Early stages of the formation of cultural knowledge. The main stages in the development of cultural knowledge

26.06.2020
Culturology: Textbook for universities Apresyan Ruben Grantovich

2.1. The formation of cultural knowledge

Initially, the study of culture proceeded within the boundaries of philosophical problems and in line with the philosophy of history. For the first time using the concept of "culture" as opposed to "nature" - "nature", the ancient authors defined the boundaries of the study - an artificial world created by man himself. In the philosophy of the 17th-18th centuries, the study of culture takes place as a study of ontological (i.e., related to the most general patterns of being) problems, as well as a process of systematizing accumulated historical knowledge. In European history, the 18th century, called the Age of Enlightenment, became the "age of philosophy." The Enlighteners sought to establish a cult of Reason, therefore, they made everything that was created by the Human Mind the subject of their research.

The authors of that time closely associated the development of culture with ethical and aesthetic problems, but they narrowed the very concept to the limit, in fact making the word "culture" a synonym for the concepts of "education" and "education". Historical knowledge was just as limited, representing a list of names and events in European history since ancient times.

The European historical and philosophical tradition of the 18th century is dominated by eurocentrism - by "culture" is meant only the culture of Europe since ancient times. The first to retreat from this position Johann Gottfried Herder(1744–1803). In his work “Ideas for the Philosophy of the History of Mankind”, he describes the progressive development of European culture - facts from the history of other cultures and peoples were almost unknown to his contemporaries. However, Herder's views are much deeper than those of other authors of his time - historians and philosophers. Culture, according to Herder, is the result of human activity, it includes science, language, religion, art, and the state. At the same time, the history of mankind is the history of its culture. The culture of every nation, every historical epoch is very peculiar, therefore every culture requires deep study and every studied culture should be treated with due respect. Giving a description of the culture of the Middle Ages, which was considered to be the time of decline and degradation of all forms of spiritual life, Herder argues that there are no peoples outside of culture, that the Middle Ages is not a “step back”, but the same stage in the development of culture as Antiquity or Modern times. According to Herder, one can talk about the independent development of culture, but at the same time take into account that quantitative changes occur over time that do not make culture perfect qualitatively, therefore there can be no “bad” or “good” periods in the history of culture. It was a step towards creating cultural anthropology. Herder comes to the conclusion that culture is created by people and it is through acquaintance with culture that a person becomes a proper person.

The development of philosophical thought at the turn of the 18th-19th centuries led to a comprehensive study of the human personality, including in the context of culture. Philosophers raise the question of the essence of man and see its solution in defining the personality as a Homo sapiens, which is presented to them as the result of education and upbringing, i.e., the direct impact of the cultural environment. Enlighteners introduce into active circulation the concept of "culture" as a personality-forming principle.

The study of culture continues in the works of the classics of German philosophy I. Kant and G. Hegel. Immanuel Kant(1724-1804) saw in the development of culture the path of man to moral perfection. According to the Kantian system, man belongs both to the world of "nature", phenomena, and the world of "freedom", noumenons. “Freedom” is what it should be if one follows the highest moral rule, which Kant calls the “categorical imperative”: “Do unto others as you would like them to do unto you.”

In obedience to this moral law, man realizes his freedom. The ability of a person to realize these tasks and try to follow them is culture. However, Kant does not write about "culture" in general, but about its specific forms - the culture of communication, the culture of mental activity. Culturological problems are not singled out by Kant as independent, but are part of his philosophy of nature. Kant extends his critical method not only to the analysis of nature, but also to the study of the spiritual aspects of human existence.

In the philosophical system Georg Hegel(1770-1831) the philosophy of culture does not occupy such a significant place. Culture in Hegel is traditional "education". In his writings, a philosophy of history is formed as a phased embodiment of freedom and its awareness by the spirit.

In the 19th century, which replaced the "age of philosophy", culture is studied by historians. They make civilizations the subject of their research, they study various historical and temporal forms, considering them to be different "cultures". Historians of the 19th century analyze the rapidly growing factual material. Firstly, this is a huge amount of written and archaeological sources relating to the history of Europe. Interest in the history of early Christianity serves as an impetus for the study of ancient history, translation and comparison of texts written in ancient Greek and Latin, and archaeological excavations. Following the tradition of ancient authors, the history of Europe begins with the history of Ancient Greece and Ancient Rome. All antiquity is divided into "civilized" antiquity and "barbarism", which unites the rest of the world. Both the "civilized" and "barbarian" beginnings of European history require a clear definition of their spatial and temporal boundaries, a comparative analysis. Secondly, The era of the Napoleonic Wars "discovered" Ancient Egypt for Europeans and marked the beginning of the study of the Ancient East. The deciphering of Egyptian hieroglyphs made it possible to discover a hitherto completely unfamiliar, wonderful world of ancient civilizations. They also needed to be included in the number of cultural achievements, and this made it necessary to expand the boundaries of the cultural area from European to global. Third, Europeans are "discovering" the contemporary East for themselves. It was necessary not only to study the peculiar achievements of India, China, Japan, but also to comprehend what is the originality of these cultures and, most importantly, what are the foundations and prospects for dialogue with them. Fourth, Numerous missionary trips and geographical expeditions gave a variety of descriptions of the life and customs of those peoples who were still at the primitive stage of development - the natives of Australia, the Indians of America, the indigenous inhabitants of Africa, the peoples of the North. Many different cultures, ancient and modern, had to be studied.

One of the first authors who summarized historical data and conducted their cultural study was Nikolay Yakovlevich Danilevsky(1822 1885). He turned to the question that has been central to Russian social thought since the 17th century - which way is Russia going? Entering into the discussion of this issue on the side of the Slavophiles, N.Ya. Danilevsky saw this problem as a culturological one - what culture is Russia closer to? In his book "Russia and Europe" (1869), he builds a theory of cultural and historical types, speaking about the peculiarities and originality of Russian culture among other "indigenous" cultures. Danilevsky divided all the peoples known to historians into three groups:

Firstly,"positive", that is, those who created great civilizations, called "cultural-historical types." N.Ya. Danilevsky called the following types - Egyptian, Assyrian-Babylonian-Phoenician-Chaldean, or ancient Semitic; Chinese; Hindi-Indian; Iranian; Hebrew; Greek; Roman; neo-Semitic, or Arabic; Germano-Romance, or European. The Mexican and Peruvian types perished without completing the full cycle of their development;

Secondly,"scourges of God", which acted as destroyers of decrepit civilizations, such as the Huns, Mongols, Turks;

Thirdly, a kind of "ethnographic material" that enriched other civilizations, such as the Finns.

All civilizations, like a living organism, go through the stages of origin and formation, flourishing and gradual dying. Their development takes place in accordance with the laws of cultural and historical development:

"Law 1. Any tribe or family of peoples… constitutes an original cultural-historical type, if it is capable of historical development at all due to its spiritual inclinations…

Law 2. It is necessary that peoples, to him (cultural-historical type. - Note. auth.) owned enjoyed political independence.

Law 3. The beginnings of a civilization of one cultural-historical type are not transmitted to peoples of another type.

Law 4. Civilization, characteristic of each cultural-historical type, only reaches fullness, diversity and richness when the ethnographic elements that make it up are diverse - when they ... enjoying independence, form a federation ...

Law 5. The course of development of cultural-historical types is most similar to those ... plants in which the growth period is indefinitely long, but the period of flowering and fruiting is relatively short ... "

Danilevsky defines four main foundations of cultural activity: religious, political and economic, scientific and technological, aesthetic. Each of the cultural-historical types that have passed their life cycle manifested itself in one or two directions, for example, the Romano-Germanic type especially succeeded in the political-economic and scientific-technological directions. It should be replaced by a new type, which is only moving towards its heyday - Russian-Slavic. This type will be essentially different from all previous ones precisely in that it develops equally on all four foundations.

The author, who continued the direction determined by N.Ya. Danilevsky, became Oswald Spengler(1880–1936). His book Oakat of Europe, published in 1914, became a kind of bestseller. Spengler strikes at the concept of Eurocentrism, describing various cultural and historical types, in each of which he sees a manifestation of a natural path of growth, development and death of culture. Life, according to Spengler, is wider and more diverse than culture. Each culture, like a living organism, lives its own "life" and has its own "soul", which makes all cultures inimitable and unique. So, for example, Spengler calls the ancient culture "Apollo", European - "Faustian", Byzantine-Arabic - "magic". Each culture has its own path and its own “destiny”. Spengler seeks to comprehend the crisis of European culture at the beginning of the 20th century, to determine its causes and consequences. Unlike N.Ya. Danilevsky, who did not share the concepts of "culture" and "civilization", O. Spengler contrasts them. He called “civilization” the last stage of the development of culture, when it moves to a technical level, replacing humanistic values ​​with material well-being.

A detailed description of various cultures, their typology and analysis of historical development are given in the work Arnold Toynbee(1889–1975) "Comprehension of History". Toynbee raises the question of the driving force of history, considering "civilization" as the basic unit of history. Like his predecessors, the historian studies in detail the various types of civilizations, following a cyclic pattern: birth, growth, flourishing, breakdown, decay - successive stages in the life of any civilization. He considers the mechanism of development to be a confluence of circumstances that develop according to the "challenge" - "response" scenario. "Challenge" - some events that dramatically change the course of history. In order to “respond”, some group of people is needed who is aware of this “challenge” and will accept it. Considering this process necessary for progressive development, Toynbee assigns the main role to a small elite group - priests, leaders, politicians, scientists, who can lead an uninitiated mass. In his opinion, the growing authority of scientific knowledge and the growing influence of religion can have an active impact on public consciousness, on the economy, and on politics. All known history of culture, or civilization, A. Toynbee divides into several generations. The first is primitive, non-literate cultures that develop spontaneously. The second is dynamically developing cultures that put forward bright personalities who lead them. There were four centers of such cultures - Egyptian-Sumerian, Minoan, Chinese, South American. The third generation, in which there are less than ten cultures out of three dozen, is based on "secondary" and "tertiary" religious systems that have grown out of the "primary". According to the theory of A. Toynbee, the death of civilizations is not fatal. He is looking for some new spiritual theory that can overcome the disunity of humanity and thereby save it.

The analysis of history as a single spiritual being of man was carried out Karl Jaspers(1883–1969). From the cyclic scheme, he again returns to the idea of ​​a single line of human development. In his work “The Meaning and Purpose of History”, K. Jaspers defines culture as a way of human existence. At the basis of the movement of human history, K. Jaspers believes a certain supernatural, religious principle. The periodization of history given by him is based on the principle of the evolution of self-knowledge by a person of himself in the process of understanding the laws of world development. Jaspers identifies four stages of this path - the Promethean era, prehistoric, when a person only becomes himself, that is, a cultural being; the era of the great cultures of antiquity - the Sumerian-Babylonian, Egyptian, Aegean, pre-Aryan and Chinese; the era of the spiritual basis of human existence (axial time) - the emergence of a single axis of world cultures, spiritually united in essence, the formation of culture as such; the era of the development of technology, which will lay the foundations for the formation of new cultures, and on their basis - a new axial time, which will become the time of the formation of a new, universal culture that unites all mankind.

In the second half of the 19th century, man himself as the creator and bearer of culture became the subject of study. The science of the formation of man becomes anthropology. Sociology and ethnography, which later turned into independent sciences, are formed as branches of anthropology. Since that time, we can talk about the emergence of trends that in the 20th century will turn into various schools of cultural studies. Anthropological school was one of the first such schools.

A revolutionary event was the publication in 1868 of the book Edward Tylor(1832–1917) "Primitive Culture". The name itself became revolutionary for that time - the concepts of "primitive" and "culture" were considered incompatible. However, it already follows from the name - there are no uncultured peoples and periods in history. The era of primitiveness, which was previously considered barbaric, pre-cultural, is in fact a manifestation of a special form of culture. Tylor not only describes, but also systematizes a huge ethnographic material, characterizing the common features of not only the material, but also the spiritual culture of primitive times, looking for patterns in the evolution of various forms of culture.

Ethnographic research formed the basis for studying the phenomena of world culture on the basis of traditional cultures in the works Bronislav Malinovsky(1884–1942) and Franz Boas(1858–1942).

At the turn of the 19th and 20th centuries, psychologists began to study culture. School founder psychoanalysisSigmund Freud(1856-1939) considered it possible to apply psychological methods to the study of cultural phenomena - myth, religion, art. Freud saw in the study of culture an opportunity to find the mechanism that limits the manifestation of the biological element, the instinctive principle in the personality of a person, considering him to be a being, which is led primarily by the mind, and the biological manifests itself in the unconscious (for example, in dreams). Work 3. Freud "Totem and Taboo" (1913) was the starting point for the formation psychological school in cultural studies. Freud, based on his experience as a practicing physician and exploring the manifestations of the unconscious in the human psyche, tried to explain the essence of the phenomenon of creativity, wanted to determine the features of the psychological foundations of art, science, and religion. According to the psychoanalyst, culture opposes the manifestation of a person's destructive aspirations, such as, for example, aggression. In The Dissatisfaction with Culture (1930), Freud wrote: "Culture must strain all its forces to put a limit to the aggressive inclinations of a person, to restrain them with the help of appropriate mental reactions." His works such as “Psychology of the Masses and Analysis of the Human Self” (1921), “The Future of an Illusion” (1927) can also be considered culturological.

To a greater extent, cultural issues are manifested in the works K.G. cabin boy(1875–1961). Along with the individual unconscious, Jung explores a deeper layer that, in his opinion, remains in the human psyche - the collective unconscious, which manifests itself in the form archetypes. It is the archetypes - some universal prototypes (the archetype of the Mother, the archetype of the Virgin, the archetype of the Spirit, etc.) that, according to Jung, are the foundations of culture. Studying the evolution of myth, Jung considers the manifestation of the archetypes he singled out in various variants of cultures. The typological approach is used by Jung in the study of psychology, philosophy and mythology of the East. He refers India, Tibet and China to the cultures of the East, deliberately not uniting these cultures with the Islamic one. Analysis of the psychotechnics of the East, such as meditation or yoga exercises, is necessary, according to Jung, to identify common features not only of Eastern, but also of Western cultures, which he constantly compares: “The West is always looking for elevation, ascension; East - dives and deepenings. External reality, with its spirit of corporeality and heaviness, always seems to a European to be much stronger and more demanding than to an Indian. Therefore, the former seeks exaltation over the world, while the latter willingly returns to the maternal bowels of nature.

At the beginning of XX formed symbolic school in cultural studies. The founder of the symbolic school in philosophy E. Cassirer(1874-1945) considered symbolic thinking and symbolic human behavior to be the main foundation of culture. L. White also studied culture from the same positions. The study of culture was carried out in line with the study of various symbolic forms of its existence. A special place was given to the analysis of such a symbolic system as language.

Structural methods studies that originated in linguistics began to be widely used in the history of cultural life (F. Saussure), a hypothesis is put forward about the so-called linguistic relativity (B. Whorf). We are talking about the defining role of language in the formation of the specific features of each culture. According to B. Whorf, each language, on the one hand, is a reflection of certain ideas about the surrounding world, on the other hand, it forms a special, specific way of thinking. It follows that differences between languages ​​(for example, in temporal structures) are due to differences between cultures in the perception and development of the world.

Structural method used in the study of primitive society Claude Levi-Strauss. Exploring the language forms of the American Indians, he shows the formation of culture as a result of symbolization processes reflected in the language.

In accordance with the basic ideas of Russian religious philosophy, the subject of cultural research can only be a phenomenon that is absolutely opposed to reality that can be described historically. Taking as a basis the European opposition of culture and civilization as lack of spirituality, philosophers paid attention primarily to the sphere of the Spirit (recall that philosophers XVIII centuries have defined the Absolute not as Spirit, but as Mind).

The tradition of Danilevsky, Spengler and Toynbee follows Nikolai Alexandrovich Berdyaev(1874 1948), dismissing the linear interpretation of the development of history as untenable. Each culture, in his opinion, is both mortal and immortal, since the temporary elements or values ​​of culture die, while the eternal ones continue to exist. “There is a great struggle between eternity and time in culture, a great resistance to the destructive power of time.” Western culture, according to Berdyaev, has gone through the stages of barbarism, medieval Christianity and modern secular humanism. Humanistic culture, exhausted, led to its own death. Berdyaev himself wrote that "there are two principles in culture - a conservative one, turned to the past and maintains a continuity with it, and a creative one, turned to the future and creating new values" . Culture creates eternal values ​​for their own sake, but as soon as pragmatic tasks arise, it is powerless. Following Spengler, Berdyaev considers the technical stage of the development of culture - civilization - a manifestation of the dying of culture, when the spiritual principle is replaced by the base, instead of organisms there are mechanisms.

But the path of the death of culture through its transformation into civilization is not the only option for its development. Culture can follow a different path - the path of a religious renewal of life. This was the Christian medieval culture, but then Christianity ceased to be a proper religion, verbalized and ritualized. Berdyaev wrote that Russia did not survive the period of humanism and the Renaissance, like Western Europe, but it survived the crisis of humanism much more acutely, since “Russian humanism was Christian, it was based on philanthropy, mercy, pity, even among those who in their minds retreated from Christianity". In his works, Berdyaev is not so much concerned with the problem of systematizing historical types of culture as he considers the development of spiritual culture in a concrete historical aspect. His book "The Origins and Meaning of Russian Communism" is devoted to the analysis of the evolution of socio-political theories in Russia and their influence on the spiritual life of Russian society. One of the burning problems for philosophers and publicists in Russia was the definition of the essence of such a stratum of society as the intelligentsia, and the designation of its role in the spiritual development of the country. Defining the intellectuals as "the best people of their time", Berdyaev was able to predict with amazing accuracy the path of development of Russia in the 20th century, the tragic fate of the Russian intelligentsia.

In the traditions of Russian religious and philosophical thought, the theory P.A. Florensky(1882-1938), who believed that the basis of "culture" is "cult", which he understood as that part of reality where the earthly and divine are combined, and "culture" in all its manifestations is the "side shoots" of the cult.

At the end of the 19th - beginning of the 20th century, there was a turn from the study of the philosophy of culture to the problems of sociology culture. The subject of study for culturologists is society.

The problems of the evolution of European culture as the evolution of ideal forms of political structure are considered by Max Weber(1864–1920). Weber is looking for rationalistic foundations for the development of culture. This is the aim of his study of the economic foundations of religious life ("The Protestant Ethic and the Spirit of Capitalism"). According to Weber, in the social sciences, as in the natural sciences, the basis is scientific abstractions, which he calls "ideal types". These are "feudalism" and "capitalism", "city" and "village", "state" and "church". In addition, Weber addresses the problem of method in the social sciences. Speaking about the method, Weber comes to the conclusion about the unity of research methods in the natural and social sciences.

Since the middle of the 20th century, sociological problems have come to the fore. The concrete sociological method in the study of the history of culture applied Pitirim Sorokin(1889–1968). Sorokin collected a huge amount of empirical material, summarizing which he used the mathematical methods adopted in sociology. Analyzing quantitative data, he draws conclusions about the trends and processes that took place in certain periods of history (for example, citing data on the quantitative ratio of religious and secular subjects in works of art in different periods of the Renaissance, he shows an increase in the trend towards the secularization of spiritual life in the period under study) . As a sociologist, P.A. Sorokin reveals the connection between the development of culture and social processes, looking for patterns in such a relationship.

Thus, the formation of cultural studies as a science followed the path of the formation of several schools: anthropological, philosophical, psychological, sociological.

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1.3. The main stages of the formation of cultural studies

The development of culture was accompanied by the formation of its self-consciousness. Thinkers have always sought to understand and evaluate the phenomena of culture, thereby influencing the cultural processes taking place in society. "The process of developing and expressing a spiritual, intellectual and emotional attitude to culture can be called the formation of cultural studies."

The periodization of the stages of the formation of cultural studies can be carried out for various reasons. Allocate preclassical (antiquity, middle ages); classical (XIV - the end of the XIX century); non-classical (first half of the 20th century); post-non-classical (late 20th century) stages. Other authors give a different periodization: pre-scientific, scientific-historical and scientific-philosophical stages. V. Rozin distinguishes the following periods of the formation of cultural studies: philosophical (here the very idea of ​​culture is constituted); empirical study of cultural phenomena; building cultural studies as a scientific discipline; deployment of applied research.

At the same time, many researchers believe that the periodization of cultural studies to a certain extent can be based on the chronology of historical types of culture: antiquity and antiquity, the Middle Ages, the Renaissance, the New Age, and the present.

Consider the formation of cultural studies, based on the last of the above periodization schemes.

In antiquity and antiquity, mythological ideas about the laws of the cultural and historical process dominated. However, already in the myths, an attitude towards culture as an intermediary between nature and man, as a manifestation of the creative powers of man, given to him by the gods, was developed. Homer and Hesiod were the first systematizers of ancient mythological ideas about the patterns of the cultural-historical process. So, in the poems of Hesiod, a clear line is drawn between the kingdom of nature and the kingdom of people. This limit lies in morality. Thus, Hesiod initiated the understanding of culture as a manifestation of morality in society.

At the same time, in antiquity and antiquity, the concept of "culture" was often interpreted as a purposeful human impact on nature (for example, cultivating the land, planting gardens, etc.), although there was another understanding of it - the upbringing and education of the person himself. In ancient consciousness, the concept of culture is identified with paydeia, that is, education. Paideia, according to Plato, meant a guide to changing the whole person in his being.

The problems of the philosophy of culture were first recognized by the sophists, who formulated the antinomy of the natural and the moral (identified with culture).

As already noted, the scientific term “culture” appeared only in the 17th century, but at the early stages of historical development there were concepts similar to it (for example, jen in the Chinese tradition, dharma in the Indian tradition). In Latin, the word "culture" appears. For example, Mark Porcius Cato wrote a treatise on agriculture, the translation of the title of which is “agriculture”. It was not only about the cultivation of the soil, but also about a special spiritual attitude towards it. Therefore, "culture" here also meant reverence, worship. The Romans used the word "culture" in the genitive case: culture of speech, culture of thought, etc.

In the late Roman era, another interpretation of the concept of "culture" was born, close to the concept of "civilization". Culture was associated with a positively assessed urban way of life.

In the Middle Ages, more often than the word "culture", the word "cult" was used. In the writings of the thinkers of that time, culture was associated with signs of personal perfection. Such, for example, is the religious interpretation of culture in Christianity. In the works of Augustine the Blessed, a providential understanding of the history of culture was given, that is, its gradual path to the kingdom of God through the inner revelation of God in man.

In the Renaissance, there is a return to the ancient meaning of the word "culture" as a harmonious and sublime development of a person, containing his active, creative principle. Accordingly, the improvement of culture began to be understood as the embodiment of the humanistic ideal of man.

In modern times, there is a big change in the interpretation of the phenomenon of "culture". Culture begins to be understood as an independent phenomenon and means the results of the activity of a social person. Culture is opposed to nature, with its spontaneous and unbridled principles. It more and more coincides with such phenomena as enlightenment, education, upbringing. Such an understanding of culture in this period is not accidental. The formation of machine production, the great geographical discoveries, the formation of scientific knowledge and its rapid growth - all this spoke of the decisive role of man and society in the processes of their life. Therefore, culture was conceived as the cumulative result of what mankind has achieved.

The French enlighteners of the 18th century (Voltaire, Turgot, Condorcet) reduced the content of the cultural-historical process to the development of the human mind. Culture itself was identified with the forms of the spiritual and political development of society, and its manifestations were associated with the movement of science, morality, art, public administration, and religion. The goals of culture were considered by the authors in different ways. Thus, in the eudaimonic concepts of culture, its goal was determined from the highest purpose of the mind - to make all people happy; in naturalistic ones - to live in accordance with the demands and needs of one's natural nature.

During this period, the main approaches to understanding the development of culture are formed. Thus, D. Vico puts forward the idea of ​​a cyclic development of culture, believing that all peoples at different times go through three stages: the era of the gods - the childhood of mankind; the era of heroes - his youth; the era of people is its maturity. Moreover, each era ends with a general crisis and collapse. The philosophy of history of Voltaire and Condorcet was based on the idea of ​​the progressive development of culture. Progress was conceived by them as progressive movement on the basis of the unlimited development of the human mind.

Thus, the figures of the Enlightenment are characterized by the search for the meaning of history precisely in connection with the development of culture.

At the same time, the concept of "civilization" appeared, the essence of which was urbanization and the growing role of material and technical culture. At the same time, already within the framework of the Enlightenment, a “criticism” of culture and civilization is being formed, opposing the corruption and moral depravity of “cultural” nations with the simplicity and purity of the morals of peoples who were at the patriarchal stage of development. Rousseau wrote that the development of sciences and arts did not contribute to the improvement, but to the deterioration of morals, and the evil associated with social inequality swallowed up all the good that the development of culture gave. Rousseau idealized the patriarchal way of life, the natural simplicity of morals.

Criticism of civilization and culture was accepted by German classical philosophy, which gave it the character of a general theoretical understanding. However, philosophers saw the resolution of the contradictions of culture in different ways. Kant believed that a person experiences a strong influence of culture, it is she who determines his boundaries of knowledge, makes him deviate from his natural state. But through moral self-consciousness, a person can break out of the clutches of culture and preserve his I. It is moral consciousness that is the means of liberation of the spirit. Other philosophers, such as Schiller, the romantics, saw such a means in aesthetic consciousness.

The most complete and profound analysis of culture and its development was given in that period by Hegel. He associated the development of culture with the gradual self-realization of the spirit. Each stage of culture differs from another, in his opinion, by the fullness of the presence of the spirit. In philosophical consciousness, it is represented to the maximum. Culture, thus, acts as an area of ​​human spiritual freedom, which lies beyond the limits of its natural and social existence. Culture is one, but at the same time it is multiple, since it is realized through the spirit of peoples. Hence the variety of types and forms of cultural development, which are located in a certain historical sequence and form in the aggregate a single line of the spiritual evolution of mankind.

An important role in the development of cultural studies was played by the ideas of the German philosopher-educator J. Herder. His understanding of the development of culture is based on the principle of the organic unity of the world. He considered culture as a progressive development of the abilities of the human mind. Accordingly, culture as part of the world develops progressively and leads humanity to goodness, reason and justice. According to Herder, there are several approaches to the interpretation of culture: as a progressive development of the spiritual life of a person, as a certain stage in the development of mankind, as a characteristic of the values ​​of education. Herder's ideas were later embodied in several directions in the study of culture: they created a tradition of comparative historical study of culture (W. Humboldt); laid the foundation for a view of culture as a particular anthropological problem; led to the emergence of a specific analysis of the customs and ethnic characteristics of culture.

In the 19th and early 20th centuries, many philosophical, sociological and other concepts comprehended the problems associated with culture. Thus, in the "philosophy of life" an irrationalistic interpretation of culture is formed. First of all, the theory of a single linear evolution of culture was criticized. It was opposed to the concept of "local civilizations" - closed and self-sufficient, unique cultural organisms that go through stages of growth, maturation and death (O. Spengler). Similar ideas were developed by A. Toynbee. At the same time, civilization and culture were opposed to them.

Sometimes this opposition took on extreme forms of expression. For example, F. Nietzsche put forward the idea of ​​“natural anti-culture” of a person, while any culture was considered as a suppression of his natural, perfect state. Within the framework of this direction, special ways of knowing culture were formed. V. Dilthey believed that the life of culture cannot be explained, but can only be felt through empathy, empathic vision. A. Bergson, one of the representatives of the philosophy of life, proposed to divide all cultures into two types: closed, in which life is determined by instincts, and open, based on active interaction with other cultures.

By the end of the 19th century, a conviction was formed that a special science was needed to study culture. Moreover, the idea is expressed that a special approach to the study of cultural phenomena is also needed. Neo-Kantians (W. Windelband, G. Rickert, and others) played an important role in solving these problems. According to Rickert, culture has a value character, and its phenomena are unique, therefore its knowledge consists in correlating cultural phenomena with a certain kind of values ​​- moral, aesthetic, religious, etc. Neo-Kantians saw in culture, first of all, a specific system of values ​​and ideas that differ their role in the life of a particular society.

Under the influence of the “philosophy of life”, an existentialist understanding of culture arose. Its essence lies in the analysis of a person's experience of his being or direct existence in culture. A person feels his presence in culture as "abandonment", expressed in belonging to a certain class, people, group. But he can overcome this state, revealing his true destiny in this world, his existence (K. Jaspers, M. Heidegger, H. Ortega y Gassett, etc.).

Since the last third of the 19th century, the study of culture has developed within the framework of anthropology and ethnography. At the same time, different approaches to understanding culture were formed. E. Tylor laid the foundation for cultural anthropology, where the concept of "culture" was defined through the enumeration of its specific elements. F. Boas proposed a method for a detailed study of primitive societies, namely their customs, language, etc. B. Malinovsky and A. Radcliffe-Brown laid the foundations of social anthropology, based on the connection between culture and social institutions. At the same time, the function of culture was seen in the mutual correlation and ordering of the elements of the social system.

In structural-functional analysis (T. Parsons, R. Merton), the concept of "culture" began to be used to designate a system of values ​​that determines the degree of orderliness and manageability of the entire life of society. In structural anthropology (K. Levi-Strauss), language was considered as the basis for the study of culture. The methodological basis was the use of some methods of structural linguistics and information theory in the analysis of the culture of primitive societies. The representatives of this trend were characterized by the idealization of the moral foundations of primitive societies. Mythological thinking was characterized by them as a harmony of rational and sensual principles, destroyed by the further development of mankind.

Among other areas of modern cultural studies, we highlight the following:

Theological cultural studies. Culture is considered in its correlation with religious ideals. P. Teilhard de Chardin, one of the representatives of this trend, made a huge contribution not only to the development of the religious interpretation of culture, but also to comparative cultural studies, to the study of primitive societies (he was among the discoverers of Sinanthropus, the oldest type of fossil man);

Humanistic cultural studies (A. Schweitzer, T. Mann, G. Hesse and others). This direction proceeds from the close connection between culture and ethics, while the actual progress of culture is seen as inseparable from moral progress, and its criterion is set by the level of humanism in society;

Psychological direction in cultural studies (R. Benedict, M. Mead). Based on the concept of Z. Freud, who interpreted culture as a mechanism of social suppression and sublimation of unconscious mental processes, as well as on the concept of neo-Freudians (K. Horney) about culture as a symbolic fixation of direct mental experiences, representatives of this trend interpret culture as an expression of the social universal significance of the basic mental states;

Marxist cultural studies. The interpretation of culture in Marxism is based on a materialistic understanding of history. Marxism establishes the genetic connection of culture with human labor, with the production of material goods as the defining type of activity. At the same time, attention is drawn to the fact that labor is determined by social conditions, that the economic relations of people play a decisive role in the development of culture. At the same time, the very development of culture has a contradictory character, in connection with which two types of culture are distinguished in Marxism, each of which expresses the goals and interests of antagonistic classes.

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The etymology of the term "culture" goes back to the Latin cultura - processing, cultivation. Originating in the era of agriculture, the word cultura fixed the measure of human participation in the ennoblement of nature. For a long time, this concept was used to determine the influence of man on nature, to identify the results that a person achieved in mastering its forces. By the end of the 17th century, in the writings of the German scientist Puffendorf (1684), culture appears in a generalized form as a human act without taking into account the natural in it and the environment. There is a point of view that "culture" is a counterculture. Puffendorf gave the term "culture" a value coloring, pointing out that culture, in its purpose, in its significance, is what elevates a person, acts as a result of his own activity, complementing his external and internal nature. In this interpretation, both the phenomenon and the term "culture" approached scientific understanding. But nevertheless, as an independent phenomenon of social life, worthy and requiring scientific research, culture was recognized and considered in the second half of the 18th century. during the Age of Enlightenment. Enlighteners (in particular, Jean-Jacques Rousseau) singled out culture as something, as a phenomenon that opposes the natural environment, natural Nature. Rousseau interprets culture as something that alienates a person from natural nature. Therefore, the function of culture in Rousseau is destructive. Cultural peoples, in his opinion, are "spoiled", morally "corrupted" in comparison with "pure" primitive peoples. The German Enlightenment at the same time, on the contrary, emphasized the "creative", progressive nature of culture. In their opinion, culture is a transition from a more sensual and animal state to a social order. In the animal state, they believed, there is no culture. With its appearance, the transformation of humanity from the herd nature of the common existence to the public one, from the uncontrolled to the organizational and regulatory, from the non-critical to the evaluative-reflexive, is carried out. An important milestone in the formation of the concept was the ideas of the German educator Johann Gottfried Herder, who interpreted culture as a stage in the improvement of man and, above all, a stage in the development of science and education. In his interpretation, culture is what unites people, acts as a stimulus for development. Another German thinker, Wilhelm von Humboldt, emphasized that culture is the domination of man over nature, carried out with the help of science and craft. Both in the concept of Herder and in the concept of Humboldt, in fact, culture is considered as a content, a characteristic of social progress. The German philosopher Immanuel Kant associated the content of culture with the perfection of the mind, and therefore social progress for him is the development of culture as the perfection of the mind. Another German thinker, Johann Gottlieb Fichte, associated culture with spiritual characteristics: for him, culture is independence and freedom of the spirit. Thus, in the positions presented, culture is characterized as the spiritual side of social life, as a value aspect of the spiritual component of a person. At the end of the 19th century, inheriting enlightenment ideas about the progressive dynamics of social life, the German economist and philosopher Karl Marx, based on a materialistic understanding of history, put forward material production as the deep foundation of culture, which led to a division into the material and spiritual aspects of culture, with the former dominating. K. Marx expanded the content boundaries of culture, including in it not only spiritual, but also material formations. However, the merit of Marx also lies in the fact that he substantiated the connection of culture with all spheres of social life, showed culture in all social production, in all social manifestations. In addition, he saw in culture a functional ability to link the history of mankind into a single holistic process. The first attempt to define culture was made by the English ethnographer Edward Bernard Tylor, the founder of the evolutionist school, who understood culture as a complex whole, consisting of “knowledge, beliefs, art, morality, laws, customs, and some other abilities and habits acquired by man as a member of society.” His merit is that he gave a fairly broad understanding of culture, which covers a wide range of vital social manifestations. Culture in Tylor's understanding appears as a simple enumeration of heterogeneous elements that are not connected into a system. In addition, he argued that culture can be viewed as a general improvement of the human race. It was this idea and an attempt to transfer Charles Darwin's idea to social development that formed the basis of evolutionism. In the approach of E.B. Tylor to the definition of culture laid another milestone in the development of the concept of culture. This is a study of the relationship between the concepts of culture and civilization. Civilization sometimes acts as a level, a stage in the development of culture. Tylor does not distinguish between culture and civilization, for him culture and civilization in a broad ethnographic sense are identical concepts. This is characteristic of English anthropology. However, in the German (O. Spengler, A. Weber, F. Tennis) and Russian (N.A. Berdyaev) traditions, civilization and culture are opposed. Culture is understood as an "organic" state of society, which is characterized by spirituality and free creativity. Religion, art, morality lie in the field of culture. Civilization, using methods and tools, has no spiritual component, rational, technological. According to O. Spengler, this is the "dead time" of culture. One of the first to come close to understanding culture as a system was the English sociologist Herbert Spencer (1820 - 1903), who considered society and culture as an organism, which has its own organs and parts of the body. And what is essential here is not the identification of culture with the physiological nature of the organism, but the fact that different parts of society, having their own functions, are in unity. Also considering culture as a single organism, the German cultural historian Oswald Spengler takes it a step further by showing in his work The Decline of Europe that every cultural organism is not permanent, but dynamic. But this dynamics is within the boundaries of a certain cycle: birth, flourishing, death, as in any biological organism. It is especially important that Spengler saw the cultural essence of such an organism in the inner structure of the soul of this or that people. Thus, Spengler found himself within the framework of the interpretation of the psychological essence of culture. The names of the English anthropologists Alfred Reginald Radcliffe-Brown and Bronislaw Malinowski are associated with a further stage in the scientific interpretation of culture. They were among the first to single out in the nature of culture its active essence. Radcliffe-Brown, understanding culture as a living organism in action, believed that the study of the structure of this organism includes the study of the functions of structural elements both in relation to each other and in relation to the whole. Malinovsky directly linked culture, its functioning with the satisfaction of activity needs. In the 50s of the XX century. comes the realization that culture is the content of social life, which ensures the integrity and viability of society. Therefore, each society has its own culture, which ensures reproduction and its vitality. Because of this, it is impossible to evaluate cultures according to the principle “worse - better”, more developed or less. This is how the theory of cultural relativism (M. Herskovitz) arises, within which the idea is formed that culture is based on a system of values ​​that determines the relationship "man - the world". The ideas about culture were expanded by the interest shown in it by the Austrian psychoanalyst Sigmund Freud, who linked culture with mental stereotypes. It is within the framework of psychological anthropology that the personality is included in culture. The next stage in the enrichment of the concept of culture is associated with the ideas of structuralism, which has become widespread both as a scientific direction and as a methodology for studying cultural phenomena (we will analyze this direction below). And so the main milestones in the history and logic of the formation of the concept of "culture": - the emergence of the term, its initial connection with the cultivation, processing, ennoblement of the land (ie nature); - opposition natural (natural) - cultural (created by man): the French educator J.J. Rousseau; - the spiritual side of social life, its value aspect: German enlighteners; - division into material and spiritual culture, dominance of material production, understanding of the history of culture as a single integral process: Marxism; - the first scientific definition of culture by listing elements of different orders that are not connected to the system: E.B. Tylor; - the relationship between the concepts of culture and civilization; - an analogy between culture and a living organism, all parts of which, performing their functions, are in a single dynamic system; - identification of the functions of the structural elements of culture in relation to each other and in relation to the whole: functionalism; - the relativity of comparing the values ​​of cultures due to their originality, integrity and viability: cultural relativism; - the inclusion of personality (with its consciousness and subconsciousness, rational and irrational moments) in culture: psychological anthropology, psychoanalysis; - spreading the method of structural linguistics to various areas of sociocultural reality, recreating a system of symbols that reflect the structure of culture: structuralism. From a completely limited, narrow understanding of culture, which has a romantic, subjective connotation, social thought has moved into the sphere of cognition of the whole world of a “second nature” created by man, using methods generally accepted in science in this cognition and being guided in evaluating the results by modern scientific criteria, such as logic, consistency, the possibility of experimental verification. Moreover, by now, the culturological method of analysis itself has been formed, which is used not only in specialized studies of culture, but also in other areas of knowledge. The foregoing does not mean that romantic ideas about culture have completely disappeared from public consciousness: in everyday life they certainly dominate (at least in the ideas that a “cultured” person should attend theaters, read books, etc.), narrow understanding of culture takes place in the media, exists among the technical intelligentsia, who believe that there is science, and there is culture. The culturological method of analysis is in its infancy, it is still quite difficult to fix with a maximum degree of certainty precisely the culturological aspect of the study of the phenomenon of culture, since culturology is an integrative knowledge that is formed in borderline, interdisciplinary areas, operates with material accumulated by the history of culture, relies on the results of ethnographic , sociological, psychological and other research. Cultural studies, which is in the field of tension between social-scientific and humanitarian approaches, has as an object the whole world of artificial orders (things, structures, cultivated territory, historical events, technologies of activity, forms of social organization, knowledge, concepts, symbols, languages ​​of communication, etc.). .p.), and as a special subject, it studies the processes of the genesis and morphology of culture, its structure, essence and meaning, typology, dynamics and language.



The structure of culture.

The word culture originated from the word cult (lat. Worship) - one of the main elements of religion, it can be actions, singing, reading, dancing, aimed at giving a visible expression to a religious bow or attracting divine forces. Cicero for the first time introduces the concept of culture - cultura anima - processing, cultivation, the work of a person on his soul. Culture is a collective image, includes both religion and art, etc. Culture is a historically defined level of development of society, the creative forces and abilities of a person, expressed in the types and forms of organizing the life and activities of people, as well as the material and spiritual values ​​\u200b\u200bcreated by them . Culture is also a way of regulating the preservation, reproduction and development of all social life, culture is understood only through human activity in the dynamics of historical development. Two ways of mastering culture: interpersonal communication and self-education. Culture is subdivided: 1. according to its carrier. A - world (synthesis of the best achievements of various peoples). B - national (cultural synthesis of national layers, classes, and groups of any people). B - class (rural, urban). Mr. professional. D - youth. E - personal, it includes two concepts: culture - the ability to fit into society; spirituality - the desire of the soul to penetrate into the depths. 2. by types of activity A - material, B - spiritual. Material objects are physical objects created by human hands - "artifacts", the culture of labor and material supply, the culture of everyday life, topos. Spiritual culture - includes intellectual, moral, artistic, etc. It is also the result of activity, can be transmitted only through communication. The structure of culture in a broad sense: 1 - the material and spiritual values ​​of mankind. 2. Ways of his life. 3. The level of development of society. 4. a set of people, relationships to each other and the world around them. 5. The originality of life, science and peoples in a certain historical period. 6. Mythology. 7. Religion. 8. Politics. Cultural universals (J. Murdoch) for all peoples are characterized by common norms, values, rules and traditions. Culture is divided into: 1. Home (a set of values, traditions and customs that guide most members of society), 2. Subculture (this is part of a common culture , the system of values, traditions inherent in a large social group), 3. Counterculture (this is a culture that is in conflict with the dominant values, for example, the culture of the underworld). Culture Forms:

1. Elite - created by the privileged parts of society or by its order. It exceeds the level of perception of a moderately educated person (classical music); 2. Folk cultures (folklore) - anonymous creators, do not have professional training (amateur, collective), myths, fairy tales, legends, in execution it is always local and democratic; 3. Mass - this is the culture of today, this is a type of cultural product that is produced every day, presented to different audiences through different channels, designed to satisfy momentary needs. Reacts to any events, quickly dies. It can be national and international.

Functions of culture.

The role of culture in the life of a person and society can be reduced to several main functions it performs. human function. With the help of culture, a person becomes a real person. Culture provides the process of socialization, i.e. inclusion of a person in the system of social relations. Culture determines the content, means and methods of socialization. The transformation of a person into a full-fledged member of society proceeds through the development of the language, the adoption of norms and standards of behavior, values. Socialization, on the other hand, opens up the possibility for a person to become a person, to reveal his true essence. adaptive function. Culture adapts a person to the environment. Culture forms a way of life suitable for the geographical, climatic and other natural conditions of the existence of the people. The biological incapacity of man revealed the ability to flexibly master natural conditions with the help of cultural traditions. Among the peoples living in different conditions, specific ways of adapting to the natural environment are fixed by means of culture in the form of ways of making clothes, building housing, normative prescriptions, national traditions, etc. In the course of his adaptation to nature, man simultaneously transforms nature itself. Information function. Culture accumulates and preserves social information with the help of sign-symbolic means. It is a kind of non-genetic memory that stores ideas, knowledge, norms, values, social experience of both an individual and a people, and humanity as a whole. communicative function. Culture not only accumulates information, but also creates a single space for communication and dialogue between people. It creates the conditions and means of communication, various sign systems, among which the most important is language. Language conveys and stores common meanings and meanings that bind members of a society of the same culture. Thus, culture creates opportunities for the transfer of experience and knowledge from person to person, from generation to generation. Regulatory (normative) function culture is associated with the regulation of various aspects, types of social and personal activities of people. In the sphere of work, everyday life, interpersonal relations, culture determines the norms and framework of interaction, ways of communication. At the personal level, culture regulates human behavior through the assimilation of spiritual, moral, aesthetic values, which form certain needs and orientations. Integration and delimitation functions cultures are that each specific type of culture unites people into one national, ethnic or subcultural community, but separates different peoples or social groups.

The formation of cultural thought began in the ancient world, its development had its own characteristics in the Middle Ages and the New Age. In ancient times, for a person, real life was not something different from the mythological world. The ancient religions were polytheistic (polytheism is the belief in many gods). People communicated with the gods in the same way as with each other. Mythological thinking as a form of collective consciousness constitutes a huge layer of culture, is a cultural reality and, at the same time, contains an idea of ​​culture in the ancients. In this case, the perception of culture included worship, reverence, cult.

ancient greek philosophers Plato, Protagoras, Polybius and the Chinese philosopher Sima Qian considered culture to be part of the divine nature and its manifestation. The philosopher Ibn Khaldun argued that the full cycle of cultural development takes place over 120 years, after which the old culture is “defeated” by another, stronger culture (most often, the culture of nomads). This direction was called "cultural naturalism". It is characterized by: the transfer of features of nature to culture, the deification of culture in all its manifestations, including in the form of state power, the idea of ​​a cyclical development of culture.

Feeling the universe as the highest harmony, the ancient Greeks sought to create a fragment of perfection on earth. A living embodiment of their ideas about harmony, a cultural model was the policy - a city-state that forms a person of culture. Thus, Aristotle developed the idea of ​​a cultured person as a model citizen. That is, in general, the understanding of culture was of a humanistic nature.

In medieval Europe affirms Christianity - a monotheistic religion (monotheism - belief in one god). It combined the worldview, and philosophy, and ethics, and legal norms, subjugated science, education, and art. Accordingly, the problems of culture were covered in the works of philosophers and theologians. For St. Augustine "without faith there is no knowledge, no truth." The world history behind St. Augustine is the result of divine determination. He contrasts the “sinful” secular city with the “city of God”, thus asserting the priority of the church.



An attempt to combine Aristotelianism and Christianity will be carried out by the famous Catholic theologian Thomas Aquinas. The main principle of his philosophy is the harmony of faith and reason, since reason is able to rationally prove the existence of God and defeat objections to the truths of faith.

Epoch Renaissance affirms the humanistic ideal. Culture is presented to the thinkers of the Renaissance as the result of the free creative activity of man. Freedom and creativity as the principles of human community are opposed to the medieval hierarchy, the subordination of the church.

Fundamentally in a new way cultural experience of the past and present, the causes of the emergence and development of culture are rethought in the XVIII century. Enlightenment. The era strives for a holistic perception of the culture of mankind, understanding it as a product of the activity of the human mind. In a number of works, the concepts of "culture" and "nature" are opposed. The works of Immanuel Kant (1724-1804) are devoted to the elimination of the opposition "culture" - "nature", the search for ways of their harmonious combination. According to Kant, the cause of the emergence of culture is the social essence of man. The philosopher identifies two realities: the world of nature (animal nature, evil, cruelty) and the world of freedom (human, culture, morality). Two opposing principles intersect and reconcile in the ideas of beauty and in the creation of beauty, which in fact is the goal of cultural activity. In ethics, Kant introduces a categorical imperative, that is, an obligatory and unconditional moral rule, a universal law of behavior that overcomes and excludes any evil.

Until the second half of the XVIII century. includes the activities of the German philosopher and historian J. G. Herder. For Herder, culture is a consequence of a person's ability to creative and mental activity, which is expressed in language, science, craft, art, state, religion, family.

In the first half of the XIX century. the works of the Russian scientist N. Ya. Danilevsky appeared. In the book "Russia and Europe" he put forward the concept of "closed (local) development of cultures." Each nation, according to Danilevsky, creates a specific system of values. The culture developed by him has little contact with other cultures, counteracting the penetration of foreign elements into its "body"

Danilevsky's ideas subsequently strongly influenced the cultural studies of the twentieth century. The emergence of Ukrainian culturological thought is associated with the activities of the Cyril and Methodius Brotherhood. In the Charter of the Brotherhood, in the appeals "To the Ukrainian brothers", "To the brothers of Russians", "To the brothers of the Poles", in the works of its founders - N. Kostomarov ("Thoughts on the history of Little Russia", "Two Russian nationalities"), P. Kulish ("The Tale of the Ukrainian People") - the ideas of the cultural identity of the Slavic peoples, their right to free development, guaranteed by the free federal union of the Slavic republics, are defended. M. Dragomanov (1841-1895) made a significant contribution to the development of cultural thought. -historical methodology M. Dragomanov spoke out against farmer ethnography, put forward the idea of ​​free development of folk culture into a national culture, saturated with universal values.

A holistic concept of the history of Ukrainian culture was put forward by M. Grushevsky (1866-1934). It was based on the theses of originality and independence of Ukrainian culture. He was one of the first to question and criticize the theory of a single monolithic culture of Kievan Rus, proving the existence of various ethnic tribes back in the era of Trypillia culture. Without opposing Ukrainian and Russian cultures, he nevertheless considered the former to be closer to European culture.

The structure of culture.

Culture is a very complex, multi-level system. It is believed that the structure of culture is one of the most complex in the world. On the one hand, these are the material and spiritual values ​​​​already accumulated by society, the layering of eras, times and peoples, fused together.

Today it is customary to subdivide culture according to its carrier. Depending on this, it is quite legitimate, first of all, to single out world and national culture.

1. World culture is a synthesis of the best achievements of all national cultures of various peoples inhabiting our planet.

2. The national culture, in turn, acts as a synthesis of the cultures of various social strata and groups of the corresponding society (i.e., sub-ethnic groups, for example, Cossacks, youth, etc.). The originality of the national culture, its well-known originality and originality are manifested both in the spiritual (language, literature, music, painting, religion) and material (features of the economic structure, housekeeping, traditions of labor and production) spheres of life and activity.

In addition, culture is divided into certain types and genera. The basis for such a division is the consideration of the diversity of human activity.

This is where material culture and spiritual culture stand out. However, it must be borne in mind that their division is often conditional, since in real life they are closely interconnected and interpenetrate each other.

Material culture includes:

1. culture of work and material production;

2. culture of life;

3. the culture of the topos, that is, the place of residence (dwelling, houses, villages, cities);

4. culture of attitude to one's own body;

5. physical culture.

Spiritual culture acts as a multi-layered formation and excludes:

1. cognitive (intellectual) culture;

2. moral;

3. artistic;

4. legal;

5. pedagogical;

6. religious;

The structure of culture includes: substantial elements that are objectified in its values ​​and norms, and functional elements that characterize the very process of cultural activity, its various sides and aspects.

The substantive block makes up the "body" of culture, its substantive basis. It includes the values ​​of culture - its works that objectify the cultures of a given era, as well as the norms of culture, its requirements for each member of society. This includes the norms of law, religion and morality. norms of everyday behavior and communication of people (etiquette norms).

Only the strict fulfillment of these norms and regulations entitles a person to claim the title of cultural.

functional block. Reveals the process of movement of culture. In this regard, the substantial result of this process. The functional block includes:

o traditions, rituals, customs, rituals, taboos (prohibitions) that ensure the functioning of culture. In popular culture, these means were the main ones;

o with the advent of professional culture, there are also special institutions designed for its production, preservation and consumption (for example, libraries, theaters, museums, etc.).

Thus, the structure of culture is a false, multifaceted formation. At the same time, all its elements interact with each other, forming a single system of such a unique phenomenon as culture appears before us.

Functions of culture.

1. The main function is human-creative, or humanistic function.

All other functions are somehow connected with this one and even follow from it.

2. The function of translation (transfer) of social experience. It is called the function of historical continuity or information. Culture is a complex sign system. It acts as the only mechanism for the transfer of social experience from generation to generation, from era to era, from one country to another. Indeed, besides culture, society does not have any other mechanism for transmitting the entire wealth of experience that people have accumulated.

3. The cognitive (epistemological) function is closely connected with the first (human-creative) and, in a certain sense, follows from it. Culture concentrates the best social experience of many generations of people. It (immanently) acquires the ability to accumulate the richest knowledge about the world and thereby create favorable opportunities for its knowledge and development. It can be argued that a society is as intellectual as the richest knowledge contained in the cultural gene pool of mankind is used.

4. Regulatory (normative) function is associated primarily with the definition (regulation) of various aspects, types of social and personal activities of people. In the sphere of work, life, interpersonal relations, culture in one way or another influences the behavior of people and regulates their actions, actions, and even the choice of certain material and spiritual values. The regulatory function of culture is supported by such normative systems as morality and law.

5. The semiotic or semiotic function is the most important in the system of culture. Representing a certain sign system, culture implies knowledge, possession of it. Without studying the corresponding sign systems, it is not possible to master the achievements of culture. Thus, language (oral or written) is a means of communication between people. The literary language acts as the most important means of mastering the national culture. Specific languages ​​are needed for understanding the special world of music, painting, theater (Schnittke's music, Malevich's Suprematism, Dali's surrealism, Vityk's theater). The natural sciences (physics, mathematics, chemistry, biology) also have their own sign systems.

6. The value or axiological function reflects the most important qualitative state of culture. Culture as a certain system of values ​​forms a person's well-defined value needs and orientations. By their level and quality, people most often judge the degree of culture of a person. Moral and intellectual content, as a rule, acts as a criterion for an appropriate assessment.

Cultural methods.

Culturology uses a system of methods, that is, various interconnected ways of studying cultural phenomena.

In their a number of comparative historical method. It allows for an essential comparison of fundamentally comparable objects belonging to different cultures. The extremely widespread rite of circumcision has a dissimilar symbolic load.

Structural-functional the method involves the division of the studied phenomenon of culture into its constituent parts and the identification of the relationship between them. As an example, let us point out the experience of studying by the culturologist B.A. Uspensky of such a peculiar phenomenon as the Russian mat.

Semiotic Method involves the use of semiotics as a science of sign and symbolic systems and is successfully used to understand, for example, the language of art of medieval Christianity.

biographical method involves an analysis of the life path of a cultural figure for a better understanding of his inner world, which reflects the system of cultural values ​​of his time. This method was successfully used by Plutarch (c. 46-120 AD), who lived in Ancient Greece and created Comparative Lives.

Modeling method involves the desire to create a model of a certain type of culture in order to identify its most significant features.

Such a method, in particular, was used by N. Danilevsky, the author of the book "Russia and Europe", O. Spengler, who wrote "The Sunset of Europe". Each of them lays in the model some essential foundation that allows one to perceive in a complex way all the cultural phenomena of a certain period.

psychological method involves the possibility of finding out through the analysis of memoirs, chronicles, myths, annals, epistolary heritage, treatises, the most typical reactions of people of a particular culture to the most significant phenomena for them: famine, wars, epidemics. Such reactions are manifested both in the form of social feelings and mentality in general. Under mentality, mentality is understood as a cause, that is, the socio-biological conditionality of spirituality, and a consequence, that is, a readiness for action, a psychological attitude.

Diachronic method involves the clarification of the chronological, that is, the temporal sequence of changes, the appearance and course of a particular cultural phenomenon.

Synchronous method consists in the analysis of changes in the same phenomenon (say, the phenomenon of Orthodoxy or the idea of ​​patriotism in Russian culture) at different stages of a single cultural process. In addition to the above, the synchronous method can also be understood (V.A. Saprykin) as a cumulative analysis of two or more cultures over a certain period of their development, taking into account existing connections and possible contradictions.

Introduction

The phenomenon of culture is a historical category that incorporates many meanings and meanings that have been formed and transformed over the centuries. Thanks to the achievement by mankind of a certain level of awareness and reflection of the surrounding reality, there is a need not only for knowledge of the world, but also for its transformation. Subsequently, all material and non-material transformations of the surrounding reality by a person are firmly fixed in world history, acquiring the generalizing meaning of "culture". It is important to note that any culture must be perceived only in the unity of its components, which are not only interconnected, but also interdependent, complementary. Culture, being primarily a social category, has its own characteristics, structure, and carries some social functions, which will be considered in this paper.

Cultural studies as a science. The main stages of the formation of cultural studies

Cultural studies is the science of culture. Culturology studies the most general patterns of development of culture, its essential characteristics that are present in all known cultures of mankind. Cultural studies considers its task to be the study of all processes of human interaction with the world of nature, the world of society and the world of physical and spiritual being of a person.

The term "culturology" itself has been used since the beginning of the nineteenth century. And at the beginning of the twentieth century, a prominent American culturologist Leslie White (1900 - 1975) made an attempt to substantiate the general theory of culture, introduced the concept of "culturology" into wide circulation.

The literature outlines a number of stages in the development of cultural studies as an independent discipline.

The first stage can conditionally be called philosophical. Here the very "idea of ​​culture" is constituted. Let us recall the statement of V. Mezhuev. Philosophers saw their task, he writes, in "the development of some general 'idea of ​​culture' that explains the meaning and direction of world history as a whole." By the way, many sciences and disciplines go through this stage.

The second stage is an empirical study of the phenomenon of culture. “The very first paradigm of the sciences of culture,” writes L, Ioni, “can be called empirical. This is the collection of information about different peoples, their customs, customs, way of life, its description and attempts to systematize. In textbooks, this period is usually referred to as prehistory, or prehistory, science. (Note that the empirical study of phenomena should hardly be considered a paradigm) It is clear that at this stage the idea of ​​culture and the ideas about culture that are formed on its basis and as a result of empirical research are used.

The third stage is the construction of cultural studies as a scientific discipline. Here the principles and criteria of cultural truth (explanation) are developed, ideal objects are created, cultural theories are built. It is at this stage that the dilemmas and paradigms of cultural studies are formed. Empirical research is widely used in the construction of cultural science.

At the fourth stage, along with the ongoing development of culturological science, applied culturological research is taking shape, on which culturological knowledge is increasingly beginning to focus.

At the present stage, philosophical and methodological reflection plays an important role in the development of cultural studies. And it's understandable why. The presence of dilemmas, different paradigms and partially intersecting cultural concepts and theories makes it necessary to critically analyze the foundations and values ​​of cultural studies.

One of the most important methodological principles of my approach is the transition from the discussion of individual concepts of culture to the analysis of practices within which different concepts of culture are formed, as well as to the analysis of various scientific strategies and approaches to the study of culture, primarily philosophical, natural sciences, humanitarian, sociocultural and historical . Let me explain. Mezhuev, analyzing what the idea of ​​culture was, writes that it was an evaluative concept of culture, which allowed "to comprehend the meaning and direction of human history as a whole", based on the conviction that it is European history and culture that are "the highest achievement of the spiritual development of mankind ". According to Mezhuev, the idea of ​​culture and the corresponding concept were a response (objectification) to the formation of a special practice - the self-consciousness of European humanity as a whole; further on this basis, other practices unfolded (enlightenment of the population, colonization of other, "less cultured" peoples, the practice of missionary work). Analyzing the concept of "culture" as a "diversity of cultures" and the concept of "mass culture", K. Razlogov, in fact, applies the same method of explanation: as the most important prerequisite for the formation of these concepts, he considers the relevant practices (the formation of national states and individual nations, the creation the sphere of sustainable mass cultural services and social management based on the media, television, and today the Internet). M. Foucault and modern methodological studies show that concepts such as "culture" appear in the course of the objectification of schemes that ensure the formation and functioning of certain social practices and related power relations. In such a context, primarily organizational, culture acts as an object posited by thought, and not an object of study; but then the culture thus isolated is begun to be studied.

On the contrary, in her recent works, E. Orlova comprehends different concepts of culture based on the analysis of various strategies of scientific knowledge (for me, this position has always been the starting point). When, she writes, the establishment of fundamental normative orders that separate the world of man from the rest of the world is considered the main thing in cognition, this can be done only by means of philosophy. If the emphasis in cognition is on the process of direct observation of artificial phenomena in the form in which they are given to people, in the specificity, uniqueness of their manifestations or an attempt to discover something in common behind outwardly different phenomena, the humanitarian type of cognition becomes indispensable. In the case of sufficient accumulated experience in the practical handling of certain cultural phenomena, the question arises of the possibility of their purposeful regulation, pragmatic use, etc. Accordingly, the scientific approach to these phenomena is updated.

True, Orlova actually does not classify the humanitarian type of cognition as scientific, which is not true, but in this case something else is important, namely, a comparison of cognition strategies and their correlation with different concepts of culture; culture is then understood as an object of study, shaped by appropriate strategies.

In my research, I try to combine an approach to the analysis of culture through the analysis of relevant practices with an approach that involves breeding types of cognitive strategies. The fact is that the concepts of culture carry the features of both.

Culturology is closely connected with a number of other sciences (philosophy, history, sociology, psychology, etc.) and is based on their achievements and experience. This is explained not only by the fact that it is a young, still emerging science, but also by the complex nature of culture itself as its subject.

As mentioned above, the subject of culturology is culture, and the object is the creators and bearers of culture - people, as well as various cultural phenomena occurring in society, institutions associated with culture, the activities of people and society as a whole.

Speaking about the structure of modern cultural studies, one can single out its semantic and structural parts: the theory of culture, the history of culture, the philosophy of culture, the sociology of culture.

The theory of culture, first of all, introduces cultural studies into the range of problems and gives an idea of ​​its conceptual apparatus; it studies the content and development of the main cultural categories, general issues of defining cultural norms, traditions, etc. The theory of culture reveals the patterns of human development of the surrounding world, covers the consideration of all aspects of its cultural existence. Within the framework of the theory of culture, such problems as the relationship between culture and nature, culture and civilization, the correlation of cultures and their interaction, the typology of cultures are considered; criteria are developed for understanding cultural phenomena.

The history of culture covers the origin and formation of culture, different historical epochs of its development and their inherent ways of reading the content of culture and understanding cultural ideals and values ​​(for example, beauty, truth, etc.) The history of culture helps to see the origins of many modern phenomena and problems, trace their causes, establish their forerunners and inspirers.

Philosophy of culture. Cultural studies, as already mentioned, is also a philosophical science. Since culture is a human creation and a human way of living in the world, cultural studies cannot in any way get around how the problems of meaning, purpose, and purpose of human existence are presented in culture. The philosophy of culture is essentially the ultimate version of human science, when a person is taken in the ultimate meaning and expression of his human nature and essence. Philosophy of culture formulates the problems of the relation of culture of man, man and the world, man and society. The philosophical view of the relationship between man and the world is the axis of cultural analysis.

The sociology of culture is a direction of theoretical and empirical research of all parts of the cultural process. Sociality is the initial characteristic of culture, because culture itself arises as a way of organizing a conflict-free existence of a person in society. The sociology of culture studies and analyzes the processes of spreading culture in a particular segment of the population, in a country, in the world, the nature of consumption of cultural products and attitudes towards them.

Culturology begins with the definition and explanation of culture, and first of all - the very category of "culture".

The first thing that fixes attention when considering the concept of "culture" is its ambiguity, its application in various ways.

Turning to the history of the word “culture” itself, we find out that it has a Latin origin. The ancient Romans called them cultivation, processing, improvement. And in classical Latin the word "cultura" was used in the meaning of agricultural labor - agricultura. Agricultura is protection, care, separation of one from the other (“grain from the chaff”), preservation of the selected, creation of conditions for its development. Not arbitrary, but purposeful. The main thing in this whole process is separation, preservation and systematic development. A plant or animal is withdrawn from natural conditions, separated from others, as it has certain advantages discovered by man. Then this selected is transplanted into another environment, where it is taken care of, cared for, developing some qualities and cutting off others. A plant or an animal is modified in the right direction, a product of purposeful human labor is obtained that has the required qualities. If you just transplant a wild apple tree into the garden, then its fruits will not become sweeter from this. Isolation from the natural environment is only the first step, the beginning of "cultivation", which is certainly followed by a long work of a gardener.

In the modern sense, the concept of culture was established in Germany. Already at the end of the 18th century, this word is found in German books, having two semantic shades: the first is domination over nature with the help of knowledge and craft, and the second is the spiritual wealth of the individual. In these two meanings, it gradually entered almost all European languages. V. Dal in his “Explanatory Dictionary of the Living Great Russian Language” gives the following interpretation of this word: “... processing and care, cultivation, cultivation; mental and moral education…”.

In modern cultural studies, there are more than 400 definitions of culture. This is explained both by the versatility and multidimensionality of the phenomenon of culture, and by the dependence of the results of studying research facilities. The main research approaches to explaining culture are:

  • 1. Anthropological, in which culture is understood as an expression of human nature.
  • 2. Another approach to culture can be called philosophical-historical. Another name for it is activity. "Action" here is understood as a prudent, planning change in reality, history. The most common is the idea of ​​culture as a result of human activity. There is a point of view that culture includes only creative activity, other authors are convinced that all types of reproductive activity (reproduction, repetition of what has been achieved) should also be considered as cultural.
  • 3. Another approach to the interpretation of culture: sociological. Here culture is understood as a factor in organizing the life of society. Society creates cultural values, and they further determine the development of this society: these are language, beliefs, aesthetic tastes, professional skills and all sorts of customs.
  • 4. In addition, another approach to the study of culture is axiological (value-based), which defines culture as a set of certain values ​​that form its semantic core. The role of values ​​in the structure and functioning of culture is beyond doubt, since they streamline reality and introduce evaluative moments into its comprehension. They correlate with the idea of ​​the ideal and give meaning to human life.

Thus, in the axiological approach, culture is understood as a set of values ​​recognized by mankind, which it purposefully creates, preserves and develops.

So, culture is a multifaceted concept. It cannot be assigned an unambiguous meaning. One can only speak of a more or less universal approach in search of the essence of the term. This inexhaustibility of the phenomena of culture is a reflection of the nature of its bearer - man. If, however, the main thing in a person is singled out from the point of view of culture, this will be an active life position aimed at understanding and transforming the world, as well as spiritual and bodily improvement of himself.



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