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Sergei Timofeevich Aksakov (September 20, 1791, Ufa - April 30, 1859, Moscow) - Russian writer,
government official and public figure,
literary and theater critic,
memoirist, author of books about fishing and hunting.
Corresponding Member of the Imperial St. Petersburg Academy of Sciences.

Aksakov's childhood passed in Ufa and in the Novo-Aksakovo estate among the steppe nature, still little touched by civilization at that time.

The writer was born into a well-born, but impoverished family.
His father Timofei Stepanovich Aksakov was a provincial official.
He served as the prosecutor of the Verkhnezemsky court in Ufa.

Mother - Maria Nikolaevna Aksakova,
nee Zubova,
very educated for its time
and social circle woman,
in her youth was in correspondence
with famous educators N. I. Novikov and A. F. Anichkov.

Since childhood, Aksakov loved fishing,
hunting, picking berries.
Long walks in the forest or in the steppe laid in it deep,
powerful layers of impressions,
which later, decades later,
became an inexhaustible source of artistic creativity.
Little Aksakov loved to listen to the stories of the serf nanny Pelageya,
one of which subsequently processed
in the famous fairy tale "The Scarlet Flower".

In 1799, at the age of eight, Aksakov
was assigned to the Kazan gymnasium.
Since 1804, when the senior classes of the gymnasium were transformed
in the 1st year of the newly formed Kazan University,
Aksakov became a student there.

At the university, Aksakov successfully performed in amateur theater,
participated in the publication of handwritten magazines "Arkadian Shepherds"
and "Journal of our activities."
In them appeared his first literary experiments.

Without graduating from university
in June 1807 he moved to St. Petersburg,
where he served as an interpreter for the Law Drafting Commission.
However, he was more interested in artistic,
literary and theatrical life of the capital.
Aksakov meets G. R. Derzhavin, A. S. Shishkov,
tragic artist Ya. E. Shusherin,
about which he will write later
wonderful memoirs and biographical essays.

In 1811 the writer moved to Moscow.
Here he approaches the circle of now forgotten writers N. M. Shatrov,
N. I. Ilyin, S. N. Glinka and others.
A little later he meets
with a prominent theatrical figure and playwright of that era, Prince. A. A. Shakhovsky,
writer M. N. Zagoskin and playwright A. I. Pisarev.

In 1816, he marries Olga Semenovna Zaplatina, who will become not only the mistress of the house and the mother of a large family, but also a faithful assistant, confidant in her husband's literary and official affairs.

During this period, Aksakov was engaged in literary work irregularly, he was mainly attracted by translation activities.
From 1812 to autumn 1826. Aksakov mainly lives in the Nadezhdino estate, in the Orenburg province, only periodically coming to Moscow and St. Petersburg.

In 1826 the Aksakovs moved to Moscow.
In 1827-32 Aksakov acted as censor,
from 1833 to 1838 served as inspector
Konstantinovsky land surveying school,
and then the first director of the Land Survey Institute.

Aksakov's house and the Abramtsevo estate near Moscow become a kind of cultural center.
The nobility and tolerance of the owner made his doors open to adherents of various directions.

Aksakov's "Saturdays" were visited by many famous actors and writers of that time, and Gogol was there, who read his works there more than once. Gogol even celebrated his 40th birthday on April 1, 1849 at Aksakov's. Turgenev, Leo Tolstoy, Shevchenko, the Decembrist S.G. Volkonsky can be named among the guests of Aksakov.

Many works of Sergei Timofeevich talk about nature, hunting, fishing, they convey the idea of ​​the healing power of nature and the high morality of the patriarchal way of life. Aksakov himself followed this path - a wise and tolerant friend of many contemporaries, a loving father of fourteen children.
Aksakov's poems, his fables, socially accusatory feuilletons also gained fame.

Published in 1847, Notes on Fishing, brought him wide literary fame. The main place in the literary heritage of Aksakov is occupied by the autobiographical novels “Family Chronicle” (1856) and “Childhood of Bagrov the Grandson” (1858); they are adjoined by "Memoirs" (1856); “Literary and theatrical memories” (1856), “Biography of M. N. Zagoskin” (1853), “The story of my acquaintance with Gogol” (1880).

Aksakov died in Moscow (April 30), May 12, 1859, in the arms of his beloved family. He was buried in the cemetery of the Simonov Monastery in Moscow.

Reading the works of S. T. Aksakov, we can rightly say about them in the words of V. G. Belinsky: “Here is the Russian spirit, here it smells of Russia!”.

Aksakov always strove for the simplicity of the language, but at the same time he was fluent in all the riches of Russian speech.
Aksakov's books are in great demand not only in the libraries of our country. They are translated into many languages ​​- Polish, Bulgarian, German, English, Czech, Danish, etc.
S.T. Aksakov entered the history of literature as a realist writer, as a great connoisseur and connoisseur of the treasures of the Russian language.

Compiled by: Ostriychuk S. 12 years old.
Source of information: Internet.

Aksakov Sergei Timofeevich (1791-1859), writer.

Born October 1, 1791 in Ufa. Childhood passed in a patriarchal landlord environment, which had a profound influence on the formation of Aksakov's calm, benevolent worldview.

After studying at Kazan University, he entered the service in St. Petersburg, where he became close to the Conversation of Russian Word Lovers circle. It included A. S. Shishkov, I. A. Krylov, G. R. Derzhavin and other conservative writers who defended the purity of the Russian literary language against the new wave of N. M. Karamzin.

V. G. Belinsky argued that along with the “conversation” in public life, “it seemed that the Russian stubborn antiquity revolted again, which, with such convulsive and all the more fruitless tension, defended itself against the reform of Peter the Great.” The society published the journal "Reading in the Conversation of Lovers of the Russian Word", where Aksakov began to publish his translations and short stories. On June 2, 1816, the writer married O. S. Zaplatina and left for his estate in the Volga region - the village of Novo-Aksakovo, Orenburg province. There was born the first-born - Konstantin Aksakov. The father became so attached to the child that he replaced his nanny.

The main content of the life of the family was the desire to meet the high Christian ideal and the preaching of this ideal in society. The second son of Aksakov, Ivan, wrote about his mother this way: “The inexorability of duty, chastity ... disgust from everything dirty ... severe disregard for any comfort ... truthfulness ... at the same time, the ardor and liveliness of the soul, love of poetry, the desire for everything sublime - these are the distinctive properties of this wonderful woman."

In August 1826, the Aksakovs moved to Moscow, where Sergei Timofeevich soon got a job as a censor, and then became an inspector (since 1935, director) of the Konstantinovsky Land Survey Institute. For the summer, the family went to suburban estates, and in 1843 settled in Abramtsevo, near Moscow. Life in the family estate addicted Aksakov to hunting and instilled in the writer a subtle sense of native nature, which was reflected in Notes on Fishing (1847) and Notes of a rifle hunter in the Orenburg province (1852). These "hunting books" brought Sergey Timofeevich the fame of a recognized master.

Written after the story "Family Chronicle" (1856) and "Childhood of Bagrov the Grandson" (1858; as an appendix to this work the fairy tale "The Scarlet Flower" is included) are devoted to the life of three generations of provincial nobles at the turn of the 18th and 19th centuries. Far from the salon-political struggle of the 40-50s. XIX century, Aksakov spoke about the relationship between peasants and masters with calm equanimity, conveying the age-old confidence of the landowners in the immutability and justice of the serf way of life.

The literary community did not find any denunciation of serfdom in Aksakov's works. Truthfully showing even the darkest sides of the estate nobility, the author, however, did not lead the reader to the conclusion that it was necessary to break the old order of life. This is what the democratic critic N. A. Dobrolyubov blamed Aksakov for, noting in the article “The Village Life of the Landowner in the Old Years” that the writer is always distinguished by “more subjective observation than probing attention in relation to the outside world.”

Despite such criticism, the house of Sergei Timofeevich became a center of attraction for many figures of culture and art. On Saturdays, prominent scientists and writers gathered in Abramtsevo: N. F. Pavlov, N. I. Nadezhdin, M. P. Pogodin, S. P. Shevyrev, M. A. Dmitriev. Aksakov's friends were N.V. Gogol and the actor M.S. Shchepkin. Children usually were in the company of parents, elders, lived their lives. Complete mutual understanding, trust and a special atmosphere of spiritual closeness allowed the Aksakovs to raise sons who fully shared the views of their parents.

, Moscow) - Russian writer, government official and public figure, literary and theater critic, memoirist, author of books on fishing and hunting, lepidopterologist. Father of Russian writers and public figures of the Slavophiles: Konstantin, Ivan and Vera Aksakov. Corresponding Member of the Imperial St. Petersburg Academy of Sciences.

Childhood and youth

Sergei Timofeevich Aksakov came from an old but poor noble family. His father Timofei Stepanovich Aksakov was a provincial official. Mother - Maria Nikolaevna Aksakova, nee Zubova, a very educated woman for her time and social circle, who in her youth was in correspondence with famous educators N. I. Novikov and A. F. Anichkov.

Aksakov's childhood passed in Ufa and in the Novo-Aksakovo estate, among the steppe nature, still little touched by civilization. A significant influence on the formation of Aksakov's personality in early childhood was exerted by his grandfather Stepan Mikhailovich.

Novo-Aksakovo

At the age of eight, in 1799, Aksakov was assigned to the Kazan Gymnasium. Since 1804, when the senior classes of the gymnasium were transformed into the 1st year of the newly formed Kazan University, Aksakov became a student there.

During the years of his studies in Kazan (1804-1807), Aksakov participated in the publication of handwritten magazines: "Arkadian Shepherds" and "Journal of Our Lessons". His first literary experiments appeared in them - poems written in a naive-sentimental style. Karamzinism of young Aksakov did not last long and was replaced by another extreme. At this time, he read Admiral A.S. Shishkov's Discourse on the Old and New Syllabus of the Russian Language and became an ardent supporter of his literary and linguistic theory. This commitment, however, was more of an ideological and theoretical nature than a practical one, since it had little effect on the poetics and style of his literary work.

Since 1806, Aksakov took part in the activities of the "Society of Lovers of Russian Literature" at Kazan University. In June 1807 he moved to Saint Petersburg.

Memories of Aksakov's childhood and youth subsequently formed the basis of his memoir-autobiographical trilogy: "Family Chronicle" (1856), "Childhood of Bagrov-grandson" (1858), "Memoirs" (1856).

Early period of literary activity

During this period, Aksakov was engaged in literary work irregularly, he was mainly attracted by translation activities. In the city, he translates Moliere's "School of Husbands", in Sophocles' "Philoctetes" (from French), "8th Satire (On a Person)" Boileau () for Shusherin's benefit performance. A little later - Molière's comedy The Miser () and W. Scott's novel Peveril ().

Among the poetic works of that time, it is worth noting the poem "Ural Cossack" (1821), although he himself later characterized it as: "a weak and pale imitation of Pushkin's Black Shawl". In the same year, in Vestnik Evropy, he published Elegy in a New Taste, a parody of the romantic school of V. A. Zhukovsky, and the sharply polemical Message of Prince. Vyazemsky.

Despite his irregular participation in the literary and theatrical life of Moscow, Aksakov is still a rather prominent figure in it, and in 1821 he was elected to the Full Members of the Society of Lovers of Russian Literature at Moscow University.

Aksakov - censor

A serious problem for Aksakov the censor was the need to oversee the Moscow Telegraph magazine. As already noted, its publisher, N. A. Polevoy, was in many respects an ideological opponent of Aksakov and naturally suspected him of bias. In the first period of his censorship, friction regularly arose between them, and when in 1830 the leadership again entrusted him with reading this journal, Aksakov refused this, so as not to cast doubts on his objectivity.

Aksakov approached his activities as a censor with exceptional conscientiousness, paying attention not only to the content, but also to the artistic quality of the texts. He wasn't particularly stern, but he wasn't a liberal either. So, due to the unfavorable political situation, he suspended the publication of M. P. Pogodin’s “Marfa the Posadnitsa”, which he himself had previously allowed, made serious cuts to A. I. Polezhaev’s “Poems”.

In 1831, the first issue of the Telescope magazine was published, in which N. I. Nadezhdin's article "The Modern Direction of Education" was published, which caused displeasure of the authorities. Aksakov, as a censor, received a reprimand. In response, he wrote sharp explanatory letters to the head of the gendarmerie department in Moscow and to the head of the III Section, A. Kh. Benckendorff.

Aksakov received a new strict reprimand for permission to publish the article "The Nineteenth Century" by I. V. Kireevsky in No. 1 of the magazine "European". The magazine was closed.

The management's opinion about Aksakov's activities became less and less favorable. The last straw was the publication of the satirical ballad "Twelve Sleeping Watchmen" by E. Fityulkin, which he allowed, which again aroused the wrath of the emperor. In February Mr. Aksakov was dismissed from the Censorship Committee.

Theatrical criticism

Until the mid-1820s, theater criticism in the periodical press in the Russian Empire was banned. But by the end of the decade, censorship restrictions began to weaken, and of course, a passionate theater lover Aksakov immediately joined this activity, becoming one of the first Russian theater critics. In 1825, his “Thoughts and remarks on theater and theatrical art” were published in Vestnik Evropy, and from 1828 to 1830 he became a permanent theater observer for the Moscow Bulletin. Since the middle of the year, on his initiative, a special Dramatic Supplement has been published at this journal, in which he combines the activities of the author and editor. In addition, he published a number of articles in Galatea and in Molva.

Most of these publications were published anonymously or under pseudonyms, since Aksakov could not, for ethical reasons, openly combine the work of a censor and a writer. To date, probably not all of his theatrical critical works have been identified. Some literary historians, for example, suggest that the sensational series of theatrical critical articles published in Molva in 1833-1835. signed with the initials P. Sh. also belongs to his pen.

Aksakov's notes are quite simple in form and are devoted mainly to the analysis of the actors' play, their interaction and the correspondence of stage techniques to the content of the role. He pays much attention to the fight against clichés and outdated stage style, chanting. Aksakov rarely theorizes, but despite this, his aesthetic position is very definite and consistent. It is based on the requirements of "elegant simplicity" and "naturalness".

Aksakov was one of the first to appreciate the talent and importance for the Russian theater of MS Shchepkin and PS Mochalov. In the city, after a trip to St. Petersburg, he published two “Letters from St. Petersburg to the publisher of the Moscow Bulletin”, in which he gave a wonderful comparative description of the playing styles of P. S. Mochalov and V. A. Karatygin. The ideas expressed then by Aksakov were later deepened and developed by V. G. Belinsky.

Literary criticism

In the literary biography of Aksakov, the complex history of his relationship with the Moscow Telegraph magazine deserves special mention. Its publisher, N. Polevoy, represented the liberal trend in Russian journalism and was in many respects an ideological opponent of the writers' circle to which Aksakov belonged. Aksakov himself occupied the position of a sympathetic observer rather than a participant in the controversy: only a few articles on this topic are known, among which: “An answer to the anti-criticism of Mr. V. U.” (1829), “Response to Mr. N. Polevoy” (1829) “Conversation about the imminent release of the second volume of the History of the Russian People” (1830). A fact of this controversy was the demonstrative exit of Aksakov in 1829 from membership in the "Society of Lovers of Russian Literature" in protest against the election of N. Polevoy as a member of this society. In the course of the controversy with the Moscow Telegraph, Aksakov also published a Letter to the Publisher of the Moscow Herald<О значении поэзии Пушкина>"(1830). This note is remarkable in that in it Aksakov not only praised Pushkin's work during the life of the poet, but also defended him from unfair attacks of criticism.

His last literary and critical work was a small note “On the novel by Yu. Zhadovskaya“ Away from the Big Light ”published in Molva in 1857.

Aksakov - Director of the Land Survey Institute

In the 1940s, the themes of Aksakov's work underwent fundamental changes. He begins writing the Family Chronicle, and in the city he is seized by a new idea: to write a book about fishing. In the th he finishes work on it and publishes it in the th under the title Notes on Fishing. The book became an event in literary life and earned the unanimous approval of literary criticism. In the city, its 2nd edition, revised and substantially supplemented, is published, and in the city - the 3rd lifetime edition.

Encouraged by the success of Aksakov in the city, he takes up writing a book about hunting. After three years of hard work in the city, the book "Notes of a rifle hunter of the Orenburg province" is out of print.

The book also gained great popularity, the entire circulation was sold out unusually quickly. Critical reviews were even more positive than for a book about fishing. Among others, I. S. Turgenev wrote a wonderful laudatory review. However, in preparation for the 2nd edition (), Aksakov unexpectedly encountered serious opposition from censorship. Only after a tense and lengthy struggle did he manage to defend the book.

Aksakov's books about fishing and hunting were very unusual for their time. What distinguishes them from numerous manuals on this subject is, first of all, the high artistic level of the text. Each chapter of the book was a complete literary work - an essay dedicated to some element of fishing and hunting equipment, one or another type of fish or bird. Attention was drawn to poetic landscape sketches, well-aimed, witty descriptions of fish and bird habits. However, first of all, the book's success with the reader was facilitated by the author's special manner of narration, confidential, based on rich life experience, and personal memories.

In the process of working on Notes of a Rifle Hunter, Aksakov conceived the idea of ​​publishing an annual almanac: The Hunting Collection, and in 1853 he filed a petition for this with the Moscow Censorship Committee. The publication project was rejected. The reason for the ban was the general reputation of the Aksakov family as disloyal to the current government. In addition, S. T. Aksakov himself, as evidence of “ill-intentioned”, since the beginning of the 30s, a personal file was opened and regularly replenished in the III Department.

While the bureaucratic procedure in the Censorship Committee continued, Aksakov wrote more than a dozen essays and short stories about different types of hunting. As a result, after the final ban on the publication of the almanac, he compiled a collection from ready-made materials and published in the city: “Stories and memories of a hunter about different hunts”.

Aksakov and later, almost until his death, did not leave this favorite topic of his, occasionally publishing small essays in the periodical press: “Explanatory note to the Falconer's Way Officer” (), “Remarks and observations of a hunter to take mushrooms” (), “Several words about early spring and late autumn harvest ”() and etc.

Memoir-autobiographical trilogy

Drawing from Aksakov's album

The history of writing the "Family Chronicle" stretched for almost a decade and a half. The beginning of work on it refers to the th year. But soon Aksakov was distracted from her by writing notes about fishing and hunting. Although he did not stop thinking about a large memoir, work on it was resumed only in the city of St.

As it was being written, the book was published in parts in periodicals: a small episode from it appeared back in the year in the Moscow Literary and Scientific Collection. After 8 years, the first "excerpt" - in " Moskvityanin" (), the fourth - in " Russian conversation" () and the fifth - in " Russian messenger" (). In parallel, Aksakov worked on "Memoirs", which in 1997 under one cover, together with the first three passages of the "Family Chronicle", were published as a separate book. In the same year, Aksakov added the remaining two passages to the 2nd edition, and the Family Chronicle finally takes its finished form.

In preparing the book for publication, Aksakov again encountered censorship difficulties, especially with regard to the excerpts "Stepan Mikhailovich Bagrov" and "Mikhail Maksimovich Kurolesov." But much more painful for Aksakov was the need for the resistance of many relatives, who feared public disclosure of the shady sides of family life, any secrets and troubles, was much more painful for Aksakov. Many of the persons mentioned were still alive, many internal conflicts were still acute. As a result, Aksakov was forced to either keep silent about many events or mention them in passing, in a hint. Largely due to the same reasons, Aksakov did not finish the story “Natasha” thematically adjacent to the “Family Chronicle” (). As a result, a compromise solution was found: to refuse a detailed story about some events and replace the real names of the characters with fictitious ones.

The Family Chronicle consists of five passages. The first passage is devoted to describing the life of the family after moving to new lands in the Ufa vicegerency. The second tells the dramatic story of the marriage of Praskovya Ivanovna Bagrova. The history of marriage and the first years of the family life of the author's parents. As a result, from the narratives, heterogeneous both in theme and style, a surprisingly complete picture of the provincial noble life of the late 18th century is formed.

The events described in Aksakov's "Memoirs" took place in the period from 1801 to 1807, during his studies at the Kazan gymnasium and the University. Unlike the "Family Chronicle", the material for which was mainly the oral stories of relatives and friends, this work is built almost entirely on the basis of Aksakov's personal memoirs. Thematically, it also differs from it. The family theme recedes into the background, and the plot development is built around the problems that inevitably arise during the growing up of the teenage hero.

From 1854 to 1856 Aksakov is concentrating on writing "Childhood years of Bagrov-grandson". The book was published in its entirety at once, only a small excerpt was published a year earlier in periodicals. The chronology of its plot fills in the "gap" between the end of the "Family Chronicle" and the beginning of "Memoirs", and covers the period of Aksakov's biography from 1794 to 1801. , as they grow older, change his worldview.

As an appendix to the Childhood Years of Bagrov the Grandson, Aksakov published the fairy tale The Scarlet Flower. (The Tale of the Housekeeper Pelageya). This literary adaptation of the well-known story about the beauty and the beast, subsequently published separately, became, probably, the most popular and frequently published work of Aksakov.

The developed descriptive-memoir style was reflected even in Aksakov's correspondence. Eg. his letter to V. I. Bezobrazov is essentially a memoir about another famous memoirist D. B. Mertvago.

Aksakov and Gogol

Aksakov met Gogol in 1832. This acquaintance can be called fateful without exaggeration, since it was Gogol's influence as a writer that was one of the most important factors that predetermined the entire direction of Aksakov's mature work. In the history of their relationship, long periods of close communication alternated, and vice versa, mutual misunderstanding. At the same time, Aksakov was one of the first who not only appreciated Gogol's talent, but saw in him a great writer.

Gogol's death was a great shock to Aksakov. Almost immediately he published in Moskovskie Vedomosti "A letter to Gogol's friends" (

The clan of Aksakovs or Oksakovs, as they were called in the old days, was ancient and ascended to a noble Varangian who moved to Rus' in the 11th century with his squad. Among the Aksakovs were boyars, governors, generals, but the most famous was the name of Sergei Timofeevich Aksakov, a Russian writer.
Seryozha Aksakov was a very gifted boy. At the age of four, he already read well, and at the age of five he recited the poems of Sumarokov and Kheraskov by heart, retelling in his own way and even playing out the tales of "A Thousand and One Nights."
Aksakov was fond of literature and theater both in his student years at Kazan University and in the first years of service in St. Petersburg. Later, having already moved to Moscow, being a censor of the Moscow Censorship Committee and an employee of the Moskovsky Vestnik magazine, he became a famous theater critic and was the first to appreciate the talent of M.S. Shchepkin and P.S. Mochalov.
Sergei Timofeevich realized his literary vocation very late and wrote his first books when he was already well over fifty. At that time, S.T. Aksakov was the father of a large and friendly family, the hospitable owner of the house, where all the literary, theatrical and musical Moscow gathered. Friends (and among them were N.V. Gogol, M.N. Zagoskin, I.S. Turgenev, young L.N. Tolstoy) admired the stories of Aksakov Sr. about Russian antiquity, about family traditions, about the beauty of the land that he , a passionate hunter and fisherman, knew better than anyone.
To the invention of the author "the soul did not lie", and therefore in his books S.T. Aksakov simply told about what he knew and loved best of all. “Notes on Uzhenie” (1847) and “Notes of a Rifle Hunter of the Orenburg Province” (1852) captivated readers and critics with the accuracy and subtlety of observations of the life of nature and the poetic nature of the language.
Anyone who wants to know what Russia was like in the old days should read the books by S.T. Aksakov "Family Chronicle" (1856) and "The Childhood Years of Bagrov the Grandson, Serving as a Continuation of the Family Chronicle" (1858).
The writer, without inventing anything, slowly and simply tells about the history of his family. About how freely people once lived in the Ufa steppes, how bright and transparent the rivers were, how fresh and green the forests were, and how the nightingales sang all night long in the spring, not letting them fall asleep ... People also lived in harmony with God's whole world - the old Russian district nobility who knew a lot about work, and fun, and in every business.
In the appendix to "Children's Years ...", the fairy tale "The Scarlet Flower" was given - perhaps the most kind and wise of all fairy tales written in Russian.
Fate left Aksakov quite a bit of time for creativity. Health was leaving, eyes were weakening (I had to dictate). On the other hand, inner vision became brighter, language became more and more flexible and expressive.
S.T. Aksakov died without completing everything he had planned. But what he did was enough. He was loved by his contemporaries and loved by his descendants. Everyone who reads his books gains peace of mind and joy. And the more time passes, the stronger the anxiety for the fate of the Earth and people, the more valuable Aksakov’s word is for us and his advice is more important:

From a message to M.A. Dmitriev, 1850

Margarita Pereslegina

WORKS OF S.T.AKSAKOV

COLLECTED WORKS: In 3 volumes - M .: Khudozh. lit., 1986.
Everyone knows S.T. Aksakov - "singer of native nature" and storyteller. But few people know his most interesting Literary and Theatrical Memoirs, which sound unexpectedly modern now that the Russian theater is 250 years old. Do not miss also the "History of my acquaintance with Gogol", which contains not only memories of the great friend of Sergei Timofeevich, but also correspondence with him. And therefore - read all three volumes from cover to cover.

SCARLET FLOWER: The Tale of the Housekeeper Pelageya // Tales of Russian Writers. - M.: Reading Circle, 2001. - S. 64-89.

SCARLET FLOWER: The Tale of the Housekeeper Pelageya / Foreword. A. Sharova; Rice. L. Ionova. - M.: Det. lit., 1985. - 32 p.: ill.
“In a certain kingdom, in a certain state, there lived a rich merchant, an eminent person.
... and that merchant had three daughters, all three beauties are hand-written, and the smallest is the best ... "
A merchant met overseas for business and promised each of his daughters the gift she wanted. And the smaller, the most beloved, - "A little scarlet flower, which would not be more beautiful in this world ..."

CHILDHOOD YEARS OF BAGROV-GRANDSON; THE SCARLET FLOWER. - M.: AST: Olimp, 1998. - 553 p. - (School of the classics: Book for student and teacher).

CHILDHOOD YEARS OF BAGROV-GRANDSON: Tale / Khudozh. A. Itkin. - M.: Det. lit., 2001. - 349 p.: ill. - (School library).
Aksakov's memory preserved all the events of his childhood: from the first infancy to the time of early adolescence. The love and caress of the mother, the “hunting trips” with the father, all the sounds, smells and colors of the steppe region live in the book, as if two centuries had not passed since then ...

STORIES ABOUT NATIVE NATURE / Intro. Art. N. Pakhomova; Rice. G. Nikolsky. - M.: Det. lit., 1988. - 142 p.: ill.
An early essay by S.T. Aksakov "Buran", chapters from the story "Childhood of Bagrov-grandson", chapters from "Notes on catching fish" and "Notes of a rifle hunter of the Orenburg province" are very good for a first acquaintance with the writer's prose.

FAMILY CHRONICLE; CHILDHOOD YEARS BAGROV-GRANDSON / Entry. Art. A. Khomyakova; Artistic I. Falaleev. - M.: Novator, 1996. - 387 p.
The "Family Chronicle" tells about two generations of the Aksakov family, called Bagrovs here, with their children and household members, peasants and courtyards. At the end of the 18th century, family traditions, the way of life of the Russian estate were still majestic and unshakable. The author conveyed priceless details of antiquity carefully and lovingly.

Margarita Pereslegina

LITERATURE ABOUT THE LIFE AND CREATIVITY OF S.T.AKSAKOV

Abramtsevo: State. ist.-art. or T. museum-reserve. - M.: Sov. Russia, 1981. - 217 p.: ill.

Aksakov Sergey Timofeevich // Theatre: Encyclopedia. - M.: OLMA-PRESS, 2002. - S. 12-13.

Arzumanova O. Abramtsevo of Aksakov's time // Museum-Reserve "Abramtsevo": Essay-guide. - M.: Depict. art, 1984. - S. 15-72.

Bogdanov V. Formation of man // Aksakov S. Childhood years of Bagrov-grandson; Garin-Mikhailovsky N. Childhood of Tyoma; Stanyukovich K. Stories; Mamin-Sibiryak D. Stories. - M.: Det. lit., 1994. - S. 3-13. - (B-ka world lit. for children).

Voitolovskaya E. S. T. Aksakov in the circle of classic writers: Doc. essays. - M.: Det. lit., 1982. - 220 p.: ill.

A brief chronicle of the life and work of S.T. Aksakov; Materials for the biography of S.T. Aksakov; Criticism about the work of S.T. Aksakov // Aksakov S. Childhood years of Bagrov-grandson; The Scarlet Flower. - M.: AST: Olimp, 1998. - S. 356-482.

Mann Yu. Aksakov Sergey Timofeevich // Russian Writers: Biogr. Dictionary: In 2 volumes - M .: Education, 1990. - T. 1. - S. 22-24.

Mann Yu. Aksakov family: East.-lit. feature article. - M.: Det. lit., 1992. - 384 p.

Mashinsky S. S. T. Aksakov: Life and work. - Ed. 2nd. - M.: Artist. lit., 1973. - 575 p.: ill.

Nizovsky A. Abramtsevo // Estates of Russia. - M.: Veche, 2005. - S. 3-9.

Pakhomov N. Sergei Timofeevich Aksakov // Russian Writers in Moscow. - M.: Mosk. worker, 1987. - S. 147-165.

Sokolov-Mikitov I. Word of honor // Sokolov-Mikitov I. Sobr. cit.: In 4 volumes - L .: Khudozh. lit., 1987. - T. 4. - S. 214-219.

Starodub K. Aksakov Sergey Timofeevich // Starodub K. Literary Moscow: Historical Local History. encyclopedia for schoolchildren. - M.: Enlightenment, 1997. - S. 17-19.

Sharov A. Sergey Timofeevich Aksakov // Sharov A. Wizards come to people. - M.: Det. lit., 1985. - S. 21-49.

M.P.

SCREENSING OF THE WORKS OF S.T.AKSAKOV

- ART FILMS -

Scarlet Flower: Based on the fairy tale of the same name by S.T. Aksakov. Scene. N. Ryazantseva. Dir. I. Povolotskaya. Comp. E.Denisov. USSR, 1977. Cast: L. Durov, A. Demidova, A. Abdulov and others.
The Tale of the Merchant's Daughter and the Mysterious Flower: Based on the fairy tale by S.T. Aksakov "The Scarlet Flower". Dir. V. Grammatikov. Comp. A. Muravlev. USSR-Germany-Denmark, 1991. Cast: E. Temnikova, R. Shegurov, L. Ovchinnikova, I. Yasulovich and others.

- CARTOONS -

Scarlet Flower: Based on the fairy tale of the same name by S.T. Aksakov. Scene. G. Grebner. Dir. L. Atamanov. Comp. N. Budashkin. USSR, 1952. Voiced by: S. Lukyanov, A. Konsovsky and others.