Young beautiful soulful face and sad eyes. In the memory of her family and those who knew her closely, Tatyana Snezhina remained forever young. This girl had many talents - she was a poetess, singer and composer. Snezhina simply did not have time to become famous during her lifetime, she received wide popularity after her death. Many of her songs have entered the repertoire of Russian pop stars. Music written by Tatyana Snezhina is often heard in films, domestic and foreign. The composition "Call me with you", which she performed, is still very popular. For three years, from 1997 to 1999, the young poetess and composer was posthumously recognized as the laureate of the Song of the Year award.
Childhood
The real name of the untimely departed poetess Tatyana Snezhina is Pechenkina. She was born in Voroshilovgrad (Ukraine) on May 14, 1972. Her father was a military man, at the time of the birth of his daughter, Valery Pavlovich wore shoulder straps of a senior lieutenant. Mom, Tatyana Georgievna, worked as a technologist at a local factory. The Pechenkin family raised two children, Vadim and Tanya. The girl was only three months old when her father was transferred to a new duty station. The family moved to Kamchatka. On this snow-covered peninsula with smoking volcanoes, they lived for almost ten years.
In her memoirs of childhood, Tatyana wrote that her first impressions of life were melodious Ukrainian melodies pouring from the radio and mother's affectionate lullaby. In Kamchatka, it was also not bad at all, the girl remembered well how much joy the pristine nature of the peninsula brought her. It was especially good in the evenings, when the day's bustle ended, and there was time to listen to the birch logs crackling cheerfully in the stove, and mother's gentle hands fluttering over the keys, giving birth to a beautiful melody.
Attentive parents quickly discovered that they had a talented daughter. When the girl grew up a little, her mother began to teach her music.
At the age of four, Tanya already arranged concerts for her family, sang, danced, recited poems of her own composition.
In Petropavlovsk-Kamchatsky, the girl went to school. When Tanya was ten years old, her father received a new appointment, the family moved to Moscow.
Moving to the capital was not easy for a sensitive girl, her friends and first love remained thousands of kilometers away. In the evenings, after all the lessons were done, she poured out her thoughts and feelings about the bitter separation on paper. Over time, Tatyana got used to life in the capital, began to write poems not only about sad things, but also about exploits, about love for the Motherland. Her work of this period is a fusion of youthful romanticism with philosophical reflections on life.
Despite her obvious penchant for creativity, she chose the profession of a doctor at an early age. After graduating from high school, the girl entered the Second Medical Institute. She diligently mastered difficult science, and was engaged in creativity. It was here that Tatyana first had her own audience, she sang a lot for classmates. The students recorded these compositions on cassettes and distributed them among their friends, relatives and acquaintances. Tatyana was never ambitious, she did not consider this period the beginning of her creative career. She just needed to share the light energy of her songs with her friends, and she did it with pleasure.
Creation
So two years passed, then Valery Pavlovich was transferred to a new duty station, to Novosibirsk. And again - separation from friends, from the usual way of life. Sadness over the past gives impetus to a new round of creativity. Tatyana transferred to a local medical university, began to actively participate in song contests. She wanted to record her first solo album. Colleagues from the metropolitan music studio KiS-S, whom the singer met by chance, helped her with this. In 1994, the young performer recorded her first album called Remember with Me. The singer included 21 songs in the collection, among which was the composition “Call me with you.” That year was generally very successful for Tatyana, in addition to recording the disc, she first performed at the Moscow Variety Theater.
Tatyana Snezhina The girl was a success, then a lot was said about the work of the young singer on Radio Russia. It was at this time that she decided to take a creative pseudonym for herself, became Tatyana Snezhina. After a successful streak, a period of disappointment began. She had to finish her studies, and at the same time work on the creation of the second album. Tatyana seemed to be in a hurry to live, trying to do as much as possible. But the quality of the second album, on which a whole year of hard work was spent, left much to be desired. The singer could not expose an imperfect work to the court of fans. She began to look for a new team to implement her creative projects.
After some time, she met Sergei Bugaev, the head of the Studio-8 youth association, which is engaged in the development of underground rock music. The songs of the young performer touched his soul, and he himself will offer cooperation to Tatyana. Together they recorded a new song by the singer "Musician". The arranger of Sergey Bugaev's studio recalls that it was very easy to work with the material of this performer. It was so perfect that it almost did not need processing.
During this period, as always, Snezhina lived a very active life. She studied at the university, studied choreography, took vocal lessons. Her life was scheduled for years to come, at the end of 1995 the singer's magnetic album, several video clips should be released, a year later the girl planned to release a CD.
With such a busy schedule, she always found time for poetry. She wrote always and everywhere - on napkins in cafes, in transport, at lectures in her student notebooks, in the library. When Sergei Bugaev got acquainted with the work of the poetess, he said that she would have enough material for compositions for twenty years. But Tatyana no longer had this time.
On August 18, 1995, Snezhina and Bugaev presented their new project to the audience. It was here, at the performance, by some intuition, that the singer performed two of her unannounced compositions. These were the songs “If I die ahead of time” and “My Star”, the text of which turned out to be prophetic. Sometimes researchers of Snezhina's work reproach the poetess for having too many sad, and even tragic poems with which she "called" trouble.
These people seem to forget that creative people very subtly feel the vague approach of negative events, and they try to warn their loved ones about them. Tatyana herself always suffered because some Russian poets and singers were given such a short life. She was very fond of creativity, Vysotsky, considered their departure too early. Death, whom Snezhina idolized, was a real shock for the poetess.
Personal life
Sergey Bugaev and Tatyana Snezhina were very passionate about each other, on September 13, 1995 they planned their wedding.
Cause of death
The tragic death of a young poetess is often called ridiculous. She died in an accident, on the rise of her career, young and beautiful, next to her loved one. On August 19, Sergei, having asked his friends for a Nissan minibus, together with Tatyana and friends went to Altai. The purpose of the trip was very ordinary, young people wanted to buy good honey and sea buckthorn oil.
Two days later, the group of travelers returned home. A minibus collided with a MAZ truck on the Chuisky tract. All six people on the bus have died. Sergei and Tatyana were buried in Novosibirsk, wearing wedding dresses. Later, the body of Snezhina was reburied by her parents at the Troekurovsky cemetery in the capital.
About Tatyana Snezhina
Along the evening street of a quiet Ukrainian city, with a flying gait, periodically turning into a cheerful jump, hurrying home from a music school, a beautiful blond girl of about twelve was walking home. When her legs on their own, as if having found non-existent "classics" on the hot asphalt after the summer sun, began to jump, the girl frowned her blond eyebrows, as if condemning her legs for "impermissible frivolity." A warm breeze with the aromas of park roses gently, as if in a friendly manner, urged her on the back. She was in a hurry, not because the streets were rapidly darkening and this frightened her, but because the time for the long-awaited "evening performance" was coming. I must say that in the one-room apartment where she lived with her father, mother and younger brother, her "corner" was special. And it was not about the beautiful openwork bedspreads woven by her grandmother, and not about grandfather's pre-war bookcase with piles of interesting books - a large black radio hung over the bed, and evening radio shows were an integral pleasant part of her girlish world. The girl made it just in time and, having salted a crust of fragrant bread, having previously dipped it in sunflower oil, climbed onto the bed cover with her legs, tucking them under her, prepared to listen. The radio show was as interesting as always, but after so many years it is impossible to remember now what it was about. However, this does not matter ... But what happened after the performance was not just remembered for a lifetime - it stuck in my memory for many decades. After listening to the performance, the girl, lulled by soft pillows and the chirping of crickets rejoicing in the darkness of the night, looking out the window at the southern starry sky, began to think about life, dream about who she would become when she grew up ... She was an excellent student, a favorite of her parents, a neat and simple good child. Therefore, dreams carefully picked up and carried her fantasy into the bright distances of future times ... But then in her head, even for a moment, it seemed that the radio turned off at midnight came to life, a clear voice rang out: “You won’t become anyone. But you will have a child who will be known All". It was 1958. The girl's name was Tanya. In 1972, she will have a daughter, also named Tanya, whom the world will later recognize as Tatyana Snezhina.
Tatyana Snezhina's mother will tell this story to her family more than three decades later. For a long time she did not dare to do this, believing that the prophecy concerns her first-born son Vadim, because in a military family men become "known to everyone" only by performing a feat, often posthumously. Only once, when she suddenly realized that her "child" was known to unexpectedly many people, thanks to her poems and songs, when she saw a talented poetess and composer in her daughter, only then fear let her go regarding her son's fate and she shared this secret with a family. If only she knew… However, that would be later. For now…
My star, do not shine in sorrow,
Do not bare my soul in front of everyone,
Why should everyone know that you and I were married
And heavenly hell, and immaculate sin.
She sang, and it is not known who was more shocked - the public or those who, working with Tatyana, long and stubbornly rejected this side of her talent. One can only imagine how this would have affected the further creative plans of her team. In three hours Sergei and Tatyana will leave, and the last thing the public will hear from her lips will be the words of the romance:
If I die prematurely
Let the white swans carry me away
Far, far, to an unknown land,
High, high, in the sky bright ...
August 18, 1995 at 17:00 they and their friends went on a pre-wedding trip to the Altai mountains. The last of the relatives who saw their mutual happiness was Tanya's mother, when she watched a small minibus from the window of her house. If we all knew then that he was taking them away forever ... All that we know about what happened is from the mean police reports and testimonies of witnesses: "I collided with a MAZ truck. As a result of this traffic accident, all six passengers of the minibus died without regaining consciousness." Among them was Tatyana. Thus, a beautiful twenty-three-year-old girl, a talented poetess and composer, Tatyana Snezhina, tragically passed away. During her difficult but bright life, she succeeded in writing more than 200 songs, a large number of poems and works of prose. Years go by, her songs are sung by dozens of Russian and foreign pop stars, simple performers. Who does not know now the famous words "Call me with you ..."? Books, music albums are published, literary readings and music competitions are held, talented writers are awarded a prize in her name. The army of fans of her work is growing, she is quoted, poems and songs, programs and films are dedicated to her, websites are created, a street is named in her honor and a monument is erected in the city center, one of the mountain peaks of Dzhungar Alatau in Kazakhstan, conquered by Russian climbers, bears her name . But the main thing is that her soul is with us, in her works, and the memory of her is in our souls. And I want to believe in the prophecy of Tatyana Snezhina in "Antol" - she will return ...
Vadim Pechenkin
Winter 2012, Moscow
Singer and composer
AUTOBIOGRAPHY
The most precious memories of any person are memories of his childhood, father, mother, about that carefree and joyful perception of the world, which will never happen again.
I was born in Ukraine, and my first impressions of life were melodic Ukrainian tunes from the radio near the crib and my mother's lullaby. I was not even half a year old when fate transferred me from a warm, fertile region to the harsh land of Kamchatka. The pristine beauty of Nature... Gray-haired volcanoes, snow-covered hills, the majestic expanse of the ocean. And new children's impressions: long winter evenings, the howling of a snowstorm outside the window, the crackling of birch logs in the stove and gentle mother's hands, giving birth to unforgettable Chopin melodies.
Our old piano... I sometimes look at it, and it seems to me that it has been a member of the family all these years, rejoiced and saddened, hurt and recovered with me. I did not yet know how to speak, but, striking the keys with my childish fingers, I tried to show the world around me my feelings and thoughts.
Then, in three or four years, the first "variety" performances. Mom's cosmetics, mom's skirt and something from the repertoire of the 70s. Remember: "Ah Arlekino, Arlekino ..." or even better "Black eyes ...". And, of course, thunderous applause from guests and parents who are in love with their child. Towards the end of the "concerts" - the first nursery rhymes. In a word - Childhood.
Then school and a new move, this time to Moscow. And the first conscious shock in life is the loss of friends who remained behind a thousand insurmountable kilometers, in that harsh and beautiful land. And to replace the joyfully playful children's stanzas about "worms and insects" in the head, along with nightly tears for first love, "which is there, far away, in a distant and harsh land," sad and at the same time lyrical lines began to come. They could not yet be called poems, they ... were, perhaps, those grains that were destined to germinate later. And the soil was nourished by volumes of Tsvetaeva, Pasternak, Heine, slipped imperceptibly by the caring hand of an older brother who saw and understood everything.
Other people's poems, other people's songs, girlfriend Lena, evenings turning into night at the piano, it's all in public, and at night secretly your own - in a notebook, bad, but your own. And later, the first listener is my mother, the person closest to me, and her tears, tears of joy and sadness. Only then did I realize that what I had nurtured and concealed for many years could evoke feelings not only in me. And gradually the circle of people whom I began to trust, to talk about the most intimate, personal, began to expand. But that was later, when I entered the 2nd Moscow Medical Institute. I don’t know if it was possible to talk about creativity even then, it’s not for me to judge, but I lived it, I just made up for inner loneliness, I longed for something beautiful and ... unrealizable, and people liked it. Student evenings with friends at the club piano became frequent, one of them imperceptibly recorded what I sang and played on a tape recorder, and the cassettes began to disperse among acquaintances, friends, relatives. It was my first, and therefore the most expensive edition, the first joy of creative satisfaction. I couldn’t even believe right away that what I wrote for myself was needed by someone else. The old pain gradually subsided, new friends appeared, in short, there were no boundaries to happiness and carelessness ...
And then HIS death. The death of a great Man and Poet is the death of Igor Talkov, and dreams, dreams about him. How much has not yet been written, how much has not been sung. Why do people so needed by Russia leave early - Pushkin, Lermontov, Vysotsky, Talkov? Dreams were prophetic, heavy. Shock, again spiritual vacuum. I could not walk, think, write. Friends remained ... And a new blow of fate, which, regardless of anything, throws me again thousands of kilometers from home, friends, my life - to Siberia, to the city on the Ob River - Novosibirsk. Longing for everything that I lost, as once again, a longing that did not leave me day or night. And songs began to be born, this time I can say with confidence - exactly songs, sometimes two or three per night. And outside the window is still the same snow, maybe that's why I'm Snezhina - snow, cold, emptiness. And calls from the past, from afar, from Moscow from friends, from my brother: "We are with you. Record something new and go out." If it weren't for them... And the cassettes that I had already recorded myself in my home studio would fly to the capital. One of them, by the will of the same fate, accidentally deviated from the assigned route and ended up on the Taganka in the KiS-S studio. A day later, a call: "Ready to work." Two hours later I was already at the frozen Novosibirsk airport, after another five I was going down the dark steps to the holy of holies of my 94th year, to the studio, I was walking towards my dream. The dream, however, quickly doused me with a tub of water, in the words of my first arranger Alexander Savelyev: "Work and work ... but there is something in it." I suddenly heard, as it seemed to me then, the divine sounds of a mysterious melody, which after a couple of seconds turned out to be just a talented arrangement of my song from my school years "Rose".
It was a new page in my biography. Rehearsals and recordings, quarrels and reconciliations with arrangers and cameramen, night taxis and a smoky studio basement, the first success and the first failure. A year of colossal work of the guys with whom I worked: Kalinkina V., Savelyeva A., Savary D., Krylova S. I worked with them for days, without leaving the studio for weeks. And the result is the first album of my songs "Remember with me", twenty-one songs. Only now I realize that these are songs that came out of my dialogues with myself, with my soul, from my tears and my joys, from my life.
In the past year, there was also a debut at the Variety Theater in a concert by V. Strukov. Gradually began to gain experience on pop venues. I had to combine this with my studies at the institute, so night discos and clubs became my first audience. She gave her first radio interviews. Of course, if it weren’t for the support of my family, brother, friends, the studio team, I probably wouldn’t have been able to overcome the first difficulties on the way to my dream, the dream of helping people “remember with me” that happiness is near.
Now I continue to work, pairing it with the need to graduate from the institute. I hope to release, despite the complexity of such a thing as show business, my first album. But already in the draft record of the second. Indeed, over the years of creativity, I have accumulated about two hundred songs that are waiting for their listeners. Yes, and life goes on as usual, new impressions, new thoughts, new words that you need to hear and try to understand. And most importantly - there is a dream. Of course, you still have to work and work, learn a lot, overcome a lot, you can’t do without it, but as long as there is a dream in your soul, light in the distance and friends at your shoulder, you can go through the fire and not burn out, swim across the ocean and not drown.
CONTINUED...
Snezhina is Tatyana's creative pseudonym. Her father is a high-ranking military man Valery Pavlovich, her mother is Tatyana Georgievna. Tatyana had an older brother, Vadim. Six months after the birth of Tatyana, her father was transferred from Lugansk to Kamchatka. After ten years of service in Kamchatka, Valery Petrovich was transferred to Moscow.
Tanya wrote poetry from childhood, and tried to create songs from them. Among Tanya's school poems, one can find those dedicated to Pushkin, the Decembrists, Zoya Kosmodemyanskaya to many events in her personal life. In her poems, the concepts of "fate", "fidelity", "lie", "betrayal", "separation" and "death" were often encountered. About death, including her own, Tanya often wrote in verse.
If I die prematurely
You give me to the white swans,
Between the feathers of their wings I'll get tangled
And I will rush off with them into my dream.
Despite her literary preferences, Tatyana entered the 2nd Moscow Medical Institute, but continued to engage in creativity. Her performances at student evenings were liked by the audience, and one of them recorded her songs on a tape recorder, and the cassettes quickly dispersed among friends, relatives and acquaintances.
Tatyana acquired her variety experience by making her debut in 1994 on the stage of the Moscow Variety Theater. This was followed by performances at various youth competitions and pop venues. She began to be interviewed. At the same time, Tanya did not quit her studies at the institute, and she intended to graduate from it, despite all the difficulties of concert life. At the same time, she found time to practice choreography. Tatyana decided to take on the pseudonym Snezhina, which reflects the snows of Siberia and Kamchatka that she remembers from childhood. Tatyana herself recalled this time as very difficult for herself.
In the creative biography of Tatyana Snezhina, there were quarrels and reconciliations with fellow musicians and arrangers. There were sleepless nights in a smoky studio, endless coffee, arguments "how best", the first successes and failures.
At the end of 1994, she recorded the material she had accumulated in the KiS-S studio on Taganka. Shortly thereafter, her family, following her father, who received a new appointment, moved to Novosibirsk. There, Tanya's recording got into the local philharmonic society, where they did not pay any attention to her. At the same time, the cassette fell on the table of the director of the youth association "Studio-8" Sergei Bugaev, which must be mentioned separately.
In the mid-1980s, Sergei was a Komsomol worker and at the same time the largest figure in the Novosibirsk rock movement. At the end of 1987, he became president of the Novosibirsk rock club, after which he created his legendary youth center "Studio-8", where all the leading groups of the rock club immediately moved. Soon, almost the entire color of Siberian rock and roll, from Kalinov Bridge to Omsk's Civil Defense, stood under the banner of Bugaev: Sergey became the only person in history who, back in Soviet times, managed to "fill in" through the Komsomol the then arch-extremist texts of Yegor Letov . Later, Bugaev, somewhat lost faith in the viability of the rock movement and caught fire with the more relevant idea for the mid-1990s of "pop music with a human face." It was here that the fateful meeting between Bugaev and Tatyana Snezhina took place.
In her autobiography, Tatyana Snezhina wrote: “These are songs that came out of my dialogues with myself, with my soul, from my tears and my joys, from my life ... I couldn’t even believe that someone needed what I wrote for myself more".
It was Sergey Bugaev who played a huge role in the life of Tatyana Snezhina. As he himself later admitted more than once among his friends, the cassette with her songs imperceptibly migrated from the walls of the studio to his car, and for several weeks he listened to Tanya's songs, listening, forgetting that this was material for work. The first stages of this work were at first like endless battles - Tatyana did not like the interpretation of her songs by the arrangers, the arrangers, in turn, did not see commercial prospects for the promotion of her material. At this moment, Tatyana was greatly helped by Bugaev's talent and efficiency. Somewhere with patience, and somewhere with cruelty, he achieved mutual understanding and creative spirit in his team. Snezhina herself said: “The work went on in different ways. Sometimes, we argue, we even swear, but we constantly come to some kind of decision and result. If we are talking about my work, about what came out of me, then Sergey Ivanovich often gives way to me , gives me more to say, but if we are talking about the professional side, about the stage, arrangements - I trust Sergey Ivanovich more ... ".
New songs by Snezhina were born difficult, the work was carried out painstakingly and carefully. Some songs were recorded for 2-3 months. The work went on, and Tanya's style changed a little, the studio's approach to her work changed. As one of the arrangers later recalled: "We have been trying for too long to bring Tanya's songs to world standards and suddenly realized that this is impossible. What she writes does not need any serious processing, everything she writes should sound almost intact, because this is what we were waiting for, looking for and could not find for a long time ... ".
Bugaev himself admitted in a television interview that it was their luck to find both the author of music, songs, and a talented performer in one person: “Our plans do not create a pop diva ... this is by no means a commercial project ... we want Tanya's songs to be simply heard, so that she would have her own audience ... ".
Tatyana herself said in an interview: "I do not set super-tasks, I just go step by step, as long as I have enough strength and breath ...". Snezhina was a very efficient and demanding person. She constantly tormented herself with the question that she did not live like that, that she had not done enough yet. She wrote wherever she could, wrote poetry on napkins in cafes, on tickets in public transport. The Snezhina family was literally in shock when her poems were everywhere, in abstracts, in paper trash. She liked to say: "I'll get tired of writing, there will be a lot of time, then I'll take up the old records - I'll process it."
The joint work brought Tatyana and Sergey closer - Bugaev declared his love to Tatyana and made an official proposal. Their wedding was scheduled for mid-September. In August 1995, Tatyana and Sergey were engaged. In the meantime, Snezhina's album was being recorded at Studio-8, the release of which was planned for the same autumn.
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“Apparently, her songs, which are somewhat incomprehensible and mysterious, Bugaev was hooked by something,” said Andrey Solovyov, the former administrator of Studio-8 and director of Civil Defense. “I never really liked such music close to pop music, I wouldn’t listen to her if I didn’t know Seryoga. And Snezhina herself gave the impression of a solid, beautiful girl. I could not imagine her as a singer. "
On August 19, Bugaev borrowed a Nissan minibus from friends and went with his companions to Gorny Altai for honey and sea buckthorn oil. He took Tatyana with him to show her the beauty of the Altai mountain lakes.
Two days later, on the way back, the Nissan collided with a huge MAZ truck, and all six people in the minibus, including Tatiana and Sergei, were killed. There are two main versions of the disaster. According to one of them, "Nissan" went to overtake and, due to the right-hand drive, did not notice the truck rushing towards. According to another version, the MAZ itself suddenly braked sharply, and its trailer skidded into the oncoming lane.
The police report said: “On August 21, 1995, at the 106th kilometer of the Cherepanovskaya highway Barnaul-Novosibirsk, a Nissan minibus collided with a MAZ truck. As a result of this traffic accident, all six passengers died without regaining consciousness minibus: director of the Pioner MCC Sergey Bugaev, singer Tatyana Snezhina, Ph.D. Shamil Fayzrakhmanov, director of the Mastervet pharmacy Igor Golovin, his wife, doctor Golovina Irina and their five-year-old son Vladik.
After the tragic death of Tatyana, thanks to the efforts of Joseph Kobzon, Igor Krutoy and many admirers of the singer's work in 1997, her name became known to the general public. Iosif Kobzon said: "Once a young man approached me, who said that a girl lived in Novosibirsk. Very talented. We loved her very much. And we sang her songs. Would you like to listen? You know, I was wary "Because I have a huge number of such cassettes. I listened to the cassette. I listened and, frankly, from the first songs I was very interested. And I came up with such a thought, such an idea: "What if I introduce my colleagues?" to Igor Krutoy: "The songs are good. Listen, if it makes sense, let's try, think about creating such a song evening. "And now the songs began to disperse in a circle with incredible speed. And in a large number of songs I found something that, in any case, I tried to try on my shoulders In Tanya's songs, there is soulfulness, purity, unusual for our days ... Tanya was a child of nature - she loved life, prepared for this life, but man proposes, but God disposes ... How much lyrics are in these verses and how much revelation is in Tatyana's poems, in the song "Your Letters" ... And her other song "Feast of Lies" is Tatyana's light mischievous coquetry. This song is so youthful, disco, cheerful ... I would like to remember Tatyana so beautiful, talented, cheerful. "
In the same year, a big concert was held at the Rossiya State Concert Hall with a full house, in which Tatyana Snezhina's songs were performed by Alla Pugacheva, Kristina Orbakaite, Mikhail Shufutinsky, Lev Leshchenko, Nikolai Trubach, Tatyana Ovsienko and many other Russian pop stars. The songs "Musician", "Crossroads", "Snowflake", "Be with me" and "How many years" hit various charts, and the composition "Call me with you" performed by Alla Pugacheva became a mega-hit.
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Alla Pugacheva, in an interview given in 1998, said: “I have a special, personal relationship with Tatyana Snezhina. I didn’t know her, we“ met ”after her death. Of course, if Tatyana were alive, there would be a famous songwriter and performer and a well-known producer. But "the saddest story in the world" about modern Romeo and Juliet would not exist. Tatyana Snezhina for me is a symbol of all talented people, whom we often pass by without noticing, without peering. Hence the meaning of our action - do not pass by the talents! The concert in Novosibirsk, as it were, prolongs the life of these people. After all, as long as they remember, a person is immortal. I get a lot of cassettes - with songs of both living young authors and those who died. But when I had a cassette of songs in my hands Tatyana Snezhina, I was struck by the poignancy of these songs. Not every song hits the heart like that. From the songs of Tatyana Snezhina there is a stream of positive energy. The song "Musician" became the main hit for Kristina Orbakaite, Alisa Mon perfectly performs "Snowflake". And "Call me with you" - just some kind of mysticism! We recorded it at a studio in Tver and, returning to Moscow, listened non-stop for three hours in the car. This is the rarest case for me. My performance is similar to Tanino, I do not argue. I had no desire to do everything the other way around, as happens when you take an old song and, willy-nilly, try to sing it in a new way. But in the story with the song "Call me with you" there was an element of mysticism. I did not sing and did not want to sing, to be honest. But I heard "Call me with you" - and there was no doubt that I would sing it. When I approached the microphone... I don't know what suddenly happened to me, but there was a feeling that it wasn't me singing. Someone is singing with my voice! Believe it or not. The same thing happened with Tanya's second song "We are only guests in this life". I go up to the microphone and again I feel - someone is nearby ... I'm not a very mystical person. But there was another strange case with the song "Call me with you". I come to St. Petersburg to shoot a video. Director Oleg Gusev did not hear anything about Tatyana, did not know the story of her death, did not even see photographs. “I don’t have much time,” I say, “I can only shoot the face, and you yourself think of everything else.” I come to the studio to watch the video. And I see a road, a car, a car accident! And the girl who was filming is strikingly similar to Snezhina! Then I open a volume of Tatyana's poems and show Oleg a photograph. Where Tatyana and Sergey were filmed a few hours before their death - well, a copy, one to one! How is this possible? We will never be able to explain!
The poetry of Tatyana Snezhina was imbued with the utmost lyricism and the tragedy of existence. In many of her poems, the theme of the transience of life and the early tragic departure from life developed. Almost all poems are confessional in nature and allow you to understand the deep inner world of the poetess.
In 1997, 1998 and 1999, Tatyana Snezhina became the laureate of the All-Russian television music competition "Song of the Year". In 1998, Tatyana's work was presented in three categories of the National Russian Prize "OVATION". At the Golden Palms awards ceremony, the song "Call Me With You" was recognized as the hit of the year. Igor Krutoy, being in the same nomination as Tatyana Snezhina as the best composer of the year, solemnly refused the victory in favor of Tanya.
Lev Leshchenko said in an interview: “I accidentally got Tanya Snezhina’s cassette. I put the cassette in the tape recorder and started listening. The first song interested me very much. that this is really ... professional material, this is certainly a talent ... only a talented person can feel the world around you in his young years, and the world is not only young, but also the world of people with some kind of already established worldview, with well-established destinies, characters ... This is a feature of a real artist - how to synthesize all this, combine it in oneself, and then make it possible for it to become some kind of artistic images. Her songs, each - is an artistic image. At the time, there are very few songs that would have been accurately resolved in terms of dramaturgy.Each song has some kind of plot, story or dialogue.And this suggests that she was a fairly mature master, despite her young years. Snezhina, a unique talented girl who owned the beautiful - music, poetry ... She sings her songs quite nicely herself. When I listen, I don't find any gaps. She could easily work as an actress-singer. Her songs are so diverse and filled with some very good light intonations, good mood, sincerity. God grant that they sound and that they are sung by our performers."
In 1996 Tatyana Snezhina's poetry collection "What is my life worth?"
In 2001, the Moscow publishing house "Veche" published the most complete anthology of Tatiana Snezhina's poetic heritage. One of the peaks in the Dzungarian Alatau was named after her, fan clubs of the singer appeared in Russia and a website dedicated to the life and work of Tatyana Snezhina was opened.
Initially, Tatyana Snezhina was buried in Novosibirsk at the Zaeltsovskoye cemetery.
Later, her remains were transferred to Moscow to the Troekurovskoye cemetery.
“For 215 years, our city has given the world a whole galaxy of famous and talented people,” Mayor Sergey Kravchenko said at the opening of the monument. “Our countrywoman Tatyana Snezhina managed to write a lot of wonderful poems in her short life. She was infinitely talented, songs based on her works many famous pop artists sing. This monument is a tribute to the young poetess and all talented contemporaries."
A documentary film "Remember with me ..." was shot about Tatyana Snezhina.
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Text prepared by Andrey Goncharov
Used materials:
Text of the article "After all, you did not know about me", author O. Lvova
Materials of the official website of Tatyana Snezhina www.snezhina.ru
Site materials www.ckop6b.narod.ru
The Russian public heard the name of Tatyana Snezhina for the first time after the song “Call me with you” written by her, performed by the famous diva of the Soviet stage Alla Pugacheva, sounded on the air and, after a while, became a hit of the late 90s of the twentieth century. Tatyana was no longer alive then. She is a talented author of more than two hundred songs and many poems, she tragically died at the age of 23 in 1995. The cause of death of Tatyana Snezhina was a traffic accident.
Tatyana was born in 1972 in the Ukrainian city of Lugansk. Her parents were SA Senior Lieutenant Valery Pavlovich Pechenkin and his wife, Tatyana Georgievna, a local factory technologist. The eldest son Vadim was already growing up in the family. After the birth of Tanya, the family moved from Ukraine to Kamchatka. The girl learned to play the piano from childhood and loved to arrange home concerts. She dressed up like a real star and sang modern songs, diligently imitating their performers. At the same time, she began to try her hand at poetry. Tanya studied at the secondary school No. 1 named after Gorky in the city of Petropavlovsk-Kamchatsky and at the same time at the music school.
In 1981 their family moved to Moscow. Tanya experienced the changes in her life in her own way. The delicate, romantic and dreamy nature of the girl was full of impressions of a large metropolitan city, in which new unexplored impressions and opportunities open up before a person, but she really missed her friends left in a beautiful land with its harsh and majestic nature. Light childish images in her poems were replaced by new moods. She grew up and in her youthful works appeared reflections on the fate of the past: Pushkin, the Decembrists, Zoya Kosmodemyanskaya, contemporaries and their feelings.
After leaving school, Tatyana, who dreamed of becoming a doctor, applied to the 2nd Moscow Medical Institute in 1989 and passed the exams perfectly. Here, in the youth student environment, she had the opportunity to sing her songs to her peers. The girl was a success and listeners began to record her performances on film, distribute them among lovers of bard songs. Snezhina called these recordings "the first, and therefore the most beloved edition." She gradually became famous in urban circles and, perhaps, would have received recognition from a wider public even then, if not for a new move - to Novosibirsk.
Tatyana's father received a new appointment and in 1992 she had to transfer to the Novosibirsk Medical Institute. Her work was fueled by fresh impressions and continued to develop. In 1993, Tanya was lucky to meet with the workers of the Moscow music studio "Kis-S" and professionally record her first author's music album. It began with the song "Rose". In the spring of 1994, the aspiring singer made her debut at the Variety Theater with the song "There Was a Time". In the same year, she became the winner of the television contest "About me and about the war" in Novosibirsk. After that, the first program about her work was released on Radio Russia
Taking on the pseudonym Snezhina, Tatyana worked hard and sang wherever such an opportunity was provided. Then an album of 21 of her songs was recorded, which later fell into the repertoire of many pop stars, and one of them - "Call me with you." Snezhina was engaged in vocals and dancing, looking for a new recording studio. In 1995, the singer met Sergei Bugaev, a music producer and head of the M & L Art studio. They began cooperation with the debut of the song "Musician" and planned to release a magnetic album and clips of Snezhina's songs in 1996. In September 1995, their wedding was to take place.
In August 1995, Snezhina and Bugaev and their friends went to Gorny Altai for honey. On the way back, on the 106th kilometer of the Cherepanovskaya highway Barnaul-Novosibirsk, their Nissan minibus collided with a MAZ truck - that's why Tatyana Snezhina and five other passengers of the minibus died. According to one version, the driver of the Nissan went to overtake, but because of the right-hand drive, he did not notice the oncoming truck. According to another, the MAZ braked sharply, and its trailer skidded into the oncoming lane along the rain-soaked highway.
She is buried at the Troekurovsky cemetery in Moscow.
From Wikipedia, the free encyclopedia
Tatyana Valerievna Snezhina (real name - Pechenkina; May 14, 1972, Voroshilovgrad, Ukrainian SSR, USSR - August 21, 1995, 106th kilometer of the Barnaul-Novosibirsk highway, Russia) - poet, composer and singer.
Born in Ukraine in the city of Voroshilovgrad (now Lugansk), in a military family. At the age of three months, with her parents, by the nature of her father's service, she went to live in Kamchatka. She studied at a music school and a comprehensive school in Petropavlovsk-Kamchatsky No. 4 named after. L. N. Tolstoy. In 1982, together with her family, she moved to live in Moscow. She studied at school number 874, was a social activist and a member of the school drama club. Entered the 2nd Moscow Medical Institute (MOLGMI). Since 1992, due to her father's business trip, she lived with her parents in Novosibirsk. I entered and studied at the Novosibirsk Medical Institute.
The beginning of creativity
She began to write music and poetry in her school years. I drew, I sang. The first success was informal - self-made "music albums" recorded at home dispersed among Moscow students, and then Novosibirsk students. The same fate awaited the poems and prose typed by the author. In 1994, T. Snezhina in Moscow in the studio "KiS-S" recorded phonograms of 22 author's songs of her first album "Remember with me". In the same year, she made her debut at the Variety Theater in Moscow, the first broadcast about her work was broadcast on Radio Russia. In Novosibirsk, he wins several song contests in the city and the region.
New songs by Snezhina were born difficult, the work was carried out painstakingly and carefully. Some songs were recorded for 2-3 months. The work went on, and Tanya's style changed a little, the studio's approach to her work changed. As one of the arrangers later recalled: "We have been trying for too long to bring Tanya's songs to world standards and suddenly realized that this is impossible. What she writes does not need any serious processing, everything she writes should sound almost intact, because this is what we were waiting for, looking for and could not find for a long time ... ". While looking for ways to release her solo album and record new songs in Novosibirsk, she met Sergei Bugaev, a former Komsomol worker who greatly contributed to the development of underground rock music in the 1980s. Since the beginning of the 1990s, the director of the Studio-8 youth association has tried to promote "pop music with a human face", into which Tatyana Snezhina just joined. In addition to creative relations between young people, close personal relationships were established, in May 1995 Tatyana was made an offer of "hands and hearts", and in the fall their wedding was to take place.
Doom
In August 1995, Tatyana and Sergey were engaged, a month later their wedding was to take place. In "Studio-8" Snezhina's album was recorded, the release of which was planned for the same autumn. On August 18, 1995, a presentation of a new production project took place, at which Tatyana performed two of her own romances “My Star” and “If I Die Before Time” with the guitar.
If I die prematurely
Let the white swans carry me away
Far, far, to an unknown land,
High, high, in the sky bright ...
Tatyana Snezhina
On August 19, 1995, Bugaev borrowed a Nissan minibus from friends and went with his friends to Gorny Altai for honey and sea buckthorn oil. He took Tatyana with him.
Two days later, on August 21, 1995, on the way back, on the 106th kilometer of the Cherepanovskaya highway Barnaul-Novosibirsk, a Nissan minibus collided with a MAZ truck. As a result of this traffic accident, all six passengers of the minibus died without regaining consciousness:
singer Tatyana Snezhina, director of the Pioneer Medical Center Sergey Bugaev, PhD Shamil Fayzrakhmanov, director of the Mastervet pharmacy Igor Golovin, his wife, doctor Golovina Irina and their five-year-old son Vladik Golovin.
There are two main versions of the disaster. According to one of them, the Nissan went to overtake and, due to the right-hand drive, did not notice the truck rushing towards it (on that day, one of the punctured wheels was replaced with a spare tire). According to another version, the MAZ itself suddenly braked sharply, and its trailer skidded into the oncoming lane (it had rained shortly before the crash).
Creation. Heritage
During her life she wrote over 200 songs. So, the most famous song performed by Alla Pugacheva “Call me with you” belongs to Tatyana’s pen, but Alla Borisovna sang this song after the tragic death of the poetess and performer in 1997. This event served as the starting point for writing poems dedicated to Tatyana Snezhina. Starting from 1996, other pop stars began to sing her songs: // I. Kobzon, K. Orbakaite, Lolita Milyavskaya, T. Ovsienko, M. Shufutinsky, Lada Dance, L. Leshchenko , N. Trubach, Alisa Mon, T. Bulanova, E. Kemerovsky, Asker Sedoy and others. Numerous musical compositions based on her music in the dance rhythms of house and hip-hop are popular. Her music is featured in films.
Despite the fact that Snezhina wrote more than 200 songs, her poetry, due to its inner melody, inspires many composers to write new songs based on the poems of this author (E. Kemerovsky, N. Trubach, etc.). At the moment, the repertoires of performers in Russia, Ukraine, and Japan include more than two dozen new songs based on Snezhina's verses.
In 1997, 1998, 1999 and 2008, T. Snezhina posthumously became the laureate of the Song of the Year award. There is an award named after Tatyana Snezhina - "Silver Snowflake" for her contribution to helping young talents. One of the first statuettes was awarded to Alla Pugacheva.
In 2008, Ukraine established the literary prize of the Interregional Union of Writers of the country named after. Tatyana Snezhina and the corresponding commemorative medal. Every year the best songwriters are nominated for this award.
In Kazakhstan, in honor of Tatyana Snezhina, the top of the Dzhungar Alatau mountain range is named. The peak was first conquered as a result of a target expedition of a group of young Russian climbers.
In 2006, at school No. 97 (formerly school No. 874) in Moscow, where Tatyana Snezhina studied from 1981-1989, by the efforts of the teaching staff, on the basis of an official decision of the Moscow government, the "Literary and Musical Museum in Memory of T. Snezhina" was opened .
In Ukraine, in the city of Lugansk in 2010, by decision of the authorities, a bronze monument to Tatyana Snezhina was erected in the center of the city. The author of the sculpture is E. Chumak.
Ukraine. Lugansk.
In 2008, a large-scale regional television competition for young pop song performers "Ordynka", dedicated to the memory of T. Snezhina and S. Bugaev, was established and annually held in Novosibirsk. Contestants come from all over Russia and the competition is held in several stages, widely covered by the press and television. Traditionally, one of the stages of the festival is the performance of songs by T. Snezhina.
In Novosibirsk, in 2011, one of the new streets was named after Tatyana Snezhina.
Since 2012, the Novosibirsk Cycling Club "Ryder" has been holding the annual "Bike Ride in Memory of Tatyana Snezhina" along the route Novosibirsk - 116 km. Cherepanovskaya highway (the place of death of the poetess).
Since 2012, the annual "International Festival of School Creativity in Memory of Tatyana Snezhina" has been held in Moscow on the date dedicated to the birthday of the poetess.
On May 14, 2013 in Novosibirsk, on Tatyana Snezhina Street, at the initiative of the author's fans, by the decision of the city authorities, a five-meter bronze stele dedicated to this poetess and composer was installed. The authors of the sculpture are Yury Burika, the chief artist of Novosibirsk, and Anton Gnedykh, a Tomsk sculptor. The stele in the form of a stylized sail-harp with the silhouette of a young poetess perpetuates not only the image of T. Snezhina herself, but also one of her famous works - in the foreground of the composition is a musical staff made of bronze with the first notes of the song “Call me with you”.
In the 21st century, Tatyana Snezhina has become one of the most popular and best-selling poetic authors in Russia. The circulation of her books has crossed the 100,000 mark.
Take me with you
Verses and music of Tatyana Snezhina.
Again from me the wind of evil changes
Takes you away
Leaving me not even a shadow in return,
And he won't ask
Maybe I want to fly away with you
yellow autumn leaves,
A bird behind a blue dream.
Call me with you,
I will come through the evil nights
I will follow you
Whatever the path prophesies to me,
I will come where you are
Draw the sun in the sky
Where are the broken dreams
They regain the power of height.
How long have I been looking for you through the years
in the crowd of passers-by
Thought you'd be with me forever
But you're leaving
You don't recognize me in the crowd now
Only, as before loving, I let you go.
Call me with you,
I will come through the evil nights
I will follow you
Whatever the path prophesies to me,
I will come where you are
Draw the sun in the sky
Where are the broken dreams
They regain the power of height.
Every time the night falls
To the sleeping city
I run away from the sleepless house
In sadness and cold
I'm looking for you among the faceless dreams,
But at the door of a new day
I'm going again without you.
Call me with you,
I will come through the evil nights
I will follow you
Whatever the path prophesies to me,
I will come where you are
Draw the sun in the sky
Where are the broken dreams
They regain the power of height.
If I die prematurely
You give me to the white swans,
Between the feathers of their wings I'll get tangled
And I will rush off with them into my dream.
And there is no need to call a priest to my house,
Yes, and in the church you don’t have to bury me.
Let the free winds sing me,
They will sing to my destitute soul.
Well, my body is empty
Throw damp earth
Yes, put him, unbaptized,
Cross, so that I may be forgiven by God.
Do not put flowers on my grave,
Let it be overgrown with lush grass.
Let the forget-me-nots bloom in the spring,
Yes, winter will fall with white snow.
If I die prematurely
Let the white swans carry me away
Far, far to the unknown land,
High, high in the bright sky...
The purpose of this article is to find out how the tragic death in a car accident of a talented poetess, composer and singer TATYANA SNEGHINA is embedded in her FULL NAME code.
Watch in advance "Logicology - about the fate of man".
Consider the FULL NAME code tables. \If there is a shift in numbers and letters on your screen, adjust the image scale\.
16 22 46 53 67 78 88 102 103 122 123 142 171 203 217 218 221 222 234 240 257 286 292 295 309 310
P E CH I N K I N A T A T I A N A V A L E R E V N A
310 294 288 264 257 243 232 222 208 207 188 187 168 139 107 93 92 89 88 76 70 53 24 18 15 1
19 20 39 68 100 114 115 118 119 131 137 154 183 189 192 206 207 223 229 253 260 274 285 295 309 310
T A T I A N A VALERIE V N A P E CH Y N K I N A
310 291 290 271 242 210 196 195 192 191 179 173 156 127 121 118 104 103 87 81 57 50 36 25 15 1
PECHENKINA TATYANA VALEREVNA \u003d 310 \u003d 156-DIES IN A CAR ACCIDENT + 154-WHEN ACCIDENT TO A PREP (action).
310 \u003d 240 - DIES IN A CAR ACCIDENT WHEN COLLECTING + 70 - ON PREP (action).
Let's check the decryption with a table:
16** 31 35 45 47 48 54 73 76* 77 80 99 114*115**118** 119**136 146 156* 172 189*199
P O G I B A E T V A W T O A V A R I I P R I
310**294*279 275 265 263 262 256 237 234*233 230 211 196**195**192**191*174 164 154*138 121*
213 214 220 229 234*240** 254 255 271*288*294**310**
N A E Z D E N A P R E P...
111 97 96 90 81 76** 70* 56 55 39* 22** 16**
The table contains 2 chains of 4 consecutive numbers: 114-115-118-119 191-192-195-196
And 1 chain of 3 consecutive numbers: 288-294-310
And also 7 matching columns: 16**\\310** 115**\\196** 118**\\195** 119**\\192** 240**\\76** 294**\ \22** 310**\\16**- (repeat)
Consider the decryption: 310 = 119-LIFE DONE + 191-\102-CAR ACCIDENT + 89-DEATH\.
8 18* 27 41 51 63 73 98 104*118**119** 120 123*142**157 158 161 162 179*189*221*
L I H I L I S E N A + A W T O A V A R I A +
310*302 292*283 269 259 247 237 212 206**192** 191*190 187**168*153 152 149 148 131*121*
232*247 261 285* 295**309**310**
C O N C I N A
89* 78* 63 49 25** 15** 1**
The table contains 1 chain of 4 consecutive numbers: 285-295-309-310
1 chain of 3 consecutive numbers: 1-15-25
And also 6 matching columns: 118**\\206** 119**\\192** 142**\\187** 295**\\25** 309**\\15** 310**\ \1**
In decryption: 310 \u003d 188-DEATH IN THE CAR + 122-IN ACCIDENT IS RUINED
We will see 8 matching columns:
11 26 40 64 74 88* 89** 92** 93** 96 115*130 143 158 160 170 182 188*
C O N C I N A V A V T O M O B I L E +
310*299 284 270 245 236 222** 221** 218** 217*214 195*180 167 152 150 140 128
191* 192**195**196**213 223*233 251 255 275 277 289 295*309**310**
V A V A R I S G U B L E N A
122* 119**118**115**114* 97 87* 77 59 55 35 33 21 15** 1**
The table contains 2 chains of 4 consecutive numbers: 191-192-195-196 114-115-118-119
And also 8 matching columns: 89**\\222** 92**\\221** 93**\\218** 192**\\119** 195**\\118** 196**\ \115** 309**\\15** 310**\\1**
P (envelopes) + (arr) ECHEN (naya) + (became) KI (va) N (s) A (cars) + (ka) TA (stanza) + (death) T + (oncoming) I (cars) ON + V A (car) LE R (azbilas) b + (vn) E (zapnoe) (stalks) B (a) N (s) A (cars)
310 \u003d P, +, ECHEN, +, KI, N, A, +, TA, +, Th +, I, ON + B A, LE R, b +, E, B, H, A,.
215 = CAR ACCIDENT (beat) = ROAD CAR (aria) + CAR (beat).
If we make tables from these transcripts, we will see 3 matching columns.
Therefore, it would be best to consider the decryption: 215 \u003d (p) AZBIVA (etc) + 189-CATASTROFA AUTO (beat).
5 8 9 14 37* 38** 57** 86 102 108 125 128 143 149* 150**153**157*177*195 214*215**
D T A D C A T P E R V O E A V G U S T A
215*210 207 206 201 178**177**158* 129 113 107 90 87 72 66** 65** 62* 58* 38* 20 1**
1** 10 12 22 25 26 37* 38** 57** 58* 76 95 112 127 148 149* 150**153**172 187 200 215*
(p) A Z B I V A ... + K A T A S T R O F A A W T O M O ...
215**214*205 203 193 190 189 178**177**158*157*139 120 103 88 67 66** 65** 62* 43 28 15
The table contains 4 chains of 3 consecutive numbers: 37-38-57 149-150-153 62-65-66 158-177-178
And also 5 matching columns: 1**\\215** 38**\\178** 57**\\177** 150**\\66** 153**\\65**
"Deep" decryption offers the following option, in which all columns match:
D (road) (a) B (current accident) + (stop) A (ser) DCA + (death) T + P (r) ERV (an) O (breath) E + AB (current accident) + GU (bit) ST (collision) A (cars)
215 \u003d D, V, +, A, DCA +, T + P, ERV, O, E + AB, + GU, ST, A,.
We look at the column in the lower table of the FULL NAME code:
_______________________________________
195 = TWENTY-FIRST AUGUS (that)
118 \u003d 64-ACCIDENT + 43-IMPACT + 11-K (end)
_________________________________________
195 \u003d 63-(a) VARIATION + 43-IMPACT + 89-DEATH
Code for the number of full YEARS OF LIFE: 86-TWENTY + 46-THREE \u003d 132 \u003d 63-DEATH + 69-CATAST (rofa).
Consider tables:
5 8 9 14* 37* 38**57** 86 105 122 132*
TWENTY THREE
132*127 124 123 118* 95**94** 75* 46 27 10
4 14* 16 22 34 63 74 75* 94** 95** 113 132*
G I B E L + K A T A S T (rofa)
132*128 118*116 110 98 69 58 57** 38** 37* 19
The table contains 2 chains of 3 consecutive numbers: 37-38-57 and 75-94-95
And also 2 matching columns: 38**\\95** 57**\\94**
In decryption: 132 = (y) A GIFT OF A HEAD IN ACCIDENT (s) = (g) IBEL IN A CAR ACCIDENT (s)
We get a slightly different picture:
5** 6 23 27* 42 54 69 72 87 97 100 101 104 105*122**132**
(s) DAR G O L O V O Y V A V A R I (s)
132**127*126 109 105* 90 78 63 60 45 35 32 31 28 27** 10**
10** 12 18 30 59 62 63 66 85 100 101 104 105*122**132**
(d) I BEL V A V O A V A R I (i)
132**122*120 114 102 73 70 69 66 47 32 31 28 27** 10**
We see in the tables 1 matching row: 105-122-132
And also 3 matching columns: 5**\\132** 122**\\27** 132**\\10**
10**\\132** 122**\\27** 132**\\10**
"Deep" decryption offers the following option, in which all columns match:
D (breathing) (interrupt) B (ano) + (stop) A (ser) DCA + (death) T + TR (automated) I (e)
132 \u003d D, B, +, A, DCA +, T + TR, I,.
We look at the column in the upper table of the FULL NAME code:
122 = TWENTY TR(s)
__________________________________________
207 = 69-END + 138-ROAD CAT*(astrophe)
207 - 122 = 85 = INSTANT.
310 \u003d 132-TWENTY-THREE + 178-SEVERE INJURY of M (eye).
215-THE TWENTY-FIRST OF AUGUST = 132-TWENTY-THREE + 83-IN A CAR ACCIDENT.
132 = TWENTY THREE = 69-END + 63-DEATH.
