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[Verse 1, Tony Routh]:
The Batmobile rushes through Gotham
I lead from the cradle to the graves.
We roll down the windows.
Listen, sit down! I'm covered in your blood.
Outcome one:
Our visit is an avalanche.
I decided to run away, although I dared to look!
I'll take the smile off their pale faces.
Meet Raut, the world needs a villain!
The world was created in seven days! Raut destroys in a day.
We do not bring joy, only horror and decay.
I congratulate you, as a gift to you a lot of problems!
[Transition]:
Chorus:
Dance on the bones! Dance on the bones!
And destroying this world - I will dance on the bones!
[Verse 2, Tony Routh]:
I broke hearts, kicked everyone's ass (ass, ass, ass)
I took life lessons, can I ask for a certificate?
We break down the door, the executioners are in the building.
This is a gang of Rauta-mother honest!
Please don't, they started begging right away!
How you ended up here, only the doctors know.
To hell with good, let's go to the side of evil!
Moralists will be burned and fed to dogs.
The whole city is already tired of your kind words.
I'm ready to finish with all this, the trunk is at the temple, - pow!
[Transition]:
Bitches, bitches, bitches, bitches, bitches! Rout is a pop?
Your bodies are at the feet and I will give a concert on the corpses.
To the count of all, bitches! I paint on canvas with blood
And destroying this world I will dance on the bones!
Chorus:
Dance on the bones! Dance on the bones!
Dance on the bones! Dance on the bones!
Ta-dance on the bones! Ta-dance on the bones!
Ta-dance on the bones! Bitches! Dance on the bones!
And destroying this world - dancing on the bones!
And destroying this world - I will dance on the bones!
I dance on the bones! I dance on the bones!
And destroying this world - I will dance on the bones!
About the song Tony Routh - Dance on the bones
- Back in the summer, Tony Raut officially announced that he was recording a joint album with the Kyiv musician Fadi Talibal. Already in September, the Artists presented the title track "BAD Pazific" and the film adaptation on it (here, if you are a real fan, you should hear the fashionable "E, fight!"). The fourth of October was the starting point for the fan bases, because on this day the snippet of the upcoming release was officially posted! There are 11 new collaborative tracks on the record, and no one else on the guest verses! A completely new sound on the tape immediately appealed to all admirers of creativity, while the presentation style of the Performers also got used to some changes. Unlike previous releases, here you can hear absolutely danceable tracks, for example: "Dance on the bones". That's all for now, let's wait for the official presentation. Traditionally, we invite you all to read the lyrics of the song, take part in the analysis and point out any mistakes! Come in!
"Dancing on the bones"- a documentary film of 2015, the result of the work of a Ukrainian journalist from Nikolaev Andrey Prokopenko.
Plot
filming
For 1 month of filming, the author of the film visited several settlements in Ukraine, which are located in the area of archaeological sites. Prokopenko literally followed in the footsteps of the robbers, who left behind hundreds of pits, destroying both the archaeological fund and the natural fund of the state. In addition, the author of the film received comments from contemporary archaeologist Alexander Smirnov about the difficult situation with the protection of archaeological sites in Ukraine.
Premiere
The film premiered on September 26, 2015, during the Citizen Projector Short Film Festival. On the same day, the jury, which included the general director of the Kiev International Film Festival "Molodist" Andrey Khalpakhchi and Ukrainian film director Mikhail Ilyenko, awarded the film 3rd place in the short documentary film competition.
Copyright
The film is distributed free of charge. The film was created with an instructive mission to influence local residents and robbers who destroy the archaeological fund of the state.
Write a review on the article "Dancing on the Bones"
Links
- on YouTube
- (Russian)
- (Russian)
- (Russian)
see also
An excerpt characterizing Dancing on the Bones
She approached him and stopped. He took her hand and kissed it.– Do you love me?
“Yes, yes,” Natasha said as if with annoyance, sighed loudly, another time, more and more often, and sobbed.
– About what? What's wrong with you?
“Oh, I’m so happy,” she answered, smiled through her tears, leaned closer to him, thought for a second, as if asking herself if it was possible, and kissed him.
Prince Andrei held her hands, looked into her eyes, and did not find in his soul the former love for her. Something suddenly turned in his soul: there was no former poetic and mysterious charm of desire, but there was pity for her feminine and childish weakness, there was fear of her devotion and gullibility, a heavy and at the same time joyful consciousness of the duty that bound him forever with her. The real feeling, although it was not as light and poetic as the former, was more serious and stronger.
“Did maman tell you that it couldn’t be before a year?” - said Prince Andrei, continuing to look into her eyes. “Is it really me, that child girl (everyone said so about me) thought Natasha, is it possible that from now on I am a wife, equal to this strange, sweet, intelligent person, respected even by my father. Is that really true! Is it really true that now it is no longer possible to joke with life, now I am big, now responsibility for all my deeds and words lies on me? Yes, what did he ask me?
“No,” she answered, but she did not understand what he was asking.
“Forgive me,” said Prince Andrei, “but you are so young, and I have already experienced so much life. I'm scared for you. You don't know yourself.
Natasha listened with concentrated attention, trying to understand the meaning of his words, but did not understand.
“No matter how hard this year will be for me, postponing my happiness,” continued Prince Andrei, “during this period you will believe yourself. I ask you to make my happiness in a year; but you are free: our engagement will remain a secret, and if you are convinced that you do not love me, or would love ... - said Prince Andrei with an unnatural smile.
Why are you saying this? Natasha interrupted him. “You know that from the very day you first came to Otradnoye, I fell in love with you,” she said, firmly convinced that she was telling the truth.
- In a year you will recognize yourself ...
- A whole year! - Natasha suddenly said, now only realizing that the wedding was postponed for a year. - Why is it a year? Why a year? ... - Prince Andrei began to explain to her the reasons for this delay. Natasha didn't listen to him.
- And it can not be otherwise? she asked. Prince Andrei did not answer, but his face expressed the impossibility of changing this decision.
- It's horrible! No, it's terrible, terrible! Natasha suddenly spoke up and sobbed again. “I’ll die waiting for a year: it’s impossible, it’s terrible. - She looked into the face of her fiancé and saw on him an expression of compassion and bewilderment.
“No, no, I’ll do everything,” she said, suddenly stopping her tears, “I’m so happy!” The father and mother entered the room and blessed the bride and groom.
From that day on, Prince Andrei began to go to the Rostovs as a groom.
There was no betrothal, and no one was announced about Bolkonsky's engagement to Natasha; Prince Andrew insisted on this. He said that since he was the cause of the delay, he must bear the full burden of it. He said that he had forever bound himself with his word, but that he did not want to bind Natasha and gave her complete freedom. If in six months she feels that she does not love him, she will be in her own right if she refuses him. It goes without saying that neither the parents nor Natasha wanted to hear about it; but Prince Andrei insisted on his own. Prince Andrei visited the Rostovs every day, but not like a groom treated Natasha: he told her you and only kissed her hand. Between Prince Andrei and Natasha, after the day of the proposal, completely different than before, close, simple relations were established. They didn't seem to know each other until now. Both he and she loved to remember how they looked at each other when they were still nothing, now they both felt like completely different beings: then pretended, now simple and sincere. At first, the family felt awkward in dealing with Prince Andrei; he seemed like a man from an alien world, and Natasha for a long time accustomed her family to Prince Andrei and proudly assured everyone that he only seemed so special, and that he was the same as everyone else, and that she was not afraid of him and that no one should be afraid his. After a few days, the family got used to him and did not hesitate to lead the old way of life with him, in which he took part. He knew how to talk about housekeeping with the count, and about outfits with the countess and Natasha, and about albums and canvases with Sonya. Sometimes the family Rostovs among themselves and under Prince Andrei were surprised at how all this happened and how obvious the omens of this were: both the arrival of Prince Andrei in Otradnoye, and their arrival in Petersburg, and the similarity between Natasha and Prince Andrei, which the nanny noticed on the first visit Prince Andrei, and the clash in 1805 between Andrei and Nikolai, and many other omens of what happened, were noticed at home.
Long before Beatlemania, long before Elvis dances, which the public initially considered indecent, much more serious "weird dances" drove people crazy. What is true, then it was not just hysteria, but real madness, which was akin to a real epidemic. People danced so furiously and for so long that often at the end of the dance they simply fell dead.
This phenomenon has been called the "dance of St. Vitus," or choreomania. Many cases have been recorded throughout Europe, but the earliest is in the 7th century. Choreomania could start with one person who started dancing, even though there was no music, then more and more people joined him, and they continued to move together, being in a trance for several hours, days, sometimes weeks and even months. The longer the dance lasted, the more severe were the consequences. Sometimes the dancers simply fell and instantly fell asleep, and when they woke up they returned to their usual state. It was not possible to force the dancers out of their trance state. Those around had to wait for them to complete their movements on their own. Heart attacks, strokes, dehydration, overwork, hunger - this is an incomplete list of the reasons that in the end could really stop the dancers. And in most cases, these causes led to death.
One of the most famous episodes of the dance of St. Vitus is the story that took place in the German city of Erfurt in 1237. Then the choreomania struck a group of children who went to the nearest town 20 km away, and who danced frantically the whole way, and upon arrival at their destination, fell dead from overwork. It is believed that this story later formed the basis of the tale of the Pied Piper of Hamelin.
Unambiguous. At that time, the Catholic Church considered the dancers either possessed by the devil, or victims of the curses of St. John or St. Vitus. Sometimes the dancers were accused of heresy, as if they practiced their prayers to non-existent gods in this way, disguising themselves as an incurable disease. The German Justus Friedrich Karl Hecker, who published The Black Death and Dancemania in 1888, compiled an impressive list of such occurrences, and linked plague and choreomania together. According to his theory, the plague led to a kind of collective insanity, which was either a separate symptom of the disease, or a reaction of people to the numerous deaths around.
In 1374, several thousand people were subjected to choreomania in Aachen. People danced for several weeks, some of them complained of chest pains, but could not stop. Then an outbreak of choreomania occurred in the Dutch city of Utrecht and the Belgian city of Liege. Around the same time, in the French city of Metz, 11,000 residents immediately underwent choreomania. In order to somehow alleviate the fate of the dancers, the musicians began to play music, and the sick themselves were taken to a special place where no one would disturb them. But even this large-scale action was not the last - in 1518 in Strasbourg, France, it began, in which more than 400 people participated. “These people were not just convulsing. Although they were clearly under some kind of spell, their legs and arms moved as if they were really dancing to the music,” writes an eyewitness historian from France.
Of course, drug intoxication can also be one of the explanations. Thus, some blame choreomania on the ergot fungus that infects rye and wheat. Ergot contains a large amount of alkaloids, which, if eaten, can cause convulsions and prolonged muscle spasms, and in some cases death. Other researchers consider epilepsy, encephalitis and typhoid to be the cause of choreomania. In Italy, this phenomenon was called tarantella and was associated with spider bites. However, although there is no definite explanation, experts agree that these cases are not fiction - there is too much documentary evidence. However, fortunately, the phenomenon of St. Vitus' dance disappeared on its own, simultaneously with the disappearance of the plague.
