How many and what kind of chemical monuments are known? Chemistry in Egypt during the Hellenistic period

01.07.2020

The variety of methods for studying the composition and technology of ancient materials is becoming difficult to comprehend. Let's briefly look at the methods that are most widely known and tested.

The choice of one or another method for studying the composition of ancient objects is dictated by historical and archaeological problems. In general, such problems are few, but they can be solved by different means.

Metal in the form of alloys, ceramics and fabrics are the first artificial materials consciously created by man. Such materials do not exist in nature. The creation of metal alloys, ceramics and textiles marked a qualitatively new stage in technology: a transition from the appropriation and adaptation of natural materials to the production of artificial materials with predetermined properties.

When studying the composition of ancient materials, the following questions are usually considered. Was the item made locally or far from where it was found? If far away, is it possible to indicate the place where it was made? Is the composition of a material, such as an alloy of some metals, intentional or accidental? What was the technology of this or that production process? What was the level of labor productivity when using this or that technique for processing stone, bone, wood, metal, ceramics, glass, etc.? For what purpose were certain tools used? These and other similar questions can be answered based mainly on two types of research: analysis of matter and physical modeling of ancient technological processes.

SUBSTANCE ANALYSIS

The most accurate of the traditional methods of analyzing a substance is chemical analysis. The substance under study is processed in various solutions, in which certain constituent elements precipitate. The precipitate is then calcined and weighed. For such an analysis, a sample of at least 2 g is needed. It is clear that such a sample cannot be separated from every object without destroying it. Chemical analysis is very labor-intensive, and an archaeologist needs to know the composition of hundreds and thousands of objects. In addition, a number of elements present in this subject in
in tiny quantities, practically undetectable chemically.

Optical spectral analysis. If a small amount of a substance of 15-20 mg is burned in the flame of a voltaic arc and passing the light of this arc through a prism, then projecting it onto a photographic plate, then a spectrum will be recorded on the developed plate. In this spectrum, each chemical element has its strictly defined place. The greater its concentration in a given object, the more intense the spectral line of this element will be. The intensity of the line determines the concentration of the element in the burned sample. Spectral analysis makes it possible to detect very small impurities, on the order of 0.01%, which is very important for some questions faced by an archaeologist. Of course, only the most general principle of spectral analysis is outlined here. Its practical implementation is carried out using special equipment and requires certain skills. Instruments for spectral analysis are produced commercially. The analysis technique is not so complicated, and if desired, the archaeologist can master it in a fairly short time. At the same time, a very unproductive intermediate link is excluded, when an archaeologist who is not versed in the technique of analysis must explain his tasks to a surveyor who is poorly versed in archaeological issues. Therefore, the ideal situation seems to be when a professional spectral specialist working in a scientific team of archaeologists becomes so familiar with archaeological problems that he himself can formulate tasks for studying the composition of ancient materials.

Spectral analysis of archaeological finds has yielded many interesting results.

Ancient bronze. The most important studies using spectral analysis relate to the origin and distribution of ancient copper and bronze metallurgy. They made it possible to move from approximate visual assessments (copper, bronze) to precise quantitative characteristics of the alloy components and to the identification of various types of copper-based alloys.

Until relatively recently, it was believed that the metallurgy of copper and bronze originates from Mesopotamia, Egypt and Southern Iran, where it was known since the 4th millennium BC. e. The mass production of analyzes of bronze objects made it possible to raise the question not about regions, but about specific ancient mine workings, to which certain types of alloys can be “linked” with a certain probability. Ore from each deposit has a specific set of microimpurities inherent only to this deposit. When smelting ore, the composition and amount of these impurities may vary somewhat, but can be taken into account. Thus, it is possible to obtain certain “marks” that characterize the characteristics of the metals of a particular deposit or group of deposits, or mining centers. The characteristics of such mining centers as the Balkan-Carpathian, Caucasian, Ural, Kazakhstan, and Central Asian are well known.

Currently, the oldest traces of copper smelting and processing and lead products have been discovered in Asia Minor (Catal Huyuk, Hacilar, Cheyunyu Tepesi, etc.). They date back at least a thousand years earlier than similar finds from Mesopotamia and Egypt.

An analysis of materials obtained during excavations at the oldest copper mine in Europe, Ai-Bunar (on the territory of modern Bulgaria), showed that already in the 4th millennium BC. Europe had its own source of copper. Bronze products were made from ores mined in the Carpathians, the Balkans and the Alps.

Based on a statistical analysis of the composition of ancient bronze objects, it was possible to establish the main directions of the evolution of bronze technology itself. Tin bronze did not appear in most mining and metallurgical centers immediately. It was preceded by arsenic bronze. Alloys of copper and arsenic could be natural. Arsenic is present in a number of copper ores and, when smelted, partially transforms into the metal. It was believed that arsenic impurities deteriorate the quality of bronze. Thanks to mass spectral analysis of bronze objects, it was possible to establish an interesting pattern. Items intended for use under conditions of strong mechanical loads (spear tips, arrows, knives, sickles, etc.) had an admixture of arsenic in the range of 3-8%. Items that should not have experienced any mechanical stress during use (buttons, plaques and other decorations) had an admixture of arsenic of 8-15%. In certain concentrations (up to 8%), arsenic plays the role of an alloying additive: it gives bronze high strength, although the appearance of such a metal is inconspicuous. If the concentration of arsenic is increased above 8-10%, bronze loses its strength qualities, but acquires a beautiful silvery tint. In addition, at a high concentration of arsenic, the metal becomes more fusible and fills all the recesses of the casting mold well, which cannot be said about viscous, quickly cooling copper. The fluidity of the metal is important when casting jewelry with complex shapes. Thus, indisputable evidence was obtained that the ancient craftsmen knew the properties of bronze and were able to produce metal with predetermined properties (Fig. 39). Of course, this happened under conditions that had nothing in common with our ideas about metallurgical production with its precise recipes, express analyzes, etc. For all ancient peoples, blacksmithing was surrounded by an aura of magic and mystery. When throwing bright red realgar stones or golden-orange pieces of orpiment containing significant concentrations of arsenic into the smelting furnace, the ancient metallurgist most likely recognized this as some kind of magical effect with the “magic” stones having the revered red color. Generations of experience and intuition told the ancient master what additives and in what quantities were needed when making things intended for various purposes.

In a number of areas where there were no reserves of arsenic or tin, bronze was obtained in the form of an alloy of copper and antimony. Thanks to spectral analysis, it was possible to establish that Central Asian craftsmen, even at the turn of our era, were able to produce an alloy that was very close in composition and properties to modern brass. Thus, among the items found during excavations of the Tulkhar burial ground (2nd century BC - 1st century AD, Southern Tajikistan), there were many earrings, buckles, bracelets and other brass items.

Spectral analysis of a large number of bronze items from Scythian monuments in Eastern Europe indicated that the composition of the alloys of Scythian bronze does not trace continuity from previous cultures of the Late Bronze Age of this region. At the same time, there are things here whose alloy composition is close in concentration to alloys from the eastern regions (Southern Siberia and Central Asia). This serves as an additional argument in favor of the hypothesis about the eastern origin of the Scythian-type culture.

Using spectral analysis, it is possible to study the nature of the distribution in time and space of not only bronze, but also other materials. In particular, there is successful experience in studying the distribution of flint in the Neolithic era, as well as glass and ceramics in various historical periods.

In recent years, in the practice of archaeological research, the role of modern and, for archaeology, new research methods has been increasing.

Stable isotopes. Just as the microimpurities mentioned above in ancient metals, flint, ceramics and other materials are natural marks, a kind of “passports”, in some cases the ratio of stable, i.e. non-radioactive, isotopes in some substances plays approximately the same role.

On the territory of Attica and on the islands of the Aegean Sea, silver items are found during excavations of monuments of the Chalcolithic and Early Bronze Age (IV-III millennium BC). During Schliemann's excavations of Mycenaean shaft tombs (16th century BC), silver objects were clearly of Egyptian origin. These and other observations, in particular the famous ancient silver mines in Spain and Asia Minor, became the basis for the conclusion that the ancient inhabitants of Attica did not mine their silver, but imported it from these centers. This opinion was generally accepted in Western European archeology until very recently.

In the mid-70s, a group of English and German physicists and archaeologists began a series of studies of ancient mines in Lavrion (near Athens) and on the islands of Sifnos, Naxos, Siroe, etc. The physical basis of the study was as follows. Due to imperfect cleaning methods, ancient silver items contain lead impurities. Lead has four stable isotopes with atomic weights 204, 206, 207 and 208. Once smelted from its ore, the isotopic composition of the lead originating from a given deposit remains constant and does not change from hot and cold working, corrosion or alloying with other metals. The ratio of isotopes in a given sample is recorded with great accuracy by a special device - a mass spectrometer. By determining the isotopic composition of samples of various ores originating from specific mines, and then comparing their isotopic composition with samples of silver items, the source of the metal for each item can be pinpointed.

Ancient mines were exploited for centuries and millennia, and in this case it was important to know which of the more than 30 ancient deposits surveyed had silver-lead minerals mined in the Bronze Age. Using C14 and thermoluminescence of ceramics, it was possible to date individual workings dating back to the end of the 4th-3rd millennium BC. e. Then ore samples from these workings were subjected to mass spectroscopic examination for lead. Lead isotope ratios in samples from different ancient workings were distributed over non-overlapping areas, indicating “tags” inherent in each deposit (Fig. 50). The isotope ratios in the silver objects themselves were then analyzed. The results were unexpected. All items were made from local silver, originating either from Lavrio or from the island mines, mainly from the island of Sifnos. As for the Egyptian silver objects found in Mycenae, they were made from silver mined in Laurion, exported to Egypt. Items made in Egypt from Athenian silver were brought to Mycenae.

A similar problem was considered to identify marble objects with marble sources. This question is important from different angles. Works of Greek sculpture or architectural details made of marble are found at great distances from mainland Greece. Sometimes it is very important to answer the question of what marble, local or imported from Greece, is a sculpture, or the capital of a column, or any other object made of. Modern counterfeits of antiquity find their way into museum collections. They need to be identified. Restorers, etc. need to know the sources of marble for a particular structure.

The physical basis is the same: stable isotope mass spectrometry, but instead of lead, the ratio of the isotopes of carbon, 2C and 13C, and oxygen, 80 and 160, is measured.
The main deposits of marble in Ancient Greece were on the mainland (mountains Pentelikon and Hymettus near Athens) and on the islands of Naxos and Paros. It is known that the Parian marble quarries, or rather mines, are the most ancient. Measurements of marble samples from quarries and measurements of samples from ancient sculptures (non-destructive analysis: a sample of tens of milligrams is required) and architectural details made it possible to connect them with each other (Fig. 51).

Similar results can be obtained by conventional, petrographic or chemical analysis. For example, it was found that samples of Gandhara sculpture stored in museums in Taxila, Lahore, Karachi, and London were made of stone taken from a quarry in the Swat Valley in Pakistan, in the Mardai district near the Takht-i-Bahi monastery. However, analysis using a mass spectrometer is more accurate and less labor intensive.

Neutron activation analysis (NAA). Neutron activation analysis is perhaps the most powerful and effective means of determining the chemical composition of an object from a long series of elements at once. In addition, this is a non-destructive analysis. Its physical essence is

Rice. 51. Comparison of marble samples from architectural details and sculptures with samples from quarries:
1 - Naxos island; 2 - Paros island; 3 - Mount Pentelikon; 4 - Mount Gimmettus; 5 - samples from monuments

that when any substance is irradiated with neutrons, the reaction of radiative capture of neutrons by the nuclei of the substance occurs. As a result, the excited nuclei emit their own radiation, and each chemical element has its own energy and has its own specific place in the energy spectrum. In addition, the greater the concentration of a given element in a substance, the more energy is emitted in the spectral region of that element. Externally, the situation is similar to what we observed when considering the basics of optical spectral analysis: each element has its own place in the spectrum, and the degree of blackening of the photographic plate in a given place depends on the concentration of the element. Unlike others, neutron activation analysis has very high sensitivity: it detects millionths of a percent.

In 1967, the University of Michigan Museum of Art (USA) organized an exhibition of Sasanian silver, which included objects from various museums and private collections. These were mainly silver dishes with embossed images of various scenes: Sasanian kings hunting, at feasts, epic heroes, etc.). Experts suspected that among the genuine masterpieces of Sasanian toreutics there were modern fakes. Neutron activation analysis showed that more than half of the exhibits were made from modern silver of a purified composition that was unattainable in ancient times. But this is, so to speak, a crude fake, and such a fake is now very easy to detect by its chemical composition. But among the objects of this exhibition there were dishes that, although they differed from the genuine ones in their chemical composition, were not so much that on this basis alone they could be considered fakes. Experts believe that in this case a more sophisticated forgery cannot be ruled out. Scrap of ancient silver could have been used to make the dish itself. Moreover, even individual applied embossed parts could be genuine, while the rest of the composition could be skillfully forged. This is indicated by some stylistic and iconographic subtleties, visible only to the experienced eye of a professional art historian or archaeologist. From this example, an important conclusion for an archaeologist follows: any, the most advanced physical and chemical analysis must be combined with cultural, historical and archaeological research.

The neutron activation method is used to solve archaeological problems of various levels. For example, a deposit has been identified in which huge monoliths of ferruginous quartzite were mined to make giant statues (15 m high) of the temple complex of Amenhotep III in Thebes (15th century BC). Several deposits were suspected, located at different distances from the complex: approximately from 100 to 600 km. Based on the concentration of some elements, especially the extremely low europium content (1-10%), it was possible to establish that the monoliths for the statues were delivered from the most remote quarry, where quartzite was mined with a fairly homogeneous structure suitable for processing.

For all its temptingness, the neutron activation method cannot yet be considered generally accessible to an archaeologist, the same as, for example, spectral analysis or metallography. In order to obtain the energy spectrum of a substance, it needs to be irradiated in a nuclear reactor, and this is not very accessible and also expensive. When it comes to verifying the authenticity of a masterpiece, this is a one-step study, and in this case, as a rule, the costs of examination are not taken into account. But if, to solve ordinary current scientific problems, an archaeologist needs to analyze hundreds or thousands of samples of ancient bronze, ceramics, silicon and other materials, the neutron activation method turns out to be too expensive.

STRUCTURE ANALYSIS

Metallography. An archaeologist often has questions about the quality of metal products, their mechanical properties, methods of their manufacture and processing (casting in an open or closed mold, with fast or slow cooling, hot or cold forging, welding, carburizing, etc.). Metallographic research methods provide answers to these questions. They are very diverse and not always easily accessible. At the same time, quite satisfactory results in various areas of archeology were obtained using a relatively simple method.
microscopic examination of thin sections. After some training, this method can be mastered by the archaeologist himself. Its essence is that various methods of processing iron, bronze and other metals leave their “traces” in the structure of the metal. A polished section of a metal product is placed under a microscope and the technique of its manufacture or processing is determined by the distinguishable “traces”.

Important results were obtained in the field of metallurgy and processing of iron and steel. During the Hallstatt period, basic skills in the plastic processing of iron appeared in Europe, with rare attempts to make steel blades by carburizing iron and hardening it. The imitation of bronze objects in shape is clearly visible, just as in their time bronze axes inherited the shape of stone ones. A metallographic study of iron products of the subsequent La Tène era showed that at that time the technology of steel production had already been fully mastered, including rather complex methods for producing welded blades with a high quality cutting surface. Recipes for making steel products passed through all of Roman times practically without any special changes and had a certain influence on the level of blacksmithing in early medieval Europe.

The Scythian-Sarmatian cultures of Eastern Europe, synchronous with the late Hallstatt and La Tène, also possessed many secrets of steel production. This is shown by a series of works by Ukrainian archaeologists who widely used metallographic methods.
Metallographic analysis of copper products of the Trypillian culture made it possible to establish the sequence of improvement of copper processing technology over a long period of time. At first it was the forging of native copper or metallurgical, smelted from pure oxide minerals. Early Tripoli masters apparently did not know casting technology, but they achieved great success in forging and welding techniques. Casting with additional forging of working parts appears only in the Late Tripolie period. Meanwhile, the southwestern neighbors of the early Trypillians - the tribes of the Karanovo VI - Gumelnitsa culture already knew different techniques for casting in open and closed molds.

Of course, the most significant results are obtained by combining metallographic studies with other methods of analysis: spectral, chemical, X-ray diffraction, etc.

Petrographic analysis of stone and ceramics. Petrographic analysis is similar in its technique to metallographic analysis. The initial object of analysis in both cases is a polished section, that is, a polished section of an object or its sample placed under a microscope. The structure of this rock is clearly visible under a microscope. The nature, size, and number of different grains of certain minerals determine the characteristics of the material being studied, according to which it can be “tied” to a particular deposit. This is relative to the stone. Polished sections obtained from the ceramics make it possible to determine the mineralogical composition and microstructure of the clay, and parallel analysis of clay from supposed ancient quarries makes it possible to identify the product with its raw materials.

When turning to petrographic analysis, a clear formulation of the questions that the archaeologist wants to answer is necessary. Petrographic research is quite labor-intensive. It requires the production and study of a fairly large number of thin sections, which is not cheap. Therefore, such studies, like all others, are not done “just in case.” We need a clear formulation of the question that we want to answer using petrographic analysis.

For example, during a petrographic study of Neolithic tools found at sites and in graves in the lower reaches of the Tom River and in the Chulym basin, specific questions were posed: did the inhabitants of these microdistricts use raw materials from local sources or from distant ones? Was there an exchange of stone products between them? The analysis was carried out on more than 300 thin sections taken from various stone tools from stone deposits in the area. A study of thin sections showed that approximately two thirds of the total number of stone tools were made from local raw materials (silicified siltstones). Some abrasive tools are made from local sandstone and shale rocks. At the same time, individual adzes, bumpers and other objects were made from rocks that had deposits on the Yenisei and in the Kuznetsk Ala-Tau (serpentine, jasper-like silicite, etc.). Based on these facts, it could be concluded that the bulk of the tools were made from local raw materials, and the exchange was insignificant. The answer to these kinds of questions can be obtained by other methods, for example, spectral or neutron activation methods.

Unlike the inhabitants of the valleys of the Tom and Chulym rivers, the Neolithic tribes of Asia Minor actively exchanged tools or workpieces made from obsidian. This was established through spectral analysis of the tools themselves and samples of obsidian deposits, which clearly differed from each other in the concentration of elements such as barium and zirconium.

Analysis of the structure of ancient materials should also include the study of fabrics, leather, and wood products, which makes it possible to identify special technological techniques inherent in a given culture or period. For example, the study of fabrics found during excavations of Noin-Ula, Pazyryk, Arzhan, Moshchevaya Balka and other monuments made it possible to establish the paths of ancient economic and cultural ties with very remote regions.

EXPERIMENTAL MODELING OF ANCIENT TECHNOLOGIES

Analysis of substance and structure allows us to learn about the composition and technology of ancient materials and answer various questions of a cultural and historical nature. However, here too an integrated approach is needed, combined with other methods. The greatest completeness of understanding of many production processes is achieved by means and methods of physical modeling of ancient technologies. This direction in archeology has now become widespread under the name “experimental archaeology.”

Along with archaeological expeditions that excavate ancient monuments, in recent years completely unusual archaeological expeditions have been created in universities and scientific institutions of the USSR, Poland, Austria, Denmark, England, the USA and other countries. Their main goal is to find out in practice, experimentally, certain problems of reconstructing the way of life and the level of technology of ancient groups. Students and graduate students, professors and researchers make stone axes, use them to cut poles and logs, build dwellings and cattle pens, exact replicas of dwellings and other structures studied during excavations. They live in such dwellings, using only those tools and means of labor that existed in ancient times, sculpting and firing pottery, melting metal, cultivating arable land, raising livestock, etc. All this is recorded in detail, analyzed and generalized. The results are interesting and sometimes unexpected. The work of S. A. Semenov and his students made it possible to put hypotheses about the level of labor productivity in primitive communities under strict experimental control. Labor productivity is one of the main measures of progress in all periods of history. Scientists' ideas about labor productivity in the Stone Age were very speculative. In old textbooks you can find a phrase that the Indians polished a stone ax for so long that sometimes a whole life was not enough to do it. S. A. Semenov showed that depending on the hardness of the stone, this operation took from 3 to 25 hours. It turned out that the productivity of the Trypillian sickle made of flint inserts is only slightly inferior to the modern iron sickle. Residents of the Trypillian village could harvest a grain crop per hectare with four people in about three daylight hours.

Experimental smelting of bronze and iron made it possible to understand in more detail a number of “secrets” of ancient craftsmen, to make sure that some technological techniques and skills of foundries and blacksmiths were not in vain covered with an aura of magic. Soviet, Czech and German archaeologists tried many times to obtain kritsa from sponge iron smelted in a cheese furnace, but there was no lasting result. Experimental smelting of copper-tin ore from ancient workings in the Fan Mountains (Tajikistan) showed that in some cases ancient foundries were engaged not so much in the selection of alloy components, but in the use of ores with natural associations of different metals. It is possible that Bactrian brasses are also the result of the use of a special ore with a natural composition of copper-tin-zinc-lead.

On this day:

Birthdays 1936 Was born Boris Nikolaevich Mozolevsky- Ukrainian archaeologist and writer, candidate of historical sciences, widely known as a researcher of Scythian funerary monuments and the author of the discovery of a golden pectoral from a mound Thick grave. Days of Death 1925 Died Robert Koldewey- German architect, architectural historian, teacher and archaeologist, one of the largest German archaeologists involved in Middle Eastern archaeology. He identified the location and, with the help of excavations that lasted from 1898-1899 to 1917, confirmed the existence of the legendary Babylon. 2000 Died: a famous Soviet historian, archaeologist and ethnographer, Moscow specialist. The first leader of the Moscow archaeological expedition (1946-1951). Doctor of Historical Sciences. Laureate of the State Prize of the Russian Federation (1992).

CHEMISTRY IN EGYPT IN THE HELLENISTIC PERIOD. THE ANCIENT LITERARY CHEMICAL MONUMENTS

In the 4th century. BC e. Alexander the Great (356–323) undertook military campaigns and conquered Greece, Persia and many countries in Asia and Africa. In 322 BC. e. he conquered Egypt and the following year founded the city of Alexandria on the shores of the Mediterranean Sea, in the Nile Delta. Within a short time, thanks to its favorable geographical position, Alexandria became the largest trade, industrial and craft center of the ancient world and the most important port on the Mediterranean Sea. It became the capital of the new Hellenistic Egypt.

After the sudden death of Alexander the Great, his vast empire fell apart. In the independent states that emerged, his most prominent comrades came to power. Thus, Ptolemy-Soter reigned in Egypt, becoming the founder of the Ptolemaic dynasty (323–30 BC). Ruthlessly exploiting the population, Ptolemy accumulated significant wealth and, imitating previous Egyptian pharaohs, established a luxurious court. As a court institution, he founded the Alexandrian Academy, in which young people of different nations, mainly Greeks, began to study the sciences and arts. Prominent scientists from Athens and other cities were attracted to teach at the Academy.

A museum (House of Muses) with numerous natural science and art collections was established at the Academy. A library was created, consisting of Greek handwritten books, ancient Egyptian papyri and clay and wax tablets with the texts of works of scientists and writers of antiquity. Under Ptolemy-Soter's successors, the museum and library continued to be replenished. Ptolemy II - Philadelphus - acquired a large collection of books that belonged to Aristotle for the library. Many of these books were received by Aristotle as a gift from Alexander the Great. A procedure was established in which every book brought to Egypt had to be presented to the Academy, where a copy was made of it. A large number of books were copied in many copies and distributed among scientists and science lovers.

Already under the first Ptolemies, many philosophers, poets and scientists of various specialties, mainly mathematicians, concentrated in the Alexandria Academy. However, the conditions of the Academy as a court institution did not contribute to the development of advanced philosophical ideas and teachings in it. The leading trends in the Academy were the reactionary and idealistic teachings of “gnosticism” and “neoplatonism”.

Gnosticism is a movement of a religious and mystical nature. The Gnostics dealt with issues of knowledge (gnosis) of the essence of the highest divine principle. They recognized the existence of an “invisible” world inhabited by countless ethereal beings. Descriptions of this world are full of mysticism and symbolism. The Gnostics were ardent enemies of natural scientific materialism.

Neoplatonism, which became especially widespread in the 3rd and 4th centuries. n. e. thanks to Plotinus (204–270), it also represented a philosophical teaching of a religious and mystical nature. Neoplatonists recognized the existence of a soul not only in people and living beings in general, but also in bodies of “dead nature.” The interpretation of the various manifestations of the soul and the action at a distance of spirits imprisoned in various bodies constituted the main content of the philosophy of the Neoplatonists. The teachings of the Neoplatonists became the basis of astrology - the art of predicting various events and the destinies of people based on the position of the stars. Neoplatonism formed the basis of the so-called black magic - the art of communicating with the spirits and souls of dead people through spells, various manipulations, fortune telling, etc.

The teachings of the Gnostics and Neoplatonists, which absorbed elements of many religious codes and dogmas, partially formed the basis for the formation of Christian dogma. Despite the pitiful role played by philosophy, sciences such as mathematics, mechanics, physics, astronomy, geography and medicine were brilliantly developed at the Alexandria Academy. The reasons for the success in the development of these areas of knowledge will become clear if we recall their important practical significance primarily for military affairs (mechanics and mathematics), agriculture and irrigation work (geometry), navigation and trade (geography, astronomy), as well as in the life of the court. nobility (medicine).

Among the largest mathematicians of the Alexandrian Academy, Euclid (died after 280 BC) and Archimedes (287–212 BC), who had many students, should be mentioned. The achievements of these great mathematicians of antiquity are widely known.

In the first century of the existence of the Alexandria Academy, chemistry had not yet emerged as an independent field of knowledge. In Alexandria, it was an important part of the “sacred secret art” of the priests of the temples, primarily the temple of Serapis. Much of the chemical knowledge and techniques, especially those related to the manufacture of artificial gold and counterfeit precious stones, remained inaccessible to the general public.

There is no doubt that in the ancient Egyptian temples of the pre-Hellenistic period, for a long time there were recipe collections describing chemical and technical operations and methods for the production of gold and gold alloys, as well as all kinds of counterfeits of precious metals and precious stones. Such collections, along with chemical and technical recipes and descriptions, contained secret information on astronomy, astrology, magic, pharmacy, medicine, as well as mathematics and mechanics. Thus, chemical-technical and chemical-practical information constituted only a section of natural science, mathematical and other knowledge, as well as all kinds of mystical (magic and astrology) descriptions and spells. All this information in that era was usually united under the common name “physics” (from the Greek - “nature”).

After the conquest of Egypt by Alexander the Great, when many Greeks settled in Alexandria and other major cities of the country, the entire complex of knowledge accumulated over many centuries by the priests of the temples of Osiris and Isis crossed with Greek philosophy and craft technology, in particular with chemical crafts. At the same time, many technical “secrets” of the Egyptian priests became available to Greek scientists and artisans.

Naturally, from the point of view of the dominant philosophical worldview of the Greeks in that era (the philosophy of the Peripatetics, and then Gnosticism and Neoplatonism), the ancient Egyptian technique of counterfeiting precious metals and stones was considered as the true art of “transforming” one substance into another. Moreover, given the low level of chemical knowledge in that era, it was not always possible to identify a fake by chemical analysis or other means.

The tempting prospect of quick enrichment, the aura of mystery that surrounded the operations of “refining” metals, and, finally, the confidence in the full compliance of the phenomena of “transformation” of substances, especially the mutual transformations of metals, with the laws of nature - all this greatly contributed to the rapid spread of the “secret” art" of Egyptian priests in Hellenistic Egypt, and then in other countries of the Mediterranean basin. Already around the beginning of our era, the production of counterfeit precious metals and precious stones became widespread.

Judging by the literary works that have come down to us, the methods of “transforming” base metals into gold and silver came down to three operations: 1) changing the surface color of the base metal by the action of suitable chemicals or covering it with a thin layer of noble metal, giving the “transformed” metal the appearance of gold or silver; 2) painting metals with varnishes of appropriate colors and 3) producing alloys similar in appearance to gold or silver (48).

Of the literary works of chemical and technical content from the era of the Alexandrian Academy, let us mention first of all the “Leiden Papyrus X”, dating back to the 3rd century. n. e. (49) This document was found along with others in one of the Theban tombs in 1828. It entered the Leiden Museum, but for a long time did not attract the attention of researchers and was read and commented on only in 1885. The Leiden papyrus (in Greek) contains more than 100 recipes describing methods of counterfeiting precious metals.

In 1906, the existence of another ancient papyrus from the same time became known. This is the so-called Stockholm papyrus, which ended up in the library of the Academy of Sciences in Stockholm in the 1830s. It contained 152 recipes, of which 9 related to metals, 73 to the production of fake precious stones and pearls, and 70 to dyeing fabrics, mainly to obtaining a purple color (50).

In some other chemical papyri, in addition to prescription formulas, there are inserts that represent something like spells. For example, in the Leiden Papyrus V there is the following insert: “The doors of heaven are open, the doors of earth are open, the path of the sea is open, the path of the rivers is open. All the gods and spirits obeyed my spirit, the spirit of the earth obeyed my spirit, the spirit of the sea obeyed my spirit, the spirit of the rivers obeyed my spirit” (51).

Special studies have shown that both papyri are quite similar in content to more ancient works, apparently widespread in Hellenistic Egypt and which have come down to us in copies of a much later time. For example, there is a known work in Greek, first published by Berthelot under the title “Physics and Mysticism” (52) and appearing as the work of Democritus of Abdera. In fact, as established by Diels and Lippmann, the primary source of this and other similar works is an encyclopedic work of a more ancient origin, compiled by a certain Bolos of Mendes around 200 BC. e. based on data from Greek science, Egyptian secret science and several ancient Persian works of a mystical nature. Obviously, Bolos, wanting for some reason to hide his authorship in compiling this encyclopedia, attributed part of his work to various ancient philosophers, including the famous atomist Democritus. A similar technique of attributing the authorship of works related to the field of “secret science” to other authors, primarily famous philosophers and scientists, was very often used from ancient times until the 17th century. (53) The reasons and motivations for such “transfer of authorship” to other people were different: in some cases, genuine authors feared persecution for their works, in others, “pseudo-authorship” was used for advertising when selling the corresponding list of works.

During the era of Roman rule in Egypt, some works of handicraft and chemical content were distributed in Alexandria. The chemical and technical information in these works, unlike the previous ones, is presented in an incomprehensible language and is accompanied by vague statements and incantations. These works are full of religious mysticism.

Thus, several unnamed manuscripts are known in which the authorship of the secret information reported is attributed either to the gods or to various mythical personalities of the distant past. The founders of the “sacred secret art” of making precious metals, stones and pearls are considered, in particular, the god Osiris, Thoth, or Hermes, called “Trismegistos”, i.e. “thrice greatest”, Isis, Horus, Moses, as well as Democritus, Cleopatra of Egypt, Mary the Hebrew (Coptic), etc. Especially great merits were attributed to the mythical Hermes Trismegistos, apparently a deified ancient Egyptian priest. These same manuscripts contain legends about the divine origin of the “secret art” of transforming metals, about the existence of works of gods and angels, supposedly carefully buried in secret places, containing the greatest “secrets.” In particular, the legend about the “emerald table” of Hermes is given, which became very popular among medieval alchemists. The text of this mythical table, allegedly written on an emerald plate found by Alexander the Great in the tomb of Hermes, is as follows: “True, without deception, authentic and completely truthful. What is below is like what is above. And that which is above is like that which is below, to perform miracles of one work. And just as all objects came from one substance, according to the thought of one, so they all came from this substance by adoption. His father is the Sun, his mother is the Moon. The wind carried him in its womb, the Earth was his nurse. It is the father of all perfection in the universe. If it is turned into earth, its power does not weaken. Separate the earth from the fire, the subtle from the gross, carefully, with great skill. This substance rises from the earth to the sky and immediately descends again to the earth and collects the power of both the upper and lower things. And you will receive worldwide fame. And all darkness will be removed from you. Its power is more powerful than any force, because it will catch everything elusive and penetrate everything impenetrable. For this is how the world was created! Here's a source of amazing uses. That is why I was called Hermes the Thrice Greatest, master of the three branches of universal philosophy. I have said here everything about the work of the Sun” (54) (apparently gold).

The legend about the role of Hermes in the founding of the “sacred secret art” became widespread in the 6th century, and later, in the 13th century. and, especially in the 16th–17th centuries, his “emerald table” gained great fame. On behalf of Hermes, the “secret art” of transforming metals in the Middle Ages received the name “hermetic” art.

By the 6th century include the works of Synesius, a commentator on works attributed to Democritus (Pseudo-Democritus), Stephen of Alexandria and Olympiodorus (“On Sacred Art”) and many others. All these works contain an abundance of mysticism, vague symbolism, spells, etc. By the way, Olympiodor was one of the first to use the designation of the seven metals of antiquity with the signs of the planets, which were used in Ancient Egypt (55).

In addition to the works of Pseudodemocritus - Bolos, in the era of the Alexandrian Academy, a large work by the “divine” Zoshima from Panopolis (about 400) was known. Zosima was probably closely associated with the Academy of Alexandria, where in the 2nd–4th centuries. "secret art" was taught. Zosima's work has not reached us in full and with significant distortions. It consists of 28 books, which discuss various techniques of the “secret art”, for example, the question of “fixation of mercury”, “divine water”, the sacred art of making gold and silver, the four bodies, the philosopher’s stone, etc. (56).

In the work of Zosima, apparently, for the first time in literature the name “chemistry” is mentioned (some authors believe that this name in the manuscript of Zosima’s work is a later insertion) in the understanding of “sacred secret art.” According to the Hebrew legend (Book of Genesis, Chapter 6), Zosima says that this art was transmitted to people by fallen angels, who, after the expulsion of Adam and Eve from paradise, met with the daughters of men and, as a reward for their love, imparted to them techniques “ secret art." According to Zosima, the first book in which information about the “secret art” was collected was written by the prophet Hem (Ham?), from whose name the very name of the art came (57). Zosima's work was widely known among Alexandrian and later medieval alchemists. The widespread spread of the secret art of transforming metals and the appearance of a huge number of counterfeit coins in circulation became a threat to trade. In the first centuries of our era, during the era of Roman rule in Egypt, Roman emperors repeatedly tried to ban the practice of the “secret art”. Thus, around 300, Diocletian, in connection with the monetary reform in the empire, issued a decree on the burning of all books containing descriptions of the manufacture of gold and silver.

On the other hand, the “secret art” and the religious and mystical rituals associated with it, fortune telling, spells, black magic, etc. caused persecution by the Christian clergy, who saw in such activities a threat to the “purity” of Christian teachings. Scientists at the Alexandrian Academy, considered the main center of the “secret art,” were also persecuted. This is evidenced by the sad history of the Alexandria Academy, its university, museum and library.

Back in 47 BC. e., during the siege of Alexandria by Julius Caesar, the Academy Museum, which housed most of the library (about 400,000 volumes), burned down. Another part of the library (up to 300,000 volumes), kept in the temple of Serapis (the later name of the god Osiris, or Jupiter), survived. Emperor Antoninus, in exchange for the burnt part of the library, gave Cleopatra of Egypt the Pergamon Library of 200,000 volumes. In 385, Christian fanatics led by Archbishop Theophilos destroyed the temple of Serapis, and in 390 the books stored in this temple were destroyed. In 415, on the orders of Patriarch Cyril, the Academy University was destroyed, and many professors and scientists were killed, including the famous Hypatia. Finally, in 640, when the Arabs captured Alexandria, the remains of the library were destroyed, and the Alexandrian Academy ceased to exist.

What are the results of the development of chemical art during the era of the Alexandrian Academy, which existed for almost 1000 years? First of all, it should be noted that there was a significant expansion of chemical-technical knowledge and artisanal chemical experience in this era. The knowledge accumulated by ancient Egyptian artisans and priests in metallurgy, dyeing, pharmacy and other fields passed on to the Greeks, and then to Rome and other peoples of the Mediterranean coast. The very nature of crafts has changed. In the Roman Republic and the Roman Empire, as well as in Alexandria, along with single craft workshops, there were so-called factories in which dozens and even hundreds of slave artisans worked. In such factories, the experience of individual craftsmen was mastered, summarized and improved.

Significant advances have been made in the production of various metal alloys, especially copper. Alloys with different colors and shades of colors have become widespread. The technique of metal plating (gold plating, silver plating, copper plating, tinning, etc.) was developed and improved, as well as the technique of “painting” the surface of precious metals using appropriate chemicals.

The craft of dyeing fabrics and other products and the production of various dyes developed. In addition to the mineral and vegetable dyes known in Ancient Egypt and other countries of the ancient world, new natural dyes were introduced into practice during this era, especially dyes that give a purple color. Dyes and recipes for dyeing techniques are described in recipe collections compiled during the era of the Alexandrian Academy and included in later European collections in an expanded form.

The range of chemicals used by artisans in production increased significantly. Substances previously known only in Egypt became widespread. In the recipe collections of the era of the Alexandrian Academy, substances belonging to various classes of mineral chemistry are mentioned: natron (soda), potash, alum, vitriol, borax, vinegar, verdigris, lead white, red lead, cinnabar, soot, iron oxides, oxides and sulfides arsenic, seven metals of antiquity and many others.

However, along with the development of handicraft practical chemistry and chemical technology, with the expansion and improvement of chemical knowledge in the Alexandrian era, another, virtually fruitless, branch of chemistry also developed - the “secret art”, which aimed to find ways to artificially obtain precious metals and stones. This “secret art,” which in the pre-Hellenistic era in Egypt did not go beyond the walls of ancient temples and was entirely under the jurisdiction of the priests, found many followers from various segments of the population of Alexandria and other Mediterranean cities. Representatives of the “secret art”, as a rule, no longer belonged to the ranks of practicing chemists and despised crafts and artisans. Basically they were seekers of happiness and easy enrichment.

Over time, in search of ways to transmutate (transform) metals, the “secret art” became more and more detached from practice and became confined within the framework of the obsession that ancient philosophers possessed the secret of transmutation and that this secret was lost or encrypted in ancient manuscript writings and could be restored through prayers and spells. This secret was presented in the form of some kind of supernatural agent, in the presence of which, when simply melted, base metals instantly turn into real gold. This remedy already in ancient times received various names: “philosopher’s stone”, “red stone”, “panacea”, etc. It was also credited with the miraculous properties of an all-healing medicine that could restore youth to old people. Not finding real ways to prepare the philosopher's stone and implement the transmutation of metals, representatives of the “secret art” were either satisfied with mastering simple methods of crude counterfeiting of metals, or tried, based on the philosophical teachings of the Gnostics and Neoplatonists, using astrology, magic, cabalism, as well as spells, invoking spirits, prayers, fortune telling, etc. to achieve a solution to a fantastic problem. At the same time, wanting to hide the failures of the search, adherents of the “secret art” often mystified their like-minded people, claiming that they had finally found the lost secret of the ancient sages. In order to mystify and hide the truth, they widely used symbols, codes, mysterious figures, various designations of substances that they alone understood, fantastic combinations of words and letters to express an imaginary secret, cabalistic combinations of numbers, etc. All these techniques of adherents of the “secret art” "were later adopted and even developed by European alchemists.

As for the actual methods of preparing artificial gold, which can be judged from the works that have come down to us since the existence of the Alexandrian Academy, they most often came down to the production of gold-like alloys or alloys painted on the outside in a golden color. Here is a description of the sequential operations of producing artificial gold:

1. Tetrasomy (from Greek - “four” and - “body”) - the production of an initial alloy from four metals: tin, lead, copper and iron. According to the authors of the descriptions, this quaternary alloy, painted black due to oxidation from the surface, had the properties of earth. When heated, it melted, acquiring the properties of water.

2. Argyropoeia, or silver-making (from the Greek - “silver”, I do) - bleaching the product of tetrasomy by alloying with arsenic and mercury, as a result of which the alloy was believed to acquire the properties of silver.

3. Chrysopoeia (from Greek - “gold”) - the main operation is the transformation of prepared silver into gold by the action of sulfur compounds and “sulfur water” on the alloy obtained as a result of argyropoeia. Previously, a certain amount of real gold was added to the alloy, which was supposed to serve as a “leaven” during the transformation.

4. Io z i s (58) (“languishing”, “fermentation”) - finishing the resulting product by painting the surface of the finished alloy using etching with alum or fumigation (simmering) in a special device called “kerotakis” (59).

However, in the literature of that time other recipes for chrysopoeia are given: by, for example, gilding, treating the metal surface with various reagents, etc.

The "secret art" of producing counterfeit gold and counterfeit precious stones flourished in Alexandria, regardless of the development of handicraft practical chemistry, which continued to follow the path of progress. Over time, the connections between the “secret art” and practice, primarily with metallurgy, became more and more weakened and were completely broken in the first centuries of our era.

From the book Sexual Life in Ancient Greece by Licht Hans

From the book History of Europe from ancient times to the end of the 15th century author Devletov Oleg Usmanovich

Question 4. Hellenistic period (late 4th–1st centuries BC) The young ruler was faithful to the oath given by his father, and soon began a war against Persia. The Persian power, at that time already quite weak, covered a vast territory: the Iranian highlands , most of Central Asia, all

From the book Greece and Rome [The evolution of the art of war over 12 centuries] author Connolly Peter

Hellenistic period After the death of Alexander, when his military leaders began to fight for power, the manufacture of siege engines reached unprecedented heights. When Demetrius Poliorcetes (“Besieger of Cities”) besieged Salamis in Cyprus, he built a nine-story tower

From the book Greece and Rome, encyclopedia of military history author Connolly Peter

Hellenistic period After the death of Alexander, when his military leaders began to fight for power, the manufacture of siege engines reached unprecedented heights. When Demetrius Poliorcetes (“Besieger of Cities”) besieged Salamis in Cyprus, he built a nine-story tower

From the book People, Manners and Customs of Ancient Greece and Rome author Vinnichuk Lydia

USED ​​LITERARY MONUMENTS IN RUSSIAN TRANSLATIONS Alkman. Parthenea / Transl. V.V. Veresaeva // Hellenic poets. M., 1963. Appian. Civil wars / Transl. edited by S. A. Zhebelev and O. O. Kruger. L., 1935. Apuleius. Apology. Metamorphoses. Florida / Per. M. A. Kuzmin and S. P. Markish. M.,

From the book In the Abyss of the Russian Troubles. Unlearned lessons from history author Zarezin Maxim Igorevich

Documentation. Chronicles. Literary monuments. Memoirs Acts of Western Russia. T. IV. St. Petersburg, 1851. Acts of the Moscow region militias and the Zemsky Sobor 1611–1613. M., 1911. Acts collected in the libraries and archives of the Russian Empire by the archaeographic expedition of the Imperial Academy of Sciences. AAE.

From the book Jewish Chronicles of the 17th century. The era of "Khmelnych" author Borovoy Saul Yakovlevich

D. Chroniclers (their class persona in the light of biographical data) and Jewish chronicles as literary monuments From what social positions are the events of the mid-17th century covered? in the “Jewish chronicles” we are studying? We have extremely scanty biographical

From the book Ancient Rus'. IV–XII centuries author Team of authors

Development of literacy and literary monuments WERE?NY - oral epic songs of the Russian people about their past, reflecting mainly the historical reality of the past. 10 – start 17th centuries. The term “epics” was introduced in the 30s and 40s. 19th century folklore collector I. P. Sakharov based on

by Philip Yang

IV. Celtic languages ​​and ancient literary monuments. Gaelic-Goidelic and Gallic dialects In the Celtic language, two main branches can be distinguished: Q-Celtic and R-Celtic. The first group consists of the Gaelic languages ​​(Irish and Scots), in which the Indo-European kw

From the book Celtic Civilization and Its Legacy [edited] by Philip Yang

The most ancient monuments of Irish writing The Ogham inscriptions of the 5th-6th centuries are considered the most ancient monuments of the Irish language. Their alphabet consists of dots and dashes (lines) and assumes at least partial knowledge of the Latin language. This letter was used by the main

From the book Children of the Fifth Sun [SI] author Andrienko Vladimir Alexandrovich

Chapter 9 The Old Kingdom Period in Egypt and New Mysteries “The Sphinx is many thousands of years older than archaeologists think, and that it, in particular, appeared many thousands of years earlier than pre-dynastic Egypt means that once, in the distant, distant past, there must existed

author

3.6. LIBYAN PERIOD IN EGYPT After the fall of the New Kingdom, the country was divided into two principalities: in the south, in Thebes, the high priests, the descendants of Herihor, ruled, in the north, power gradually fell into the hands of the Libyans. The warlike inhabitants of the desert, the Libyans, have long served

From the book War and Society. Factor analysis of the historical process. History of the East author Nefedov Sergey Alexandrovich

4.4. SAISS PERIOD IN EGYPT The Assyrian invasion was part of a large wave of Assyrian conquests, brought about by the development of iron metallurgy and the creation of a regular army armed with iron swords. Before the Assyrian conquest, Egypt lived in the Bronze Age; after

From the book War and Society. Factor analysis of the historical process. History of the East author Nefedov Sergey Alexandrovich

5.3. PERSIAN PERIOD IN EGYPT After the suppression of anti-Persian uprisings in the 450s. Ruined and devastated Egypt calmed down for almost half a century. The Persians ceased to reckon with the Egyptian nobility and ruled Egypt as a conquered province, subjecting the country to merciless

author

II. ALCHEMICAL PERIOD (CHEMISTRY IN THE MIDDLE AGES) GENERAL CONDITIONS OF THE DEVELOPMENT OF SCIENCE AND TECHNOLOGY IN THE MIDDLE AGES The Middle Ages period is usually defined by chronological boundaries from the III-IV centuries. until the 17th century This period is characterized by the dominance in most countries of feudal

From the book Essay on the General History of Chemistry [From Ancient Times to the Beginning of the 19th Century] author Figurovsky Nikolai Alexandrovich

III. PERIOD OF TECHNICAL CHEMISTRY AND IATROCHEMISTRY (CHEMISTRY IN THE RENAISSANCE AGE) RENAISSANCE AGE IN EUROPE Development of crafts and trade, the rise of the role of cities, as well as political events in Western Europe in the 12th and 13th centuries. entailed significant changes in the entire way of life

The "blue pantries" of the oceans and seas store virtually inexhaustible reserves of many chemical elements. Thus, one cubic meter of water in the World Ocean contains on average about four kilograms of magnesium. In total, over 6·10 16 tons of this element are dissolved in the waters of our planet.

To show how enormous this value is, we give the following example. Since the beginning of the new chronology, humanity has lived only a little more than 60 billion (i.e. 6·10 10) seconds. This means that if from the very first days of our era people began to extract magnesium from sea water, then in order to exhaust all water reserves of this element by now, they would have to extract a million tons of magnesium every second!

As you can see, Neptune can be calm about his wealth.

How much nickel is there on earth?

The earth's crust contains approximately 10 15 tons of nickel. Is this too much? Is there enough nickel to, say, nickel-plate our entire planet (including the surface of the World Ocean)?

A simple calculation shows that not only will there be enough, but there will also be about... 20 thousand of the same “balls” left.

Cast "kings"

Who doesn’t know the masterpieces of foundry art located on the territory of the Moscow Kremlin: “Tsar Bell” and “Tsar Cannon”. But few people probably know about other cast “kings”.

More than a thousand years ago, a cast iron “lion king” was cast in China, about six meters high and weighing almost 100 tons. A cart with horses could have driven between the legs of this huge statue.

One of the most ancient “ancestors” of the Moscow “Tsar Bell” is considered to be a Korean 48-ton bell, cast back in 770. Its sound is extremely beautiful. According to legend, the master’s daughter, in order to save her father from numerous failures during metal smelting, threw herself into the molten metal, and her dying cry froze in it.

A new exhibit recently appeared at the Museum of the History of the Peoples of Uzbekistan - a huge cast-iron cauldron discovered during excavations of a mound near Tashkent. The diameter of this cauldron, cast by ancient craftsmen, is about one and a half meters, weight - half a ton. Apparently, the “tsar-cauldron” served an entire army in ancient times: almost five thousand people could be fed from it at once.

A unique casting weighing 600 tons - a cast iron chabot (base) for the most powerful hammer at that time - was made in Russia in 1875. To cast this giant chabot, a huge foundry was built at the Motovilikha plant in Perm. Twenty cupola furnaces melted metal continuously for 120 hours. The chabot cooled for three months, then it was taken out of the mold and, using only levers and blocks, moved to the location of the hammer.

The steel bridge is 200 years old

In England there is a city called Ironbridge, which translated into Russian means “Steel Bridge”. The city owes its name to the steel bridge over the River Severn, which was built two hundred years ago. This bridge is the first-born of the steel industry not only in England, but throughout the world. Ironbridge has other highlights of Britain's industrial past. The specialized museum contains many exhibits on the history of technology, demonstrating the successes of English metallurgy in the 18th and 19th centuries.

Long before Pithecanthropus?

According to modern ideas, man became acquainted with metals (copper, gold, iron) only a few thousand years ago. And before, on our planet, for almost two million years, stone reigned supreme as the main material for the manufacture of tools and weapons.

However, historians sometimes come across the mention of amazing facts, which (if they are reliable!) indicate that our civilization may have had predecessors who reached a high level of material culture.

In the literature, for example, there is a message that allegedly in the 16th century, the Spaniards, who set foot on the lands of South America, found an iron nail about 20 centimeters long in the silver mines of Peru. This find would hardly have aroused interest if not for one circumstance: most of the nail was tightly cemented in a piece of rock, and this could mean that it had lain in the bowels of the earth for many tens of thousands of years. At one time, the unusual nail was allegedly kept in the office of the Viceroy of Peru, Francisco de Toledo, who usually showed it to his guests.

There are also references to other similar finds. Thus, in Australia, an iron meteorite with traces of processing was discovered in coal seams dating back to the Tertiary period. But who processed it in the Tertiary period, tens of millions of years removed from our time? After all, even such ancient fossil ancestors of humans as Pithecanthropus lived much later - only some 500 thousand years ago.

The journal "Communications of the Scottish Ancient History Society" wrote about a metal object found in the thickness of coal in the mines of Scotland. Another similar find also has a “miner’s” origin: we are talking about a gold chain, allegedly discovered in 1891 in coal seams. Only nature itself is capable of “walling up” it in a piece of coal, and this could have happened in those distant times when coal was being formed.

Where are these objects - a nail, a meteorite, a chain? After all, modern methods of analyzing materials would make it possible, at least to some extent, to shed light on their nature and age, and therefore reveal their secret.

Unfortunately, no one knows this today. And did they really exist?

Standard alloy

On July 14, 1789, the rebellious people of France stormed the Bastille - the Great French Revolution began. Along with many decrees and resolutions of a political, social, and economic nature, the revolutionary government decided to introduce a clear metric system of measures. At the proposal of the commission, which included authoritative scientists, one ten-millionth of a quarter of the length of the Parisian geographical meridian was adopted as a unit of length - the meter. For five years, the largest French specialists in the field of astronomy and geodesy scrupulously measured the arc of the meridian from Dunkirk to Barcelona. In 1797, the calculations were completed, and two years later the first meter standard was made - a platinum ruler, called the “archive meter”, or “archive meter”. The unit of mass - the kilogram - was taken to be the mass of one cubic decimeter of water (at 4 °C) taken from the Seine. The platinum cylindrical weight became the standard of the kilogram.

Over the years, however, it became clear that the natural prototypes of these standards - the Parisian meridian and the waters of the Seine - are not very convenient for reproduction, and besides, they are not distinguished by approximate constancy. Metrologists considered such “sins” to be unforgivable. In 1872, the International Metric Commission decided to refuse the services of a natural prototype of length: this honorable role was entrusted to the “archival meter”, according to which 31 standards were made in the form of bars, but not from pure platinum, but from its alloy with iridium (10%). 17 years later, a similar fate befell the water from the Seine: a weight made of the same platinum-iridium alloy was approved as the prototype of the kilogram, and 40 of its exact copies became international standards.

Over the past century, some changes have occurred “in the kingdom of weights and measures”: the “archive meter” was forced to retire (the standard meter became a length equal to 1650763.73 wavelengths of orange radiation from the krypton isotope 86 Kr). But the “world’s most important” kilogram made of an alloy of platinum and iridium still remains in service.

Indium “pierces” the fog

The rare metal indium played an important role in... protecting London from massive German air raids during the Second World War. Due to the extremely high reflectivity of indium, mirrors made from it allowed air defense searchlights in search of air pirates to easily “pierce” with powerful beams the dense fog that often shrouds the British Isles. Since indium is a low-melting metal, the mirror was constantly in need of cooling while the searchlight was operating, but the British military department was willing to incur additional expenses, happily counting the number of enemy aircraft shot down.

Forty years later

In the spring of 1942, the English cruiser Edinburgh left Murmansk, accompanied by a convoy, carrying more than five tons of gold - payment from the USSR to the allies for military supplies.

However, the cruiser did not arrive at its destination port: it was attacked by fascist submarines and destroyers, which caused serious damage to it. And although the cruiser could still remain afloat, the command of the English convoy decided to sink the ship so that the most valuable cargo would not fall to the enemy.

A few years after the end of the war, an idea was born - to extract gold from the belly of a sunken ship. But it took more than a decade before the idea came to fruition.

In April 1981, an agreement was reached between the USSR and Great Britain on lifting the gold cargo, and soon the English company with which the corresponding contract was concluded began work. A specially equipped rescue ship "Stephaniturm" arrived at the site of the sinking of the Edinburgh.

To combat the sea elements, the company attracted experienced and brave divers from different countries. The difficulties lay not only in the fact that the gold rested under 260 meters of water and a layer of silt, but also in the fact that next to it there was a compartment with ammunition, ready to explode at any moment.

Days passed. Taking turns, the divers cleared the way to the gold bars step by step, and finally, late in the evening of September 16, diver from Zimbabwe John Rose lifted a heavy black piece to the surface.

When his colleagues wiped off the dirt and oil that covered the surface of the metal with gasoline, everyone saw the long-awaited yellow shine of gold. Down and Out trouble started! The ascent lasted 20 days, until the raging Barents Sea forced the divers to stop working. In total, 431 gold ingots of the highest standard (9999) weighing almost 12 kilograms were recovered from the abyss. Each of them is valued at 100 thousand pounds sterling at modern exchange rates. But 34 bars were still left at the bottom, waiting in the wings.

All the gold recovered from the Edinburgh was delivered to Murmansk. Here it was carefully weighed, “accounted for” and then divided in accordance with the agreement: part was transferred as a reward to the “miner” company, and the rest of the gold was divided between the Soviet and British sides in a ratio of two to one.

Treasures in the abyss

At the end of World War II, an American submarine sank the Japanese ship Awa Maru in the East China Sea. This ship, disguised as a floating hospital, was actually carrying out a responsible mission to transport valuables looted from the countries of East and Southeast Asia. On board, in particular, there were 12 tons of platinum, a large amount of gold, including 16 tons of antique gold coins, 150 thousand carats of rough diamonds, and about 5 thousand tons of rare metals.

The wealth lost in the abyss has haunted many treasure hunters for almost four decades. With the support of the Japanese government, an expedition was recently organized to recover a ship “stuffed” with precious metals. However, the task is complicated by the fact that the location of the Ava Maru has not yet been established. True, there are reports in the press that the Japanese were ahead of the Chinese, who allegedly discovered the ship and have already begun to “clean up” the seabed.

Oil "ore"

On the northeastern coast of the Caspian Sea there is the Buzachi Peninsula. Industrial oil production began here a long time ago. This event in itself would not have caused much resonance if it had not turned out that Buzachi oil is characterized by a high content of... vanadium.

Now scientists from the Institute of Chemistry, Petroleum and Natural Salts, as well as the Institute of Metallurgy and Enrichment of the Academy of Sciences of the Kazakh SSR are developing an effective technology for extracting valuable metal from oil “ore”.

Vanadium from sea squirts

Some marine plants and animals - sea cucumbers, sea squirts, sea urchins - “collect” vanadium, extracting it from the water in some way unknown to man. Some scientists believe that vanadium, present in living organisms of this group, performs the same functions as iron in the blood of humans and higher animals, that is, it helps to absorb oxygen, or, figuratively speaking, “breathe.” Other scientists believe that vanadium is necessary for the inhabitants of the seabed not for breathing, but for nutrition. Further research will show which of these scientists is right. So far, it has been possible to establish that the blood of sea cucumbers contains up to 10% vanadium, and in certain species of ascidians the concentration of this element in the blood is billions of times higher than its content in sea water. Real "piggy banks" of vanadium!

Scientists became interested in the possibility of extracting vanadium from these “piggy banks.” In Japan, for example, entire kilometers of sea coast are occupied by ascidian plantations. These animals are very prolific: up to 150 kilograms of ascidians are harvested from one square meter of blue plantations. After harvesting, the living vanadium “ore” is sent to special laboratories, where the metal needed by the industry is obtained from it. There was a report in the press that Japanese metallurgists had already smelted steel that was alloyed with vanadium, “extracted” from sea squirts.

Cucumbers “stuffed” with iron

Biologists are increasingly discovering that processes that typically require high temperatures or pressures can occur in living organisms. Thus, recently the attention of scientists has been drawn to sea cucumbers - representatives of an ancient genus that has existed for 50 million years. It turned out that in the gelatinous body of these animals up to 20 centimeters long, which usually live in the silt at the bottom of the seas and oceans, ordinary iron accumulates in the form of tiny balls (with a diameter of no more than 0.002 millimeters) right under the skin. It is still unclear how sea cucumbers manage to “extract” this iron and why they need such a “filling.” A series of experiments with iron isotopes may provide an answer to these questions.

"Mustache" is coming into fashion

Since the Stone Age gave up its powers to the era of copper and metal took the dominant position among the materials used by man, people have constantly looked for ways to increase its strength. In the middle of the 20th century, scientists were faced with the problems of exploring outer space, conquering the ocean depths, and mastering the energy of the atomic nucleus, and to successfully solve them they needed new structural materials, including super-strong metals.

Not long before this, physicists calculated by calculation the maximum possible strength of substances: it turned out to be tens of times greater than what was actually achieved. How can the strength characteristics of metals be brought closer to theoretical limits?

The answer, as often happened in the history of science, came completely unexpectedly. Even during the Second World War, many cases of failure of various electronic devices, capacitors, and marine telephone cables were recorded. It was soon possible to establish the cause of the accidents: the culprits were tiny (one to two microns in diameter) crystals of tin or cadmium in the form of needles and fibers, which sometimes grew on the surface of steel parts coated with a layer of these metals. To successfully combat filamentary crystals, or “whiskers” (as harmful metallic “vegetation” was called), it was necessary to study them carefully. Whiskers of hundreds of metals and compounds have been grown in laboratories in various countries. They became the object of numerous studies, as a result of which it turned out (truly, every cloud has a silver lining) that the “mustaches” have colossal strength, close to theoretical. The amazing strength of whiskers is explained by the perfection of their structure, which, in turn, is due to their miniature size. The smaller the crystal, the less likely it is to contain various defects - internal and external. Thus, if the surface of ordinary metals, even polished, at high magnification resembles a well-plowed field, then the surface of whisker crystals under the same conditions looks almost smooth (in some of them no roughness was detected even at a magnification of 40,000 times).

From the point of view of the designer, it is quite appropriate to compare the “whiskers” with an ordinary spider web, which, in terms of strength to weight or length, can be considered a “record holder” among all natural and synthetic materials.

Lead and eternal snow

Recently, the attention of scientists has been focused on the problems of protecting the environment from industrial pollution. Numerous studies indicate that not only in industrial areas, but also far from them, the atmosphere, soil, and trees contain many times more toxic elements such as lead and mercury.


Interesting data obtained from the analysis of Greenland firn (dense snow). Firn samples were taken from different horizons corresponding to one or another historical period. In samples dating back to 800 BC. e., for every kilogram of firn there is no more than 0.000 000 4 milligrams of lead (this figure is taken as the level of natural pollution, the main source of which is volcanic eruptions). Samples dating back to the middle of the 18th century (the beginning of the industrial revolution) contained 25 times more of it. Later, a real “invasion” of lead began on Greenland: the content of this element in samples taken from the upper horizons, i.e., corresponding to our time, is 500 times higher than the natural level.

The eternal snows of the European mountain ranges are even richer in lead. Thus, its content in the firn of one of the glaciers of the High Tatras has increased approximately 15 times over the past 100 years. Unfortunately, earlier firn samples have not been analyzed. If we proceed from the level of natural concentration, it turns out that in the High Tatras, located next to industrial areas, this level is exceeded by almost 200 thousand times!

Oaks and lead

Relatively recently, the object of study by Swedish scientists was centuries-old oak trees growing in one of the parks in the center of Stockholm. It turned out that the lead content in trees, which are up to 400 years old, has increased sharply in recent decades along with the increase in the intensity of automobile traffic. So, if in the last century oak wood contained only 0.000001% lead, then by the middle of the 20th century the lead “reserve” doubled, and by the end of the 70s it had already increased approximately 10 times. The side of trees that faces roads and, therefore, is more susceptible to exhaust gases is especially rich in this element.

Was Reina lucky?

In some ways, the Rhine was lucky: it turned out to be the only river on our planet after which the chemical element rhenium is named. But other chemical elements cause a lot of trouble for this river. Recently, an international seminar, or “consultation on the Rhine,” as the Western press called it, took place in Dusseldorf. The consultation participants made a unanimous diagnosis: “The river is dying.”

The fact is that the banks of the Rhine are densely “populated” with plants and factories, including chemical ones, which generously supply the river with their wastewater. Numerous sewer “tributaries” help them quite well in this. According to West German scientists, every hour 1,250 tons of various salts enter the Rhine waters - an entire trainload! Every year the river is “enriched” with 3,150 tons of chromium, 1,520 tons of copper, 12,300 tons of zinc, 70 tons of silver oxide and hundreds of tons of other impurities. Is it any wonder that the Rhine is now often called the “sinkhole” and even the “chamber pot of industrial Europe”. They also say that Rain was lucky...


Metal cycle

Research by American physicists has shown that even in areas where there are no industrial enterprises or heavy traffic, and therefore no sources of air pollution, microscopic amounts of heavy non-ferrous metals are present.

Where do they come from?

Scientists believe that the Earth's underground ore layer containing these metals is gradually evaporating. It is known that some substances, under certain conditions, can turn into vapor directly from the solid state, bypassing the liquid state. Although the process occurs extremely slowly and on a very small scale, a certain number of “escaping” atoms still manage to reach the atmosphere. However, they are not destined to stay here: rain and snow constantly purify the air, returning evaporated metals to the land they abandoned.

Aluminum will replace bronze

Since ancient times, copper and bronze have appealed to sculptors and minters. Already in the 5th century BC. e. people learned to cast bronze statues. Some of them were gigantic in size. At the beginning of the 3rd century BC. e. for example, the Colossus of Rhodes was created - a landmark of the ancient port of Rhodes on the Aegean coast. The statue of the sun god Helios, towering 32 meters at the entrance to the inner harbor of the port, was considered one of the seven wonders of the world.

Unfortunately, the grandiose creation of the ancient sculptor Charos lasted only a little more than half a century: during an earthquake, the statue was destroyed and was then sold to the Syrians as scrap metal.

Rumor has it that the authorities of the island of Rhodes, in order to attract more tourists, intend to restore this wonder of the world in their harbor using the surviving drawings and descriptions. True, the resurrected Colossus of Rhodes will no longer be made of bronze, but of aluminum. According to the project, inside the head of the revived wonder of the world it is planned to place... a beer bar.

"Boiled" ore

Not long ago, French scientists, conducting underwater research in the Red Sea, discovered a peculiar hole more than 2000 meters deep off the coast of Sudan, and the water at this depth turned out to be very hot.

The researchers descended into the hole on the Siana bathyscaphe, but soon they had to return because the steel walls of the bathyscaphe quickly heated up to 43 °C. Water samples taken by scientists showed that the pit was filled with... hot liquid “ore”: the content of chromium, iron, gold, manganese and many other metals in the water turned out to be unusually high.

Why did the mountain “sweat”

For a long time, residents of Tuva noticed that droplets of a shiny liquid appeared from time to time on the rocky slopes of one of the mountains. It is no coincidence that the mountain was named Terlig-Khaya, which translated from Tuvan means “sweaty rock”. As geologists have established, the culprit is mercury, which is contained in the rocks that make up Terlig-Khaya. Now, at the foot of the mountain, workers of the Tuvacobalt plant are conducting exploration and production of “silver water”.

Nakhodka on Kamchatka

In Kamchatka there is Lake Ushki. Several decades ago, four metal circles - ancient coins - were found on its shore. Two coins were poorly preserved, and numismatists from the Leningrad Hermitage could only establish their Eastern origin. But the other two copper mugs told the experts a lot. They were minted in the ancient Greek city of Panticapaeum, which stood on the shore of the strait, which was called the Cimmerian Bosporus (in the area of ​​​​present-day Kerch).

It is curious that one of these coins can rightfully be considered a contemporary of Archimedes and Hannibal: scientists dated it to the 3rd century BC. The second coin turned out to be “younger” - it was made in 17 AD, when Panticapaeum became the capital of the Bosporan kingdom. On its obverse side there is an image of King Riscuporis I, and on the reverse side there is a profile of a Roman emperor, most likely Tiberius, who reigned from 14 to 37 AD. The joint “residence” of two royal persons on the coin was explained by the fact that the Bosporan kings bore the title “Friend of the Caesars and Friend of the Romans,” and therefore they placed images of Roman emperors on their money.

When and by what routes did the little copper wanderers get from the shores of the Black Sea to the hinterlands of the Kamchatka Peninsula? But ancient coins remain silent.

Robbery failed

The Assumption Cathedral is the most beautiful building of the Moscow Kremlin. The interior of the cathedral is illuminated by several chandeliers, the largest of which is made of pure silver. During the War of 1812, this precious metal was looted by Napoleonic soldiers, but “for technical reasons” it was not possible to take it out of Russia. The silver was recaptured from the enemy, and in memory of the victory, Russian craftsmen made this unique chandelier, consisting of several hundred parts, decorated with various ornaments.

“How musical it all is!”

While traveling on a yacht along the rivers of Europe in the summer of 1905, the great French composer Maurice Ravel visited a large factory located on the banks of the Rhine. What he saw there literally shocked the composer. In one of his letters, he says: “What I saw yesterday is etched in my memory and will remain forever. This is a gigantic foundry where 24,000 people work around the clock. How can I convey to you the impression of this kingdom of metal, these flaming temples? fire, from this wonderful symphony of whistles, the noise of drive belts, the roar of hammers that fall on you from all sides... How musical it all is! I will definitely use it!.." The composer brought his plan to life only almost a quarter of a century later. In 1928, he wrote music for the small ballet Bolero, which became Ravel's most significant work. Industrial rhythms are clearly heard in the music - more than four thousand drum beats in 17 minutes of sound. Truly a symphony of metal!

Titan for the Acropolis

If the ancient Greeks had known about titanium metal, it is likely that they would have used it as a building material in the construction of the buildings of the famous Athenian Acropolis. But, unfortunately, the architects of antiquity did not have this “eternal metal”. Their wonderful creations were subject to the destructive effects of centuries. Time mercilessly destroyed the monuments of Hellenic culture.

At the beginning of this century, the noticeably aged Athens Acropolis was reconstructed: individual elements of the buildings were fastened with steel reinforcement. But decades passed, the steel was eaten away by rust in some places, many marble slabs sank and cracked. In order to stop the destruction of the Acropolis, it was decided to replace the steel fastenings with titanium ones, which are not afraid of corrosion, since titanium practically does not oxidize in air. To this end, Greece recently purchased a large batch of “eternal metal” from Japan.

Some people lose and some people find

There is hardly a single person who has not lost anything in his life. According to the British Treasury, the British annually lose two million pounds worth of gold and silver jewelry alone, and approximately 150 million coins worth almost three million pounds sterling. Since so much is lost, it means that a lot can be found. This is why quite a few “happiness seekers” have appeared in the British Isles recently. Modern technology came to their aid: special devices such as mine detectors went on sale, designed to search for small metal objects in thick grass, in bushes and even under a layer of soil. For the right to “test the waters,” the Ministry of the Interior of England charges each person (and there are about 100 thousand of them in the country) a tax of 1.2 pounds sterling. Some people apparently managed to justify these expenses; Several times there were reports in the press that ancient gold coins had been found, the value of which on the numismatic market was very high.

Hair and thoughts

In recent years, all kinds of tests to determine a person’s intellectual abilities have become fashionable. However, as an American professor believes, it is possible to completely do without tests, replacing them with an analysis of the hair of the individual being examined. Having analyzed more than 800 different curls and strands, the scientist identified a clear, in his opinion, relationship between mental development and the chemical composition of hair. In particular, he claims that the hair of thinking people contains more zinc and copper than the hair on the heads of their mentally retarded counterparts.

Is this hypothesis worth considering? Apparently, an affirmative answer can be given only if the content of these elements in the hair of the author of the hypothesis turns out to be at a sufficiently high level.

Sugar with molybdenum

As is known, many chemical elements are necessary for the normal functioning of living and plant organisms. Typically, microelements (they are called that because they are required in microdoses) enter the body with vegetables, fruits and other foods. Recently, the Kiev Confectionery Factory began producing an unusual type of sweet product - sugar, to which microelements necessary for humans have been added. The new sugar contains manganese, copper, cobalt, chromium, vanadium, titanium, zinc, aluminum, lithium, molybdenum, of course, in microscopic quantities.

Have you tried sugar with molybdenum yet?

Precious Bronze

As you know, bronze has never been considered a precious metal. However, the Parker company intends to make nibs from this widespread alloy in a small batch of souvenir fountain pens (5,000 in total), which will be sold for the incredible price of £100. What reasons do the company's managers have to hope for the successful sale of such expensive souvenirs?

The fact is that the material for the feathers will be bronze, from which parts of the ship's equipment were made of the famous English transatlantic superliner Queen Elizabeth, built in 1940. In the summer of 1944, the Queen Elizabeth, which became a transport ship during the war, set a kind of record by transporting 15,200 military personnel across the ocean in one voyage - the largest number of people in the entire history of navigation. Fate was not kind to this largest passenger ship in the history of the world fleet. The rapid development of aviation after the Second World War led to the fact that in the 60s the Queen Elizabeth was left with virtually no passengers: the majority preferred a rapid flight over the Atlantic Ocean. The luxury liner began to generate losses and was sold to the United States, where it was planned to be laid up and equipped with fashionable restaurants, exotic bars, and gambling halls. But nothing came of this venture, and Queen Elizabeth, sold at auction, ended up in Hong Kong. Here the last sad pages of the biography of the unique giant ship were written. In 1972, a fire broke out on it, and the pride of English shipbuilders turned into a pile of scrap metal.

It was then that the Parker company came up with a tempting idea.

Unusual medal

Vast areas of the ocean floor are covered with iron-manganese nodules. Experts believe that the time is not far off when industrial mining of underwater ores will begin. In the meantime, experiments are underway to develop technology for obtaining iron and manganese from nodules. There are already first results. A number of scientists who made a significant contribution to the development of the world's oceans were awarded an unusual commemorative medal: the material for it was iron smelted from iron-manganese nodules that were raised from the ocean floor at a depth of about five kilometers.

Toponymy helps geologists

Toponymy (from the Greek words “topos” - place, locality, and “onoma” - name) is the science of the origin and development of geographical names. Often a locality received a name due to some characteristics characteristic of it. That is why, shortly before the war, geologists became interested in the names of some sections of one of the Caucasus ranges: Madneuli, Poladeuri and Sarkineti. After all, in Georgian “madani” means ore, “poladi” means steel, “rkina” means iron. Indeed, geological exploration confirmed the presence of iron ores in the depths of these places, and soon, as a result of excavations, ancient adits were discovered.

...Perhaps someday in the fifth or tenth millennium, scientists will pay attention to the name of the ancient city of Magnitogorsk. Geologists and archaeologists will roll up their sleeves, and work will begin to boil where steel once boiled.

"Compass of bacteria"

Nowadays, when the inquisitive gaze of scientists penetrates further into the depths of the Universe, the interest of science in the microworld, full of secrets and curious facts, does not weaken. Several years ago, for example, one of the employees of the Woodshall Oceanographic Institute (USA, Massachusetts) managed to discover bacteria capable of orienting themselves in the Earth’s magnetic field and moving strictly in a northerly direction. As it turned out, these microorganisms have two chains of crystalline iron, which apparently play the role of a kind of “compass”. Further research should show for which “travels” nature provided bacteria with this “compass.”

Copper table

One of the most interesting exhibits of the Nizhny Tagil Museum of Local Lore is a massive table-monument made entirely of copper. What is it remarkable about? The answer to this question is given by the inscription on the table top: “This is the first copper in Russia, found in Siberia by the former commissar Nikita Demidov according to the letters of Peter I in 1702, 1705 and 1709, and this table was made from this original copper in 1715.” The table weighs about 420 kilograms.

Cast iron exhibits

What collections does the world know! Postage stamps and postcards, ancient coins and watches, lighters and cacti, match and wine labels - these days you won’t surprise anyone. But Z. Romanov, a foundry master from the Bulgarian city of Vidin, has few competitors. He collects cast iron figurines, but not artistic products, such as the famous Kasli casting, but those “works of art” of which he is the author. molten cast iron. During casting, the splashes of metal, as they harden, sometimes take on bizarre shapes. The foundryman's collection, which he called "Cast Iron Jokes", contains figurines of animals and people, fabulous flowers and many other curious objects that were created by cast iron and noticed by the keen eye of the collector.

Somewhat more cumbersome and, perhaps, less aesthetically pleasing are the exhibits from the collection of one of the US residents: he collects cast-iron covers from sewer wells. As they say, “no matter what the child amuses himself with...” However, the wife of the happy owner of numerous lids, apparently, reasoned differently: when there was no more free space left in the house, she realized that the family hearth had a lid, and filed for divorce.

How much is silver today?

Silver coins were first minted in Ancient Rome in the 3rd century BC. For more than two thousand years, silver coped well with one of its functions - serving as money. And today silver coins are in circulation in many countries. But here’s the problem: inflation and rising prices for precious metals, including silver, on the world market have led to the fact that a noticeable gap has formed between the purchasing power of a silver coin and the cost of the silver contained in it, which is growing every year. For example, the value of the silver contained in the Swedish krona, issued between 1942 and 1967, today is actually 17 times higher than the official rate of this coin.

Some enterprising individuals decided to take advantage of this discrepancy. Simple calculations have shown that it is much more profitable to extract silver from one-crown coins than to use them for their intended purpose in stores. By melting crowns into silver, businessmen “earned” about 15 million crowns over several years. They would have melted silver further, but the Stockholm police stopped their financial and metallurgical activities, and the smelting businessmen were brought to trial.

Steel diamonds

For many years, the weapons department of the State Historical Museum displayed the hilt of a sword made by Tula craftsmen at the end of the 18th century and presented by them to Catherine II. Of course, the hilt intended as a gift to the empress was not simple or even gold, but diamond. More precisely, it was strewn with thousands of steel beads, which the craftsmen of the Tula Arms Plant gave the appearance of diamonds using a special cut.

The art of cutting steel apparently arose at the beginning of the 18th century. Among the numerous gifts Peter I received from the people of Tula, an elegant safe box with faceted steel balls on the lid attracted attention. And although there were few edges, the metal “precious stones” played and attracted the eye. Over the years, the diamond cut (16–18 facets) is replaced by the diamond cut, where the number of facets can reach hundreds. But turning steel into diamonds required a lot of time and labor, so often steel jewelry turned out to be more expensive than real jewelry. At the beginning of the last century, the secrets of this wonderful art were gradually lost. Alexander I also had a hand in this, categorically forbidding gunsmiths to engage in such “trinkets” at the factory.

But let's return to the hilt. During the renovation of the museum, the hilt was stolen by swindlers who were seduced by the many diamonds: it never occurred to the robbers that these “stones” were made of steel. When the “fake” was discovered, the annoyed thieves, trying to cover their tracks, committed another crime: they broke the priceless creation of Russian craftsmen and buried it in the ground.

Nevertheless, the hilt was found, but corrosion mercilessly dealt with the man-made diamonds: the vast majority of them (about 8.5 thousand) were covered with a layer of rust, and many were completely destroyed. Almost all experts believed that it was impossible to restore the hilt. But still, there was a person who took on this most difficult task: he became the Moscow artist-restorer E.V. Butorov, who had already restored many masterpieces of Russian and Western art.


“I was well aware of the responsibility and complexity of the work ahead,” says Butorov. “Everything was unclear and unknown. The principle of assembling the handle was unclear, the technology for making the diamond edge was unknown, there were no tools necessary for restoration. Before starting work, I spent a long time studying the era of the creation of the hilt, the technology of weapons production of that time.”

The artist was forced to try different cutting methods, combining restoration work with research. The work was complicated by the fact that the “diamonds” differed noticeably both in shape (oval, marquise, fancy, etc.) and in size (from 0.5 to 5 millimeters), a “simple” cut (12 –16 faces) alternated with “royal” (86 faces).

And now behind us are ten years of intense jewelry work, crowned with great success by a talented restorer. The newly born hilt is exhibited in the State Historical Museum.

underground palace

Mayakovskaya is rightfully considered one of the most beautiful stations of the Moscow metro. It captivates Muscovites and guests of the capital with its amazing lightness of forms and grace of lines. But, apparently, few people know that this soaring openwork of the underground vestibule was achieved due to the fact that during its construction, for the first time in the practice of domestic metro construction, steel structures were used, which were able to absorb the monstrous load of many meters of soil.

The station's builders also used steel as a finishing material. According to the project, corrugated stainless steel was required for cladding the arched structures. Specialists from Dirigiblestroy provided great assistance to the metro builders. The fact is that this enterprise had the latest technology for that time, including the only wide-strip roll forming mill in the country. At that time, an all-metal folding airship designed by K. E. Tsiolkovsky was being installed at this enterprise. The shell of this airship consisted of metal "shells" connected into a movable "lock". A special mill was built for rolling such parts.

The honorary order of the metro builders "Dirizhable Stroy" was completed on time; To be on the safe side, this organization sent its installers to the metro station, who proved to be excellent even deep underground.

"Monument" to iron

In 1958, in Brussels, an unusual building, the Atomium, majestically rose above the territory of the World Industrial Exhibition. Nine huge (18 meters in diameter) metal balls seemed to hang in the air: eight were at the tops of the cube, the ninth was in the center. It was a model of the iron crystal lattice, magnified 165 billion times. The atomium symbolized the greatness of iron - a metal worker, the main metal of industry.

When the exhibition closed, small restaurants and observation decks were placed in the Atomium balls, which were visited by about half a million people annually. It was assumed that the unique building would be dismantled in 1979. However, given the good condition of the metal structures and the considerable income generated by the Atomium, its owners and the Brussels authorities signed an agreement extending the life of this “monument” to iron for at least another 30 years, i.e. until 2009.

Titanium monuments

On August 18, 1964, in the pre-dawn hour, a space rocket launched on Mira Avenue in Moscow. This star ship was not destined to reach the Moon or Venus, but the fate prepared for it is no less honorable: forever frozen in the Moscow sky, the silvery obelisk will carry through the centuries the memory of the first path laid by man in the distances of space.

For a long time, the authors of the project could not choose the facing material for this majestic monument. First, the obelisk was designed in glass, then in plastic, then in stainless steel. But all these options were rejected by the authors themselves. After much thought and experimentation, the architects decided to go with highly polished titanium sheets. The rocket itself, which crowned the obelisk, was made of titanium.

This “eternal metal,” as titanium is often called, was also preferred by the authors of another monumental structure. At the competition of monument designs in honor of the centenary of the International Telecommunication Union, organized by UNESCO, the first place (out of 213 submitted projects) was taken by the work of Soviet architects. The monument, which was supposed to be installed on the Place des Nations in Geneva, was supposed to be two concrete shells 10.5 meters high, lined with plates of polished titanium. A person walking between these shells along a special path could hear his voice, steps, the NOISE of the city, and see his image in the center of circles going off to infinity. Unfortunately, this interesting project was never realized.

And recently, a monument to Yuri Gagarin was erected in Moscow: a twelve-meter figure of cosmonaut No. 1 on a high column-pedestal and a model of the Vostok spacecraft, which carried out the historic flight, are made of titanium.

Press giant... cracks nuts

Several years ago, the French company Interforge announced its desire to purchase a heavy-duty press for stamping complex large-sized parts for aviation and space technology. Leading companies from many countries took part in this unique competition. Preference was given to the Soviet project. An agreement was soon concluded, and at the beginning of 1975, at the entrance to the ancient French city of Issoire, a huge production building arose, built for one machine - a uniquely powerful hydraulic press with a force of 65 thousand tons. The contract provided not just for the supply of equipment, but for the delivery of the press on a turnkey basis, i.e. installation and commissioning by Soviet specialists.

Exactly on the deadline established by the contract, November 18, 1976, the press stamped the first batch of parts. French newspapers called it the “machine of the century” and cited interesting figures. The mass of this giant - 17 thousand tons - is twice the mass of the Eiffel Tower, and the height of the workshop where it is installed is equal to the height of Notre Dame Cathedral.

Despite its enormous size, the process is characterized by high stamping speed and unusually high accuracy. On the eve of the launch of the unit, French television showed how a two-thousand-ton press beam carefully cracks walnuts without damaging their core, or pushes a matchbox placed “on its butt” without leaving the slightest damage on it.

At the ceremony dedicated to the handover of the press, V. Giscard d'Estaing, then the President of France, spoke. He spoke the final words of his speech in Russian: “Thank you for this excellent achievement, which brings honor to Soviet industry.”

Burner instead of scissors

Several years ago, a new research institute for light metals was created in Cleveland (USA). At the opening ceremony, the traditional ribbon stretched in front of the entrance to the institute was made of... titanium. To cut it, the mayor of the city was forced to use a gas torch and safety glasses instead of scissors.

Iron ring

A few years ago, a new exhibit appeared at the Museum of History and Reconstruction of Moscow - an iron ring. And although this modest ring could not be compared with luxurious rings made of precious metals and precious stones, the museum workers gave it a place of honor in their exhibition. What attracted their attention to this ring?

The fact is that the material for the ring was the iron of the shackles that the Decembrist Evgeniy Petrovich Obolensky, the chief of staff of the uprising on Senate Square, had been wearing for a long time in Siberia, sentenced to eternal hard labor. In 1828, the highest permission came to remove the shackles from the Decembrists. Brothers Nikolai and Mikhail Bestuzhev, who were serving their sentence at the Nerchinsk mines together with Obolensky, made commemorative iron rings from his shackles.

More than a hundred years after Obolensky’s death, the ring was kept along with other heirlooms in his family, passing from generation to generation. And today, the descendants of the Decembrist donated this unusual iron ring to the museum.

Something about blades

For more than a century, people have been using razor blades - thin, sharpened plates made of different metals. Omniscient statistics claim that today about 30 billion blades are produced annually in the world.

At first they were made mainly from carbon steel, then it was replaced by “stainless steel”. In recent years, the cutting edges of blades have been coated with a thin layer of high-molecular polymer materials that serve as a dry lubricant in the process of cutting hair, and to increase the durability of the cutting edges, atomic films of chromium, gold or platinum are sometimes applied to them.

"Events" at the mines

In 1974, a discovery was registered in the USSR, which is based on complex biochemical processes performed. bacteria. Long-term study of antimony deposits has shown that antimony in them gradually oxidizes, although under normal conditions such a process cannot occur: this requires high temperatures - more than 300 ° C. What reasons make antimony violate chemical laws?

A study of samples of oxidized ore showed that they were densely populated with previously unknown microorganisms, which were the culprits of oxidative “events” in the mines. But, having oxidized antimony, the bacteria did not rest on their laurels: they immediately used the energy of oxidation to carry out another chemical process - chemosynthesis, i.e., to convert carbon dioxide into organic substances.

The phenomenon of chemosynthesis was first discovered and described back in 1887 by the Russian scientist S. N. Vinogradsky. However, until now, science knew only four elements, the bacterial oxidation of which releases energy for chemosynthesis: nitrogen, sulfur, iron and hydrogen. Now antimony has been added to them.

Copper "clothes" of GUM

Which Muscovites or guests of the capital have not been to the State Department Store - GUM? The shopping arcade building, built almost a hundred years ago, is experiencing its second youth. Specialists from the All-Union Production Research and Restoration Plant completed extensive work on the reconstruction of GUM. In particular, the galvanized iron roof, which had worn out over many years, was replaced with modern roofing material - “tiles” made of sheet copper.

Cracks in the mask

For many years, scientists have been arguing over the unique creation of ancient Egyptian craftsmen - the golden mask of Pharaoh Tutankhamun. Some claimed that it was made from a whole bar of gold. Others believed that it was assembled from separate parts. To establish the truth, it was decided to use a cobalt gun. Using a cobalt isotope, or more precisely the gamma rays it emitted, it was possible to establish that the mask actually consists of several parts, but so carefully fitted to one another that it was impossible to notice the joint lines with the naked eye.

In 1980, a famous collection of ancient Egyptian art was exhibited in West Berlin. The center of attention, as always, was the famous mask of Tutankhamun. Unexpectedly, on one of the days of the exhibition, experts noticed three deep cracks on the mask. Probably, for some reason, the “seams,” i.e., the joining lines of individual parts of the mask, began to diverge. Seriously alarmed, representatives of the Commission for Culture and Tourism of Egypt hastened to return the collection to Egypt. Now the word is up to the examination, which should answer the question, what happened to the most valuable work of art of antiquity?

Lunar aluminum

As on Earth, metals in their pure form are relatively rare on the Moon. Nevertheless, it has already been possible to find particles of metals such as iron, copper, nickel, and zinc. In a sample of lunar soil taken by the Luna-20 automatic station in the continental part of our satellite - between the Sea of ​​Crisis and the Sea of ​​Plenty - native aluminum was discovered for the first time. When studying a lunar fraction weighing 33 milligrams at the Institute of Geology of Ore Deposits, Petrography, Mineralogy and Geochemistry of the USSR Academy of Sciences, three tiny particles of pure aluminum were identified. These are flat, slightly elongated grains measuring 0.22, 0.15 and 0.1 millimeters with a matte surface and silver-gray when freshly fractured.

The crystal lattice parameters of native lunar aluminum turned out to be the same as those of pure aluminum samples obtained in terrestrial laboratories. In nature on our planet, native aluminum was found by scientists only once, in Siberia. According to experts, this metal should be more common in its pure form on the Moon. This is explained by the fact that the lunar soil is constantly “fired” by streams of protons and other particles of cosmic radiation. Such bombardment could disrupt the crystal lattice and break the bonds of aluminum with other chemical elements in the minerals that make up the lunar rock. As a result of the “breakdown”, particles of pure aluminum appear in the soil.

For selfish sake

Three quarters of a century ago the Battle of Tsushima took place. In this unequal battle with the Japanese squadron, the depths of the sea swallowed up several Russian ships and among them the cruiser Admiral Nakhimov.

Recently, the Japanese company Nippon Marine decided to raise a cruiser from the bottom of the sea. Of course, the operation to raise the Admiral Nakhimov is explained not by a love of Russian history and its relics, but by the most selfish considerations: there is information that on board the sunken ship there were gold bars, the value of which in current prices can range from 1 to $4.5 billion.

It has already been possible to determine the place where the cruiser lies at a depth of about 100 meters, and the company is ready to begin lifting it. According to experts, this operation will last several months and will cost the company approximately one and a half million dollars. Well, you can risk millions for the sake of billions.

Deep antiquities

Products made from wood or stone, ceramics or metal, made hundreds and sometimes thousands of years ago, decorate the stands of the largest museums in the world and take pride of place in numerous private collections. Lovers of antiquities are ready to pay fabulous amounts of money for the works of ancient masters, and some enterprising lovers of money, in turn, are ready to create a wide assortment and profitably sell “objects of deep antiquity.”

How to distinguish genuine rarities from finely crafted fakes? Previously, the only “device” for this purpose was the experienced eye of a specialist. But, alas, you cannot always rely on him. Today, science makes it possible to fairly accurately determine the age of various products made from any materials.

Perhaps the main objects of falsification are gold jewelry, figurines, coins of ancient peoples - the Etruscans and Byzantines, the Incas and Egyptians, the Romans and Greeks. Methods for establishing the authenticity of gold objects are based on technological examination and analysis of the metal. By one or another impurity, old gold can be easily distinguished from new gold, and the metal processing methods used by ancient masters and the nature of their creativity are so original and unique that the chances of counterfeiters to succeed are reduced to zero.

Experts recognize copper and bronze fakes by the surface features of the metal, but mainly by its chemical composition. Since it has changed several times over the centuries, each period is characterized by a certain content of the main components. Thus, in 1965, the collection of the Berlin Kunshandel Museum was replenished with a valuable exhibit - a bronze late antique watering can in the shape of a horse. This watering can, or rhyton, was thought to represent “a Coptic work of the 9th–10th centuries.” Exactly the same bronze rhyton, the authenticity of which was beyond doubt, is kept in the Hermitage. A careful comparison of the exhibits led scientists to believe that the Berlin horse is nothing more than a skillfully crafted fake. And indeed, the analysis confirmed the fears: the bronze contained 37–38% zinc - a bit too much for the 10th century. Most likely, experts believe, this rhyton was born only a few years before it came to the Kunsthandel, that is, around 1960 - during the “rush hour” of fashion for Coptic products.

In the fight against counterfeiting

To determine the authenticity of ancient ceramics, scientists have successfully used the method of archaeomagnetism. What does it consist of? When the ceramic mass is cooled, the iron particles it contains have a “habit” of lining up along the lines of force of the Earth’s magnetic field. And since it changes over time, the nature of the arrangement of iron particles also changes, thanks to which, through simple research, it is possible to determine the age of the “suspected” ceramic product. Even if the counterfeiter managed to select the composition of the ceramic mass, similar to the ancient compositions, and skillfully copy the shape of the product, then, of course, he is not able to arrange the iron particles accordingly. This is what will give him away.

The rise of the "iron madam"

As you know, metals have a fairly high coefficient of thermal expansion.

For this reason, steel structures, depending on the time of year, and therefore on the ambient temperature, become longer or shorter. Thus, the famous Eiffel Tower - the “iron madame”, as Parisians often call it - is 15 centimeters higher in summer than in winter.

"Iron Rain"

Our planet is not very hospitable to celestial wanderers: upon entering the dense layers of its atmosphere, large meteorites usually explode and fall to the earth's surface in the form of so-called “meteor showers”.

The heaviest such “rain” fell on February 12, 1947 over the western spurs of the Sikhote-Alin. It was accompanied by the roar of explosions; a fireball was visible within a radius of 400 kilometers - a bright fireball with a huge glowing smoky tail.

To study such unusual “atmospheric precipitation”, an expedition of the Committee on Meteorites of the USSR Academy of Sciences soon arrived in the area where the space alien fell. In the taiga wilds, scientists found 24 craters with a diameter of 9 to 24 meters, as well as more than 170 craters and holes formed by particles of “iron rain”. In total, the expedition collected over 3,500 iron fragments with a total weight of 27 tons. According to experts, before meeting the Earth, this meteorite, called Sikhote-Alin, weighed about 70 tons.

Termite geologists

Geologists often use the “services” of many plants, which serve as unique indicators of certain chemical elements and, thanks to this, help to detect deposits of the corresponding minerals in the soil. And a mining engineer from Zimbabwe, William West, decided to involve representatives not of flora, but of fauna, as assistants in geological searches, more precisely, ordinary African termites. When building their cone-shaped “dormitories” - termite mounds (their height sometimes reaches 15 meters), these insects penetrate deep into the ground. Returning to the surface, they take with them building material - soil “samples” from different depths. That is why the study of termite mounds - determining their chemical and mineral composition - allows us to judge the presence of certain minerals in the soil of a given area.

West conducted many experiments, which then formed the basis of his “thermite” method. The first practical results have already been obtained: thanks to engineer West’s method, rich gold-bearing strata were discovered.

What's under the ice of Antarctica?

Antarctica, discovered in 1820, still remains a continent of mysteries: after all, almost its entire territory (by the way, almost one and a half times the area of ​​Europe) is encased in an ice shell. The ice thickness averages 1.5–2 kilometers, and in some places reaches 4.5 kilometers.

It is not easy to look under this “shell,” and although scientists from a number of countries have been conducting intensive research here for more than a quarter of a century, Antarctica has not revealed all of its secrets. In particular, scientists are interested in the natural resources of this continent. Many facts suggest that Antarctica has a common geological past with South America, Africa, Australia and, therefore, these regions should have approximately similar mineral spectrums. Thus, Antarctic rocks apparently contain diamonds, uranium, titanium, gold, silver, and tin. In some places, seams of coal and deposits of iron and copper-molybdenum ores have already been discovered. For now, mountains of ice stand as an obstacle on the way to them, but sooner or later these riches will be at the disposal of people.

Municipal budgetary educational institution "Secondary school No. 4" in Safonovo, Smolensk region Project The work was carried out by: Ksenia Pisareva, 10th grade Anastasia Strelyugina, 10th grade Supervised the work by: Natalya Ivanovna Sokolova, teacher of biology and chemistry 2015/2016 academic year Project Theme "Chemical substances used in architecture" Project typology: abstract individual short-term Purpose: integration on the topic "Architectural Monuments" of the subject "World Artistic Culture" and information about chemical substances used in architecture. Chemistry is a science associated with many fields of activity, as well as with other sciences: physics, geology, biology. It did not bypass one of the most interesting types of activity - architecture. A person working in this field inevitably has to deal with different types of building materials and somehow be able to combine them, add something to them for greater strength, durability, or to give the most beautiful appearance to the building. To do this, architecture needs to know the composition and properties of building materials, it is necessary to know their behavior in normal and extreme environmental conditions of the area in which construction is being carried out. The purpose of this work is to introduce the buildings that are most interesting in their architectural design and talk about the materials used in their construction. No. 1. 2. 3. 4. 5. 6. Project section Assumption Cathedral St. Isaac's Cathedral Intercession Cathedral Smolensk Assumption Cathedral St. Vladimir Church Presentation Objects used Photo Photo Photo Photo Photo Vladimir Assumption Cathedral It is located in Vladimir. The “Golden Age” of the construction of ancient Vladimir is the second half of the 12th century. The Assumption Cathedral of the city is the earliest architectural monument of this period. Built in 1158-1160 under Prince Andrei Bogolyubsky, the cathedral later underwent significant reconstruction. During the fire of 1185, the old Assumption Cathedral was severely damaged. Prince Vsevolod III, “who did not look for craftsmen from the Germans,” immediately began to restore it using local craftsmen. The building was made of hewn white stone, which formed a powerful “box” of the wall, which was filled with rubble and durable lime mortar. For information, rubble stone is large pieces of irregular shape measuring 150-500 mm, weighing 20-40 kg, obtained during the development of limestone, dolomite and sandstone (less often), granite and other igneous rocks. The stone obtained during blasting operations is generally called “ragged”. The rubble stone must be homogeneous, have no signs of weathering, delamination or cracks, and not contain loose and clayey inclusions. The compressive strength of stone from sedimentary rocks is not less than 10 MPa (100 kgf/cm), the softening coefficient is not less than 0.75, frost resistance is not less than 15 cycles. Rubble stone is widely used for rubble and rubble concrete masonry of foundations, walls of unheated buildings, retaining walls, ice cutters and tanks. The new Assumption Cathedral was created in the era of Vsevolod, about whom the author of “The Tale of Igor’s Campaign” wrote that the prince’s warriors could “splash the Volga with their oars.” The cathedral from one-domed becomes five-domed. There is relatively little sculptural decoration on its facades. Its plastic richness lies in the profiled slopes of slit-like windows and wide perspective portals with an ornamented top. Both its exterior and interior take on a new character. The interior decoration of the cathedral amazed contemporaries with its festive folk quality, which was created by the abundance of gilding, majolica floors, precious utensils and especially fresco murals. St. Isaac's Cathedral One of the no less beautiful buildings is St. Isaac's Cathedral, located in St. Petersburg. In 1707, the church, called St. Isaac's, was consecrated. On February 19, 1712, the public wedding ceremony of Peter I and Ekaterina Alekseevna took place there. On August 6, 1717, the second St. Isaac's Church was founded on the banks of the Neva, built according to the design of the architect G.I. Mattarnovi. Construction work continued until 1727, but already in 1722 the church was mentioned among the existing ones. However, the place for its construction was chosen poorly: the banks of the Neva had not yet been strengthened, and the beginning of soil sliding caused cracks in the walls and arches of the buildings. In May 1735, a fire broke out from a lightning strike, completing the destruction that had begun. On July 15, 1761, by decree of the Senate, the design and construction of the new St. Isaac's Church was entrusted to S.I. Chevakinsky, the author of St. Nicholas Cathedral. But he did not have to carry out his plan. Construction dates have been postponed. Having ascended the throne in 1762, Catherine II entrusted the design and construction to the architect Antonio Rinaldi. The cathedral was conceived with five intricately designed domes and a high bell tower. Marble cladding should add sophistication to the color scheme of the facades. This rock got its name from the Greek “mramoros” - brilliant. This carbonate rock is composed primarily of calcite and dolomite, and sometimes includes other minerals. It arises in the process of deep transformation of ordinary, that is, sedimentary limestones and dolomites. During metamorphic processes occurring under conditions of high temperature and high pressure, sedimentary limestones and dolomites recrystallize and become compacted; Many new minerals are often formed in them. For example, quartz, chalcedony, graphites, hematite, pyrite, iron hydroxides, chlorite, brucite, tremolite, garnet. Most of the listed minerals are observed in marble only in the form of single grains, but sometimes some of them are contained in significant quantities, determining important physical, mechanical, technical and other properties of the rock. Marble has a well-defined grain: on the surface of the chipped stone, reflections are visible that appear when light is reflected from the so-called cleavage planes of calcite and dolomite crystals. The grains are small (less than 1 mm), medium and large (several millimeters). The transparency of the stone depends on the size of the grains. Thus, Carrara white marble has a compressive strength of 70 megapascals and it collapses faster under load. The tensile strength of fine-grained marble reaches 150-200 megapascals and this marble is more resistant. But construction was extremely slow. Rinaldi was forced to leave St. Petersburg without completing the work. After the death of Catherine II, Paul I commissioned the court architect Vincenzo Brenna to hastily complete it. Brenna was forced to distort Rinaldi’s project: reduce the size of the upper part of the cathedral, build one instead of five domes; The marble cladding was extended only to the cornice; the upper part remained brick. The raw materials for sand-lime brick are lime and quartz sand. When preparing the mass, lime makes up 5.56.5% by weight, and water 6-8%. The prepared mass is pressed and then heated. The chemical essence of the hardening process of sand-lime brick is completely different than with a binder based on lime and sand. At high temperatures, the acid-base interaction of calcium hydroxide Ca(OH)2 with silicon dioxide SiO2 is significantly accelerated with the formation of calcium silicate salt CaSiO3. The formation of the latter ensures the bond between the sand grains, and, consequently, the strength and durability of the product. As a result, a squat brick building was created that was not in harmony with the ceremonial appearance of the capital. On April 9, 1816, during an Easter service, damp plaster fell from the vaults onto the right choir. Soon the cathedral was closed. In 1809, a competition was announced to create a project for the reconstruction of St. Isaac's Cathedral. Nothing came of the competition. In 1816, Alexander I instructed A. Betancourt to prepare regulations for the reconstruction of the cathedral and select an architect for this. Betancourt suggested entrusting this work to a young architect who came from France, Auguste Ricard de Montferrand. A. Betancourt presented the album with his drawings to the king. Alexander I liked the work so much that he issued a decree appointing Montferrand “imperial architect.” Only on July 26, 1819, the solemn act of renovation of St. Isaac's Church took place. The first granite stone with a gilded bronze plaque was placed on the piles. Granites are among the most common construction, decorative and facing materials and have played this role since ancient times. It is durable, relatively easy to process into different shapes, holds polish well and weathers very slowly. Typically, granite has a granular, uniform structure and, although it consists of multi-colored grains of different minerals, its overall color tone is uniform pink or gray. A geologist called granite a crystalline rock of deep igneous or mountain origin consisting of three main minerals: feldspar (usually about 30-50% of the rock volume), quartz (about 30-40%) and mica (up to 10-15%) . This is either pink microcline or orthoclase, or white albite or onigoclase, or two feldspars at once. Similarly, micas are either muscovite (light mica) or biotite (black mica). Sometimes other minerals are present in granite instead. For example, red garnet or greenhorn blende. All the minerals that make up granite are chemically silicates, sometimes with a very complex structure. On April 3, 1825, the Montferrand processing project was established. When constructing walls and support pylons, lime mortar was carefully prepared. Sifted lime and sand were alternately poured into the tubs so that one layer lay on top of the other, then they were mixed, and this composition was kept for at least three days, after which it was used for brickwork. Interestingly, lime is the oldest binding material. Archaeological excavations have shown that in the palaces of ancient China there were wall paintings with pigments fixed with slaked lime. Quicklime - calcium oxide CaO - was produced by roasting various natural calcium carbonates. CaCO₃ CaO +CO₂ The content of small amounts of undecomposed calcium carbonate in quicklime improves the binding properties. Lime slaking comes down to converting calcium oxide into hydroxide. CaO + H₂O Ca (OH)2 + 65 kJ Lime hardening is associated with physical and chemical processes. Firstly, mechanically mixed water evaporates. Secondly, calcium hydroxide crystallizes, forming a calcareous framework of intergrown Ca(OH)₂ crystals. In addition, Ca(OH)₂ interacts with CO₂ to form calcium carbonate (carbonation). Poorly or “falsely” dried plaster can lead to peeling of the oil paint film due to the formation of soap as a result of the interaction of calcium alkali with drying oil fats. The addition of sand to lime paste is necessary because otherwise, when hardened, it shrinks severely and cracks. The sand serves as a kind of reinforcement. Brick walls were built from two and a half to five meters thick. Together with marble cladding, this is 4 times the usual wall thickness of civil buildings. External marble cladding, 5-6 cm thick, and internal, 1.5 cm thick, were made together with the brickwork of the walls and connected to it with iron hooks. The ceilings were made of brick. The sidewalk was supposed to be made of Serdobol granite, and the space behind the fence was to be paved with red marble platforms and a red granite border. White, gray, black and colored marbles are found in nature. Colored marbles are very widespread. There is no other decorative stone, with the exception, perhaps, of jasper, which would be characterized by very diverse colors and patterns, like colored marble. The color of marble is usually caused by a finely crystalline, often dusty, admixture of brightly colored minerals. Red, violet, purple colors are usually attributed to the presence of red iron oxide, the mineral sematite. Intercession Cathedral Intercession Cathedral (1555-1561) (Moscow) Built in the 16th century. by the brilliant Russian architects Barma and Postnik, the Intercession Cathedral - the pearl of Russian national architecture - logically completes the ensemble of Red Square. The cathedral is a picturesque structure of nine high towers, decorated with fancy domes of various shapes and colors. Another small figured (tenth) dome crowns St. Basil's Church. In the center of this group rises the main tower, sharply different in size, shape and decoration - the Church of the Intercession. It consists of three parts: a tetrahedron with a square base, an octagonal tier and a tent ending in an octagonal light drum with a gilded head. The transition from the octagonal part of the central part of the tower to the tent is carried out using a whole system of kokoshniks. The base of the tent rests on a wide white stone cornice shaped like an eight-pointed star. The central tower is surrounded by four large towers, located along the cardinal points, and four small ones, located diagonally. The lower tier rests with its edges on a complex-shaped and beautifully designed plinth made of red brick and white stone. Red clay brick is made from clay mixed with water, then molded, dried and fired. Formed brick (raw) should not crack when drying. The red color of the brick is due to the presence of Fe₂O₃ in the clay. This color is obtained if firing is carried out in an oxidizing atmosphere, that is, with an excess of oxygen. In the presence of reducing agents, grayish-lilac tones appear on the brick. Currently, hollow bricks are used, that is, they have cavities inside of a certain shape. For cladding buildings, two-layer bricks are made. When molding it, a layer of light-burning clay is applied to an ordinary brick. Drying and firing of two-layer facing bricks is carried out using conventional technology. Important characteristics of brick are moisture absorption and frost resistance. To prevent damage from weathering, brickwork is usually protected with plaster and tiling. A special type of fired clay brick is clinker. It is used in architecture for cladding the plinths of buildings. Clinker bricks are made from special clay with high viscosity and low deformability during firing. It is characterized by relatively low water absorption, high compressive strength and high wear resistance. Smolensk Assumption Cathedral From whichever direction you approach Smolensk, you can see the domes of the Assumption Cathedral - one of the largest churches in Russia - from afar. The temple crowns a high mountain located between two ravines deeply cut into the coastal slope. Crowned with five chapters (instead of seven according to the original version), festive and solemn, with lush Baroque decor on the facades, it rises high above the urban development. The grandeur of the building is felt both outside, when you stand at its foot, and inside, where, among the space filled with light and air, a gigantic, unusually solemn and magnificent gilded iconostasis rises upward, shimmering with gold - a miracle of wood carving, one of the outstanding works of decorative art of the 18th century , created in 1730-1739 by the Ukrainian master Sila Mikhailovich Trusitsky and his students P. Durnitsky, F. Olitsky, A. Mastitsky and S. Yakovlev. Next to the Assumption Cathedral, almost close to it, there is a two-tier cathedral bell tower. Small, it is somewhat lost against the background of the huge temple. The bell tower was built in 1767 in the forms of the St. Petersburg Baroque according to the design of the architect Pyotr Obukhov, a student of the famous Baroque master D.V. Ukhtomsky. In the lower part of the bell tower, fragments of the previous building from 1667 are preserved. The Assumption Cathedral in Smolensk was built in 1677-1740. The first cathedral on this site was founded back in 1101 by Vladimir Monomakh himself. The cathedral became the first stone building in Smolensk, it was rebuilt more than once - including the Assumption Cathedral in Smolensk by the grandson of Monomakh, Prince Rostislav, until in 1611 the surviving defenders of Smolensk, who defended themselves for 20 months from the troops of the Polish king Sigismund III, finally, when the Poles They broke into the city and blew up the powder magazine. Unfortunately, the cellar was located right on Cathedral Hill, and the explosion practically destroyed the ancient temple, burying many Smolensk residents and the ancient tombs of Smolensk princes and saints under its rubble. In 1654, Smolensk was returned to Russia, and the pious Tsar Alexei Mikhailovich allocated as much as 2 thousand silver rubles from the treasury for the construction of a new main temple in Smolensk. The remains of the ancient walls, under the leadership of the Moscow architect Alexei Korolkov, were dismantled for more than a year, and in 1677 the construction of a new cathedral began. However, due to the fact that the architect violated the specified proportions, construction was suspended until 1712. Assumption Cathedral in Smolensk. In 1740, under the leadership of architect A.I. Shedel, the work was completed and the temple was consecrated. In its original form, it stood for only twenty years, due to the presence of different architects and constant changes in the project. It ended with the collapse of the central and western chapters of the cathedral (there were seven in total at that time). The top was restored in 1767-1772, but with a simple traditional five-domed structure, which we now see. This cathedral is not only visible from everywhere, it is also truly huge - twice the size of the Assumption Cathedral in the Moscow Kremlin: 70 meters high, 56.2 meters long and 40.5 meters wide. The decoration of the cathedral is made in the Baroque style both outside and inside. The interior of the cathedral amazes with its pomp and luxury. Work on painting the temple lasted 10 years under the leadership of S.M. Trusitsky. Assumption Cathedral in Smolensk. The magnificent iconostasis, 28 meters high, has survived to this day, but the main shrine - the icon of the Mother of God Hodegetria - disappeared in 1941. Assumption Cathedral in Smolensk The cathedral bell tower, fading against the background of the huge temple, was built in 1763-1772. from the northwest of the cathedral. It was erected on the site of the previous bell tower, and the ancient foundations have been preserved at the base. At the same time, the cathedral fence was built with three high gates, shaped like triumphal arches. From the central street, a wide granite staircase of the same time leads up to Cathedral Hill, ending in a walkway. The cathedral was spared both by time and the wars that passed through Smolensk. After taking the city, Napoleon even ordered a guard to be posted, marveling at the splendor and beauty of the cathedral. The cathedral is now operational and services are held there. St. Vladimir's Church in Safonovo, Smolensk Region In May 2006, the city of Safonovo celebrated a significant anniversary - a hundred years ago the first church parish was opened on the territory of the future city. At that time, on the site of the current city blocks there were a number of villages, villages and farmsteads surrounding the railway station, which was called “Dorogobuzh” after the nearby county town. The closest village to the station was the village of Dvoryanskoye (current Krasnogvardeyskaya Street) and across the Velichka River from it was the landowner Tolstoy estate (now in its place is a small park). Tolstoy, which received its name from the Tolstoy nobles, has been known since the beginning of the 17th century. By the beginning of the 20th century it was a small owner's estate with one yard. Its owner was an outstanding public figure of the Smolensk province, Alexander Mikhailovich Tukhachevsky, a relative of the famous Soviet marshal. Alexander Tukhachevsky in 1902-1908 headed Dorogobuzh local government - zemstvo assembly, and in 1909-1917. led the provincial zemstvo council. The noble families owned the Leslie and Begichev families. The construction of a railway station on the banks of the Velichka River in 1870 turned this remote place into one of the most important economic centers of Dorogobuzh district. Timber warehouses, inns, shops, a postal station, a pharmacy, bakeries appeared here... The population of the station village began to grow. A fire brigade appeared here, and with it in 1906 a public library was organized - the first cultural institution of the future city. It is probably no coincidence that in the same year the spiritual life of the area received organizational form. In 1904, a stone temple was erected next to Tolstoy in the name of Archangel Michael, thereby turning the owner's estate into a village. Probably, the Archangel Church was for some time assigned to one of the nearby villages. However, already on May 4 (May 17 - according to the current style) 1906, a decree of the Holy Government Synod No. 5650 was issued, which stated: “At the newly built church in the village of Tolstoy, Dorogobuzh district, open an independent parish with a clergy of a priest and a psalm-reader in order to maintain The clergy of the newly opened parish relied exclusively on exquisite local funds.” Thus began the life of the parish of the village of Tolstoy and the Dorogobuzh station. Nowadays, the heir to the church in the village of Tolstoy is the St. Vladimir Church located in its place. Fortunately, history has preserved for us the name of the builder of the Archangel Michael Church. He was one of the most famous Russian architects and engineers, Professor Vasily Gerasimovich Zalessky. He was a nobleman, but initially his family belonged to the clergy and was known in the Smolensk region since the 18th century. People from this family entered the civil and military service and, having reached high ranks and ranks, claimed noble dignity. Since 1876, Vasily Gerasimovich Zalessky served as a city architect at the Moscow City Government and erected most of his buildings in Moscow. He built factory buildings, public houses, and private mansions. Probably the most famous of his buildings is the house of sugar refiner P.I. Kharitonenko on Sofiyskaya Embankment, where the residence of the English ambassador is now located. The interiors of this building were decorated by Fyodor Shekhtel in an eclectic style. Vasily Gerasimovich was a leading specialist in Russia in ventilation and heating. He had his own office, engaged in work in this area. Zalessky carried out extensive teaching activities and published a popular textbook on building architecture. He was a corresponding member of the St. Petersburg Society of Architects, a member of the Moscow Architectural Society, and headed the Moscow branch of the Society of Civil Engineers. At the end of the 19th century, V.G. Zalessky acquired a small estate of 127 acres in the Dorogobuzh district with the village of Shishkin. It was picturesquely located on the banks of the Vopets River. Now Shishkino is the northern outskirts of the city of Safonov. The estate was bought by Zalessky as a summer cottage. Despite the fact that Shishkino was a place of rest for Vasily Gerasimovich from his extensive professional activities, he did not remain aloof from the life of the local area. At the request of the chairman of the Dorogobuzh district assembly, Prince V.M. Urusov, Zalessky drew up plans and estimates for free for the construction of zemstvo primary schools with one and two classrooms. Two miles from Shishkin in the village of Aleshina, the Dorogobuzh zemstvo began to create a large hospital. In 1909, Vasily Zalessky accepted the obligation to be a trustee of this hospital under construction, and in 1911 he offered to equip it with central heating at his own expense. At the same time, the zemstvo asked him “to take part in supervising the construction of the hospital in Aleshin.” V.G. Zalessky was an honorary trustee of the fire brigade of the Dorogobuzh station and a donor of books for its public library. It is curious that in addition to the Archangel Michael Church in the village of Tolstoy, V.G. Zalessky is also related to the Smolensk Assumption Cathedral. According to his relatives, he installed central heating there. Soon after the opening of the parish, a parochial school appeared in the village of Tolstoy, which had its own building. The first mention of it dates back to 1909. The current St. Vladimir Church of Safonov is famous for its beautiful church choir. A remarkable fact is that a century ago the same glorious choir was in the church in the village of Tolstoy. In 1909, in an article in the Smolensk Diocesan Gazette, dedicated to the consecration of the newly built large nine-domed church in the village of Neyolova, it was reported that during the solemn service, the singing choir from the Dorogobuzh station sang beautifully. The Archangel Michael Church, like any newly built church, did not have ancient icons and was probably quite modest in its interior decoration. In any case, the rector of the temple noted in 1924 that only two icons - the Mother of God and the Savior - have any artistic value. Currently, the name of only one rector of the temple is known. From December 1, 1915 and at least until 1924, he was Father Nikolai Morozov. He probably served in the Tolstoy church in subsequent years. In 1934, the church in the village of Tolstoy was closed by decree of the Smolensk Regional Executive Committee No. 2339 and was used as a warehouse for high-quality grain. During the Great Patriotic War, the church building was destroyed and only in 1991, according to the only surviving photograph, the destroyed church was rebuilt through the efforts of its abbot, Father Anthony Mezentsev, who now heads the community of the Boldinsky Monastery with the rank of archimandrite. Thus, the first temple of Safonov completed the circle of its life, in some ways repeating the path of the Savior: from crucifixion and death for faith to the resurrection by Divine Providence. Let this miracle of the revival from the ashes of the destroyed Safonov shrine become for the residents of the city a vivid example of the creative power of the human spirit and the faith of Christ.



Similar articles