classes for schoolchildren of the village. Many works of various kinds adorn the room of the House of Crafts: these are souvenirs, amulets, paintings. A variety of amulets: for wealth, for happiness, well-being, for the birth of children, health.
Elena Ivanovna - participant of regional, inter-district and regional exhibitions (I inter-district festival-competition "I am a Russian peasant!", II inter-regional festival of Cossack culture "Cossack circle", festival-fair "Belgorodskaya Sloboda", festival "Golden Horseshoe" - presentation of tourism -recreational dance with elements of event tourism in the Volokonovsky district, IX International Festival of Slavic Culture "Khotmyzhskaya Autumn").
Volokonovsky district.
Published on 03.02.2017 15:06Vladimir Petrovich was born in the village of Novoglebovka, Saratov Region. The family moved in 1973 to the Verkhnesoleny farm in the Veselovsky district, Rostov region, where he graduated from high school in 1987. After graduating from school, he entered a driver's course. From 1988 to 1990 he served in the ranks of the Soviet army in tank troops. After the army, he worked as a driver on the collective farm named after Lenin in the Veselovsky district. He got into a car accident where he received a severe spinal injury. Being in a wheelchair, he built a house, a carpentry shop, was engaged in the manufacture of windows and doors, chairs, etc.
Since 2011, he has been engaged in wood carving. Vladimir Petrovich makes caskets, goblets. He uses wood for carving: poplar, linden, walnut. His works adorn certain compositions with wedge-shaped recesses, which are different in size, depth, and geometry of the corners. His products have a large number of facets, their execution requires more skill. He also makes frames for icons. Icons are embroidered with beads. For the production of his works, he invents geometric sketches himself, and uses video and photo materials using the Internet.
His works have a huge impact on the succession and development of folk traditions. The activity of the master plays an important role in the revival of crafts. Vladimir Petrovich has a short period of crafting, but due to his ability to self-educate hard work, the presence of interest in the cultural heritage of the country, his works can compete with eminent masters and his works are of great interest not only to residents of the Verkhnesolenovsky rural settlement, but also residents of the Veselovsky district.
Director of MBUK VSP "Verkhnesolnovsky SDK" L.V. Grechko
Methodical development "Funny flower". Master class in arts and crafts for teachers of additional education on the topic: "Sculptural textiles"
The purpose of the master class: improving the professional skills of teachers in the process of active pedagogical communication on mastering the technique of "sculptural textiles".
Tasks:
to introduce teachers to the sculptural and textile technique of making dolls;
to teach the sequence of actions, the use of methods and techniques of "sculptural-hosiery" technique using the example of making a "Funny Flower" magnet;
create conditions for self-realization and stimulation of the growth of the creative potential of teachers in the process of conducting a master class;
to promote the intellectual and aesthetic development of teachers.
Expected results of the master class:
increasing the creativity of teachers;
the opportunity for teachers to use a new non-traditional method in their practice;
study of development on the topic of the master class;
growth of motivation of MC participants to form their own style of creative pedagogical activity;
practical mastering by MC participants of special knowledge, abilities, skills and techniques of “sculptural-hosiery” technique in the process of work;
creating a magnet "Funny Flower", showing creative initiative, imagination, thinking.
Methodological equipment of the lesson:
Methods:
interactive (verbal, visual, practical);
research (the ability to independently distribute the activities of work, the choice of action and its method, freedom of creativity).
Receptions:
explanation;
consultation;
story;
conversation with a demonstration of practical actions;
creation of works of decorative and applied art;
Using visibility:
presentation for the master class, made in the Power Point program "Sculptural textiles or stocking technique";
samples of finished work performed by the teacher;
schemes for the phased implementation of products;
templates;
materials for practical work.
Materials and tools:
pantyhose 20-40 den boiled;
colored tights and with lurex (or colored capron);
sintepon "Standard" 150-250 g / m²;
needles for dolls, pins;
reinforced threads 35 LL or polyester threads 40/2 "Gamma" or "Bestex";
kapron threads;
scissors;
pliers;
side cutters;
glue gun and rods to it;
copper wire with a diameter of 0.7 mm - 0.9 mm;
dry cosmetics: shadows, blush;
glue "Titan";
eyelashes;
Polish for hair;
ready-made eyes 10-15 mm (can be homemade from gypsum);
hair material, acrylic yarn of different colors;
colorless nail polish
warm green tape;
magnet with a diameter of 1.5-3.0 cm x3 mm;
forms for wire 5-7 cm.
Outline plan structure
master class on the theme "Sculptural technique"
- introductory part, where the head of the master class gives the necessary target settings, reveals the content of the lesson and its expected results;
- the theoretical part of the MK, the leader's story, about the technique of the master class using the presentation "Sculptural textiles";
- the practical part of the MK, the participants of the master class begin, under the guidance of the head of the master class, to perform crafts;
- a commentary part, where the head of the master class explains those elements of his work that, from his point of view, are most important and are of an original nature;
- the culmination of the creative process, an exhibition of works, photographs of the works of all participants in the master class with comments from the participants themselves;
- reflection, not value judgments “this is good”, “this is bad”, but introspection of one’s own thoughts, feelings, knowledge, attitude are important.
- Summing up the results of the master class, in conclusion, a little relaxation;
- list of used literature and Internet resources.
Technological map of the master class "Funny Flower"
Stages of the master class. The activities of the head of the MK. Time Activities of the master class participants
1. Introductory part: Presentation of the topic, disclosure of the purpose and objectives of the master class 4 min.
2. Theoretical part of MK:
a story about the "sculptural textiles" technique, accompanied by a presentation "Sculptural textiles or hosiery technique", as well as a show of handicrafts made by the head of the MK and accompanied by quiet music
15 minutes. The participants of the MC look at the images of handicrafts using the “sculptural textiles” technique, listen to the story and emotionally immerse themselves in the theme of the MC
3. Practical part of MK:
Before starting work, the head of the MK conducts a safety briefing. Tell and show the methodological and technological methods of manufacturing products using the technique of "sculptural textiles" of a flower with a face. After that, together with the head of the MK, the participants begin to work on the magnet "Funny Flower" 60 min. After listening to the safety briefing, the MC participants begin independent creative activities. Work under the guidance of the teacher conducting the MC, ask questions
4. Commenting part of MK:
Give the participants of the MK a rest, conduct a physical education session. During the practical creative work, conduct consultations, theoretical and practical explanations and individual assistance to the participants of the master class for the quality of the assignment.
Show different methods and techniques of face tightening. 30 min. Perform a physical activity. They listen carefully and repeat the elements and methods that the MK teacher shows on their crafts.
5. The culmination of the creative process:
After the completion of the work by the participants of the MC, all the works are photographed and a mini exhibition is made, during the exhibition, the participants collectively discuss their work and ask questions to the teacher conducting the MC.
6 min. Make up work on one table. Take photos of their work. Consider and appreciate the beauty and variety of handicrafts. Ask their questions to the head of the MC.
6.Reflection:
mobilizing participants for self-assessment. Invite participants to evaluate their working capacity, psychological state, and performance.
The discussion of the master class includes questions to the head of the master class, the exchange of experience of its participants. 10 min. MC participants exchange experience, discuss MC, engage in self-assessment of the work done. Reflection - "Mood Tree" technique:
using prepared leaflets, give an assessment of MC.
7.Summarizing:
The master teacher summarizes the results of the MC and, taking into account the wishes of his audience, recommends literature, Internet sites for additional information on this issue, informs where you can purchase materials and tools for work. Please fill in the form. At the end of the MC, the leader of the MC suggests meditating. 10 min. Fill out the questionnaire proposed by the head of the MK. Meditate.
The course of the master class.
- Dear colleagues
- Shout out loud and in chorus, friends,
Will you refuse to help me? (no or yes?)
Do you love kids? Yes or no?
You came to the master class,
And no strength at all
Do you want to listen to lectures here? (No)
I understand you…..
How to be gentlemen?
Do we need to solve children's problems? (Yes)
Give me an answer then
Will you refuse to help me? (No)
The last thing I ask you is:
Will everyone be active? (No or Yes)
So, with a great mood and positive emotions, we begin the master class.
I am very glad to see you here, in our house - the House of Children's Culture "Rainbow". My name is Ermakova Elena Alekseevna. I am the head of the association of arts and crafts "Sudarushka". In the classes of the circle, the guys and I learn to knit, make various toys, crafts and souvenirs from threads, paper, beads and salt dough, and the children who have been attending the association for 3 years are also engaged in sculptural textiles. It is the work in the “Sculptural Textile” technique that we will study today.
They are visible, invisible
Do not count them:
And who only invented them -
Merry, blue?
Must have been torn off
A piece from the sky
Slightly - slightly conjured
And they made ... a flower!
Our lesson is dedicated to the most beautiful creation of nature - flowers, but not ordinary flowers, but made by hand from nylon and synthetic winterizer. (showcase your work)
- The theme of the master class: "Sculptural textiles". The purpose of our MK: improving professional skills in the process of active communication on the development of the "Sculptural Textile" technique
- I will introduce you to the stocking doll technique, I will teach you how to make funny flowers using threads, nylon and synthetic winterizer (magnets: a flower with a face). One of the tasks is to create conditions for your self-realization and stimulate the growth of creativity in the process of MC.
- Flowers always give us real joy. Whatever they are, small or large, bright or not, but they always delight us with their beauty. Without flowers, it is already completely impossible to imagine the nature and beauty of the world around us.
- Flowers and nature have always inspired musicians, artists, writers. Always and everywhere flowers were a symbol of beauty.
- Since ancient times, man, admiring such a beautiful creation of nature, tried to convey this beauty in his products.
“A person can have many different moods, but he has one soul, and he subtly puts this soul of his into all his work.”
D. Galsworthy.
- Now I want to open for you an amazing, beautiful and very warm world-the world of dolls! It seems to me that this world cannot leave anyone indifferent, and I would really like that, immersed in it, you would forget about everyday life, the burden of everyday problems, smile and find yourself in childhood, when everything was so clear, joyful and serene ...
Using the electronic presentation "Sculptural textiles" I begin the story and demonstrate my work.
- For any child, the game is the most desirable type of activity: during the game, he not only learns the world around him, but also transforms his impressions of it, conveys thoughts, feelings, emotions. In many ways, this makes the game related to art: it’s not for nothing that when we talk about creativity, we often use such phrases as “play of colors”, “play of sounds”, “play of words”. One of the main distinguishing features of the life of any child is a huge number of toys that surround him from the very moment of birth. For many centuries, toys continue to be used for the development of children, introducing them to the world of adults.
Dolls are one of the most ancient types of toys: they originate along with human civilization. At first, the dolls were ritual in nature, only later acquiring their play value.
It seems to me that there is no such girl who would not play with dolls. Manufacturers of modern dolls are trying to keep up with the current time, making "business women" and "models" with ideal parameters. But there are still dolls that are designed to protect, attract good luck and appease fate.
These include motanka dolls, knot dolls, straw dolls, plant dolls, each of which symbolizes a certain action, baby dolls, "pops", amulets and many others. And to believe in the miraculousness of these man-made products or not is a personal matter. (during the story, there is a slide show with varieties of dolls, the pictures were taken from the Internet)
- A traditional toy for games in peasant families was a rag doll. Grandmothers made them. The very process of work consisted in winding tightly stuffed and twisted pieces of plain fabric with threads. An outfit for a doll was made from colorful pieces of fabric. (slide 10)
- Since the middle of the 19th century, when the industry began to develop, mass production of dolls appeared. And yet, people still have a craving for handmade dolls in the 21st century.
And such dolls are called copyright.
Anyone can make their own author's doll, and not only from fabric. A fashionable trend today is the manufacture of dolls from nylon tights, stockings or socks.
- This technique is not without reason called the unusual phrase "sculptural textiles". Why "sculptural" is still understandable, because a doll, a figure is a sculpture in itself. But why "textile"?
Everything is simple! Because we will not sew a toy, but sculpt it! It is to sculpt with the help of a synthetic winterizer (or any other filler), a needle and a thread.
- Homemade stocking dolls are relatively recent, but thanks to simple technology and readily available, cheap materials, they have become a popular type of handicraft.
Kapron, by its properties, turned out to be more pliable, elastic and durable material for sewing dolls than other fabrics. It can be subjected to repeated bending, complex deformation - it will not lose its shape. A few decades ago, a technique for making homemade flowers from nylon and wire appeared.
(showing his works: flowers from kapron)
- And after that, folk craftsmen mastered the technique of making stocking dolls. In many respects, this was facilitated by the appearance on the market of a light, voluminous (resembling cotton wool), but at the same time elastic artificial material - synthetic winterizer. It became an inexpensive basis for all parts of the body of the future doll. The rest of the work is based on the personal imagination of the master: by laying folds and bends on the padding polyester, he can make the doll a nose of any shape, small or large lips, a high or low forehead, make dimples on the cheeks or lay nasolabial wrinkles to give the toy age. Sintepon and kapron turned out to be so grateful materials in work that anyone can master the technique of making dolls and create unique and original toys.
- You need to learn how to sculpt from fabric gradually. After all, like a sculptor, our work will not be born in a couple of hours. Today we will analyze how to make a puppet mask (i.e., the face of a doll).
The head of the doll, created using the technique of sculptural textiles, consists of two halves: front and back.
It is customary to call a face a puppet mask.
- The exchange of stories, as well as the exchange of life experiences, is a natural form of interaction between people. So listen to the parable:
Once upon a time there was an envious man, one day he decided to test the wisdom of his teacher. A man caught a butterfly in the field, squeezed it in his fist and went to the square, where the teacher was talking with his students. Coming closer, he said: Teacher, you are wise, you know everything. Tell me, is the butterfly in my fist alive or dead?
His calculation was as follows: If the teacher says that the butterfly is alive, then he will imperceptibly clench his fist and show a dead butterfly, and if the teacher says that the butterfly is dead, he will open his fist and release the butterfly to freedom. Thus, any answer of the teacher will be wrong, and then everyone will see who is really wise.
And the teacher looked at him sadly and replied: EVERYTHING IS IN YOUR HANDS, MAN. So, dear colleagues, I also want to tell you that everything is in your hands today.
- I'm sure that you all know the safety rules, but without them it's impossible, and for this, before starting work, I will give you a safety briefing, but not usually, but in verse:
To sew and embroider
We need to know the rules.
I remember them from my childhood
Let me briefly remind you.
First of all, you need to know:
Do not try to take a needle in your mouth,
Don't take your eyes off the needle
And don't stick it in your clothes
Don't leave her anywhere
Otherwise, be in trouble.
Remember - needles and pins
Do not roll on the bench.
Worked - don't forget
Stick them in the needle bar.
You can work with scissors
But just be very careful.
It is very important for everyone to understand
How should they be served.
Not sharp ends
And forward rings.
Left - right do not wave,
And put them in a pencil case,
I do not scare in vain.
Scissors are a dangerous item.
Everyone needs to know the rules
Observe carefully.
And get you and me
Sewing pleasure!
Surely every house has old unnecessary nylon tights. Usually, at best, they are used to store garlic, onions, etc., and more often they are simply thrown away as unnecessary. In general, quite funny dolls are easily obtained from them, and for this you do not need to have any special skills - any child can make such a doll, showing quite a bit of perseverance and imagination. In addition, everything that is needed for this, in addition to the old tights themselves, is in every home, you don’t have to buy anything special. Nylon products resemble skin, which is very important in the manufacture of dolls - they look like a person.
- The main working materials in the manufacture of dolls are synthetic winterizer, nylon stockings, a needle, threads.
For large parts of the body, a stocking is stuffed with large pieces of synthetic winterizer, and then with the help of small balls compressed from synthetic winterizer, the nose and its wings, lips, cheeks are laid out. The stocking stuffed in this way is stretched to the state of "wrinkle-free" and tied. Next, a thread with a needle comes into play. The master squeezes out the bridge of the nose with his fingers and begins to stitch it to secure the resulting shape. Then the wings of the nose, chin, eye sockets, cheeks are formed in the same way. Each operation must be completed with a reliable fixation of the thread, so that when squeezing out the following parts of the face, the already finished ones do not warp. If it is necessary to add a padding polyester to form any part of the face, the stocking is untied from below and material is added through the resulting hole. A good technique for shaping the mouth is the process of tightening its corners through the eye sockets.
Instead of hair, yarn is sewn or glued. On separate wires we form arms and legs and insert them into the prepared clothes. We attach the head - the toy is ready.
- Let's try to create now a new and unusual doll from improvised materials. And, I assure you, such work will be released exclusively! And even you yourself, with all your desire, do not repeat it!
And we will create such a “Funny flower”
Let's move on to the practical part. The first thing we will do is the petals for our flower.
Take the wire you need the shape for the wire, namely what size you want to make the petals of your flower and make these blanks. You can use other objects in place of the forms, such as a spray can of hairspray. (I show how to make blanks for the petals.
The twisted tip must be wrapped with tape or adhesive tape so that it does not break through the capron in the future. But you can not do this, because. we will have very short tips. We make 9 pieces of such blanks, and more if there is a desire and opportunity. You can also make petals from twisted wire. Showing an example
Now we take a colored nylon (you choose the color you like best) and fit our blanks, fasten with nylon threads (showing how to properly fit the blanks of the petals with nylon)
There should be nine colored petals and two or three green ones per leaf.
- And now let's take a break and have a rest, we will have a physical education minute.
"Fist-rib-palm"
"Fist-rib-palm" - four positions of the hand on the plane successively replace each other. It is performed first with the right hand, then with the left hand. Then with both hands at the same time.
palms up,
palms down,
And now they are on the barrel -
And clenched into a fist.
- Rested? And we continue our master class.
Now we are starting to make a face or as it is called a puppet mask for our flower.
A few words about the thread. It must be taken to match the capron. The closer to the color of the stocking, the more beautiful the work.
You need to cut a circle out of cardboard, lay basting stitches along the edge of the nylon, but it is better to take a larger piece of nylon, for example, part of a sock or stocking, it will be more convenient for beginners. (i.e. for us)
So ... they tore the synthetic winterizer.
Now you need to stuff it into a stocking prepared for this in advance.
You need to stuff a piece of stocking tightly. You can leave a hole in the upper part of the future mask, and in the process of work, supplement it with padding polyester if necessary. The second cut needs to be sewn up. Gather the edges, then wrap them inward and tighten the thread. We fix it.
Or the second way, which we will use:
For convenience, first we put a piece of synthetic winterizer into the capron, and put cardboard on top.
And we tighten the hole, sew it up. This will be the future face.
We start by stitching the muzzle, the first thing we will do is the nose. I suggest you get a little creative and decide what kind of nose you want for your flower doll. For example: potatoes, spicy or it will be a grandmother's flower, etc. We put a small ball in place of the intended nose.
Following the directions of the arrow, we tighten the points of holes and depressions on the wings of the nose with a thread, forming the same wings.
To help you, I gave out several schemes for tightening the nose, maybe someone will independently perform the tightening of the nose with their own method.
Explanation and demonstration of nose constrictions.
We make the next tightening for the eyes and cheeks.
The next step is lip sculpting.
I draw your attention to the fact that the stitches with which we fix the parts should be extremely small.
In general, each doll turns out to be completely different from what we want to see it. Each has its own character.
So ... with small stitches and our fingers we form the lips of the doll. We pinch the fabric and the padding polyester, try on where necessary, poke the stuffing of the sphere with a needle, pull out parts of the padding polyester with it, in general, we sculpt. And as soon as we understand that we have reached the shape we wanted, we fix everything that has turned out with stitches.
In general, in this technique, you can not only sculpt people. Animal faces, all sorts of fictional, mythical and legendary characters - it all depends on your imagination!
Lips can be stretched in a smile, made twisted and even laughing wildly.
First we sculpt the lower, then the upper lip. Don't forget to leave some room for the chin.
How NOT to do it!
Don't loosen the thread too much!
We form wrinkles. How - you already know.
And again I will pay attention to the synthetic winterizer must be clean!
Otherwise, threads and other debris will be visible on the finished doll face under the nylon "skin".
I used MK Elena Lavrentieva to sculpt the muzzle. I handed out her MK to you, you can use everything described in detail there.
They brought marafetik with the help of dry cosmetics,
We begin to glue the petals.
In sequence. Top, bottom, then around the edges. Then another row between the first petals.
Cut out another circle from cardboard, cover with padding polyester and nylon, the diameter is the same as on the muzzle (4 cm)
It will be like a stub)))
But before gluing, we will glue the stem on it.
For the stem and leaves, I use just such a floristic wire. It comes in different diameters. For leaves I have a diameter of 0.9 mm, for stems - 1.2 cm
Glue the stem onto the plug from the wrong side. I glue everything on a hot gun.
And now with the stalk we glue our cap onto the flower, very carefully, so that it would turn out beautifully from behind.
We glue the leaves, you can not glue it, but wrap it warmly with green tape.
Don't forget about the magnet itself.
OK it's all over Now!
You can add accessories (for example, insects: ladybugs or butterflies) and here is the result of our work)))
Of course, in nature there are no such flowers, but we don’t have ordinary flowers))) We have funny flowers.
And this is a cabbage
The same rose, but without the stem. You can use black beads instead of a peephole.
And one more small digression...
By all the rules of puppeteers, the eyes of the doll are attached last. I don’t know where it came from, but it’s necessary to follow just in case. You never know... The doll was originally a mystical invention...
It is advised to attach something last, but no one forbade trying it on. Therefore, in the process, we will more than once put our eyes on the future face.
You need to purchase eyes of different shapes and colors in advance: blue, green and black. In the process of sculpting, I applied them this way and that way, trying them on.
You know, it seems that the shape of the eyes is the same, the colors are only different, and with each color the expression is completely different ...
If you are making a female mask, you can also attach eyelashes to your eyelids.
I propose to discuss the resulting "Flowers"
I recommend on which sites and from which masters it is better to learn, where good and detailed MK are located. I give a list of literature that I used in preparation for the MK.
Reflection - "Mood Tree" technique:
- Listen to the parable, and then we will discuss our master class. A sage was walking, and three people were coming towards him, who, under the hot sun, were carrying carts with stones for the construction of a temple. The sage stopped and asked each one a question. He asked the first one: “What did you do all day?”. And he replied with a grin that he had been carrying cursed stones all day. The sage asked the second: “What did you do all day?” And he replied: "And I conscientiously did my job." And the third smiled, his face lit up with joy, and he answered with pleasure: “And I took part in the construction of the temple.”
Dear colleagues, you have 3 leaves: blue, red and green. And on the board we have a tree, only it is without leaves, let's dress it now.
If you consider yourself the third worker (this means that this master class was useful for you, you learned something new and this knowledge will be useful to you in the future if you were comfortable in the lesson), then attach a green leaf to the tree.
If you consider yourself a second worker (you were interested in the lesson, but you knew this technology before and you did not receive new knowledge and work experience), then attach a red leaf to the tree.
A If you consider yourself the first worker (you are not in a very good mood, you were not interested in the lesson, then attach a blue leaf to the tree.
leaflet.
- Please try to justify your answer.
1. First worker.
2. Second worker.
3. The third worker.
The participants of the MK speak out why they attached a leaf of this particular color. There is a discussion.
I ask teachers to fill out a questionnaire prepared in advance.
- Dear colleagues, we have worked very fruitfully today, everyone has made wonderful magnets that will delight you and your loved ones.
- You have learned how to make funny flowers using the technique of sculptural textiles using nylon and synthetic winterizer. I really hope that this knowledge will be useful to you, and you will be able to decorate your home with such flowers.
Our master class is coming to an end and I want to tell you one more ancient parable:
An old man sits by the side of the road and looks at the road. He sees: a man is walking and leading a child.
“What are you doing here, old man?” the man asked.
- I'm waiting for you! - answered the old man - You were entrusted with this child for upbringing, weren't you?
- That's right! - the man was surprised.
If you want to plant a tree for a man, plant a fruit tree.
If you want to give a man a horse, give the best horse.
If you dare to raise a child for a man, return him with wings.
How can I do this if I can't fly myself?
- And you try! - said the old man and closed his eyes.
Years have passed
The old man sat in the same place and looked at the sky.
He sees: a child is flying, and behind him is his Teacher.
They approached the old man, sank to the ground and bowed.
- I return the child winged! - and proudly looked at his pet.
And the old man looked at the wings of the Teacher and said:
“And I am most pleased with your wings ...”
We, teachers, need to make a lot of efforts not only to raise a winged child, but to learn to fly ourselves. Continue to search for yourself and ways of cooperation with your students. Learn by learning, and educate by being educated.
And I also prepared for you a small MK gift that I borrowed from the wonderful craftswoman Akulova Elena in the “Country of Masters” (I distribute to the MK participants the printed material for making “Kotosharik”) This is how “Kotosharik” looks like (I show a picture and a finished toy made by me)
- And in conclusion, I suggest you meditate. (conducted to calm music).
Let's find our heart, press both hands to our chest, and listen to how it beats: "knock, knock, knock." Now imagine that you have a piece of tender sun instead of a heart in your chest. Its bright and warm light spreads over the body, arms, legs. There is so much of it that it no longer fits in us. Let's smile and give each other a little light and warmth of our hearts.
And now mentally put on your left hand everything with which you came to the master class today: your baggage of thoughts, knowledge, experience. And on the right hand - what they received at the master class of the new.
Now let's clap our hands together and say THANK YOU!
And I can only thank you for your attention and participation in the work
- I hope that the knowledge you acquired at today's workshop will help you solve creative problems not only in classes with children, but also in life.
Thank you for your cooperation. Be always healthy! And creative success to you!
Bibliography:
1. Master class as a modern form of certification in the context of the implementation of the Federal State Educational Standard. Technology algorithm, models and examples of implementation, quality criteria / comp. N.V. Shirshina. - Volgograd: Teacher, 2013.
2. Master classes and pedagogical seminars in the additional education of children. Theoretical and organizational aspects / Comp.: Klenova N. V., Abdukhakimova S. A. / Ed.: Postnikov A. S., Prygunova A. P. - M .: MGDD (Yu) T, 2009
3. Clients A. Folk crafts. - White City, M, 2003.
4. Borovikov L. I. How to prepare and conduct a master class for a creatively working teacher of additional education // Education and additional education in the Novosibirsk region. - 2004. - No. 1.
In the process of conducting the Master class, I use my video:
Exhibition, as a result of the work of students of the children's association
At the lessons of Kuban studies, labor training, we were told a lot of interesting things about the trades and crafts common in the Krasnodar Territory. The Kuban land was famous and is famous for its craftsmen, gifted people. When making any thing, the folk craftsman thought not only about its practical purpose, but also about beauty. From simple materials - wood, metal, stone, clay - real works of art were created. On the territory of our region, such crafts are common as: carpet weaving, pottery, blacksmithing, corn processing, basket weaving, embossing, wood carving, embroidery, hemstitching, straw, leather processing, knitting, bone and stone processing, glass processing, color making. We looked at books, booklets, went on excursions to the city museum, listened to stories and looked at photographs from exhibitions in which our class teacher and her students took part. We also wanted to make beautiful products and participate in various exhibitions. We saw the works of many masters of arts and crafts, but did not know them personally. Then we decided to collect information about the masters of our city. These meetings, conversations, master classes revived the pictures”, which are now preserved in our memory for a long time, we wanted to master some crafts ourselves. Many masters gladly offered their help in mastering the secrets of the craft.
Eirich Galina Nikolaevna has been familiar with needlework since childhood: she knitted well with knitting needles. At the age of 60, she decided to learn how to crochet, and the widest space opened up before her. I started with booties, hats, knits and shawls, stoles, napkins, tablecloths. The idea to knit dolls was given by the grandchildren. Fantasy has no end. And she herself is not interested in knitting the same type of products. From under the hook of Galina Nikolaevna, either a clown, or a black child, or a brownie, or a Cossack with a Cossack girl come out. Toys of this master delight children and adults not only in our city.
Eirich Viktor Ivanovich is a wonderful woodworker. Many kitchen sets delight with their warmth, beauty, reliability and will serve people for many, many years to come. Now it is difficult for him to carry out such voluminous works, but he is not used to sitting idly by: he makes jewelry boxes and kitchen utensils that are amazing in beauty and elegance.
Eirich Galina Nikolaevna and Viktor Ivanovich have wonderful children and grandchildren. They continue family hobbies, develop it, improve it, comprehend new ones. In 2008, the Eirich dynasty became the winner at the regional festival of family creativity, Love and Protect” and received an award. In 2010, Galina Nikolaevna and Viktor Ivanovich had a golden wedding. Harmony and understanding in family life give them the strength to develop creativity. The works of this family can be seen at exhibitions, festivals, both city and regional, and even international.
Davydenko Marina Vladimirovna has been fond of needlework since childhood. Like all little girls, she played with baby dolls (little dolls), designed and sewed outfits for them. Mom showed the front and back loops on the knitting needles at the age of 10. The rest she comprehended herself. Marina Vladimirovna knows how to knit and crochet, cut with a jigsaw, embroider with ribbons, masters the technique of macrame, guilloche, beadwork, leather plastics, likes to sculpt from salt dough, cut on wood. Cross stitch is her current hobby. In the nearest plans - to make products by reception, bulk embroidery. Takes part in exhibitions, festivals of various levels: from urban to international.
Lyapunova Olga Vladimirovna is engaged in embroidery, beading, weaving from straw, talash (corn leaves). Love for needlework was inherited. Behind embroidery he remembers himself from the age of ten. The first education is completely unrelated to the hobby. Olga Vladimirovna in 2001 dramatically changed the course of her life: she entered the University of Culture, graduated successfully. Currently, she not only pleases with her creativity, but also teaches folk crafts of the Kuban to children of various age categories.
Vera Kozhina was born in 1950 in Ufa. She worked at the Bashkir plant for painting souvenirs, as an artist-decorator in the city of Tikhvin (Leningrad region). Lives in our city since 1985. She liked the small provincial cozy town. It was here that Vera Vasilievna was able to realize herself as a talented teacher and MASTER. She discovered a lot of talented guys, helped them to believe in themselves. She herself makes original works from natural materials (flowers, straw, seeds, onion husks, etc.), fish bones, scales, salt dough, leather, and clay. He takes an active part in exhibitions, competitions, festivals of various levels: from urban to international.
Lagutina Lyudmila Nikolaevna - a woman with kind eyes. She is very embarrassed, because earlier only her relatives and friends knew about her work. These beautiful embroideries should be seen by all residents of our city. In addition to embroidery, Lyudmila Nikolaevna is engaged in knitting and beading. Lyudmila Nikolaevna began to engage in creativity not very long ago, only 4 years ago. But she knew how to embroider since childhood. She was taught this by her mother, who was also a needlewoman. For 4 years, Lyudmila Nikolaevna has achieved great mastery in the art of embroidery. Her paintings are amazing, it seems that they are painted with paints, and not embroidered with threads.
Serdyukov Mikhail Nikolaevich was engaged in basket weaving from the age of seven. He was taught by his father, who in turn was taught by his father. After the 5th grade, Misha already worked on the collective farm: weaving baskets for workdays. He served in the ranks of the Soviet Army, married (more than forty years of marriage). He grows a vine in the yard. He also makes his own tools for the job. All dyes - only natural, natural. People come to Mikhail Nikolayevich for household items not only from nearby settlements, but also from other regions. He participates in exhibitions of masters. In addition to basket weaving, Mikhail Nikolayevich is also an excellent carpenter, carpenter, parquet worker. She dreams of passing her skills on to the younger generation.
Popovich Valentina Ivanovna was born in 1933 in Kropotkin. Here she spent her childhood, youth, studied, worked, retired. At first glance, a monotonous and boring life, but it was not there. While working, she took an active part in the life of the enterprise, the city. After her retirement, she headed the city council of veterans, where even now she does not let anyone calm down. I learned to crochet when I was less than 10 years old. She knitted purses that she sold to buy books. These were the first and last sold works. All subsequent works are only carefully stored or given to people as a keepsake. He has been exhibiting his work at exhibitions for more than 20 years.
Zabolotskikh Irina Vasilievna was born in 1937. She went to work early, because there were 9 children in the family, she studied in absentia. She moved to our city in 1962. She learned to crochet in the 3rd grade, and she learned to embroider in her youth on her own. While raising children, it was difficult to carve out time for hobbies. But over the past 15 years she has embroidered more than 150 paintings. There are no special preferences - if only the soul lay down. Irina Vasilievna showed her paintings both at personal exhibitions and at exhibitions of various levels.
Sebenkova Nina Timofeevna was born in 1953. Since childhood, she liked to sew. I became interested in beading relatively recently: a little over a year ago. It all started with a Christmas tree. She dreamed of making the first beaded tree herself, and not buying it. Then there were new ideas, developed its own style of weaving. Now Nina Timofeevna has a great many ideas and ideas that she brings to life with pleasure.
Bobrova Vera Ivanovna is 72 years old. She knits and crochets beautifully. The first product was knitted for a four-year-old daughter. Countless jackets and blouses, skirts, tablecloths, napkins adorn the lives of friends and relatives. At the age of 65, Vera Ivanovna took up the development of a new technique - weaving from beads. Flowers of amazing beauty of the finest work, necklaces, earrings, bracelets - this is an incomplete list of her products. The products of Vera Ivanovna Bobrova are an adornment of any exhibition.
We have not told about all the masters of arts and crafts of the city of Kropotkin. In the future, we are already planning to get acquainted with other masters: to talk about them, to learn from their experience. We ourselves also try to be worthy of the MASTERS of our city. We manage to do some decent work. It's so wonderful: to decorate life and give joy to people!
