We provide club shows for corporate events, weddings, children's parties and any other events. Using our experience, we will not let you make a mistake. We know exactly what dance groups are capable of. Good dancers will set the audience on fire in 10-15 minutes without putting on boring performances for an hour. With us, you will definitely notice how a regular trip to a club differs from a club show. A professional DJ will prepare a special playlist for the party, taking into account your wishes. The host sets the mood for the guests. Therefore, it is important that it exudes confidence, a positive attitude and goodwill towards each guest! It is easier to command the process when the DJ has his own elevated place on the stage. This will help him feel more confident.

Go-go dancing as part of the club atmosphere

If you're planning a party, you can't do without a go-go dance. When choosing dancers, pay attention not only to physical data, but also to emotionality. You can show highly aerobatic figures, but if there is no sensuality, there will be zero impressions. Striptease differs from go-go in that the latter excludes any contact with the audience. Warn your guests about this in advance, and you will protect yourself from unpleasant situations.

Club shows these days

The European modernist heritage, pop culture from the mid-20th century to the present day, contemporary art forms emerging around the world, the legacy of Meyerhold's plastic theater, and many other factors of the past centuries and the present have played a large role in the emergence of new ways of storytelling. , images and views, combining them into a single expression tool. The modern performance show is inspired by the combination of expressive means: photo art, music, video technology, theatrical art, plastic numbers and dance, high-tech technology, sculpture, sports, light and laser instruments, architecture, etc.

Club show trends

The most popular and club show effects are cryo jets or CO 2 . They are generated by special small setups (usually placed right on the stage). The jet released into space is ordinary carbon dioxide! It creates the effect of ice pillars, cooling the excited participants in the show. In order for the cryo jets to make a decent impression, there must be at least 4 of them.

Non-standard approaches to the implementation of club shows

If you want to make a splash at the evening, you've come to the right place! The use of a go-go dance performance in combination with lighting equipment, bright luminous costumes, instruments and masks - all this produces an amazing delight. We have a lot of both standard programs and individual ones. Club show Ultra Blow is an irresistible effect on pleasure, on various human instincts: physiological and psychological needs for food, sex and human interaction. Our club show can make you feel great emotions, can give everyone food for thought.

How to book a club show

A club show is ordered especially often where the desires of the organizers and heroes of the occasion, the expectations of the public and the interests of business are intertwined. We offer to order a club show from Ultra Blow for every taste: laser and light shows, performance shows, dance and erotic show ballets, artists and musicians. Book a show for a club event it means to pleasantly surprise your guests and successfully hold the event. Using our experience, we will not let you make a mistake. We know exactly what dance groups are capable of. Good dancers will set the audience on fire in 10-15 minutes without putting on boring performances for an hour. With us, you will definitely notice how a regular trip to a club differs from a club show. Are you interested in an entertainment program for the club? Or do you want to order a separate DJ or only dancers? We have specifically created a company to satisfy any customer needs. We make it possible to invite even world-class vocalists and dancers. Here you will find teams for every taste and occasion. Booking famous performers on your own is not an easy task. We can order them even from abroad.

The freak show began its procession across the country from St. Petersburg, gradually conquering the cultural elite in other cities as well. The reason for the popularity of artists of this genre lies in the skills that each performer must possess:

• perfect plasticity of the body
• artistry
• possession of choreographic skills, circus elements and acting talent
• and only after all of the above - a bright outrageous image, emphasized by makeup, hair, an incredible costume.

Costumed freak show: choosing performers

The art of creating a freak image is relatively young, therefore, when choosing a performer, first of all, you should pay attention not to the experience measured in years, but to the following parameters:

• individual approach to the development of the scenario and images for each event
• the presence in the existing repertoire of images that match the style and theme of your event
• the number of events where freak dancers, living sculptures and other characters of the troupe performed
• recommendations and reviews.

Where to find performers for a freak show?

the site has an extensive database of artists who create incredible costumed freak shows for events of various formats. Phantasmagoric characters, for whom performing for the public is a way of life, will be happy to entertain your guests at the celebration. The personal pages of our directory members contain a working portfolio and detailed information that determines your choice.

How to book a freak show for a holiday?

The personal page of each performer contains an electronic application form. To place an order, you need to fill in the necessary contact information and feel free to click the "send" button. The troupe manager will contact you to conclude an agreement and confirm the order.

In 1932, the famous American director Tod Browning made the feature film Freaks. Being to some extent a tragicomedy, to some extent a melodrama, the film was severely censored almost immediately after the end of filming (by about 45 minutes), and then completely banned. It entered the US National Film Registry more than half a century later, in 1994.

And the thing is that Browning was not afraid to make a picture on a topic that was forbidden by that time. A film about the dying freak show genre, about people who had no other way but to make a living by demonstrating their own ugliness ...

There is no such thing as a freak show today. Medicine over the last hundred years has stepped forward, and the ethics of human relations has undergone major changes. Disabled people are mostly cured or provided with normal living conditions - and rightly so. In the 19th century, the attitude was quite different. For a huge number of people who today could lead a full life, there was only one road - to the freak circus.

But this road had its positive sides. Many freaks earned huge money and could provide for themselves better than other healthy people. For example, the legendary camel girl Ella Harper at the height of her career (1885-1886) was paid $200 a week at the Harris Circus! Adjusted for inflation today, this is equivalent to a salary of $ 25,000 a month. A lot, right?

The origin of the genre

Demonstration of various deviations of the human body has been popular for centuries. From the point of view of psychology, this is a win-win option for doing business: even today we are drawn to look back at a disabled person passing by, and we cannot explain this impulse from the point of view of logic. But looking back at passers-by is ugly and uncomfortable. And freak circuses provided a legal opportunity to look at anomalies collected in one place and beautifully presented. Therefore, in almost every circus, starting from ancient Roman times, people with physical disabilities were always present - they had their own numbers along with strongmen and acrobats.

In the 16th century, Europe began to move towards a market system of relations. Traveling circuses have ceased to be a gathering of buffoons, earning mostly alms and handouts. Already in the 17th century, a fixed fee was taken for entrances to many booths, and circuses, stopping at the fair, paid money for rent. The circus business began to become really profitable. If in the 15th century circus performers were basically beggars, and the circus fit in a single trailer, then two centuries later, circus business became a business.

This is not a real freak, but Charles Loughton in The Hunchback of Notre Dame (1939). The brilliant make-up was done by the best Hollywood specialist of the 1930s, Perk Westmore.

And within the framework of this business, a strange and unpleasant direction began to actively develop - a freak show. If at the time of Quasimodo the fate of a disabled person was poking and rotten eggs, then New Time began to bring profits to the freaks. It was these three centuries - from the 18th to the beginning of the 20th - that became the golden era of freak circuses: profits were already substantial, and public morality allowed for arbitrarily cruel treatment of unusual people.

In the 17th century, the first known freaks appeared, making a fortune on their appearance. The most famous freaks of that time were the Siamese twins Lazarus and John the Baptist Colloredo, originally from Genoa. John was not so much a man as an underdeveloped offshoot growing roughly from the area of ​​his brother's chest. He always kept his eyes closed and his mouth open, he could not speak. Nevertheless, he lived, moved, and even ate (apparently, the brothers' digestive systems were separate).

Lazarus, being a completely mobile and slender man (not counting half of his brother growing from his front), traveled all over Europe in the first half of the 16th century - Denmark, Germany, Italy, England - and everywhere he was successful. Moreover, he subsequently married and had normal children.

Russia also did not shy away from any curiosities. For example, the Cabinet of Curiosities of Peter the Great has become one of the largest collections of freaks in alcohol in the world. This, of course, is not quite a freak show, but the genre is very close.

At the beginning of the 18th century, the freak show genre spun off from the usual circus. Entrepreneurial businessmen picked up various crippled, sick, underdeveloped people on the streets - and made something like a zoo out of them. Officially, the first performance of a classic freak show is considered to be a demonstration of a woman “with a monkey head” taken out of Guinea in 1738. True, modern researchers are inclined to believe that the woman was completely normal. It’s just that Africans of exotic tribes seemed to Europe of that time something completely outlandish, and an ordinary African (maybe sick with something) completely passed for a freak. But these are just guesses.

Nevertheless, freak shows remained quite rare in Europe. Freaks were still nailed to ordinary circuses, and for freaks they often gave out normal people, just competently made up. But in the early 1800s, the idea of ​​a freak show crept to the United States. And a terrible, terrible golden age began.

Barnum and Bailey's American Idyll

Until the 1840s, American freak shows were not too different from European ones. These were groups of trailers that traveled around the country, setting up a booth in every city and showing off their freaks. Unlike Europe, American entrepreneurs approached the issue competently. Freaks received fairly high salaries, signed contracts for performances - and generally lived like normal people. The only place where they had to endure shame, demonstrating their inferiority, was the stage. But art requires sacrifice.

And in the 1840s, photography began to develop rapidly. Freak show owners immediately adopted it: almost all freak show advertisements from that time were supplied with numerous photo illustrations. Attendance performances in just a few years has increased tenfold, as well as profits.

Sarah Bartman (before 1790-1815), nicknamed "Sartji", a native of South Africa, was a famous freak of the early 19th century, the "Hottentot Venus". In fact, she simply had steatopygia, excessive fat deposits on the buttocks.

In the 1880s - 1930s, several hundred circuses operated in Europe and the USA, specializing in the demonstration of human anomalies. The most famous among them were W. H. Harris's Nickel Plate Circus, the Congress of Living Freaks show and, of course, the Barnum & Bailey Greatest Show on Earth. It is worth talking about the latter separately, because it was P.T. Barnum who made his circus the quintessence of all freak shows in the world.

Born in 1810, Phineas Taylor Barnum was a natural businessman who constantly founded companies and firms, subsequently reselling them or giving them away for debt. He managed to visit both the publisher of the newspaper, and the organizer of the lottery, and the shopkeeper, until he came to the conclusion that people can be deceived in simpler ways. In 1835, he acquired an old Negro slave, Joyce Heth, and began to take her around the cities, claiming that she was 161 years old and that she was the nurse of Washington itself. When interest in the nanny began to subside, Barnum started a rumor that the old woman was not alive, but mechanical, and on the second wave of popularity he collected twice as much jackpot. True, then Joyce died. And Barnum found his calling.

From 1841, Barnum began to engage in an organized demonstration of freaks - Charles Stratton, a midget, nicknamed "General Thumb Boy", Siamese twins Chang and Eng Bunker, as well as a number of African and Indian women of an unusual appearance for a white person. Stratton was extremely popular in Europe and the USA - love letters were sent to him in tons, he was invited to society, and even Warren Barnum arranged his wedding with Lilliputian Lavinia as a grandiose freak show.

"General Thumb" and his midget wife Lavinia Warren.

Barnum founded his most famous circus in New York in 1871; ten years later, the name of James Bailey, co-organizer of the show, was added to the name of the circus. For each freak, a unique story and a unique number were invented. For example, the Kostroma boy Fyodor Evtishchev, who suffers from increased hair growth (hypertrichosis), only barked and growled on stage, pretending that he could not speak. Barnum paid very well - people deliberately mutilated themselves in order to get a job in his circus. The long-haired Sutherland sisters who performed in his circus (an average of 1.8 meters of hair for each of the seven sisters) made a fortune of 3 million dollars at the end of the 19th century!

Barnum set a new trend in business development - he used many methods that were then unknown. He spread rumors, viral advertising, invented spam (paper) and so on. The psychological effect is named after Barnum, when people trust descriptions of their personality, created ostensibly individually for them, but in fact are an empty general set of words (for example, newspaper horoscopes).

Standard freaks

In the "golden age" of American freak shows (1850-1930), there was a clear classification of various deviations. Every self-respecting circus had to have a standard set of freaks plus a few unusual, unique specimens. The latter usually received the largest fees; circuses bought them from each other, as they buy football players today.

bearded women

Oddly enough, many women have the ability to grow mustaches and beards. The abnormal growth of these purely masculine signs is due to an excess of androgenic hormones in the female body. In the 19th century, a bearded woman had to be present in every circus - there were so many such freaks that the audience "pecked" only those who had some additional deformities. For example, a gray beard or lack of arms. The usual black beard (99% of bearded women are black-haired) no longer interested anyone. Most of the bearded women got married many times and gave birth to children - their peculiarity only added spice to them.

The most famous bearded women in history were the Mexican Julia Pastrana, who was taken to Europe as a child in the 1840s and lived in St. Petersburg in 1858-1860. An unusually ugly Indian, she nevertheless did not know the end of the nobility admirers. She died from an unsuccessful birth. Famous "employees" of freak circuses were Jane Barnelly (Lady Olga) and Annie Jones, and the Frenchwoman Clementine Delate even kept a cafe "At the bearded woman." As already mentioned, this is the most common type of "mandatory" freak for every 19th century circus.

wolf people

People suffering from hypertrichosis - increased hair growth all over the body. The most famous wolf boy was Fyodor Evtishchev, who inherited the "dog face" from his father Adrian. Evtishchev became famous by performing in the American Barnum show at the end of the 19th century. Today, such patients lead a completely normal life. Hair growth is hormonally suppressed, and hair removal products have improved markedly over time.

People with skin abnormalities

Today, genetic diseases associated with the skin are either cured or left alone, if they do not bring inconvenience to their carrier. The most common group of freaks with skin problems were people with "crocodile" or "elephant" skin - suffering from severe forms of ichthyosis. This disease is expressed in violation of the horny, upper integuments - the skin becomes multi-colored, keratinized, really resembling a crocodile. The famous alligator freak of the first half of the 20th century was Susie, the crocodile girl; in the 19th century, Ralph Krooner shone with his horny crocodile legs.

The second large group were freaks with elastic skin - patients with Ehlers-Danlos syndrome. With this syndrome, the synthesis of collagen, a fibrillar protein, which is the basis of the connective tissue of the body, is disrupted. As a result, the skin becomes hyperelastic, and the joints become super mobile (up to the bending of the fingers in the opposite direction). Today, the Briton Gary Turner, nicknamed "Elastic", listed in the Guinness Book of Records, is widely known, and in the 19th century, the "rubber man" James Morris shone on the stage.

Skeletons and Fatties

Unusually thin and monstrously fat people most often performed in joint numbers. But if everything is clear with fat people - most often they were people with a severe form of obesity, then "skeleton people" were usually carriers of genetic diseases. The "skeletons" were more often male than female, and the upper limit of their allowable weight (with normal growth) was 35 kilograms. Diseases that cause abnormal thinness could be different - from various types of dystrophies to anorexia familiar to us.

The most famous couple was husband and wife - skeleton Pete Robinson (26 kilograms) and fat woman Bunny Smith (212 kilograms), who got married in 1924 and were the stars of a freak show for 20 years. Like many "skeletons", Pete had a classical theatrical education and, by the way, played the harmonica superbly. The "skeletons" were often educated people who later made a career in other fields - their ugliness was easily hidden under their clothes.

Limbless

Unlike other freaks who simply showed off their bodies, the limbless freaks were forced to study and work. Because the audience was primarily interested not in the absence of hands, but in the ability to shave their legs.

The most popular were "live torsos". The megastar of the 19th and 20th centuries was Prince Randian, the "snake man." Deprived of arms and legs from birth, he independently took out a cigarette from a pack and lit, drew, wrote, moved, and was also married twice and had six children. Of the women, Violetta (Aloysia Wagner), who knew how to dress and even make up on her own, was famous.

Also famous was the armless photographer Charles Tripp, who demonstrated the ability to shoot with his feet (this is with cameras of the 19th century!), And the “half-boy” Johnny Ek, deprived of the entire lower half of the body due to sacral agenesis.

Artificial freaks

The integral participants of the freakshow were amazing people without any physical disabilities. For example, women with extra-long hair were highly valued (the seven Sutherland sisters were very popular, having a total hair length of about 14 meters per seven), strong men who knew how to tie a horseshoe in a knot, and sword swallowers. In the 19th century, albinos and representatives of relic tribes taken out of Africa (especially women with large ... hmm ... buttocks) were also considered freaks.

There was a special group of artificial hermaphrodites - people who make up one half of the body as a man, the other as a woman. Especially famous in the 20th century was a character named Josephine Joseph. Of course, his "hermaphroditism" was nothing more than a masquerade.

Unique Freaks

Of course, every circus had to impress the audience with something absolutely incredible. Bearded women, skeleton people and legless people were common. But freaks with unique anomalies, occurring once in a million, became the stars of the freak shows.

camel girl

Ella Harper (1873-?) disappeared from a freak show without a trace in 1886. Photo circa 1884.

The most famous freak of the late 19th century was the camel girl Ella Harper, who suffered from congenital genu recurvatum, a reversal knee joint syndrome. She was born in 1873 and, if her knees were bent in the usual direction, she would look like a normal pretty child. Ella's star year was 1886, when she performed at W. H. Harris's Nickel Plate Circus and earned up to $200 a week. In her room, Ella went on stage at the same time as the camel and repeated all his habits and movements. At the end of the year, Ella left the circus, being the owner of a good fortune, and nothing more is known about her.

History knows another freak with the same disease - "pony boy" Robert Huddleston. He was born in 1895, grew up on a farm, then got into the Tom Mix Circus and showed off his weird knees for 36 years. After leaving the circus, he opened a car repair shop, was married.

Baby woman

Medusa van Allen, nicknamed "Little Miss Sunshine", was born in 1908 and suffered from a unique genetic bone disorder that resulted in only her head growing. She could not stand or sit - and always lay. In the freak show, she usually played the role of babies - she, 70 cm, was carried onto the stage in her arms, cradled, rocked, and then she suddenly began to talk, talk about philosophy and literature, plunging the audience into delight. Medusa was the star of the Ripley's human oddities circus.

People with spinal deformities

The most famous freak of this plan was a certain Leonard Trask, born in England in 1805. At the age of 28, Trask fell off his horse and suffered a spinal deformity. Another 7 years later, he fell out of the crew and received a number of fractures. Over the next 18 years, Trask's spine flexed spontaneously, eventually burying Trask's nose in his chest. He no longer saw anything in front of him and earned a living by demonstrating ugliness. Researchers claim that the cause of the bending was ankylosing spondylitis, a systemic joint disease, but there is no firm certainty.

Another strange freak was the German Martin Lorello, who was able to turn his head 180 ° and stay in this state for quite some time. He toured extensively in Europe and the US, performed at Barnum's, was married, and even wrote a satirical pamphlet, How to Turn Your Head 180 Degrees: A Detailed Instruction.

penguin people

Freaks with phocomelia were in high demand. With this disease, the hands and / or feet are attached directly to the body - without shoulders, forearms, shins ... The person really resembles a penguin or a seal. The small number of freak penguins was due to the high infant mortality rate of those suffering from congenital phocomelia. In principle, such an anomaly in nature is as common as the absence of any limb from birth - but only 3% of patients with phocomelia survive up to 5 years.

To the same "subtype" can be attributed quite common "lobster people" - patients with ectrodactyly. In this disease, the number and shape of the fingers, as well as the shape of the feet, are essentially arbitrary. Most often, ectrodactylists have two "fingers" on each hand, they are formed by fused tissues of normal fingers. Hands at the same time resemble claws. Famous freaks of this type were Fred Wilson (born 1866), Bobby Jackson (early 1910s), Grady Styles Jr. (a unique "lobster" in the third generation!).

glory and sunset

Up until World War II, the ethics of human relations allowed freak shows to flourish.

Tod Browning's famous 1932 film Freaks features a typical freak show - with the standard set of freaks plus a few unusual freaks. True, the ethics of this film shocked the public even in those years, Browning fell out of favor and turned from a famous director into a Hollywood outcast - he continued to shoot, but failure followed failure.

In "Freaks" play the most real circus freaks. Worm Man Prince Randian, born without arms or legs, and famous throughout the world for his skills. Half-boy Johnny Ek, devoid of the lower half of the body. Siamese twins Daisy and Violet Hilton, fused sideways (by the way, today such twins are separated; but even ugliness did not prevent the sisters from getting married and divorced several times). Martha Morris, the "handless miracle" and Frances O'Connor (oh, how she drinks wine with her feet in the movie!).

The listed freaks were at least mentally complete and played in the film as actors. Problems with the law were caused by the use of mentally retarded freaks - the microcephalic Zip and Pip, the "bird woman" Ku-ku (suffering from Seckel's syndrome and blind), and so on. The question was not at all about ethics, but about the fact that most people really did not know about the existence of freaks. More precisely, they knew, but pretended not to know. And here - ah-ah-ah! - showed everyone, look, there is a freak show in the USA.

After World War II, freak shows fell out of favor. Society has become more rigid in ethical terms, the struggle for various rights, including the rights of people with disabilities, has become fashionable. And many freaks, who before the war earned a lot of money and, in general, were happy, after the war vegetated in poverty and obscurity (including the aforementioned "half-boy" Johnny Ek).

By 1955, all European states and most US states had accepted the ban on freak shows as a phenomenon. The Freaks could display themselves as individual numbers at will, but the posters with the words "amazing ugliness", "lizard man" or "the best freaks we have" disappeared once and for all.

freak show today

Another analogue of the old freak shows is the Lilliputian circus. There are very few such circuses in the world, they are closed communities and rarely allow ordinary people into their inner life. Individual freaks demonstrate themselves in various television shows and club performances. For example, in the USA, the "lobster boy" is widely known, nicknamed "Black Scorpion" (he hides his real name) - a man with fused fingers; his hands resemble lobster claws.

***

A difficult question is who is happier - the freaks of the 19th century, who earned decent money with their ugliness, or modern disabled people. If the latter give all their benefits for the right to regain health, then the former did not even think about such a thing. Their mutilated bodies were their bread, and there was no question of any ethics.

But when looking at old photographs, remember that compared to these people, you have no problems at all. Even if you were fired from your job, your wife left you and you owe a big mafia boss, you still don't have any problems.

People have always treated those who are somehow different from them in a special way. And although now all over the world they say that people with physical disabilities are just like us, many still secretly or openly look at them as a curiosity.

But today we will not talk about such a complex moral and ethical topic, but we will talk about the attitude towards people with disabilities in the past. Namely - about the history of the circus of freaks or freak shows. Such spectacles were popular in Europe and America in the XVIII-XIX centuries. Freak shows were traveling circuses, where the circus performers were people with disabilities or people with various physical disabilities or anomalies. Here you have bearded women, and unnecessarily thin or fat, and people with missing limbs, and much more.

History of the Freak Circus

It all started with the transition to market relations. It would seem, what does the circus have to do with it? If you don't know what circuses looked like in the 18th century, then imagine a fair. Around the huge colorful tent were tents with food, carousels and swings. All this occupied large areas. Therefore, the owners of the land began to demand payment for the placement of such tents, and sometimes the payment was prohibitively high. Also, moving a traveling circus from place to place was very expensive to transport. Thus, circuses were quite an expensive business, and had to bring a considerable income to their owners. Today you might think that if you are a slender acrobat or a tall strongman, then your life is a success. But not everything is so simple. The public in those days was jaded and very demanding of sensual pleasures. Nobody was surprised by acrobatic numbers and clowns. Famous strong men and magicians also did not cause delight in the public.

And one day someone came up with the idea to surprise the audience with deep, on the verge of disgust, emotions from looking at the imperfections of the human body.

This is how freak circuses appeared, where instead of acrobats and clowns there were "freaks". It was a show built on the basest and ugliest human emotions. The public enjoyed looking at deformed human bodies and other physical deformities. Interest and curiosity - that's what guided the creators of the first freak shows. The ethical standards of the time encouraged ridicule and mockery of such people. So the audience in the circus of freaks flowed like a river. They went and paid, then left and came another time, to a different troupe. Thus, a huge fortune could be made on a freak show.

But not all the money went to the profits of the circus directors, some was given to the freaks themselves, and we can say that this was a good part. Many circus performers provided themselves with a peaceful old age and a large fortune that the average “normal” person could envy.

But we figured out the reasons. Let's get back to history.

For a while, freaks were a common sight in regular circuses. Dwarfs, people with some kind of deviations could be present, if not in every, then at least in every third traveling circus. No one specifically walked the streets in search of the sick and mutilated, because their appearance is not very aesthetic. And aesthetics was important for circus performers. But at the beginning of the 18th century, the first freak circuses appeared. They seemed to have separated from the standard circuses and began to travel the world and give performances on their own. However, they did not take root in conservative and moral Europe. Not that people were disgusted to look at it, but the Europeans were not big fans of such spectacles either. Moreover, most freaks, nevertheless, preferred to work with an ordinary circus. But now the news of such circuses reaches America. This is where the golden age begins.

Until about the mid-1800s, American freak shows did not differ much from European ones. Unless they were more humane. So, for example, freaks were hired and paid big money for their performances, contracts were signed with them, and circus performers had much more freedom.

And then photography began to develop, and with it advertising. People decided that it would be better if, before coming to the circus, the viewer sees a part of what awaits him. Photos of "freaks" filled the city. This was the impetus for the fact that other freak shows appeared, this "genre" became insanely popular.

In the late 1800s and early 1900s, there were hundreds of circuses in both Europe and the US, each representing its own freaks. War suddenly broke out. During the Second World War, all freak circuses, like the usual ones, were in decline. People had no time to go to shows. And there was no particular desire to laugh when people are dying en masse in the world. However, after the end of the war, things got even worse for the freak show: the value of human life increased. People began to be more respected and people stopped laughing at physical freaks. And that means they stopped going and paying. As a result, freak circuses ceased to exist. At the moment there are none at all. And if they appeared, they would cause such condemnation from society that they would not have survived even a week.

famous freak circuses

In fact, there were so many circuses that you won't recognize them all. However, two of them deserve your attention. The first is Congress Of Living Freaks, from which you can find many photos today, but zero information. It is only known that in their "arsenal" there were dwarfs, people with unusually developed legs and some other anomalies.

More can be said about the second, Barnum & Bailey Greatest Show on Earth. This circus is famous primarily because of Phineas Barnum, one of the founders. This man was probably a businessman from God, because he not only made his circus the most famous, but also brought advertising itself to a new level. Although for the fact that he came up with some kind of spam, I don’t want to thank him.

It all started with the fact that Barnum decided to earn extra money. Having bought an elderly African-American woman with part of his ill-gotten fortune, he drove her around the cities and said that she was the nanny of Washington itself and she was over a hundred years old. People believed, gave him money just to look at this miracle. However, interest soon subsided, and Barnum started a rumor that the old woman was not even alive, but a robot. Popularity returned and doubled! But the woman soon died, and Barnum invited doctors for an autopsy, and rumors spread around the city that he replaced the robot with a living person so as not to reveal the identity of the inventor. Such activities came to Phineas' taste, and he found his calling.

His first freak shows were a small troupe consisting of midget Charles Stratton (General Tom-Tam), Chang and Eng Bunker (Siamese twins who were born in Siam. You know, after whom they are now called fused people), as well as a woman with an atypical for society of whites in appearance: Indians and African Americans. By the way, Stratton became so popular that they began to invite him to high society parties, and then they even found him a dwarf wife.

But Barnum gained real popularity when he created a circus with James Bailey. From his circus, he made a whole little world with its inhabitants, where everyone had their own history and their own characteristics. It got to the point where people deliberately harmed themselves, just to get into his troupe, because Barnum and Bailey paid very well. But we are all mortal. And after the death of Phineas, the circus was sold for 400 thousand dollars (by that time, Bailey Barnum had stopped working).

famous freaks

Different people inhabited the circuses of freaks: the disabled, the sick, the underdeveloped, the crippled and the freaks in the modern sense of the word. Below we will present you a small list of those who could shine at the freak show.

1. Bearded women

Bearded women are freak show queens. Without a bearded woman, your freak circus would be incomplete. At one time there were many famous women with a beard, and they were not at all worried about this facial hair. It was more of a highlight. Someone has a mole, someone has a large nose, someone has hair of an unusual color, and they have beards. These women were just as popular among the males as the others. Many got married, had children and ended their lives happily.

To date, this anomaly has been studied in and out. Bearded women have hirsutism, a disease due to which the female body produces too many male hormones. Currently being treated.

2. Skin abnormalities

These abnormalities include various skin conditions that cause a person's skin to have an unusual color or texture. People with Ehlers-Danlos syndrome were also popular, because of which their skin became viscous (as in the picture), and their joints were so flexible that a person could bend their fingers in the opposite direction (probably they made good acrobats).

3. Dwarfs and giants

The usual growth was uninteresting - give people midgets and giants! Too tall or too short people were an essential part of any self-respecting freak show. Often they worked in pairs, which looked very contrasting and enhanced the effect of the spectacle. It happened that midgets were wrapped up like newborns, and then they began to talk on philosophical topics in diapers. This made the audience very happy.

Such anomalies occur due to a lack or excess of growth hormone. But such people live quite freely in the modern world, some even become famous. Although, as history shows, their life expectancy is not great.

4. Wolf people

Returning to the topic of facial hair. Such "werewolves" were very popular and should have been present in every decent freak circus. In Barnum's circus, by the way, there was also such a person. Phineas made the guy bark and growl on stage like he was a dog. Meanwhile, Fedor Evtishchev was fluent in three languages: Russian, German and English. The reason for this anomaly is hypertrichosis, due to which hair grew not only all over the face, but throughout the body.

5. People without limbs

Of course, the complete absence of limbs was more exotic, but most often there were people who did not have either legs or arms.

There are many reasons for the appearance of such an anomaly: from improper birth to amputation due, for example, to severe trauma.

6. Siamese twins

Very fat and very thin people were usually paired up to enhance the effect. Most often: an incredibly fat woman and an incredibly thin man.

Yes, despite the fact that “curvy forms” were in fashion, excess fullness was still ugly, and people also laughed at it. But in the circus it was more or less appropriate.

8. Lobster people, penguins and seals

Lobster people, penguins and seals are limb deformities. When the hands were fused and claw-like, sometimes the feet or forearms were attached directly to the torso. Most often, these are congenital anomalies with deviations at the genetic level. There were quite a few such people.

There are many more “freaks”: people with bone deformities, microcephals with growths on the body or additional limbs (kind of Siamese twins). Unfortunately, it is impossible to tell about all of them.

By the way, Tod Browning's film Freaks, which was filmed in the 30s, deserves special mention. Freak circuses still existed then (the freaks in the film were real), but the audience took the film badly. Perhaps because of the scenes of violence, which abounds in the picture. But calling it "immoral" and "wrong" and at the same time attending a freak show of one's own accord is somehow dishonest.

Looking at all these people, their problems seem less significant. After all, we are "normal", something freaks can't boast of. Especially in our time.