"Lomonosov in Literature" - A strict hierarchy of genres. DRL XI-XVII centuries. He was buried at the Lazarevsky cemetery of the Alexander Nevsky Lavra. 1759 - Lomonosov writes "Discourses on the great accuracy of the sea route." Questions: -Division of literature into strictly defined genres of works; Aesthetics is based on the principle of rationalism and “imitation of nature”.
“Baby and Carlson” - And Carlson, with his behavior, shows us how not to act. What was the Kid like before meeting with Carlson? Who was Carlson? And a friend is respected not for external data, but for spiritual qualities. It seems to me that each of you would like to have such a friend. It is easier for us to see other people's faults than our own. Grumpy, touchy, sweet tooth, boastful.
"Poetry of Lomonosov" - Lomonosov Awards. Developed the first scientific grammar of the Russian language. Seriously studied Russian poetry. Medium style. Lomonosov completed the reform of Russian versification. Personality of Lomonosov. Scientific and technical words. Poetic creativity. Poetry reform. For 22 years he worked at the Academy of Sciences.
"Biography of London" - Participation in the campaign of the unemployed. War correspondent. Collections of stories. 1902 - trip to England as a correspondent. Creative crisis. Jack London. Name at birth. Books. Journey to the Solomon Islands. Committed suicide. Travels of Jack London. Trip to Alaska. Path to creativity.
"Lindgren" - A sorceress from Sweden. Astrid Lindgren. A lesson on the work of the Swedish writer A. Lindgren. Works by A. Lindgren. Reader education. Making a crossword. Task "Young literates". Forms of work in the classroom. Drawing up a bibliographic list of references. Favorite fairy tale characters. Winner's reward ceremony.
"Lukonin" - I walk, smoke, and you stand still, So you can be stranded. Volga smokes polynya, not frozen, Wants to be in sight. Secretary of the Board of the Writers' Union of the USSR (since 1971). Volga, can you hear me? From such words, I can completely despair, On the ribs lies a corrosive rust. I want to fall into the snowy expanse In the light of a clear day.
There are 13 presentations in total in the topic
7. At home, children learn fragments from the works of A. S. Pushkin chosen by them at their own discretion.
Lesson 16
1. Checking homework.
2. Introduction to the text.
The teacher reads the first paragraph of the tale and, in order to develop the ability of children to predict the nature of the work, asks questions from its beginning:
- Where and when do the events described in the work take place?
- Who is this story about?
- How might further events unfold? Students read the story out loud until the end.
meaningful fragments.
3. Discussion of what has been read, rereading and work with the text are carried out on the questions of the textbook, which can be supplemented with the following questions and tasks:
Why do you think the baron still resigned himself to fate?
Read how the baron tried to get rid of the girl for the first time.
Read the passage about how the girl got into the castle of the baron's brother.
What illustrations can be drawn for this tale? (If there is time, it is possible to carry out a verbal drawing of one of them.)
4. At home, children perform exercises and tasks following the fairy tale they read, as well as tasks 1 and 2 for V. Berestov's work "The Tale" from the notebook, find and read books by K. I. Chukovsky.
Lesson 17. V. Berestov "Fairy Tale"; K. Chukovsky "The Adventures of the White Mouse".
a) Work with the exhibition of books "Tales of K. I. Chukovsky." Answering the question of the textbook about which fairy tales of Chukovsky
they know, students showcase the books they bring to class and read what they like from them. In addition, they ask classmates questions about the writer's works.
b) In continuation of the quiz, the correctness of the children's performance of the second task of the tetra1 di-crossword puzzle based on the works of Chukovsky is carried out.
c) The completion of the first task of the notebook is checked (students should underline the words: not without reason, a fairy tale, a fairy tale, good, happy, anticipates, any, agree, impatient, prosperous).
d) Several people take turns expressively reading a poem by V. Berestov dedicated to K. Chukovsky.
2. Preparation for reading.
What do you know about Chukovsky?
After the statements of the students, the teacher can introduce them to biographical information about K.I. Chukovsky.
(Reference material.
KORNEY IVANOVICH CHUKOVSKY (1882-1969)
Korney Chukovsky is the literary pseudonym of the writer. His real name is Nikolai Vasilyevich Korneichukov. The pseudonym suited the writer so well that in life they began to call him Korney Chukovsky.
At the age of 16, the future writer left home to make it easier for his mother, who alone raised two children. He worked as a painter. He also read avidly and studied English on his own. And even wrote his philosophical book. In a few years, a chapter from this book of his will be published in a newspaper. This is how Chukovsky's journalistic life will begin.
Chukovsky worked a lot. “In the old days, wherever I was - on the tram, in line for bread, in the dentist's office - in order not to waste time, I composed riddles for children. It saved me from mental idleness.”
He wrote for a long time, with difficulty, endlessly copying. Famous for their clarity and lightness, the works of
It was hard for Chukovsky, sometimes even painfully. Work was his only joy. She supported him in difficult life trials. And there were many. Death of three children. Links and executions of comrades. Rough attacks by critics. Yes, and there were still many adversities! It's hard to list everything.
In the article “Confessions of an Old Storyteller”, Korney Chukovsky wrote about his life: “There were losses, and insults, and troubles. But from my youth, I had - and still have - one precious property: in spite of all the troubles and squabbles, all of a sudden, for no reason, for no apparent reason, you will feel a strong surge of some kind of crazy happiness. Especially at such times when it would be appropriate to whimper and complain - you suddenly jump out of bed with such a crazy feeling of joy, as if you were a five-year-old kid who was given a whistle. He once called himself "a joyful man in a joyful world."
Serious attitude to work and cheerful talent helped the writer to create many wonderful works for children. When Chukovsky's first book for children came out, he wrote in the preface: “The poems collected here were written by me by accident. For a long time it never occurred to me that I would become a poet for children...” Fairy tales appeared by accident. The first one was Crocodile. The little son of Korney Ivanovich fell ill. His father was taking him home on the night train, and in order to alleviate the boy's suffering a little bit, to the sound of the carriage wheels he began to tell:
There lived a Crocodile. He walked the streets, smoked cigarettes, spoke in Turkish -
Crocodile, Crocodile Crocodile...
And the well-known "Moydodyr" began with the writer's little daughter not wanting to wash her face.
Thanks to Chukovsky, who translated into Russian such books as The Adventures of Tom Sawyer, fairy tales by R. Kipling, English songs and rhymes, we can read these books. It is noteworthy that Korney Ivanovich was the editor of the book
gi with biblical legends.
Near his house near Moscow, in Peredelkino, Chukovsky built a children's library. Children's writers sent books to this library at the request of Korney Ivanovich, and “grandfather Korney” himself was the main worker in it.
Grandfather Korney was always loved by children. Fairy tales and poems of a kind and cheerful storyteller were read by our grandparents, mothers and fathers when they were little. Chukovsky has not been with us for a long time, but his books will no doubt be read and listened to by the grandchildren of those children who are sitting at their desks today.
The poet Valentin Berestov dedicated a humorous poem to Korney Ivanovich:
We feel sorry for grandfather Korney: In comparison with us, he lagged behind,
Since in childhood I didn’t read “Barmaley” And “Crocodile”, I didn’t admire “Telephone” And I didn’t delve into “Cockroach”.
How did he grow up to be such a scholar without knowing the most important books?)
b) First silently, then aloud, the children in the notebook perform exercise 1 of a preparatory nature.
3. Acquaintance with the text (in parts highlighted in the text)
And discussion of what has been read.
After reading the first part, the teacher asks:
- How was Belyanka different from all mice?
- Why did the brothers and sisters not take Belyanka with them for a walk?
- Why didn't the Cat notice the other mice, but instead noticed the Belyanka?
- What do you think, will the Cat Belyanka let go or not? What will happen next?
After reading the second part, students answer the questions:
- Why did the fisherman's son save Belyanka?
- Why did Belyanka run away from her savior? After reading the third part, the children talk on the questions:
- What made Belyanka happy?
- Who did Belyanka meet?
- From what and how did Belyanka save the gray rat?
4. At home, children read the fairy tale "The Adventures of the White Mouse" to the end.
Lesson 18. K. Chukovsky "The Adventures of the White Mouse" (continued).
1. Checking homework (discussion of what has been read). The quality of home reading is checked on the following questions:
- What changes took place in the life of Belyanka with the onset of spring?
- How did the old rat take care of Belyanka?
- How did the old rat decide to help Belyanka?
- What did Belyanka see in the workshop?
- Why was Belyanka afraid of her reflection in the mirror?
- How did mother meet Belyanka in her home? Find and read their conversation.
- How did the fairy tale end?
- Who is the true savior of Belyanka?
- What way out did Dr. Aibolit find?
- What is the name of the mouse? Why?
2. Rereading and working with text.
a) One of the possible tasks is the selective reading by children of the episodes depicted in the illustrations of the textbook.
b) Work on the preparation of the plan is carried out according to the assignment of 1 textbook. There is a place for writing the plan in the notebook.
c) In accordance with the third and fourth tasks of the textbook, the creative game "Radio Theater" is held for different episodes of the fairy tale.
3. At home, students complete the second task of the textbook.
Lesson 19
1. Checking homework.
2. Preparation for reading is carried out according to the exercises of studies1
3. Introduction to the text.
To set the right emotional tone, the first
how many (2-5) paragraphs the teacher reads. Children continue reading aloud up to the words “He slept” in relatively complete fragments.
4. Discussing what has been read, rereading and working with the text.
Why did Bertil have to sit at home alone all day long? What feelings did he experience?
Was Bertil always so lonely? (No, he once had a sister).
What happened to his sister Martha?
After what the boy's life changed dramatically? (After meeting Little Niels.)
Tell us about how Bertil and Little Nils Carlson met.
How do you imagine Tiny Nils Carlson? How would you draw it? What paints would you use? Why? (Little Niels was small, no bigger than a little finger, cheerful, cheerful. Bright, light colors are desirable, because Niels was cheerful and joyful, managed to cheer up the boy, brighten up his loneliness.)
Where did Tiny Nils Carlson live? Where did he live before?
Why did Tiny Nils Carlson and Bertil hit it off so quickly? (Both one and the other were lonely.)
How did Bertil get into Little Niels' home?
What did Little Niels' room look like? Read.
How did Bertil take care of Niels? (First he brought firewood, then a crib, bed, clothes, food.)
Today we read part of the story. How can you name it? ("Happy meeting"; "Meeting of Bertil and Niels"...)
5. At home, students finish reading a fairy tale; complete tasks 1 and 2 from the notebook; tasks 1, 3, 4, 5 from the textbook; trying to find information about A. Lindgren.
Lesson 20. A. Lindgren "Little Nils Carlson" (continued).
1. Checking homework.
- How can you title the part of the fairy tale read at home? (Friendship of Bertil and Niels.)
The correctness of the students' fulfillment of the tasks of the textbook and notebook is checked.
- What did you manage to learn about A. Lindgren?
(Reference material.
ASTRID LINDGREN (1907-2002)
Astrid Anna Emilia Lindgren was born into a poor, industrious Swedish family. She began writing early, and at school she was nicknamed after the famous Swedish writer, Selma Lagerlöf. A big role in the development of the girl's writing talent was played by her father, as well as communication with her sisters and brother. Lindgren later wrote: "... All our experiences and games were reflected in my books."
When Astrid turned eighteen, she went to the capital of Sweden, Stockholm, in search of work. But there the girl became really ill. In Stockholm, she had no relatives, no friends, no money. “I am lonely and poor. Lonely because that's the way it is, and poor because all my property consists of one Danish era. I am afraid of the coming winter,” she wrote to her brother.
But fate still took pity on Astrid. After a long search, she found a job. The girl became a secretary. Astrid soon got married and had children. One day, my daughter became seriously ill, and her mother began to compose stories for her about a girl named Pippi. Gradually, a whole book of "Pippi Longstocking" was formed from oral stories. At the children's book competition, the story won the first prize, and it was published. Thus began the creative life of the writer, who is considered the "Andersen of our days." At this time, Lindgren truly understood what happiness it was.
Possibility to write. And that all the hardships in her life are, in essence, "trifles, a matter of life." Now every evening she dreamed that a new day would begin faster and that the moment had come when she could sit down at the desk and relax.
hang out alone with your characters. Since then, Astrid has been writing book after book. And also to receive literary awards one after another.
The first book was followed by The Famous Detective Kalle Blumqvist, Mio, My Mio, Three Tales of Carlson, Who Lives on the Roof, Rasmus1tragaga... more than 30 books in total, translated into almost 30 languages of the peoples of the world.
Lindgren's works combine fantasy and reality in an amazing way. "...Perhaps I am writing about what I would like to see in reality." The writer dedicated almost all of her books to children, declaring resolutely that she did not write books for adults and was not going to do so. “I hope that, perhaps, my books will help inspire little readers with great humanity, great understanding of other people,” admitted the famous writer, who was awarded the main award of storytellers - the Hans Christian Andersen Gold Medal.)
2. Rereading and working with text. a) The game "Radio Theater" is being played.
Role-playing can be done in the form of work by children in pairs: each pair of students chooses the passage they like the most and prepares to perform it.
b) In a well-prepared class, additional work can be done on compiling a filmstrip, a comic strip, based on the memo presented in the “Stories” section of the first part of this manual (“General Characteristics of Teaching Reading”).
3. At home, children find and read books with the works of Gianni Rodari.
Lesson 21 J. Rodari "These poor ghosts."
1. Checking homework.
According to the books displayed at the blackboard, it is determined that Gianni Rodari wrote not only fairy tales and fairy tales, but also poems, many of which were translated into Russian by S. Marshak, known to children. Some of the poems are read aloud by children to their classmates. In books, students find information about
the fact that the translations of the works of this writer are made from the Italian language, and they also look for and read out what is written about Gianni Rodari in the prefaces (afterwords) of his books.
The teacher can supplement the information found and presented by the children about the writer.
(Reference material.
GIANNI RODARI (1920-1980)
The Italian boy Gianni, the son of a baker and a maid, was orphaned early and began to earn his own bread early.
World fame, millions of copies of books, high literary titles and awards - all this did not come soon.
After graduating from the seminary, Rodari worked as an elementary school teacher. He was a cheerful teacher - for his studies he came up with funny games, funny stories.
Gianni Rodari became a children's writer, by his own admission, almost by accident, by accident. “Once,” he recalled, “the editor-in-chief of a newspaper instructed me to write poems and stories for the children of Italian working people...
Several years have passed since I stopped teaching, but, taking up the pen, I imagined that the eyes of my students were fixed on me, that they were waiting for a fairy tale or a funny story from me ... So I began to write for kids ".
The most popular work of Rodari all over the world is "The Adventures of Cipollino". According to the writer, he was inspired to create the fairy tale by Collodi's fairy tale about Pinocchio, beloved by all Italians, which Rodari knew by heart from childhood. The story of the onion boy has been retold in more than twenty languages of the world. This is a very cheerful tale about very serious problems - about poverty and wealth, about the oppressors and the oppressed, and even, strange as it may sound in relation to a children's fairy tale, about political struggle.
The success of Cipollino prompted Rodari to continue writing fairy tales. The Voyage of the Blue Arrow, Gelsomino in the Land of Liars, and other books appeared.
Explaining why he wrote the big tale about Gel1 somino, he said: “It seems to me that the most dangerous enemies
humanity are liars. There are hundreds of thousands of liars in the world. The liar is the journalist who writes "freedom" and thinks about the freedom with which the capitalists exploit the workers and the imperialists squeeze the juice out of the colonial peoples. A liar is the one who says "peace", but in fact stands for the war ... I really believe in the power of truth ... The truth is like the voice of a singer - the voice that makes window panes tremble. Gelsomino had such a voice of tremendous power, and his songs opened people's eyes to the real truth.
Despite the worldwide fame of a remarkable writer1 storyteller, who was awarded the highest award in children's literature - the International Hans Christia Prize1 for Andersen, Gianni Rodari was a surprisingly modest, even shy person. The writer briefly and clearly defined his place in life and literature: in the service of the children.
Rodari was very fond of children. This was the main feature of his character. And the children, feeling this, were drawn to him as to a kind magician. “There is nothing more beautiful in the world than the laughter of a child, and if one fine day all children without exception can laugh all at once, all together, you must agree, it will be a great day!” - said Gianni Rodari in his speech at the presentation of the Andersen Prize.
The writer himself was like a big child. Forgetting about age, Rodari willingly, with sincere enthusiasm, played with the kids. For all his "childishness", Gianni Rodari was a master who knew how to combine the free flight of fantasy with great life experience, with the wisdom of a mature person. That is why his fairy stories turned out to be interesting to readers of all ages - from two to ninety years and older).
2. Preparation for reading.
Today Gianni Rodari invites us to play, to have fun with the characters of his work. Before we do that, let's do some preparatory exercises.
Exercises are performed by children aloud according to the textbook. Further, after clarifying the meaning of the word "preface", teaching1
Those who follow the textbook get acquainted with the preface written by the author himself.
Before reading the text, the children answer questions.
The protagonist of the fairy tale "Little Nils Carlson" is the boy Bertil. He is still too young to go to school. Therefore, Bertil sits alone at home all day while mom and dad work. Previously, an older sister sat with him, but she died of an illness. And Bertil is forced to be bored alone, because he is tired of toys, and he has not yet learned to read.
But one day he heard a rustle under his bed and found there a tiny boy the size of a little finger. The kid said that his name was Tiny Niels Carlson, and he rented a room in a rat hole under Bertil's bed. Niels invited Bertil to visit him. Bertil could not figure out how he would fit into the narrow hole, but Little Nils taught him magic words that turned an ordinary boy into as tiny as Nils.
Bertil boldly uttered the magic words and became as tiny as his new friend. They climbed into the rat hole and went down the stairs to Little Niels' room. The room was empty, there was only a stove in it. There wasn't even any wood in it.
And then Bertil had an idea! He went upstairs, uttered the magic words, and when he was the same boy again, he went into the kitchen and picked up burnt matches. He brought the matches to the rat hole and again turned into a tiny boy. Now the matches looked like huge logs. He called Little Niels, and the two of them dragged the firewood down to the stove and immediately lit it. It got much warmer.
Then, questioning Tiny Niels, Bertil realized that he was hungry. He went upstairs again, took quite a bit of food and carried it to the hole. After another transformation into a crumb, the amount of food began to seem simply incredible. Friends ate to the bone.
After dinner, Bertil thought about the fact that Little Nils had no furniture in the room at all and that he had to sleep on the floor. And Bertil again went up to his apartment, where in his sister's toys he found a bed, a bed for her, and even a doll's nightgown. All this turned out to be very useful in the room of Tiny Nils, who immediately went to bed full and satisfied.
The next day was no less interesting. Bertil helped Nils tidy up his dwelling and brought more doll furniture - a table, a wardrobe, armchairs and benches. The room became very comfortable. And when it was time for Bertil to return to his home, he invited Tiny Nils to go with him. After all, Little Niels was very small, and it was easy for him to hide from Bertil's father and mother.
Now Bertil was not at all bored sitting at home without his parents. He no longer missed being alone, because he had a good friend.
This is the summary of the story.
The main meaning of the fairy tale "Little Nils Carlson" is that sometimes it takes very little effort to make another person happy. But how great it is to see the happy eyes of the one you helped in difficult times! The fairy tale "Little Nils Carlson" teaches to help other people and be caring.
In the fairy tale, I liked the main character, Bertil. He turned out to be a friendly and caring boy, and in every possible way helped his new friend, Tiny Niels. And Bertil was not afraid to turn into a tiny man in order to visit the home of Tiny Niels. He is a brave boy.
What proverbs are suitable for the fairy tale "Little Nils Carlson"?
Boring day until evening, if there is nothing to do.
Do not sit idly by, and there will be no boredom.
You don't know a friend until you need his help.
Analysis of the fairy tale by A. Lindgren "The Kid and Carlson, who lives on the roof"
One of Lindgren's most popular works, "The Kid and Carlson Who Lives on the Roof" (1955), is an original realistic and modern fairy tale that is woven into everyday life, into a true story about a boy with his sorrows and joys, specific thinking and language.
The continuation of the story called "Carlson, who lives on the roof, arrives again" (1963) appeared in connection with the success of the first book and the numerous requests of children who dream of finding out what happened to their favorite characters. Along with the further development of children's characters, Lindgren here gives a satire on modern television and advertising.
The last part of the trilogy - "Carlson who lives on the roof appears secretly" (1968) - is a subtle and witty parody of the modern Swedish press, of detective literature. It tells about the new tricks of the Kid and Carlson, about their true friendship. “... The best Carlson in the world, with his manifestations of childish discontent and uncontrollable egoism, is truly irresistible,” notes the Swedishcriticism .
In Russia, the book became popular thanks to the translation made byLilianna Zinovievna Lungina . The first edition of the story in the USSR was published in 1957. The publication "Two stories about Malysh and Carlson" was published in 1965, reprinted in 1968. "Three stories about Malysh and Carlson" was first published in 1973, again in 1974. and reprinted in subsequent years. In all editions of the USSR - translations by L. Lungina and illustrations by the Swedish artist Ilun Wikland.
“- I asked Carlson if he was a fiction ...
“Well, what did he say to you?” Mom asked.
He said that if he were a fiction,
it would be the best invention in the world.”
(A. Lindgren "The Kid and Carlson")
The immediate predecessors of the trilogy about Carlson were two small fairy tales by Astrid Lindgren - "Little Niels Carlson" and "In the Land Between Light and Darkness". However, the hero of the first was a little like the outrageous known to us. It was a tiny nisse (Scandinavian analogue of our brownie), visiting a lonely boy whose sister had died. He did not suit Tararam, and he did not know how to fly. The hero of the second tale - Mr. Lillonkvast - Lindgren was also prompted by her daughter.
Where the house on the roof and the propeller came from is also not difficult to guess, given the writer's passion for climbing roofs and trees, as well as childhood memories when she ran to airfields to contemplate airplanes.
Lindgren skillfully uses a favorite technique of fairy tale writers: the story grows out of a child's game, out of a child's fantasy and fiction. Such well-known fairy tales as “Winnie the Pooh and All, All, All” by A. A. Milne (translated from English), “The Order of the Yellow Woodpecker” by J. Monteiro Lobato (translated from Portuguese), “ Mafia and his merry friends "E. Hogarth (translated from English), etc.
"Kid and Carlson, who lives on the roof" - an educational book. The child learns about the life of a big city, learns that in a world that seems so cheerful and joyful to him, there are criminals, there are children left unattended. The kid grows up, realizing that it is necessary to actively intervene in life and help the weak.
Lindgren's book is not importunately educational, not apologetic towards adults, but very truthful and realistic. True, the Kid is sometimes too smart for a seven-year-old child and Carlson's speeches are too similar to those of an adult. Nevertheless, the book strikes with a subtle knowledge of the psychology of children, their language, humor and well-aimed jokes.
The action of the story takes place in the 1950s in the central districtStockholm - Vazastan, where two main characters live in the same house - Svante, the youngest child of the Svanteson family, nicknamed the Kid, and - on the roof -Carlson .
A fairy tale grows out of a fantasy, out of a child's invention. The writer does not get tired of repeating that everything that happens in the book is quite “ordinary”. “Not quite” is only Carlson, who lives on the roof. Everyone - mom and dad, Bosse and Betan consider Carlson an invention, a fantasy of the Kid. Only the Kid himself does not doubt the existence of Carlson.
Carlson is a small plump man of indeterminate age, lives all alone in a small house on the roof, knows how to fly with the help of a motor that is on his back. Likes to walk on rooftops and play pranks. Self-confident, considers himself "the best in the world" in all respects, as well as a handsome, intelligent and moderately well-fed man in his prime. He likes to eat a lot, from food he prefers meatballs, cake with whipped cream and buns.
The kid is Carlson's best friend. Real name Svante, 7 years old, the youngest child in the Svanteson family. The favorite and darling of the whole family, although before meeting Carlson he often had no one to play with. Most of all she dreams of a dog. A polite and well-mannered boy, although sometimes he can suddenly become stubborn.
Carlson, indeed, is the most ordinary, fat little man, endowed with a number of negative qualities. But at the same time, the negative properties of Carlson are balanced by the positive ones. If the image of Carlson in the book is stable, then the Kid is shown by the writer in development. It's like an internal struggle going on all the time. On the one hand, he is fascinated by the pranks and pranks of Carlson, he is not averse to taking part in them, but he protests as soon as these pranks cross the line.
The kid, relying on images and associations close to him, supplies the fat Carlson with a motor and a propeller and transfers him to a familiar environment. The flying man lives in Stockholm on the roof of an ordinary house. In the family, everyone is busy with their own business: dad goes to work, children go to school, mom takes care of the housework. The kid, left to himself, spends long hours in Carlson's company. By pressing the button on his stomach, Carlson starts his motor and flies through the window with a buzz. It's not boring with him. He knows everything in the world. This is the "world's best rooster painter", "the world's best builder" of cubes and, in general, the "world's best" specialist in all matters. Having committed some kind of prank on his initiative, the Kid consoles the adults: “It’s nothing, it’s a matter of life!”, “Calm, only calm!” - and at the same time refers to the authority of Carlson, who lives on the roof.
Carlson knows how to be not only childishly playful and spontaneous. At the right moment, he will show both courage and kindness, he will help in time: he drags the slipped Baby up to the roof, brings a bottle of milk for “Gulfin, an extremely abandoned baby”, is not at all afraid when the thieves Fille and Rulle get into the apartment.
The art of Astrid Lindgren is that she, having presented Carlson, managed to make thisimage way of great educational power. The guys play together with Carlson, play pranks, but each of them, noticing his shortcomings, sees his own weaknesses.
Carlson who lives on the roof
In this book, Carlson meets the Kid and subsequently with his friends - Christer and Gunilla. For the Svantesson family, Carlson is constantly behind the scenes, so they consider him an imaginary friend, and for himentertainment The kid every time rakes healing cunts. The family sees clearly in the last chapter, where Carlson comes to the birthday party of the Kid and welcomes all his relatives up to their ears in a cake.
Carlson, who lives on the roof, flew back
The family is removed from the house with various diagnoses in hospitals, and dad is sent on a business trip. Hildur Bock, a housekeeper, is hired to keep an eye on the orphaned Kid (K. O. reports that Freken is not a name, but the Swedish name for an unmarried woman, such as Miss or Mademoiselle). Freken Bock has good housekeeping skills and a passionate desire to get into a ghost story zombie game.corresponding transmission .
The entire second book is devoted to the sophisticated trolling of Fröken Bock with astral phenomena (which she is only happy about), as a result, the covers are literally torn off the ghost. However, Freken Bock still falls intozombie man with a unique homemade recipe. The family recovers and returns, in the last chapter, Svantessona and Carlson watch a live cooking show with Miss Bock.
Carlson, who lives on the roof, is playing pranks again
Sudden sawing out of the house of the whole family to travel around the world and sports camps. Carlson is in danger - he was photographed for the newspaper and a reward of ten thousand Swedish rubles was appointed for the capture and delivery to the editorial office with the aim ofidentification . The kid refuses all Turkeys and pioneer camps and remains to look after him. An additional bonus is Uncle Julius, who came to Stockholm for treatment. Miss Bock is hired again to take care of the "three bachelors". Enchanting night trolling of Freken Bock, Julius, Fille and Roulle with astral phenomena (“Mummy” though!). In the finale, Carlson appears at the editorial office of the newspaper and receives all the remuneration himself. Fröken Bock marries Uncle Julius and becomes Fru Jensen.
Her beautiful book full of optimism and great human kindness. The work has a lot of subtle humor, lively speech, conveying the features of the children's language and the writer's subtle knowledge of child psychology.
Astrid Lindgren's book is an example of cheerful optimism, multifaceted humor, and healthy romance. The writer, striving to ensure that in her works the fabulousness does not lead children away from reality, at the same time does not forget about entertainment, sparkling humor - the necessary qualities of books.
Astrid Lindgren is truly the number one storyteller in our world. And even those who have never heard this name know her heroes very well - Carlson and the Kid (as well as the "housekeeper" Miss Bock), Pippi Longstocking, Emil from Lenneberg, Prince Mio, the robber Ronya ...
My student years coincided with the period when the works of this Swedish writer began to be actively published. There was a place to spend the scholarship. I can boast that my home library contains all the fairy tales of Astrid Lindgren, except for The Brothers Lionheart. Everything else is there. A whole fantasy world.
Even then, half a lifetime ago, Lindgren's little fairy tales became a big discovery for me. So graceful, honed, filled to the brim with miracles, light and sadness, an understanding of how difficult our life is, and a bright, charming hope that everything will be fine, without fail...
There was only one flaw in my book: there were no pictures in it. That is why now, when our son is growing up, we have a new book of fairy tales by Astrid Lindgren at our house. Large, illustrated, colorful, full of magic.
Boys and girls
What I have always liked about Lindgren's work is its versatility. If some writers created fairy tales and stories mainly for girls (remember, for example, Lydia Charskaya) or adventure stories for boys (Shklyarsky's series about Tomek), then Lindgren always maintained a balance between characters - boys and girls, adventure and romance, witchcraft - and pampering . You won't get bored!
Every young reader will surely enjoy stories about the brave Peter, who defended the Mimmi doll from the ferocious robber Fiolito and his gang, or the adventures of Göran, who famously manages a bus, tram and a large construction bucket.
And the girls will surely like the Princess Lotta the Fox with her nursery full of toys, and the little elf sewing a dress from a handkerchief, and the multi-colored pearl necklace of the Mimmi doll, and the troubles of the inventor Bertil, who equips the tiny brownie's room, turning matches into firewood, a toothbrush into a mop, and a small jelly cup into a real bath tub.
Each fairy tale is like a ready-made script for a future game. If you want, make a dollhouse or string beads for a doll, or if you want, sneak around the house with a wooden sword at dusk: isn’t there, in the dark, a formidable robber with a big mustache? Does he want to steal treasures?
Between light and darkness
It should be noted that for her stories, Astrid Lindgren has always taken our real world as a basis. She rarely created any special fairy-tale land with magical heroes. No, the action of almost all her fairy tales takes place in Sweden, Stockholm or other cities, and her characters are completely real: ordinary people, adults and children, with their own problems, difficulties, fears, illnesses.
And it is in this ordinary, so familiar and not so iridescent world that magic creeps in. Someone's quiet steps are heard under the bed, some strange little man in a big hat is knocking on the window of the fourth floor, an old man passing by turns out to be a magician, a doll grows from a donated seed in the garden ...
Magic always begins unexpectedly, gradually, quietly.
And if you don’t scare him away, he gives a lot of joy and adventure.
You read such fairy tales and you involuntarily listen: who is there rustling under your own bed? Cat? Mouse? Or maybe a little brownie?
By the way, Lindgren's magical creatures are no different from people, and sometimes their life is also not sugar. Everyone has their own sorrows and worries, sometimes so similar to ours, human ones. Little Nils Karlsson rents a room from a rat, for a crust of cheese a month. Expensive, but what can you do!
You know how hard it is to find a small apartment.
Niels is starving and freezing, because there is a stove, but there is nothing to heat. And you don't get to eat every day...
The Flower Elf weeps bitterly because she has no dress for the ball.
Tiny Peter and Petra, from a small nation, stop going to school because they are moving to another area: “mother said that housing is better there.” And they loved to skate! But the ice rink is now too far away for them to get there...
Yes, in a fairy-tale country everything is like in people. Maybe that's why we take the concerns and needs of these fictional characters so close to our hearts: it's very easy for us to understand them!
Just like adults
Yes, and children, the main characters of Lindgren's fairy tales, grow up quite early, faced with illness, hunger, want, loneliness.
Yoran from the fairy tale "In the Land Between Light and Darkness" has been in bed for a year with a sore leg, and his parents fear that he will never be able to walk again.
Bertil's sister from the fairy tale "Little Nils Carlson" died, and he himself sits at home all day long while mom and dad work at the factory.
The parents of Britta-Kaisa from the Mirabell fairy tale cannot buy their daughter the doll she dreams of.
This is completely impossible, because all the money that dad got for vegetables went to clothes, food and other necessary things.
And little Maya from the fairy tale "The Princess Who Didn't Like to Play with Dolls", giving the princess her precious and beloved doll Baby in exchange for another, argues in an adult way wisely:
Yes, she sighed, “we must also think about Kroshka’s happiness. As wonderful as it is here, I will never have her at home.
Ordinary and miracle, reality and magic, worries and joys - everything in Lindgren's fairy tales is so closely intertwined that you involuntarily believe in them, in these little nisses, elves, wizards and robbers, talking dolls and strange little men who take children to A country that doesn't exist.
imaginary friends
I don’t think that Astrid Lindgren specifically set herself such a task, but it just so happened that almost all of her fairy tales are about lonely or sick, not very happy children and their imaginary friends. Just an exemplary illustration for an article in a psychology textbook. And if a child's view of fairy tales is obvious: "Houses and elves exist!!!", then an adult (especially a psychologist) could read all these fairy tales in a different way, soberly and skeptically.
Bertil sits all day at home alone - so he came up with a friend-brown-brown, and drags doll furniture from the closet of his dead sister and plays with dolls, talking to them as if they were alive ...
Göran is bedridden – so he invents for himself an imaginary Country That Doesn’t exist, where sore legs and the inability to walk do not matter, and where Göran fulfills all his cherished boyish dreams: he flies through the air, dances well, gorges himself on caramels, drives a tram.
Gunnar and Gunilla have been ill for four weeks now and out of boredom they come up with the idea that the wooden cuckoo in the clock is not simple, but magical: it flies on business, lays golden eggs and buys presents for children for Christmas.
Lena loses a beautiful handkerchief given to her and thinks that an elf took it for a ball gown...
Barbroo feels so abandoned and unwanted since she had a younger brother that she invents an imaginary sister who lives in a magical underworld under a rose bush:
Dad loves mom the most, and mom loves my little brother, who was born last spring, the most. And Ylva-li loves only me!
Astrid Lindgren understood children well, their feelings, desires, dreams and fears. Therefore, in her stories you rarely see a carefree and happy child, her characters are more often thoughtful, a little sad, understanding the complexity of life... And even Princess Lisa-Lotta, who has everything and even more, she is also sad, sad doesn't want to play...
